Dad wouldn't blame you because he loved you.

I don't blame you either because I love you.

The dress that Cardan gave Jude to wear to Dain's coronation.

I have suddenly gotten into The Folk of Air series by the urging of my friends and it is all I can think about. This dress was one of the first things I wanted to draw when I read The Cruel Prince.

enemies to lovers always my beloved

Okay hear me out... You need money fast for some reason so you decide to sell your body - you'll get to have fun while also getting the cash you need. You go to Azul for a few pointers on how to run such business and while he might give them to you for a price, once he has Floyd amd Jade find out just what kind of business you need, he decides he needs to be the first in line. Like please take his virginity. He will pay you well. Hell, he might just pay you enough so you stay with him only...

Other part of the scenario is that your business is now open and all the boys that have been crushing on you are standing in line now. (this is just me wanting to take Azul's and Riddle's virginity... I want to take good care of them)

Omg he's a loser!!! T_T he needs to be the first and last in line, by which he is the only one in line. He probably tells the twins they're free to have fun with (beat up) anyone who even tries to make use of your little business. He is getting laid no matter what and it's going to be with you!!! >:( He boasts it so proudly that the twins can't help but laugh and tease him about his enthusiastic determination. If it isn't a business opportunity or new blackmail, then it's you who has him so eager. He would absolutely make you his contract lover. >_< so pathetic tako... the type to say "it isn't love" after you've signed his contract, but one of the stipulations is that you have to act like you're his loving partner and aaaaa he's so in love and so bad at navigating it with real, truthful rizz.

Open for business yes!!!! Could you imagine Riddle is one of the first in line and you don't expect to see him and he's so embarrassed and growing even redder by the minute!!!!!! orz he absolutely tiptoes around the real reason he's there and tells you he's not here to sleep with you and that he only wishes to take you out on a friendly outing (a date), so if you would be so kind as to indulge him just this once and maybe then... he's rambling and rambling and it looks so cute to see the usually eloquent Riddle flustered and fumbling over his tongue. You'll entertain him with a day's worth of fun things (tea party, croquet games, tending to the flamingos and hedgehogs, taking a stroll through the rose maze) and at some point in the evening you'll find yourself back in Riddle's room. He is incredibly nervous, but you're so patient with him. <3

It's probably really sweet and soft and slow sex because Riddle's settling into a pace that suits the both of you and it's also his first time so you want it to be endearing and memorable for him. Nothing hardcore or painful for the first time, but you can be certain that after that night he will find himself at your doorstep yet again. And again and again. Bad habits are hard to break, but even more so when you've become a crucial part of Riddle's schedules and he doesn't have the heart to write you out of it. Once the both of you are more comfortable in the bedroom, you will see many fun sides to Riddle (sides you never knew he could have, and from the way Riddle seems surprised even he was unaware he possessed such exciting sides).

now wtf is going on over on that firefighter show? bc this scene exists and you’re telling me buddie isn’t canon? like i’m stunned.

Love your art and I'm generally curious as to what the appeal of Dante/Vergil is to you? Do you have any hc that you're drawing from or is it just personal preference? I struggle to imagine the right conditions for them to be involved in that way and would like to know what inspires you.

I will premise this by saying, that I’m actually not a MASSIVE fan of just DV for its own sake, if Nero isn’t also included (or like, with the assumption he will, 100%, be included once he’s in the picture). To me it’s kind of a baseline pairing?

As in, I don’t even have to think about it. Of course they’re in love, of course they’re together, of course they’re fucking. It’s almost an afterthought to me, the way the married parent couple of the protagonist in a story inherently are. It doesn’t necessarily interest me by itself, that fact, it’s just a certainty, it just is. I guess, for me, the interest in DV specifically comes more out of what other people make of it, because for me I’m almost always approaching first from the perspective of Nero being there also, haha.

There’s also the fact that I have a lot of hc about just like, the way demons function as a species, I guess. I took a lot of things dmc canon gave me and went like, “alright, time to project this into the most self indulgent, non-human society but humanoid looking species I can think up in my brainhead”. To me a lot of the appeal comes from it being not necessarily a predestined thing as much as like, a biological inevitability - (going to speak in definitives about my own hc from here on, so not making any statement about canon dmc lol) demons mate with their kin, and with whoever deems worthy - and twins from the same litter would inevitably end up being the other’s first partner, their first choice, their other half. In a sense, to me, they’re soulmates - though honestly I prefer to think of it more as two halves of the same soul, following the implications in 3 and the 3 manga that them being twins comes from the spawn of Sparda being too powerful to just be born in one body. That might sound like I’m just saying they’re soulmates in a different way, but not really - to me, if I had to go the soulmate route, Nero would be both of their soulmate - because the two of them make one single soul, and the match to that would be Nero’s.

I kind of just go off of the assumption that they are in love and have been since they were in the womb, you know?

That colors the way I see their every interaction. To me, in their fighting, their squabbles and their feuds, there’s always love at the source. Familial, yes, but romantic and sexual as well - and to me, when I think about them, it’s all one and the same. To love each other like family is to be intwined, is to be mated, is to be a pack and is to be one.

That’s the more deep thoughts I have about it, I have more shallow/surface thoughts (and specifically ship dynamic thoughts about like, what appeals to me about them sexually lol) but if I had to quickly sum it up that’s what I would say, I think. 

"So, you're Izuna?"

"I am... if you want me to be."

"All I want from you is an answer!"

"It doesn't matter who I am. I'm here for you, Tobirama. See? I'm real."

---

'Trapped in the end!' said Sam bitterly, his anger rising again above weariness and despair. 'Gnats in a net. May the curse of Faramir bite that Gollum and bite him quick!' 'That would not help us now,' said Frodo.

Sword in hand Sam went after him. For the moment he had forgotten everything else but the red fury in his brain and the desire to kill Gollum. But before he could overtake him, Gollum was gone. Then as the dark hole stood before him and the stench came out to meet him, like a clap of thunder the thought of Frodo and the monster smote upon Sam's mind.

Now he tried to find strength to tear himself away and go on a lonely journey – for vengeance. If once he could go, his anger would bear him down all the roads of the world, pursuing, until he had him at last: Gollum. Then Gollum would die in a corner. But that was not what he had set out to do. It would not be worth while to leave his master for that. It would not bring him back. Nothing would.

Sam and vengeance in today's entry

“Miguel cheats on Xina and is so callous in his explanation of said act because it comes from a place of self sabotage” is one of those readings where I really like it’s implications and agree it’s plausible for Miguel to do that, but also think it’s harder to textually support.

The difference in Miguel’s reaction between Xina vs how he handles Gabriel is. Incredibly stark.

I think reading self sabotage here with Xina only really works with the cruelty of mocking Xina as she leaves or making a face at her that doesn’t seem to hint at remorse if you read that self sabotage as being either unconscious, or a deeply suppressed. Which are plausible for the character as I’ve said; but I’d argue aren’t supported within the textual presentation we are offered here into Miguel’s supposed emotional state.

Compare and contrast to the confrontation with Gabriel. Miguel is still being a dick, but it’s not the active aggravation like towards Xina, more a sense of condescending pity.

Most critically, you have the time to taken to offer small insight into Miguel feeling guilt at Gabriel trying to forgive him and retreating from that. It’s a reaction no one other than Miguel is privy to and hints at that feeling being aggravated and then suppressed. Most notably, it’s just. Not something we see replicated in his interaction with Xina.

I don’t think any of this particular reading I’m offering here negates the obvious regrets Miguel holds regarding Xina into the future of 2099 though.

Like regardless of whether you choose to read it as active disregard or an unconscious self sabotage (or both), it’s very obvious Miguel holds a lot of regret regarding tarnishing that friendship (and the unspoken love that was present there) and this manifests in one of the most notable ways through the ambiguity to his reaction to Lyla’s confession.

Like. You can essentially read quite a plurality into Miguel’s deflection/bemusement here. From his deeply complicated relationship to love and self hatred, to the fact that Xina becomes retroactively intrinsic to Lyla and that aspect offering the scene a completely new dimension, tinged with palpable regret.

I think it’s entirely plausible, given the ambiguity where Miguel’s reaction comes from to argue for that being present within this scene given not only its presentation, but that guilt over Xina is something we see present in Miguel.

i dropped reading as a hobby like a year ago and i decided to pick it back up again (the book i stopped reading half way was the cruel prince)..i jst finished the second book (the wicked king) in 2 days while im almost done with the third (the queen of nothing)

kicking my feet and giggling when the bungo stray dogs manga shows raw ass gore and becomes a gothic horror for two (2) seconds

good morning i feel like i caught the plague and my job keeps denying my pto hours

Hi Anna!!! I have a question for you. I came across a gifset of 6x09, the phone call where Buck tells Hen, Chim, and Eddie about the baby. Eddie sure didn't stick around for that conversation! He's visibly a bit bothered by it, but he doesn't say anything. And I think that's because he's trying not to steer Buck in any direction now like previous events, but I just think he has SOMETHING to say about it! Anyway, do you think he would bring it up at any point and would it create problems for Buddie?

Muah!

Hi, baby <3

Okay, long story short: unless the baby becomes a thing that's actively harming Buck, I don't think Eddie is gonna say anything. It's done, the baby exists, he is not a possibility, he is an actual human out in the world so whatever feelings he may have about whether or not that was a good idea don't matter, because he's not an idea anymore. And even if we end up with buddie and somehow that kid becomes a conversation topic, it's not Eddie's place to say Buck shouldn't have done it, and he knows it, I think that's why he acts the way he acts towards it, he knows it's not his place. I can see Eddie snapping if it becomes something that's creating problems for Buck that he refuses to acknowledge but using it to create problems between them would be just stirring up drama with the least interesting thing they could pull from the deck of buddie drama, because Eddie would never actively try to hurt Buck more by bringing this kid into the conversation.

And regarding the whole thing while the baby is still just a concept, Eddie likes to push against the line of thought Buck is trapped in, sometimes because he's actually about to give some solid advice, sometimes maybe just because he's testing how set on this way Buck is. He only found out about the donation once it was a done deal, Buck had a lot of time to sit and think about it by the time he finds out, considering Eddie finds out right as Buck is about to make the donation, and Buck never goes to him to talk about that, so even though is pretty clear he thinks Buck is making a mistake, Buck never asked for his opinion while it would change anything, so he just ignores whatever concerns he may have.

I think Eddie has a better perspective on what being a parent means to Buck than Hen does because while we like to say the whole team knows, we don't really have that many scenes with Buck and Chris with the whole crew, so Eddie is really the only one watching Buck be a parent on a regular basis, and the question Hen asks, the "can you be a father and walk away" is the real thing that could create problems because one, Eddie is a father who walked away, he went to war and he did come back, but even he admits he ran when he was in the army, and two because he's been watching Buck not walk away for years, so he knows if Buck gets too involved, he's not gonna be able to walk away, and that's the concern I think. Sure, there's the fear that Buck is just believing the whole "they had me for parts" and is giving away even more of himself, and problems that the donation could bring for Buck on a bigger scale, but I think specifically with 6x09, Eddie is listening to Buck refer to himself as a father to a child he will have no involvement raising and he's worried Buck is gonna crash from that too hard if he keeps thinking about it the way he is, but he also thinks Buck doesn't want his opinion, because he never asked, and now the baby is real, so he backs away.

Naksu and Jang Uk are giving me major Pisces x Virgo vibes this season lmaoo. Before they gave Scorpio x Aries vibes though.

Sometimes I think I miss some of my old male coworkers and then I remember the way they defended Johnny Depp and im like nah

Anonymous inquired: 🔥🔥🔥 Munday - Accepting

(( So, when I write horror, I tend to write it using... well, I've called it the "Don't Flinch" rule in my head, but you could probably liken it just as much to quicksand or fingertraps or the like just as much.

The basic idea is this: nothing bad will happen to characters until they react to what's happening around them. It's a little like sitting them down into a chair and telling them that, whatever happens around them and whatever is going on, they will be entirely and wholly safe and untouched until the moment that they flinch. That they move, effectively, or interact with the horror, or otherwise involve themselves in some way. After that happens, all bets are off the table, they've caught it's attention and it can do whatever it wants to them now.

The reason why is pretty simple, in my opinion. No stimuli is worse than bad stimuli. Boredom is often far more painful than actual pain itself, and pain can be vastly preferable in the sense that at least then you have something to do, that you can then pare the situation down and react to it in a way that directly makes sense. There aren't really any instincts for making boredom less tolerable, but when bad things happen, the mind tends to contract and lessen the horribleness of it.

So, then, you want to force people to make that choice. They can stay in that boredom, they can walk freely and safely afterwards knowing that whatever happens is no fault of their own, or they can involve themselves. Heap the responsibility onto themselves, put themselves in harm's way, even end up hurt because of it, but then being able to react at all and to know what's happening and what reaction to have.

It's a pretty good way to build tension, I've discovered. It's picking at people's curiosity, making them sit and wait in that moment before anything happens, anticipating the drop and knowing they'll have to make themselves take that jump, and all they can do is try to brace themselves for what they know they're about to do. There's a choice to it, a choice with no right answers, yes, but a choice all the same.

And, likewise, it kinda just happened because I've figured out that people just really can't leave shit alone. There's always that urge to pick at that scab, to try and scratch, to stick their nose in where it doesn't belong. There's always the want for more, the inability to tolerate something being just out of reach for them, and I think that's fun to toy with.

Of course, another aspect of this rule for me is that... Well, by the horrors not being allowed to harm a character until they react to them or interact with them in some way, that does still mean they can do literally anything else other than that. Hence, don't flinch. Someone can throw a punch or swing a weapon directly at the victim's face, so to speak, and unless they flinch, it won't touch. However, that doesn't mean that throwing the punch or swinging the weapon isn't especially cruel, particularly with the awareness that if they do flinch, it will connect. Which, again, I also like to build tension, because it forces people and characters alike to steel their nerves. To force them to try and brace themselves to tolerate whatever's about to happen to them, because it's the only way they'll get out.