Curation 2024: Flesh and Marble
Hey! You got an hour?
I love curation. I like taking the unending deluge of information, of sensations, of stuff that the world throws at us, and I just. I think one of the kindest, most gentle things you can do for another person is say "look at this. Decision paralysis is banished, information overload is dead, check out this story I've created. Look at these specific rocks out of the infinite combinations of rocks there are. Not just these rocks, but this order. See the narrative? There's a through line, if you look. Trust Me. Take my hand."
I love making playlists for that exact reason. You almost have to make them like throwing pots, with a reckless abandon that allows for a stroke of inspiration. But also, you kind of have to be allowed to let a few off the wheel lumpy and potential but not fully realized. You gotta Get Down with the concept of failure. To burn through them until you find just the right combination of songs that captures a feeling, a time, a memory. A museum of music.
I like museums because they are, more than anything, a signpost for what we find important. A landmark. The public art of city streets given form in an art museum, sometimes even through that same public art, often divorced of context, because museums don't let themselves be weird enough. To commit to the bit enough.Too few museums truly curate, truly immerse in the story. Give you a reason to follow the threads they lay. You start to almost resent it. Get in your feelings. Feel Sum Kinda Way. But once you learn to speak museum, you realize that they can only meet you halfway, and you are your own curator as you wander hallowed halls and learn about building materials, about Rothko, about postage stamps. You pick your own adventure. And you fall in love with museums all over again.
So when I find a museum or something that I enjoy, I just. Lose It. I want to share it. I want to take you along and say "LOOK AT THIS. How Does It Make You Feel." I want you to share in the wonder, and the marvel. So sometimes I even write. Sometimes I say, I can enchant you, ensnare you. I can bring you along the line, into the fold, I can capture a sunray for the length of a paragraph. Time frozen in amber, in service of you seeing just a touch of the magic.
I almost died again this year. Maybe more than once. There's Comedy in death. Even near death. We have to let ourselves laugh at it. We stay silly right? You can't greet death as an old friend if you're scared of him. But you can't chase after him either. He's coy. He's shy. He'll come when he's ready. And I'm not ready now either.
I don't think I'm as scared anymore though. I wouldn't say You're My Best Friend, Death. But you're certainly no stranger. You're not someone I would turn away, and I would share a drink with you. I would be tender, I think. You have it rough too.
I think this year of all things I'm falling in love again. I fell out of love with life, a while back. It was rough and it was scary and I didn't feel like myself. And I still don't, but we all know time pulls us forward, yadda yadda, you can't step into the same river twice, you are a construct and all constructs are ever changing, time stole my front porch; can't have shit in ship of theseus. I Want To Know Your Plans, time, but the future is that quote from Nightvale, always flinching first, leaving me only a present.
So I'm different now. In the present. In some ways worse. in some better. I think I'm gentler, at least I hope so. I want to be kinder. I want to treat people with care. And I want to share an idea to cap off this year, because I want to have curated my own experience, and maybe I can help you fall in love with life again too. Next year is going up, because I am on the Up and Up.
I can't get past the idea of choice. What makes the gardener pick flowers or weeds? The tastes of the gardener. What they cultivate, what they choose. They curate their garden and all of living is just. This same action again and again, on larger or smaller scales. When I was little I tried to get into Rollerblades. I thought they were super cool, I thought I'd be a cool kid in rollerblades. But I was drawn to biking. I still bike now. You can stand, if you dare, with the wind blowing through you, wheels turning all on their own, you king of the world on your personal palantir. You can pump your legs and get your heart singing and I can't imagine my life if I'd picked rollerblades. You know?
I started chasing an idea halfway through this, but to loop back to what I wanted to explain is- I want to curate my experience of this year. I want to be able to point to this year down the line and show just why it mattered- not for the time everyone will think, but the time that happened after. I looked at my life and said, I can Make It Better. I can rebuild it, different this time. I can be me, but a little further down the river. A few more boards replaced.
Can I do it? Can I Be Him? The me I want to be, the one who took this year and kindled something bright? I miss my surety. I miss my certainty. Everything feels like a big muddy middle right now, and I don't think I can ever reach as high or as low as I once did. But I think I can be steadily climbing up. Boot up bitch, the stairs are slippery but it turns out you have nothing but time.
My mom wants me to move home. She's scared, for me, out here "alone". She doesn't think my friends took good care of me, given what happened in March. I can't blame her. I wasn't taken good care of. I wouldn't let people, I hid it all. I was ashamed. I was embarassed. It's Hard To Live In The City, but not for the reasons my mom thinks- there's so much going on here. There's so much information and so many things to know and see and do, you can hide in plain sight. You can craft a narrative. You can shape the experience so that what you are, what you need, who you have become is hidden.
I know now that I need to be seen, to be known. I need other people to get who I am. But I'm not Fred Astaire- I can't be someone to everyone, even just a name. I have to curate (sick of me yet?) my own experience. My own image. I have to choose who my audience is now. It's tougher to decide who is worth your attention (And it is attention- that's all an audience is). It feels like gardening. Who's a flower and who's a weed. I don't like it. But you have to, to live. And I'm tired of not living.
And so I walk forward from my own Easter rebirth. Shaky legged, on stilts like Bambi, just becoming a new man. I hate it but you make yourself every day, don't you? Why would now be any different. I'm just more aware of it. It'll fade, with time. Like the scar it is. But I don't want to forget this feeling. I want to remember it. To have a story to tell that circles around it, gives it edges and definition. And so I wrote this.
It's part playlist. It's part poetry. It's prose, but it's prosaically just a list of songs as well. I sat down to write and my hands started moving, and I got here, with you. Are you still with me? I'm glad. I'm glad I'm still here, and I'm glad you're here with me. I'm even glad I'm still awake,writing this instead of sleeping. What's The Time Where You Are? Here it's late-about 1AM. And I have to finish this, I'm almost done. I wanted to leave you somewhere better than we started. This story is going up, remember?
I've picked a better audience, actually. That's a good first step. They're not the King Of My Heart, but they might be as close as it gets. I feel sweet. I feel simple. I feel at ease. But more importantly I feel like I can do. I can accomplish. I can rest. I can recover. I can just. Be.
Maybe this music isn't to your liking. But that's ok, I Don't Mind. I didn't make it for you to fall in love with. I made it to make you fall in love with the idea. I want you to curate your own life. You have to. Or you're not living. I want you to love the life that you've made. I don't love mine yet. But I want to, and I'm going to. And that's that on that.
I guess the elephant in the room is, why Flesh and Marble? Why not Clay, like old man Ozymandius? It ties better to the throwing pots above. Of getting muddy biking, of being down in the dirt before rising three days later. Even now I'm thinking that Feet of Clay is a much better title. But I like Flesh and Marble. The first song I put on here was a similar title structure. But I didn't want to give the concept air time, actually- too close to March for my liking, although the song was great. It just wasn't the vibe. But the name was close. And the artist. Armani Caesar. What a name! So I guess. The title is an oblique reference. A circumnavigation of the problem. A polite, detached nod to the impetus whilst giving it no credit.
But yeah. I hope you've listened, as you've gone. The songs matter a great deal to me this year, and they almost always do. I'm sappy and I stick to a song once I love it. I'll love it for 10 years. 20 years. 100 years. I attach so fast, and sometimes forever, if indelibly.
Curate your life. Build something of value. And by god find beauty or you'll die.
Peace.
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