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#that's messed up that's all i'm saying!!
mattodore · 3 months
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playing with dionte's hair bc i'm procrastinating
#river dipping#dionte duval#lykos#ts4#i do really love how dionte and nicholas kinda have a b4b (bald for bald) thing going on.... but that first hair........#he looks so good... the urge to keep it is gonna make me develop a twitch under my eye...#i love the shadows the locs add btw like i personally loveee when hair creators add shading#like the DRAMAAA it adds!!!#also don't look too closely at him here bc i actually haven't updated him yet hence no proper edit of him (tho i probably won't change much#i'm really just supposed to be cleaning out the hundreds!! of duplicate households in my library dkhjnkfgh i just. get so distracted#i also have to fix mattodore's households bc i think i accidentally deleted the updated version of them at 20...#like there are multiple other saves?? but they're all with matthias's old chin??? like literally WHERE did the updated version go#so i need to clean out my library from the top down and fix their sims#i really messed my sleep schedule up the day before yesterday when i was working on those edits of delphi btw#but i did enjoy rewatching secretary and watching charade while staying up all night to do them <3#also listened to the first two chapters of freedom is a constant struggle! editing may take me forever but i do do other things as i do it#...........talking a lot in these tags bc i'm seriously procrastinating jdkhnf i do NOT ! want to clean through my library it's a mess#OH. ALSO GOOD MORNING I FORGOT TO SAY THAT ‼️#seeing this again two days later and seeing the amount of notes....... y'all weren't meant to reblog this kjhdkfjhndkjgnh#now i'm like damn... is there any reason to make his intro edit like i did for ria and delphi 😭😭😭😭😭
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double--blind · 6 months
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(SPOILERS) Ashley, self-esteem, and starvation
So, I adore Ashley. She's this intensely toxic, vicious, cruel, manipulative girl, and her psychology gives me hella brainworms. Andrew's not the only one whose head I wanna crack open and root around lol. She's thrown away the world just to keep her brother by her side, and she'll continue to do worse and worse for the same reason. She's pretty awful! I've been thinking about why, though. How did things get so bad? How did her soul get so dark?
We don't know everything (I'm waiting for those new eps patiently aND CLAWING AT THE WALLS AND FROTHING AT THE MOUTH but whatevs y'know whatevs I'm normal. I'm fine), yet what information we have been given is bumping around my brain like a DVD screensaver on hyperdrive
It's clear from the start that the roots of Ashley's issues lie in her horrible, neglectful upbringing, but it's hinted that even those outside of her family felt the same abt her. I'm lowkey even betting we'll learn later on that she was ostracized by her peers somehow. However, what's most disconcerting, I believe, is how little she was when the results of this alienation are first made apparent to us (bc kids aren't dumb; they notice this stuff oftentimes instinctively, impossibly young, before they even know what it means to be hated), and how devastating the consequences were.
(There's something decidedly childish abt her dream sequence in the "questionable" route—filled with crayon scribbles and rabbit plushies, the metaphors simplistic yet profound—which really hammers in how these sentiments are things that have made a home in her since childhood. Formative subconscious truths.)
Growing up unloved and noticeably unwanted by virtually everyone around her likely left her with a gaping hole in her heart that she'd spend the rest of her life trying to fill. She'd make friends, but she'd always worry that they'd leave her, that they'd betray her, nothing tangible or weighted enough in their connection to trust in its persistence. Why should she expect otherwise? Not even being bound by familial ties ensures affection if her parents are any indication.
Every lesson she'd ever learned had always taught her this: you are easy to abandon. You cannot love and be loved by virtue of your own worth.
You have to rip their affection from their clenched hands if you want it so bad.
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This understanding carries with it an undercurrent of degradation, instilling within Ashley a constant, biting inferiority complex which will never fail to be a source of insecurity. She will always be put last. She was difficult to raise, so her parents gave up on raising her. She was difficult to get along with, so her friends gave up on getting along with her.
It's an odd cycle. She's difficult bc she needs to be to get attention, but bc she's difficult, she can't keep it. Not without having whatever fondness she's managed to cultivate within someone fray at the seams, volatile and prone to collapse, bleeding toxicity.
Hence, her relationship w/Andrew.
By being the only reliable constant in her life, caring for her and keeping her company, Andrew essentially became her only source of happiness, and she's since learned not to bother with anyone else. Still, it's dangerous to keep all your eggs in one basket; since he is all she has, she must protect her place in his life with even greater ferocity, which becomes a torturous ordeal when coupled with her damaged self-esteem.
It's apparent in her quarrels with Andrew that she needs constant reassurance that she is wanted in some capacity or perceived in some positive light (getting pouty when Andrew says he's "stuck with her", needing to hear that she's pretty, needing him to "choose her", wanting him to say he loves her back, etc. etc.), yet her insecurity remains, bc unlike her, he's got options. She doesn't think he needs her like she needs him. He's got a gf, their parents love him, her friends love him. Why would he settle for her? What if someone better comes along? Someone she can't scare away?
Wouldn't he just leave her like everyone else?
Even before getting locked in the coffin of their apartment, starvation's been a constant theme in Ashley's life. She's constantly aching for love, and Andrew's the only one who can feed her. When you're forced to fight for a bite to eat or suffer every moment you hunger, you become ravenous—covetous—when faced with food; you don't want the hunger to return, so you lock down the source of your sustenance, wary of its retreat. Ashley's in a permanent state of intense insecurity, always anxious that the love that gives her life will leave her.
Andrew knows Ashley better than anyone else in the world, and it's obvs to everyone and him how desperate Ashley is for him, but I don’t think Andrew has truly, consciously processed the depth of that desperation. It's there buried in his head somewhere no doubt, but rn, he doesn't operate w/the direct awareness that he is everything. He is brother, mother, friend, and soulmate. He is life and love, air and water, everything that is good in the world—everything that there is to justify existence.
It's heartbreaking, in a way, that it's so difficult for Andrew to convince her of his loyalty. This goes further than his tendency to hide his true feelings, bc when push comes to shove, he's at her beck and call. Objectively, he's hers. She doesn't see that bc all she sees is all the ways she can lose him.
So, she gets bratty. She gets pushy, possessive, territorial. Manipulative. Gets under his skin, guilts him to exhaustion, bc she can't see him staying any other way, bc he doesn't get it, bc it works. He bends to her will, for her sake. For now. It's always "for now", bc he'll start slipping away again, and then it'll get worse. She does worse.
Becomes worse.
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destinywillowleaf · 6 months
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one of a kind living in a world gone plastic
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baby you're so classic
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@most-tragic-character-tournament
(all my thoughts in the tags)
#anyway i found their theme song and lost my mind#tragedyshipping#lloyd garmadon#ninjago#antigone#tagamemnon#pollshipping#i'm gonna be thinking about this for the next hour before i go to sleep#i just wanted to make a playlist for them i didn't think i would find a perfect fit#they have taken over many of my braincells and i can't even complain this is the enrichment i needed#all i'm saying is the idea of a movie trailer for these two is taking shape more and more and this should 100% be the accompanying song#not even a full trailer because that would take forever but like. a 30 second TV spot. family drama. them not really getting along at first#(e.g. glaring at each other while being forced to dance or something)#but then warming up to each other on the road because road trips have my soul when it comes to movies ok#i want them to stargaze in the bed of a hotwired pickup truck while on the run from people who demand bloodshed (a poll winner)#the slow(?) burn of not wanting to be in this mess to actually enjoying spending time together to something more#(trailer/commercial ends on or just after “baby you're so classic” with the cut to the title and in theaters date)#maybe most of the tv spot is them arguing and making life hell for one another but it's hard to deny there's something more brewing#(one of the reviews is just ''A modern classic'' because i think i'm funny)#i really want the title to be a play off of them meeting through the tragic tournament but it's completely different from the tone i want#''tragedy: null and void'' is a fun one#i've never been the greatest at titles if they don't hit me like a truck#anyway hi folks i'm sorry if you have no idea what's happening and see this in your tags
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hanzajesthanza · 23 days
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andrzej sapkowski in the witcher presents his reader with many curious and refreshing takes on the fantasy genre, such as "what if dragons were good" and "what if elves were incels"
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tin-can-iron-man · 1 year
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I'm just gonna say it again real quick:
Yes!! Iron Man is a tragedy! It has and always has been since the very first appearance in 1963 which describes itself, Tony's life, and legacy, as such.
Tony causes most of his issues himself, he is his biggest villain, a majority of his rogues gallery are caricatures of the worst versions of himself brought to life (when they're not just being racist cuz...60s...). The worst thing about being Tony Stark is that he can't stop being Tony Stark (he tried!!) That is the point.
The majority of pain Tony goes through, is pain he inflicts on himself, whether intentionally or inadvertently. That is the point.
He is not A villain (at least. Not usually. There are...some rough moments and arcs that are. Not great. As there is with any character as old as he is). But he is his own main antagonist.
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sciderman · 1 month
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Where is the wolverpool fanfic Sci
What did the little hairy man do to the tall topical map man that was so good
fact is i'm too terrified to write it (the wider implications keep me awake at night)
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wejustvibing · 6 months
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we can't be a circus that shows up, that's all glitz and glamor and people are affected negatively by it - lewis hamilton
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jamiesfootball · 9 months
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After careful consideration and a lot of angry tags, I think I have pinpointed for me where Ted Lasso, especially season three, fails to succeed all the way at the themes it explores.
The narrative uses the deconstruction of toxic masculinity to paint their characters as being stronger for having let go of their preconceived notions of acceptable behavior - but the narrative also never lets their characters be weak or fragile without having toxic masculinity to blame. And there are a lot of situations in this show where you would expect someone to go ‘hey man, are you okay? Are you doing alright? because that was a shit thing that happened. it’s okay if you’re not okay.’
And it never does.
There’s an undercurrent in how scenes play out that suggests that the male characters should be strong enough to deal with hand they’ve been dealt. The narrative suggests that they’re the ones who need corrected. They can act better, but they can not be treated better themselves as a result. The male characters are allowed to express themselves, but they are not allowed to ask for anything back from the situation.
Which is why you can have a fight with your assistant coach, but when he comes back to apologize you don’t articulate how it made you feel. You don’t tell your friend how he hurt your feelings. You just accept it and move on.
The Diamond Dogs give advice on how to handle external problems with  emotional roots. They never discuss how they feel internally on its own merit.
The closest we got to a male character just having a bad one and expressing it without a clear source of external conflict? Jamie in the boot room. And that was played for laughs.
Which is why you could be in a deep depression over losing your career of twenty years and part of your mobility, I guess. But also maybe that’s a problem of you not being able to let go, and maybe you should apologize for not moving on sooner? We should pity Roy for getting so stuck in his own shit all the time. Not because the man has lived an incredibly stressful and emotionally isolated life in a high pressure environment for so long he doesn’t have the tools to deal with it, but because the narrative would like us to know if he just stopped getting in his own way all the time, this wouldn’t be a problem.
Is your ex-wife seeing someone else, who happens to also be the person who was your marriage counselor? I don’t know man, relationships are hard. Don’t worry about how hard that must have shaken your trust in a profession that already made you feel skittish. Maybe you should stop obsessing over her and move on.
Your girlfriend can tell all your friends and coworkers how you’re too smothering. Yes, this is the ‘learn how to communicate better’ show, but that was on you, really. Good on you for apologizing for smothering her.
The women may have worrying relationships with people who love bomb them or turn out to be controlling, but Jane and Beard are just a bit weird. Don’t worry about it, Higgins.
You can take accountability for your actions, but if it was your email who was hacked - who cares? You apologized, and everyone is very proud of you. We won’t ever bring up how incredibly mortifying that must have been for you to realize, because something more mortifying happened to someone else.
You can show your emotions, but not the angry ones, not the bad ones - those you should get a hold on, no matter how warranted they are. The stronger you are, the more divorced from toxic masculinity you are, the less those things should matter.
Struggling with your abusive dad and how his relationship with you has literally scared you so badly that you keep looking over your shoulder, afraid he’ll be there? That is clearly the anger talking. This is definitely not a situation that calls for your pseudo-father figure to put his hand on your shoulder, look you in the eye, and say, “i’m really sorry to hear that, son, but you know we got your back. Ain’t nothing bad gonna happen to you while we’re here.” 
No no, this is a you problem and you can correct it by forgiving that man who hurt you. In fact, you thank him for motivating you. It was the anger that got you this far. It wasn’t getting up at 4am every morning for extra training. It wasn’t your mentor, the one invested all his time in helping you. It wasn’t the coach who gave you a second chance when you blew your whole life up to get away from that man. It wasn’t your own drive and passion and love for the sport that pushed you towards succeeding in a career you only had a one-in-a-million chance of ever getting. No, it was the anger that carried you. You should let that go. And hey - what if hypothetically speaking, he might try to be better too one day? You can’t hold it against him. You should let that go too.
Breakdowns and displays of crying are fine, but expecting people to care or show concern afterwards? The narrative doesn’t know her. The narrative will not validate that. We don’t see what happened after Wembley. We don’t see what happened when Isaac came back to the locker room after blowing up. What the show will validate, however, is moving on. Just be a goldfish, or forgive and forget. 
And finally-
Embrace your feelings, but not too hard - you can’t be trusted with them, actually.
Can you imagine that we actually got a scene of Roy telling Jamie that he was worried if either of them pursued Keeley it might ruin their friendship? Can you imagine? From the beginning they have butted heads. From the beginning, Roy has struggled to actually articulate his feelings, especially to the people they involve. And here is Roy doing exactly what the narrative has been teaching him to do - he voiced a feeling that was bothering him to the person who was involved in the problem. Unprompted. He did that on his own. After three seasons of being told that is what he should do when he has a problem, that should have been the moment of narrative reward. That would have been the audience’s release of tension: they’re still at odds, they’re still the same bull-headed people they’ve always been, but they’ve learned to talk about it. No matter what happens next, at least, they’ve gotten this far.
Instead the narrative rewarded him, and us, by having them fight it out in a back alley. Because they’re idiots, and they can’t be trusted to handle their feelings without someone else in the narrative (Keeley) setting them straight.
Yes, people backslide in real life all the time. But when the narrative backslides at the very end of the story - that’s just nihilism. That’s what this felt like - all that progress and promise that you can be better, and two of the people who struggled the most tripped at the finish line. The audience don’t even get to see them pick back up. I mean they’re fine now, I guess. They went for kebabs. I have to assume it worked out. I guess after that they found a way to be happy, but I would have preferred to see them find a way to be happy by way of their own actions. Not in a fanfic. Not by way of imagining how it went afterwards. Not by what’s implied in a montage. By the story actually showing me they could get there on their own.
And the worst part about all of this is that when the show gets it right? It fucking sings. The team coming together to repair Ola’s? That sings. Ted’s ‘ain’t nobody in this room alone’ speech? Wonderful. Trent telling Colin that ‘some people need time to adjust; it’s not fair, but they do’? So delicately wielded, so painful. Beard’s speech to Nate about stealing a loaf of meth? Chef’s kiss. Ted forgiving Rebecca when he learns why she brought him to coach Richmond? The tears in his eyes when he tells her ‘divorce is hard’?
The hug at Wembley.
That’s what I wanted, from start to finale. When the show knew how to wield its empathy, it wielded it like a knife, cutting into the deepest parts of your heart.
Which is why when it does mess up, it hurts so much worse. Because by season three, the show has sunk so far into the deconstruction of things that it’s forgotten that what it fixed were not the only problems those characters ever faced. The show zoomed in too close on the themes. It forgot that at its roots, the its biggest strength has been its empathy. And that to me is where the show failed.
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hazel2468 · 3 months
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Well guys, I have an announcement!
Everyone, meet Reaper!
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He's a Phyllocrania Paradoxa- a Ghost Mantis, and I fucking adore him!
He seems very lively, but very okay with being handled. I'm obviously not going to be handling him a lot, but he walked right out onto my hand when I got him from his little travel cup, and he decided he would rather take a drink of a little water drop off my finger than off of his leaf!
I tossed a pair of fruit flies into his enclosure, and he spent about ten minutes stalking one before snatching it up and munching on it. Ate the whole thing really quick- he was hungry! If he doesn't catch the other, I'll make sure he gets another one either today or tomorrow (the other one might have gotten lucky and escaped, not sure, if it did, well, good for it).
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basicallyjaywalker · 4 months
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Wanna ramble about a moment/character in ninjago you think people need to talk about more?
I don't know who you are anon, but I'm glad you asked!
I am desperate for people to character-analyze Wu. I'm desperate for a lot of character analysis including Nya but since I got a lot of my Nya feelings out with some lovely folks the other night (edit: the other night was a month ago dw about it. this took a minute) I'm going with Wu this time
Master Wu to me is such an interesting case of a character who it is so easy to ignore the bits of the show that hint at his wider issues and traumas. He is a man defined heavily by his family and by his past. A lot of criticism he gets, I think, is due in part to that.
I've mentioned before that I've been rewatching S1 with a friend of mine and intermittently pausing to infodump on them about interesting character things I notice from that season. A lot of that has been Wu-focused because despite having seen RotS dozens of times throughout my life (watching it on CN, watching it on Netflix when only it and Legacy were around, rewatching it with friends) I have only just started noticing the seeds of character written in.
I might also just be reading too much into things, but hear me out
In S1 (and by extension, the pilots), Wu is characterized as your typical old wise teacher. In the first few minutes of EP1: Rise of the Snakes, he is chewing out the Ninja for playing video games instead of training. The line he uses? "Never put off until tomorrow what can be done today."
It's a line that gets repeated throughout the series. In fact, it gets repeated that very episode when the ninja go (pun not intended) to fight the Hypnobrai and a literal pre-teen. At first, it seems to just be a piece of wisdom. Some old proverb Wu's picked up over the years, possibly one he even coined himself. However, in EP7: Tick Tock, Wu tells the story of who, possibly, first told him this.
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(Source: Tick Tock/Transcript | Ninjago Wiki | Fandom, highlight added.)
It was Garmadon. Now, I'm not gonna dwell too long on Garmadon, if you spend five minutes talking to me you'll learn he was the first character whose story I obsessed over and I want this essay to be about Wu, but I think he plays a role in Wu's overall story, as does Wu's family as a whole.
Prior to this, Wu and Garmadon's relationship has been more of a sibling rivalry taken to a good vs. evil extreme. We didn't know why Garmadon was evil and we didn't know about Wu and his relationship as kids. However, this scene establishes the backstory. They were, as Wu puts it, "the best of friends." That is, until Garmadon gets bit by the Devourer going to get the katana Wu lost.
Now, I know the Devourer bite was destined to happen because of the Overlord or some shit, but Wu doesn't. As far as he's concerned, Garmadon getting bit was a direct consequence of both his mistake and his cowardice. He lost the katana. He was too scared to get it. Garmadon went over instead. Garmadon got bit.
The scene goes on to show the FSM tending to Garmadon in the aftermath. Wu is watching from behind the door, likely told to stay back, but concerned. And in his POV, we get this intense moment, where Garmadon turns, looks directly at him (his eyes turning bright red for the first time), and says "It's all Wu's fault!"
(This clip should begin at the start of Wu eavesdropping. If it doesn't, skip to 0:58. I highly recommend also paying attention to Wu's body language during this scene.)
The camerawork does a great job of showing how this probably felt for Wu. It zooms in, Garmadon's voice echoes, and the background blurs. We see in the flashback that this is a moment Wu has etched into his memory. Not to mention, he was likely a very young child when this happened. LEGO characters' ages are weird, but Wu in this scene has the Big Eyes, which always seem to be used for characters under 12. We don't know exactly how much older Garmadon is to my knowledge, but he doesn't have the Big Eyes, so he's probably closer to 12 and a few years older than Wu for sure.
Imagine that. Being in elementary school and your older siblings gets hurt. They're acting strange. They're lashing out at your father. Then, they blame it all on you. They're hurt because of you. Wouldn't you internalize that?
I could go on about Wu's relationship with Garmadon, but again, I think I've spent enough time on it and I don't want to only focus on that. It's an important part, but there are others.
Let's talk about Wu's relationship with his dad.
Now, I have not yet read the Spinjitzu Brothers series. I cannot speak to any development of Wu and the FSM's relationship in there. I have, however, read The Book of Spinjitzu and blogged some of my thoughts on it here, including some of what it says about Wu.
For those who haven't read it, first, there is a Google Drive folder floating around with all of the canon spinoff books/graphic novels in it. Here's the link if you wanna read them!
The FSM is an... intriguing figure. I mean, in the series he's basically god? He made the entire world. That's already a very high bar to live up to. Then, in Book of Spinjitzu, there's a few specific parts that, when I read them, signaled that Wu internalized a specific message when he was young.
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(Source: The Book of Spinjitzu, Page 3).
Wu does not want to disappoint his father. It is up to him (and Garmadon until he turns evil) to "uphold the legacy of Spinjitzu" and, by extension, his family. He says he was "very young" when this was explained to him. Considering he seems to already be training at an elementary age, "very young" means VERY young.
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(Source: The Book of Spinjitzu, Page 16).
Here, we again see Wu being very aware that he has some large burden to carry. Something else interesting here is that the thought of the Green Ninja Prophecy is already weighing on him too. His considering if he might be the Green Ninja is of extra interest because of how the Green Ninja Prophecy and the--I wouldn't call it obsession, possibly fixation?--with who it is factors into his later actions, but we'll get to that later.
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(Source: The Book of Spinjitzu, Page 19).
This one in particular gets me because it comes after Wu mentions Garmadon becoming more evil. It is a statement of power. Wu knows that the legacy of Spinjitzu now rests in his hands alone. He cannot let himself fall the way Garmadon did. He cannot disappoint his father. Whether or not the FSM intended it, Wu always knew the fate of the world rested, at least in part, upon his shoulder. He knew this from the time he was a young boy and it remains in his mind to this day.
Now, these quotes are indirect, but they all point to one clear idea: As a child, Wu internalized the idea that he alone is responsible for keeping Ninjago safe. He will play a pivotal role in its history.
There's not evidence in this book that the FSM's was a bad father, per se. However, just because one doesn't set out to harm their children, doesn't mean they won't. I often say Wu has an "Atlas complex," which I have no idea if it is an actual concept but use it to refer to this idea. Wu feels as though he is responsible for holding up the world, much like Atlas. He must keep the balance, he must solve the Green Ninja prophecy, he must make his father proud.
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(Source: The Book of Spinjitzu, page 61).
I'm going to get further into what this means for Wu as a teacher to the current Ninja Team, but for now let's look at Wu's first foray into teaching.
Morro. Wu's Biggest Mistake.
That might seem like an overstatement, but it's not.
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(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom)
Okay he says regret, not mistake, but I was paraphrasing.
Let's turn back to his quote about his destiny. Wu writes, "Is my life's mission to be the Green Ninja? Or maybe it will be to find the Green Ninja and protect him (or her)??"
From a very young age, Wu was not only aware of the Green Ninja but prophecy but also thinking about his place in it. We see this again when he takes Morro in and trains him.
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(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom, highlight added)
A big thing Wu is criticized for here is making Morro believe he is meant to be more. That he is the Chosen One. And Morro, being a young homeless orphan just now given some semblance of power and protection, latches onto that. And I can see it, but when you take into account the above that he was trained from (likely) a younger age than Morro and given a similar level of responsibility, it becomes more understandable. Wu is just doing what he was taught. He doesn't believe that he is harming Morro until it is too late.
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This is the entire story, but I'm specifically going to be discussing 1:36 onwards here. I also wanted to add that rewatching this scene made me lay down on the floor! What the fuck! But I digress.
There's a lot going on in this scene. For one, Wu washing his hands of Morro in some ways, but not others. He turns his back on Morro when he tells him that destiny has decided, but looks at him again when Morro storms out. He goes to save Morro from the Grundal, but decides that he cannot "teach those who would not listen." Most importantly, when Morro leaves to go find the Tomb of the FSM, Wu leaves the door open. He waits for Morro to return, but never goes after him. And Morro never comes back.
Wu gives Morro's fate a dismissive response at the end of his ghost story ("I am saddened he was banished to the Cursed Realm") but it's clear he still cares deeply about him in the finale of the season.
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Wu's VA in this is phenomenal btw. That "Please Morro!" and "MORRO!" make my heart ache.
Morro believed Wu stopped caring, but he didn't. Even after all he's done, even after trying to destroy all of Ninjago--destroying what Wu had spent his life trying to protect--Wu tries to save him. He begs for Morro to come with him. Morro refuses, Wu watches him perish.
Someone else Wu is close to is gone. Wu again considers himself responsible. Everything is his fault.
And finally, we reach Wu today. A cautious, secretive man. He loves his students, this much is clear. Even as early as the pilots, he drops his wise teacher persona to joke around with them.
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As with Morro, he trains them like his father did him. He even uses the same methods his father used when he trains them.
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(Source: The Book of Spinjitzu, page 32)
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While he is hard on the Ninja, wanting them to succeed and training them to help defend the Realm, he lets his guard down more than it seems he did with Morro. He also learned a valuable message from his experience with Morro when he hides the Green Ninja Prophecy from the Ninja, getting angry when they start to push themselves in the same way Morro did upon learning about it. It's clear he doesn't want a repeat.
Now, I can't speak for later seasons (I will eventually) but this fear of repeats, his students going down a dark path because they're tempted by power or greatness, losing someone else, likely drives Wu not telling them other important information. That is just a passing thought though.
Final notes:
I'm currently in the process of rewatching S7: Hands of Time. I actually got this ask right after finishing EP68: Scavengers, which opens with Wu having a nightmare. In it, he and Misako are walking outside of Yang's temple. While walking, Misako delivers this line in response to Wu reminiscing about the time they've spent together:
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(Source: Scavengers/Transcript | Ninjago Wiki | Fandom)
This line, to me, is Wu's subconscious trying to tell him something he needs to hear. It's hinting at what might be his greatest flaw. Wu is haunted by his past, by his mistakes. He finds it difficult to tell others because of both his guilt and his desire to not put that worry upon them. In this very season, he makes the mistake of trying to face his past on his own, and he nearly dies for it.
In the same episode, you see Wu trying to make sure Lloyd doesn't make the same mistakes.
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(Source: Prev)
Wu stresses the important of the team. It's as if he sees Lloyd blaming himself for what happened to Wu, sees him doing the same thing Wu has, and is trying to prevent him from doing the same thing. This is further emphasized when, after Wu falls asleep (well, fakes falling asleep), Lloyd says "Wu's mistake was going in alone. So was mine."
Master Wu is, like many characters in this show, someone who is more complex than meets the eye. He is not just a wise, old teacher. He is a man who, throughout his life, has made mistakes and carries the weight of each of them on his shoulders. He is a man who tasks himself with making up for those every day. He is a man who wants better for his students, his family.
Until the day he dies, he will guide and protect his students. And possibly? Even after death too.
#ninjago#lego ninjago#master wu#long post#anon tag#this made my day i looooooooooooooove character analysis#i know a lot of what i post about it may not encompass the full series but i just think that makes it more fun tbh#i'm working with what i have and later i may come back to this and add even more things#i'm also very passionate about wu analysis as a former wu hater because i think the fact that his character stuff is so buried#leads to a lot of the hate#Why didn't he tell the ninja things? well he told morro things and look how that turned out#he grew up believing the weight of the world was on his shoulders#in one way or another#i won't lie and say the man does not make mistakes#but like i mention in s7 when he does he is fucking haunted by them#he is not breaking the generational trauma but he is damn well making an attempt for someone who probably doesn't realize he has it#p.s i tried to add image desc to each ss to make it more accessible but if i messed it up please let me know!#i spent way too much time on this#somebody do a word count i'm curious but too tired to copy this all into docs#falls over#part 2 of this is just the dark island trilogy but i think i'm gonna wait to do that#this took so long and the words are now refusing to words#thank you for reading#i need to take a nap after writing this I feel physically spent#please enjoy another rook branded ramble disguised as a comprehensive essay#other essayists bring you professionalism and academic vibes#i scream into the void and put way too many links o7#happy birthday ninjago!!!! i finished this in honor of you hopefully it is worthy
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2sw · 1 year
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You got to wake up. because if you don't, then trying to keep that dream alive will destroy you! It'll destroy everything!
Supernatural S8E08 Hunteri Heroici ( + S8E06 Southern Comfort )
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handkinkbis · 7 months
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I had a shower thought about Destined With You after seeing some behind the scenes footage where many of the actors described their characters as being lonely. That's a big unifying factor for these different characters. And isn't that ultimately just the overarching theme of the show? The messy and desperate things people do to alleviate their loneliness.
We have Hong Jo who lost both her parents at a young age, who was bullied at school and who had no one to eat lunch with until recently. She also (very unethically tried to) cast a love spell to finally experience romantic love for the first time in her life.
We have Shin Yu with his complicated relationship with his parents (or mainly father), and Shin Yu's depressed mother who feels lonely in her marriage to her neglectful husband.
We have Naeyon, who's done erratic and horrible things in pursuit of Shin Yu's love, and who clung to him for two years despite never hearing an "I love you" back from him.
We have Jaekyung, who like Hong Jo didn't seem to have any close family or friends until he moved into the same building with Hong Jo.
There are the two female coworkers who develop crushes on all the hot lawyers at the office, but who spend their holidays alone.
Even creepy flower guy longs for his deceased wife.
So while I'm not going to stop yelling at everyone to stop making bad choices (never!!!), it's a show about messed up and even a few traumatized/depressed individuals. It doesn't make for great escapism, but I suppose they're all very human characters in that sense.
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rocksanddeadflowers · 8 months
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Kvasir messes me up so so so fucking much you guys. Like I understand the vikings had a different approach to death and yada yada so forth whatever arguments you wanna make they're reasonable but still it. I just.
You mean this beloved man, known for his wisdom and poem and song, and who went around helping people with his wisdom and poem and song and was dearly beloved by the gods just. You guys he was straight up murdered and his blood stolen for magic fucking mead. There's no revenge for his murder or anything it's just that Odin saved his mead.
"Folk declares that every skald (poet) has a drop of Kvasir's blood in him. ... because a world without it's poets would be too dreadful a place to image."
Messed up or not, he lives on in poets, storytellers, and songwriters alike- all those with the understanding of the power of word, the wisdom to yield it.
In The Bifrost Incident it's still the same. His blood pumping and fueling the machine, running through arcane glyphs. He's always just been used for his blood, and even more irony drawn from it likely being Odin gaining the most use from his blood.
And yet, no matter how miniscule it may seem, Kvasir still lives on in his universe there too, in poets and songwriters and storytellers- somehow, The Mechanisms carry a piece of him in their travels ever since his death and Yddrasil's fall, just as you and I may have his blood in our veins.
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demonbloodenthusiast · 8 months
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91w deancas is so delusional cause they been making heart eyes at each other since day fucking one, calling the other sweatheart, thinking of kissing the other innocently just for the sake of the other being kissed, because they deserve that softness in the midst of all the chaos around them and the minute they actually get to it (motherfucking 200 pages in mind you) they try so hard to revert it back into something purely phisical with no emotions involved AND THEY KNOW THAT IT'S MORE BUT IF THEY BOTTLE IT UP AND IGNORE IT THEN ALL THE REVERENCE OF MOST OF THEIR LOOKS AND TOUCHES WILL JUST DISAPPEAR which is the epitome of the dilusional repressed gay way of doing anything
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quiescentdestiny · 8 months
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thinking about the fact that if Neil had died in Baltimore, literally none of Andrew's family would even know he was broken as much as he was by it. Like they saw him choke Kevin, but even after Baltimore, Nicky assumed it was just a fling.
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vintagesimstress · 7 months
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In-story vs in-game:
In-story: My main character in a rush leaving the village where she spent half of her life, buried a child and two husbands, because she's just had the wildest woohoo ever with a man she absolutely doesn't want to be attracted to and panicked big time, so she instantly accepted a marriage offer from a man from a faraway place even though she has close to zero feelings for him and basically just wants to run away, and now she's sitting on a cart getting further and further away, looking back at all she's leaving behind, trying (and failing miserably) to look at her grown-up sons who're staying behind as well instead of at the man she's running away from, while said man stares back at her looking calm and at best slightly annoyed because toxic masculinity, pride and the fact that literally the entire village is gathered around won't let him admit that he's actually dying inside
In-game: Do you want those sims to move in together? Merge families. OK. Loading screen.
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