So like has jy adopted multiple lions? Like he got the first one accidentally and then kept going?

Imagine if the GIW started gunning for Jason without the Batfam ever meeting Phantom. Like, Bruce has to figure out on his own that the guys in white suits with Lazarus guns are 1. a legitimate government agency, and 2. are perfectly within their rights to hunt Jason like an animal, because 3. there's secret government legislation that says that since Jason's body processes ectaplasm, he's classified as non-sapient and has no legal protections.

Bruce calling up Clark like

Bruce: I am currently in the process of breaking into a government facility in order to dismantle their operations.

Clark: Okay? Do you need... help?

Bruce: Yes.

Clark: Sure, I'll be right there.

Bruce: Not that kind of help. Oracle is sending you the files now. I'd like you and Ms. Lane to make these people wish they were never born.

Clark: [speed-reading the documents] Oh yeah, can do. This is truly disgusting. If the public is half as outraged as I am, we'll get this sorted as fast as the courts can manage.

So Clark Kent acts as a whistle-blower, the Justice League publicly condems the Anti-Ecto Acts as inhumane, the GIW is disbanded, and Batman gets pardoned for all of those crimes that he technically did by assaulting federal agents. And after all that gets sorted, some white haired kid pops up in the Watchtower like "haha thanks for that I really didn't want a war between Earth and the Infinite Realms" and the League are like "wait what"

"heres how mike schmidt could actually be an afton-"

"heres how mike schmidt could actually be an emily-"

What do you think of Rook's savanaclaw card? <333

I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.

and then even the actual moment of the groovy is just like

this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways

i tried watching the 1st movie and i couldn't move on from the very ridiculous premises of how half of class 1A made it to that island, my point is that there's no way that deku doesn't know about bakugo's summer plans, so this is what i imagine went down a week before the movie takes place

(if u add a + just vote for whichever one you add it to <3)

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

boiling hot take but i literally dont give a fuck that mapleshade let the clan believe her kits were birchfaces. her clanmates can be mad but exiling a queen and her kits is fucking deranged i dont care what lie she told. “she deserved what she got” her kids deserved to die because their mom fibbed??😭 her kids deserved to die because their mom did crimes LATER???😭😭 “um but she chose to cross the river” if i was orpheus i would simply not turn around.

qPhilza perching on people because bird

qFit: Mans is built like a brick shithouse—he can totally balance Phil’s additional weight. The first attempt is a bit shaky, sure, but nowadays Phil swoops down or hops up onto Fit’s shoulder and all Fit really has to do is jut out his elbow to give his friend a little more space for his talons to work with. Bam, he’s perched. Works out about 9.9 times out of 10, though Phil delights in trying to catch him off guard.

qEtoiles: He doesn’t have Fit’s bulk on his side, so he’s not as sturdy, but he is strong. The landing is usually a little rough since Etoiles has to work a bit harder to counterbalance the additional weight, but he always finds that center of gravity in no time flat. Phil usually perches with one talon on each of Etoiles’ shoulders since he’s not as w i d e, just so Phil can have a little extra grip. At some point, Etoiles tries fighting a mob while Phil is perched on him, and that goes exactly as well as you would expect.

qForever: Honestly, with all of the hard labor Forever does for his big builds, Phil was expecting him to do better, but the first (several) attempts end up with Forever stumbling over and knocking Phil off of him from his wild arm-pinwheeling. They eventually figure out it’s more doable if Forever himself has something to lean on (a wall, a chair, the butt of his pickaxe) and Phil puts one talon evenly spaced on each shoulder. Phil learns some new swears in Portuguese in the process.

qMissa: Flattened. Full-on face in the floor, mouth full of grass, wind knocked out of his lungs at Mach 5 the first time Phil tries. Phil apologizes profusely, but Missa—once he can breathe again—just rolls over onto his back and asks Phil if they can give it another try. It takes a long, LONG time, but they figure out that if Phil plants his talons on Missa’s shoulder pads and leans forward while Missa leans back, they have a small little window of time where they achieve balance. The best part? Phil gets a perfect view of Missa’s goofy little grin every single time.

gem, what happened to your eye?

(wanted to upload this panel separately, original is from this comic)

day 1421

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

had a smidgen of a dream about chapter three and needed to illustrate it

if you ship scc please don’t interact w me 👍

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

comic about v2 and the goal they'll never fully reach alongside a dissatisfying conclusion. intimate rivalry and all (alternative ending comic. V1 dies instead of V2 during 4-4. V2 is narrating. V1 is dead.)

hello ghost fans i understand now