something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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YALL BETTER LOOK OUT ITS LOVING AND PROTECTING LUZ NOCEDA HOURS!!!!!!!! 😤😤😤😤😤
The family dynamics this episode are going to murder my stupid family loving touch starved ass.
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i think part of why npmd works so well is bc the nerdy prudes are all kinda real af??? like... i dressed just like pete in highschool and have pictures to prove it. for better or for worse, watching richie in certain scenes was like fondly cringing at my past self. ruth's reflexive "don't bully me!" and their collective tendency to assume the worst whenever the popular kids talk to them (and the realisation that not all of them are bad, actually, some of them - like steph - are really cool)... god. it's so real. painfully so, at times
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love these robots. i hope nothing bad happens to them
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