Let's tally things up, folks!
Ruby's entire depression arc is "resolved" by a one sentence exchange wherein she just... decides she's better now? 'Is this the message?' Ruby asks, on her knees in front of a not at all subtle broken piece of glass. 'That I'm just supposed to give up?' and then literally the next moment she sees Crescent Rose, the weapon she's been flinching from because it represents all the failures she hasn't actually grappled with this season, and decides that depression and suicidal ideation are for losers. Let's go fight a randomly evolved cat!
The group still doesn't care about Ruby's Volume-long struggle. What are you talking about, evil kitty? Ruby's never been confused, or weak, or feeling like she's broken. We're oblivious to all that. That's why we follow her, because we can easily ignore everything that's going on in her life and instead just focus on ourselves. Didn't she have a breakdown a couple of hours ago about having to lead all the time? Should we really be announcing the moment she steps out of the tree that we expect her to be in charge again? ... nah, it's fine!
I guess the overall message is that any and every horrific act is excusable because you're just being yourself? Sorry we doomed a Kingdom and have actively helped Salem in trying to take over the world. The horrors we've enacted are good things though because it means we're being ourselves.
Ruby is conveniently the only Ascended who retains all her memories. Can't have the protagonist undergoing any kind of actual change, after all.
Neo throws herself into the tree despite that going against every iota of her characterization. Will we ever see her again? Who knows.
Is the blacksmith lady Alyx? I still have no idea.
Jaune is made young again, because of course he is. Love that they act like this is some curse he's suffered from - "It's been so long..." - and not an actual life lived across several decades. If I got stuck somewhere for twenty-ish years and then someone tried to magic me back to my 18 year old self I'd be like wtf? No? I'm not a teenager??? Will the show ever acknowledge that Jaune is actually an old man in a de-aged body now? I doubt it, considering this plot-line had no impact on his personality, skill, or outlook.
Also love that the brothers' story is treated like this wonderful tale of growth and exploration. The blacksmith is going on about how amazing it is that you don't know what you'll get when you create something, tone all fond for the demi-gods that have left her world to toy with new ones, and I just wanted one of the characters to start screaming about all the horrors they've caused. They killed an entire population in one fell swoop and have cursed two individuals for funsies, with the entirety of Remanent permanently under threat of annihilation if they don't meet the Gods' ambiguous standards of unity. Oscar didn't fall into the void because if Ozpin had been there he would have gone feral and attacked the blacksmith with his bare hands.
We're heading back to Remnant and Ruby still doesn't know that Jaune killed Penny! Ruby didn't even get her sword back. Or consider her in the tree therapy session. Why was killing her off necessary again? Oh yeah, Jaune angst🙃
We got a "when you're needed" from the blacksmith, so expect that time-skip in Volume 10. Can't wait to see how much important stuff the story skips over...
Also, this is so minor in the grand scheme of everything else, but I YELLED when Summer admitted that she'd lied about the mission. For nine Volumes these characters have been dragging Ozpin for every problem under the sun including, in Volume 7, for the mysterious disappearance of Summer, only for it to turn out that she LIED about where she was going and on whose orders, setting him up to take the fall when she doesn't come back. Who's going to have Qrow apologize to Ozpin for blaming him for years? Who's going to have Ruby unpack that her whole family is made up of liars and she was foolish to think that anyone, including Ozpin, could survive this war with a completely clean record? Hell, who's going to have Ruby simply tell anyone - including her sister - what she now knows about her mother's death? Not the RT writers, I'd wager.
Especially when they gave us a scene of Summer leaving on what she recognizes may be a suicide mission and leaves a token of affection for one daughter but not the other. Summer is Yang's mom too! Yeeeeeaaah the story is really bad about actually writing that.
Overall this Volume just feels like a colossal waste to me. The story ignored most of what was set up in Volume 8, introduced a world it didn't have time to flesh out, threw in an unnecessarily shocking story line about the hero trying to kill herself, 100% dismissed the ramifications of that, reset everyone so that none of the characters have to actually grow or change, and has now implied that all the plot important stuff - the Atlesians' survival in the desert, trying to ally with Theodore, Salem's next attack on Remnant, the development of most of our B Team, etc. - has occurred off screen.
The only thing this Volume accomplished was getting the bees together, which was something we should have had years ago. That admission hasn't changed their dynamic in any way, or introduced new conflicts (remember, no one cares about Ruby's breakdown, including her correct accusation that Yang has cared more about her girlfriend than her struggling little sister). It's just... there, not queerbaiting anymore, thankfully, but that feels like a very low bar to meet.
2+ months later and all I'm feeling is
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Linktober Day 9
Deity
*sneezes after downing coffee* Well irl stuff got in the way so I'm way behind my original schedule for these and for Linktober but here we go with another arguably short one, fuelled purely by self indulgence, headcanons, spite against my linguist essays that kept me from keeping to schedule, severe sleep deprivation, a shout out to the Ender Lilies soundtrack and Majora's Mask soundtrack, and Nintendo for not clarifying anything about the lore so I'm snatching what I can and making it my own lol. Look, when you fíxate so much on details the Zelda team doesn't elaborate on you have to fill in the gaps with what you can.
As always can be read as romantic or platonic, technically in a LU context but not explicitly in it by itself.
The Lord of the Mountain liked hearing people sing.
In a way, it wasn’t a surprise, Hylia and the Golden Three each had their ballads and symphonies and minuets, each splendid and with cuts of their divinity in it, Farore was fond of lightning and forest alive minuets, and you could swear Farosh sparked just a bit brighter when one would him the beginnings of the Minuet of the Forest near their spring, Din was fond of boleros, fiery and alive and howling with the echo of flame touching earth that made a shine run through Dinraal’s scales, Nayru, in contrast, was much fonder of blizzard and river quiet serenades, the songs of contemplation at first snow ringing clear when Naydra curled around it’s spring, content to be free of Malice.
And of course Hylia had her ballads and lullabies, perfectly fitting to her display of divinity, of honey days and vast bird like wings, of ambered summers to come and to pass and dazzling solar storms of starlight and sunlight sparking through the human form of her descendants and heroes. So in a way, you weren’t surprised at all that the Lord of the Mountain – Satori, with a familiar touch of londsleite divinity, the hunt of the woodland beasts and diamondscar adoration for the Hero of the Wilds, similar in glory to the Light Spirits petrichor and vermeil fondness for the Hero of the Twilight – liked to listen to people sing. What you were surprised was how it attempted to follow along, it’s head across your lap the second you sat down in the clearing, a gentle hum on back of it’s throat, an owl’s cry and a cicada’s humming and faintly, chirring purring as presses it’s faces into your hands, a gentle request for petting.
It was adorable, even with the faint notes of the chill of clear spring water on winter and the livewire feeling of magic, like holding your hand too close to a flame but not quite touching it.
A low chuckle brushes against the back of your mind, a feeling like biting on ice, the prowl of a wild beast and the build up of lightning and light used to create his blade, the amused affection of a warrior reconvening with their brother in arms, you think you see the bone ivory of the Deity’s hair on the side of your vision, though you know he’s not physically there, ‘He likes you.’
You hum, gently patting behind it’s ears, pushing through the chill, gracefully not mentioning the burning with a smile at the mythic being’s faint chirring, birdsong and the wind through cherry blossoms that sparkle like rose quartz, “Well I quite like him too, I can see where it’s gentleness comes from.”
The ghost of a touch over your hair, the caress of lightning striking over your skin and the hair on the back of your neck pricking up and the crisp cold of winter, the chill of the ending and the flame of a new dawn, of new days, the phantom of magnolias and spring water on your tongue. The fragrance of pine, daffodils and blood soaked lilies on ashen fields on your senses, gentle and careful, marking but not claiming, ‘Only because it’s you, beloved. It’s not something easily given.’
You sigh, shakily composing yourself, you let yourself relax into the phantom sensation. Of hopes and dreams and healed suffering, of the divinity of hunt turned into protection and lightning given form, of tangled timelines and crystalized memories, “I know. It does not change my opinion, either way.”
To be the subject of a god’s care and regard was dangerous, after all. For the human and the deity in question, you know the stories from your world well, of the effects of Hylia on First and Sky, of Twilight and the personification of the Twilight Realm and the spirits of his land, of Wild and clawing from death’s embrace into that of the wilderness.
Knew how the fact the Fierce Deity’s mere proximity causing pain on those who changed him into hunting for hunt’s sake into protection for the sake of someone else cut deeper than even the ever encroaching entropy all beings must one day face. It was no wonder the Song of Healing was his creation, to want to ease the burden.
You gladly grant him some peace, in turn, even if it wasn’t much. It’s the least you can do, for always having his ways of watching over your heroes.
“Join me? We can make a duet.”
You feel more than see him shift, ephemeral, fleeting, gentle against the edges of your existence, as foreign to Hyrule as your own, sparking over your spine as you feel ozone and rust on your teeth. Satori is humming again to match the rumble of thunder in the man’s voice, the heralding of songs of war and elegies for the dead, ‘Of course, though I’m afraid I do not know many songs, besides…’
“It’s alright,”, you smile faintly, there’s a white ocarina in his hands, as he leans, a spectre against your side, “I’ll teach you some of my own, though you’ll have to forgive me if I don’t remember all the lyrics.”
‘It would be my honor to learn.’
You think he smiles, from the fluttering of something ancient and long forgotten against your side.
You sing to Satori and the Chain, a small respite of familiar and forgotten tunes, the Lord of the Mountain hums along. The Fierce Deity’s song cutting through any nightmares that may ail your heroes for another night.
When the dawn of a new day comes, the feeling of divinity against your skin feels just a bit more obvious, sinking into every crack of your being like a shroud, falling over your boys like a veil, reflecting the breath of eternity over Hyrule.
(First gives you a look that’s half exasperation, half understanding. Sky pointedly sticks to your side as Time looks you over, markings deep with vibrant color. You shrug with a helpless smile as you feel the lightest brushes of Hylia’s fond days of gold and starlit summers days against the Lord of the Mountains warm, luminous affection and the Fierce Deity’s smug, but content lonsdaleite smile.)
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so like. im not gonna beat around the bush- ARE WE NOT GOING TO TALK ABOUT THIS. ARE WE??
*SLAMS THIS ON THE TABLE*
I AM CONVINCED THIS MAN DOES NOT KNOW WHAT HE'S DOING! THINK ABOUT IT:
The hover discs Aunt Arctic mentions automatically despawn after you use them to place the detectors/transmitters in both episodes they appear in. With the knowledge that Gary does not test his inventions often, to the point where Aunt Arctic feels the need to warn you...is that intentional feature(keep in mind you use them to access higher up areas like the ceiling of the Sea Caves)...or a bug because he did not test them? Keep in mind the discs disappear near-immediately once you're done placing objects, so you CAN end up free-falling to the ground afterwards from several feet above in the air.
Knowing this, what else is this man hiding? Sure, we know that the Auto-Warbler 3000 works...but is that because this is an invention he personally tested, or in spite of being untested? Did the Jet Tube's avoidance systems have glitches because of an unforeseen bug Gary happened to run into...or is this something he made, gave to Rookie and didn't test for whatever reason?
Keeping this tidbit in mind, is Gary knocking down Herbert's defenses because he is SO smart, or did he just get lucky? Is he better at programming than making inventions? Or does he actually test his coding skills more than his inventions? If so, why?
IF this 'brilliant penguin' was intended to be Gary (which I'm fairly certain it is but hey, CPI closed down before it's time so who knows for sure?)
Is the reason the Party Sub ended up sitting in the Sea Caves related to his tendency to not regularly test his inventions? Or was it simply because it broke while he was testing it?
Because he does not test things as rigorously as his Club Penguin counterpart (who, as we know makes up to 3000 versions of his inventions before they are considered done, and asides from some examples like Mascbot's being used at their 'near-perfect' 2999th iteration or prototypes like the Electromagnet 1000 are rarely used until then)... does Club Penguin Island Gary name his inventions with the '3000' at the end because they have been tested, or for aesthetic reasons?
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