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unfriedough · 3 months

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Hey sorry if your request aren’t open but I had a thought about Zuko x water tribe/bender reader!Like three years after the war he wants to propose to reader and So he ask Katara and Sokka about marriage traditions within the tribe and he carves a betrothal necklace for her?? And the readers reaction!! Thank you

An: HEY. Sorry this took like, so long I think you requested last summer, however I’ve kinda lost most of my determination to write and this account became more of a chore than what I had initially wanted. Either way, maybe somehow I’ll be able to be more consistent soon but I also don’t wanna make myself hate writing so :(

Thank you for requesting, I really do appreciate it, hope you enjoy :)

Zuko’s nose twitched as the cold nipped away at his extremities, huddled up in a few too many jackets. There’s a striking difference between cold and cold and right now he wished he was on fire.

Your gloved hand was intertwined with his as you lead him off of the fire nation ship and onto the white snow of the southern water tribe. This trip was planned as a way to visit Sokka and Katara, but Zuko had another plan in mind.

Finally, after three years of struggling to settle down, the fire people finally relaxed and he was able to make more time. In that time, he realized he’d wanted to marry you more than anything. So here he was, in a nation far too cold for someone like him, with a goal in mind.

He had exactly 5 days (and a half if you’re counting from now) to get ready a betrothal necklace. Why a necklace? Well, Zuko had watched you for days on end in the castle library, a book bigger than your head on the table being analysed by your eyes. You’d smile brightly when you locked eyes, and call him over. He’d sit next to you, shoulder to shoulder, attempting to read with you. The books were always about old water tribe traditions, tales, legends, history, everything of the sort. You’d wanted to stay connected to your culture and upbringing - it made you who you were today.

And so that brings you to today, here, the water tribe.

“Katara!” You squealed, running forward and pulling her into a hug. You two squeezed each other tightly, excited noises being expressed.

Zuko and Sokka nodded to each other, trying to be kinda nonchalant but Sokka couldn’t hold it much longer, he sprinted at Zuko and tackled him to the ground into an oh-so-warm hug. You laughed at the site, Katara too. Zuko felt a twinge of pink on his cheek, from the cold or embarrassment he couldn’t really tell, but he still wrapped his shaking arm around his buddy. After a few more ‘I missed you!’s and giggles, Zuko and Sokka got back up. Katara grabbed your hand and pulled you deeper into the village, you laughed the entire way, giddy from being back home here with your family. You threw a glance backwards at the fire lord, there was something very slightly off about the way he was smiling, you brushed it off as just the cold getting to him.

It was most definitely the cold getting to him.

Sokka led him to the ice on the outskirts of the village and brought some chairs along. They were gonna go fishing while they talked. As they both sat, another shiver ran up the poor fire bender’s back.

“How do you guys survive the cold?” He groaned.

Sokka chuckled, handing him a rod, pushing the bucket of bait closer to him, “You get used to it… I could ask you the same thing about the heat,”

“I’m a fire bender it’s in my blood,”

“Yeah well you learn a thing or two when your lovely sister starts learning how to bend and suddenly you’re always wet,” he cast the line, leaning back, putting one leg over the other.

“I guess,” he laughed.

They sat in a suffocating silence for a minute, Zuko just awkwardly holding the pole and Sokka staring into the sky.

“Are we going to address the camelephant in the room?”

Zuko looked to him from his peripheral, “I’m kinda nervous I guess, I don’t know what to do,”

Sokka sat up a little straighter, getting up to help Zuko with his fishing issues. He stood behind him and helped his arm into the correct place, slowly to be sure he understood.

“Just like fishing, you have to be precise and confident to get what you want, and if you cast your line just right, you’ll catch the fish,” he winked once the bob hit the water, stepping back to admire his own work.

“Not sure that’s the best metaphor,”

“Say you love it, he's been working on it ever since you wrote to him,” Katara rolled her eyes, holding your hand as you both struggled to not slip on the ice.

“KATARA.”

Zuko couldn't help but laugh, then he was met with the puzzled look on your face.

“I thought this was a surprise trip, when’d you write to them,” you tilted your head, eyes narrowed suspiciously.

“…needed to make sure they were free,”

“Yeah?”

“Yeah…”

“That totally checks out,” you rolled your eyes, getting a serious case of FOMO.

Sokka coughed to try to clear the awkwardness, “So fishing…”

“What’re you trying to catch anyways?”

“Does it matter, it’s about the process YN get with the times,”

“Since when did you fish for fun?”

“Since now.”

“I thought you hated fishing,” you were all standing up by this point, including Sokka and Zuko.

“Only because Miss Katara always splashed me,”

“And I won’t hesitate to do it again!” She bent a small stream into his face, giggling when he stumbled back.

“Oh it’s on Katara,” he paused, “As soon as I get snow,” he waddled away to get to the snow on shore.

You laughed when the waterbender used more ice to cause him to slip.

“I’ll go help him up,” you laughed, moving towards him as he laid helplessly on the ice, not even bothering to get up anymore.

Zuko watched your figure, missing the way Katara turned to look at him.

“I think you should do it here,”

“What?”

“The proposal,”

“That’s not enough time, it’s barely enough for me to learn how to carve the necklace,”

“Lucky for you, Sokka’s pretty efficient with plans, he’s been plotting since you told him,”

The fire bender smiled, shoving his hands into the pocket of his jacket. “Okay, maybe, but how can I get started when she’s with us all the time?”

“Don’t worry, I’ll handle her,” she smirked.

“Are you sure this is safe?” You shivered, standing in your bathing suit on top of a huge rock, below it freezing water.

“No!” Katara, “But let’s do it anyways,”

“I don’t know, what if I freeze?”

“Good thing we have a fire bender with us,” she pointed to Zuko, who was in the distance learning about what tools to carve and what stones to use, he’d settled on one that reminded him of your eyes, and the band matching the deep royal blue usually used. He wanted to alter the pattern as a way of commemorating both elements. Currently, he and Sokka were doodling designs on the snow with sticks.

“Look at those dorks, I wonder what they’re doing,”

“You know Sokka, they’re probably drawing,” she laughed nervously.

“Hmm, that kind of looks like a-“ you were cut off as she pushed you off of the rock. You shrieked as you first dropped, then as you got more air time you changed into a more streamlined position with your head downwards. Instant regret when you hit the water though.

You resurfaced, drenched and in pain from the cold. Your fingers felt like they were gonna fall off any second now. Before you got to dwell on it, Katara joined you, also screaming in fun-agony.

“WHY’D YOU PUSH ME?” You splashed her.

“You were talking for too long…” she giggled, going under and pulling you down.

You inhaled a large amount of air before going under, making sure to keep her under with you as well. After a few seconds of freezing cold, you resurfaced, feeling pain in all your joints from the water.

“Why did I ever think this was a good idea?”

“I’m honestly not sure,” she shrugged, waterbending herself back up to the ledge so she could jump again, “But it sure is fun,”

Sokka and Zuko heard a splash in the distance.

“I think Katara is torturing your wife,”

“What?” he mumbled, looking at where you were very clearly lecturing her about something, “What’re they doing?”

“Ice bath, Katara tricked me into doing it once… I never fully recovered,”

Zuko chuckled, using his stick to doodle another design. Which he then stared at for a while.

“This is it.”

“Oh?” Sokka glanced at it, “It’s perfect.”

The men stared at each other proudly, as if they’ve just completed a super hard mission.

Immediately, Sokka took him inside a tent, quickly teaching him methods of carving with different tools. A few more splashes could be heard and you and Katara had fun.

“I wonder what he’s doing to Zuko,”

“Boy stuff,”

You furrowed your brows, “what does that even mean?”

After a lot of time (and a few cuts) Zuko finally had a necklace ready. Sure, it needed to be refined, but his hands were tired and shaky. Sokka patted him on the back, watching the fire bender weave the blue band into the loops.

What they failed to notice was you approaching, now covered in a warm coat.

“What’re y'all up to?” You breathed out, still cold but beginning to gain your senses.

Zuko panicked, hiding it under his leg. You looked at him weird.

By this time, Katara had joined the group, and behind her the sun fell into a pink and purple type hue. Zuko didn’t miss the way your breaths were so laboured, and he took it upon himself to lead you back to where Sokka said you two were staying. You changed into some clothes while he surveyed the room, moving around nervously.

“You’ve been acting weird all day,” you pulled a sweater over the thermal shirt, reaching over to grab an undercoat.

He walked up to you, fingers working shakily to button up the buttons. “Just cold,”

“No, the cold doesn’t make you avoid me.”

“I’m not avoiding you,”

“Really? It feels like Katara and Sokka are trying to keep us apart.” He grabbed another, heavier coat and draped it over your shoulder, you inserted your arms in the holes.

“I didn’t notice,”

“You’re lying,” you stepped back, putting your boots back on and tucking your pants into them.

He frowned, reaching out to you, but you stepped back.

“It’s weird, the letter thing as well- why didn’t you tell me you sent it to them? I thought it was last minute?”

“It was!”

“You’re lying again,” you frowned, folding your arms.

“I promise it’ll all make sense soon,”

“How soon? What’re you hiding?”

“I-“

“Actually. Don’t tell me. I don’t wanna know.” You huffed, storming out of the room, leaving a different kind of cold lingering.

Zuko sat down on the large bed, dropping his head into his hands. He sighed deeply, reaching over multiple layers of clothing to his pocket to pull out the carved stone. Truly, it was mediocre at best. And after this misunderstanding, the sinking feeling of impending rejection poisoned his thoughts. He couldn’t help but trace his finger over the patterns, wondering what could’ve been- he was half sure he was single now.

“I forgot-“ you gasped as you walked back in the room, catching a glimpse of the rock in his hand.

“Yn!” He quickly shoved it behind him.

“Zuko… what was that?”

“What was what?” He said, looking so suspicious it was stupid.

You took a few steps closer, inching towards him slowly, “In your hand,”

“My hand’s empty…”

“Liar…” you dragged on, standing right infront of him now.

“Zuko,”

“Yn,”

You tried pulling at his arms, but he wasn’t budging.

“Cut it out! What’s behind you?”

“Nothing!”

You sighed, walking away in defeat, just as he let his guard down, you pounced, having to grab it and rolling onto the bed. He barely had time to process it when your face immediately changed.

You sat up, moving on your knees towards him on the bed, patting his bicep, “Zuko light,”

The fire lord frowned, embarrassed that he was about to get rejected, although that’s no foreign feeling. A small, dancing red flame illuminated the carved necklace.

“It’s…” you covered your mouth with one hand, tears welling in your eyes.

“Tacky- I know, I just thought- you don’t have to do a-“

“Beautiful…” he glanced sideways at you, “Zuko…”

“This isn’t at all how I wanted this to go…” he sighed, dropping his head.

“No… probably not,” you sniffled, “but it was perfect,” you laughed, he chuckled as well.

He got up, lighting an oil lamp for better lighting. Zuko circled the bed and stood next to you, still nervous and fidgety.

“Yn,” he breathed out, shakily.

You nodded, glossy eyes meeting his.

“The years you’ve spent by my side, against me, with me- those have been the best years of my life. When I’m with you, I feel like I’m truly myself. I’ve never,” he swallowed harshly, “I’ve never felt more at home,” he paused again, looking up at the ceiling, “then when I’m with you.”

You let out a small noise of excitement, bouncing your legs.

“I’ve made so- so many mistakes in my life, every single day of it, but I think… I think letting you go would be my biggest mistake, Yn-“

“YES!!” You pounced on him, hugging him so tight as your heartbeats both skyrocketed.

You giggled as he looped the necklace around your neck, it was simple, and dainty, but most of all it was so Zuko. The more someone could stare at the imperfections in the craftsmanship, the more they’d love it. A man carved it with love and intention.

You held each other for a while, just swaying in the dimly lit room. You leaned back, cupping his face in your hands.

“Is this why we're here? You wanted to carve the necklace?”

“Yeah, pretty much, you ruined my plans though,”

“I did, didn't I?” You giggled.

“I had a lot planned for us, with the help of Sokka of course,”

“Ohh now that makes sense,”

“What makes sense,”

“Literally everything, you were being so weird,”

“I’m not great at keeping secrets,”

“Good, never keep one again,” you kissed his cheek.

“I suppose we should tell Katara and Sokka,”

“Yeah, I suppose we should.”

And so, hand in hand, you walked out to the bonfire, where the siblings sat.

Sokka was so mad his plan foiled.

#atla #atla zuko #avatar the last airbender #fluff #avatar zuko #prince zuko x reader #prince zuko #zuko angst #zuko #zuko atla #zuko x Reader #fire lord zuko x reader #zuko x female!reader

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comradekatara · 20 days

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Ik you went into the whole stupid "nonbenders are oppressed" thing in lok in one of the asks I sent you, but it keeps on making me think about how much I wish i got to see mako and bolin's mixed earth kingdom fire nation heritage play a role in the story. Maybe if lok had the themes of atla it could go into how the two are treated differently for Mako looking more fire nation and bolin looking more earth kingdom. I think it'd be interesting if Korra keeps on hearing Amon's followers yell on the streets about how benders oppress everyone but then notice how Bolin gets treated significantly better when he pretends to be a non-bender fire national/lean into his fire nation heritage by ignoring his bending compared to when he is openly an earthbender which directly ties him to his earth kingdom heritage.

right!!! i am literally always saying this. like it’s sooo weird how lok does not understand what it means to be mixed in any meaningful capacity. neither with the kataangs nor with mako and bolin, they’re each just largely tied to the element they bend with no consideration given to the other half of their heritage. bumi doesn’t consider himself an air nomad until he magically gains airbending, despite his father literally being the only air nomad currently in existence. instead of trying to preserve his familial heritage, he completely undermines all of aang and katara’s cultural values and joins the fucking military. kya doesn’t seem to give a shit about air nomad culture either, seeing as she doesn’t even know guru laghima’s name (and he’s the wisest air nomad who ever lived!). despite apparently being an independent free spirit who values her freedom, she seems 100% affiliated with her mother’s heritage, because waterbender. even though the values of community and tradition kind of conflict with her whole “you can’t tie me down” attitude, so. um. and they never once explore how the value of, for example, hunting as an important cultural tradition in the water tribes may conflict with the value of vegetarianism and doing no harm to any living organism. these are interesting tensions that could have been explored!! but instead, tenzin is merely an air nomad who takes after his father both culturally and physically, kya is a waterbender who takes after her mother, and bumi is a…..cosmopolitan, and nobody likes him.

as for mako and bolin, they don’t even get the privilege of being the children of the avatar and the chief of the southern water tribe (i said what i said), so being mixed race in the neocolonial cesspit that is republic city would be bound to cause some tensions. but instead of actually addressing what the ramifications and complex colonial dynamics of inter/multiracial family structures in a postwar society that is nonetheless still struggling to contend with a century’s worth of global imperialism and the lingering trauma of that violence would be, they kind of just….ignore it. yes, mako is a firebender who takes after his fire nation mother, and bolin is an earthbender who takes after his earth kingdom father, and they live in a city that was once earth kingdom land that now functions as a neocolony of the fire nation, but also, the police force are all earthbenders, and there isn’t any sort of lingering racial/colonial tensions in this city whatsoever! you know how mako and bolin were orphaned as children and forced to live on the street and dumpster dive for food and eventually did labor for a gang because they had no other means of survival? are we going to question or implicate the systems that enabled those abject conditions? no, of course not. look at mako fumble two gorgeous, ridiculously privileged girls! look at bolin do the charleston! isn’t republic city FUN???

#bakedbeanchan #asks #lok crit #in the lok rewrite that lives in my head Children of Mixed Experience get the identity crises they DESERVE 😤😤#but yeah. what a mess #analysis #bumi ii #kya ii #tenzin #mako #bolin #bolin&mako

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ash-and-starlight · 1 year

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Do you have any really specific and/or personal Zukka headcanons that you’d be okay with sharing? I eat up every hc you put into your drawings like they’re candy, I was wondering if you had any others :D :D

OH boii i sure have,,, nothing coherent is coming to mind atm so ill just expose my Extensive backstories of zukka bethrotal armbands that idk if i will find a way to sneak into art.

sokka’s armband for zuko is forged back at Piandao’s mansion, and it's one of the most fine stunning pieces of jewelry ever crafted. it’s not the usual southern ivory but metal, more similar to the armbands worn as an accessory in the fire nation. it’s made of intertwining bands of gold and black meteor metal, with patterns of waves and dragon scales that seem to ripple and move when the light catches on them just right. and the pendant is a traditional blue stone from the swt.

There are no particular engagement gifts traditions in the fn, so zuko goes on a deep dive into southern water tribe ones, asking sokka’s family and friends about jewelry making and learning to engrave over the course of several trips to the swt. He makes sokka’s armband with ivory from his own first (successful) solo hunt. i’m not sure abt the material of the pendant lmao maybe gold? but amber would also be cool methinks

as for the pendant engraving they display a unique single braincell moment (untrue i just want them to match). love the fact that both of them are sea savvy navigators, love to think that in their pining era they spent a lot of time watching the stars and showing each other the different constellations and navigation pointers of their nations, so in both of their armbands’ stones are depicted the constellation used to guide sailors back home, sokka engraving the swt’s one on zuko’s armband and vice versa.

if they were sun’s out guns out kinda guys before this only gets worse during the first weeks of their engagement. shirts are banned. everyone look at the bethrotal armbands NOW.

#id in alt text #welcome to my cringe and twisted mind #extra headcanon brought to u by the art is that zuko’s knuckles are scarred over bc he spent a lot of angry teenage years just punching shit #also! extra worldbuilding hc just because #since every man in the water tribes is pictured with a necklace i hc that it holds a bit of status/coming of age significance #like everyone makes their own with bone/ivory from their first hunt and then it can be changed or have new elements added later on #zukka #my art #ash replies #OH EDIT EXTRA THOT #since i hc they spend time apart bc zuko has to stay mostly in the fire nation (especially in first years of his reign)#while sokka travels everywhere fixing the world along the way #the constellations could be an extra way to tell each other that they’d always come back #uwu #im so ill

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ranilla-bean · 2 months

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The Iconoclast: Appendix

This is the appendix for my fic The Iconoclast, in which I will discuss some of my cultural and historical inspirations for the worldbuilding.

Disclaimer: I'm certainly not an expert on or practitioner of all the cultures I took inspiration from. In outlining my influences I hope to show my admiration and give appropriate credit to them.

Contents

Intro

Religion

Martial culture

Talent show

Miscellaneous

The Iconoclast is set in the same world as ATLA, about 800 years before the era of the cartoon. I was inspired by 10th-11th century societies; the Fire Nation is inspired by the Khmer empire, Kyoshi Island is inspired by Heian period Japan, and so on. Of course, the aesthetics of Hari Bulkan are heavily inspired by Angkor—Virtual Angkor was a huge help in visualising the city.

The immense population of Angkor was sustained by intricate water management techniques. The Khmer built reservoirs to collect water and sustain agriculture through the dry season. However, the impressive structures of Angkor had a dark side: they were built by enslaved labourers. Enslaved labour was extracted through human trafficking and debt bondage. In The Iconoclast, I integrated the institution of slavery with the caste system.

The exception to my adherence to periodisation was in the Inuit traditions that inspired the Southern Water Tribe, as the 10th-11th centuries appear to have been a period of migration eastwards across the Arctic for Inuit people. In addition to this, periodisation in Inuit history is more difficult to reconstruct due to the colonial destruction of knowledge. As a result, I took broader inspiration from pre-colonial Inuit culture.

Religion

The Fire Nation is based on the Khmer empire, which in this period adhered to Hinduism before the uptake of Buddhism. The cult of the Devaraja (lit. “god-king” in Sanskrit) arises from the specifically Southeast Asian branch of Hinduism. The Devaraja is regarded as the avatar (in this case, a human incarnation) of Vishnu. The Khmer king was marked out by dress: he wore a golden crown, or a wreath of flowers. His palms and the soles of his feet were stained red. He wore a sampot patterned all over with flowers—the more flowers, the higher the status.

I conceptualised Zuko as being seen as an incarnation of the sun. Following Hinduism, this would be Surya. Fanon tends to use “Agni”, in fact the god of fire. Either way, as a non-practitioner of this religion, I’ve personally avoided using gods still worshipped today in my worldbuilding. My inspiration has largely been in the philosophy of religion.

Such philosophical ideas include: dharma, avatara, ahimsa, and brahman vs. atman. I found the Bhagavad Gita highly informative in developing these concepts—themselves debated in Hinduism—as well as ideas about the dilemma of Arjuna and the imagery associated with Krishna. I had an enlightening conversation with my friend Tana, who convinced me of the need to address the legacy of caste and casteism arising from the text. Ideas of caste carry certain baggage in the western world that I wanted to pare back, hence the differing terminologies of “in-” and “out-caste” used in The Iconoclast.

The philosophies of Hinduism overlap with and develop in slightly different ways in Buddhism, which I explored through Choden. One instance is the Hindu notion of the Chakravarti, an ideal universal emperor (lit. “the one whose wheels are turning” in Sanskrit). A non-secular Chakravarti would in fact be a Buddha, someone who has reached enlightenment. Since Choden is the one who introduces this concept, I used the more literal term “the Turner of the Wheel” to disambiguate from “Buddha” (which immediately draws certain connotations), and also to draw a more direct relationship between the Arjuna imagery associated with Zuko.

This religious worldview stands in contrast to animism of pre-/early Shinto Japanese religion and Inuit spirituality, as reflected by Suki and Sokka. Princess Mononoke was in fact a huge inspiration! I conceived of the kami in the context of Shintoism before the major influence of Buddhism; Suki also worships at a kamidana shelf.

For the Inuit, all things have anirniq, “breath/soul”, which lingers even after death. Therein lies the tension: between the need to hunt for survival and the vengeful soul that the act of killing liberates. The website I used as my source has a great quote on this: “the great peril of our existence lies in the fact that our diet consists entirely of souls.” These souls must be placated through ritual and observance of taboo.

Importantly, I was interested in how each practitioner of religion approaches that philosophy in their individual ways, so none of the characters are perfect “representatives” of an ideal embodiment of that religion. Zuko is wary of his god status. Choden’s obsession with Zuko as Chakravarti makes her an outlier among the airbenders. Sokka trusts his “material” technologies of survival (i.e. weaponry) over spirituality, even though he practises the rites still, such as the smearing of lampblack and ritual words.

Martial culture

Sokka’s weapons generally mirror the ones he had in the show, with some additional embellishment. The snow knife is used to cut snow, but applied into a martial context by Sokka. The metal is sourced from a meteorite and cold forged; my inspiration was the Cape York meteorite, which Greenlandic Inuit used to fashion tools. Sokka’s club is made of jawbone, the strongest bone and stronger still from a herbivore. I combined the caribou and wombat into the “caribombat” for this, a nod to both an important Arctic animal to Inuit culture and to Sokka’s antipodean roots.

Suki is based on early samurai. She uses the fans from the show, but instead of the katana (which we see her wield in “Appa’s Lost Days”) she uses a tanto, which is a kind of predecessor of the katana and can be used as an offhand blade or a weapon in its own right. Women could also carry a smaller version of this blade for self defence. Her armour is Heian period do-maru armour, which was a lighter development on older styles of armour, made of scales of lacquered leather. I was particularly in love with the idea of her having a helmet and a men-yoroi mask, which was used as facial armour.

Zuko’s fighting style is inspired by bokator, a Khmer boxing style. He uses the short sticks instead of the dual dao, which can become truly dynamic weapons!

Talent show

Suki’s performances are based on the Japanese tea ceremony and bianlian from Sichuanese opera. The preparation method of the Japanese tea ceremony—whisking powdered tea—is in fact borrowed from the Chinese Song dynasty, which fits the time period of the world. Bianlian involves a performer very quickly changing a series of masks to a secret technique. It’s way more fun to watch on video than to read, I admit!

Osha’s dance is… meant to be the royal Cambodian ballet. The dance evokes the apsaras, dancing celestial beings in Hindu culture (incidentally, they are depicted on the walls of the fire temple on Full Moon Island). And just like western ballet, it takes years of training and skill to master!

Miscellaneous

Druk is, in this conception, a naga instead of… whatever unholy mix of cultures’ dragons LoK drew him as. Nagas are found across South and Southeast Asian cultures, and in Khmer culture they are typically represented as serpents—sometimes with multiple heads. They are associated with water, prosperity, and various other positive connotations. There’s a whole rabbit hole I don’t really want to get into about why I’m putting a water-associated creature in the Fire Nation (East Asian dragons are associated with water too!) but I do want to point out that there is a natural phenomenon on the Mekong called “naga fireballs” so… I’m running with that.

Full Moon Island is Crescent Island… before the eruption that turned it into a caldera.

Osha’s name is not a health and safety pun; I’m not American and I call it WH&S, it was a total coincidence. It means “shining” in Sanskrit—apt for a Fire Nation character, I think.

And finally… Mo Liudou’s name is a Cantonese joke! 冇料到 means “lacking results”. And the place where he comes from, “Mo Gwaiyong” (冇鬼用), means “no bloody use”. So he's Lacking Results from No Bloody Use.

#read chapter 5 first!#zukki dp wip #atla #my fic #yeah ok i know im a nerd no one @ me #putting my 2 ancient history degrees to good use

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hadesisqueer · 1 year

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Remembering when Katara fought the patriarchy and all and wondering like. When the Avatar was a woman, did she train at the Southern Water Tribe? Like, Avatar men always went to the Northern Water Tribe and Avatar women went to the Southern Water Tribe tradition? I can't remember.

Man what if Aang had died and the Avatar had been reborn into a woman in the Northern Water Tribe, would they have had to make an exception or would sexism win.

#atla #avatar the last airbender #avatar aang #katara

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survivalove · 6 months

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Air Temple Island, the Water Tribes & the Real Life Influences that bring them together

I was gonna screenshot a post I saw and add it to my post but I don’t feel like giving that individual attention (and the 300+ notes they got), so I just decided to make my own standalone post debunking this narrative that air temple island is this fully air nomad brothel (yes they said this) with ZERO water tribe motifs which katara is forced to live in until aang passed away.

frankly it just reminded me of how little people in this fandom actually bother to analyze the actual content, instead preferring to write entirely made up scenarios of katara being reduced to an air nomad incubator along with dozens other female acolytes (yes they also said this lmao. also them acting like both male AND female acolytes weren’t living on the whole other side of the island 😭)

when in truth, i’ve come to find a lot of elements of both water tribes as well as traditional inuit elements across air temple island:

1. the paifang

a traditionally chinese element that for some reason is exclusively found in the northern water tribe (why do they have a gate inside a throne room, you ask? ask the white people that made this show). the one on the left is actually one of two aang BUILT, at the main entrance and another at the temple entrance. this is just one example of water tribe design on the island.

2. the bagua mosaic

another structure is the bagua mosaic on the training grounds. bagua is a set of traditional chinese symbols of the cosmology, taoism. the bagua composes of 8 sets of broken or unbroken lines that represent yin and yang. where have we seen yin and yang in the original series? oh yeah, as tui and la of the water tribe! (because atla is a mess of asiatic and indigenous motifs joined together and spread out across each nation, mainly traditionally chinese elements at that.) aang building this right next to the air nomad training grounds is a symbol of the dual bending heritage their children will have.

3. gold and blue accents

now, gold and blue are the main colors of the exterior structures but is also very strong inside the air temple itself. note, the massive air nomad symbol designed fully in blue in the center and the blue banners and rugs throughout the temple. this is no doubt, for me, a visual depiction of both katara and aang’s representative cultures, but of course this is not limited to color only.

4. cloud carvings

now, this is a slight detour since clouds aren’t a significant part of either of their individual cultures (that we know) but i love the kataang monopoly they have on clouds as a couple so i’m talking about it. if you look at these images very closely what do you see? CLOUD CARVINGS!! specifically near the ceiling of the pavilion (left) and the arches and walls of the temple (right) just imagining aang painting and etching these very consistent swirls, like he’ll never be the selfish inconsiderate unromantic loser you people want him to be, but let’s get more into the southern water tribe style interior.

5. interior design

so here is a southern water tribe white lotus outpost vs the air temple island main dining room. first thing, the seat cushions and rug! while we don’t see air nomad eating quarters we do get to see enough SWT customs both in atla and lok, to know this is how they traditionally eat compared to the north (limiting myself on pics cuz mobile).

another thing is the dining table itself. both have what i believe to be built in fire pits (i couldn’t actually tell for the air temple island one cuz of the quality but if you zoom in you can see the lines go in the table plus the hanging kettle on it makes it obvious to me idk). the southern water tribe one however is clear and likely a more traditional version of what aang and katara have.

thirdly, the exposed timber on the ceiling. i actually looked it up and found this is a common element of these two inuit structures: left is an aasiaat peat house and right is an igloolik turf house. all this for me to believe not only did aang build air temple island to be a haven for the TWO of them but also that katara herself had a lot of input on the interior than people care to notice lol.

maybe instead of projecting these loser fantasies of katara being some unwilling air nomad baby making machine so you can feel better about your fantasies of katara living in a red palace with people that tried to wipe her out for a whole century, you all can go study the actual canon you were shown and the real life cultures the franchise takes from.

6. lastly, some of my own headcanons/stuff i want to see in the movie

the bathroom because I LIVE for a white marble tiled bathroom. i just know katara has to have a HUGE tub and they have one of those insane glass showers that can fit like 3 people, with cloud swirls everywhere because aang clearly got it like that

the KITCHEN, i imagine it being timber like the dining room and is probably on the other side behind the built-in shelf (get into the details like hello). in a perfect world, it would be open plan but hey

the bedroom, now we saw it in lok a bit but i wanna see it in the gaang movie too. i’m on pic limit but there’s a lot of artwork and flowers throughout the whole house which i give katara credit for because I can. like the desk, the bookshelf, that fancy looking vase thing? these two clearly have taste like don’t talk to me rn

I also didn’t show the rooms and aang’s study but there’s a lot of blue decor in those places which makes me think katara decorated the whole house, even the acolytes’ hall has blue sitting cushions and columns which i think is such a nice detail.

if you guys have any air temple island headcanons of your own please reply with some i’m feening lol

big shoutout to this user:

atla-annotated (their page is so great and filled with a lot of incredible information if you guys like this sort of stuff)

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the-air-nomad · 11 months

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A wolf's love

You've known Sokka since you were little. Your father was the chief of another southern tribe and also a close friend of Chief Hakoda. Also, your grandmothers were friends in their youth.

You were a waterbender but you discovered this shortly after Kya's death so you decided to hide this ability. After the men left for war, your father left you in Kanna's care.

You became very close to Sokka, and Katara often laughed at your childish love for her brother. Sokka, on the other hand, adores you and has dreamed of you two getting married since childhood.

When Sokka and Katara brought Aang to the village you were skeptical but then you agreed with Katara hoping that you would be able to find a waterbending master.

You convinced Sokka to come with you telling him that you need someone strong to protect you.

When you arrived on Kyoshi Island, you and Sokka argued for the first time since you met. It was the first time you noticed how misogynistic Sokka really was. Sokka begged Suki to teach him to fight and even agreed to wear traditional Kyoshi clothes. You, Katara and Aang laughed but at least you weren't mad at him anymore.

Then came the meeting with Jet. Sokka will never admit to you how good he felt when he noticed that you also thought there was something wrong with that boy.You helped Sokka save the village.

The visit to the North Pole was a nightmare for you. The brothers found out you were a waterbender and were upset that you didn't tell them sooner. Katara soon gave up her upset being happy that she is not the last waterbender from the South. Sokka was extremely upset, first you lied to him and then you gave up on him to spend time with his sister. He won't admit it, but the fact that he wasn't a bender hurt him a lot. He decided to try to make you jealous by approaching Yue. But things did not go in his favor. After his kiss with Yue from Spirit Oasis, you decided to give up on the idea of a relationship with him.

Katara could no longer bear the horrible condition her brother was in, so she told you about his plan from the North Pole. To give Sokka a taste of his own medicine, you started flirting with Zuko. Katara thought you were a perfect match for her brother due to your extremely great talent for making plans (notice the sarcasm, please). You and Toph found Sokka's silly jealousy hilarious.

Sokka was absolutely crazy, what did that fiery head have that he didn't?!

During the Siege of Ba Sing Se you and Sokka finally confessed your feelings for each other. Sokka was happier than ever but that didn't last because you were seriously injured and lost a lot of blood. You've been unconscious almost as long as Aang. In that time Sokka was completely destroyed. He felt like his life was over and he swore that when you woke up, he couldn't imagine you wouldn't, he would do anything to protect you.

When you woke up Sokka exploded like fireworks. Even though you felt horrible, you struggled to give him a big smile. After that, things started to go downhill. Sokka had become inhumanly possessive and protective. You tried to talk to Katara and Hakoda but they told you that Sokka acts like this because he doesn't want to lose you like he lost his mother which made you feel like a terrible person.

When you arrived in the Fire Nation, Sokka followed you like a shadow. At Hama's inn he slept in the same room as you. When you found out that Hama was from the Southern Water Tribe something clicked in your mind. You asked if she had known your paternal grandmother. Her eyes widened when she heard your father's name. It seems that Hama was your grandmother, Sokka's grandmother's friend. That didn't make Sokka calm down and he almost attacked Hama with his sword when she tried to hug you. After Hama was arrested Sokka consoled you saying that you don't need anyone else when you have him.

After Zuko's coronation you and Sokka returned to the South while Katara and Aang had to stay in the Fire Nation. Although Sokka's protectiveness still bothers you, you were extremely happy when Sokka asked you to marry him.

But as heroes never have a simple life, your story has only just begun.

Although I do not own the characters from avatar the last airbender, this work belongs to me! I sincerely hope you liked it. Please rate it and leave a comment! follow me to see my next posts! 💖💖💨

You can buy me a coffe if you want: buymeacoffee.com/TheAirNomad

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cienie-isengardu · 10 days

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Sokka's sexism

Sokka’s sexism from the earliest episodes is an interesting case, because the Southern Water Tribe, at least from what was presented to us on screen, doesn’t seem to operate that much on gender roles? Especially when compared to the Northern Water Tribe?

I mean, yeah, warriors (men) went to war, while women, children and the elders stayed at home. But as Hama’s story shows, when Fire Nation attacked Southern Water Tribe, both female and male benders were fighting against invaders arm to arm and it seems like they were the actual first line of defense there, not the non-bender warriors.

In contrast, during siege of North Pole, in the final of Book 1: Water, we don’t see any female bender helping defend their home except Katara, who was involved in protecting Aang when he was in Spirit World.

Since all the waterbenders were captured from the Southern Tribe, it makes sense that non-bender warriors stepped in and got involved with war, while the kids and elders were left under women’s care.

Another example comes from “a ceremonial test of wisdom, bravery and trust”, known as ice dodging. As Bato explained, it is a rite of passage for young Water Tribe members and in their village “done by weaving a boat through a field of icebergs.” When a child turns 14, their father was supposed to take them to ice dodging, so they could earn their mark. Though the episode itself was focused on Sokka’s ceremony, Bato never specified it as something that boys alone should do and not only Katara (girl) but also Aang (outsider) is allowed to take part in the ritual. Once Sokka proved himself, everyone of their group got a mark, as a sign they passed the test. Interesting thing to note, since Bato did not specify it is a rite of passage for boys alone, it suggests girls were expected to know how to sail in boats of the Southern Water Tribe. Of course, again, war didn’t allow to continue this tradition as men (Hakoda, in case of Sokka & Katara) left to fight against Fire Nation.

Later, when Sokka and Katara reunited with their father, Hakoda did not try to send away Katara nor relegate her to just a medic job during the invasion. In Northern Water Tribe episodes, we learned that teaching for waterbenders there was defined by gender - women were allowed to learn only how to heal, while men how to use their bending in fight. Hakoda, nor Bato nor other of their warriors even for a moment questioned Katara’s presence on the battlefield nor the presence of women in the ranks of their allies like a blind, 12 years old Toph or the female water benders from Swamps or female(?) soldier from Earth Kingdom

And during battle, Katara did not fight in rank with other soldiers, she first alone secured Appa during submarine attack, then alongside her brother and father took down guardhouses - Hakoda himself told her and Sokka to attack one when he took down the other one

showing how much he trusted his 15 years old son and 14 years old daughter while ordering them attack on Fire Nation adult soldiers hidden in well guarder place.

Later, when Hakoda got seriously injured and Sokka temporary took the command of their forces, we could see that Hakoda relied on Katara to follow his troops and not ever once tried to send her back “to safety” or argued she should leave him behind, as often it happens with heroic (male) figures. Quite the opposite. When Katara offered him to “wait here if you want”, Hakoda firmly said “I want to press forward with the others”, which meant his daughter needed to come with him directly into an already ongoing fight (even if they stayed more at the rear of their army, they were still on battlefield).

She and her brother, alongside with the youngest members of Invasion, were forced to flee on Appa once the battle was lost, but no other adult woman was included. During Zuko’s coronation, when all war prisoners were released, in the background we could again see the female character(s) from Swamps.

And let's not forget how impressive Hakoda was by Suki when she single-handedly captured the warden at Boiling Rock prison and did not try to stop her from fighting against Ty Lee alongside Zuko and Sokka against Azula.

Understandably, we have no idea how the Southern Water Tribe and its culture looked like before the war, even arguably, the characters themselves may not have a clear idea due to growing up in dire times. But my point is, Hakoda and Bato, the two main adult Southern Water Tribe’s warriors that Avatar: The Last Airbender allowed us to know more about, have never shown any direct sexism toward Katara or other female characters. And though Sokka was the oldest boy at their village, there is no reason to think women did not hunt in absence of men, because one person would not be able to provide for a whole community 24/7. Also, as Hama proved, the Southern Water Tribe’s waterbenders were capable of fighting and their gender did not play any vital role the way it happened in their sister tribe at North Pole.

Of course, Fire Nation’s repeated attacks affected residents of South Pole and their living conditions but from the little bits the show gave us, I think it is correct to assume if Sokka grew up with Hakoda around to guide him as he should, his behavior would be different from the sexism and dismissive attitude toward Katara or Kyoshi Warriors. For one, logically thinking Southern Water Tribe’s warriors need to do all the cooking, sewing and keeping their camp clean all on their own during war so it is not a “girly job” but a vital part of a warriors skills to survive and ensure their equipment is in the best condition. But Sokka doesn’t know it, because there is no one to teach him the importance of those skills. All Sokka had was father’s farewell words to cling to - and I’m not sure if Hakoda truly expected his son to be able to protect Katara and the village in his absence, or he just tried to make Sokka feel a bit less depressed about being left behind. You know, by giving him purpose and a Big Important Job to focus on and to feel needed and trusted.

Which leads me to think that Sokka’s sexism is not rooted in Southern Water Tribe’s culture itself, but in his own insecurity and pressure of being the oldest boy in the village. If girls could be warriors - and be better than him - it would put into question all his self-worth, purpose and the trust given by father. Once Sokka met Kyoshi Warriors and later all the skilled girls, it challenged him on a very personal level, but he accepted the truth and moved on and alongside, finally became a true warrior and a man.

And I find it indeed an interesting case, as Sokka’s sexism and dismissal of girls is not necessarily stemming from the culture he is part of, but rather is the effect of not knowing said culture & pre-war history of his Tribe. And of course, from his own insecurity.

#atla #avatar: the last airbender #sokka #hakoda #just some thoughts #because bato and hakoda seems pretty okay toward katara and include her in rite of passage for sokka and invasion battle #like her age and gender doesn't matter #with dad and dad's friend (bato) like that where comes sokka's dismissal?#so i guess this is about sokka's insecurity and growing up without father to guide him #good suki straighten sokka up pretty quickly #i'm pretty sure SWT has some sense of gender roles but not so strict take like northern water tribe #no arranged marriages and no true aristocracy and waterbenders being fighters and so on #sokka though lives in destroyed by war tribe to understand yet what was done to his community i guess?

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the-badger-mole · 14 days

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If you were to expand on southern water tribe culture, what sort of traditions would the people have?

I've written a few traditions into my fics. Off the top of my head, here are a few:

All the Things That Are and Will Be

The death rites of the SWT don't involved burial in the ground. Instead a the body is washed and prepped by the family, and the body is laid to rest under stones piled around and over top the body. The ceremony involves a song commemorating the deceased for becoming one of the ancestors.

Traditional

To mark engagements in the SWT, the potential husband presents his intended with tools and supplies that will be useful to her in married life. This is usually sewing needles, knives, beads and furs, but the intended bride is allowed to make special requests. For Katara, this included fancy pens, new waterskins for formal and everyday use, and a crown. In With the Changing of the Tide, she also made special requests for a talking mirror and the skin of a camel seal. The potential husband also presents his intended's family with furs, skins and tools, and also, he joins the men in the family on a hunt for what will become the engagement party meal.

Uncharted Waters

In the SWT, villagers will gather frequently to share stories about a lot of things. Sometimes they're historical accounts. Sometime they're folk tales. Sometimes they're about how they got their various scars, like Katara tells Zuko in chapter 8.

Summer Bloom

When a SWT girl has her first period, there's a celebration among the women. They go into the mountains to the thermal springs and have what essentially amounts to a spa weekend. There she has a formal introduction to the "polar bees and otter penguins", the older women share their advice on dealing with period symptom, and there's a feast. The girl is welcomed into womanhood with gifts of needles, knives, combs and beads.

Some traditions I've been thinking about, but haven't actually written down yet: Siblings share a sleep cot until they're old enough to complain about it. When that happens, the family homes get bigger to accommodate more sleeping space.

There's a strong musical tradition within the tribe. Their instruments are limited. They have a drum, a hand drum, and a pipe for their major instruments, but they mostly sing. The SWT goes on to popularize acapella in the ATLA world.

The Southern Water Tribe is made up of several small villages lead by locally selected chiefs who then come together to choose one overall representative for all the villages. Hakoda is the third nonconsecutive member of his family chosen as the head chief, and Sokka is chosen after him. After Sokka, the next chief comes from an unrelated family and a different village entirely.

#atla #swt traditions #katara #sokka #hakoda #kanna #zutara #because the fics i linked are zutara fics or at least mention them

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sokkas-therapist · 3 months

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Ok so I decided I am going to post that “atla live action hot take” I mentioned

Click below the cut if you’re interested in hearing my take on the whole “taking away sokka’s sexism” thing

1) nobody is glorifying sokka’s sexism by saying it should be kept in the show. It’s quite literally the opposite. The original series did a great job using his sexism as a lesson; any time sokka made a sexist remark in the first 4 episodes it was made abundantly clear that he was wrong, and as soon as Sokka was proven wrong he admitted that he was misguided, apologized, quite literally bowed down on his knees to ask for forgiveness, and even asked to learn from the kiyoshi warriors, and excepted wearing their traditional uniforms, further surrendering his flawed perspective of societal gender roles. A wonderfully executed example of writers using their characters to teach viewers a lesson: which was, in this case, that sexism is wrong. Sokka’s sexism was not left unresolved, so why take away a valuable lesson in the show??

2) if you take away a character’s flaws…then they don’t have development. A character can’t learn and grow from their mistakes if they never make mistakes.

If a charecter starts off perfect and unflawed then they are surface level and lack depth or the ability for an arc.

And no, this is not saying that Sokka didn’t have many other admirable qualities like his intelligence and adaptability etc.. He 100% had those qualities. But one of the coolest things about the original atla series was their ability to flesh out side charecters and give them depth. A charecter who is simply smart then becomes smarter, or adaptable then becomes even more adaptable, lacks depth and internal conflict.

Sokka’s sexism was the starting point for his internal conflict. Sokka wasn’t just sexist to be sexist, or because the entire southern water tribe was misogynistic (and we know for a fact they weren’t, because if they were misogynistic, then Katara wouldn’t have been shocked when the North denied her waterbending training). He was misogynistic because being seen/accepted as a “man” and a strong warrior was all Sokka wanted after his father left him behind. In reality, we know his father was only trying to protect his son from the horrors of war. But to a young and impressionable child, Sokka internalized this as him not being “man” enough, so he dedicated himself to becoming the person he thought would make his father proud. He was always reaching for this unattainable standard he set for himself, which lead to him having a skewed and toxic view of masculinity that he took out on the women around him. He associated being a worthy warrior with being a traditionally masculine man, and leaned way too far into fulfilling the gender roles men and women are told to play in society in hopes of gaining his father’s approval. We see him do this by suppressing his feelings of inferiority as a nonbender, along with all the aspects of himself that he thought could be seen as “weak” or “feminine” (ex: his love for shopping and poetry and art that we see develop up until the literal end of the series).

So clearly, the vast majority of sokka’s charecter development that deals with internal conflict stems from the toxic view of masculinity and gender roles that he adopted after being left behind by his father, which caused him to outwardly lash out toward katara and Suki with misogynist comments. So taking away the sexism we see in the first few episodes eliminates important context that makes sokka’s character development throughout the entire series significant, not just an “iffy unnecessarily bigoted message”, because it was quite literally used to show that sexism was wrong.

I wasn’t going to say anything about this at first but seeing so many people display a fundamental lack of understanding for the premise of character development and the usage of charecter flaws to promote positive messages in media set me off. Just…WTF????

(Also I know I wrote a summarized version of this in the tags for another post but I wanted to expand upon it more and make this a separate post)

#does this make sense??#it ended up being very wordy so I hope the point still came across #but like. this is a topic that I’m very passionate about and I hate seeing people miss Sokka’s entire internal character arc #sokka #atla #atla live action #avatar #sokka appreciation hours #I think that’s the tag I use for this stuff?#if one person says ‘it’s not that deep’ I’m gonna lose it #not really lmao #my post #headcanons and stuff #avatar the last airbender #Netflix #avatar netflix #atla net

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forevermore05 · 25 days

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Prompt: the southern riders come back when Katara is 10 years old, the tribe warriors fight as hard as they can but there's not enough of them and she gets taken to a prison in the Fire Nation where they keep her away from the water

A year later Hama shows up and gets her out using blood bending, it's practically a suicide mission to try to break any of her fellow water bendings out which is why she never did it but Hama can't let a child from her tribe there so she risks it as soon as she hears the news of Katara being there

Hama raises Katara in the traditions of their tribe and teachers her water bending in secret at night, they can't go back home since the Fire Nation ships control the seas between here and there so she tells the neighbours Katara is her granddaughter who came to live with her from the colonies because her parents died in the war and sends her to school dresses in red every morning but tells her the stories of their tribe before bed every night

Katara grows up feeling divided between her heritage (which Hama makes sure she feels connected to) and her friends in the Fire Nation who are nothing like the monsters who took her from home and took her mother from her before that

The day she turns 15 Hama tries to make her help killing someone she knows (a classmate, a neighbour, maybe the parent of a friend of hers) using bloodbending and she can't take it anymore, she runs away from "home"

She ends up in the capital and takes up a job at the palace (there's a lot of turn over since the royal family is kind of volatile so they are always looking for new people) just in time for Prince Zuko to come back to the Fire Nation, having just killed the Avatar and conquered Ba Sing Se with the help of his sister

Katara couldn't kill some poor peasants whose biggest crime was being born in the Fire Nation but she can and will kill the person responsible for taking the Avatar and the hope he represents away from this world

All she needs to do is get close to him without him suspecting on a full moon night

Bestie, this is bat shit insane. This is a crazy good plot. But this gonna take me a long while to even attempt to do so I hope you are patient with me. I'm still a very amateur writer in terms of story writing but I would like to attempt to write this one day. If you permit me can I change some points in the plot such as the aging characters up to make it easier for me?

#avatar the last airbender #katara #zutara #zuko #zuko x katara

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oneatlatime · 7 months

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Want to get your thoughts on something you've touched on in a couple places. A pretty popular idea in the fandom is that one of the (in-universe) reasons airbenders have gone so hard into the peace-and-love monk thing is a self-awareness that, if they didn't, there's not a whole lot anybody could realistically do about it.

Like, Southern Air Temple pretty strongly implies that Gyatso solo'd a room full of comet-roided firebenders. It killed him but he did it, and while he is a master Airbender, we're not given any real indication that he is uniquely so, right?

I have many thoughts on this! Sorry in advance for the long post! And sorry if this goes a bit off topic!

Short answer: I don't agree.

Long answer:

We've seen that nations' cultures tend to reflect their native bending styles. Or vice versa. It's probably a chicken and egg scenario. The Fire Nation chose to spread (like wildfire) and is full of hot headed, impetuous roid-rage sufferers who can't see or plan for the long term. Fire itself easily becomes ungovernable and is at best muzzled/leashed, always waiting for the next chance to bubble over in unplanned / unpredictable / generally unhelpful directions (Hi Zhao!). So an element shapes a culture shapes and element until you've got a positive feedback loop (or in the case of the Northern Water Tribe, a negative feedback ourobouros due to outside pressure). Importantly, neither culture nor element develops in isolation; I think they develop simultaneously.

The Earth Kingdom is probably the most rigid and unchanging, even when it would benefit them to change/innovate. We see rigidity and humourlessness in response to change or the unexpected (see Toph's parents) and we see an inability to let go of a bad idea, or mitigate the consequences / think on the go when things that were clearly bad ideas go bad in ways anyone with a non-earthbender brain can see coming a mile off (think The Avatar State episode). Earth digs in when it should retreat, stands solid when it should duck and weave. It is grounded to the point of stupidity (unless you're Toph or Bumi, although even Toph seems to be unbending so far). It's linear to the point of being unable to deviate from that line.

This is me guessing, but I figure since fire and water are opposites, air must be the opposite of earth, right? So while we'll never see airbending culture in a non-shrunk-down-to-one-person form, we can look at earthbending culture for its dark reflection. Well, probably not dark, but you get what I'm saying. They'll be opposites in world view. We can extrapolate.

So if earth is grounded, humourless, aggressively traditional, linear, then air must be constantly fluctuating, unchained, lighthearted, bonkers-all-over-the-place. The heaviness of earth would dictate that problems should be faced by digging in and facing them head on until the problem blinks first. The lightness of air would dictate that problems should be faced the opposite way: blinking first i.e. removing yourself from the problem entirely. The linearity of earth dictates that fights are solved by fighting - you punch me, I punch you. The non-linearity of air would seek to recontextualise a problem until it's no longer a problem because we all forgot what we were fighting about in the first place, i.e. throwing pies at it or busting out the marble trick. The heaviness of earth would cause excessive earthly attachment; the lightness of air would cause excessive detachment from worldly concerns.

To start violence is to make a statement that you wish to be involved. It's rooting yourself to a particular dispute, choosing a hill to die on. It stems from attachment. This is earthbendery behaviour (and Zuko-y, but let's not go there). To never start violence is to never invest, never dig in your feet and make a stand. To be detached. (I'm oversimplifying here.) It's clear from in-show examples that Aang's pacifism is of the "ladies don't start fights but they can finish them" variety; he's got no problem with self-defence (caveat: we have no idea how typical an air nomad Aang was). But he never attacks first that I can think of.

Violence is a very direct tool. If someone starts a fight with you, and you decide to continue it, you're choosing the most obvious action. Since when is airbending direct or obvious?

All this to say, I think that pacifism, peace and love, monkiness, etc., was more likely a natural and inevitable outgrowth of air nomad culture, caused by constant culture / element interaction, rather than a conscious choice.

So I think airbenders "have gone so hard into the peace-and-love monk thing" because the nature of their element creates a culture that discourages the traits required for effective offensive violence, and the inherent detachment and ever-changing nature of air naturally encouraged spiritual (i.e. monkly) pursuits rather than earthly ones, like whatever the conflict of the week is. I don't think self-awareness of the dangers of their element factors into it. Not to take away from Gyatso's accomplishment, but I think air is nowhere near the most dangerous element. From what I've seen so far that would be Fire or Earth, though I'd give the edge to Fire because they self-generate, and also because they've spent a largely successful century dominating the other elements. Waterbenders and earthbenders can be neutralised by taking away their element; airbenders - due to the very nature of their element - probably can't get past that initial avoid and evade instinct to become legitimate offensive threats.

As for Gyatso, I think he's an outlier. We know little about him so far, but we do know that: a) Aang says he's the best airbender (in I think the Southern Air Temple?); b) he's good enough that he was granted a statue while he was still living, learning, improving; and c) he's good enough that the monkly council (of which he is part) granted him the honour/responsibility of being the quasi-dad of the Avatar. These things tell me that Gyatso was the Spiders Georg of the Airbenders. I suspect Bumi is the same for the Earthbenders, and at least as far as the philosophy of bending is concerned, Iroh may be so for Firebenders. Even the example of Gyatso nuking the comet-enhanced firebenders is a case of defensive action in ultra extraordinary circumstances: he was staring into the teeth of a genocide while mourning the disappearance of his quasi-son and the likely loss of the world's only hope / chance at stopping the war. That's how far you have to push an airbender before they'll take a life. Unless the Avatar world pre-war is a lot more godawful than Aang has implied, airbenders probably wouldn't have been taking lives frequently enough for them to get to the point where they would have to start questioning whether they should consider pacifism.

I think what this fandom idea ultimately is, is a desire for the hidden badass trope. Everyone loves it when the most peaceful character in the story is revealed to secretly be a Rambo-level fighting badass, right? Who didn't love it when kindly grandpa Roku manifested in his temple and unleashed a volcano? But I think this trope fundamentally takes something away from the appreciation of Airbending, Air Nomad culture, and the concept of Pacifism as a whole. This is just my interpretation, but applying the "secretly the deadliest all along!" trope to airbenders undermines their commitment to pacifism and makes it performative rather than earnest. It's a cop out; an acknowledgement that violence actually is the answer, and even those head-in-the-clouds monks know to use it when the chips are down. This show goes out of its way to show that non-combatants have value and a place in this world that's worth fighting for, that fighting goes way too far pretty frequently, that non-violent solutions are valid, even preferable. It would kind of undermine that message if all of the elements were easily weaponisable.

Something I've loved so far about Avatar is the show's earnestness. There have been no Marvel-style fakeout bathos plots. I feel making airbending secretly the deadliest element or similar would be exactly that sort of thing. Can't my pacifists be peaceful not because they're secretly untouchable badasses who carry the biggest stick, whom the rest of the world leaves alone out of fear, who are not a threat only because they have chosen not to be, but because that's just who they are?

On the other hand: Aang's been a one-man-army plenty of times. We've seen that; that's undeniable. So air is stupidly powerful as an element. No denying that. Gyatso did murder a bunch of people trying to kill him, so air can be deadly. But I don't think your typical airbender could be deadly. If you gave a can of airbending to a firebender, an earthbender, or even a particularly provoked waterbender, I don't doubt that they could kill people with it. But the culture that the element generated - rather than a conscious choice by that culture's participants - prevents them from taking the direct, violent, solution. And I think that culture developed in tandem with airbending, so there could not have been a time when airbenders were deadly as a rule. Air shaped airbenders as much as airbenders shaped air, and it shaped them into non-violent people.

There's a lot of power in the idea of consciously choosing, and sticking to, something that is perhaps not in line with your natural abilities. Styling airbenders as deadly-but-choosing-peace is a great way to explore themes of agency, identity, strength of character, morals, maturity, etc. But, to me, there's also a lot of power in the idea that some people just can't - not won't, but CAN'T - fight their way out of things, and this doesn't make it any less wrong to genocide the crap out of them.

If the fandom wants to headcanon airbenders as secret badasses who consciously choose nonviolence, I say a) go ahead! there's more than enough evidence to support that conclusion; b) I respectfully disagree; and c) is Iroh not enough?

tl;dr in my opinion, air's pacifism was a natural outgrowth of, and restriction imposed by, the element rather than a conscious choice; airbending can be deadly but airbenders aren't; Gyatso is not representative; 'speak softly and carry a big stick' is all well and good as a philosophy, but those who speak softly and don't have a stick are of value too.

#atla #avatar: the last airbender #ask #PLEASE let this not start drama #just my opinion guys!#remember I'm not yet halfway through season 2 so maybe a later episode will disprove everything I've said! Who knows! Not me!#Also I don't know anything about Eastern Philosophy which this show undoubtedly references frequently #in a way that completely goes over my head #so I may have made some entirely incorrect assumptions in this post #oops!

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