the scene with her dad in the elevator??

Cornered by chisana.yume

🔥more for the subscribers: https://www.patreon.com/taste_of_taboo🔥

//@udovaintomyheart Thanks AGAIN <3

Now I want to write Medical Drama featuring Vasily. Anyone up for roleplaying that? I promise I WILL write a canon and modern fic about it, too!

Please please please reblog this and put in the tags your music recommendations. I’m not talking about big artists and bands either— what’s a niche group, band, or artist that you can’t get enough of? What song or album do you enjoy the most? Why?

Average Drama Enjoyer observes some peak drama.

here

bunch of one minute doodle shits

the sandra lynn / fig conversation is driving me Insane. fig saying that sometimes she doesn’t wanna exist as herself at all…not wanting to ask her friends how they see her (because she’s afraid to hear their response) saying that to someone she is a monster and she Cannot stop thinking about it. sandra lynn starting the conversation saying she needs to step up but is also simultaneously taken aback about what fig expresses and doesn’t know how to responds to it and suggests getting ice cream. sandra lynn saying “convincing people they deserve good things is really tough” talking about herself but how it also reflects fig. insane!!

Systems, what are the weirdest introjects (fictives, factives, etc) you've ever had?

I present ours:

Autocorrect. Literally just Autocorrect

Goat from the Goat Simulator (we found out about them like 2 days ago, and I am still just- done. With this entire system. Why the fuck-)

Huggy Wuggy from Poppy Playtime

Mommy Long Legs from Poppy Playtime 2

Any animatronic fictives are their own kind of weird. A good and sometimes terrifying kind, but a kind nonetheless

(All of this is /nfta, stating it even if it's obvious)

P.S. Brain-made work, too!! Brains are weird lmao, go off about their weirdness! I just took introjects as main cause that's the first thing that came to mind.

-host

There’s something so important about Gillion - who never heals himself, who rushes into danger, who hides his wounds- facing death and realizing he isn’t unafraid as he was raised to be. He uses his magic on himself to help with the exhaustion, to keep his life intact. And still he tries to comfort Jay and Chip while he’s coherent, being realistic about his chances but refusing to make it painful. Wanting their possible last moments to be light, to be about seemingly inconsequential things, small favorites that still mean the world to him purely because they’re Chip and Jay’s favorites. And then when all is said and done, he makes a raccoon for Jay. He talks about raspberries for Chip. He uses his last saved up arcane energy to try desperately to stay awake, and it works, and it saves him in the final hour.

It’s just. There’s something about how he hasn’t had a chance to rest since the Feywild, really, truly rest. How this whole time he’s been down on himself and taking extreme risks. And now, at what might be the end of it all, he realizes he doesn’t want to die. He wants to live. And not to be able to save others, not to fulfill his destiny, not out of obligation to anyone else - but purely for himself. For all the little things. And though it’s not quite healing in the literal term, his nearly final act was spent trying to save himself - and it worked.

Cornered by chisana.yume

🔥more for the subscribers: https://www.patreon.com/taste_of_taboo🔥

wish house was a real doctor so i could be his mystery insomniac patient and after giving me horse tranquilizers and still not falling asleep he just hits me in the head with his cane and im out like a light

seriously though i know im mostly a comics blog so complaining is expected and is second nature and there is a LOT to complain on (from disgusting writers to character developments being nuked) thats justified but also i love comics so so much.... i love this medium and how unique it is and the story opportunities it gives. i love seeing so many different art styles and writers and how comics can be dialogue or visual heavy (or a balance of both) and how theyre equally important or emotionally moving. i love how many stories and arcs these characters can have. i love when you can tell something is a passion project and when you can tell someone truly loves these characters. i love how long theyve been around and seeing the development of them and the way they been empowering or something to look forward to and bring hope or laughter or excitement since the 1930s. i love that i can not like something in a specific story but still enjoy the character or medium because theres so many different factors in that one story alone but also because theres so many different writers and stories and spin offs and solos and everything to still read and enjoy if that particular one isn't for me. i love how their timelines can be complete bullshit and how sometimes an event is important and sometimes theres no consequences and the only way to find out is to keep reading. i love the melodramas, i love the cheesiness, i love the camp, i love the passion projects, i love the dark themes, i love the slow and developing timelines and arcs, i love the tragedy and humor and horror and action and how many different genres it can have while still in this one medium and still about this one character. i love how any character, no matter how minor, can have a person that loves them and gets excited to see them. i love the community aspect of them (sometimes) and i love how so many different people can enjoy the same comic for different reasons and have their own community of mutuals that enjoy it the way they do. i just love comics so so much.

Seven(ish) Sentence Sunday ✍️

Tagged by @diazsdimples @giddyupbuck and @wikiangela. Thank you lovelies mwah 😘

Have a little something from LA Lonely -> this is after the fun and orgasms of Buck and Eddie’s hook up. Still don’t know if I’m going to go full spice 🌶️ or just do a quick little run down of things.

Prev snippet & mood board here

Buck expects him to start pulling his clothes on and to give him the whole “this was fun, but I gotta bounce” speel, but Eddie surprises him by climbing back into bed and nudging Buck to roll onto his side so Eddie can scoot up behind him and hold him.

Buck freezes for a moment because no one does this. They have their fun and then they leave. They don’t stay and they definitely don’t cuddle.

Eddie must feel him go tense because his hold loosens and he moves as if he’s about to pull away. “Is this okay?”

Buck grabs at the arms that are wrapped around him, stopping Eddie’s descent. “Y-yeah. It’s-it’s okay.” He pulls at Eddie’s arms and the man settles back behind him, burrowing his face into the juncture where Buck’s neck meets his shoulder as he shuffles closer.

Soft kisses are pressed into his skin and Buck is helpless but to relax back into Eddie, letting the comfort and warmth of whatever is happening wrap around him.

“Stay?” He whispers, not sure if Eddie can hear him but not being brave enough to say it any louder. He feels like he’s asking too much.

A kiss behind his ear. “Okay.”

No pressure tagging: @hippolotamus @puppyboybuckley @exhuastedpigeon @spotsandsocks @devirnis @wikiangela @hoodie-buck @honestlydarkprincess @homerforsure @monsterrae1 @missmagooglie @mellaithwen @nmcggg @lover-of-mine @ladydorian05 @loserdiaz @bekkachaos @wildlife4life @watchyourbuck @weewootruck @elvensorceress @eddiebabygirldiaz @evanbegins @rewritetheending @rainbow-nerdss @captain-hen @jeeyuns @jesuisici33 @glorious-spoon @fortheloveofbuddie @fiona-fififi @disasterbuckdiaz @thewolvesof1998 @try-set-me-on-fire @theotherbuckley @steadfastsaturnsrings @tizniz @athenagranted @alliaskisthepossibilityoflove @spagheddiediaz @sunshinediaz and as always, anyone else who wants to share something -> consider this your tag ☺️

Do you think anyone ever told Enver that he didn’t deserve what happened to him? That his parents were wrong for what they did and they didn’t do it because he was a ‘bad’ kid but because they were selfish and horrible people. Or did he only ever get mocked and shamed for something that wasn’t even his fault? Has he only ever been told by the parents who sold him, by the devil who bought him, by the God who claimed him, that he deserved this. That all his suffering was for the best.

Has he, and everyone else, convinced him that he was needy, weak, odd, and worthless as a child and that his only value was how much he could be sold for to cover a debt that wasn’t even his responsibility? Does he see that time as shameful and himself as unworthy of being safe and loved? Is that why he doesn’t tell anyone about it and why it’s left out of his biography, and why he makes sure that his parents don’t acknowledge it and lie about him being raised solely by them? Does he not want anyone to know he was weak once, even if he was just a boy? Is that he doesn’t take blame for what he did to Karlach? If he deserved it, so does everyone else who wasn’t good and strong enough to avoid it.