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#some art in between working on comic pages :)
wickjump · 6 hours
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I don’t know why but I just don’t like ink and underverse didn’t really help change my opinion can you tell me some of his good qualities?
i’m going to tell this to you right now if you ever want to get to know ink as a character do not go to underverse. i love it so so much, but underverse is not canon to him at all and isn’t good to get to know ink in the way he actually is in his canon. so instead im going to blab at you for a while
a lot of people tend to fanonize him as ‘emotionless who doesn’t care about anyone and i’m EVIL’ which is also not him at all, and definitely skews peoples' perspective on him. emotionless ink could never be canon, as ink without his vials turns into what comyet described as a 'husk', unable to function or do anything, much less evil apathetic activities.
the concept of emotionless ink can work with individual stories, but the fandom really messes things up with how they portray him. (all art used here is by comyet and either explicitly canon to ink, or dubiously/half-canon)
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literally look at him. that is the face of someone who is not pure evil.
this isn't the fault of the people who write him that way btw, but rather the fandom for being unable to tell the difference between fanon and canon sometimes. anyway, ink appeal:
i, and many other people, enjoy him because the way he acts is very similar to people with autism/adhd. being rude without intending to be so, hyperactive, memory issues, struggles with empathy, social situations, and connection to others, xyz. even little tidbits, like losing his pencils a lot, can be reminiscent of people with poor object permanence often caused by adhd or other disorders (me fr). aaaand, their adhd is actually canon!! he's not intentionally an asshole he's just neurodivergent and cannot read a room for shit!!
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for that reason, he's used for neurodivergent people to project onto him. also because his canon story is unique in a way never seen before, just. ever. he expanded the idea of the multiverse in a way that helped allow other people to build on it. so in a way, we owe a lot of the utmv to ink (or comyet for coming up with the idea of him in the first place). i highly recommend you read the comic! it's on comyet's tumblr page, or dubbed on youtube by a few people.
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also, to those who say he's completely faking his feelings, what do you think his vials are for? he canonically experiences grief and other strong emotions, even if they're not the same way others’ feelings are. booyah stop making him an asshole i beg i just want one piece of content where ink isnt evil im pleading
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^^^^ ink after one of his father figures dies. he tries to cope by saying it's in the script for his au, something ink has sworn himself to protect, despite his grief. he's coping :(
a lot of other people also enjoy ink because of their moral greyness and their priorities being rather interesting. and before you think 'oh thats just underverse': no it is not! ink's priorities are keeping aus on script and protecting them rather than the lives of individual people, however acknowledges them more as people if they're aware of the multiverse (such as his father figures, zephyr and top). otherwise, he views people as characters. ink does not harm people for the sake of harming them, they avoid fighting and would not be abusive or antagonistic for the sake of being an antagonist.
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this is actually what influenced the god headcanon, a headcanon where ink is the god of creativity (often paired with error as the god of destruction), as many people interpret this distanced behavior as similar to gods in many media.
his dynamic with other characters is also really interesting, and how he intertwines in their stories. despite none of it being canon to him, he's used in many other stories and he's moldable to each of them. he's canon to dream, while dream isn't canon to him. same with cross! (ok i lied its not all comyet, this art is by jakei (left) showcasing ink in underverse) mind you, this is not canon to ink, only cross/dream respectively. comyet seems fine with this though, and is friends with jakei, creator of underverse (im unsure about joku). ink is a flexible character!
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the way he impacts stories that, on his part, aren't canon to him is unique and something generally unseen in other fandoms. even though he and error have never canonically met in either of their stories, their dynamic is so multiversal that regardless of the story, or their relationship in it, 99% of the time their tales are intertwined. the idea that two characters have impacted each other so much despite never canonically being aware of each other, much less meeting, is so appealing. comyet actually made non-canon art of them as friends :)
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this is why people who hate errorink for the sole sake of "they hate each other in canon" are incorrect and wrong. comyet also drew ship art of them forever ago which i appreciate so much thank you for the food
ink also has two canon (adoptive) father figures!! i love that for him!! they’re one of very few sanses with two parents. they are the silliest of guys. he's killer but with better morals because he isn't a murderer (its ok i love killer too he can change its all nightmare's fault pls believe me)
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also he's french. imaginez être français. épouvantable. /joke (he is french tho)
also, he's canonically he/they and aroace! this is why you see many more qpr headcanons for him than other characters, though some people interpret him in other ways. though he's not non-binary (referred to as a male by comyet several times, even in the same sentence stating his pronouns), just flexible with pronouns, many people also headcanon him to be non-binary or otherwise trans.
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overall, i think his appeal comes from how unique he is, how the fandom has expanded upon and used him in so many different ways, and generally his relatability to many neurodivergent people, me included. i love u ink sans.
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UGH HES SO COOL!!!!!!!!!!!!!!!!!!!! consume more content of them where they aren’t pure evil for one reason or another and you'll grow to like them i prommy. he's been screwed over by the fandom so many times
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silkentine · 2 days
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Hey, guys!!!
My comms are OPEN!
I’m only able to take on 2 or 3 slots a month, but I have a very quick turn around (often but not always next day results). My price range averages between $20 - $100 and I’m comfortable drawing anything (but my expertise is humanoid character design & illustration and comics). I’m also super interested in anything related to One Piece and will likely charge a little less if it is fun for me LOL
I really want to buy the first 12 paperback volumes of Dungeon Meshi which would cost me about $99. It’d be awesome if y’all could help me!!
Some recent examples of my work with the expected price in the Alt Description:
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I also draw comics. Each full page starts at $50 for simple color/monochrome and $100 for full color. I’ll make a separate post that goes into detail about my comic commissions!
I like to provide in-progress images and check-in with the client to make sure we both like the direction the piece we’re going in. Finished illustration comes with a procreate time-lapse video at no additional cost. You’re also allowed to share or use commissioned work from me as you please. (In fact, I adore making illustrations that are intended to be included in fanfiction.)
I have the right to refuse service if the client requests something that makes me uncomfortable or is generally unkind.
Thank you for checking out my art and I can’t wait to work with you!! 😊
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erysium · 2 years
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After a long dark winter 🍃
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skunkoon · 3 months
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Doing some Husky studies before I get into the bigger project I wanna start with him and Angel 👀
(Also I was 100% inspired by @hatekawa 's mustache Husk design♡ The stache really suits him~)
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chubs-deuce · 2 years
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current mood featuring cryptic sona me
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kbspangler · 1 month
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This is the public statement from @alepresser and myself which went up at Webtoons tonight.
Now for some ranting. Just from me, not from Ale—she's innocent of the art crimes I've committed in the past, and boy howdy have I committed art crimes.
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This is the first page of my first webcomic, A Girl and Her Fed. I started this thing back in 2006. (I don't actually need a head count of those reading this who weren't yet born in 2006. I'm sure you're delightful and I wish you well in college.)
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And this is the last page I drew in early 2020 before I turned art duties over to Dr. Beer. It's better, right?
Well, these days, A Girl and Her Fed has pages like this:
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I drew this comic for fourteen fucking years because it's a story I wanted to tell, and I thought webcomics were the perfect format for it. I didn't know how to draw. I got better through sheer obstinate perseverance and sticking to deadlines as best I could for, again, fourteen fucking years. I sought out a replacement artist when I ran into time constraints and couldn't do art plus writing anymore; I'm a much better writer than an artist, so I had no problems whatsoever kicking art to the curb.
The first time Ale sent me art that would go up on the website—art I hadn't needed to draw myself—I literally cried in relief because I had been grinding myself down for, yet again, fourteen fucking years.
So when I read comments from people who say they want to make a webcomic but can't draw themselves and therefore need to resort to AI, that little line between my eyes gets dangerously deep.
This isn't like I'm some old dude who's bitching over student loans getting cancelled after making regular payments. This is me, someone who threw raw art onto the internet like a monkey hurling fresh poo, because I wanted to make a webcomic and the art is part of the process of storytelling via webcomics! I could've (arguably should've) hired an artist right out of the gate, and that would've been part of the process of making comics, too: a partnership between an artist and a writer is also something which grows and develops over time.
For example, after Dr. Beer and I spent two years working on AGAHF, we decided we enjoyed our partnership so much that we set out to make another webcomic! It's great! It's got wonderful art and consistent storytelling! You should read it!
But turning art duties over to unaltered images generated by AI because you want to make a webcomic but "just can't draw" is, frankly, a bullshit excuse. I'm not talking about persons who are physically unable to draw due to disability—I'm talking about people who say they want to make webcomics but simply don't wanna do the art part.
Friends, if you don't want to show your entire ass in front of God and country, you don't actually want to make a webcomic.
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Do the thing yourself.
If you're scared, don't be. Take the plunge. Set a goal of twenty strips and do the thing yourself. If you can already draw but can't write? Great! Write twenty strips, write forty panels, etc. You might surprise yourself. If you can write but can't draw? Great! Draw twenty panels and see what happens.
Whatever comes out of it, it's a thing you've done yourself. It's something new you've given to the world, no matter how big or small. Be proud of that. And if you need to partner with someone else to make your comic dreams work? You can do that, too! It's still a thing you've done yourself, and many projects are stronger when done together.
...but maaaaaaaaaybe hire that partner before you've busted your own ass for fourteen fucking years. That one's on me.
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ane-doodles · 4 months
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A little help please
update: we did it!!! (you can read in my reblogs)
Greetings
I'm not one to write or tell things about my life here, but I'm here to ask for a little help.
To explain myself, I would have to tell you that the computer I currently work with art and comics is not mine, it belongs to a friend of my father who lent it to him during the pandemic (2020) so that he could work from home and I would have a place to do my University's homework. It's not a super-cool computer but it got us out of trouble back then.
It's been a while since then, but last year my dad has mentioned the idea of ​​returning it soon. The problem with that is that if he does then I won't have anywhere to draw or work or study.
My current job as a graphic designer and illustrator from home depends entirely on this computer, which in itself is not very good…
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The monitor burns my eyes after a certain time, the memory and processor is limited so it does not support several programs, it does not have a graphics card and even the mouse has started to fail recently.
This is why I come here to ask for a little help… I have a goal of approximately $400 to buy a new computer (including a good monitor, but not a keyboard or mouse). The budget is not fixed due to the constant changes in the country's economy that make it difficult to save in the long term. But if we get over that line I admit it would be something great…
I am willing to work on commissions to reach the goal, I plan to organize my time between work and studies for that. Unfortunately I am in the process of writing my thesis so sometimes it will take time, but if you are willing to wait I promise to put all my heart into my drawings.
I'll be doing special commissions, some discounts, YCH, adoptables and maybe giveaways… Whatever comes to my mind at the moment, so stay tuned.
Donations are also highly appreciated!! If you do I will give you a huge hug.
And that would be all. For now you can check my pinned post to see my commissions, or check my Kofi page directly and check if they are open. If you don't have the opportunity to contribute monetarily, don't worry, sharing this post is also a great help.
I hope you have a beautiful day/afternoon/night :)
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mewtwoandme · 2 months
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Well, it's now March. I think it's safe to say I've officially come back from my art hiatus, considering I've been working on Part 3 of the baby arc for the last few days now lol. I've been making decent progress, still far from being completely sketched out, but I'm getting closer to the end. I've been debating on outlining and finishing up Part 2 and some Siv shenanigan wips I've left sitting around before the hiatus, just to move the arc along quicker. I might still do that, but as of now, my main focus is to see how much progress I can make with Part 3.
...I do feel the need to apologize. I know that due to IRL life stuff and other things, my plans to have this arc done have been heavily interfered with. But it's refreshing to know that yall are still hype for it and still ask about it now and then ^^ Though some of it is my fault too, Part 3 is turning out to be very LENGTHY, with currently 13 pages and 75+ panels in total....I did this to myself ^^; It's a bit too late to reconsider my life choices though. I'm already too deep into the thick of it to turn back now XD Due to how long this comic is, I may need to find a place to split it. So instead of the Baby Arc being only 4 chapters like I originally intended, it may end up being 5 but we'll see.
Also, going forward, as far as posting other art like shitposts or ask related works, that stuff still might be far and few in between while I'm working on the arc. Buuuuut, if there are certain days I get tired of sketching for the arc, I may shift my attention to short shitposts/ask art here and there to mix it up a little XD
She's not having a good time :(
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mauesartetc · 5 months
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FREE PALESTINE MASTERPOST
Trying to keep this blog more art- and creativity-focused in general, so I'll be removing the Gaza-related reblogs that are about a month old. But I'll use this post as a permanent archive that will update periodically (some of this information will grow dated as the situation develops, but I think it's important to keep a record of just how fiercely opposed people were to Israel's actions from this moment forward). We should all continue to raise our voices about this, and refuse to support politicians who enable genocide. Remember, they work for us, not the other way around. Keep going.
October 2023
-Donation links
-Social media links
-US congress ceasefire script
-Decolonizepalestine.com (information, mythbusting)
-More donation links
-Ways to pressure politicians for a ceasefire
-HUGE resource list
-"Is there anything I can do to help Palestinians besides call my representatives and beg them to stop killing people?"
-"We are isolated now"
-Palestine and landback
-210 PAGES of dead people's names.
-Bail money for Palestine Action
-Article list
-US action items
-Boycott info
-Grand Central Station shut down by protestors
-Message to white American citizens
-UK ceasefire petition
-How YOU can help Palestine (regularly updated!)
-"Please try amidst all this fury and grief to still have faith in the common people." (+donation links)
-Reminder about protest etiquette and privacy
-Prints for Palestine
-"We have no communication with the outside world. They are using their military might to harm us. We have no power but the power of God, no one but God. Please, pray for us." (spoken over mosque speakers)
-DAILY donate button + more donation links
-"Doesn't Israel have a right to exist too?"
-Script for US Congress calls
-Queerness under apartheid
-Sudan is also at war
-Hundreds of thousands of protestors in London
-Half a million.
-Tips for folks with phone anxiety
-This comic got real
-European and Canadian ceasefire scripts
-"The people of Gaza see the protests. That is reason enough to come even if nothing else." WE HAVE NOT FORGOTTEN YOU. WE ARE HERE.
November 2023
-More genocides than just Palestine
-How to buy e-sims to circumvent Gaza's internet blackout
-"Occupying territories is illegal. Resistance to occupying forces is legal."
-MASSIVE resource list
-"For decades now the media has told us Muslim men are savages, terrorists, wife beaters and everything in between. I want you to challenge this trope the next time you see it in the media. Let these photos serve as a reminder."
-"Don't stop talking about the Palestinian genocide. IT'S WORKING."
-UN resignation letter
-Israel won't allow Irish or Brazilian citizens to leave Gaza
-"Palestine must never be forgotten. Promise me that." (from the documentary "Children of Shatila")
-Gifs of pro-Palestine rallies around the world
-Support Palestine's last kufiya factory
-Protestors flood the streets in Washington DC
-Explanation of why calling representatives is a numbers game
-FREE ebooks on the history of this conflict
-Petition to screen films by Palestinian directors
-Call to boycott Gal Godot's work
-Indigenous activists block weapons shipment to Israel
-If you're attending a protest, DON'T TELL YOUR GOVERNMENT SHIT. Y'know, friendly advice.
-Links to support Palestine Action and Palestine Legal. Get in the way.
-Parallels between Israel and the surveillance tactics used by NYC mayor Eric Adams
-Don't spiral into doomerism. Persevere.
-Want a different strategy to contact your representatives? Try faxing them!
-Florida rep Michelle Salzman calls for the death of all Palestinians
-"The phone doesn't stop" :)
-Indian trade unions call on the government to scrap deals with Israel
-An overview of Israel's human rights violations, and two major political groups that have exacerbated Zionism in the US
-Israeli man explains why he's protesting
-"Whoever stays until the end will tell the story. We did what we could. Remember us."
-US House of Representatives votes to send billions of dollars worth of weapons to Israel
-Canadian email campaign and petitions
-"Canada's First Nation standing with Palestine"
-"Freedom is infectious as it is just and no one is free until they ALL are."
-Israeli forces invade al-Shia hospital
-Leaked list of weapons the US has sent to Israel
-Only 32% of Americans believe the US should support Israel
-Cop City action demonstrates how to protest effectively
-Refugee grandmother "doesn't have to imagine a multicultural and integrated Palestine- she remembers it".
-Protestors block the Bay Bridge in San Francisco (plus bail fund)
-Israeli forces attack schools in northern Gaza. SCHOOLS.
-Journalist shares an update from an Indonesian hospital and pleads for others to spread it around as it "may be the last video we are able to send"
-Scottish Parliament votes overwhelmingly to demand a ceasefire
-Sobering texts from a friend providing humanitarian aid in Gaza. "They have been distributing guns to the civilian settlers and allowing them into the West Bank to terrorize people" "We have been given option to leave. None took it"
-"the absolute bare minimum in this situation is 1) a complete ceasefire and immediate humanitarian aid in Gaza, 2) complete halt of all military foreign aid to the Israeli government, 3) the Israeli government being prosecuted for its war crimes in the International Criminal Court, and 4) land back and reparations for the Palestinian people. free Palestine means free Palestine, not just temporarily stop carpet bombing Palestine."
-"It's important that you keep posting and speaking about the ongoing genocide. This 5 day agreement isn't the end of things."
-Boosting the incredible, FREE daily donate button again
-Protests at the Macy's Thanksgiving Day Parade
-"REMINDER THAT ANTISEMITES AREN'T WELCOME HERE AND WON'T BE TOLERATED"
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retellingthehobbit · 10 months
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First chapter / Previous / Next
Webtoon/A03 /Instagram/Tumblr Sideblog
Chapter 13 of my comic adaptation of the Hobbit, "the Necromancer!" I put the title page at the end this time for Reasons, though I might change it back to the beginning later. Below the readmore are my "translator's notes' on why I made certain changes to the source material (ex why Thror is here instead of Thrain), if you're interested:
Gandalf’s art style is inspired by the work of Lotte Reiniger. I chose this for a variety of reasons: because it really captures the aesthetic of a 'classic fairy tale battle of light and dark,' because the smoky backgrounds remind me of the way Gandalf often does magic with smoke/fire, and because it's entirely monochromatic/'grey.' The only other note I have on this chapter is that, as I mentioned before, I’ve altered the timeline so that Thror is the ringbearer dwarf captured by the Necromancer (not Thrain.) The “in universe” explanation for the change is that Tolkien and I are both translating the Red Book of Westmarch & other ancient texts, but came to different conclusions. The history of the dwarves is especially different because Bilbo wasn’t as interested in political machinations, there was misinformation spread by the Elf-King of Mirkwood, and even the Council of the Wise may have spread misinformation to conceal the fate of the dwarven Ring of Power. There are two “out of universe” reasons I changed it: The first is that I wanted to explore a timeline where Thror vanished before the mountain fell, Thrain died during the fall of the Lonely Mountain, and Thorin became king while leading his people into exile. The second was to draw another link between Smaug and the Necromancer. Thror vanishes with the Ring….and it’s only then, after Erebor lost what strength the Ring gave them, that Smaug invades. The only question is, “why did Thror bring the map and key with him to Mirkwood in this version?” My joke answer is that it’s not relevant to Bilbo’s journey. My real answer is that none of the characters will ever know. Maybe they were so precious he always kept them on his person; maybe he was planning to strike some secret deal with the Elf-King; maybe the Necromancer used his influence over Thror’s Ring of Power to manipulate him into bringing him the map and key, for sinister reasons of his own. (It’s probably the last one.)
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thebadsansbandits · 3 months
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Guess what?
COMIC UPDATE
Heya! it's been a while. But I bring great news!
This Friday I will start posting pages of The Bad Sans Bandits again!
Not so great news, there's only 4 pages left! There would've been 6, but I had to cut some due to time constraints. The first 2 aren't in color like the last few pages, but the next 2 will be in color! The style will be a little inconsistent due to large gaps in time between making pages.
I can't thank you all enough for supporting me through this long hiatus. It took a lot of work to get to where I am now, so thanks for all the encouraging words. And I also can't thank you all enough for all the fan art, fan animations, and comic dubs! Even if you planned on making them but didn't, it still means the world to me that you liked my pilot that much to even consider it!
Thank you for over 2k followers!!!
Page 1!
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untoldsoup · 5 months
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Wanted to see a visual of my art progression for the comic so made a comparison of each characters first appearance to their more current ones. I guess this is my "year in review". Idea came from a friend on discord.
A lot of the changes I'm happy with. Drawing almost every day since March has really paid off. I had small projects I worked on in-between this comic that also helped too.
Some things I noticed now looking at this in hind-site: Luigi had the biggest changes. In the beginning I was so unsure of how to draw him in my style vs canon and its clear I was trying to find a compromise with it.
Human Bowser didn't have to many style changes, but his line work was refined over time. Peach suffered from generic anime girl in the beginning until I started drawing everyone under the same style umbrella. Koopa Bowser went through a lot of changes. Bowser is *hard* to draw, and I think he changed in almost every damn page lol.
Overall I'm really happy with the progression of things. I finally found a uniform way I want to draw everything, I learned a ton of skills and techniques along the way, and since I draw almost everyday I've gotten faster and more efficient at getting pages out.
I think the biggest challenges moving forward will be the action scenes in the sequel. They will be my weakest point and I'm hoping I can do them justice. I will be drawing Bowser jr. more in the sequel too so I'm going to keep working on making the koopa designs more cohesive.
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darqx · 5 months
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Some BP/HH/General asks
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That mood when you want to share all the things but also want to keep it under wraps for the actual thing haha! Thanks very much anon!
As for your questions, I can't actually be specific cos there's no definitive number I have in mind for either. Basically there are a number of sectors (you can consider them their equivalent of countries - they have less than what we do though), and a number of species of demon of which I've designed about seven of. The ones I've shown before are these guys (and do you think I could find this pic again? No, I had to recreate it cos for the life of me I couldn't remember what ask I'd previously stuck it in lol):
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One day when i have enough species and stuff out there I want to make a proper field guide \o/
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Thank you very much for the interest! ∠( ᐛ 」∠)_ I would actually love to for BP, but before I jump the gun there I have to get the comic out first lol. That being said I have made mini-games before featuring the HH versions and some other characs alas they are all lost at the moment to the sands of Flash becoming obsolete 😩
Me and Gato do still collab sometimes (and send each other Xmas presents)! °˖✧◝(⁰▿⁰)◜✧˖°
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I have been working on one off and on for a while actually! Hopefully I'll have some pages to post next year or so*, I've been doing a bit of thumbnailing recently :D
*that is the plan but i also don't know where people find the time to do anything with a full time job lol.
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Hullo! Glad you are enjoying the snippets of BP I've got here and there :D Here is an older ref on Izm back when i first got the idea (at that time i didn't really plan to do anything with it, it was just an AU. Now it's my main project haha. Anyway the ref is a little bit out of date in that regard.)
I used to have a "field guide" which was also made quite a while ago, unfortunately the death of Flash kinda killed it. Here's a screenshot of some relevant info from it though.
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That's an interesting one as it's questionable how sentient souls are after removal 🤔 In my mind its only form is the smoke light, it can "see" to some degree and MIGHT be able to talk (but in a very no one can hear them sort of way, a la i have no mouth and i must scream. So i guess it can think "aloud"). The more time passes the less sentience it has.
It could try, though it wouldn't really get anywhere if it's in Rire's collection. He might just eat it lol.
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.D: Good with kids, will be fine in all aspects.
Izm: The fun dad however needs a partner that knows what they're doing to ensure the child safety during shenanigans.
Marcus and Zeke: Also would be good parents though might be more helicopter out of protectiveness/worry when first starting out.
Ren: Geek parent very good for homework help. Some Asian parent tendencies eg "ah see, i told you not to do that right? Now you see what happened."
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They are similar to our known society for this! So basically, there are some good families out there (eg Zeke - who is a demon - is from a pretty average loving family), and there are some bad families out there who only care about power or having an heir or whatever.
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HH Rire is a human. I differentiate between him and Demon Rire because they are two different characters...even though they are also technically the same character lol. You can consider them as alternate universe iterations of a base "Rire" concept.
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I actually half jested this in an old comic lol
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I am sorry to inform you that a HH webcomic doesn't actually exist 😅 I did a lot of art, animations and one shots (such as the HHJ comics) with them, but nothing actually planned or serialised or anything. Whatever's currently on my DA or here is basically what exists.
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Bringing this image back cos it's relevant lol.
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You spelled it correct there though! XD
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comicaurora · 11 months
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Lighting critique of a recent panel ! Dark ambient lighting is a favorite art subject of mine, so i figured this would be a good time to give some input ! ii say as if we havent been in the undergroound chapter for like a month in which it didnt occur to me to pay attention to lighting Oh well loool here it is nowwwwwwww hope you dont mind the input
Huh.
Okay, so first off, thanks - this is cool and your lighting looks very nice. I look forward to seeing what you make!
Second - I really hope sending this kind of ask isn't a habit of yours, because unsolicited artistic criticism comes across as remarkably rude.
Art criticism for the purposes of improvement is a social contract entered between two artists, typically in a scholastic environment. An artist presents their work to other artists whose opinions they trust and value, and those artists weigh in with their thoughts. Critical to the process is that the presenting artist is showing their art for the purpose of improvement, and they're prepared to receive that input because they're actively asking for it.
In contrast, I make this comic so people can read it, and while I certainly don't mind if they take it apart to analyze it or find ways the writing and art could be improved, I, the creator, am not asking for that and - more importantly - will not really benefit from it.
For instance, in this case, my style of background lighting and shading is optimized most specifically to accommodate for the fact that I need to make a lot of these pages quickly, and correspondingly cannot give everything 110%. Any individual panel could absolutely be more polished, but I often shade these backgrounds in batches of ten pages or more, each page with an average of six panels that need individual shading. So that's sixty individual backgrounds I need to shade in one go. It doesn't make your advice wrong, or even unhelpful for an artist setting out to learn this kind of technique - but it does make it unhelpful for me. This is something you realistically had no way of knowing, and I don't hold it against you! But this is why I have a short list of artists and writers whose input I actually ask for sometimes, and that list is composed of people who know me, my creative priorities, and how my process works. Because they know what I'm working with, their advice stands a much better chance of being actually helpful to me.
Criticism, like all art, has an audience it is designed for. In art school environments or artistic coworker situations, the audience for the criticism is the artist being critiqued and the other artists who are learning from the communal experience they are all agreeing to share. This is the exception and not the rule, however. Outside of this space, the audience for criticism of a work of art is typically the subset of the audience for that work of art that are trying to learn something from the experience or understand what did and didn't work for them. This group can discuss what they did and didn't like, what they would have changed, what parts worked for them that may not have worked for other members of the audience, etc. This space of critical analysis forms the backbone of most fandoms and can be incredibly interesting and rewarding to play around in.
The audience for that kind of criticism is not the creator of the art. In the same way a creator can never be fully immersed in their own fandom audience, this form of communal critique from the audience side of things does not work when directed at the creator. In the context of this work of art, we exist in very different spaces and operate under different parameters. If there's one thing I learned from back when I used to check in on the fan discord community, it's that most conversation in this space operates under the assumption that the creator will not see it or take it personally. I cannot be in the audience of my own audience.
All that to say, thanks for the thought, but please be careful doing this in the future - tumblr is the land of kneejerk hostility and poor reading comprehension, and I don't want to see you getting shredded for a kind intention. And I hope some people find this impromptu tutorial helpful!
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artofchira · 6 months
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As someone else who's in the process of burning out just surviving, and has lost sight of why I enjoyed art in the first place, would you be willing to share some of the things you've tried to get back on your feet? Super glad that you're doing so much better, btw.
First: It's actually become a job for me to help artists reconnect to their art through my mentorship workshop with everything I have learned, and I consider myself very good at it. I've been doing it for about 4 years now. If you or any other artist would like direct help with recovering from burn out please check out the service page of my website and testimonials from previous clients.
To answer your question:
A lot of my own personal stabilization just came as a result of wanting the experience of making art to be comfortable. It wasn't a choice anymore. After my father passed I relaxed for about 3 months -- longest I went without drawing in my life since I started freelancing -- and when I sat back at my desk I just couldn't make myself work under the same pressure. I'd try to force myself to draw and it made me want to cry instead. I quickly learned I could only create if I felt comfortable and drawing felt gentle, so I had to accept moving forward if I wanted to continue being as productive as before I needed to find a way of working that eliminated stress or using will power, which means working in a way that was renovated from the ground up. I couldn't go back. How I was making art was over. I needed it to be repaired. I had no idea what that looked like, so it was truly trial and error.
A fact about me is I have a very high sensory/pain threshold naturally (I also recently learned I was autistic over the pandemic, imagine that has something to do with it) so I've always been historically bad at ignoring my physical limitations because I rarely felt them unless my body broke down on me, and when it did I treated myself with annoyance and forced myself to work through it. I'm talking like no sleeping for 3-4 days straight, or coming home after a kidney stone to finish a comic page still shaky on pain and morphine and then feeling bad at myself for being lazy. To say my old work habits were highly self abusive is an understatement. So when I started addressing everything that was an inconvenience and uncomfortable, it ended up correcting everything I was ignoring or failed to consider a problem until it was past due.
To cut a long story short, a list of material changes to my life that improved my health:
I got medicated, finally. I'm extremely bipolar. Always have been. Drawing between periods of oscillating between feeling divinely invincible vs ideating suicide every waking moment vastly became easier to manage.
I got glasses. I'm farsighted, but it was never a problem for me since I could see fine -- ooor so I thought. Turns out when you're farsighted you're focusing constantly without even realizing it. Turns out getting glasses gave me 80% of my mental space back so I suddenly had more energy, generally more awake, and more focused. No one talks about farsightedness so I had absolutely no idea I was burning myself out physically just being able to see. Worth mentioning!
Started seeing a massage therapist and a chiropractor regularly. I always thought of those things as luxuries, not necessities. Which was extremely stupid. Maintaining my physical body through directly working out kinks in it became something like brushing my teeth or showering -- it's just something you do to make sure health and hygiene isn't making you dysfunctional and rotting you. My body no longer breaks down.
For the same reasons as above, maintained seeing my therapist regularly even if I felt fine or had no issues to work out. I realized I was always quick to end support as soon as I felt I didn't need it anymore (again treating it as a luxury) so making the space in my life for mental/emotional check ins kept my head organized. My therapist is bewildered by me and has no idea what to do with me because she feels she's not doing anything. I just tell her by me making the space for me to explain myself at all, even if all I was doing was describing how I was fine, was the help. She's great.
Got a cappuccino machine. May seem stupid but being able to make gourmet coffees from my kitchen every morning really genuinely improved my life and mind more than getting medicated.
Got a dog. He's amazing. I love him. Very warm and loving companion, and such a gentle soul. He keeps me out of my head and gets me prioritizing walks every day, so my vitamin D intake increased massively. I don't have the luxury of staying in bed for 3 days straight in my depressive episodes anymore. I have to make the effort to leave it at least twice a day to walk and feed him and play with him. Like most people, I'm terrible at prioritizing for myself but will move worlds for those I love no matter where I'm at.
For personal habits I just reflected a lot on why I felt I had to will myself to draw when drawing is something I love doing most. It made no sense to resent doing what you devote yourself to doing. I changed -- and still changing -- my mental framing in how I think of working on art for it to be something I'm eager to do, not obligated to.
Hope this was educational.
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red-might-be-dead · 27 days
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hello hi here to force strange thoughts into your brain once again, this time about jrwi (wow who could’ve guessed)
been thinking about this for a little but it’s basically what i think some campaigns would be if not podcasts, i haven’t listened to some of the older ones so i’m sorry they’re not on here :(( if you have any ideas feel free to add them btw :DD
RIPTIDE!!!!! - really long animated series
not an anime though, no matter how much grizzly wants it, it would be an animation style where the characters could have very clearly different nose, face and body shapes, really pushing my riptide nose agenda here sorry, each episode would be like 20-40 minutes long and instead of coming out in seasons there would be massive gaps in between episodes, from 2-6 months long, to leave time for writers and animators to get stuff done (massive team of animators btw, i feel like it would be pretty successful)
PRIME DEFENDERS!! - comics
literally nothing else they could be, just really well made, well performing comics (i’ve already talked about this before you can stalk my talk tag if you really want to find it lmao), the comic company making them would be keeping well away from movies n shit btw
APOTHEOSIS!!! - i wasn’t really sure about this one to be honest
i had to ask my friend and she said anime which i don’t agree with but i can see it, i think maybe a short book series where each book is 150 - 300 pages and is about a different god they have to kill/a different episode, i think that works but if anyone has any better ideas please tell me :D!!
BLOOD IN THE BAYOU!!! - i hate to say it, i really do…
bitb would be a really long really good 80s horror book with strong homoerotic undertones, a satisfied fanbase and lots of active members in the community making fan comics, films, writing, theories and art ect… until well after the book came out……….. and then it would be made into the most egregious and awful live action movie you have ever seen, the most awful casting (like chris pratt as officer dudes….. throws up) and even worse sfx, oh yeah and the characters would be ruined and the story would become so butchered it wouldn’t make sense, they would do some shit like cut out becky so kian just kisses some random lady (removing both a really good and well written character and a layer of kian’s character that i think is super important) and make rolan really be an evil bug spy the whole time so rand has to kill him to save the town also add in a whole new sub plot that never existed like the rand family is secretly a long line of bug alien hunters or something fucking stupid like that and the entire fanbase would murder whoever thought re-writing the story was a good idea (ahaha can you tell ive been through something like this before ahahaha, character morals and motives being removed and whatnot ahahahhahahaha.)
anyways………
THE SUCKENING!!! - live action series
it would be well made though, unlike the bitb movie it would be its own original thing, have great makeup and effects also be well casted and well shot, well written, ect ect, it would bloody and gory and not suitable for people who can’t handle showing bones and organs all over everywhere, lots of shitty rip off merch would be made though and the fandom would be 99% gay little freaks (normal suckening enjoyers) and 1% homophobic straight white men who get mad whenever they see soda and emizel having gay sex on screen or whatever fag shit that biting thing was
again feel free to add your thoughts and ideas and shit in the reblogs it would be nice to read them :DD!!
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