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cal-kestis · 3 months

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HOW TO: Do A Crystallize Gif Transition

Hi! I was asked to explain how I did the transition effect in this gifset, so here's a quick tutorial! Disclaimer: This tutorial assumes you have an intermediate understanding of gif-making in Photoshop using Video Timeline and requires the use of keyframes.

PHASE 1: THE GIFS

1.1 – Determine how many frames you need. Since you need at least 2 scenes for a transition, consider limiting the amount of frames you'll use per scene. For a transition between 2 scenes that's 540x540px, I would recommend no more than 30 frames per scene (for a final gif that's 60 frames). Even that may be pushing it depending on your coloring. Just be sure to consider the dimensions and colors of your gifs in relation to the amount of frames to keep your final gif under Tumblr's 10MB limit.

1.2 – Import frames, crop, resize, convert to smart object for Video Timeline, color, blend, etc. Do this as you normally would! If you need a tutorial for the basics, here's my tutorial. :) Please note, the methods in this tutorial only work with gifs that are converted into smart objects in the Video Timeline workspace.

Tip A: I recommend using scenes where there's a lot of one color (or scenes where you can manipulate it to look like that). The crystallize filter on a gif creates A LOT of movement that can feel a bit chaotic. Having your gif be primarily one color reduces the eye strain a bit imo.

Tip B: I like how this effect looks with blended scenes because it allows me to use different "crystal" sizes (more on this in Step 2.2). Check out the USERGIF Resource Directory for plenty of blending tutorials!

1.3 – Move all your gifs into one document, group into folders, and arrange. Once everything's in one doc, keep everything organized in a group folder! I have just two scenes, so that's Folder 1 & 2. Within those folders are the gifs I blended, which I labeled by gif color. Then, simply drag Folder 2 so it continues right after Folder 1. (Make sure none of your adjustment layers from Folder 2 accidentally affect Folder 1! You can do this by clipping your adjustment layers to match the length of the gif as I did, or using clipping masks.)

(Ignore that lone Hue/Saturation layer lol. I decided last-minute that I wanted my gif to lean more pink than red.)

PHASE 2: THE FILTERS

2.1 – Duplicate each scene. We're going to use opacity keyframe animations on these duplicated scenes that allow it to go from "normal" to "effect" and vice versa. The filters will only be applied to the duplicates. In the screenshot below, all of my duplicates are highlighted:

2.2 – Apply the Crystallize Filter. Above your sharpening settings, apply this filter by going to Filter → Pixelate → Crystallize. On the pink gifs, I made the crystals bigger (cell size: 45), and on the black and white gifs, I did a cell size of 25.

The different sizes help break up the uniformity of the crystals imo, creating more of a mosaic-like look, which is what I wanted to match my gifset concept.

2.3 – Apply the Oil Paint Filter (Optional). Filter > Stylize > Oil Paint. Here are my settings (they're the same for both crystal cell sizes):

Brush – Stylization: 0.1, Cleanliness: 8.6, Scale: 0.1, Bristle Detail: 0.3 Lighting – Angle: -60, Shine: 0.7

This filter helps soften the cells a bit while adding some texture (left: no oil paint; right: with oil paint):

2.4 – Repeat steps 2.2 & 2.3 on all duplicated scenes.

PHASE 3: THE KEYFRAMES

3.1 – Add opacity keyframes. The very start and end of each scene needs an opacity keyframe set to 100% opacity. Move 0.09 seconds from each of those points, and place another opacity keyframe, this time set to 0% opacity. We're basically making the crystals fade in and out. Please reference the screenshot below for keyframe placement:

If you need more info on opacity keyframes, check out Phase 2 from this fade transition tutorial I did on usergif.

3.2 – Repeat step 3.1 on all duplicated scenes. All the keyframes in Folder 1 should line up exactly and all the keyframes in Folder 2 should line up exactly!

PHASE 4: THE DUPLICATES

4.1 – Convert back to Frame Animation. If you're not sure how to do this, I've written out the steps here. I rec the action linked in my general gif tutorial which I shared earlier!

4.2 – Delete duplicate frames. Whenever you use keyframe animations, you'll get duplicate frames. That's just how it works, unfortunately. If you follow my steps exactly (specifically the 0.09-second spacing, which follows my tried-and-true 0.03-second rule), you'll have a total of 12 duplicate frames exactly — 3 duplicates per keyframe section. Just manually delete them! You can spot the duplicates by eye, but with this spacing, it's usually the 2nd, 5th, and 8th frame for each transition section. The selected frames below were my duplicates:

If you want to learn more about why there are duplicates and the math behind it all, I explained it in more detail in this ask.

4.3 – Export and you're done!

I hope this tutorial helps! Let me know if you have any questions :)

#gif tutorial #completeresources #usershreyu #usernanda #useryoshi #userzaynab #userrobin #usersalty #userhella #alielook #uservivaldi #tuserabbie #useraish #userabs #tuserlucie #mialook #resource*#gfx*

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morgan-the-lonely-brick · 8 months

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Hi, I still have so many feelings about this, I will never shut up. I also made a gifset out of it because watching the video wasn't enough, i need to memorize every pixel.

(These gifs are free to download & use, they literally took me 5 minutes, so... cheers~)

"It is your job to f-" still haunts me. Also the way light falls on his face exactly when he fumbles is like him getting exposed. Shining a light on his fakery so the others see through it? And then he retreats back into the shadow trying to hide again, but does so only partially? Amazing.

The quick look up at Fang, he's so adorable🥺 i think for a moment there he actually considers admiting something's wrong but backs out of it and right back into defense. The way he freezes at the end sends shivers down my spine. it's so personal to me, Con, staaahp, fr! Also we get the "unhand me" line, or rather [if you touch me now i will start crying and that's embarrassing so don't touch me] That's how i see it.

Now we get to the good shit. Looking up trying not to cry. Avoiding any and all eye contact. His fckn lips shaking. You can clearly see that he's broken by the fact they've even noticed THIS. That expression is like a defeated "oh fuck me". Him being off focus makes this bit even worse.

Actually I was looking at this bit a lot and it almost seems like he doesn't know what Fang is trying to do at first? Like he was defensive because he didn't realise Fang was going in for a hug? Or maybe it's a reflex for anything coming from behind. He's a fighter, after all.

He looks ahead, approximately where Archie and Jim are standing as if to see their reactions or maybe seek help?! But then you can see the moment he understands - he turns his head back towards Fang and leans into it, with a hint of disbelief on his face.

God, the loose strand of hair adds so much to that delicious skrunklyness he has going on. He's so pretty...

In this gif it's clear he's leaning into Fang a lot, even actively pressing his head against him. He could've easily turned away or pulled away, but didn't. He WANTS to be comforted. He WANTS to be held. The way he scans over Frenchie as if checking what he's about to do, I'm suspecting he like. Put a hand on him somewhere or something of the sort. I am so unwell from this-

For the last time he tries to produce words, but it comes out as more of a moan than anything, so he gives up and bites his lip. (im loosing my sanity, Con, what have you done)

Also Frenchie's pout is my H2O He literally went :c

Izzy looks over to Frenchie again as if to verify he's not there to mock him and when it turns out that no. He actually wants to comfort him. Izzy fully looses it and lets out the most gut wrenching puppy dog skrunkly whimper ever produced by a human man. It must mean so much to him... Those last few micro expressions are killing me. He looks up again as if to say "oh god they mean it. They don't think im stupid for this, they're actually taking me seriously" And he can't believe it, he's so dumbfounded that poor guy.

What if this was his first hug in ages? I wouldn't be surprised...

Im breaking my own heart with this why do i do this-

#Ofmd #ofmd spoilers #Ofmd s2 #Ofmd s2 spoilers #Izzy hands #ofmd frenchie #Ofmd fang #Ofmd izzy

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pedrisbanana · 1 year

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Hey can I request a fic with pedri X reader where they're just friends and theyre chilling at his house and he steals her phone so she straddles him to get it back and it leads to rough sex/face sitting/thigh riding that would be LOVELY xoxo

Two words. Pedri's nose.

Enjoy 🍌

Nosy

You and Pedri were sitting on the couch playing Fifa, when the doorbell rang.

"Must be the Pizza." Pedri said and paused the game to get the door. You were glad he spared his cheat day for you. Eating Pizza while watching him chew on some whole grain Spaghetti was kind of depressing.

"I'll go cut them" he yelled through his apartment and you thanked him. Deciding to scroll through your Tumblr feed while waiting, you somehow stumbled into the Pedri tag.

Gifs about Pedri. Oh.

Sometimes you looked at gifs and pictures of Richarlison or Jude Bellingham. You were a straight girl after all, of course you liked looking at physically fit sweating men.

Looking at these gifs of Pedri seemed weird. He was your Friend.

You scrolled past it, but the interest didn't leave you. You could take a peek right? He would never know anyway. It's just a gifset. Taking a deep breath, you scrolled back.

The post greeted you with a gif of Gavi and Pedri. They were talking. Nothing too special. They were wearing the lilac Barcelona kits. It was from the match between Barcelona and Athletic Bilbao.

The second gif showed Pedri complaining, probably to the referee. He was sweaty.

The third gif made you bite your lip. A blush crept upon your cheeks and a warmth spread through you. Did you really just get turned on by looking at a gif of your friend ?

The moving image showed a very sweaty Pedri. His wet hair stuck to his forehead and his flushed, tan skin glistened. His gloved hand moved up to his nose. He was breathing heavily, exhausted from the minutes in his legs.

Pedri looked wet and dirty and absolutely sexy. You had known he was attractive, but never like this. The picture caught you so off guard, you didn't notice shown person enter the living room.

"What's got you so flushed ?" Pedri laughed and before you could move, took your phone and fell down on the couch.

Eyes wide, you screamed. "Pedri, my phone. Give it back. Pedri. Now."

You tried to reach it, but he held it up to far, switching hands, laughing at you.

"Pedri! I'm serious, give it back." You climbed on his lap, legs on either side of his thighs.

He couldn't see the gifs or else he'd tease you with it forever, or worse think you'd have a crush on him and cancel your friendship.

With one quick movement Pedri grabbed your wrist and held them on your back, your phone falling onto the couch pillow. Pedri smirked at you and secured your wrists with his arm, holding you chest to chest. He was so close, you were sure he could feel your breath on his cheek.

"Now let's see what's got you all freaked out" He took your phone with his free hand, delighted to see that it wasn't locked yet. You squirmed in his lap, preparing for the embarrassment. Pedri's eyes flickered over the screen and his smirk dropped as he saw what, or more, who exactly was displayed on your phone.

The midfielder reached forward to put your phone on the table behind you. You bit your lip, prepared for him to push you off, but he didn't. He let go of your arms and to your surprise, adjusted your position on his lap, by pulling you closer with his hand on your ass.

Pedri looked right into your eyes. Something shifted in the air, making you hold onto his broad shoulders. Your core was on top of his muscular thigh.

"I didn't know you had these thoughts. I thought you were different." His voice was rough, but steady.

You opened your mouth to explain yourself, but Pedri was faster.

"I should've known you were just as wet for my dick, as all these girls lusting after me" The footballer moved his hands inside the waistband of your shorts. They were warm and rough, you clenched at the feeling.

If you weren't already aroused by the pictures, you definitely would've been now. Pedri started to leave small butterfly kisses under your ear, moving down your neck between his words.

"Tell me, amor, did you think about me when you couldn't fall asleep at night ?" His thumbs skimmed above the line of your panties, making you squirm on his thigh.

"Did you finger your needy pussy while thinking about me on the pitch, hm" Pedri supported your movements on his thigh.

"Did you think about me fucking you every time I invited you over?"

You could feel the wetness soaking your panties, his thigh stimulating your pulsing clit over your shorts. His words spurring you on to pleasure yourself on his leg. You had to bite your lip to prevent a moan.

"Did you think about me fucking you when looking at these pictures? Did you imagine if I looked like this after using you for my pleasure ?"

You moaned, this was too much. He played you so easily, guiding your hips over his thigh. A few more thrusts and you came, his name on your lips. He chuckled. You didn't know what was so funny about the situation.

Still coming down from your high, you climbed off his lap.

"If I had known all it took for you to give in to me was a picture of me all sweaty, I would've invited you to the locker room after a match" he was still laughing.

"Very funny. I'll have you know that I surprisingly stumbled upon these" You crossed your arms. How could he laugh ? Noticing that he was very much hard in his Barcelona Gym shorts, you looked away.

"So you don't want to fuck me? If so, then excuse me while I take care of myself." Pedri teased and got up in direction to his bedroom.

You followed him, wetness spreading uncomfortably between your thighs.

"That's what I thought." he smirked and bent to slide your shorts and panties down. "C'mere" Pedri laid down on the pillows of his bed. You followed by crawling above him.

"Higher" he ordered, pushing your hips towards him. You gave him a confused look and he winked "On my face, bonita"

"You can hold me here, I've got you." Pedri lead your hands to grab his hair and you slowly sunk down. His nose hit your clit and you moaned. Grabbing your thighs, he pressed your weight onto his face.

"Sit and don't you dare to hover. I decide when you've had enough." his mumbles vibrated against your flesh and you rubbed against his nose.

His nose. You had always liked his nose.

"Mmmhh Pedri, your nose ... feels like heaven" you praised him and pulled on the brown strands.

The grip on your thighs tightened when he started to use his tongue. He was really good. His tongue explored you as you rode him, purposely letting your clit bump against the tip of his nose. Moaning his name over and over again, Pedri switched between licking, sucking and kissing your most sensitive parts.

You came in no time, but Pedri didn't let you go, his deep voice vibrating against your clit. His tongue lapped up your juices, stimulating your still clenching insides. In the process he slapped your ass a few times, hard, making you buck against his face and pull at his hair even harder.

Pedri seemed to enjoy this, stroking your thighs, making you come another time. The pleasure overcame you in waves, riding his face.

Obviously, all this had an effect on Pedri too. He lifted your hips from his face and looked at you with a big grin. His face flushed under his eyes, lips and nose coated in your arousal. Your fingers moved to his neck.

"If I wouldn't be on the verge of coming inside my pants right now, I'd have you on my face for hours. Next time, amor, I promise." The brunette buried his face in your chest, almost like a hug, looking up at you. His cheekbones grazed your hard nipples, making you his and grind against him. You could feel his hardness against your butt.

"You're so beautiful." Pedri slowly removed your top, fingertips teasing your soft skin, creating goosebumps all over. As he wiped his face with your top, you climbed off him to get access to his manhood. When you slid his gym shorts down, his cock was already testing the stretch of his black slip. It looked painful.

While you were still unsure on if you should free him, Pedri already got up to take off his remaining clothes, leaving you kneeling on the bed.

His warm hand stroked up your ass cheek, finding the dip of your waist. "Bend forward, hermosa, take one of the pillows"

"Yes, Pedro" You reached to get one of the pillows, and before you could position yourself , he was inside of you again.

"Say that again, bonita" He grunted, pace rough and slow, holding your hips in place.

"Pedro" It sounded like a plea and you buried your face into the pillow, as your friend snapped his hips inside of you, the soft cotton stimulating your sore nipples from the back and forth of your bodies.

He pulled your hair harshly, making you arch. "Again, bonita"

"God, fuck- Pedro" Your voice was hoarse, eyes tearing up from the immense pleasure you were experiencing.

He chuckled, bending over you, one hand finding your clit, as the other wrapped around your throat. You couldn't help but start nipping and licking the pad of his thumb on your lips, to keep your voice low, another orgasm building up.

"God hmm, if that's how you see me, you've got a lot of worshipping to do" Pedri teased the shell of your ear with his tongue, his thrusts becoming harder, but teasingly slow, making you suck on his thumb, until his cock slipped out. You groaned, clenching around nothing.

He let go of your clit, to guide himself inside of you again, not before rubbing his tip over your sensitive bud.

"You're gonna take all of my cum, carino. Your little, needy pussy is gonna take everything I'll give you." Pedri tightened the grip on your throat, feeling your heartbeat as you came, clenching around him.

You felt him pump his seed inside you, calling your name. You tried to regain your breath, when he turned you over, plush lips ghosting up between your breasts to kiss you. A small peck.

You watched him quietly, one knee between your legs. The muscles defining his stomach flexing, as he stretched to get your tank top, discarded on the headboard. Pedri's strong hands found your thighs and his index finger collected some of his release, before he wiped your pussy with your tanktop. The cotton burnt, as he rubbed it over your used flesh harshly, sending shivers of pleasure through your body.

His chocolate brown eyes found yours, as he offered you his finger. You propped up on your elbows, taking his finger greedily, sucking it clean and he watched you. The action created a certain intimacy between you.

Looking at gifs of Pedri didn't seem so weird anymore.

A/N: Yo, I think their pizza is cold now.

The gifset I described : 🍌

Let me know what you think !

#pedri gonzalez #pedri smut #pedri fanfic #pedri #pedri one shot #pedro gonzález lópez #pedri x reader

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arabellas · 3 months

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do you have a coloring tutorial? your gifs are so nice and vibrant, how do you do it? :)

hi, here's a simple basic coloring tutorial that I use pretty much for all of my gifsets:

I won't get into the basics of making a gif as this is just a coloring tutorial, but here is my gif after I just crop and resize it:

and here it is after I sharpen it:

sharpen can affect the depth of shadows in a gif, so I do this before I add any coloring, but I know some people color first and only then sharpen, so both ways work!

alright, ready for some fun coloring? let's go!

before adding any adjustment layers, I suggest creating a new group, so all of your coloring changes can neatly sit in one place.

I always start with levels and curves, they often help to make the overall gif more natural if the lighting is too yellow, too dark, etc., it's a very useful guide, especially if you're new to gifmaking. so, let's start by clicking on the levels icon, a new adjustment layer should appear over your gif layers:

the next step is to click on each of these little icons (I usually only use the top and bottom ones) and to select the lightest and the darkest parts of your gif. pick the top one, select the darkest part and then pick bottom one and pick the lightest part, you should see some changes on your gif, sometimes they're subtle, sometimes they're very obvious:

in my gif the lightest part is somewhere near her shoulder where the light hits, the darkest part is her sunglasses (if there are a lot of dark/light parts, I just click around and see whichever looks more subtle. for example, I tried the part on top of her head where the light hit, but it made the gifset too blue because the lighting is yellowish, but since the whole scene is not very yellow, it looked weird so I'm sticking with her shoulder, it just simply looks better overall):

and then I do the same thing with the curve adjustment layer, selecting the darkest and lightest part of my gif just like I did with the levels layer:

while this is a good guide for beginners, it doesn't always fix all the problems. it can be quite harsh, so I recommend setting the opacity to a lower percentage and if it looks a little weird, sliding the arrows to one side and another with each color until it looks better to you:

like I said, it's a good guide but manual work is often needed, don't be afraid to mess around with the settings. for this gif I set levels layer opacity to 60% and curves to 37%.

moving on, I'm adding a selective color adjustment layer to fix how the skintone looks with red and yellow colors. it differs with each scene, sometimes the skin is too yellow and orange, so I add more cyan and less yellow but in this case I chose these settings and I set the opacity of this layer to 35%:

I want to mention that with poc it's very important not to mess around too much with their skin tone and not to white-wash and orange-wash them, there are quite a lot of tutorials on how to avoid doing that.

the next layer I add is exposure, I want to brighten my gif a little bit. you can do that by selecting either brightness or exposure layer like I did:

the scene I'm working with is pretty bright, so I'm not adding too much of exposure, here are my settings:

next up, I want to deepen the shadows a little bit, so I use a gradient map for that:

I use black and white gradient and set the opacity to 10%:

moving on, color balance is another great trick to make the gif look more smooth with one consistent color overall:

if I'm working with scenes that have a lot of green/yellow in them and I want to get rid of that, this is a quick way to slide the arrow to the opposite color and soften it a little bit by adding another color. I usually like to add more magenta to midtones and make the gif have a little bit of a pink look. here are my settings for this specific gif and the opacity of this layer is set to 30%:

and here's what difference it made to the gif:

as you can see, the colors outside the circle are less green on her skin and hair. it's all coming together nicely!

let's move on to the background colors. I add another selective color layer and I'm gonna play with the colors I want to enhance the most. in this case it's green grass and her blue clothes. here are my settings for these colors:

and finally, to enhance the vibrant coloring even more, I like to add one final hue/saturation layer:

here I like to add more saturation to the colors we're focusing on in the background and add around +20 of saturation. I did this to green, cyan and blue colors:

and that's it! here is the finished gif compared to the completely raw one:

this coloring tutorial is very basic, but it works for most scenes I work with, I just sometimes focus on other colors, add more or less layers but the overall process is very similar.

I encourage to mess around with all the settings and see which ones look the most pleasing to your eye. let me know if you have any questions :)

#gif tutorial #coloring tutorial #tutorial #tutorials #ask #anonymous

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runnning-outof-time · 1 year

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Birmingham | Tommy Shelby x Reader (Part 20)

Previous Part

Pairing: Tommy Shelby x reader

Summary: Plans of taking over the tracks get thwarted quickly for the Shelbys as trouble makes its way into Birmingham. Tommy tells (Y/N) to stay away, but of course she can't for too long. Everything gets laid out on the table after a scary experience shakes the both of them.

Warnings: drinking, series typical violence, canon death, injury, blood

Word Count: 4426

A/N: here it is everyone…the final chapter of Birmimgham! Thank you so much to those of you who have stuck with this story…through the break and the drawn out postings. I finished it for you. I’d love to know what you think of how it ended (since I went with the winner of the poll; which was giving a ending that felt finished). Enjoy! :)

A/N 2: the italicized dialogue is taken from the show. I’d also like to give a special thanks to @alicent-targaryen for making the amazing gifsets that helped me write this chapter so quickly �� they gave me so much inspiration! :) also if you’d ever like to know what the original ending for this was…feel free to reach out to me…if I get enough interest, I may just write it as a short.

PLEASE LET ME KNOW WHAT YOU THINK!

The story is finished! — I hope you enjoyed!

"Is Tommy here, or has he left already?" (Y/N) asked Polly after she entered the Watery Lane home. She found the older woman working on cleaning the mantle in the living room, and she couldn't stop herself from blurting the question out.

"He should still be upstairs," Polly answered, not even bothering to turn and properly greet (Y/N). It seemed as though she was deep into working on something.

"Can I go up?" (Y/N) asked hesitantly, not wanting to cross any lines.

Her question made Polly turn and look at her. The older woman quirked an eyebrow, probably wondering why the question was even being asked. "If you wish to. His door is at the end of the hall," she answered (Y/N)'s question. (Y/N) nodded, saying a quick thank you before she made her way to the stairs of the home.

She walked down the hall, stopping at the last door and taking a pause before she knocked on it. "Come," his voice came from inside the room, making her twist the knob and open the door. She saw him standing at the dresser, finishing up shaving.

"Hi, Tommy," she said softly, making him stop what he was doing and turn to face her.

"It's early, (Y/N)," he commented, surprised by her presence.

"I know, but I was unable to stay away...ever since you told me today would be the day; my mind won't stop," she explained her reason for being there. She'd been worried about everything that would happen today and couldn't stop herself from going to see Tommy before he left for the races.

Tommy finished up what he was doing, grabbing a rag so that he could wipe his face off before he then gave his attention to (Y/N). He could see the slight bit of worry behind her eyes, and he hated that it was there. For a moment he felt bad that he'd been the one to create it, but worry or not, he knew that she understood what had to be done.

"When will you go?" she asked him, breaking the silence that had fallen in the room.

"In a few hours," he gave a vague estimation, "I need to touch base with my brothers. There'll be a family meeting at half ten; there we'll discuss what will be done. I'd say that we'll be leaving shortly after that," he explained what had been on his list to accomplish. "You can come to the meeting, if you'd like," he then extended an invitation.

"I'll come," (Y/N) nodded, making her decision rather quickly. She figured that hearing his plan in full might serve to give her some solace.

"Good," Tommy nodded, a ghost of a smile teetering on his lips, "we'll be set after this, (Y/N)," he said to her then, his words riddled with confidence. (Y/N) smiled upon hearing it. She loved how self-assured he was; it was almost contagious.

"I'm worried," she said then, retreating back to her own way of thinking. She was itching to reach out and take hold of him from the second she'd walked in, but she didn't know if that would be received well or not. The last thing she wanted was him upset with her as he embarked on this big scheme.

"You shouldn't be," he assured her, "we've got the Lees on our side thanks to John and Esme, and Kimber will think that we're going to fight that family instead of taking to the pitches. He won't expect what'll actually happen," he gave her the rundown of his plan, still holding a great deal of confidence in it. Things were going to go his way today; he could already feel it.

"Ok," (Y/N) nodded along, trying to switch her thinking for his, "and I'll stay here...with Pol to make sure everything runs well on this end," she addressed her part in the plan.

"Good," Tommy nodded. He paused then, pulling his timepiece out so that he could check it. "Love, I should go now," he said as he slipped the watch back into its pocket.

"Ok," she repeated what she'd just said, "I just wanted to see you before you left."

"Come to the meeting," he said to her, a slight smile on his face.

"I will," she assured him, smiling also as she nodded her head.

"Come on," he said then, moving forward and placing his hand to the small of her back as he led her out of the bedroom and over to the stairs. She descended them first with him following behind. "I'll see you at half ten," he told her, walking to the door as she decided she'd stay back and see if Polly needed any help before then. It wouldn't be long until the time for the meeting came anyway; she might as well stick around.

Polly did in fact need help with minor things, and the women quickly got busy with them, passing the time between the meeting like (Y/N) hoped they would. It wasn't long until everyone was gathered in the empty betting shop; all eyes focused on Tommy as he explained the plan (Y/N) had got a preview of in full detail.

"Any other questions?" Tommy asked once he was finished explaining the plans. He looked around the room, waiting for anyone to speak up.

"Yes," it was Polly who answered as she made her way to the door that separated the betting floor from the home, "does anyone object if I bring a newcomer to the meeting?" she asked, looking around the room. Silence came in response, making her move over to the door so that she could open it slightly and whisper "come on," to whoever it was on the other side. She then opened the door wider to show Ada, who had Karl in her arms. "I'd like to introduce the newest member of the Shelby clan," she announced, a smile on her face.

(Y/N)'s cheeks were hurting from the wideness of her smile as her friend took a step further into the room. It was so good to see her back with her family again. Arthur was the one to start the clapping, and soon the room was filled with applause as Ada walked into the room. She stopped where (Y/N) was standing and gave her a smile, to which (Y/N) sent one of her own back.

"Welcome home, Ada," Tommy said to his sister, a smile forming on his lips. It warmed (Y/N)'s heart to see the progress being made.

She then explained the baby's name, earning some laughs from the group that was gathered around her. Arthur then went over to see the baby, taking him from Ada's arms and placing his peaked cap on top of his head. (Y/N) laughed along with the rest of the group as John poked fun at his older brother. Ada sent (Y/N) a smile before Tommy addressed her, asking if he was forgiven. (Y/N) stayed behind and watched Ada move over to him, telling him he was. She felt her heart swell as they shared a hug.

"It's so good to see you back with your family," (Y/N) said to Ada once she'd come back to her side. Tommy and the other men had gotten together to talk finer details of what would be going down. (Y/N) decided to stay with the women instead of learning more of the plan, feeling more comfortable watching Esme make exaggerated faces at the baby than hearing about how they were going to take over the races.

—

After things were finished at the shop, Tommy and the men decided to go to the Garrison to have a drink before they hit the road for the races. (Y/N) offered to join and help out, knowing that things would go smoother if there was another set of hands - hands that knew what they were doing - behind the bar pouring drinks.

Things were going well. (Y/N) was pouring with Tommy and the two had slipped into a comfortable routine. She wasn't going to lie, she quite enjoyed working in these close quarters with him. All was well...until it wasn't.

Arthur entered the Garrison with Jeremiah trailing close behind him. Both men were walking like they were on a mission. "Tommy," Arthur called for his brother, his gruff voice making just about all of the celebrations stop. "I need to talk to you," he said, his seriousness holding as he nodded his head to the stockroom that was behind the bar. Tommy glanced at (Y/N), who was becoming more confused by the second, before he followed his brother and friend into the room.

They were only gone for a matter of seconds before coming back out. "(Y/N)..." he started, coming right over to her, a sense of urgency in his movements and vocal tone. "(Y/N), I need you to leave now, ok?" he said to her, his eyes wide as he spoke; a tell-tale sign that he was now under pressure and needed things to be done timely and in a certain way.

"Wha...why?" she asked, her brows furrowed in confusion.

"Billy Kimber and his men are coming this way," he told her, "I need you to stay clear of here, you understand me?" he searched her eyes then, his hands blindly searching for hers. It didn't take much to find them, and when he did, he squeezed them for added effect, "stay away from here," he told her again.

"Ok. Ok, I will," she nodded her head, sensing his urgency and falling in line with it, "I'll go and be with Pol and Ada, and I'll wait there for you," she then told him where he could find her.

"Good," Tommy nodded lightly, feeling relieved that she wasn't going to be mixed up in the middle of this developing plan. He was going to need to fight Kimber on his own turf now. It was something he could do, but he wanted to make sure that the people he cared for the most were out of harm's way. "Go on," he said then, dropping her hands so that he could let her leave.

(Y/N)'s heart dropped slightly at the abrupt loss of warmth his hands were giving her, but she didn't have much time to dwell on it as she was following his orders, exiting the Garrison at a hasty speed so that she could get to Watery Lane before all hell broke loose.

Tommy watched her as she went, keeping his eyes on her until she was out of his sight before he focused on the men that had gathered in front of him, waiting for their leader to give them direction.

—

(Y/N) was out of breath when she finally got to Watery Lane. She entered the house promptly, hoping that either one, or both, of the women that she was looking for would be present. To her relief, they both were sitting in the living room.

"Where have you run from?" Polly questioned her, a look of confusion forming on her face.

"I...I just came...Tommy told me to..." she stammered out, resting her hands on her knees as she tried to catch her breath, hoping that doing so would allow her to get out a complete sentence.

"Come, sit down, love," Polly coaxed her over to the open chair and (Y/N) listened, moving over to sit and take a few more calming breaths. "Tell us when you're ready," she said to the younger woman, both her and Ada waiting intently for the news it seemed she had.

"I ran from the Garrison. The plans have changed...Billy Kimber's on his way here to make a stand. Tommy told me to stay away from the tavern. He thinks that it's going to happen there," (Y/N) explained once her breathing was normal again.

"Bloody hell," Polly hissed, exhaling a sigh as she heard the news, "they're going to get themselves killed."

"I don't know any of the finer details...I just know that they're going to fight them here now," (Y/N) stated, trying to push down the worry that was bubbling up inside of her.

"I've got to go," Ada finally spoke in the midst of her rushing to stand from the couch.

(Y/N)'s brows furrowed as she watched her friend move around the room, grabbing the carriage she'd brought with her so that she could transfer a sleeping Karl into it. "Ada, wait...what are you doing?" she asked, confusion present in her tone.

"I'm going to go make these bloody men see sense," Ada spoke through gritted teeth, making it apparent that anger and frustration were coursing through her. She moved over to the archway that led to the door before stopping and looking at the women, "because I know the finer details of the day, and I refuse to stand by and let this happen," she didn't wait for a response to her pointed statement after uttering it, instead turning and walking through the archway and out the door.

"What does she mean?" (Y/N) asked Polly as soon as the door shut. She was so confused right now. Polly just looked defeated.

"Freddie was to be broken out of his transport earlier today...he was going to come home and help with the effort at the races, and this was all to be done in accordance to Tommy's plan," Polly filled (Y/N) in on what Ada was getting at.

(Y/N) sighed as she heard what the older woman had to say. "She's going to go and confront them, isn't she?" she asked in a blank tone.

"She very well may," Polly didn't give a straightforward answer. Ada was a Shelby after all...Shelbys did what they wanted and rarely cared about the dangers that stood in their way.

(Y/N) knew this all too well. Ada was going to go and confront these two gangs of men. She stood from the chair with an exasperated sigh. Tommy's voice echoed in her mind as she stood; warning her not to go anywhere near the Garrison. She pushed it back, knowing that that was exactly where her friend was going. "I'm going to go and try to stop her, Pol," she informed the other woman as she walked towards the archway.

"Be careful, (Y/N)," Polly offered some words of advice, making (Y/N) nod before she walked through the archway and out of the Watery Lane home.

—

"I want you all to look at me!" (Y/N) heard Ada's voice echo through the empty streets as she ran as fast as she could to the Garrison. Upon turning the corner, she saw two lines of men, the groups facing each other. Ada was smack-dab in the middle, addressing both lines as they had their guns pointed at each other. She's going to get herself killed! (Y/N) thought to herself as she picked up her pace. "Who will be wearing black for you? Think about them. Think about them right now...and fight if you want to, but that baby ain't moving anywhere, and neither am I," she continued, her voice raw and full of emotion.

"Ada!" (Y/N) called to her friend as she made her way through the line of men whom she recognized to be the Peaky Blinders. "Ada, you can't be doing this!" she exclaimed, her eyes frantic as she rushed out into the middle of the standoff in hopes to get her friend to see some sense. "This isn't your war to get into the middle of. This isn't the place for you, or for your baby," she insisted, her eyes locked onto the other woman's as she tried to get her out of the middle of it all.

"I won't move, (Y/N)," Ada stayed persistent.

"If not for your own safety, do it for Karl," (Y/N) didn't back down, "this isn't your war to try to stop," she repeated her previous statement, trying to keep her voice steady as adrenaline started to fill her. She tried so hard not to think of what was standing on either side of her at the moment, putting her sole focus on her friend. "Come on...move for Karl," she said again, her voice softer now as she nodded to the carriage that was off to the side. They held each other's gaze before Ada just barely nodded her head. (Y/N) saw it though, and she moved Ada off to the side, hyper-aware of all of the eyes following her.

"She's right you know..." Billy Kimber was the first to speak up once the women were off to the side, "why should all you men die?" he asked the men surrounding him before looking forward, "it should just be them who've caused it," he accentuated his statement by brandishing his weapon and firing it twice.

(Y/N) squeezed her eyes shut and spun to shield both Ada and the carriage as best she could as pandemonium broke out in the street. Several men were screaming and Karl's cries had intensified before there was one more gunshot.

Tommy was the next person to speak. "Enough!" he yelled, causing everything to halt at once. (Y/N), even though her eyes were still closed, felt relieved that he was still speaking, because that meant he was still alive. "Kimber and me fought this battle one on one. It's over. Go home to your families!" he addressed the men standing across from him.

Nothing else was said as the sound of footsteps rang out, signaling to (Y/N) that people were walking away. She heard Tommy mumble something to someone, and more footsteps were heard then. She stayed by Ada and Karl, unable to really move as she took some steadying breaths.

"Ada..." a man's voice came from the women's left.

"Freddie," Ada breathed, moving from the carriage to go to the man who had approached them.

"Don't scare us like that," he said to her, allowing her to fall into his arms and cling to him. He closed his eyes and rested his chin on the top of her head as he held her tight against him.

(Y/N) smiled softly as she watched them reunite, feeling the emotion radiating off of them. She finally looked back at the street then, seeing that everyone else had cleared off of it. Worried about the rest of the men - especially one in particular - she left the couple's side and hurried to the doors of the Garrison.

She was met with agonizing screams as she opened the doors, and immediately realized that they were coming from Tommy. Hearing them made her heart drop to her stomach. Had he been shot? she wondered, worry immediately filling her body.

Arthur was the one to notice her presence amidst trying to help get the bullet out of his brother's shoulder, "go and wait in the stockroom, love, you don't want to be seein' this," he told her and she nodded, swallowing the lump in her throat and not asking any questions before she made a b-line to the stockroom behind the bar.

She waited there as time passed painstakingly slowly. Hearing Tommy scream out in pain was breaking her heart. She wished there was something, anything, she could do to help.

Then everything became quiet again. She heard some talking, but it was muffled by the door that she'd closed. She decided to stay in the room even though it seemed that the worst of it was over. A few more minutes passed before the door opened to reveal Tommy.

(Y/N) didn't wait for another second. She was walking over to him the second she saw him, her hands raising so that she could take his cheeks into them and bring his lips to hers. She kissed him passionately and with everything she had in her. Tommy's hands found the sides of her waist so that he could hold her against him, prolonging the kiss...as if she was going to pull away anyway.

"What was that for?" he breathed out once they'd pulled away.

"For scaring me," she answered him, an involuntary shudder coursing through her as she let her eyes drop to the bloody shirt that he was wearing. He's ok...he's standing in front of you, she told herself, her eyes finding his again.

Tommy chuckled at her statement, squeezing her waist slightly before he leaned in and kissed her again. (Y/N) happily accepted it, slipping her hands from his cheeks to the back of his neck as she reveled in the feeling of their lips moving together seamlessly. Nothing ever felt this good.

"And that was for?" she asked once she pulled away, breathless this time. She couldn't stop the smile from forming on her face as she looked at him again.

"An apology for scaring you," he told her, his words making her tip her head back slightly as she let out a laugh.

His eyes were still on her when she looked at him again. His gaze made butterflies dance around in her stomach, and she couldn't help but encircle her arms around his neck so that she could hug him; her head resting against the uninjured side of his chest as she did so. She brought one of her hands down from the back of his neck to gently lift his jacket where the blood was present on his shirt. She couldn't see much, but she still had to ask: "you're ok, are you?" Her voice was much softer now, worry creeping back after the excitement of the kisses faded.

"I'm fine, love," he answered her, his voice coming out in a similar tone. "Come on...have a drink with me," he said then, loosening his hold on her waist. She got the message, dropping her hands from his neck so that he could step away and lead her out of the stockroom and back into the bar area. "Under the bar should be a bottle of champagne..." he started off as he walked around to the opposite side of the bar so that he could stand across from her.

"Going for fancy today, are we?" (Y/N) couldn't help but grin as she grabbed the unopened bottle from one of the lower shelves.

"Figured we should...since we're celebrating," Tommy grinned right back at her, watching as she set the bottle on the bartop before going to grab two glasses. As she did that, he turned and rested his back against the bar, taking some of the weight off of his feet. He let out a sigh as he tipped his head back, reveling in a moment of peace after so much chaos.

"Is everything ok?" (Y/N) asked after she turned around and found him.

"Yeah," he breathed, pushing himself off of the bar and turning around to stand straight and face her again, nodding his head then for extra effect. (Y/N) nodded back at him before she uncorked the bottle and worked on pouring it into both of the cups. She tried her best not to mess up under his gaze. She smiled at him once she was finished, handing him a glass before she picked her own up and took a sip from it. "How is it?" he asked, his eyes not leaving hers.

"It's good," (Y/N) answered with a nod and a soft smile.

"You know..." he began then, pausing a moment before continuing, "someone I trust once told me, and I believe they told me here; in this very spot...that people fall for people that they know; people that they've been around and feel comfortable with..." he trailed off, and (Y/N) felt her throat go dry. Those words sounded all too familiar...like the words that she'd told him when he was grappling with Ada being with Freddie. He took a deep breath before continuing, "I want you to help me, (Y/N). With the business, the family, with the whole fucking thing. I want you, no, I need you in my life."

"Tommy this is, wow..." she couldn't finish her sentence, taken back by what he'd just proclaimed. All of the dancing around her feelings for him had led to this...the moment she'd been secretly hoping for for so long. But now that it was here, she was fumbling. "I'm not sure of what to say..." she blubbered out, her nervousness shining clear in her words. She'd never wanted something more in her life...why had she chosen this moment to be awkward?!

"Yes would be a good thing to say," he said, cracking a grin as he noticed her trying to fight back her nervousness, "it'd be a great thing to say, actually."

"Then yes," she breathed, a smile breaking onto her face.

"Then yes," he repeated what she'd said, smiling also as he leaned across the bar to kiss her. She caught his chin, holding him there and making the kiss longer than he intended...not that he was complaining.

"I think we'd ought to leave," (Y/N) said after they'd pulled away from each other, "we've had enough excitement for one day...you should get home," she suggested.

"And what will you do?" he asked her, wondering if they'd now be parting ways after all that just happened. He really didn't want that to be the case.

"I thought that maybe I'd come with you...someone's got to make sure that you keep clean bandages on your shoulder," she answered him, unable to stop the smile from creeping onto her lips.

Tommy caught that, knowing what else she could be thinking that would make such a smile form on her face. "I like the sound of that," he said to her, also grinning before she walked around the bar to come to his side.

The day had truly been won. Not only had Tommy defeated Billy Kimber, but he'd finally let (Y/N) know how he felt about her...and to his relief, she'd felt the same about him.

And for (Y/N)...she had a feeling that she wasn't leaving Birmingham any time soon. That was something she was perfectly ok with.

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