Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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Broke: danny runs away from bruce wayne because he reminds him of Vlad (bad, overused, fundamentally misunderstands Bruce’s character as a whole for a shit joke)
Woke: bruce wayne doesnt remind danny of vlad masters, but of his best friend sam manson
black hair? check ✅
jewish? check ✅
richer than god? check ✅
gothic? well, mister wayne isnt himself but he lives in the most gothic city on earth so quasi-check ✅
loudly and proudly an activist for various rights including environmental and womens' rights? check ✅
im tired of the "oh danny runs away from bruce because he's rich and reminds him of vlad" give me a danny who actually likes bruce because he reminds him of his awesome kickass best friend who is also stupidly rich
like i’ve been told about the whole “oh fruit loop joke” before and i still think its a cheap, shallow joke if i’ve ever heard one that flanderizes Bruce’s character to an impressive degree. Vlad and Bruce are only comparable in the same sense that they’re both rich and Bruce adopts kids — but he isn’t doing it because of the “adoption addiction” joke, he’s doing it because he sees himself in the kids he adopts and he wants to give them better than he did. Vlad wants Danny as his son to spite Jack, they are not remotely comparable beyond that.
Like, beyond that too i highly doubt vlad masters gives his employees benefits like bruce wayne does. who canonically hires reformed villains and has various branches of medical, industrial, technology, etc in his company in order to help the people of gotham. does Vlad Masters run charities, soup kitchens, etc?? is Vlad contributing to the community? No, no he isnt.
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Steve shows up to work one day with a baby bjorn complete with sleeping baby on his chest and Robin is like Steve....what the fuck?
And Steve says "I would've called you last night but she'd only stop crying when I held her and my parents were fighting, obviously, and I had to figure out how to make her bottle then I fell asleep with her on top of me and I think my dad legitimately forgot about us even though this is his fault, and there's no one to take care of her so I had to bring her. Sorry."
That is a lot and answers very few of Robin's questions.
"who...is she?"
Steve brightens and smiles down at the baby who's tiny baby fist is scrunched up in his work vest. "Oh! My half sister. Her mom works for one of my dad's business partners and brought her to my parents while they were away last week so they came home, mostly to dump her off on a nanny they forgot to hire--hence my baby holder here--and fight. Turns out dad cheating is easier to ignore when there isn't actual proof of it."
"oh. Woah."
"yeah. Anyways, ready to rewind some tapes?"
So they start work Steve logging returns into the computer and cupping the baby whose name I don't know yet's head. Then the little baby wakes up, making little baby noises, and Robin is not one for babies really, but Steve coos and picks her hand off his chest and waves it at Robin.
"see, that's your auntie Robin! Say hiii auntie Robin!"
The baby chews her tongue at Robin and blows a spit bubble.
And how is Robin supposed to not be charmed by that?
"awww," she says, letting the baby grab her finger, "yeah, I'm your auntie Robin. Your big brother's gonna take care of you so good huh? You'll know your way around retail in no time."
Steve giggles.
It is then that The Gremlins decide to show up and Cause Noise. Baby sister starts to cry and Steve takes her to the back to get her to calm down and change her, comes out (ignores the party's questions. Giving them Ultimate Mom Pose with Bonus Effect of Baby) hands her to Robin who is a little nervous but she will not let her new niece (?) Down, and goes back to find and heat up a bottle.
Eddie, who drove the gremlins and was looking for something in his van comes in, sees Robin holding the baby and is like huh? What's this?
And then Steve comes out with a bottle and a baby blanket over his shoulder, reaches for the baby from Robin and tries to get her to latch on the bottle with quiet words and gentle hands and Eddie is not okay he's not fine he's having a melt down because Steve with the kids is one thing but Steve with a Baby is something very different and he should not be expected to keep it together seeing this
Part 2.
Part 3
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