Ramblings about a very special phone call I got from my mom last night. 🙄

My mother called me last night specifically to ask if I was going to have children and when I said probably not, she then proceeded to tell me that she was "worried for my marriage" because I told her ten years ago that Mr. K wanted kids. She was like "He's going to grow to resent you, it's going to ruin your marriage."

Thanks, mom.

So does he, Gallagher.

It's 11 PM, but one of my favorite little Darcy/Elizabeth moments happens while she still hates him and thinks he's a depraved monster, and I find it really entertaining.

It's during the Kent section, when Darcy calls at the parsonage and finds Elizabeth alone. During a longer, awkward conversation in which they both deeply misunderstand each other, they have this tiny interchange:

[Darcy:] “This seems a very comfortable house. Lady Catherine, I believe, did a great deal to it when Mr Collins first came to Hunsford.” “I believe she did—and I am sure she could not have bestowed her kindness on a more grateful object.” “Mr Collins appears very fortunate in his choice of a wife.” “Yes, indeed; his friends may well rejoice in his having met with one of the very few sensible women who would have accepted him, or have made him happy if they had. My friend has an excellent understanding—though I am not certain that I consider her marrying Mr Collins as the wisest thing she ever did."

So: they are in Mr Collins's house. Darcy tries to re-start the conversation with a polite nothing about the house. Elizabeth agrees about Lady Catherine's micro-managing, but can't resist the chance to make a sly jab at Mr Collins (who is not present) to Darcy (a genuine villain, as far as she believes).

Darcy's reply looks a bit like an attempt to redirect the conversation into safer waters (they can agree that Charlotte is cool!). But although his remark is only somewhat related to what Elizabeth said, I think it's a natural follow-up in his mind because he is also insulting Mr Collins, if more subtly.

He could have praised Mr Collins's judgment in choosing Charlotte or just said something nice about Charlotte; he doesn't. Instead, he suggests that Mr Collins's choice of Charlotte was a matter of good fortune—or chance, as Charlotte herself would say!—on Collins's part. Darcy and Elizabeth both know Collins is a fool and that his choice of a woman like Charlotte says nothing about his judgment, only about his good fortune. (Elizabeth has even better reason than Darcy to know how much Collins ending up with Charlotte was lucky for him, but Darcy can see it anyway.)

Darcy's phrasing gives him some plausible deniability, but I think he's generally quite careful with his wording and the implicit insult to Mr Collins is not accidental.

Elizabeth, I think, takes this exactly as intended. She's not at all confused about where this tangent came from or offended by it or anything. She readily seizes on the new line of conversation as encouragement to keep insulting Mr Collins and his appeal to women with functioning brainpower.

Elizabeth is pretty scrupulously polite in general, so I kind of love that she just starts venting about her absolute contempt for Mr Collins and the Collins/Charlotte marriage to Darcy in the middle of a tense and weird conversation in Mr Collins's house. And I love that Darcy, who is otherwise more or less dog-paddling his way through this conversation, is like "yeah, your friend seems really cool, that dumbass is lucky he accidentally chose someone with a brain."

Elizabeth: "Right? And, let me add-"

(Is it a bit of an asshole move on both their parts in the context of that scene? Yeah, I think a little. I also love it! Please trash-talk obnoxious hosts in their own parlours for the rest of your lives.)

I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.

So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)

Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)

Broken Roofs and Fixed Perspectives

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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

prophet baby and prophet baby’s attendant

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

Hi, it's me again.

Valeria, Laswell, Price and Farah.

Thank you very much! I'll wait anxiously, and I'm sorry for getting so excited. <3

Hey! It's alright, but please remember my rules for the future! Also, I've never watched Arcane, I don't know Jinx in the slightest, I only really had your explanation to go off of, so sorry if it's not very good ^^;

Price, Valeria, Farah and Laswell with a Reader like Jinx (Arcane)

Price: He can read people fairly well, so you trying to hide something from him, regardless of what it could be, doesn’t evade him. He won’t force you to tell him whatever it is you’re hiding from him, but he likes to think of himself as a trustworthy person, telling you that you can just say whatever it is you wanna say. Even so, if you end up not telling him anything, then that’s alright as well, he won’t pry. As long as it doesn’t include anything that could change the course of a mission, of an important one, he’ll leave you be, for the most part. However, you liking to blow things up would concern him. Although you may not be the first person he’s met like this, with Soap being another person with an affinity for explosives, he would have his concerns. However, as long as you only hurt the enemy, he’s quite alright with you blowing things up, sometimes. There’s a fine line between an enemy KIA, and unnecessarily destroying your surroundings. Will give you an earful if you burn too many buildings, blow too many of them up. While he may be able to appreciate your abilities with technology, knowing fully well that some ingenuity is needed in that field, he hopes you won’t use your intelligence against him and his men. You’re more than welcome to use your contraptions against enemies, as long as they don’t harm your allies. You may be a very pretty person with your long, blue hair, but that doesn’t mean Price won’t be concerned with it. After all, it could get stuck somewhere and would need to be cut off. Don’t get me wrong, you’re gorgeous, but there’s a reason why people in the military tend to have shorter hair.

Valeria: She takes a liking to you immediately. You’re a threat, that much is obvious, with your interesting personality. It doesn’t particularly matter to her what you did in the past, as long as you take back your future and make the present count. Won’t bother you too much with questions regarding where you’ve been and what happened to you, she has other things to worry about. Your contraptions are of interest to her: Small things that can either walk to where they’re needed or stick to something. As long as you get out of their range of effectiveness soon enough, she’s willing to give you more materials to work with, as long as you work for her. Funds your shenanigans in general, as long as it benefits her and her cartel you’ll never run out of anything to work with. She’s not exactly a morally correct person, so you could commit literal war crimes under her watch and she wouldn’t mind. You wanna use dangerous gas to kill the enemy? Sure, go right ahead, it doesn’t matter to her since she doesn’t plan on being caught. You’ll likely get some special privileges over time as well. More quickly than other people, at the very least. While you may not look like how one would imagine someone working for the cartel would look, she certainly doesn’t mind, thinking you to be fairly pretty as well. If you need some nail polish, she can give you the best ones out there, no hesitation. Again, she’s taken a real liking to you and wants this work relationship to go well. However, you’re just about the only exception with that, Valeria doesn’t care too much about everyone else. But you stand out, so there’s that.

Farah: Although she may know that everything is fair in war, she will actively discourage you from using some of your contraptions. If it’s illegal, if it will make you and her look like war criminals, then she will not let you use it. Her country may be at war, but she’s got principles and still needs to show the world that Urzikstan is not a dangerous place. So yeah, you might not wanna use the worst of the worst when it comes to fighting around her. Other than that, she can appreciate your work, though, and what you have been doing for her. A well placed bomb can make all the difference, after all, especially when someone, who knows what they’re doing, is using it. As long as it isn’t too bad, you have her support. Don’t make yourself known, though, the wrong people might find out who you are and might have a field day with that. However, she might scold you for using unethical means of killing someone. Farah is very connected with her people, and thus knows a lot about each and every single one of them. She won’t pry either when it comes to your past, but she will gently ask about it occasionally when something seems to be bothering you. Again, she won’t force anything out of you, but will show that she does care a great deal about you. In her eyes, too, you are absolutely gorgeous. She’s not as strict with long hair as Price, for example. There are no regulations for that sort of thing in her liberation force. If you let her, and if you’re especially close, she might braid your hair as well. As mentioned previously, she does care about her people, and it’s with those small things that she shows she’s there for them.

Laswell: Oh, she would not like you very much at first. Her work is usually comprised of not being found out, you do the opposite with your trademark bombs. You’ll butt heads a lot at first, especially since Laswell tries to keep it quiet whenever she can. It would take a while for you to get along, largely since you both know what you want. However, you’re good with technology, she gives you that much. You can be used for all sorts of things regarding that. Make a small contraption that allows you to get inside a room without the need for a keycard, she can appreciate that and will congratulate you on making something useful that is quiet. It would take something like that for the both of you to slowly be getting along. Laswell doesn’t mind you having a sad past too much. If you really feel like it, and once you’ve grown close, you can talk about it. Get it off your chest if you really need it. Might either listen to you or give you some advice, it entirely depends on what you ask of her, or what it seems like you might need at the moment. Though, another reason why you might clash at first would be your appearance. You’re pretty, don’t get me wrong, but long blue hair isn’t exactly subtle, you’ll be found out fairly quickly, you’ll be recognised wherever you go. She won’t force you to dye your hair, but you likely won’t be going out in the field too much when a disguise is needed, something like that will be left to Laswell. You, however, can plant whatever it is that is needed nearby, make a distraction by blowing something up, for example.

✨️Catlastor✨️

Spontaneous dancing~ They tried to cook...

More random doodles of them because they're stuck in my head :3 @correlance

ppl say “let women be cringefail/mean/weird” until there’s a game where the woman protagonist is mean/weird/cringefail and suddenly, it’s a problem.

Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.

In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.

Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.

I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.

This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.

And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.

See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.

And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?

I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.

I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.

I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).

Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.

Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.

We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.

Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.

Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?

Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??

Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!

So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?

In general I have not been engaging with this show in a fandom way but I gotta say Molly Cobb is absolutely my blorbo. My skrunkly problematic fave. Rotating her in my mind etc. one of my favourite ‘asshole’ characters of all time. I’m so glad they didn’t have her die of space cancer or in a fiery test vehicle crash and instead she got to round out a good decade of flying very large vehicles very fast by stalking around NASA with her fuckin. Seeing eye wolfhound and spending time in her brass tub with her weird husband (who I also love.) good for her.