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#sentimonsters
bluebelledmoon · 3 months
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"The Final Photoshoot"
gabriel agreste was soon found being strangled by a blue feathered boy after this was released
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beatrice1979a · 1 month
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Monsters
The Dark Side
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Sentimonsters - Monsters - Monsters (alt ver) - Savior
original:
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The Dark Side (alternate reality) by Muse
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I hail from the dark side For all my life, I've been besieged You'd be scared living with my despair And if you could feel the things, I am able to feel
Break me out Set me free
Save me from the Dark Side
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gale-gentlepenguin · 6 months
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You know what would be cool?
If Sentimonsters got stronger when they felt the emotion used to create them.
Like in Adrien’s case. Since he feels love from Marinette, he would get physically stronger.
Felix was made with Envy, so him feeling envy would in turn make him stronger.
It would be a cool little senti quality.
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matt0044 · 3 months
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The Miraculous Fandom really seems to lack imagination.
I found a video essay calling Lila aimless as a villain but like… maybe they’re going to reveal what her game in Season 6 will be.
Maybe she wants the world kissing her foot?
Maybe she wants to stop living lies and have the perfect life.
Maybe she wants all her lies to be true and have an extraordinary life?
Dunno but it’s fun to speculate.
And I refer to CinemaSins because a common facet of their “critiques” are just questioning things that either are on a need to know basis exposition wise orrrrrr didn’t need much explanation aside from, say, magic exists.
There’s also an unwillingness to look at something for what it is and analyze it appropriately but rather lambast it for something it isn’t.
So many are hung up on being blue balled by a Chloe’s would’ve been redemption arc yet and deeper look into her doubling down on being nasty as well as how she’s an example of some people choosing not to be helped or sabotaging her efforts to turn herself around.
How she demonstrates the banality of evil and, while not super riveting, is a story that feeds into the themes of the masks we wear and what persona we put on.
Adrien wasn’t there to see Gabriel off but how might that serve the story in Season 6 since Lila knows how his father truly died yet so many act like the show’s over. Frankly, they were very economical with this story and made a good call to not overload the Season 5 finale's storyline with something so loaded like Adrien learning true origins.
Imagine how Season 6 and 7 may contend with this, especially when Lila likely knows. She couldn't have asked for a better weapon against Ladybug. And Marinette will have the truth weighing on her mind in lying not just to Chat Noir but also Adrien.
So many claim that the story and plot never process but Season 4 and five have virtually no filler with at least ONE episode having something going on that affects the wider tapestry of the slowburn story.
For god’s sake, guys, can we balance what we what with what the show chooses for itself? People are still uppity about Migration despite Luka coming back under Su-Han’s tutalege. Him knowing how to ward off Akumas sure will come in handy.
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cheshireindisguise · 1 month
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Rewatching Miraculous Ladybug for the billionth time and only just realising that in Season 5, Episode 18 : Emotion, that Felix called his Red Moon Sentimonster "Sister" and that he considers Sentimonsters to be his kin!!! They don't even have to be completely "sentient". Maybe it's because he himself is a Sentimonster or because of the Peacock Miraculous' ability to sense emotions and Sentimonsters, but it really shows the difference between how he and Gabriel Agreste treats/treated Sentimonsters as Felix treats them as complex creatures rather than being stuck taking orders.
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theerurishipper · 8 months
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Coming back to one of the points I've made earlier but never really elaborated upon, what does it do for Adrien's arc to have everyone lie to him?
Adrien's arc is about finding his self-worth and his independence and learning how to be loved unconditionally. Gabriel is controlling and abusive and only gives Adrien a second's worth of attention if Adrien caters to his every whim. And so, you'd think that part of Adrien's arc is learning that people will love him for who he is without him having to bend to their desires, and that he has the right to make decisions for himself. But this new development as of the Season 5 finale is that, no, Adrien's loved ones actually don't want him to make his own choices. In fact, they would rather support and emulate his abusive father's controlling actions and deny Adrien his agency and his ability to make informed choices about his own life. They would rather dictate how he should feel and would rather decide what's best for him rather than giving him the choice to do so himself. This comes with its large set of very much unfortunate implications.
Under the cut because this is long.
This is a problem that started with Season 4, with the introduction of Ladybug's Gabriel-esque behavior towards Chat Noir, and the subsequent lack of proper resolution. In fact, the resolution was that Chat Noir was asking too much of Ladybug, and that what needed to be done to resolve this conflict of Ladybug keeping important secrets from Chat Noir and replacing him with other holders... was for Chat Noir to suck it up and continue supporting Ladybug. It was for him to put aside his legitimate concerns with her actions and to accept that he would never be treated the way he wants to be. It was for him to push down his own feelings and come to stay by her side even though she had not treated him well, and even though she never actually fixed her mistakes.
What is the importance of his relationship with Ladybug? For the first 3 seasons, at least, it was the escape from his abusive home life that Adrien needed, to someone who would accept him unconditionally. But Season 4 introduced the infamous Ladynoir conflict that permanently altered their dynamic. I've talked about how the Season 4 finale only served to reinforce the inequality between them. It begins with Ladybug keeping secrets from Chat Noir and pulling away from him, and it ends by him simply forgiving her because he is used to downplaying his own needs. And I don't feel the desire to rehash all that, but it does beg the question: What is the takeaway from the Ladynoir conflict? Is it that he should bend himself over to be what she needs, but she doesn't need to return the same support? Is it that Ladybug is the Flawless Leader™, and he should learn his place? Because that's the impression it gives.
Now, I've talked before about how Gabriel's abuse has caused Adrien to believe love is conditional and has to be earned by him pleasing the other person and doing whatever they expect of him. And the importance of his Chat Noir persona being more expressive and "imperfect" is that this is the only time he can let loose and have fun, free of the expectations of others. And Season 4 has him return to his trauma responses around Ladybug, the person who is narratively supposed to be the one person who accepts his imperfections and doesn't place any expectations on him. Now, Chat Noir being traumatized is not Ladybug's fault, of course, and if he is fawning over her, certainly it is not her fault. But the narrative frames this as beneficial to her. Ladybug likes when Chat Noir fawns over her as Catwalker. Over and over in the story, she takes advantage of his forgiveness and trust, and never examines herself or her actions, and never tries to fix her mistakes because he always ends up forgiving her due to his belief that his feelings don't matter. Ladybug meets Catwalker, which is literally just Adrien fawning and trying to be whatever he needs to be to please her, and she instantly falls for him.
And in a narrative sense... this is detrimental to the concept of the Love Square, because it reinforces the narrative that Ladybug will never fall in love with Chat Noir, because what she wants is the perfect image, the flawless partner. The rose-tinted glasses she sees Adrien with are not being removed, rather she is putting on a fresh, darker shade. And it doesn't say good things about their development that she falls for the perfect act almost immediately upon meeting him, the moment he swears that he'll take care of her. And I won't go into too much detail since I've covered it in my other posts, but the point is that Marinette only ever seems to fall for boys who don't inconvenience her with their emotions, and instead take care of her needs without expecting anything, and this makes it seem like she is benefitting from Adrien's trauma. And Marinette is never allowed to return the support she gets from Chat Noir in any meaningful way, and it is framed by the narrative as right and wonderful that Adrien is so nice as to put his feelings aside and support her over and over again despite her repeatedly making the same mistakes and hurting him. His trauma response is framed as a good thing because it benefits Marinette.
Season 4 was about Marinette deliberately keeping secrets from her partner, dictating his actions and outright lying to him and taking advantage of his trust at times. Decidedly Gabe-like behavior, even though it was way more toned down and way less malicious (I won't go too far with that comparison, but still). And Season 5 ends up adding more salt to the wound, by having Marinette straight out lie to Adrien about his father, dictating his perceptions and controlling his thoughts and feelings, just like Gabriel would have liked. And in fact, Gabriel asked her to do this to the son she knows he abused, and she sides with him. And it's not just Marinette. The list of people who have denied Adrien honesty just goes on and on. Gabriel, Emilie, Nathalie, Amelie, Felix, Kagami, Master Fu, Luka, Plagg, Tikki, Marinette, Alya, Su-Han... they are all, as those who knew truths about different situations, people who chose to lie to and hide information from Adrien that he was entitled to. And with the exception of Luka and Master Fu, all of these people are complicit in siding with Gabriel and denying Adrien the most important secret of all, the truth of his very existence.
Which raises the question: if Adrien's arc was supposedly about breaking free from a controlling life and finding those who didn't do that to him, then why is it that everyone around him appears to agree with Gabriel? Why does the person who, in the narrative, is supposed to be the opposite of Gabriel and the saving grace for Adrien, parallel him so much in both actions and backstory? Does that not cheapen Adrien's arc? What does that imply for him? That he can never escape the fate of being controlled? That being controlling over a person's agency is fine and dandy if done for the right reasons?
Let's take a look back over Adrien's arc. Adrien's first scene is him rebelling against Gabriel, and we see him come closer and closer to the realization that Gabriel is abusive and cruel. We see Adrien make friends like Nino and Ladybug. We see the trajectory that his arc is going in, one of him learning to reject his father and assert his self-worth and his own identity in the face of the man who has controlled him his whole life.
And yet, there are still some glaring problems that become more apparent as the story progresses, and they come to a head in Seasons 4 and 5. It's shown in scenes like in the episode Felix, where we see that despite everyone getting together to do something nice for Adrien, the moment he acts out of character, their first instinct is to admit that they don't know him very well at all. Almost all the interactions he has with his supposed best friend and his other friends are about setting him up with Marinette. Adrien only matters to them in his role as Marinette's future boyfriend. And this is not addressed by the narrative as something that should be fixed or resolved, or that it is even a problem in the first place.
Adrien's feelings are repeatedly denied in this show. From him having to simply forgive and forget how Ladybug hurt him, to him being repeatedly taken advantage of by Felix without the narrative letting him be upset over it, to his instant forgiveness of Gabriel, the narrative will not let Adrien feel anything negative towards the characters that the narrative actually cares about so as to not inconvenience them. His only purpose is to prop them up and bend to their needs, and anything he might realistically feel against them is invalidated and forgotten because it would go against his role of being their motivation/prop/plot device.
We also see a problem with narrative focus for him. Adrien is not the protagonist of the show, and my criticism is not that he does not get as much screentime as Marinette. The issue is that even the dedicated screentime he does get outside of being shipped with Marinette and being a part of the battle of the episode, the screentime that should be used to develop his character is often cut into by the writers' desperate need to shove Marinette into every single plot and have her be the focus of every episode. Episodes that should have focused on Adrien's loneliness like Puppeteer 2, or episodes dedicated to Adrien's friendships with others like Party Crasher, or even episodes like Gabriel Agreste which should have focused on the Agreste drama, are ultimately about Marinette trying to confess her feelings for Adrien. But this really shows itself in Chat Blanc, where the main plot of the episode is one where Gabriel's abuse of Adrien is ramped up to the max, and one where Adrien undergoes unimaginable and incomprehensible trauma, and the only thing that truly matters about it is... how it affects Marinette.
And as I said, Season 4 takes this to a new level. Ladybug, the one supposed to be Adrien's escape from his civilian life, is also someone who he fawns around. And that inherently is not a bad thing to depict, because it is not Ladybug's fault that Chat Noir is traumatized, and it is realistic that this happens. What is a problem though, is the way the narrative never paints this as a trauma response. Chat Noir pushing aside his feelings and supporting her as she repeatedly hurts him over and over is treated as good and nice of him, without her having to examine herself or realize she's treating him badly. And in the end, he accepts that he'll never be treated like he wants to and comes back to support her in her hour of need, and simply shoves his feelings away, never to complain about them again. I mentioned that Ladybug benefits from Chat Noir's civilian abuse, and this is how. Chat Noir is allowed to be traumatized, but only as long as it doesn't affect Marinette. Then, his trauma response is not only beneficial, but also the romantic and right thing to do. And, as Kuro Neko said, the answer to the issue of Ladybug keeping secrets and making mistakes is for Chat Noir to stop being so sensitive and just push his feelings away to support her. Chat Noir's trauma does not matter.
And Season 5 only doubles down on this. Adrien's rebellion against his father only matters now because the end goal is for him to date Marinette. The issue of him being a Sentimonster only matters because now it's getting in the way of him dating Marinette. But it could have been fine. Development is development, and the scene where Adrien finally confronts his abuser and asserts his right to be an individual and have autonomy over himself will still be an empowering moment that shows him breaking free of abuse-
He is not in the final battle.
Instead, Marinette is the one to face Adrien's abusive father, by merging Adrien's Miraculous with hers, by facing him off in Adrien's home. Marinette is the one who stands up to Gabriel and faces him. Marinette is the one who completes Adrien's arc for him. It was never about Adrien facing off against his father. It was all a set up for Marinette to do it.
As we all know, Thomas Astruc has gone on record on Twitter to say that Chat Blanc was the reason that Adrien could not participate in the final battle. Chat Blanc, which happened in Season 3, two seasons before Adrien rebelled to this extent against his father, before he underwent that little thing in writing called character development. In Season 4, we watched Ephemeral which more or less rehashed the same points as Chat Blanc, and in Season 5, we watched Representation, where Adrien's final interaction with his father was to be sprayed with nightmare gas and be unable to fight in the final battle (even though Bug Noire managed whilst also suffering from nightmares). We saw these ridiculous excuses be used to contrive a reason for why Adrien could not participate in his own arc, in his own story, even though they could have been easily resolved.
Throughout Season 5, we see the parallels being built up between Marinette and Gabriel, about how they both came from the same situations, and how alike they are in that regard. Previous parallels established between them that the show does not acknowledge as much as it should are their controlling streak (though Marinette is nowhere near as bad as Gabe) and them being willing to do anything for the people they love ("love" being questionable in Gabe's case). Marinette is the one who hears the truth of the Agreste family. In the Season 5 finale, Marinette and Gabriel are the ones that face off against each other. Adrienette was rushed up to come to full fruition in Season 5 despite it hampering the development of the Love Square, all in an attempt to connect Marinette to the Agreste plot. Therefore, Adrien was only ever a plot device so that Marinette could have a stake in the Agreste plot. He is there to connect Marinette and Gabriel and give them something to fight over. Their fight is about him and what is best for him, but he has no agency in it despite it being about him. He only exists as the prize for the winner.
I've talked about this before, but the jist of it is that Adrien was never meant to have an arc about breaking free of abuse. He was never meant to confront his father. Adrien's story only mattered so that Marinette could use it in her speech to talk Gabe down. Adrien's feelings only mattered as far as they affected Marinette herself. He was just meant to be there to further her development. His main contribution to the arc with his last name was to give up his agency and step aside for Marinette, and this is what his role has been throughout the show. All his character was meant to do was be the damsel in distress who she could receive as her trophy once she defeated the big bad villain.
Everything Adrien's character was meant to do was to be Ladybug's prop to offer he support when she needed it, to offer her a connection to the main plotline, and to be her prize after she won. His feelings, his emotions, his trauma... they all only mattered in the context of what they meant for Ladybug. If they inconvenienced her, they were unimportant. If they benefitted her, they were good. He took the blame for her mistakes so that she didn't have to be held accountable, he forgave her so that she didn't have to work to fix her mistakes, and he continued to support her when she didn't really return the favor. Because that is Adrien's role, to be Marinette's emotional support partner who conveniently comes pre-abused and ready to downplay his feelings and emotions to cater to hers while not asking or expecting anything of her. He only exists to take care of Marinette's needs, not as his own character.
And this writing of Adrien's trauma as secondary to Marinette's convenience is a really awful way to write an abuse victim. Not allowing him to prioritize his own feelings and portraying it as a good thing when he fawns over Ladybug is a really awful and bad way to portray his trauma stemming from his abuse. But good thing the fact that he is a victim of abuse is respected at least with regards to his relationship with his abuser, right?
Right?
It's been discussed before how Gabriel's actions are downplayed and minimized in order to afford him maximum sympathy, to portray him as just a misguided and lost soul, instead of as a terrorist and abuser (credit to @erisluna35 for their great post on the matter). The show denies Adrien an opportunity to confront the man, and instead, the good ending is that his victim forgives him. One way the show downplays Gabriel's abusiveness towards Adrien is by having Marinette want to work with him to find a solution for Adrien, implying that his only crime was to not think of Adrien's well-being, and that the only intentions he had for Adrien were correct, fatherly ones that he just lost sight of, and that if he had paid attention to Adrien, he would have been an excellent and loving father, instead of it being that he actively mistreated his son and therefore should not be trusted or allowed to make any sort of decision regarding Adrien's future. He was always "just a man who loves his family" deep down, and he always had only good intentions and a pure heart, and he simply forgot about what he had in pursuit of an ideal family for that son, instead of it being that he was an abusive, controlling person who whittled down his son's self-worth and treated him like a possession, like property, like a doll that was made to cater to his wishes, and that he only ever wanted his wife back for himself and not for his son.
And this just suggests to me that Gabriel's actions... are not meant to be read as abusive. His only crime was paying attention to the Miraculous over his son. Not the gaslighting, the manipulation, the lifelong isolation, the controlling, the physical violence in some realities, the fucking sensory deprivation chambers... those were all not abuse, I guess.
This is confirmed by the fact that Marinette and everyone else lying to Adrien about his existence because Gabriel asked them to do so is framed as a good thing and as proof of Marinette's love for Adrien or something. They are quite explicitly doing what he says, literally following his wishes on how to treat his son. And yet, their actions are not framed as toxic and controlling as they should be, but as selfless and kind towards poor Adrien who won't be able to handle the truth because he's too emotional and weak. Despite this being classic Gabe rhetoric, this is supposed to be seen as sweet and heartwarming and touching, that Marinette is oh so selfless to deny Adrien the information he is entitled to know and to make that choice for him. This tells us that the writers don't really see how Gabriel treated Adrien as... wrong. They don't see his actions are wrong, because when Marinette does it, it's fine! The issue, then, isn't that Gabriel is an abuser who denies his son his autonomy, it's that Gabriel did all these things for the wrong reasons, and Marinette is doing them for the right reasons.
Indeed, the parallelisms, whether intentional or not, between Marinette and Gabriel only serve to further downplay the magnitude of Gabriel's abuse of his son. The problem wasn't that these things are wrong and awful, it's that Gabriel did them because he was Evil and Marinette is doing them because she's Good, and when you're Good, it's okay to gaslight your boyfriend into loving his abuser. There's nothing inherently wrong or abusive about anything Gabriel did. The issue, in fact, is not that he did these things, but his reasonings for them. While it's okay if Marinette denies Adrien the right to be informed of his own life because she feels he is too emotional to be able to make his own choices, because she is Pure and Good and she Loves Him So Much.
And for another example, consider how Emilie Agreste is framed as a perfect and loving and wonderful mother, even though she allowed Adrien to be isolated his whole life and is also heavily implied to have been using the mind control rings on him, since there are two of them. This kinda shows that the writers don't really think mind controlling is abuse or even wrong. It's just wrong because Gabriel is Evil, but Emilie is Pure and Good and therefore allowed to abuse her child this way.
But I don't think the writers were malicious about this. Despite his questionable tweets, I don't think Thomas Astruc doesn't care about abuse. I don't think the writers were deliberately trying to infantilize the abuse victim in the story. I just feel like they don't understand that what they portrayed is abuse. And yet, it comes off as them invalidating the trauma Adrien suffered, but I don't think that would be intentional. The explanation I have for this, therefore, is that Adrien is not supposed to have trauma. Adrien is not supposed to be read as a victim of abuse.
I've mentioned the Marinette-Gabriel parallels, but let me add one more. Adrien is the plot device that furthers Marinette's character, but he also fulfills the same role for Gabriel.
Throughout Season 5, we see Adrien rebel against his father more and more, and it was expected that this would culminate in a final confrontation where Adrien would confront his abuser in his entirety. But Adrien was not a part of this final confrontation, so the arc wasn't about him, and it stands to reason that it must have been for some other character. We see that it is for Marinette, since she was the one who fulfilled what should have been his arc and got the moment that should have been Adrien's. But who was on the other side of this confrontation? Who was the one the speech was directed towards? Who did Adrien connect Marinette to?
It is Gabriel.
Adrien's callout of his father does not matter for furthering his character, but for furthering Gabriel's character. His calling out of Gabriel is less a way for him to finally realize that his father's treatment of him is cruel, and more of a way for Gabe to be seen a tragic, fallen villain. Adrien's callout of his father is not about him, it's about Gabriel and how he feels about it. The finale deals not with Adrien's feelings about being failed by his father, but how Gabriel feels about having failed him. Adrien's increasing rejection of his father is not used to finish the arc he should have had, but it is used in Gabriel's instead. And Gabriel's redemption comes from him being praised by his victim, who aspires to be like him. Adrien was only ever there to progress Gabriel's arc, not the other way around. Adrien had no real agency in the matter, and Gabriel's increasingly cruel treatment of him was only ever there to highlight how far he himself had fallen and was never really about Adrien realizing the truth about him.
And once Gabriel makes the choice to "change," he is rewarded with the forgiveness and love of his victim, who is there to conveniently express to the viewer how we should feel about him. Adrien is there to call out Gabriel when Gabriel is being Bad and Evil and is there to then inform the viewers that Gabriel is Good now by forgiving him and forgetting all his mistakes. Because Adrien forgave Gabriel and isn't Gabriel so wonderful now that he's made up for his mistakes and his victim has forgiven him and even looks up to him?
The main highlight of Gabriel's supposed redemption is the forgiveness of his victim, further highlighting the point that Adrien only existed as a character to push Gabriel's narrative, and not as a victim of abuse who is entitled to decide whether or not to forgive this man. Adrien did not forgive Gabriel because of a natural and believable development in his arc, he forgave him because he is ultimately a plot device to exposit about the current state of Gabriel's arc and to show the viewer what kind of a man Gabriel is, and Gabriel is good now, and so he must be validated through the forgiveness of his victim. Adrien is a prop in Gabriel's arc, who shows us the tragedy of Gabriel's fall and the future redemption of his "selfless sacrifice." His character that of "Gabriel's son," to take us through Gabriel's arc, and not a character of his own.
And since Adrien's ultimate end is to show that Gabriel is a good man after all, it also lends credence to the interpretation that, no, he is not traumatized after all. Nothing actually happened to Adrien himself, because he is only a plot device, not a character. He is there to let us know the tragedy of the man Gabriel. He is just there to let us know where Gabriel is in his arc. We see this in the way his development in just completely erased once Gabriel is "redeemed." His reactions don't make sense in the context of his arc, and it's OOC how he goes from calling out his father for who he is and then reverting back to worshipping him and forgetting all his flaws. But when you consider that the purpose of his character is less being his own character and more about highlighting and pushing forward Gabriel's arc, they make a lot more sense. His reactions don't make sense for the development that he has received throughout the season, but it makes sense if you consider that he is just a cog in Gabriel's story, and that his arc only matters as far as it affects Gabriel's arc. His struggles only matter as far as they affect Gabriel. Just like they only matter in the way they affect Marinette. Adrien doesn't get to learn anything, choose anything or even do anything if it is not about Marinette or Gabriel.
But to go back to the question at the beginning of the post, what purpose does it serve in Adrien's arc to have everyone he knows lie to him?
The answer is that Adrien does not have an arc.
Of course, it seems like he does. He does show some form of growth in calling out his father, so it would appear. But the arc of realizing his father is abusive, the arc of realizing that he deserves to make his own choices, that he deserves unconditional love... does not exist. He is only a plot device in the story, meant to be the motivation for the protagonist and the antagonist. Any arc or character complexity he has is largely accidental. His story about being a victim of abuse is unimportant and non-existent, and the show itself denies him agency and the ability to have any meaningful impact on the story outside of his role in the arcs of the main characters of the show. He has nothing of his own happening for him, he has nothing to do with his own life and family. All he matters for is to be the prop for Gabe's redemption and the prize for Marinette. His only role is to connect these two so that they can duke it out.
He has no autonomy, no agency, no nothing outside of being what Gabriel and Marinette need. We can scream until we're blue in the face about how Adrien feels the need to put on masks to please everyone and has been conditioned into believing his worth is based on pleasing others and that his emotions don't matter, and to be fair I will not stop making those analyses myself, but the fact remains that this is his narrative role. The narrative validates the abuser, both through the actions of the characters around Adrien and the framing of his arc. The characters around him don't treat him as a person as much as they treat him as Marinette's boyfriend, or as someone who doesn't get to make informed choices and should be kept in the dark because he is too emotional. The narrative treats him as a doll who must bend to the needs of the real characters with arcs and a story in the show, as a character who does not have agency and any value of his own beyond being what other characters need. His supposed development is only there to highlight Gabriel's fall. His own feelings and trauma are invalidated in favor of focusing on Marinette. Nothing he does is about him, it's about the main two characters in the show.
The show goes out of its way to remove him from the conflict. There are two episodes devoted to how he cannot ever find out about his father. He gets sprayed with nightmare gas. Fuck, even the only importance of him being a Sentimonster is to make sure that Adrien cannot find a way to break free of Gabriel's control and actually contribute to the plot. The Sentimonster plotline is mainly meant to make sure that there is no way that Adrien would be able to break free of Gabriel's control, hence he cannot take part in the final battle. Its very existence in the story boils down to being a convenient excuse for Adrien to not be a part of the finale. The only importance of the rings is ultimately so that Marinette can have a moment to slide it on his finger while ambiguously either giving him an order or not (I wouldn't be surprised if it was since the show doesn't seem to think mind control is wrong) to show that she's Good and Not Like Gabriel. The Sentimonster thing is textually a plot device to make characters unable to do anything because they physically can't. And it only serves to reduce Adrien into even more of an object, because he's now literally an object. The deeper ramifications of Adrien being a Sentimonster are never explored. It literally only exists to deprive Adrien of more agency so that Marinette can get into the spotlight. The only thing that matters about it is that it is now in the way of Adrienette, once more only focusing on how Adrien's issues affect Marinette.
Adrien is literally reduced to being a part of the magic slave race, because he cannot under any circumstance be a part of the finale and be the one to confront his abuser. And to a smaller extent, this is also the case for Felix and Kagami, two people who have a closer connection to the plotline beyond "fighting the guy who won't let me date my boyfriend." They are also Sentimonsters, and therefore have no choice but to rely on Marinette to save them and cannot fight alone even though Felix had no problem with that in the last season. The Sentimonster plotline is just an excuse to remove anyone with closer ties to Gabriel than his son's girlfriend from the conflict. Either they are working with Gabriel, or they are part of the slave race and cannot fight him, leaving only Marinette to do that for them. But like, at least Felix and Kagami got to make an informed choice about it without being lied to by everyone.
And this denial of abuse and the invalidating of Adrien's trauma leads to some pretty crazy abuse apologism for Gabe. And yes, reducing the impact of Gabriel's abuse, trying to pass him off as "just a man who loves his family," and denying the abuse that Adrien suffered throughout the show is in fact, abuse apologism. And the creators' insistence that Adrien was not emotionally mature enough to fight his father, being that this was the point of Chat Blanc all along apparently, also falls into this same trap of implying that abuse victims are not capable of making sound decisions and having autonomy over their own life, and isn't it so nice that Adrien is now Marinette's doll instead of being Gabriel's. It's victim blaming garbage, and it is frankly really gross. But in the narrative tells us what Gabriel has been telling us from day one about Adrien, that he is too emotional, that he must be protected, that he cannot make his own choices and his autonomy is better left in the hands of others, that his only purpose is to be a doll and a prop for the people around him. He only matters as far as he is useful to them.
And if you want to see the most damning example of Adrien being irrelevant outside his role as the motivation for the two people who actually drive what should be his story, look no further than Chat Noir.
Chat Noir is the only thing that indisputably belongs to Adrien. Chat Noir is him asserting his agency, his freedom, his choices. Chat Noir is his. And Chat Noir is not part of the finale. Not even in terms of physical presence. Chat Noir is an absolute non-entity in the finale. I'm not talking about Adrien; I mean Chat Noir. Chat Noir, who spent nine months fighting Monarch by Ladybug's side. Chat Noir, the owner of the Black Cat Miraculous. Chat Noir in Miraculous: Tales of Ladybug and Chat Noir, is missing in both body and mind from this final battle against his father. The one part of his life and the one part of the story where Adrien had any agency and autonomy of his own, was removed entirely from the finale. Chat Noir was reduced into nothing, to mean nothing. Because Ladybug only went there for Adrien and not to finish her and Chat Noir's fight.
Ladybug didn't fight Monarch in order to end their months-long crusade, she didn't acknowledge that Chat Noir was at least there with her in spirit, she didn't come to Monarch to put an end to the battle that they'd fought for so long with any intentions of at least wanting to carry his fight along with her to bring their enemy to an end, she wasn't there for both of them. She came there for Adrien. She came there to look for Adrien. And the symbol of Adrien's agency, Chat Noir's ring, was on her finger throughout her fight with his father over him. Chat Noir did not matter.
I'll say it again. Adrien had nothing. He was only a tool for Marinette and Gabriel. His role was to be passed on from Gabriel's clutches to Marinette's. And it paints a very bad picture that the one reduced to the role of the plot device is the abuse victim. And for anyone who doubts that Adrien is supposed to be Marinette's plot device, Thomas Astruc has helpfully made my point for me by tweeting that Adrien is Ken and Marinette is Barbie, and that we should just deal with it because it's not going to change. And I hope that this also makes it clear that we will not be dealing with the fact that Marinette is siding with her boyfriend's abuser and doing what he wants, because Marinette is always right, and Adrien doesn't get to have feelings that inconvenience her and only exists to prop her up.
The show makes it clear that he is just an object in the story from the way he's written as a damsel in distress who needs someone else to come save him, and this is taken even further by the fact that he is literally a puppet who can be mind controlled. It takes away Adrien's story of regaining autonomy and informs us that he was never supposed to have autonomy and never can, making it clear that he was never really supposed to have any arc of his own. He was never supposed to break out from his father. His end was to become Marinette's boyfriend and to worship Gabriel. Because that is how their arcs end, and their plot device must go along with it regardless of narrative implications or established characterization.
But that is Adrien's purpose in the show. For Marinette to beat the villain, and to receive his son as her prize for doing that. His abuse and trauma are secondary to Marinette's needs, and him being a victim of Gabriel's abuse is secondary to him being the vessel for Gabriel's redemption. He is only there to be a source of motivation for these two characters and to cater to their arcs. Marinette and Gabriel are the only ones who matter, who have agency in the story. Adrien is just a simple plot device to push their arcs, instead of having one himself. There is no arc for the abuse victim. He exists solely as an object, as property, as a damsel in distress, as a doll. There is no agency and autonomy for him in this story. And that is the unfortunate truth.
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graaythekwami · 1 year
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Chloe's Amok
So I kind of have a random theory on what Chloe's amok could be if she ends up being a senti like the other rich kids, and I'm thinking it is this bracelet:
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Yes, I know Rogercop is way back from season one and that we haven't seen this bracelet since, but here me out.
Now how Chloe and Andre act this episode isn't anything new for their characters, but there are a few things I find slightly interesting. First of all Chloe isn't wearing the bracelet at all, but keeping in a special case. Chloe doesn't strike me as the type to keep something carefully tucked away when she could be wearing it and showing it off to the world. So why is she this time? Not that I think she would have told it was an amok, but I could totally see a conversation about how important this piece of jewelry is and how it is absolutely priceless before it was given to her.
Of course this is speculation, but what isn't is what we see in this episode. When Chloe shows the bracelet to Sabrina she goes to immediately grab it, suggesting that Chloe hasn't been against Sabrina touching her things in the past. Of course Chloe is rude in telling Sabrina not to do so, then we get this line from Andre:
"Put it away, Chloé! It could get in the wrong hands!"
I mean yes it probably is expensive, but so is every other thing Chloe owns? And I don't think it would be out of budget for Andre to buy Chloe another bracelet if something were to happen to it, and it is a bit strange to not let her wear her own jewelry.
Unless this isn't just a bracelet, but rather his daughter's life force that he doesn't want in the wrong hands or anyone to know about it because whoever holds it controls Chloe?
From here the bracelet goes missing thanks to a combination of Marinette tripping and Plagg, the blame immediately being put on Marinette, and being passed around the classroom from there. Again I don't think Chloe's insistence for Marinette being searched is surprising, or the mayor backing her up on this, but I do find it interesting that Andre doesn't try to placate Chloe at all like he usually does when she starts making demands. There's no "Chloe dear" or "My little princess", but immediately Andre is trying to get Roger to do some illegal searches on a teenager.
Of course Roger is then also immediately fired over something that has no relation to his job (there's no actual proof the bracelet was stolen instead of just being missing at this point!). And there's no pressure by Chloe to have Roger fired, Andre does this to someone very loyal to him on his own accord.
Later Andre also tries to have Nino's phone taken so the video can be reviewed by professionals as they try to track down this bracelet thief. He's wasting no resources or power plays here to find the bracelet, and also goes after the principal of the school as well:
"I'm warning you! If you don't find my daughter's bracelet by this evening, I'll cut off all your city funds for the school. Understood?"
I mean him throwing around his power as mayor isn't anything new... but why not buy a new bracelet at this point instead of targeting everyone who isn't involved? And like before there is no influence or demand from Chloe at this point for Andre to keep this all up, but he's not letting up about this missing bracelet.
We also get this interaction between Andre and Roger too when he's fired:
"Mayor, you can't be serious! Over a missing bracelet?" "This is my daughter's bracelet we're talking about!"
Your daughter's bracelet? Or perhaps your daughter's life force?
Again, this attitude and demands is in no way strange for the Bourgeois family, rather I just find all the details in between this interesting, and that it could be implying that this bracelet is something more than just a regular piece of jewelry.
---
Now for the other major reason I think this could be Chloe's amok (or at least something more than just an average bracelet): Plagg's interaction with this bracelet.
Now I don't think Plagg can sense amoks or would know that an object is one, but I don't think it would be out of reason for him to notice something about it. He's a magical being, or why shouldn't he have a response for other magical things?
Plagg immediately takes a liking to this bracelet, at first thinking it was cheese. Upon discovering that it isn't cheese though, he isn't too disappointed (Plagg. Not upset about not getting any Camembert when he thought he was??). He also gets pretty reckless by not only staying in Chloe's bag, but throwing the bracelet up into the air where it could have been seen by others. Now Plagg isn't exactly the most responsible, but he's also not stupid, so I thought this was worth noting. (Especially by him not being mad it wasn't cheese. Personally I think Plagg would be really upset to find there was no cheese.)
Then of course this is where the bracelet gets lost, with Plagg stuck inside of it, and Adrien smuggles him away. And Plagg is stuck in the bracelet. The kwami is stuck. The kwami is stuck inside of an object when they can phase through any solid material. It's not like Plagg is under any orders not to phase through bracelets, and yet he is still stuck!
I'm sure we've all wondered why Plagg doesn't just phase out of it before, and we've never given a reason.
So... what if magic has something to do with it? Like there isn't any canon that we have that states kwamis can't phase through certain things, but if it was going to be anything I think a magical object created by another kwami's powers that's hosting someone's life force fits the bill.
Then finally, we get this bit of information:
"What do you mean I can't transform?" "If you transform, the bracelet will get absorbed with me and damage your powers!"
This is a bit of canon lore that we never hear of or see come into play again. We've seen transformations happen with kwamis in pockets, bags, hidden away, in another room, having a piece of food in their paws: but never has any of these physical objects with the kwamis or them standing between them and their Miraculous ever stopped a transformation, get transformed with them, or damage their powers in any form. Either Plagg was lying about this fact, or this bracelet had properties that were different from everyday objects that could impact magical transformations.
And honestly, a Miraculous and an amok aren't too different from each other. They're both an object that gives a magical being a physical form, allows them to be controlled, and can grant powers. While unification between kwamis exist, maybe them merging with other magical entities is in fact dangerous?
And we have seen interesting properties between amoks and transformations in canon. We have seen Gabriel transformed while giving orders to Adrien, and touch right where the amok ring would be even though it clearly isn't there or under the glove. Even if it isn't physically present it still exists in some form when a human transforms while wearing an amok, and the magic that binds the sentis to orders is still there.
---
As for why we never see the bracelet again? I imagine Andre thought it was way too dangerous to let Chloe have her own amok after everything that happened during Rogercop, and took it back to keep it safe once more.
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redtippedfox · 7 months
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I love all of Bleu Celine's sentimonsters! I can't wait to learn about all of them!
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I’m glad that you like her sentimonsters! Here is some information about them and what emotions they are made from!
Yuma-Desperation- A changeling creature that can transform into anything and has the ability to change their master into anything
Flurr-Nostalgia- A snow weasel with the power of crystals and soft warm memories of the past that warm the coldest of hearts
Mimmi- Panic- A small lizard creature that can block any signs of magic, auras, or senses in order to hide from their own panic, a blockade.
Bibbi-Compassion- A small bird that comforts the broken hearted with her bird songs and soothes the heartache with her soft warm feathers(Adrien’s Guardian)
Lily-Hope- A Chinese water dragon who can spray water that is pure washing away any despair or sorrow
Jade-Sorrow- A jade rabbit who can turn people into jade statues, he can lock away people sorrows inside his jade body(It does not hurt him, it allows him to be able to help)(He is Marinettes comfort)
Violet- Consolation- A small ram who gives Marinette sweet dreams and blocks nightmare’s, one touch of her fur and calmness flows over their body
Iris- Anxiety- Iris is a medium size butterfly/moth/bee creature, she can multiply herself and Camoflouge as any surrounding thing. (She is Marinette’s spy)
Roxanna-Enjoyment- A red liquid fish that acts like a mimic
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Unfriendly reminder that this is textually a slave owner with her mind control victim. 🙃
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miss-morgans-lover · 1 month
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I just realised, the reason Chat Noir became Chat Blanc, is likely something to do with Adrien/Chat Noir being a sentimonster and his father having the ring that controls him.
Hawkmoth/Gabriel says: "obey" and it's like a full on command. He has the ring on at that point, cause it's season 3, and Felix nor Nathalie have the ring at this point. He told him to, so he did.
Adrien/Chat Noir had no choice. He tells LB he sorry and even after being akumatised he still doesn't want to hurt either of them, which led to the end of the world.
Tagging:
@jasperhaleobsessed
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figurecollection · 6 months
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are you aware of any miku figures related to wowaka songs? ive looked around but sadly couldnt really find any, even garage kits. love your blog, ty !
Let me see...
This Prize figure is based off Worlds End Dancehall
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Rolling Girl Miku GK, although she uses the module from Project Diva
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There's a few GKs for the Project Diva module for Unhappy Refrain (1), (2), (3)
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These are the only ones I can find from en and jpn searches, there may be more but my Vocaloid knowledge isn't perfect lol, I hope this helps.
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hamsteriffic · 10 months
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Sentimentally Yours (G)
With this ring I thee wed…
Read on Ao3
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beatrice1979a · 1 month
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Monsters
The Light Side or Guiding Light
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Sentimonsters - Monsters - Monsters (alt ver) - Savior
Reference credit : @null-entity for this pose
Detail on Claw Noir and Argos
...because I was studying their costumes:
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Muse - Guiding Light
youtube
There's sunshine trapped in our hearts It could rise again But I'm lost
crushed
cold and confused
with no guiding light left inside
You are my guiding light
when there's no guiding light in our lives
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gale-gentlepenguin · 5 months
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I couldn’t sleep last night because a thought occurs.
Do sentimonsters have souls?
The answer to this has to be yes or no right?
Cause like if the answer is yes, then Ladybug and chat noir have a kill count. So does Gabriel, and Nathalie.
If the answer is no, then Adrien, Kagami, and Felix are just magic flesh robots. Oh sure they look, walk, act, think and feel. But that could all just be programing. Like Magic AI. But any thought or action can be overwritten simply by having their controller.
When they die. Their only hope as a sentimonster is that the person that made them is still around and can conjure up the feelings made to make them again.
If not, they are basically gone forever. There is no reincarnation, no afterlife, nada. Just dead.
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galahadwilder · 1 year
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The Time I Got Reincarnated as an Evil Version of Myself
Chapter 3: Disagreements
Link to AO3 in Bio
~
Akumatization isn't exactly a common experience among Parisians. With a population of over 2 million and under 300 Akumatizations—maybe half that if only count individual victims instead of instances (most of that thanks to Mr. Pigeon)—that's slightly more than a percent of a percent. Still, there are enough of them that there are certain common experiences. Any one of them could tell you that Akumatization is really only traumatizing after the fact, when you find out what you've done. It's a mercy, really, not remembering. Being saddled with the memories of causing mayhem, havoc, and murder would be too much for the psyches of most people, and Paris would look very different.
The number of people who have successfully resisted Akumatization is much, much smaller. A percent of a percent of a percent. Three people, in total, have ever done it. And while they'll gladly tell you how they did it, in hopes that you get the same success, there's one thing all three of them keep very close to their chests—a secret only three people on Earth share.
Breaking an Akumatization hurts. And worse—you remember everything.
Chloé sits curled up on a cot in the nurse's office, pressing her knees to her chest, trying her best to fight down the bile that rises in her throat. Hawkmoth may not have been able to see the memories he dredged up, but he had pressed on the worst emotional response she has, forcing her to relive her most painful moments. All her traumas, all the things she'd buried, front and center. She feels... she feels...
Ugh. Ridiculous. Utterly ridiculous.
The room is too small. And normally she'd be happy for the darkness after a panic attack—she really has to thank Marinette again for helping her admit she has those—but right now it's too much like the darkness, like the black void of Akumatization. She can almost see her mother's face blank with apathy, without recognition, devoid of love. Something inside her chest is tearing, pulling apart, and God she just wants her sister right now.
Zoé is not the person who comes through the door.
"Chloé!" Lila gasps, bursting through the door of the sleeping room of the nurse's station, all false concern and smiles. "I heard you got Akumatized!"
Chloé's pain immediately twists beneath her ribcage into rage and confusion as the most unexpected person in Paris throws her arms around her shoulders. Lila--Lila was expelled, she's been banned from the building, what is she doing here? Chloé wants to pull away, to shove her off, to do something, but she's a deer in headlights, frozen, utterly unable to stop the horror that she's trapped in.
"Are you okay?" Lila asks.
Chloé's whole body contracts, as if making herself smaller will help her escape this. Her throat constricts, strangling her words into a choking whine.
Lila pulls back, holding Chloé at arms’ length. “I’m really impressed you were able to break the Akumatization,” she says with a smile that makes Chloé’s skin crawl. “You’ve been having such a hard time of it lately, you know, and, well…” Lila starts tearing up, wiping her eye with the heel of her hand. “I can’t believe Marinette did that to you,” she whimpers. "All we ever try to do is be nice to her, but—"
Something inside Chloé snaps.
"Nice?" she snarls.
Lila’s expression immediately changes—for a split second, Chloé can see the snake behind her carefully faked expression, and that snake is scared. Some part of Chloé, the part that still likes to hurt people, the part of her that is her mother, is happy with that, and she feels a brief burst of shame, but this is Lila. She deserves every bit of Chloé's vitriol and her own fear.
The rest of her, though? The rest of her is not happy. Another, primal, feral part of her, the part of her that spent ten years in love with Marinette Dupain-Cheng in spite of all her attempts to bury it, the part of her that remembers the day Marinette finally gave her Pollen permanently, the part of her that looks at her friends, her hive, and says protect with your life, rises up like a beast and burns in her muscles, her bones, her rage, and suddenly her palms slam into Lila's stomach, Lila is on the ground, stunned, and Chloé is standing over her like a wasp looming in the air above a doomed tarantula.
"I don't know how you got on campus," she spits. “And I don’t care.” She steps forward, her gaze beating Lila down into the ground. "You say one more word about Marinette and... and..."
Lila stares up at her, eyes wide and glistening. "I—I go here," she says, and for once, her voice sounds almost honest. "I—Chloé, we're friends, aren't we?"
Chloé’s brain goes white. "Friends?" Chloé shrieks. Oh, she’s about to get Akumatized again, isn’t she. But if her Akuma form goes after Lila? Worth it. "After what you did?" She bends down, grabs a fistful of Lila's tacky plastic orange lapels. "Marinette may have forgiven you but I. Have. Not."
Now Lila is the deer in the headlights, except she's not on a road or even on a highway, Chloé Bourgeois is a bullet train barrelling down on a fawn that has wandered onto the tracks and Chloé will not stop. "You are ridiculous, Lila," Chloé snarls, barely managing to stop herself from biting the other girl's face. "Utterly. Ridiculous."
"Hey!" Zoé says, forcing the two of them apart. "Break it up, you two!"
Huh, Chloé thinks, suddenly aware of her sister's hand on her chest. She'd been so pissed at Lila, she hadn't even noticed Zoé come in.
"She just..." Lila stammers, and the shock on her face—oh, Chloé hopes it's real. "She just—”
Than her eyes narrow. For a moment, a grin flashes across her face, before her teary shock returns… but with significantly less reality to it.
”You’re—you’re breaking up with me?” Lila sobs.
Zoé’s head snaps around, and Chloé can feel her sister tense. But she—oh, God, haha, Lila thought…
Lila doesn’t know she’s out.
Chloé starts to laugh.
It’s almost a cackle, more than anything. It bubbles up from her stomach, snatching her breath, doubling her over. She’s laughing so hard she fills the entire space of the tiny nap room, so hard that both Zoé and Lila are looking at her like she’s grown a second head.
”You think—” Chloé gasps, clutching at her stomach, “—I’d cheat on Kagami—” Oh, she can’t breathe. She can’t breathe. It’s too funny. “—with you?”
This is, very definitely, not the response Lila was expecting, given the shock on her face. Probably she was thinking Chloé would loudly deny being gay (when of course anyone with half a brain could have seen she was), thus confirming to Zoé their “secret relationship” and making herself look like the victim.
Whoopsie for her!
Chloé’s laughter slows down as she plops back into her cot, and she sighs, wiping tears out of her eyes. “You’re ridiculous,” she gasps through the largest grin she’s had all day. “Utterly, completely, and totally ridiculous.”
The look on Lila’s face is priceless. There are few things more satisfying than outmaneuvering smug assholes, and it’s so rare to catch the liar off-guard like this. Blindsiding Lila is a joy all its own, and Chloé intends to savor the memory of that face for years to come.
“Wait a minute,” Zoé says, breaking the moment. “You know?”
”Of—of course she knows,” Lila begins. “She and I—”
"Shut up," Chloé growls, flexing her perfectly-manicured fingers like claws. "And get. Out."
Lila swallows, frozen for half a second, then she spins and bolts for the door. It slams shut behind her, leaving Chloé alone with her sister.
Chloé collapses back onto her cot, her back slamming against the exposed white brick. Now that the adrenaline is gone, the encounter is starting to leave a really bad taste in her mouth, the way any encounter with Lila does. The bile is rising in her throat again, and she just wants to strip off her own skin and fling it somewhere far away where she doesn't have to live in it. "What is with everyone today?" she mumbles.
"What is with—what's with you?" Zoé says, slamming her hand onto the cot next to Chloé's leg. "First the Pollen thing, then the coffee prank, then…” She points out the door. “Lila is a nice person, who for some reason after all the bridges you've burned decided to be your friend, and you just—"
"She hurt Marinette," Chloé mumbles. "Nobody hurts Marinette."
“And then!” Zoé continues, heedless of Chloé’s interruption. “I’ve been trying to make you feel comfortable enough to admit to yourself that you’re gay for months, and then you just… casually? Out of spite?”
Admit that she's... what?
Wait. Something’s—something’s wrong. That's... not at all something she'd expect Zoé to say.
“I—I came out before we met,” Chloé says, haltingly. She's confused, and more than a little hurt. “You—you know that. You’ve met my girlfriend. We—” When she’d found out about Zoé, she’d been pissed enough for Akumatization—but afterwards, afterwards, it had been such a relief, such a joy, to have just one family member who accepted her as she was. “We went on double dates with you and Luka.” Had Zoé not known, all this time? Had she—had none of it mattered?
Zoé looks at her like she’s grown a second head. “Luka?” she says. “Marinette’s ex? I’ve barely even spoken to him, much less… been on dates!”
Chloé’s pulse is stabbing at her ears now. She has no idea what’s going on. Zoé’s confusion—has everyone else been feeling the same thing, today? Is that why they suddenly all hate her? Did some… Akuma or something wipe all their memories of her?
Except she was Akumatized, and Hawkmoth can’t have two out at once unless he’s Scarlet Moth, and that definitely didn’t happen today, and he’d never bother going Scarlet over her because he apparently still thinks of her as the nasty girl nobody cares about so he doesn’t think anyone would care about her the way they do about Marinette. A Sentimonster wouldn’t have this much reach, wouldn’t be able to make EVERYONE forget—
She can see Zoé going through the same mental calculations in her head. Something messed with someone’s memories. Hawkmoth is the most likely—okay, let's be real, only—candidate.
”You—you can’t be Akumatized, you rejected it,” Zoé says. “That means—” She turns pale. “You’re—you’re not my sister.”
Chloé’s heart stops. “W-what?” she manages.
Zoé backs away from her, eyes wide and immobile. “You’re a Sentimonster.”
The way she says the word—as if it's a swear, as if it's a curse—stabs straight through Chloé’s gut. She wants to vomit. Chloe is better at managing her anger when it comes to people she loves. Honestly, she is. But she never expected... from her own sister of all people... Don't get Akumatized, don't get Akumatized, don't get Akumatized—
Shut up and burn her, says the part of her that is her mother, and Chloé ignites.
She leaps to her feet, heedless of how Zoé is forced back, heedless of the terrified expression on her sister's face, barely aware of anything except her own rage. “OF COURSE I'M A FUCKING SENTIMONSTER!” she screams, reaching for her necklace. “You—you helped me steal my Amok from Mom! It was your plan! You—”
Instead of her mother’s wedding ring, Chloé’s fingers close on the necklace to find empty air.
Her entire body goes cold. She looks at the stunned, horrified Zoé, and suddenly she's in freefall. Part of her wonders if this is how Adrien felt when his bodyguard pitched him off the Montparnasse, but the rest is too caught up in the sickening drop of her gut, the fire in her extremities, the vacuum where her lungs are supposed to be.
"My..." she croaks, barely able to speak. "My Amok. It's—" She swallows as best she can around the lump that is digging spikes into her throat. "It's gone."
@emma-d-klutz @generalluxun @naresar @ninepostsstuff @grotesquewombat @erisluna35 @oblivionhold @all-peristeronic @chaos-has-theories @into-september @claws-and-bee-stings @279ital @drawing2cope @theramendragon @jameskillianreaper @wild-mare-of-prosecution @blessedfatui @luckychatons @ninepostsstuff @sailorladybug @ladybeug @ymfingsteadilyon @steelblaidd @alexseanchai @dravidious @lowbatterylamp @nekoisadumbname @lemonadeready @tobytober @sunny-key @amandayetagain @darkwolf13reblogs @faunina @marichatsajjvv @mugchild @greenbloodedskink @miraculoussly @flightfoot @chaos-has-theories @multimousenette @spookyyarn @cosmictacos @toychicraft-dump @dragonking1987 @thesernotthedroidsurlooking4 @coracal @erisluna35 @merryberry01 @claws-and-bee-stings @princess-of-the-corner
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australet789 · 1 year
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Also something i want to talk about that again, some fans doesnt seem to grasp
Sentimonsters are an allegory for abuse.
Think about it. This is a kids show. It's really difficult to portrait abuse in children media, because not every case of abuse is the same.
But do you know what kids do know?
Emotions
And a sentimonsters is a creation based on an emotion. A simple concept, right?
Ok, then how parents usually explain how a kid is conceived?
Mommy and Daddy loved each other and you were born
Gabriel and Emilie also loved each other. Adrien was planned to be conceived out of their love. Love is enough, right? Adrien should have been happy, right?
Except he isn't. Because Gabriel's love turned into power hungriness and then into abuse.
Kagami was born to be the perfect descendant, and it was turned into abuse
Felix was born into a semi-loving house, but his father was abusive as well.
All of them, sentis, were conceived with a purpose, with "love" in mind. What a lot of children in abusive households tend to be born in. But that "love" is never what it is. It's about control, it's about having the power over someone who you are supposed to protect.
That's what sentimonsters are supposed to represent in the show.
It's horrible, but it's something kids can understand and adults should realize as well.
It's not about what Adrien and the others are, but how the adults, their caretakers, are using their love in such a terrifying way.
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