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You set him free. And he's gonna be grateful. He's gonna repay you in ways that you can't even imagine.
Ruby in Lucifer Rising (4x22): Best of SPN Ladies [381/?]
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spn-mediabigbang · 1 year
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CALIFORNIA VAMPIRE SUMMER || Explicit || 78,329 words Author: @friendofcarlotta Artist: @xfancyfranart
It’s the summer before Sam’s freshman year at Stanford, and Dean is tired of his dead-end life in Lawrence. His solution? Move to California to be closer to Sam.
At first glance, it’s the perfect plan: beaches, sunshine and a free place to stay, courtesy of old family friend Bobby Singer. It gets even better when Dean meets Cas, the hot tattooed guy who works at a video store on the local boardwalk.
But while Dean is busy falling in love, Sam encounters the darker side of summer: a girl named Ruby, who is connected to an awful secret that Cas has carried with him for the past five years.
Source Material: The Lost Boys (1987) Fic: https://archiveofourown.org/works/43848300/chapters/110249604 Art: https://xfancyfranart.tumblr.com/post/707269961848094720/hi-im-beyong-excited-to-finally-share-my-art Pairings: Dean/Cas, minor Sam/Ruby Warnings: Graphic Depictions of Violence Tags: 1980s AU, Vampires, Beaches and Boardwalks, Getting Together
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dyed-red · 2 years
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How do you think Sam felt about having sex with Ruby’s vessel? Did he need to rationalize that to himself or just the fact that Ruby was a demon?
this is such a delicious ask, i'm sorry it's taken me a while to get to.
there's just so much going on when it comes to sam/ruby. i draw a lot from comments from others on this, specifically those who are more familiar with the production and things the producers have said over the years in interviews. two things i've read as insights from the creative team (i think mostly from sera gamble?) are that:
it was important to sam that ruby's vessel was empty, otherwise that sex wouldn't/couldn't have happened (i think sera gamble had to fight for this or push its importance to her male co-creatives?)
sleeping with ruby was a form of "self harm" for sam.
I'm not sure where/how to find the original sources for those quotes as they're secondhand things I've read on tumblr about things said at cons and through other sources, but I fold both into my read on how Sam felt about having sex with Ruby and with her vessel.
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So - to answer your actual question -
he felt like shit about it. and continued to feel like shit about it. and continued to do it. because he was in an incredibly self-destructive space and continued to be, and that self-hatred manifested in this particular way, for a variety of reasons.
And to unpack that a bit more...
1. sam has been possessed (by meg). he knows how it feels, and it Does Not Feel Good. his body was used to hurt people he cares about, to kill.
2. sam is consistently concerned about possessed vessels, where practicable. in the precinct seige during Jus In Bello, the fact that the "kill the virgin" spell could blast the demons out of the many possessed people outside is important to him. where dean reads the situation as killing an innocent woman, sam reads it as saving a few dozen people (at the cost of one, rather than the potential cost of many others if they try to shoot their way out). neither perspectives are singularly right but their different perspectives are informed by their different experiences, imo.
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3. sam is saved by ruby wearing her 1.5 vessel and he promptly berates her for wearing some poor woman's skin, even if she saved his life, tells her that he doesn't want her help, and to get out of the car. he literally leaves her by the side of the road.
4. ruby 2.0 shows up with a certificate to verify that her chosen vessel is empty except for her. sam does not argue nor slam the door in her face, but asks for details. it's a major shift from one scene to the next in terms of how he is responding to her.
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i'll also note that sam didn't complain about her 1.0 vessel's occupant during the time they were getting to know one another, which i think is interesting. my personal read is that sam considered that acceptable collateral damage in order to save dean from hell (what ruby promised him in season 3), and that after she failed to deliver, this compromise he'd made with himself over that collateral damage was no longer in play, nor was his patience for her.
(side note: i wonder if sam's greater tolerance of crowley, eventually, is because he came to learn or understand at some point that crowley's vessel is similarly empty?)
anyway, bringing all those points together, my read is that sam had to do a lot of self-rationalizing when it came to sleeping with ruby's vessel. sam is nothing if not pragmatic (if unhinged and insane) in his approach to dilemmas, so i think he could and did rationalize to himself that the body being empty means he's not hurting anyone by having sex with ruby in that form, but i don't think he'd fully convince himself.
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so the discomfort and guilt and self-loathing would be... intense. she's a demon. demons killed his mother, his father, his brother. everyone he's ever loved. she saved his life. he doesn't trust her, he can't trust her. he can't afford not to trust her. he's got nothing left to lose. the only thing he has left is the part of himself that's stayed on the straight and narrow, that respects dean's dying wish, that refuses to turn into whatever his family (his brother) tried (died) to save him from becoming.
(sam himself lies to dean and says "it was practically your dying wish" that he not do exactly he's been doing (and more). sam knows there's betrayal here, and it's a betrayal that matters to him personally, or else he wouldn't hide and lie about it. he's never had any issue picking fights if/when he thinks he has the moral high ground.)
so... yeah. sleeping with ruby is an act of self-harm. he's obviously attracted to her vessel, and to her personality as ruby in that vessel, but that's not the key point. the key point is he hates himself for failing to save dean, for his brother dying because of him and being in hell because of him, and he's literally suicidal at this point in the narrative.
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the fact that her vessel is empty is incredibly important, and i think a line he couldn't cross otherwise, but that doesn't mean he's okay with the fact that he's actually having sex with the body of someone who hasn't consented. and there's no doubt in my mind that somewhere in the back of his mind is both the fact that he's been possessed and has had his body used for things he was Not Okay with, and the fact that he's been dead (an empty vessel) and it's not like he would have been okey dokey with a demon possessing his corpse and sleeping with someone.
he knows it's a violation, no matter which way he slices it. and he uses that fact to hate himself a little more, so that the very act of sleeping with ruby is, in a sense, a way to punish himself for:
a) being attracted to her as a demon,
b) being attracted to her (helpless, innocent) vessel,
c) wanting connection because he's so goddamn lonely, and
d) being a monster/freak in the first place.
these are either things he's not supposed to feel because they're sinful wrong (attraction to a demon or vessel), or he deserves them (loneliness, feeling like a freak). this is what he's convinced himself of, and therefore how ruby acts as a both balm and escape (how it feels, how she soothes him) and punishment (how he deserves the influx of self-loathing and guilt and shame that comes from all that he is doing with her, from how this verifies all the worst parts of himself he was afraid of).
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that being said -- as it goes i think he suppresses those feelings more and more because of what he gets from being with her, the connection and the blood and the high and the power and the sense of control over his destiny. but it's never that far from the surface, and we know how all that goes.
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spn2006 · 8 months
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do yall think demon blood taste like normal blood or is it like. demon flavoured
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naturenaruto · 1 month
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saw this x post and started thinkin about sam and dean both feeling sick from birth and finding absolution in ruby and cas....one brother gets on his knees for a demon and the other brother falls to his knees for an angel........
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shinelikethunder · 11 months
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samruby for the ship bingo!! <3
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SO HOT and also the fucking worst (endearment)
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miss-ute · 1 month
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2sw · 3 months
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nahpkmp · 3 months
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HAPPY VALENTINES Y'ALL 💝💝💝
Made you some cards with spn characters! Feel free to send them to your friends or partners 💘
Love youuu
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Don't forget credits!
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eversw · 2 months
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That's my boy!
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spn2006 · 8 months
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normally i dont like straight ships but sam and ruby…they do something to my brain
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morganaconda · 4 days
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hadesisqueer · 11 months
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Man, Fear Street always makes me emotional. The killers being remembered as monsters by everyone when they all were innocent, good people being forced to kill people—many times, their loved ones—. And we know that they at least have some level of consciousness when they do it because of Ruby Lane; she killed herself, which means that at some point she managed to snap out at least for a moment and took herself out before she could hurt someone else. Nurse Lane, who spent her life investigating and trying to get to the truth about her daughter. Ziggy, who lost her sister and spent her entire adulthood thinking it'd all been for nothing and wishing she'd stayed dead (and then at the end when Ziggy visits Nurse Lane and they both finally get their peace? Sobbing).
And most of all, Sarah's story always gets me the most. Betrayed by someone she trusted and accused and killed by people who'd known her all her life for something she didn't do and because she was a lesbian and loved another woman in 1666, and was remembered as a monster too, as the witch who cursed the town when all she ever tried was getting people to the truth. Always hurts to see her story, but it makes it all the more satisfying when she finally gets her vengeance and finally has people who know the truth about her and respect her. That "Sarah Fier, the first Shadysider" at the end and Sam and Deena kissing in broad daylight just like Sarah wanted to do with Hannah always fucking gets me too.
Like fuck.
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becauseofthebowties · 11 months
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4.01 - Lazarus Rising • SPN Time Stamp Roulette (49/?) •
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zombiegirldean · 30 days
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being a woman in Supernatural world is so fucking horrifying. don't wear white, you will get fridged. don't be blonde, you will get fridged. Jessica Moore was forcibly stenciled into Mary Winchester's shape to turn the narrative engine of righteous violence. she's the inciting incident for the entire epic and we know literally nothing about her. bc why would we need to. the wife is the sister is the daughter is the mother and they're all dead, and they're all used as instruments to give men an excuse to cry. you can love a man and take him into your home for a year but you'll still never get close enough to touch him bc he's keeping you in a pristine little box of unsullied domesticity. he's keeping you SAFE and CLEAN. he's making arrangements for you. and when the narrative machine beckons he will set you gently back down and return to his real and important work. don't be a virgin, virgins get fridged. don't be a hellbitch, here comes the fridge. do NOT put on that white nightgown, that is the uniform of the fridge, but it's too late, you're already bleeding out on the ceiling, maybe you always have been.
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seasononesam · 23 days
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She's the death you chose You're in terrible danger
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