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#rampant thoughts
steddieas-shegoes · 1 year
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Eddie explains the whole battle vest process and history to Steve one night when they’re hanging out, Robin passed out somewhere in the house because it’s nearly three in the morning and they should ALL be asleep, but it’s always worth the exhaustion the next day to get to talk with Eddie alone.
Steve hangs onto every word, asking questions about the patches he’s seen on Eddie’s and if he wants to add more and which ones would he add if he could find them and Eddie answers them all because Steve is showing interest in his interests so how could he not?
He doesn’t think about it the next day or any of the days after
Until Christmas morning, the first Christmas after Vecna, the first one that they all agreed they should spend together even if they don’t give gifts.
But Steve gives everyone a package, all the same size, all the same wrapping paper, just labeled with first names to know who gets what. Even Eddie gets one.
He tells them all to open them at the same time.
And they all just stare at what they’re holding in their laps.
Eddie tells himself not to cry as he looks at his own gift and then everyone else’s.
They’re battle vests. Everyone’s is personalized for what they like, patches and pins special to the things they care about regardless of how “metal” it is.
It’s not until five minutes later they all realize that they all have one button on the front that’s the same. Its just a pin in the shape of a party hat. It’s funny. Confusing, but funny.
And then Steve explains that he thought it was a good way to show that they’re all part of this group, all part of the party, whether they’ve been around since day one or just joined this year.
Of course everyone loves it, loves that Steve put this effort into their gifts.
Nobody notices that Eddie’s vest has an even more special button, clearly handmade.
It says ‘property of s.h.’ And Eddie keeps it to wear forever, including on his tux when they can finally get married
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potionpeddlerpatchy · 2 months
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Crowned Prince Shouto who is so very much in love with you, even if it did take a while to come around after the arranged marriage occurred.
Crowned Prince Shouto whose brow creases and eyes twitch every time people in high court mock how plain you are under hushed breaths.
Crowned Prince Shouto who gets absolutely sloshed at a royal banquet to try and drown his anger when he hears a rumor going around that his marriage is unconsummated due to finding you so repulsive before storming off to find you.
Royal Advisor Izuku who rushes off to try and follow, only to hear a shriek coming from your room. When scrambling to investigate if you're okay he finds his master on his knees absolutely devouring your cunt while your receiving chamber door remains open a crack.
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effervescentdragon · 3 months
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Ferrari: *locks the driver that they've made ferrari personified into a long-term contract after screwing him over for five years and stockholming him the whole time*
*discards the other driver in the team who has won races for them, including the only non-rbr win in a whole season and is in the middle of contract negotiations*
Ferrari: *brings in a 7xWDC sir driver who is coming up to an end of his career in randomly after lauding the concept of itself as the ultimate goal*
Me:
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(pending actual confirmation obvs)
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lolli-popples · 3 months
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Spoiler:
The elderly ARE joining hermitcraft-
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delta-piscium · 1 year
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Eddie does become quite famous for his music and that means he sometimes has to go to these mind numbing events where people will sneer at him until they recognize who he is, then they’ll suddenly pretend they’re old friends, they’ll ask for concert tickets and backstage passes
he mostly hates them but whenever Steve is able to come he’s so god damn excited. Steve’s parents used to drag him along to their business events and even though it’s different industries it’s all the same. Steve knows these crowds, he grew up with them and they bring out the bitchiest upper middle class version of him, a Steve who has passive aggression and faux politeness down to an art
Eddie will watch on in delighted awe as his husband, all while smiling mildly and sipping wine, destroys people. just cuts into them and also making everything sound nice, innocuous. Most of them don’t even realize it’s happening they just suddenly find themselves gaping, searching for words, as they’re backed into a corner
and Steve will look at them, tilt his head and wait them out, but before they get the chance to backtrack he’ll hum, shrug and walk away, Eddie on his heel asking if he wants to get out of there, like right now? or maybe find a bathroom?
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soulmvtes · 2 months
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seeing so many people w flowers and heart giftbags at the train station i love celebrating love!!
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meloriri · 1 month
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thinking about ren. thinking about how he's not the self principled, righteous person others think he is. thinking of how he adores his mask of anonymity, because he doesnt care for himself as a person. as a person, he's whatever other people want him to be. to use as a punching bag, to use a shoulder to cry on, to use as someone to rant to, to use as a friend. he doesnt oppose to it unless its directly affecting other people negatively. but joker; joker is everything about him that he's not, in a sense. a strong backbone, a leader, a strategically sound, skillful person uncaring of outside opinions. someone that follows their heart with perseverance regardless of the consequences. ren IS that person, he wants to be that person, but he cant fathom that being him as a person. he is glad he can live himself as a second person as joker, but glad to be able to stay in his safe, conforming box as ren.
thinking of how he hates society's norm of "minding your own business" and not interfering with other people's upsetting scenarios. he lived his life feeling that way but keeping it in and just keeping to himself, not complaining, not saying a thing. despite that, he knows he hates it, and because of the way others put him down for it, they both tell him he needs to fix his pickiness on morals, and he also repeats it to himself
the love he's recieving; the love he gets from being a people-pleaser---sometimes it humiliates him, it degrades and defiles him. it disgusts him--But not disgust at the person sending love, at himself. For tricking people, for acting how they want him to despite not believing a word he says. despite him actually being rebellious. he is disgusted by his own act of pretending to conform, but he cant defy it.
And once the world is bright, when the world is good; He'll only be left behind as an afterthought. Someone erased from society's memory.
he only yearns for the ideals of other; he wishes to see the way they do, to conform, but he is unable. He wants to fit in, but never can. he burnt his individuality, his opinions, his feelings and his rebellion to an ash, an ash that takes the form of Arsene. the very spirit of his heart, from the ashes of the identity he left behind.
he is unable to understand what love really is, if it's real, if it's honest; if he even actually feels it. this is why he's so monotone even when confessing to his love interests; he still doesnt quite understand. what love is supposed to be, the different kinds of love, how one experiences falling in love. Such a complex is explained by lack of love presented towards him. a lack of attention, of praise, and most of all, of any care. family, friends, anything.
one of the most inspiring parts of his story is how he learns to experience love, from familial to platonic, and understands it; how he uses it and lives by it.
A lynch mob is a group of people to lynch others. The religious society is the self righteous, conforming society. The phantom thieves are the lynch mob; despite not actually HANGING people obviously, it stands as a metaphor for them actively punishing the poor actions of others while the rest of society is against the meddling, seeing nothing wrong with the corruption. in a religious world, joker is portrayed as SATAN. he actively KILLS GOD. to society, he is an absolute evil; someone only there for the joy of destroying others. to himself, its only righteous punishment. stopping corrupted actions of others. like how satan is seen to be truly evil for his betrayal to god (think about some of things god did for a min. like tell ppl to kill their first born sons for him, hitting people with a huge tsunami......) and for being the ruler of hell, without realizing that satan stands for the PUNISHMENT of those who go to hell. hes not there to ruin others life, ren is there to save them by exorcising the evil. despite the way society treats him as person, despite them going directly against his attempt at helping them, he doesn't let it break him. he keeps fighting for people even when they hate him for doing it.
He's putting his ego, his self acceptance in conformity, the mask he's perfectly crafted as someone that anyone can like to the ground. he's putting his greed, his greed to have the ideals of all others, to understand society, along with it. He's finally himself, and he can announce that to his family, to those who wanted him to conform proudly and unafraid, uncaring of their opinion on who he is.
with a newly, fully solid grasp on rebellion, he will stand with his hell, as satan, punishing the evil until the bitter end of it. So he pleads that just for this time, until this end, that the world will go along with him, with their feelings; their own desires to conform, to please others, ripped out of them. To have their original feelings; their values, opinions and lifestyles revealed from the depths of within themselves and shown to the world. These feelings that they were once unashamed of, before being taught to conform, the feelings from childhood.
and at last, with the person he now is, he will finally be remembered. noted by others, and seen. But now seen as who he is instead of who he acted as. Not someone serious, not someone only there to please others; someone entirely unrecognizable. Someone who has come to complete terms with their own rebellion.
could u tell all of this was from bitter choco decoration by syudou?
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hey uh actually its time for me to vomit some thoughts on ghostbat
i really do love all the content out here for them in the vein of like divorced-core bitchy snarking and whatnot its funny its classic fandom behavior so its got that nostalgia factor its real fun to see but (non derogatory) but! i feel like thats such a watered down way of observing them. a reflection of a reflection of a reflection if u know what i mean
like obviously this isnt a new thing fandom is doing dynamics get dissolved into the simplest, most consumable caricatures of themselves possible all the time. its like a rite of passage at this point. but there are truly so many fascinating directions you could take ghostbat in particular and seeing it dissolved into just. gesturing at the above paragraph. that. is kind of sad.
i think (and this is just my observations from reading batman the knight and vol 3 of batman inc) one of the keys to their dynamic that really gets me is how modern-era (for lack of a better term) ghostmaker is consistently chasing bruce's shadow. i would say most of his actions can be described as being motivated by a desire to understand and be understood by batman.
like. hes living in batman's shadow not because batman's reputation precedes him or because batman is more capable than he is but because there is something fundamental in batman that ghostmaker believes he lacks. it's a key part of the infamous pseudo-break-up-in-the-rain in issue 105 of batman (2016) when bruce leaves khoa for gotham: bruce says, “you’re sick. there’s a part of you that’s broken and you’re angry that it’s not broken in me.” and khoa is reasonably incensed by this and takes a swing at him. they devolve into a fight that ends with the agreement we saw dick reference obliquely in issue 104.
of course, this assertion is categorically false—bruce himself points it out later in the 2021 batman annual. ghostmaker discusses his latest take-down of a major portion of his rogues gallery and how his successful defeat of all of them makes him a fundamentally better crime-fighter/vigilante than batman since he’s doing it without any of the personal vendettas and attachments bruce has.
but the key is that in his recounting of his battle he inadvertently reveals that he does in fact have a connection with each of them: madame midas and kid kawaii in particular. madame midas took down his fathers business when khoa was young and we see in his memory that this is something that deeply upset him and something he never forgot. in his actual take-down of her he brings it back up when he delivers the killing blow (batman annual 2021). with kid kawaii hes visibly upset by her physical appearance being that of a child and regularly does his best in their fights to take her down in a way that can hopefully allow whatever child-like portions of her remain to be saved (batman 108). i believe one of his battles with her actually contributed to her creators having to put an emotional inhibitor in her since some of what he'd said last time they fought got through to her (batman 107/108).
and bruce points this out!! he's somewhat subtle about it, of course, but he points out that no actually, khoa isn't free from this fundamentally very human part of him that wants to help people because it's good and that wants justice for wrongs slighted against him. still in the batman annual issue, he says, “you spent years focused on a single crime lord. that dedication isn’t about glory or efficacy. there’s a reason why this victory matters to you. a reason why you care.” and khoa (after a flashback) gives an embarrassingly flimsy defense in response to this but it’s still very, very clear that he does, in fact, suffer from the same bleeding-heart syndrome bruce does—if perhaps not as intensely.
obviously i have my gripes and whatnot with khoa being tagged as a psychopath since it seems kind of flimsy at best but i don't know enough about aspd-spectrum disorders to really pin it as definitively good or bad but still!! still!! he does have the personal stake in vigilantism that he condemns bruce for having (not even touching on the whole phantom one/clownhunter arc). at the end of the day ghostmaker believes hes missing this unnameable quality of empathy/desire for justice and he thinks that's what separates him from bruce and what makes them incompatible as partners (vigilante partners but also like. take that as you will): it is not.
the reason they cannot work together is because khoa believes he is missing this part of himself and as long as he continues to believe he's incapable of these things he's never going to measure up to his ideal of batman in any of the ways that matter.
on the batman end of things i feel like bruce is most characterized (at least in the batman the knight era of their relationship) by his desire to see khoa “fixed,” for lack of a better word. he initially takes khoa at face value for things, so when khoa gives his whole "i’m a vigilante for the art, the drama" speech he believes him.
it's actually a very sweet kind of naivete—like, of course, why wouldn't khoa know why he's doing this? bruce is very clear in his convictions regarding his motives for vigilantism and he and khoa are at the very least intellectually matched, so why wouldn't khoa be honest? why wouldnt he know the reason why he fights? if minhkhoa khan, the ghostmaker, says he fights crime because he believes in the aestheticism of a job well done, why wouldn’t bruce believe him?
so it becomes a point of contention between them for a very long time because bruce believes this kind of selfish method/motive and the incompatibility between them because of it will eclipse any relationship they have and, looking at the notorious issue 105 rain fight, it technically has. in their first mini-divorce arc in issue 6 of batman the knight in which they have a fistfight in the snow and khoa leaves bruce after beating the shit out of him he spends much of the fight talking, again, about the artistry of crime-fighting and how he enjoys the challenge of it more than the justice. when he wins the fight, he stands over bruce with a gun and contemplates shooting him (contemplates being used generously here: he stands over bruce visibly anguished before dropping the gun) and his excuse for not finishing bruce off is just that it would be, “too easy" (batman the knight issue 6). again: bruce has no reason to question this—even in a brutal physical altercation khoa continues touting his vaguely hedonistic motives behind joining bruce’s crusade. there is no reason why bruce shouldn’t believe him.
its only when he comes back in issue 8 and leaves with bruce towards the league of assassins that we see bruce kind of begin questioning how true khoa’s cited motivations are. obviously he's still pretty deeply embroiled in his Woe: I the Bat am Alone theatre kid bullshit—“this can’t last. and i think we both know it.”—so he spends most of their time together more observing the idea of khoa he has in mind and convincing himself that anything he sees outside of his established framework isn’t real, but we see when they escape ra's and blow up a major league of assassins headquarters that the illusion is starting to slip (batman the knight issue 9).
in their one-v-one combat for the position of demon’s heir (demon’s heart in bruce’s case) bruce’s monologue switches out of his doom-and-gloom khoa and i are incompatible talk into more of the space we see him in around the issue 105 break-up: during their fight bruce says, “there’s nothing to you! there’s nothing there! you know what’s in me?! everything!” which is a less accusatory version of the 105 quote but still in the same vein (batman the knight issue 10). so we see bruce has moved past taking khoa at face value regarding his joy in “the artistry of crime-fighting” but he still hasn’t quite shifted further into recognizing khoa’s other/true motives.
the rain break-up on bruce’s end, then, shows a further evolution of his interpretation of khoa’s behavior: he believes khoa’s desire to continue working with him is founded from a desire to keep bruce on his level—an action rooted in jealousy over something he will never be able to obtain. khoa believes this as well since, as stated before, he hits bruce in the face immediately after it’s pointed out. but even then he is still taking what khoa says at face value: he still believes khoa is only motivated by his thirst for a challenge and that khoa wants bruce by his side more so he isn’t alone in his empty hedonism than for actual wanting of bruce himself. this informs his reaction in issue 104 after he and robin chase a criminal to singapore: after his undisclosed argument with khoa he is visibly upset over the state of their relationship but believes it irreparable due to the differences in their morals.
i think from there though, bruce only begins picking out the gaps in the mess that is khoa (that we see anyway) when khoa’s telling him about his grand exploits after they meet up again. while their earlier conversations (ie; batman asking ghostmaker to stay in late issue 105) definitely reveal bruce’s newer perspective on khoa, it’s really only the batman annual 2021 conversation where we see bruce make the jump to further filling in what khoa is (very loudly) not saying. another tumblr post also mentioned the scene being the first recorded mention of bruce saying khoa’s name after the rain fight—which considering the last time we saw him say it was The Fucking Rain Break Up Again, sort of thematically implies he’s reached another level of understanding with khoa.
so i’d say on batman’s end he very badly wants to understand khoa, but he’s also only just starting to realize that he doesn’t have enough of the pieces.
this got away from me tbh but the point being: ghostbat has more nuance than a lot of incorrect-quote-y type content has room for.
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andi-o-geyser · 1 year
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marinara sauce and all
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chapel-of-rizztual · 7 months
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chanting: more mommy content!!!
mommy ghoulettes!!! mommy dom ghoulettes! soft mommy ghoulettes!!
i am enabling you >:)
Aahshhhhhhhshfkflwpaidb mommy ghoulettes!!!! I’m so normal about them I promise
In the first week Phantom is summoned Cumulus and Cirrus drag him off the their room and give him the full ghoulettes experience. Cumulus is so so mean to him, touching him so harshly in ways that will leave purple bruises on his skin. She calls him mean names and tell him he’s pathetic and he really hates the way it makes his stomach swoop and his cock kick. Cirrus is so soft and gentle with him, touching him delicately it makes his thighs quiver. He can’t help moaning out ‘mommy’ to both of them, both of them a complete juxtaposition to each other it makes his head spin in the best way possible.
Aurora with Swiss on his knees, his face buried deep in her cunt, his hands wrapped fully around her thighs. She keeps rocking her hips down into him, fully suffocating him, but he loves it, each gasp of breath he’s able to get there’s a cry of ‘mommy!’ rolling of his tongue, his claws digging into her thighs.
Sunshine with Mountain on her lap in the common room, their seize differences is laughable, but it doesn’t stop him from calling her Mommy as she fists over his cock. She gets a handful of strokes in before his thighs are shaking and he’s going stiff, cumming all over her fist with a gasped cry of ‘mommy’.
Dew kneading at Aethers tits while he sucks at his nipples, grinning his cock into Aethers belly. Whenever he gets close Aether pulls him away making him beg out ‘mommy please’ each time in a tearful voice.
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baeshijima · 7 months
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the idea of biker!wriothesley donned in a thick leather jacket that grows taut against his biceps when gripping the handle with those big hands of his, skin and callouses and veins covered by those worn-out gloves which stop at the heel of his palm and mold to the shape of his fingers, flexing in tandem with the subtle smirk that appears as your name rolls off his tongue as he gestures for you to join him on the space in the seat behind him does a lot of things to me.
idk man its nearly 12 am and i am feeling more delusional than usual
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chrollohearttags · 2 months
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I have not felt an ounce of inspiration to write on this app for a while if I’m being honest. I don’t think I’m leaving but a LONG sabbatical is looking real nice.
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feraltwinkseb · 4 months
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October 22, 2023 - Austin, United States Source: Song Haiyuan/MB Media/Getty Images
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triflesandparsnips · 7 months
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I've spent a couple days now trying to find the right words for this, and I still don't know if it's quite right, but-- well, fuck it. I need to tell it in three parts, because I'm not sure it breaks down more easily than that, so let's start with:
Stede knew.
...that is to say: The more I think about it, and in light of what we're seeing so far in season 2 (though hey, the new episode drops tonight, who knows, who knows, but--)
--but the more I think about it, the more sure I am that Stede has always known that he's attracted to men-- and he definitely knew, all along, that he was attracted to Ed in particular.
It's been a popular (and very entertaining) theory that maybe he didn't know. There was certainly a lot of static on the line whenever the topic came up in season 1. He seemed to need help identifying "love"; he didn't respond to Ed's flirting or half-attempted moonlight kiss; he didn't, in fact, try anything that wasn't obscured behind ten thousand layers of plausible deniability to the degree that it was reasonable to interpret him as naive or innocent or completely unaware of his own queerness.
But I think... I think that's what it was. Obfuscation. Hiding behind the relative safety of a presumed ignorance.
Because it all comes back, over and traumatically-over, to that queer need for the language of safety.
Listen: Stede Bonnet grew up keenly aware that being the kind of person he was-- being soft, being gay, being different, being queer-- was reason enough for the world to beat the shit out of him even when he was just a socially unacceptable level of queer (picking flowers as a boy, staying unmarried as a man). In Stede's time period, being any more obviously queer than that, and being subsequently found out, could lead to literal death.
So Stede would have been aware that that sort of attraction wasn't safe-- or, at least, that acting on it wasn't safe in any but the most plausibly deniable of ways... unless, and until, he could be absolutely sure.
And that's the thing, that right there, that's the next part of this:
Stede knew, but that doesn't mean he trusted himself-- or Ed.
It's like this:
When you're somebody who's been punished before (socially and physically) for just the appearance of queerness-- god forbid the acceptance or celebration of it-- then you're going to develop a whole lot of ways to protect yourself from anyone getting proof that you're as queer as they suspect.
So if you're caught looking-- no, no, you were just thinking about a book you wanted to read, silly Stede Bonnet, head in the clouds--
--and if your hand is caught lingering too long-- no, no, that can't be right, because you don't touch anyone at all, see? Oh that Stede Bonnet, awkward as anything, barely knows where his tea cup is--
--and no, absolutely not, you can't be fooled into believing a friend might be something more, no matter how flirtatious his body, no matter how much he seems to cherish your regard-- because either he's lying to you (and you learned that one well enough as a child, didn't you), or... or worse, that's just how some men feel friendship, and you're the one making it strange, making it queer, and he wouldn't be like that anymore if you just stopped bothering him quite so much, toddle on back to your wife, Stede Bonnet, and it'll all be fine again...
The tragedy of the first season might really be, out of all that happened, that a man could kiss Stede Bonnet on the mouth and say he made him happy and ask that they plan a life together--
And Stede still doubted that Ed really meant it.
Stede knew, and he doubted Ed... but he was on the road to trusting himself.
I think Stede went to sea to come out.
I think becoming a pirate was a deliberate queering of his previous life, the first step in him trying to actually allow himself an intentional queer identity in a world where the rules, boundaries, and kinds relationships that were expected and acceptable were broad enough for him to finally exist.
And he was right! Because, like-- jfc, of all the reasons the crew wanted to mutiny, it wasn't because Stede was kinda swish. Of all the reasons Spanish Jackie was going to de-nose him, it wasn't because he was swanning around camp af. Calico Jack did some damage, sure, but he dropped it once his overall aim was achieved-- making it less about social punishment and more another way to needle Stede into responding. Hell, even Izzy's initial interactions with him (regardless of what extra ammo he brought to bear later, which tbh may need separate examination entirely once we get more of season 2) were bound up in Stede interfering in his business and somehow succeeding rather than anything having to do with Stede's queerness.
And when you consider it from that angle... my god, the man was a one-man pride parade and his love of Edward Teach was the float at the front.
He used coded language with Ed in the first five minutes he was conscious enough to fuckin do so ("Do you fancy a fine fabric?" --christ, watch Stede's eyes before he asks that question, the way he clocks Ed turning away to test the cashmere, and when Ed gives a safe response that's when Stede shares more, just watch him)--
He took Ed's silk, touched Ed's chest, complimented his looks-- and even if you trust Stede's memory of it over Ed's, where there was no half-gasp, no aborted kiss-- Stede did all that, and Ed didn't punish him for it. My god, when they went their separate ways, Stede turned back to look-- and so did Ed--
He draped his lace cuffs over Ed's bare wrists as they stood together at tea. He let himself believe Ed was committing to a life together when they agreed to co-captaincy. When he thought Ed had left permanently with Calico Jack he was explicit with Lucius about what it meant ("I think it's over")--
Look: Stede has, in comparison and in opposition to his previous life, been a reckless bolt of rainbow glory almost the entire time we've see him in season 1. It just doesn't look like it from the outside because... he's really good at the language of safety.
So all this to say:
It makes sense, Stede having no concern for telling everybody in the entire pirate world apparently about his love for Ed.
It makes sense for Stede to say "I should have told him how I feel"-- because he knew, even then, he was just afraid he was wrong.
And so it would make sense, to me, if Stede, back in proximity with Ed and with definitive proof that Ed felt the same way as Stede (or had, at least, at one point), proceeds to get absolutely weird with how much gooey queer LOVE he throws at Ed from the moment they're both coherent enough to form words.
BECAUSE:
Stede couldn't trust the straight world to be safe? Well now he's dead there, time to be queer af
AND
Stede couldn't trust that Ed wanted him the same way? Well babe just went around making the world burn and then promptly died trying because he got his heart broken by Stede, so Stede is going to be 100% insufferable about showing this very special boy just how much he is absolutely adored.
And I cannot wait to see what bullshit he comes up now that he finally feels safe.
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teacupofdrpepper · 10 months
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Will absolutely die on the hill that Sanemi is the one who plays games like animal crossing/Minecraft/stardew and some indie games and will have absolutely breathtaking islands and worlds because building calms his nerves and shit and Genya is the one who plays horror games and COD without fear and so he can snipe people and then fight them in the game lobby
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melrosing · 4 months
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I’m not gonna say Saltburn is a masterpiece or without failings or even that deep and you’re so entitled to criticise it and even hate it but I’m gonna say this is all getting a bit of the ole Tear Down the Thing the Woman Made We Don’t Want Her to Get a Big Head bc I’m sorry but the film is just not nearly bad enough to justify how mad it’s made y’all
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