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#provider of ramblings
provider-of-guardians · 5 months
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Btw all you wholesome people that go on about finding whimsy and joy in the world have infected me to the point that I said stuff like that to my actual boss. He was ranting about people making the world sound so full of despair and I honest to God told my boss
"But there's like, soup. How can the world be so full of despair when there's soup in it"
And he agreed btw
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provider-of-art · 1 year
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I was thinking about how at the end of every year I wish I had more art in my gallery, but this year I’ve been so busy I had very little time to draw at all, and it’s kinda disappointing. But then I remembered I’ve literally been animating all year, churning out at least one if not two or sometimes even THREE videos on youtube a week, every week, almost all year
So I guess I’ve been productive after all XD;;
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olive-riggzey · 9 months
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I made this to combat my current issue:
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risestarkiss · 4 months
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Being Baby Blue
Rise Ramblings #313
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Leonardo Hamato is…an interesting individual.
As a middle child, he doesn’t have to shoulder the responsibilities of the oldest, nor is he fawned upon or babied over like the youngest. Therefore, he ends up having more of a lackadaisical approach to life.
In his free time, instead of training like Raph, Leo can normally be found reading comic books.
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And for good reason! Someone has to be up on the latest issues of Jupiter Jim and his space odysseys.
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But, other than being a Jupiter Jim superfan, who is Leonardo Hamato?
If you ask Leo, he's...*takes out a list*: “Primetime,” “First,” “The Best,” “Number One,” “The Champion,” or some other iteration of all of the above.
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...Huh. Anyways...
Of course, the first thing Leo would tell you is that he's the team's "Face Man."
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As the "Face Man," he’s the one that turns up the charm when they need to schmooze their way out of, or into, something.
He's the face of the group! It's a very important title, right?
Well, in this scene with Hueso, we learn what Leo really feels about his place on the team.
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"There's no team with just a face man." "I'm nothing without them."
Hmm. If he thinks that he is nothing without his brothers, then what's the deal with all of this "Number One" and "Champion" talk?
I believe that Leo is exhibiting a form of Reaction Formation.
Reaction Formation is a primitive defense mechanism that involves transforming one's unacceptable feelings or emotions into the opposite.
"Solicitude may be a reaction-formation against cruelty...romantic notions of chastity and purity may mask crude sexual desires, altruism may hide selfishness, and piety may conceal sinfulness."
Leo has been creating these grandiose titles and this larger-than-life persona for himself as a means to cope with his feelings of insecurity, his anxieties, and combat his self-deprecation.
Gee, forming a larger-than-life persona to counteract their suppressed feelings also reminds me of someone else we know…
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But, I digress...
Behind the fabrications, his insecurities, who he pretends to be, and who he wants to be, the real Leo is still on display, starting as early as the first episode.
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He's attentive, he understands the team's strengths and weaknesses, he assesses situations, he comes up with great plans on the fly, and he is a voice of reason.
These are all the characteristics of a great leader.
However, something happens when he’s actually appointed as such.
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There he goes again. He's cocky, arrogant, and act's as if he's unphased even by the prospect of loosing his brothers. If this is Reaction Formation, then what is he trying to mask with these behaviors?
Previously, he was masking his insecurities, his anxieties, and his self-deprecation, but with the faces he pulls when he thinks no one can see them, I want to say the newest emotion is fear.
He is terrified of being the leader and floundering under his new responsibilities. He's scared of the consequences of his actions, and what those consequences may mean for his brothers. However, instead of voicing his insecurities, or communicating with his team, he doubles down and falls back into old habits.
The "Face Man" persona is turned up to an 11, and things get worse and worse until...
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His greatest fears have been realized.
He has failed as a leader. He has failed his brothers. He has failed to stop the invasion, and they are all going to die because of his failures.
Now he's faced with the harsh reality of his own mistakes, thus he finally faces himself.
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"It's scary to be responsible for the lives you protect, your team...your family. But we do it anyway because that's what it means to be a hero."
He may be speaking to Raph, but he's talking about himself.
His words are his true feelings, the same feelings that have been holding him back this entire time. By opening up, he's able to surrender to himself and let it all go.
And it's the breakthrough we all have been waiting for.
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What Leo doesn't know is that through letting go, he's able to become the true face of the group he is destined to be.
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He's the face of hope.
○○○○
Previous | Being Big Red
Next | Being Purple ○ Part One • Being Purple ○ Part Two • Orange, Baby!
Finale | Being Hamato Yoshi
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purplepenntapus · 8 months
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Listen I ship dinluke for so many reasons but number 1. is that I think it’s incredibly funny to ship a man who so desperately doesn’t want to be a main character with Mr. Star Wars himself
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thecustomerisking · 1 year
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LET'S TALK ABOUT THE RATING GUN!
So, when you talk to the rating gun in Herta Space Station, it rates the characters, though the rating criteria is blatantly unclear.
When rating the main Trailblazing team, MC got 84 points, Dan Heng got 88, and March 7 has a mysterious "Rating invalid" message.
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What the HELL is this thing's rating criteria?? At first I thought it might be something related to story importance, but Welt is scored at an ASTONISHING 5 points.
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So what is it rating? Strength? I don't think that's right either, though... attempting this with some other characters, Seele got 33, while Natasha got 32.
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Of course, I can't test this with characters I don't have, so y'all will have to bear with me a little on this!
The highest score I've been able to find with my characters was Yanqing at a whopping 99 points, and Pela a close second at 93.
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Herta was placed even LOWER than Welt, at a tiny 4 points...
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...while Hook is one point higher than Welt, at 6 points.
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The rest of the characters I had rated as such:
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Seems pretty standard, kind of? But then I got to Sampo.
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...what? This is the same rating as March 7--a character I can understand being unable to be rated due to her "mysterious past" or whatever you would want to call it.
See, I already suspected that Sampo would be an important character later--everything about him screams suspicious, but this is on a different level. His actions on Jarilo IV is what lead us to save the planet, after all--us finding him, him taking us to meet Gepard, him taking us AND Bronya to the Underground, letting Bronya figure out the truth so she can take action, bringing Natasha to us so we don't die, etc, etc.
Not even MENTIONING the fact that he knows about the Astral Express, meaning he's definitely at least a space traveler, just like we are. Just... what the hell is up with this guy??
...Just what exactly are you hiding, Mr. Koski?
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selfrinsert · 5 months
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kiss HER! sit in HER lap! hold HER hand! steal HER hoodie! make HER flustered! she is so in love with you!!
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foldingfittedsheets · 13 days
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My beloved wife is not just a doctor of acupuncture, they also have a Master’s in both English and German. Language is their jam. To their eternal suffering, I do not have perfect grammar. When prompted they said it’s “fairly acceptable” on a day to day basis.
But I do have quirks that make them quietly grit their teeth. One of them is my indifference to differentiation between “is” and “are”. On multiple occasions they’ve tried to explain to me when I misuse “is,” and generally I can’t even parse what’s upset them. They gave an example of me asking, “Is there pickles in the fridge?” rather than the correct “Are there pickles in the fridge?”
They’ve told me that to pacify the editor in their brain they’ll mentally correct my sentences and that’s usually enough. Tonight it was me saying “There is other narrators,” in reference to a series we’re reading. When they pointed it out tonight it was to say that “are” would have been correct because there’s multiple other narrators.
“No,” I countered, “I was trying to use ambiguous language but there is really only one other narrator, so in my mind I knew that and spoke incorrectly because I knew it was singular but the sentence implied it was plural.”
This incensed them further (I also don’t know the difference between further and farther and the pneumonic is just as unhelpful to me as the one for stalactites and stalagmites.)
What’s funny to me though was that I asked about my use of “kind’ve” that people got worked up over in my 20lb ass post. “Doesn’t that bother you? It’s blatantly wrong.”
“No, that’s just a colloquialism, it’s fine.”
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unclewaynemunson · 9 months
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Thanks to a conversation I had with @frankenstein-ate-my-left-shoe and @stevesbipanic about this post by @piratefishmama about Scott Clarke helping middle schoolers with sexuality crises I wrote a lil something :)
Scott Clarke has been worrying about Eddie Munson ever since the boy first set foot into his classroom. He was tiny for his age and thin on the verge of being scrawny, with big, scared eyes in a pale face. With his long, dark curls he was the kind of boy who would unavoidably be called names for being too much like a girl, and Scott wasn't surprised that it only took one week before the boy came in with his hair all buzzed off, pulling even more attention to his expressive eyes instead.
Scott was known for worrying about the nerdy kids, and even though it wouldn't be obvious to everyone right away, he immediately noticed that Eddie was one of those. He wasn't the kind of nerdy kid who would sit in the front of the classroom, hanging onto Scott's every word while avidly scribbling down the secrets of the universe that Scott liked to share. No, Eddie was the other kind of nerdy kid: the kind who would often be called dreamy, or imaginative, or quiet, or lazy. The kind who would retreat to the back of the class and get low scores on their tests because they were spending their time sneakily reading comic books underneath the table or staring out of the window with their mind completely elsewhere for hours on end.
Middle school wasn't an easy place for kids like Eddie, as Scott knew all too well. The only thing he could do, as a teacher, was try to make it a little bit more bearable for him. He was glad when the boy took him up on his offer to spend his lunch breaks in the science classroom instead of the cafeteria or the playground. Soon, it became a habit that Eddie would be on the other side of Scott's desk reading his way through some big book while Scott was grading papers or preparing his next lesson.
Scott knew that with patience and kindness, all kids like Eddie would eventually come out of their shell and start trusting him. So he asked about the books Eddie brought first, proceeded to topics like music and games he liked to play later, and eventually could ask him about his home life.
Whenever he'd talk about his books or his music, Eddie's eyes lit up and his smile widened. Scott soon found out that, when Eddie was at ease, he could talk a mile a minute and bounce around the classroom, caught up in his stories with all kinds of excited hand gestures. At those moments, he was nothing like the quiet boy with the haunted look in his eyes who Scott met two months ago.
But Eddie never disclosed much about his personal life. He didn't mention his mother even once and he didn't tell Scott much more than that he was living with his uncle in Forest Hills because his dad was “unavailable” to take care of him.
Scott doubted whether Eddie was much better off living with his uncle than with his father. Judging from the meager lunches he brought with him, the shabby and ill-fitting clothes he wore, and the fact that the man never once came to drop Eddie off or pick him up at school, Scott was skeptical, to say the least.
He started worrying even more when one day, Eddie lingered in the classroom after the last lesson of the day, saying he wanted to ask him a “science question” with a certain dread in his eyes that Scott had never seen there before.
“There's nothing I love more than a good science question,” Scott quickly reassured him. “Tell me, what is it?”
“The other kids,” said Eddie, “Brendon and Mark and, you know... They call me names.” His voice was soft and his eyes were aimed towards the ground as he spoke. “Queer. And fag. And...” He shrugged. “Y'know.” He raised his head up again, big scared eyes meeting Scott's.
“I – I think they're right,” he said, almost in a whisper. “How can you stop being gay?”
And oh, this was a conversation Scott had experience with. He had been a teacher at Hawkins Middle School for almost two decades and there had always been kids he worried about, who would open up to him about this exact topic.
So he sat Eddie down at his desk and patiently talked him through everything the boy needed to know; God knows his trailer park uncle most certainly wouldn't. He told him all about science and nature and feelings and, most importantly, being perfect the way you are, no matter who you love.
More than two hours later, Eddie finally left the classroom with relief in his eyes instead of dread. But Scott kept worrying: Eddie's uncle hadn't so much as called the school to inform where Eddie was. Who was looking out for him after the last school bell rang and the kid rode his bike out of Scott's sight?
Not long after that conversation, Scott finally got to meet Mr. Munson for the first time. He was one of Scott's last appointments of the yearly parent-teacher evening, and Scott half expected him not to show up. But he was right on time, even though he looked almost comically out of place when he walked into the science classroom.
He was exactly what Scott would've imagined of a man living in Forest Hills: washed-up jeans and a worn-down flannel, cigarette dangling from the corner of his mouth, and a gruff frown hidden underneath a faded gray trucker's hat. He walked up to where Scott was seated behind his desk in a few big strides, and Scott couldn't help but think that there was something almost intimidating in merely the way he carried himself. Not exactly the kind of man who radiated safety for a boy like Eddie.
They shook hands and Scott felt rough callouses press against his own chalk-stained fingers.
While Scott talked Mr. Munson through Eddie's grade list – a list that at this point was barely enough to get him into the next grade – Mr. Munson didn't say anything. Only when Scott asked him if he had any questions, he opened his mouth.
“How're the other kids treatin' him?” the man asked him in a thick southern accent.
“It's not easy for him,” Scott answered in all honesty. He wondered how much Eddie told his uncle about what his days at school usually looked like.
Mr. Munson bowed his head. “I know,” he mumbled.
“Eddie is a sensitive kid, he –”
“I know what kinda kid he is,” Mr. Munson interrupted him immediately. It sounded sharp and Scott wondered if he should be worried about Mr. Munson having a temper.
“Of course,” he cautiously retreated. “I just assumed, since I've never seen you at the school before, sir, that you might not be aware of what exactly he has to deal with in here.”
“Maybe you should do less assuming, then,” Mr. Munson answered bluntly. “You think I should be at the school more? Drop Eddie here in the mornin', come pick him up in the afternoon, all that?”
Scott wondered if Mr. Munson was mocking him.
“Well, I think it might be good for Eddie if –”
“You know why I ain't never at the school? 'Cause I'm tryin' my damned best to keep that boy's stomach filled. When should I be at the school, exactly, between my day shift at the quarry and my night shift at the plant?”
“I – I'm sorry,” Scott backpedaled. Suddenly, the frown lines in the tired face of the man in front of him had gotten a different meaning. “I didn't know. You're right, I shouldn't have made assumptions.”
“Look, I dunno how much he shared with you, Mr. Clarke, but I know he looks up to you. So I think you should know that he's the kinda kid who got in trouble at home for bein' “too sensitive.”” He shot Scott a meaningful glance. “Boy was cryin' to me on the phone, 'cause of what his daddy did to him, so I picked him up and drove him here and I made it my mission, as his uncle, to protect him, to shield him, and to take care of him as best as I possibly can.”
Scott had always prided himself on being a good judge of character. He wondered if he had ever been more wrong about somebody before in his life.
“I know he thinks highly of you, Sir,” Mr. Munson continued. “And I'm very grateful that you're keepin' an eye on him when I can't. But at some point, he may trust you with some very personal information about himself, and you better have his back when he does.”
He knows, Scott realized with a shock. He tried to give Mr. Munson a reassuring smile, but his heart was beating in his throat with what he was about to tell him.
“I was a sensitive kid, myself, Sir. I promise you Eddie is in good hands with me.”
Scott wondered whether Mr. Munson caught the message in those words while a long silence stretched out. Their gazes were locked: Mr. Munson's eyes were bright blue, completely different from Eddie's but just as expressive. His gaze softened while the seconds passed and underneath his graying beard, his mouth twitched.
“I was a sensitive kid, too,” he eventually said.
And Scott's jaw nearly dropped to the floor. This man, with his big calloused hands and his trucker's hat and his undeniably manly demeanor?
His feelings of astonishment must have been visible on his face, because Mr. Munson chortled softly.
“Didn't see that one coming, did ya?”
Scott laughed, too, making the last bit of residual tension between them disappear. “I'm sorry, Mr. Munson. I had no idea.”
“'S okay,” Mr. Munson said. “'s good to know that Eddie has someone lookin' out for him here. Um –” He scraped his throat. “I um...” He abruptly averted his gaze back to his lap again, where his fingers were nervously fumbling with the cap he was holding between his hands.
“I always make Eddie dinner,” he finally said. “'S one of the few things I can do for him, y'know. It'd probably be better for me if I took a quick nap 'tween my jobs, but it's the only time of the day we got together. I'm not much of a cook, but I try to get him to eat somethin' healthy and warm, and we talk about stuff, whatever it is he wants to talk about. So um... If you ever wanna join us – that is, if you don't mind comin' to the trailer park... We don't have much, but I'm sure we can fit another chair 'round the table. I think it could be good for Eddie.”
Scott could barely believe what was happening. To think that only a few minutes ago, he had been worried about this man having a temper or being neglectful towards his nephew...
Wayne Munson was shy and soft-spoken and he loved Eddie with a passion that sparked a fierce protectiveness. And after having Scott judge him based on the way he looked and a bunch of false assumptions, he showed him nothing but genuine goodness.
He felt his lips bend into a smile more authentic than he'd been able to give in a while.
“I'd love to join you sometime,” he told Mr. Munson. “For Eddie – but I also wouldn't mind getting to know you better,” he added in a sudden spur or braveness.
And he could swear that something suspiciously like a smile matching his own was hiding beneath Mr. Munson's beard.
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jesncin · 5 months
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Coddling Colonizer Guilt
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"Performative diversity is when MAWS features a Native American variant of Lois Lane in the multiverse episode only to end the season on a Thanksgiving episode."
...is something I like to joke with my friends as a shorthand for referencing MAWS' squeamish approach to politics while still trying to reap the clout of "diverse representation". I want to get my thoughts out there and perhaps start a discussion over why this feels off.
Some disclaimers: Firstly, I'm not Native American. Understand this is an observation I'm making from an outsider perspective with no personal authority. I'm just a disappointed Asian Lois Lane fan. Secondly, I know the MAWS crew/creators had no malicious intent in any of these (what I consider) poor writing decisions. I'm simply here to challenge and analyze these narrative and visual choices.
MAWS takes a fairly controversial take on Superman mythos so far. Unlike Superman's historic roots as an allegory for Jewish immigrants with Clark coming from a Kryptonian socialist utopia (leading the imperfect people of Earth to a better tomorrow), MAWS chooses instead to reimagine Superman as a descendant from a planet of "alien invaders". If the leaked(?) concept art (warning potential spoilers for s2) is to be believed, Clark is the direct descendent of the leaders of the "Kryptonian Empire". Supposedly gone are the parents of Superman being scientists that warn of the destruction of their home planet- instead we have the "proud, loving, brilliant" "leaders of the Kryptonian Empire".
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While we don't know if this is the direction the show is going in, there are already cryptic hints of it being planted and thematic elements set up that point to it being a possibility. Clark had spent a majority of the season wondering what/who he is (being incapable of talking to Jor-El's hologram because of a language barrier) only to find out his supposed origins in episode 9. He's devastated learning that he's an alien invader and, once he regroups with his friends, angsts about believing he's a weapon sent from Krypton to invade Earth. Asian-Lois Lane and Black-Jimmy Olsen assure White-passing-alien-man Clark Kent that he's different and not like other colonizers. Clark ultimately saves the day, proving he's an exception. It's curious then that the season ends on Thanksgiving.
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As I've mentioned before, MAWS is exhaustively squeamish with getting political. Whatever happens in the show that resembles "themes" is quickly contradicted with very little consistent internal logic. One minute Superman is supposedly a threat that "wipes out good American jobs", should "go back to where he came from" and Lois makes a hope speech about how we shouldn't treat people who "are different" and "don't look like us" (??) with cruelty (so Clark's an immigrant going through xenophobia?) and the next he's a redeemed colonizer (a more prominent thematic arc). One minute Clark is "different" and scared of being othered- likened to a gay couple and allegorically closeted, and the next his friends call him out for being a lying liar for not disclosing his marginalized identity within a week (the narrative frames Lois and Jimmy as being in the right). This show's writing is non-committal with what it wants to say, and largely goes on vibes. That is to say I don't think the writers intended for the themes of colonizer guilt to accidentally tie into Thanksgiving as a set piece for their final episode.
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I'm sure the reason the writers chose Thanksgiving as their final episode is because it's "relateable". Half the episode is dedicated to slice of life family reunion shenanigans and the dang turkey still not being cooked through. But in choosing Thanksgiving, the writers told on themselves here with their biases. The existence of Thanksgiving implies the existence of genocide (of Native American people) by colonists in the MAWS universe. And yet Black Jimmy Olsen doesn't know what racism is (Mallah and the Brain give him a judgmental stare as Jimmy admits he can't relate to being violently marginalized) and Asian American Lois Lane doesn't understand immigration and xenophobia (constantly being entitled to Clark's immigrant identity, being incapable of comprehending why he would keep it a secret, because secrets are lies). The MAWS crew wanted a "relateable" set piece but in doing so ended up reinforcing the historical revisionism the holiday entails. A foreign colonizer sharing a meal with his friends of color on Earth, whose culture, history, and identity are all white washed.
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I would like to challenge this idea that Thanksgiving is somehow the "relateable" choice. Why pick this holiday? Why not celebrate Thanksgiving as a National Day of Mourning (as some Native Americans do)? Why not pick any Jewish holiday as a nod to Superman's creators (ignoring this version's colonizer interpretation for a second)? Why not pick Lunar New Year, a holiday celebrated by many people including Koreans (Seollal in South Korea)? It could've been another fun opportunity to showcase Lois' heritage, and create a fusion of cultures from Jimmy and Clark's families. At its most non-political and secular, why couldn't they pick any weekend? This is what happens when a show doesn't consider its world building and setting in a holistic way. MAWS will nod to xenophobic rhetoric, portray allegorical queer marginalization, and make the vaguest nods to systemic bigotry (Prof Ivo displaced a whole neighborhood! Yet we never hear from those figurative displaced people). But it does nothing to discuss any of that on a deeper level. Its characters of color don't know what racism is and Thanksgiving is just a fun family reunion, guys.
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All this and they had the audacity to sneak in a Native American Lois Lane in the multiverse episode?? Why is she, out of all the Lois Lanes in this screencap, the only one in full traditional wear? Why isn't she in a smart casual business fit like Black Lois and STAS white Lois? Would she not have been recognizably Native American to the non-Native audience otherwise? Isn't this tokenizing? Do you think she has a xenophobic dad in the military like Korean American Lois does?
But that fits MAWS' approach to diversity, doesn't it? Surface level cultural nods, maybe make Lois wear a hanbok one time, and let the audience eat it up. Never mind that both Korean American Lois and Native American Lois have been stripped of their culture and history in every other aspect.
I use the word "relateable" a lot here, but I think the important question to ask is "relateable for who?". 'Immigrant' is too charged a word, so MAWS universalizes Clark's marginalization to "being different". Superman isn't even an immigrant in this version, that was all a smokescreen for the twist that he's actually a descendent of colonizers! Being wracked with colonizer guilt is way more relateable to the white audience than being an immigrant, surely. Thanksgiving is more relateable than celebrating any culturally specific holiday our "diverse reimagining" could have represented. Characters of color being functionally white (in a way that doesn't threaten middle America) is way more relateable. MAWS is a show that doesn't want to delve into Native American history. It would rather put a Native American Lois hologram on a pedestal and call it a day.
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dinocanid · 2 months
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Suggestions for more experience posts
I've noticed more requests in the tags for experience-based posts and posts that are generally more in-depth than gif sets and playlists, but I've yet to see anyone provide solutions that will help others create these posts, so here are a few of my suggestions!
See someone with an experience you want to learn more about? Or want to communicate with someone with similar experiences? Send asks! Be specific, or even vague like "hey this is interesting, can you talk more about X?". Lots of blogs love asks, ask away.
Create prompts! It doesn't have to be a prompt list, but lots of blogs love to post about experiences but have no idea what to write. Think about a question you'd love to have answered and send it off into the tags in the form of a prompt. Tumblr loves prompts.
Have conversations! A meaningful discussion might inspire others to write and cause an influx of new posts. One thing I don't see much of nowadays is scheduled mini-chats. They're different from larger events in the sense that it revolves around starting an online convo with a specific scope that begins at a certain time, and then said chat disperses afterwards (and are much smaller scale, like usually < 25 acquaintances but not a hard rule). The online version of meeting a group for lunch. Idk what platform would be best for smth like this, but it's a neat idea
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provider-of-guardians · 2 months
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Look look look, before anyone gets mad.. I just wanted to gush about road trips lol (Also please reblog to help this post break containment!)
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provider-of-art · 1 year
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I think tumblr’s a little broken
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risestarkiss · 4 months
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Being Big Red
Rise Ramblings #312
In “What Was Meant To Be” and “What They Became,” I discuss how the turtles were created by Draxum to be weapons and then how the boys were embraced by Splinter to be a part of the Hamato clan.
I also discussed how Splinter viewed television as a window into his former life. He used television as a means to drown himself in a never-ending cycle of reminiscing the past and mourning his former self.
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Splinter’s crushing depression, though never voiced, impacted the turtles’ emotional growth and development. As a result, all four brothers had to cope with their father’s lack of attention and his expectations for their lives in their own way…
However, I believe that no one had more pressure placed on them than Raphael Hamato.
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Raphael is naturally easy-going, sweet, fun-loving, and supportive. But, as the oldest/biggest turtle, he became the impromptu leader of their little team by default. Consequently, he takes on several different roles for the sake and well-being of his family.
Their day-to-day training regimen is directed completely by him.
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He is the boys' moral compass and who they go to for guidance.
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He's the team’s backbone, support, and backup, which often cumulates in him acting as a physical shield when things get rough.
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And, most significantly, Raph is the leader even when he himself wants nothing more than to crumble to pieces.
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Raph is so physically imposing, strong-willed, and devastatingly kind-hearted that it’s easy to expect these roles from him.
But, Raph is also just a child.
In reality, these roles should never have been Raph’s to bear…
Parentification is a process in which a child or adolescent is forced to act as a parent to their siblings (or to their actual parent) through providing emotional support (Emotional Parentification) or physical support (Instrumental Parentification) in order to maintain the household.
I believe that Raphael was subjected to both, but was especially subjected to the former.
All of the roles described above are the roles of a supportive parent to their children (or Sensei to their students.) To verify this claim, you needn’t look further than the roles that Splinter encompassed in any other iteration.
With Raph, none of this responsibility comes naturally. He has to work hard to live up to the pressures and expectations placed onto him, resulting in a dissonance between his responsibilities and his true nature.
I believe that you can see the evidence of this dissonance in his chosen form of dress.
Have you noticed that when Raph casually dresses himself, he mostly wears white?
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Even Donnie picked up on this trend when he chose outfits for his brother in "The Clothes Don't Make The Turtle." (See "The Fashionista" for a full breakdown on Donnie's impeccable fashion sense.✨)
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Yet, when Raphael is filling a role, or dressing to impress others, Red is his automatic go-to.
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It’s almost as if the title of “The Red One” was not one that he chose, but one that was merely placed onto him.
But I digress...
Raph is able to be a pseudo-parent to his brothers and serves to fill in the gaps that their actual father could not fill. However, with no outlet for his own insecurities, all of that pressure had no relief.
And, if you understand chemistry, pressure, with no release, creates an explosion.
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“Acting out” is an unhealthy defense mechanism in which one expresses their unacceptable feelings through physical actions.
In this case, the "unacceptable feeling" is disappointment, not at his brothers, or with his father, or with any external force, but with himself. And with no outlet and with no one to turn to for support, that disappointment turns into red hot anger.
He’s so disappointed with himself, in fact, that he reaches his breaking point.
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Then finally, finally, he opens up.
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And at long last, he gets the support he so desperately needed.
Thus, he is able to ultimately let it all go...
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It's so lovely to see that his family does not disappoint.
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○○○○
Next | Being Baby Blue • Being Purple ○ Part One • Being Purple ○ Part Two • Orange, Baby!
Finale | Being Hamato Yoshi
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Hello, i must say, your art...
Is the most brightes art!!!!!! Like
Your B x H art and the way you draw P x S, it's just so pretty!!! I am a Big fan, i have followed you since i joined Tumblr
And i haven't regretted it not even for a moment!!
I love your art!
~Orange Anon
!!!! thank you!!! Yippee!!! have some silly scribbles of Both!
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shadebloopnik · 4 months
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There's just something about Floyd being unhinged in fics that just gets me.
Like yes he gets portrayed as a sweet frail uwu boi most of the time, which is also niceee and all, and would also suit his sensitive title. But then there are fics where Floyd is absolutely off the rails at times; where Floyd is nearing losing his voice being the loudest in a shouting match, where Floyd nearly bites someone's head off in anger, where Floyd tries to sneak out of his room multiple times even when his body still very much recovering from greeting his grandma, where Floyd wrestles with his brother on the floor because he's about to do impulsive sht for the people he cares about, fics where Floyd absolutely LOSES HIS SHIT
And the best part is that none of it is out of character for him at all. In fact, it'd cement his title as the sensitive one even more. Being sensitive isn't just about sad and mopey. Sometimes its about being nuts, and paranoid, and being impulsive when your loved ones are in danger and being so so angry that you'd yell and cry from the frustration. Not that he's always feral and wild- because he's def the one to mediate most of the time, but in situations where his loved ones are in danger, I just love when he's unapologetically emotional in every aspect about it, when he's sobbing and yelling without abandon.
There's something about Floyd in fics letting his emotions speak in such a powerful, feral way that gets me.
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