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spnscripthunt · 8 months

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For every $10 you donate to World Central Kitchen, you will be entered in a raffle to win one of the autographed scripts listed below. The more total donations we receive, the more scripts will be made available as prizes.

Current Prizes:

2.12 "Nightshifter" - Blue Draft (signed by Jensen Ackles and Jared Padalecki at Salute to Supernatural: San Francisco 2023) *It's missing the last page so we'll include the episode outline

2.21 "All Hell Breaks Loose: Part One" - Blue Collated Draft (signed by Jared Padalecki at Creation New Orleans 2023)

3.07 "Fresh Blood" - Network Draft (signed by Jared Padalecki at Rhode Island Comic Con 2022)

3.14 "Long-Distance Call" - Production Draft, Blue Revisions (Production Draft signed by Jensen Ackles at Creation Las Vegas 2023)

7.03 "The Girl Next Door" - Production Draft, Blue Revisions, Pink Revisions (Production Draft signed by Jared Padalecki at Salute to Supernatural: Nashville 2022; Jensen Ackles at Creation Charlotte 2023)

8.16 "Remember the Titans" - Production Draft, Blue Pages (Production Draft signed by Misha Collins at Creation Dallas 2023)

8.18 "Freaks and Geeks" - Production Draft, Goldenrod Pages, Salmon Pages (Production Draft signed by Jared Padalecki at Creation Dallas 2023)

9.05 (aired as 9.07) "Bad Boys" - Writer's 2nd Draft (signed by Jensen Ackles at Creation New Jersey 2023)

11.05 "Thin Lizzie" - 8 Days of Call Sheets and Script Sides. (Day 7 Call Sheet signed by Finn Wolfhard at Stranger Con Atlanta 2023)

11.17 "Red Meat" - Production Draft (signed by Jensen Ackles and Jared Padalecki at Creation Atlanta 2023)

12.04 "American Nightmare" - Production Draft (proxy cover signed by Jared Padalecki at Salute to Supernatural: Denver 2022)

12.05 "The One You've Been Waiting For" - Production Draft (signed by Adam Rose at Creation New Orleans 2023)

12.06 "Celebrating the Life of Asa Fox" - Production Draft (signed by Samantha Smith at Salute to Supernatural: Washington D. C. 2022 and Jensen Ackles, Jared Padalecki, and Kim Rhodes at Salute to Supernatural: San Francisco 2023)

12.07 "Rock Never Dies" - Writer's 2nd Draft (proxy cover signed by Mark Sheppard at Crossroads 5)

12.13 "Family Feud" - Production Draft (proxy cover signed by Mark Sheppard at Crossroads 5)

12.15 "Somewhere Between Heaven and Hell" - Green Draft (signed by Misha Collins at Jus in Bello 11)

12.18 "The Memory Remains" - Production Draft (signed by David Haydn-Jones at Salute to Supernatural: Vancouver 2022)

12.21 "There's Something About Mary" - Production Draft (signed by David Haydn-Jones at Salute to Supernatural: Vancouver 2022)

13.08 "The Scorpion and the Frog" - Production Draft (signed by Jensen Ackles at Jus in Bello 13)

13.09 "The Bad Place" - Studio & Network Draft (proxy cover signed by Alexander Calvert at Crossroads 5)

13.12 "Various & Sundry Villains" - Yellow Draft (signed by Ruth Connell at Salute to Supernatural: Denver 2022 and Jared Padalecki at Creation Las Vegas 2023)

13.19 "Funeralia" - Studio & Network Draft (signed by Misha Collins at Jus in Bello 11 and Ruth Connell at Crossroads 6)

14.09 "The Spear" - Production Draft, Blue Pages, Pink Pages (Production Draft signed by DJ Qualls at Creation Dallas 2023; Jensen Ackles at Creation Charlotte 2023)

14.12 "Prophet and Loss" - Blue Draft, Pink Pages, Yellow Pages (signed by Misha Collins at Creation Las Vegas 2023)

14.14 "Ouroboros" - Blue Draft (signed by Misha Collins at Salute to Supernatural: San Francisco 2023)

15.05 "Proverbs 17:3" - Blue Draft, Pink Pages, Yellow Pages, Green Pages (Blue Draft signed by Richard Speight Jr. at Salute to Supernatural: Nashville 2022)

9.15 (aired as 9.16) "Blade Runners" - Writer's 2nd Draft (proxy cover signed by Mark Sheppard at Crossroads 5; Gil McKinney signed inside the script at Creation Charlotte 2023)

14.17 "Game Night" - Studio & Network Draft (signed by Mark Pellegrino at Creation New Jersey 2023, Samantha Smith at Salute to Supernatural: San Francisco 2023; Alexander Calvert at Momento Con 2023)

13.21 "Beat the Devil" - Studio & Network Draft (signed by Mark Pellegrino and Richard Speight Jr. at Creation New Jersey 2023)

8.22 "Clip Show" - Production Draft, Blue Pages (Production Draft signed by Alaina Huffman at Salute to Supernatural: Nashville 2022 and Misha Collins at Jus in Bello 11)

and maybe more?

Raffle closes on Saturday, August. 26 at 11:59pm (Eastern Time). Winners will be drawn by a random number generator and contacted by Tuesday, August 28, 2023.

To see images of all the prizes/enter, it's $10/entry ⤵️

THANK YOU!

$5,056 and 30 winners drawn 🫨

#admin: lets-steal-an-archive #poking the fundraiser with a stick #world central kitchen #supernatural #jensen ackles #jared padalecki #misha collins #mark sheppard #and many more #spn

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pomegranatefishmouse · 1 year

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I don’t want to be here.

The sacrament doubles as public humiliation. Those deemed unworthy are counseled not to partake until the bishop decides otherwise.

Adults reiterating what they were told as teens, teens reiterating what they were told as kids, kids saying whatever adults whisper to them.

Testimony worn as a badge of honor.

The bishop sits smugly on the stand, doing nothing but watching the flock; satisfied at the obedience; satisfied at the shame; satisfied at the tears; satisfied and dignified in his role as shepard.

Parents usher their children to the pulpit; proud when they repeat the words they tell them to say; the same script spilling from their mouth with no understanding what what they’re saying even means.

95% of the called speakers say something along the lines of “I wanted to say no.”

Disciples have learned well that the word no is not appropriated; yes is always expected, demanded.

Give your money; your time; your choices; your individuality; your morality and mortality to an old white man who thinks he can talk to god.

Every single prophet goes against what their predecessor said; if they can’t follow the word of their very own, who’s to say they can follow what they believe ‘the word of god’ to be?

”Amen” as an affirmation of truth. “Amen” as a way of saying ‘I agree with you.’ “Amen” as a way of affirming the negative habits and teachings of a 2000+ year old book.

“Your loss is a blessing to another.” – Okay, I still feel like shit though.

#exmo #poem #poetry #exmo poetry #writing #writer

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shallowseeker · 7 months

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hi shal !!! so I was thinking about ouroboros (daily occurrence) and realized that the snake/chicken symbolism for jack destroying his soul could also double as symbolism for his choice to kill Michael. for starters, Cas says the story is meant to be a cautionary tale about greed, before leading into their conversation about dealing with loss; Jack pointedly says he hates to think about losing Sam and Dean, and that having to cope with their eventual loss sounds awful to him. and then it segues into him making the extremely impulsive and dangerous decision to destroy his soul and save them, despite being constantly told of the consequences and risks posed by his soul depleting.

within the episode, the chicken/snake symbolism is framed as — “Is Jack the chicken hard boiling her own egg to save the other ones, or is he the snake eating an egg out of his own nature and hunger and choking on it?” — but I think it can also be interpreted as “Is Jack killing Michael because he wants to save his family, or is he killing Michael because it’s a natural compulsion to kill,” (especially considering that Jack hates Michael with a soul-burning passion).

feel free to let this marinate, I know it’s a lot to drop on you suddenly and I know you’ve got things going on that are far more important! (saw in another ask you’re headed for another surgery, so good luck and good recovery! ཐི❤︎ཋྀ)

Conversations about Loss

I love that conversation between Cas and Jack. When Jack spirals, the 🎶musical track even goes off-key,🎶and it's very unsettling indeed. Jack is tortured by the thought of losing his family. ->"What's the point of being a cosmic being if everyone I care about is just gonna leave?"

Aside// Another interesting facet of that conversation is that, although Cas is gently preparing Jack for the inevitability of loss, he won't even allow himself to go there about Dean, not really. -> "So when Dean wakes up -- and he will wake up -- we just have to remember to appreciate the time that we all have together now."

///

Nature vs Nurture

To your larger point, I think what you're asking is if I think the chicken/egg/snake analogy can be applied to a cosmic thread of Nature Vs Nurture, right?

I think yes.

This is a thread that was introduced with Jack in his very first episodes, with Donatello (13x02):

DONATELLO: Ah. The nature versus nurture conundrum. DONATELLO pats DEAN and SAM’s shoulders.] Oh. Speaking not as a prophet but as a scientist, I don’t think teaching him is in the cards. It’s like asking a lion not to be a lion.

Again, in Meredith's scripted version of the human-angelic divide in Good Intentions (13x14 script only):

AU ZACHARIAH: Jack is the key to the other side. It's just-- humans, have such a primitive response to fear. Maybe he takes after his lesser side--

Again, in Meredith's scripted version of the Cas dialogue in Good Intentions (13x14 script only):

CAS: The only way I was able to outmaneuver him and escape was by trusting my instincts, relying on my angel nature, instead of pretending to be something I'm not…

And then there's Bobby talking about how angels, forces of Nature and emanations of War, are destined to turn on humans (13x14):

BOBBY: Look, Mary, when this all started, when Lucifer and his demon army rose out of Hell, we thought the angels were on our side. But one by one, they turned on us. He will, too. It’s just a matter of time.

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The hard thing, the ugly thing

I'll add to this later, but I'm specifically thinking about how Cas moves to "do the ugly brutal things, so Sam and Dean don't have to." He consistently positions himself as the one who is more willing to do the necessary evils that even they cannot stomach.

Jack is a step above that, but he too moves to shield. He leans into doing the hard thing, but at the expense of his own self and family life. It's a metaphor for war, and how that sunders you from a life of love and comfort.

We get this echoed at lower levels, too, how Sam and Dean do the "hard thing, the ugly thing," so human civilians don't have to. (I believe it's a quote from Atomic Monsters in season 15, but I don't have that on hand).

They're each on their own level of war within the cosmic hierarchy. (Ordinary life -> Hunting life -> Men of Letters life -> angelic war -> archangels & gods)

///

The nature of the Ouroboros

I think all of these conversations can be applied to the nurture versus nature dilemma, as well as the chicken/egg/snake one.

Jack is characterized by a dualistic nature: he's both predator and prey, angel and human, heavenly and primitive, lion-coded and nurturing. I think he absolutely struggles with simultaneous bloodlust and the need to protect.

The war within leads to this tendency to self-annihilate, I think. He's not just the chicken or just the snake; he's like the ouroboros itself, eating its own tail in perpetuity as a doomed immortal, dying and coming back to life, like a zombie.

I'm reminded, too, that Jack's quintessential fetal episode (12x19) is filled with circle motifs, like Cas using his hand to complete Dean's circle. But Jack is intrinsically a complete circle without any aid from others; he's Heaven and Earth.

I'll ponder on it over the next few days and get back to you, but above are the motifs that come to mind when trying to stitch these two concepts together!

///

addendum:

Greed

PLACEHOLDER from comments @dawg-motif:

oh I also forgot to add, if this was meant to be a story of greed and jack IS meant to embody the greedy snake alongside the chicken, could him destroying his soul to save or “keep” his family be the greed in question?

REFERENCE: The story of the chicken and the snake:

Noah: Have you ever heard the story of the black snake? Once there was a crafty black snake who kept eating this poor chicken's eggs. She couldn't watch them all the time, you see? The black snake would wait until she was gone and then slide one of the eggs into his mouth and crush it in his throat. Now, this went on until there was only one egg left. But when the chicken left that egg, just for a moment, the snake swallowed it up. But for some reason, he couldn't crush it in his throat. The chicken had hard-boiled her final egg just to choke the snake. And the snake died. Castiel: Why are you telling this story? Noah: [ Chuckles ] Because I can't quite tell if he's the chicken or the snake.

///

Jack: What does it mean? Castiel: It's a story about greed mostly. But I guess it's also -- it's also about being willing to give up the thing you love in order to kill the thing you hate. Jack: He said that he didn't know if I was the chicken or the snake. Castiel: Does that -- Dean. (Just then Jack and Cas hear noises and find Dean in Sickbay tearing it apart)

Is the story of the chicken and the snake really about greed, or is it more to do with the specific type of hunger? That is, it could be about the hunger needed to stay alive and keep your loved ones alive, and so it leads to a kind of warped altruism.

Greed is defined as the immoderate love or desire for riches and earthly possessions. A person can also be greedy for fame, attention, power, or anything else that feeds one's selfishness. As a deadly sin, greed is believed to spur other sins and further immoral behavior.

We recall the words Cas has about famine from 5x14:

SAM: I thought famine meant starvation, like as in, you know, food. CASTIEL: Yes. Absolutely. But not just food. I mean, everyone seems to be starving for something--Sex, attention, drugs, love... DEAN: Well, that explains the puppy-lovers that Cupid shot up. CASTIEL: Right. The cherub made them crave love, and then Famine came, and made them rabid for it.

TBD // discussion

#asks #cal tag #spn ouroboros #spn 14x14 #spn season 14 #noah the gorgon #jack + demigod #spn steve yockey

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blogger360ncislarules · 3 months

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Miracles are rare in the 21st century, but watch pretty much any episode of The Chosenand they are bountiful. But the biggest miracle of all is perhaps the fact that a historical drama centered around Jesus of Nazareth (a warm and welcoming Jonathan Roumie), set in 1st century Galilee as He preaches, gains followers (and enemies) and, on occasion, raises the dead and walks on water, has built a passionate legion of faithful viewers. How did a crowdfunded production become a heavenly international sensation?

The holy cards were stacked against The Chosen from the start. Faith-based television is historically hit-or-miss. The Academy Award-winning 1956 classic The Ten Commandments, which has aired on ABC nearly every Easter season since 1973, regularly reaps solid viewership (3.2 million when it last aired on April 1, 2023). But in terms of scripted TV, for every spiritual success (think Highway to Heaven and Touched by an Angel), there are just as many failures (anyone remember ABC drama Of Kings and Prophets or the Anne Heche sitcom Save Me?).

The Chosen’s accessibility—it’s been available to stream for free online at thechosen.tv since Season 1—didn’t hurt in making the show a hit, but it also drew in curious audience members with fresh takes on well-known biblical figures that never feel out of touch. Roumie effortlessly shepherds a comforting and gentle strength in his Jesus, whether He’s confidently preaching the Sermon on the Mount to thousands or graciously healing someone in private. And He’s unapologetically human. He laughs hard and pokes fun at His Apostles, shows His frustration with hardheaded religious leaders, joyously dances at a wedding in Cana and even frolics in the Sea of Galilee.

His 12 Apostles—the actual “chosen”—come with relatable baggage, broadening their flat Bible counterparts into colorful characters. Hotheaded fisherman Simon (Shahar Isaac) scrambles to provide for his wife, Eden (Lara Silva). Later, the young couple suffers a miscarriage and Simon blows up at Jesus for not protecting them. Outsider Matthew (Paras Patel)—who has been likened to being on the autism spectrum—is lonely and ostracized from his family. Nervous Andrew (Noah James) struggles with feelings of anxiety.

The show’s female cast also shines a light on women in a time period when they were often overlooked and underutilized. The iconic Mary Magdalene (Elizabeth Tabish) deals with shame from her past, thoughts of suicide and the loss of a parent. She bonds with the honest Tamar (Amber Shana Williams) over the latter. Jesus’ caring mother Mary (Vanessa Benavente) grapples with the idea that her adult Son—the Messiah—no longer needs her.

The Chosen so beautifully weaves its many perspectives together, often creating compelling duos, like awkward Matthew finding a surprising ally in gruffly sympathetic Roman centurion Gaius (Kirk B.R. Woller).

Finally, the show brings dimension to the New Testament’s most famous lines of Scripture, and the messages never come across as preachy. They’re edgy and nuanced, with fun bouts of humor and a deep sincerity and unwavering respect for the source material.

After 24 episodes (27 if you count the three Christmas specials), The Chosen has lifted the hearts of fans, who give thanks both through an overwhelming amount of online praise and the generous crowd-funding donations that continue to raise the drama’s production quality year after year (over $40 million has been collected so far). And given that the Christian megahit has been pitch-perfect since the original 2017 pilot, we have faith that the flourishing show will only continue to collect more and more loyal disciples on its righteous journey. Amen!

#the chosen

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canonicallysoulmates · 1 year

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Jared Saturday Solo Panel JIB11

We start with a fan letting him know that they love the music on Walker (same!) and that they like this vers more than the original Walker, Texas Ranger. Jared says thank you, that he's not the person who picks the music for the show but thank you in their behalf, and that it was an interesting kind of transition from Sam to Walker that he had many months during the pandemic because when Jensen and he were send home from Van for the pandemic he already knew basically the entire last episode and a half which they had left to film of SPN and so he was able to work for like 5 months trying to figure out the character of Cordell Walker. He also says that a lot of what he does on Walker he wouldn't have been comfortable doing before working with Jensen (💕). That seeing Jensen kind of have fun with scenes and kinda make it his own, he really kinda took notes of that subconsciously and now he's just having a good time and he hopes he gets to keep doing it. x

Is there any difference between how he gets into the role of Walker and how he used to get into the role of Sam? Logistically, no. He has an idea of who Cordell Walker is and he had a pretty decent idea of who Sam is, he feels like in a couple of days time he could easily get back into Sam that he could do Sam right now. His method is kind of the same, it's remained the same since he was the og Dean on Gilmore Girls, but he just kinda reads it, lets it swim around and then he gets to set and throws it all away and sees what works. So in general he'll read a script many times in a row and then on the day he's filming those scenes he'll just work on those scenes, and then somedays he'll get to set and they're supposed to shoot a scene where they're walking down the street and in your head you'll like plan it out but then you get to the location where you're filming and you realize that you're not walking that far- that he feels like if we were to grab the script for any of the Walker episodes and then watch the episode there's a lot of words and lines that we wouldn't see. That they just kinda bob and weave and flow so that's been really nice to do but otherwise it's been very similar. x

If Sam had died what would have been his goodbye speech to Dean?

He thinks Sam's speech to Dean would have been a combination of what he said to Dean in Fresh Blood, what he said to him in Sacrifice, and what he said to him in Prophet and Loss kind of a combination of those three but he thinks Sam would have also said to Dean, even if Sam was the one who was gonna bleed out and die, he would have said "it's okay, you can go". He thinks Sam knew, and might know again, that Dean wouldn't have lived a long life without him, in his opinion, he thinks Dean was around keeping his brother safe and Dean knew that he wanted to be there for Sam and he also knew that Sam had something else other than hunting that he was destined to do. He shares that when he, Jeremy Carver, Bob Singer, and Jensen sat down together before s15 and talked about the finale in his head Sam was going to be the one to die. That that's it's own tragedy where Dean brought his brother back to hunt and be part of the life, and he thought it would be so interesting to see Dean have to cope with the idea that Sam died because Dean brought him back into the life. When he says this the audience reacts and sadly goes awww and he sees he wants to see it, that maybe we will. He thinks Sam would have tried to make sure "hey dude I know you've been here for me sacrificed a lot for me when you need to go just go i'll be waiting for you" 😭

Real quick, some of you will have noticed the Jeremy Carver mention. That's not a mistake on my part! That's what Jared said. Can't blame him, Carver wasn't perfect but I too wish it had been him with us at the end instead of Dabb. x

Any plans to make Walker and Walker Independence available on tv outside of the US? The short answer is hell yes, the shorter answer is he has zero votes on that executive producer or not. He would love for it to be available everywhere he thinks Windy is such a beautiful show and he's obviously so proud of Walker and he's done so much work on it, he says he actually tried the previous night when he got back from dinner to re-watch the latest episodes cause his body was at like 2pm Texas time and he had watched the eps live but it was in the airport lounge in Atlanta, but it wouldn't let him watch it cause he's in Italy. Get a VPN my boy!

That if he knew who to call he would call them, write them a long letter. x

If Sam and Dean were to go completely solo hunting during the course of SPN who would make it closest to s15? Dean was more run and gun style, Sam was more let me try and research and figure out the best way to approach this style, and Sam had to be possessed by Meg, be possessed by Lucifer, by Gadreel/Ezekiel. And Dean got killed by rebar that didn't move. 😂 Sam. x

What was the hardest emotional scene for him to shoot on Walker?

He thinks it was s1 episode 9 the flashback of Captain James pulling back the sheet off of dead Emily. Steve Robin who directed it wouldn't let him see G once her makeup was done and so he made the whole crew get quiet and they had like a minimal skeleton crew they call it, so the first time Jared saw G was that first take and Coby Bell broke and Odette Annabelle broke down in tears, and he was a wreck. That was hard, that it sucked and it was tough. Sure, I believe you buddy.....🤨 x

If he was a professional wrestler what would be his ring name?

He starts to answer Moose but there's actually already a professional wrestler called that! When the fan informs him of this he says 'fuck him' 😂 And when the fan asks if he thinks he could beat him in a fight that this wrestler is a pretty big dude (I looked him up out of curiosity he is big) he says "did you not just hear? I beat Lucifer and God" 😂 There are some Polish fans in the crowd so he asks him how you say Moose in Polish, and then how to say killer in Polish and that's what he goes with; I don't know nearly enough about the Polish language to even attempt to write those two words so y'all are just gonna have to watch the moment.

edit: Shoutout to @marriedchesters for the help with the Polish! Moose is łoś and killer is zabójca.

There's a second part to this question and it's what would be his entrance song. He says before he tore his knee up he was kind of getting back into doing back work and stuff and there's a song from Deadpool, which he confesses he has never seen, but the song Welcome to the Party would be his entrance song. That would make a great entrance song! x

When he found out Sam would kill Rowena was he hoping it'd be the same way he killed Madison? Basically hooking up with her before having to kill her.

Jared says anybody who has had the pleasure of meeting Ruthie loves her, he certainly loves and adores her both as a human being and as a fellow actor so when he read that script that was a though one, and they were at the time in the series when they were kind killing people off and saying goodbye to them and it all sucked. He feels it was appropriately intimate, he thinks it was the right way to do it cause it felt like a connection and he wouldn't have written it any other way. x

As a tallish guy, out of Snow White and the Seven Dwarfs which of the dwarfs would he be and which would Sam be? He'd be Dopey, and Sam would be Grumpy. x

In the episode Bad Day at Black Rock, there's a scene where Sam falls down, did Jared really hurt his knees when he did that scene? The short answer is no, he didn't hurt his knees. The long answer is there was a stunt pad out of camera, and if you watch the shot you can tell where it is cause it was really big. x

Did they know why Poughkeepsie was such an important word to Sam and Dean, or did they come up with a reason or backstory in their head? It originally came from Bob Singer, and then the second time when he says Poughkeepsie to Dean it was not in the script but he thought it would be a cool thing to add. He says the nerd in him thought it would be the perfect time to close the loop and that a lot of the stuff he does now on Walker and Windy as a producer but also even during SPN, some of the things he likes doing, like the bits during the barn scene of "i cant do this alone" "yes you can""well i don't want to" that was not scripted it was just something he wanted to add, it was a great way to close the circle. He doesn't love acting what he loves is storytelling and stories so he thinks as somebody who enjoyes stories that just seems like pieces of the puzle that final feeling like when you're figuring out where the last pieces of a puzzle go. He loves that feeling and his middle child, Shep, is the same way with Legos or puzzles he'll spend days or weeks buidling this puzzle and then he'll want them to see it and then he'll break it down and Jared was the same way as a child and he continues to be like that he wants to figure it out and then do something else. x

If he were to be on The Boys would he be a part of the boys or the Seven and would he kick Soldier Boy's ass or help him? He doesn't know if he would want to fight Soldier Boy he was mean. He and Kripke have talked a little bit about how he could do it but right now it's not practical logistically. He'd love to be on the show, he'd have to call his mom and tell her not to watch, but he'd love to do it and he thinks it would be fun to link up with Soldier Boy and kind of solve something together. He'd have to be one of the sups. The number of things that I would be willing to do to make this happen!!! x

Who wears the Gucci jacket best? He'd say it's him. He doesn't believe he's ever owned a Gucci jacket and he doesn't know what took him so long. x

How hard was it for him to not draw from Sam when shooting the cage scenes in the beginning of this season of Walker? The thought absolutely crossed his mind. In a weird way he feels like Cordell Walker almost has a bit more of a fuck you attitude than Sam, Walker has a bit of Dean in him of like bring it where as Sam was very much almost academic. Sam is defiant but he's thinking all along about what would be the intelligent way to get out of there, Cordell is a bit more 'well, I guess this is it' but then they bring Liam into the cage, pretty similar to Dean and Sam in the cage- on a personal note that cage was real metal. Often when you see cages it's a lot of firm styrofoam that has been made to look like old iron but this was just iron and concrete and it sucked, and since he was wearing shorts and a thin shirt he couldn't wear pads and that's when he tore his ACL. x

This is so cool! The next fan used to be a handler for Chuck Norris and she told him how well Walker was doing and he asked her to pass along the message that he was so proud! Jared shares that he was invited once to be a part of a con that Chuck Norris was attending but he was out of town so he's still never met the guy. That it's fun to follow in footsteps but also pave your own way so that means a lot. x

What kind of plotlines would he like to see happen in an SPN reboot?There are a lot in his head. He thinks he has expressed how much he would love to that sometime but he feels so protective of what he and Jensen did with SPN and those characters that he feels like he and Jensen would need to have the heaviest hands in the storylines. They never did, they were never producers on SPN, much less EP's. They behaved like producers, however, he really feels like he has some strong toughts on the best way to do it and they have talked about it and shared ideas. He wouldn't want it to be a movie, he would want it to be a 6 to 8 ep, maybe hour and a half, reboot. And he doesn't think that it would be complete without C (yes, it would be) and without Jack, and so many of the beloved characters they had especially towards the end where it would more sense to jump back in. x

What's a lesson he's gotten from a movie that's important to him? The fan mentioned the Lion King and it makes him think about how he wrote his senior graduation English paper on the Lion King, working in Joseph Campbell's Hero's, Myths, and Legends and all the archetypes, and then got to portray a lot of those with SPN.

His senior advanced English placement paper was comparing the Lion King and the Natural with Robert Redford, and talking about the different use of archetypes and the different kind of genres and so he thinks he really loves the classic archetypes in stories, the classic tropes and different takes on them and so he finds himself drawn to stories that have an inherent juxtaposition like the friendly beast, the chewbacca that's scary or the Timon and Pumba that are strange. He thinks he's learned from some of those movies and from some kids movies; he thinks kids movies are very simplistic at their core because they deal with things- and he imagines that people who create and produce kids movies and kid tv shows they understand that certain storylines work like the bully who ends up being a nice guy, or the nerd that ends up being the hero, he thinks humans are all drawn to those tropes so he has learned a lot but now he has to go back and watch and make some notes. x

What aspect of Sam's personality was hardest to act? A lot of Sam came pretty naturally to him and he thinks that's a credit to their writers, he can't tell how many times in the final like 10 seasons of SPN it'd have Sam and Dean show up to a person's house and be like 'hey we wanna ask you about your deceased person' and Sam does his puppy dog eyes but he thinks that's kind of who he is; he thinks it was Sam's version of comedy because he doesn't think Sam was a really funny guy, he just had some funny moments. He thinks Cordell Walker's version of comedy is very similar to his but he thinks Sam's version of comedy was difficult for him to find and maybe that was correct because he doesn't think Sam thought of himself as a funny person kinda more just funny in the moment. So that's probably it. And he once again mentions how nerve racking French Mistake was for him due to the comedy. x

Final question! What his favorite thing about Walker's personality and about Sam's personality? His favorite about Sam's personality was his long game mentality, he kinda helped teach Jared patience. He won't claim he's the most patient person on the planet, he thinks he's allright but Sam always wanted to do things right, to do things the correct way and he was willing to put in the work before attempting so that he wouldn't mess up. His favorite part of Cordell's personality is his sense of humor. He's very similar to himself, he's kind of a goofball and doesn't take himself seriously. Not that Sam took himself seriously, he was dealing with much more serious situations but he loves how Cordell doesn't seem to take himself seriously that it's been fun and it's been a lesson in itself. x

Jared's Saturday Solo Panel JIB11

#jared padalecki #sort of #anti jared x genevieve #anti castiel #mine #noniwtv

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stellernorth · 3 months

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in the prophet and loss script cas said he went to harvardddd

#post i made #castiel #spn s14e12 #castiel voice yes. harvard medical

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appache110 · 2 years

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IMPORTANCE:

GREETINGS, WHEN IT COMES TO KNOWING THE SCRIPTURE SOMEPEOPLE = ZOMBIE POLE HUMANS BE SAYING THAT IF IT'S NOT IN BLACK AND WHITE THEY DON'T BELIEVE WHAT'S COMING FROM MY MOUTH WHEN I BE EXPLAINING THIS LOVE SITUATION BEING YOUR, NOT JESUS CHRIST SPELLED INCORRECTLY BUT RATHER, YOUR LORD = LOROD = LOWER RODS IN CHEESES CRIES ( BORN ) = PORN = PORNAGRAPHY = PHONO = PHONOGRAPH = PHONOGRAPHY = MAKING MUSIC = MAKING MOO - SICK RELIGION AND WAY OF LOVE. EVEN THOUGH NOW, WHEN I AM TYPING AND POST THIS TRUTH ON VARIOUS SOCIAL MEDIA PLATFORMS IT'S IN BLACK AND WHITE. SOMEPEOPLE = ZOMBIE POLE HUMANS DON'T HAVE ANY RESPECT FOR THIS TRUTH BECAUSE, THIS INSPIRATION IS COMING FROM ME THAT'S WHY SOMEPEOPLE = ZOMBIE POLE HUMANS REFUSE TO SUBMIT TO THIS TRUTH FOR YOU SOMEPEOPLE = ZOMBIE POLE HUMANS DON'T HAVE ANY RESPECT TOWARD ME FOR IF THE JEW, ASIAN OR HINDU WROTE THESE SCRIPTS YOU WOULD HAVE MORE BELIEF IN THESE WRITINGS BUT SINCE, THIS INSPIRATION IS COMING FROM AN AFRO PERSON YOU DON'T WANT TO HAVE RESPECT AND ACCEPTANCE IN THIS SCRIPTURAL TRUTH IS THAT SOMEPEOPLE = ZOMBIE POLE HUMANS DON'T LIKE ME ANYWAYS BECAUSE, I HAVE A AFRO. THEN WHO ARE YOU GOING TO BELIEVE AND ACCEPT WHAT IS WRITTEN IN TRUTH IF ITS NOT AN AFRO PERSON FOR OUR ORIGINAL PROPHETS = PROFITS = PROFESSORS HAD NAPPY AFRO AND WROTE THE ORIGINAL SCRIPTURE LOVE PRINCIPLES LONG BEFORE ANY OTHER HAIR TEXTURES = HAIRITAGE BEING CURLY AFRO, JAH RAY CURLS, WAVY HAIR AND SATIN HAIR = SATAN HAIRS PEOPLE EXISTED ON THIS PLANET ESPECIALLY SOMEPEOPLE = ZOMBIE POLE AFRO PEOPLE ARE REALLY AND TRULY AT A LOSS BEING THAT NOT ACCEPTING THAT OF ME RECEIVING TRUE INFORMATION FROM OUR MOST HIGHS.

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ancestorsofjudah · 4 months

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2 Kings 17: 21-23. "The God Yah."

After Jeroboam became King of Israel, that was the end of the beginning of the Kingdom of Israel. The Assyrians came in 740-721 BCE when the House of Omri invaded and more or less did away with the Israeli Monarchy and the concept became a parody of its first most illustrious generations.

The Melachim is correct in the account, Solomon and his sons were rapacious. They overspent and undersaved, bankrupted the Kingdom, got too drunk and got laid too far too often, and after the urge for conquest moved the Assyrian Empire to go on the move, Israel was lost.

The Assyrians were known for their brutality but also for their famous Legal Code which was rather sophisticated for the times. It rivaled the Torah with its high moral standard, including an exceptional intolerance for polytheism. The Kings of Israel were unwilling not learned enough to tear down the Asherah Poles and end the practice of burning incense in the high places, the Assyrians were troubled not at all by this.

In a way, we are Assyrian Jews more than any other kind. As we learned in Amos and Isaiah, 800-700 BCE, the first Books in the Bible and also the Tanakh, the Assyrian flavor of God, whom they called Yah, was not too shabby a God and He is the one we all know and love today.

By the time the Torah began to take shape around 550 BCE, and more or less came to into its final fomat around 250 BCE, all of the paganism in Judaism and Assyrianism had been removed, and the world became very focused on a particular way of observing religion and it has stayed with us.

Torah, even still was not a true reality until the first observance of Pesach in the year 5 BCE, the same year, coincidentally, that Jesus Christ was born in Nazareth.

Though we read the Torah and the contents of the Tanakh and their offspring, the Gospels, the Quran, and the Book of Mormon all around the world every day, and have the deepest understanding of God, His Nature and His Will more than ever we have yet refused to trust Him and put the weapons down, end all corruption wherever it hides and waits, and the world is being boiled, pockmarked, poisoned, polluted and millions and millions of people are miserable, desperate, worried, sick and dying.

Our ancestors did not believe in these thigns. This stone relief shows a god called Enlil, the law giver chasing away a chaos beast with his lightning:

The creature flees. This is how ancient man felt about the things we are inviting into our lives and no one really knows why. We know it needs to all stop at last, and why we didn't do that as soon as possible once the bullshit started again is a subject of analysis that will surely reveal it was all he fault of a Wicked Queen and an even more wicked man- Senator Orrin Hatch, a filthy Mormon. Both will roast in hell forever and ever with all their evil friends and relatives for making such a mess of our lives. They are the persons we have elected and tried to love who have done nothing to protect us from them.

As for the details on the Script that predicted all of this, read on:

21 When he tore Israel away from the house of David, they made Jeroboam son of Nebat their king. Jeroboam enticed Israel away from following the Lord and caused them to commit a great sin.

22 The Israelites persisted in all the sins of Jeroboam and did not turn away from them

23 until the Lord removed them from his presence, as he had warned through all his servants the prophets. So the people of Israel were taken from their homeland into exile in Assyria, and they are still there.

Jeroboam son of Nebat means "wants whatever he sees." The Torah says "do not covet". But he did it anyway, and he and the Kingdom of Israel suffered horrific losses. The religion says if we want the right things and go about their purchase in the right ways at the right price, there is no need to covet.

The Melachim states over and over, just as the corrupt kings taught Israel how to stumble and fall, the good ones got it back on its feet. A Kingless Israel however, will remain on its knees, continually threatened as it is now by a King of Fiction, the Jesus Christ of many Christians who cannot accept reality. God instructed the Jew, not them in the Making of Civilization, and told them to keep it going strong.

Jesus Christ is dead. He has been dead for thousands of years. All that remains is the Eternal Spirit of God and upon the living He now depends. The process requires a King, Prophets, an Assembly, every last member of the Jewish people, deep resonance of the Instructions of the Torah and Tanakh within their culture, and finally Gematria, the writing of the Angels, who are heavily invested in their success:

v. 21: the Value in Gematria is 11359, יאגהט‎, "the yacht."

The principal means in curbing corruption is called the yacht in Judaism, otherwise called transcendental meditation. Jewish Kings were taught meditation by HinJews from Lebanon and Buddhists from Tibet. The practice is somewhat popular among the Jews of today.

v. 22: the Value in Gematria is 4554, דההד, "echoed."

Just as sin echoes through the generations, so will the merits of a nation committed to Global Ethical Society, called Mashiach in Hebrew, "to you brother I turn". Without yachting and Mashiach, humanity will not achieve the Ultimate Echo, globally dispersed humankind that is non-violent, cultured, happy, pleased, and entertained with itself at all times.

v. 23: the Value in Gematria is 10161, י‎או‎‎א, "Yea" "Yah" the word for God, which means "Behold the Hand of God."

The Mormons, a useless and vile people are destroying all the work the Hand of God has wrought. Their assmeat puppets, the Republicans who have granted them state power they must not have must be stopped, and stopped for good if the prophecies and requirements for life on earth provided by the God of Israel are to come to pass.

We are clearly receiving help from the gods and angels but ultimately and for all time to come we must undertake the remaking of civilization on this planet ourselves.

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castiellesbian · 3 years

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#scripts #prophet and loss #the only new thing is the 'sorries' but it's kinda sweet idk

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spn-season-16-chronicles · 3 years

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SPNews

1st September 2021

Four scripts got published. Amongst them:

11x19 The Chitters (Story Arena (one double-sided page))

12x07 Rock Never Dies (Writer's 2nd draft)

14x10 Nihilism (Pink Revision Pages)

14x12 Prophet and Loss (Yellow Revision Pages)

2nd September 2021

Misha posts his first tiktok vid. Answer the long asked, looming question of how much chaos would his presence there cause. For porpose of going viral. Mostly. Maybe ( Who are we kidding? Being chaotic is the main purpose). Supernatural inevitably trends on the hellsite after a rather long break.

What will happen tomorrow?

And now weather

(Feeling like something got ommited but for the love of me can't come up with what exactly. Sorry guys)

#SPNews #spn #supernatural #spn season 16 #misha collins #spn scripts #The Chitters #11x19 #Rock Never Dies #12x07 #Nihilism 14x10 #Nihilism #14x10 #Prophet and loss #14x12 #Misha collins enters tiktok

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o3ak · 2 years

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Seasons – Variation B - Chapter 3: November

Notes: NSFT, not for minors.

Pairing: Bruno Madrigal/Reader.

TW: roleplay (rp loss of virginity, rp age gap older man/younger woman), very slight top!Bruno, oral and vaginal sex.

Summary:

“Well,” Bruno clears his throat, “if you were to come to me with that problem, I’d tell you that sex is a wonderful thing that happens between two people. And when you find that person you want to be so intimate with, it’ll be great for you both.”

“Really?” you flutter your eyelashes, “Even the first time?”

“Ah,” Bruno sighs, thumb rubbing circles on your cheek, “the first time can be… tricky if both partners are inexperienced.”

“That’s awful,” you whisper. “Sounds like I’d hate for my first time to be with an inexperienced boy.”

November

With Dolores and Mariano’s wedding a month away, the Madrigal girls are in a perpetual state of excitement. There is no shortage of enthralling firsts: the first of the younger generation to be wed, the first wedding dress fitting in twenty-five years; the first of the girls to be intimate with a partner.

Of course, the older generation glosses over that -you’ve always found it funny how wedding ceremonies have the whole town gathering in the house of the Lord to celebrate a couple that will be going at it like bunnies by the end of the night. But the girls talk, and the girls want someone experienced to talk to, and despite your place in the family as Bruno’s partner, at thirty-eight, you are not considered ancient like their parents and uncle.

Post-dinner clean-up duty with Dolores, Luisa and Mirabel takes a full hour, because it’s more gossiping than doing the dishes. When Casita finally lets you in Bruno’s bedroom, he takes in the haunted, empty look in your eyes, and chuckles.

“I can tell them to back off,” he offers, setting his glasses on the bedside table. He lifts the blanket and scoots closer to the wall, carving out your usual spot in his bed.

“No need,” you murmur begrudgingly, snuggling up to him. It’s an unseasonably cold night, and he’s had a one-hour head start of reading in bed, while you were trying to stop Dolores from irreparably scarring Luisa’s psyche. “In a month, it’ll be Dolores’ turn to answer their questions. Well. She kind of already is.”

Bruno looks down at you, alarmed. “They didn’t.”

“No, not all the way-“

“Ay,” he cuts you off, shaking his head, “I don’t want to hear any more. I raised that child,” he huffs. “Well, until she was ten anyway.”

It’s your turn to laugh. “Relax, old man. They’re bound to go a bit overboard with asking questions. The first time is… something.”

Bruno shrugs. The topic has come up before -you have an idea of each other’s sexual history- and neither of you had the pleasure of a spectacular first time. At twenty, you’d mistaken infatuation for love; at seventeen, Bruno had been taken to the brothel at the outskirts of Encanto by his brother-in-law and their friends.

“Wish it had been you.”

It comes out a little defeated and too sappy. You don’t mean to sound regretful; after all, there was nothing particularly wrong with your first time. What you mean to say is that, had you had the opportunity -hindsight, twenty/twenty and all that-, you would have preferred the then-quiet, reclusive thirty-two-year-old prophet, to your twenty-year-old sweetheart.

To his credit, Bruno doesn’t flinch at your over-sentimental declaration. He nuzzles your hair and hums.

“I’d have made it good for you.”

“Too bad I’m not twenty anymore.”

You hear the teasing smirk in Bruno’s voice. “You don’t look much older than twenty, bebita.”

You roll your eyes.

“Flattery will get you nowhere.”

“I mean it. You could be…” he contemplates, trying to conjure a realistic scenario in which a much younger you and his present self might cross paths, “Isa’s friend. Around her age.”

You hum, encouraging him to continue composing the script.

“Visiting all the time. Staying overnight at the Casita. This house is full of young people, anyway, can’t get a moment’s peace,” he grumbles in distinctly middle-aged fashion. “I wouldn’t mind you, though.”

“Mm,” you smirk, “you’d be hanging around the hallways, trying to run into me, hoping I’d get up in the middle of the night, you old perv.”

“Ha!” he scoffs, “More like you’d hope Isa’s charming, mysterious older tio would notice you.”

“He would. I didn’t look half bad in my twenties!”

“I might. But I wouldn’t do anything about it. It wouldn’t be right.”

It’s your turn to scoff. “I bet you’d forget about right and wrong if I came knocking on your door in the middle of the night.”

Bruno brings a finger to your chin, guiding you to look him in the eye. “Would you now?”

“Maybe –“ you hesitate, “maybe I’d be really curious to find out what sex is like, too.”

Bruno shifts, rearranging himself in his pants, the outline of his cock visible in his pajama bottoms.

“Maybe I’d be really nervous about not being good at it. So nervous I can’t sleep. Maybe I’d think that asking Isa’s tio about it will put my mind to rest.”

“Really?” you flutter your eyelashes, “Even the first time?”

“Ah,” Bruno sighs, thumb rubbing circles on your cheek, “the first time can be… tricky if both partners are inexperienced.”

“That’s awful,” you whisper. “Sounds like I’d hate for my first time to be with an inexperienced boy.”

Bruno licks his lips. “Not much you can do about it, I’m afraid. That’s just how boys your age are.”

You shuffle, pressing your body against his, shrinking lower in bed so that you’re forced to look up at him.

“Couldn’t you show me, tio Bruno?”

Your fingers ghost his hips. To your surprise, Bruno reaches down, taking hold of your wrist.

“You shouldn’t go around teasing men like this,” he breathes down at you, “unless you’re ready.”

His gaze is intense, strict, and lustful. You’re tempted to look away, but you know that will only lead to him taking hold of your jaw, forcing you to face him.

“I am,” your lips ghost his, “please show me how to have sex.”

Bruno searches your face, more sincere and serious than you’ve ever seen him in bed, as if the responsibility that rests on his shoulders was real, before taking your lips into a kiss. It’s chaste and it lasts, reminiscent of the way you used to kiss when you first got together, and it makes you think that one year later, you kiss less often than you used to.

You sigh into his mouth, and he presses his tongue against your bottom lip. You open eagerly, let him take the lead, drag his tongue against yours slow and sensual. When you part, he doesn’t pull away, keeping his eyes closed and lips almost flush against yours.

“Where did a girl like you learn to do that?” he asks, semi-curious, semi-playful. You feel his lips lift into a smile and you mirror it.

“Practice.”

As he kisses you again, his hand traces your cheek, down your neck, and across your collarbone. By the time it reaches the top of your breast, your nipples are hard with arousal, and you’re becoming aware of the uncomfortable weight of desire on your clit.

Bruno traces a nipple lightly with his knuckles, making you gasp in his mouth. He pulls away to look at the outline of your nipples on your nightdress, satisfied with himself, almost smug, and he captures your nipple between his pointer and middle fingers, pressing and pinching, until you moan.

“Open your pretty eyes,” he coaxes, “you want to learn how to do this, don’t you?”

You nod and do so with some effort. You feel yourself drip in your underwear when he whispers good.

Bruno tugs at the hem of your nightdress, and you take it as a cue to help him remove it. His hands are strong and confident as they lift the fabric over your head and toss it aside. He gently pushes you back down and leans over you, supporting himself with one arm while his other hand pulls you closer by the waist, pulls your breasts within reach of his eager mouth. He leaves hot, wet kisses around your nipples before taking one into his mouth to suck softly, then lap at it with the flat of his tongue. When you begin to moan and writhe under him, he slips his hand in your underwear and cups your mound.

His thumb caresses the trimmed hair for a beat. You expect him to find your clit, to finger you, open you up, but he takes his time stroking, never straying from your pelvis. You are impatient and needy, but the mood he’s set has you feeling oddly bashful, and you hold back from openly grinding into his hand. You buck your hips gently instead, and he smiles against your stomach.

“Why the rush,” he whispers, moving lower to kiss your sides, “we have all night.”

You whimper. Your pleas are heard.

“Open up,” Bruno says, bringing a single finger to your lips. When you do, he slips it in your mouth, drags it gently against your tongue.

“Good girl,” he praises, slipping his wet finger in your underwear to find your clit this time. You give a little gasp at that, his fingers only ghosting gentle circles over it at first. “Someday you’ll have a boyfriend that will play with you like this a lot,” he whispers, “to make you feel good.”

“Yeah,” you reply, entranced, “I think I will.”

Bruno chuckles. “You can see the future, too?”

You open your eyes to look at him, lost in the heat spreading from his finger to your entire body, vaguely aware of just how sappy he makes you. “I’m looking at it.”

He looks every bit the love-struck fool.

“How does this feel?” he asks, kind eyes fixed on yours. You try very hard not to blush. You don’t succeed.

“Warm. Tingly. Not enough.”

“Hmm,” Bruno sits up on his knees, fingers still grazing your clit, “a man should always make sure his girl is satisfied.”

Your hands go to his shirt and tug. He lets you sit up to take it off, hand back on your clit as soon as his arm is out of the sleeve. You take in his body. You’re intimately familiar with every stretch mark, every inch of relaxed, tan skin, the curve of his belly above his narrow hips. You crave each and every one of these features.

You lower your hand to palm his cock, but Bruno catches it in his for the second time tonight. This time, your wrist feels even smaller in his palm.

“Not yet.”

He lays you back down and takes his place between your legs, kissing your pelvis, your mound, your hips. When he lowers his head between your open thighs and presses his nose against your clothed slit to inhale your scent, he seems to lose track of the fantasy, but he snaps out of it quickly. He looks up at you, waiting for you to stop him as he slides your underwear down your legs. You’d be crazy to.

The kisses he presses at your wet slit are chaste. They wouldn’t be out of place on the back of your hand or your cheek. His tongue licks a short strip at the level of your opening, then kitten-licks where your pussy lips cover your clit, but he still doesn’t open you up. You are unwilling to speak, afraid that your voice will sound jarring in the heavy, sensual ambiance, afraid to break the spell, so you reach down and spread yourself open for him.

Bruno’s mouth finds your clit, taking it in a passionate French kiss, trapping it between his lips, rubbing his tongue against it. For an overwhelming moment, his fingers pull at the hood, lifting your clit to give his tongue access to that most sensitive spot; and then his tongue is at your entrance, lapping up your juices.

“Do you like this, bebita?”

You nod silently. Bruno eats your pussy carefully, alternating between kisses and long, lazy licks, until your butt lifts off the bed and your toes curl. He holds you down, pulling you closer to his mouth by the hips, until you are moaning your release.

He kisses your clit, thighs and mound throughout your climax, taking his cock out. When you’re quiet again, catching your breath, he rubs the head on your sensitive clit. You yelp, overstimulated and raw, but Bruno brings two fingers to check your entrance, finds your walls still fluttering and he whispers, I know, shushing you, but it’ll go in easier like that.

He slips just the head inside you and closes his eyes, a genuine shiver running down his arms. You would swear you feel tighter than usual, and you think it must be because you’re hyperfocused on his cock entering you.

Bruno pushes another inch inside you, and another, until he is fully sheathed in your sleeve.

“Is it okay, bebita?”

“It’s big,” you whisper, hoarse, making him shut his eyes again and swear under his breath, “filling me up”.

“I’m going to move now,” he warns you, and leans down to place chaste kisses on your breasts. One hand is on the side of your face, thumb on your cheek. You lean into it as he slowly enters and exits you, and your heart swells with a kind of love that feels bigger than Bruno and yourself, a love that pre-existed and will outlast you, finding other human conduits.

His thrusts pick up pace; the look on his face telling you he is feeling unusually sensitive too. He lifts himself to his knees, raising your legs over his shoulders. Your moans turn into whines, then sobs, as he hits your spot with steady, sure thrusts. In this position, you are vulnerable, open and accessible to him. He can go tortuously slow or punishingly fast; either way, you are so stimulated that you can’t focus on anything but crying out half-words and holding onto the sheets. It’s tricky -no other position gets you this stimulated, filled with pleasure; so much pleasure that you can almost orgasm but not quite, not without smart fingers flicking your clit at a hard, merciless pace, to match the pleasure inside you.

Bruno is watching you attentively, enjoying the fucked-out look on your face, pressing his forehead against your ankle, kissing your calf. He has an arm around you, hand at the top of your ass, lifting you, and the other rests on your mound, trapping you in place. A rough thumb slides over your clit and it’s so slippery that his finger has trouble finding purchase. He looks down in awe, and you wonder if you’re glistening with juices.

“I’ll make you mine,” he grunts, wiping his thumb on your hip, before attempting to create friction on your clit again, “mine, mine forever, do you want that?”

You cry out I do, and he growls say that again. You sob I do, I do, and you are both too invested in these words for it to be just role play.

Your sobs turn into promises that you’re close, and Bruno looks down where you’re joined, consoling you, I know, bebita. He takes your hand in his and guides it to your clit, pressing your fingers there.

“Sometimes,” he grunts, out of breath, “you have to help yourself finish. I won’t get it right while I’m fucking you like this.”

You rub in small, hard circles.

“Besides, I like to watch my little girl take her pleasure on my cock,” he whispers, pressing his fingers harder over yours, faster, “come on, just like you do in your bed at night.”

Through your babbling, you hear Bruno say, cum, bebita, and you do so screaming his name. Your body tenses and releases again and again, toes curling and relaxing, as you gasp for air.

You feel him move closer, take hold of your body. When you open your eyes again, he is lying next to you, resting his head on his arm. He is looking at you lazily, and you wonder how long he’s been waiting for you to come down.

“D’you need me to –“

He shakes his head. “I came.”

“Oh. I didn’t feel it.”

He chuckles. “I didn’t cum inside.”

You look at him quizzically.

“Hadn’t asked beforehand, you really didn’t look like you could answer in the moment,” he explains smugly.

You look down to your stomach for evidence of the fact, but Bruno laughs. “Not there either. It wouldn’t be a very wholesome first-time experience, I don’t think.”

You smile, and your heart jumps in your chest again.

“You’re going to have to wash that nightdress, though, sorry.”

You laugh, and so does he. As you watch him make his way to the dresser, rummaging through the pile of clothes you keep there, you think that being his forever sounds so easy and so right, and as natural as breathing.

#Smut #bruno smut #encanto smut #nsft #seasons fic #ao3 #fanfic #bruno x reader

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spnscripthunt · 1 year

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14.12 Prophet and Loss

#admin: lets-steal-an-archive #14x12 #blue draft #pink pages #the trevor project #fundraising #linktree

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inhuman-obey-me · 2 years

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I was reading through your blog and I stumbled upon your analogy of Lesson 65, and couldn't help but add my own theory because even I was stumped about Someone "Special Powers"

Do you think it would have something to do with his prediction? How he was like a prophet and seemed to write all these things. I feel like back before in lesson 25-30, or something like that at least, when we talk about the script of the play, it almost sounds like Simeon KNOWS what's going to happen which in a way technically is proven with the following events about the dagger, memory loss, etc.

So I can't help but wonder, did they possibly strip him of that prophetic like ability? Simeon strikes me as someone who always seems to have some kind of idea of whats going on, and yes Barbatos is the time demon in this sense but I can't help but wonder.

Possibly! We've gotten a few more lessons now, but information about Simeon's missing "special powers" is still pretty sparse, so it's hard to say. For that matter, we don't know a lot about angel powers in general, which makes it difficult to even speculate. And whether Simeon actually has prophetic abilities is yet to be outright confirmed by canon -- though his student ID card specifically calls out his "sharp intuition", and he has been suspiciously capable of predicting things beyond what just intuition should suggest on multiple occasions now. If so, it does seem likely to be at least one of the powers he's lost -- though seeing as Lucifer and Solomon both express concern that Simeon will now be in danger from not having his powers, it's not the only power that's now gone.

We do now have Lesson 66 or 68 actually because we've been so slow on responding to asks which confirms one more critical aspect: though it's phrased as his "special powers", it's not referring only to powers unique to him -- Mammon remarks that angels can use the power of their blessing, which he describes as being able to make a barrier that would easily have blasted the chimera away. We've also heard about angels' blessing powers before in regard to Luke, so it's seemingly something that any angel should have at their disposal. However, Simeon doesn't even have that ability available to him, as he's unable to defend himself against the beast. It's possible he may even have no powers whatsoever now, leaving him as defenseless as MC was at the very beginning of the game.

Hopefully we'll learn more in the next few lessons, because there's a lot of mystery around it right now!

#obey me #obey me!#obey me swd #obey me shall we date #omswd #obey me simeon #om! simeon #obey me spoilers #obey me season 4 #ask and ye shall be answered

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shallowseeker · 1 year

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Sam & Jack + SPN parenting moments

I've been thinking about Jack & Sam and their parenting dynamic. Are there some great moments you like? Here are some of mine! These are some notes for me to come back to:

(below cut)

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Molding Jack

It's like a seesaw. Throughout Sam's parenting arc, he will struggle between allowing too much independence and guiding/molding. Sometimes, he pulls away when he shouldn't. Sometimes, he cloaks his control in a mission or training. Sam professes to Donatello to want to mold Jack the right way (13x02). Donatello seems a little dubious of the phrasing:

SAM: He seems to have a real attachment to his mom, but only kinda a fuzzy idea about his dad. And his mom, Kelly, was a really good person, so that makes me think Jack can be molded the right way. DONATELLO: Mm, molded. I hope you’re right.

Jack as lion + the unfortunate reality of his super strength (angels are LION-coded)

Jack as lion in terms of cosmic hierarchy. The significance of the lion in the Bible - tremendous significance - has to do with its stature as the king of beasts. Here, these are, symbolically, angels. God, Cas, and Jack are all grouped as lions here (13x02):

DONATELLO: Oh. Speaking not as a prophet but as a scientist, I don’t think teaching him is in the cards. It’s like asking a lion not to be a lion. SAM: (angrily) But this is not a lion! This is a human! DONATELLO: With a strong dose of God juice. DEAN: Okay, that’s it. I’m done, all right? ‘Cause he’s not God, he’s not Cas, he’s not Simba. He’s the friggin’ Devil! [When Dean turns to address JACK, he’s gone.]

Jack & Sam + training

A first, Sam does not outright reveal to Jack why they're working so hard at training.

The pencil could be viewed as metaphor for John's necessary training; it's also a motif of Sam as keeper of the books/Man of Letters.

In true Sam fashion, he is overanalyzing the situation , reading The Drama of the Gifted Child.

Even thought Dean is terrifying to Jack, murderously bearing down on him and threatening to kill him, Jack immediately responds well to his honesty. Because he can sense Sam's half-truths.

In fact, Sam doesn't reveal his actual motivation for training Jack until Dean accidentally reveals it during an argument.

Sam vs Lucifer: the custody showdown

The power struggle between Sam and Lucifer in Apocalypse!World is great

It's very frustrating when Lucifer communicates with and gets through to Jack easier than Sam can with regards to fighting Michael

Sam loves him more unconditionally, and Jack is tragically unaware of this at first

Yet, there's something dishonest in Sam solving the problem by leaving Lucifer behind in Apocalypse World and not telling Jack why; In the script, it shows Sam feeling unsettled by Jack's lost and sad expression

Sam is completely at sea when Jack goes off the deep end and misuses his powers. HOWEVER, Cas and Dean aren't caught as off-guard by this...

When Jack is choking and nearly straight up murdering a gas station worker and Sam just standing there like o_o while Cas and Dean actively try to subdue him

Cas immediately moves to discipline him

Dean immediately moves to discipline him

Both Dean & Cas have instincts to discipline and create firm boundaries (this includes how they mutually handle Claire)

Which makes them *feel* different as parents

Sam vs Lucifer: the custody showdown, part 2

According to Nick, Jack breaks Lucifer's heart by choosing humans

There's implication that Lucifer liked killing Maggie, but there's also some terminal implications that hunters also like hunting; implications for cosmic hierarchy & moral relativism are high, even revisited with Dumah

Lucifer concludes that Jack is closer to HIS position in the cosmic hierarchy, and in some ways, he is right about that

THEN we get this great showdown where Sam protects Jack from Lucifer and urges Jack to kill him instead; themes of altruism; martyrdom

It's a great Sam moment!

Sam & Jack + loss of Jack's powers

Sam accidentally ignores Jack a little bit after he loses his powers and Dean goes missing

He's also a workaholic (Cas, too), but Cas actively apologizes once he realizes

This probably feels like whiplash to Jack, who was heavily relied-upon by Sam when Mary was missing in AU Earth

Sam does not trust himself to wield Hell power as boy-king; "there will be no new king of Hell!"

BUT he later yields and accepts that power in a morally dubious Queen (Rowena). Interesting!

He also trusts raw, godly power and the fate of the universe to Jack himself; to the heir of Lucifer, better molded

Sam again ignores Jack ("dumps him on Cas") and turning into a workaholic when the AU hunters are killed, even though Jack had burned off his soul and suffered a grave injury, Sam is too wrapped up in his own grief to notice!

Cas & Dean are forced to work in tandem, juggling Sam and Jack's plight between the two of them, and ignoring Dean's own Michael trauma

Again, Sam wants to "check out" by disappearing into Charming Acres; references to margaritas

Terminal seasons Sam & Jack

Clearly, no one warned Mary about Jack's soul issue. It may not have mattered, because she fought a war with Jack and trusts him; as she says DO IT in game night with a steely devil-may-care attitude; it's called out in the script that "even if she knew, she'd still have chosen the mission"

Jack is lion-(angel)-coded again when he's proud at the way he killed Nick

And yet Mary is not wrong...overkill is a psychological sign to look out for in battle conditions / soldier families

Tragically, Jack blames Mary for her own death

Sam dissociates and is paralyzed by these tragedies, and just spends a lot of time standing around and watching things unfold until it reaches a fever-pitch level of bad

When Jack ascends to Heaven and takes on missions with Dumah, Jack remarks that being and angel is nice because "purifying is kinda like hunting" on a higher level

This again affirms Jack's natural place in the cosmic hierarchy; the tensions and implications for for humans-are-to-angels as monsters-are-to-humans

They're ALL willing to put Jack in a kind of box, as delaying tactic or devastating defeat; Sam being willing to put Jack in the Ma'lak box (as was Dean), and as was Cas wants to study the cage in the back half of Moriah

Sam dissociates from Mary's death

The weird "I killed Mary, too, by being born" echo

Jack deciding to readily accept death as payment for his crimes

Sam dissociating from Belphagor

Sam killing Rowena, being unwilling to process and "can't even breathe" about it all

Sam + distracting himself from Jack's death and trials

Arguably, Dean is having a much bigger outward reaction to Jack's death and Cas's leaving

Because Sam distracts himself

In Golden Time; Sam starts throwing himself into the Eileen stuff, again references to margaritas and hazy goldenness; not "checking out" exactly because he and Eileen certainly have a moment where it crashes into something more real and difficult; but it STARTS that way

It starts as another of Sam's "checking out of life" tendencies

In the Trap, the horror at seeing Eileen so easily puppeted

Despite misgivings, Sam is still going along with Death's plan and getting behind Jack's apparent cannibalism

- Sam: "You're the only one who can (save the world)" sometime in season 15

- Jack alternatingly referring to Winchesters as fathers but post-soul bomb as friends, showing he's distancing from them

- Sam: "Sacrificing yourself is brave but I don't like it." This is Sam being faced with grayness; that being a parent can't be all about independence! It's also an echo of Sam throwing himself into Hell, the Hell trials, and how strangely acquiescent everyone was about Dean's Amara soul bomb

- Sam starting to cotton on to "we don't have a choice" issues in the narrative as bad things

- Sam giving up hope in The Trap; Sam giving up hope again in Inherit the Earth (and Dean and Jack try to keep him going)

- Sam ultimately choosing sacrificing Jack to Destiny, Power, and Duty in 15x19 (sons get sacrificed to war, for glory in besting the enemy, and they don't come home)

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Bonus! Sam's struggles with Claire in terms of allowing independence but needing boundaries to keep her safe

Bonus! Magda's shame and purifying herself through pain and punishment

#spn parenting

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