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#please add on what you think
emily-nightray · 22 days
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Ranking Pandora Hearts crossovers with anime I've finished watching
Manga only Pandora Hearts with the anime I've watched.
A Certain Magical Index seasons 1 and 2: I don't think it would fit. It could be done, but it would be hard and forced. Very few characters from both series would be able to mesh well. If somehow managed, I'd say 3/10.
Bananya: No. 0/10
Black Butler: Book of Circus: With few episodes but good characters, I'd say there's a chance. I think it'd do well with PH members also being disguised to infiltrate. I see young Gilbert and Vincent being there in a pre-Sablier universe. There's potential. However, it is limited due to the single setting. At best it'd get 7/10.
Bungo Stray Dogs all seasons and movie: A lot of people who have read Pandora Hearts somehow migrate to Bungo Stray Dogs. I still don't understand how that works. It just does. Obviously somehow there is a connection that will make it work. I think chains could be mistaken as abilities and the other way around. This could make a good way of working together. The mains and sides could definitely find different ways to work together. Might be hard, but it'd work so 9/10.
Bungo Stray Dogs Wan!: Doubtful. 1/10
Cute Executive Officer: No. 0/10
Cute High Earth Defense Club LOVE! all seasons: The Magical Girl Lacie extra would fit in perfectly but that's all. It's comedy and silliness. Pandora Hearts could barely mesh together with it. 1/10 in general, 5/10 with Magical Girl Lacie omake.
Deadman Wonderland: Since this was a short anime, I don't see much possibility of the worlds working. The supernatural powers don't match up in anyway and it would be a stretch to make it happen. I don't see a reason to find that prison good enough for Pandora to investigate. Maybe if it were longer, it'd be better. 1/10 because I would like to see those fights.
Dragon Ball Z: It has been so long since I watched this. I watched this as a child. I don't remember much of it. 3/10 because it would be chaos.
Free! seasons 1 and 2 plus omakes: Let's be honest. No one in Pandora Hearts is going to enter a swimming contest. 1/10 because I know people who would pay to see fanart of the characters shirtless.
FMA and FMA:B: I can totally see this working with a variety of characters interacting. Gil and Roy messing with fire? Yes. Homunculi and chains? Definitely. Ed getting furious at Elliot for calling him shortie? 100% going to happen. There would obviously be issues, but I don't think it would be forced in. I'd say pretty close to perfect so 9/10.
Hetalia all seasons: I have roleplayed this before. Me as Gil and my partner as America. It was so weird and hard to do. We both agreed to change the characters. I'm sure somehow there would be one character to fit in with another character but my gosh is it weird and uncomfortable. 0/10
I Can't Understand What My Husband is Saying both seasons: Slice of Life and Pandora Hearts together? No. Too hard to make it work. 0/10
Obey Me! season 1 and extras: I could see some of the PH characters willingly (Break) and unwillingly (Reim and Gilbert) going to the Devildom for some reason. I'm not sure how well it would go with the dating game setting. 2/10 Gilbert would get sucked into cooking for Beel.
Odd Taxi and movie: Odd Taxi is amazing and I don't think it needs a crossover. Pandora Hearts characters wouldn't do well without removing all things that make them Pandora Hearts characters. I know some already have animal identities and they already have the character ready, but they really wouldn't work. 1/10 because Equus and Jabberwock would look horrifying.
Pokemon 1997-2002: Turning chains into Pokemon or Pokemon into chains would be pretty interesting. The characters would probably work together better in the Pokemon world rather than the Pandora Hearts world. I could see it happening. 6/10 because it wouldn't do well in the PH world but Oz would be a Buneary.
Powerpuff Girls Z: Highly doubt it would fit in without changing A LOT of things. Again, Magical Girl Lacie would fit so 1/10.
Pretty Boy Detective Club: I'm not going to judge the prettiness of the PH children. 0/10
Sailor Moon 1992-1993: Again, only with Magical Girl Lacie. You probably could make a few adjustments to make one character fit but it'd be hard. 0/10
So I'm a Spider, So What?: I can see some points interacting decently but both main plot points would be steered in a completely different direction. It could work well and would be a nice try. 3/10
Sushi Police: No. Absolutely not. Not enough food jokes. 0/10 because the vibe would die immediately.
That Time I Got Reincarnated as a Slime everything: The same with Spider, I can sort of see it. There'd be a way to fit some of the characters together because Slime has so many. Despite this positive, it'd be weird to have their plots interact. I would love to see the PH characters interact with Slime characters. 3/10
The Case Study of Vanitas: I mean, Jun Mochizuki made them both. So many characters would be able to interact and the plots would meld together without destroying each other. I want to see Break and Teacher fight or team up. 10/10 definitely because Jun wrote them both.
The Devil is a Part-Timer! season one: I can see the abyss and Ente Isla working together in some way. The characters, not so much. This is limited due to the few episodes. Plot wouldn't be hurt too much with either of them. 5/10 because I haven't seen enough potential.
The Vampire Dies in No Time first season: Another one that doesn't go well because it's a comedy. You could have contractors turn into chains or the vampires be contractors but that's about it. 2/10
The Way of the House Husband: Gilbert and Tatsu would 100% be best friends. They'd be sharing recipes and ways to take care of the house and the people around them while the other characters just watch. They'd even talk about saving money while shopping. Sadly the plots just don't match and the episodes being super short hinder them going together. 3/10 for Gilbert and Tatsu becoming best friends.
Watamote: Another humor/slice of life genre. These don't go well. I don't see the PH characters fitting in with the awkward like of Kuroki and she definitely wouldn't find a place in the PH world. She could imagine herself there, but it'd be super weird. I would not put myself through that. 0/10.
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maddymoreau · 1 year
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Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
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“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
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It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
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Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
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The isolating childhood he experienced riddled with his strict father constantly scolding him.
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Despite everything MC is so important to him he wants to see his father again so we can meet.
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geraldmariaivo · 1 year
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This concept hasn’t left me alone since I saw that “Danny is a chemistry wizard who teaches a chem class, but in a very Fenton way” post, and i need to yell it out into the void.
Danny gets adopted by the batfam, but he’s like that with chemistry and mechanics and it gives them all a stroke. Especially Bruce. Doubly so if Danny is his bio kid or clone or something. 
Danny has an allowance and he buys the most concentrated shit on the market with it because he got bored and wanted to see if he could re-create the fear toxin antidote he saw in the cave, especially since they seem pretty low on it. Do they have to get it from somewhere else? Danny knows the Waynes are rich, but there has to be a better way to do it than buying it for an arm and a leg. Maybe he’ll mess around and do the one for joker venom later. 
Lab safety? Oh, yeah Dick, I’ve got my goggles and gloves and jumpsuit on. Of course I have the hood up. Turn on the vent? What vent? Why would I need a vent? Labels? Dude, look at it, it’s cetrimonium chloride. Oh, yeah, that’s the shampoo i got it from. You’d be surprised how many things you can isolate from household stuff. 
Why would I use machines to measure this? Isn’t that for when you’re already busy doing something else? Yeah, like the centrifuge running over there. *gestures vaguely off to the left, to some abomination of mechanics* Whatddya mean that’s a safety hazard? It’ll stay together just fine; I made sure to use a new bike chain.
Where’s the rest of the blueprints? What do you mean “that’s it”? Aren’t there revisions and ideas? Where’s the reminders? Why’s there only one machine???
meanwhile the bats are wondering how the fuck the Fentons get literally anything done with lab safety apparently being a suggestion at best, and their storage system apparently being categorized by nine layers of nonsense and how violent the invention has the potential to be, if Danny’s ramblings are anything to go by. And Bruce “I need plans and contingencies for everything” Wayne is absolutely trying to not have an aneurysm from how much Danny just Does Things with no warning and no way that should feasibly work. 
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be-queer-do-arson · 7 months
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Okay so I'm not generally a sports person but I can't stop thinking about all the ways the foxes revolutionized exy. For example, the way their tiny team structure made them focus on endurance and coordination rather than brute force? Amazing. And related to that, the way that they adapted by training players to fill multiple positions? That must have had huge implications for how they understood other players needs and allowed for flexibility of they needed someone's specialty in a different position (see the final game). BUT ALSO the way Kevin and Neil specifically shook up the game was insane. Kevin being ambidextrous and using it to make his moves unpredictable. Using heavyweight racquets to put more strength behind their shots. Communicating only in French so opponents don't get any warning but they're still in sync with each other. I'll bet you anything other teams were scrambling to catch up and figure out how to play like the foxes did
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Actually, no, we should know what a woman is. If you’re going to challenge a term, you have to come up with a new definition. If we are going to have a rational conversation, all terms must be defined.
If woman doesn’t mean adult female human, what does it mean? If you’re getting defensive reading this, that’s a problem. You should be able to know what you’re arguing for. You should be able to tell people what you’re arguing for. Otherwise, what the fuck are you even doing? Why are you arguing about something that, if undefined, logically does not exist?
I would love for everyone to be happy. Delusion is not happiness. I need to know whether this is delusion or not.
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bittwitchy · 3 months
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We Have Always Lived In This Castle (2018)
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wasjustred · 1 year
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ahhh iloveyourworkssomuch!! 💖 i'd like to request something along the lines of sugar mommy!larissa (maybe with smut, who knows *wink*) 'cause she's all i can think about these days... anyways, happy early new years!!!
Easy Does It - NSFW Larissa Weems x f!Reader
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Summary: Larissa spoils you beyond comprehension. Pairing(s): Larissa Weems x f!Reader Warnings: Smut. A lot of it. (Cunnilingus, fingering, strap-on — all Reader receiving) Word Count: ~4.7k
Author’s Note: I hope this meets your expectations, anon! I originally intended to make Larissa way more domineering, but once I began writing it just didn’t feel like her——I tried to stay true to her character where I could. As always, feedback is welcome ﹠. appreciated! ♡ (un-beta-ed as per usual!) ╱ AO3
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The arrangement you and Larissa have has been smoothly gliding along for about six months now: you meet for dinner every weekend, in a town about half an hour outside of Jericho. You wear an outfit she’s picked out for you, she pulls your seat out, you share conversation and good - expensive - food and drinks, and you end on the stoop of your apartment, leaning into the kiss she places on your cheek, with a weekly allowance in cash in your purse. It’s the perfect set-up, nothing you’d dare protest, but sometimes you honest to god wish she’d just break her own rules and rail you ‘till the bed breaks.
Tonight you meet her at The Aviary, draped in a black satin dress with a deep slit up the leg––one of her favorites. Larissa helps you into your seat as she usually does, but before she takes her own, she places a long velvet box on your empty appetizer plate.
“Ooh, what’s this?”
“Open it and see.” A small, proud smirk turns her lips, eyes sparkling. You run your fingers over the velvet and lift at the seam, features going slack with surprise when you realize what’s hidden inside: a collar necklace, glittering diamond-cut, softening into a single falling arc of gems which ebbs, finally, into a small, shining teardrop. Light from the restaurant’s fixtures seem drawn to it, gleaming to and fro in a scattered stream of reflection. Your gaze snaps back to hers almost immediately, heart pounding.
“Larissa, I–”
“Do you like it?”
“I– Of course I do, it’s– it’s so beautiful..” Your voice softens and tapers off as you return your attention to the box before you. It’s probably the most beautiful thing anyone’s ever given to you, but you stop short of admitting this. “Help me put it on?” 
Larissa’s smile grows as she gathers the box in her hands, lifting the necklace from its cushion. She moves to stand behind you and tenderly brushes your hair aside; her hands are as soft as anything, so gentle in the way they handle you, securing the piece around your neck. Your own hand raises to rest atop the new weight at your clavicle, and when she sets her palms along your shoulders and squeezes, you shift your hand up to capture hers.
“What’s the occasion?”
“Do I need one?” Larissa presses her lips to your cheek from behind before she retakes her seat, arching a brow in challenge. The answer is no, of course; this is how you work, special occasion or not. She always manages to keep you on your toes, though, far more thoughtful and intimate than any other ‘financeur’ you’ve ever humored in the past: Tennis bracelets set with gemstones which perfectly match your eyes, a new coffee bar set-up when you mentioned off-hand that Starbucks had discontinued your favorite drink, a signed first edition copy of your favorite book she ‘just so happened to come across’ while out of state. Much more than the simple, routine bank deposits and luxury brand pieces that were never quite you which you received from others. Larissa’s gifts have always been astoundingly personal.
You’ve never told her this, but you stopped dating altogether once your little dynamic began. How could anyone else compare? She makes you feel important without ever having to work for it ––– like you’re lovable, worthy, because you exist, and nothing more. You’re breaking  your own rules, being so enamored with her, but you refuse to dwell on it.
“No, you don’t…” You trail off as your food arrives, ducking your head in thanks as the waiter sets everything out before you. Any discussion of her gift to you ends there on Larissa’s own accord, swiftly and advantageously moving on to a new topic as soon as the waiter has left you. The rest of the night is spent sipping expensive wine and musing instead on all of the high-culture goings-on you never get to discuss with anyone else: Art, ballet, classical music. Larissa’s a delicious trove of knowledge and opinions and she impresses you with each turn of a new topic. You often find yourself wondering - not just tonight, but many nights whilst basking in her presence - why she’s chosen you. You can hold good conversation, of course, and have an appreciation for the finer things in life usually reserved for those older and/or wealthier than you, but what’s always been curious, what’s always given you pause, is that she never asks for anything else in return. You have no choice but to ask yourself what it is you possibly have to offer to a woman like her––but you almost always fall short of a satisfying answer.
She’s talking you both through an analysis of the most recent play she brought you to when you take one of her hands in your own, tracing the lines of her palm as you listen. Larissa stumbles over her words at first contact, a rare occurrence for her, and blushes pink at the sensation. When you glance up at her in question she quickly averts her gaze and carries on, moving to smooth her thumb over yours as you continue. You love her fingers: they’re long, delicate, awfully reminiscent of the Greek statues she enjoys waxing poetic about. It’s an instance in which you’re reminded art, very often, echoes us in a continuous cycle of give and take.
You don’t say a word when you notice her face darken another shade as you press a kiss to the inside of her wrist before moving on to dote upon her other hand.
She’s not once explicitly told you, but Larissa’s never expected you to take a physical liking to her. She set the rules she did early on for a reason, knowing she could live with looking and not touching, taking care of you and watching your face turn alight with each gift or special night out without ever ending the evening by your side. No sex necessary, no physical affection expected. But here you are, fawning over her, and she’s never been more conflicted.
To assuage the feeling, she convinces herself it’s the wine that’s made you this way––a good bottle will go a long way, thus your touch must be the product of inebriation, not genuine affection. You’ve both long since finished off your meals when Larissa pays the bill and drives you home as she normally does, to an apartment she partly finances (not fully, at your own insistence that there are some things you should take care of yourself) and walks you to your door, stooping to kiss your cheek. Routine. 
She is right about one thing, however, and that’s the potency of the house wine tonight. Not on your reasoning, but your self-control. You spent the car ride home admiring her profile in the passing streetlamps and traffic lights, studying the way each red light cast itself across her, how the passing headlights of opposing traffic bathed her in a cinematic glow you associated only, appropriately, with Vivien Leigh in A Streetcar Named Desire. Ghostlike, almost. Ethereal. And at that same wine’s behest, you lean further now into her goodnight kiss than you’d normally allow yourself.
It’s as she prepares to leave that you decide - anchored by the weight of the diamonds around your neck - that this is the night you’ll throw caution to the wind, fervently hoping it won’t backfire and end with her rejection and a ruined arrangement that you’d both worked to preserve over the past six months.
“Do you want to join me for a nightcap? I know we don’t usually, but.. I’d like you to. If you’d like to, of course. If you don’t that’s–––”
“Y/N,” she interrupts. You can hardly tell but her heart’s just about burst out of her chest. There’s an inner battle waging right on the precipice of her ribcage and your bright, hopeful eyes staring up at her aren’t making it any easier to parse out. Do you feel obligated somehow to pay her back for the necklace? She knows you know she’d never ask that of you, that your arrangement is not a traditional one, but has she unknowingly pushed the bounds all the same? Did you simply imbibe too much and don’t really have a clue what it is you’re saying?
Or, perhaps.. Most dangerously: Do you mean it?
“I don’t want you to feel as though you have to… ‘pay me back’ for tonight. That was never my intention.”
She volleys her own inner turmoil dead straight in your direction and stares down at you with what might be, if you squint hard enough, a nervous expression.
You lean sideways against the door and cross your arms over yourself, appraising her. Does she really not want you? What the hell does she get out of this if she doesn’t? You just can’t wrap your head around it, and while you insisted to yourself you’d never outwardly question the bounds of your relationship and why they’ve settled where they are, you’ve put yourself at a crossroads.
“Do you think I’m pretty?”
She balks.
“What? Of course I do. What does that have to do with anything?” Larissa’s expression is a mixture of incredulity and apprehension. You decide to bite the bullet then as she lingers uncertainly beneath the moonlight.
“I don’t understand what you get out of this. Am I not–– you think I’m pretty but you don’t want to touch me? You pay for my livelihood but you don’t want anything tangible in return?” You both purse your lips simultaneously and you’d laugh if the situation weren’t so dire all of a sudden. “You confuse me, Larissa.”
She shifts her weight from one foot to the other, a small cloud bursting forth as she sighs.
You fucked it, didn’t you? Fucked it right to hell, and now she’s never going to speak to you again.
“You’re an idiot, do you know that?” The air goes still.
It’s news to you. 
Larissa suddenly pushes forward and traps you against the front of your door, hands leveled at your waist. “I’ve always wanted you,” she grits out, her arms tensing at your sides. “I just didn’t want you to feel as though you had to. Return the sentiment, that is. You’re too precious for that.” Her voice is low and rough in your ear, strangled. You grab hold of her forearms to keep yourself upright when her tone shoots right through you, breathing heavily. You gradually lift your gaze, poring over every curve of hers as you do, and meet her eyes. They’ve nearly gone black with lust, and a subtle quiver in her lip tells you everything you need to know.
“Kiss me.”
Larissa groans, which is admittedly not the reaction you’d expected, and presses further into you, her nose brushing against your cheek.  You can feel the heat of her grow, ensnaring you in perfect contrast to the cool night air.
“You have to tell me you want it, darling. I need you to say it.” … Oh. A new wave of arousal surges through you as you turn your head ever so slightly, her lips hovering just out of reach. The shared breath between you has become fraught with possibility, with the overwhelming, unspent energy that’s been collecting over the last six months without either of you quite noticing. Of course this is what she needs: confirmation, not that you’re hers but that she’s yours, by choice and choice alone.
“I want you, Larissa. Please,” you whisper, squeezing her arms in an attempt to ground yourself. She says nothing in return, instead immediately closing the distance and engulfing you in a desperate, searing kiss. Your cheeks burn and it’s all you can do not to melt into her fully, sucking in a sharp breath as her tongue slides against your bottom lip. This, this, you realize, is exactly what you’d imagined: Feeling her against you, wrapped up tightly in her arms, being drawn in and freed all at once, struggling to contain the desire you feel pulsing within yourself. It’s like Larissa’s split open your mind and picked through every thought there, coming away with only the most indecent imaginings and putting them to use as her hips pitch forward and her hands grasp achingly at the roundness of your thighs.
“Open the door,” she husks, suddenly ripping herself away and turning you at the waist to face the door. You fumble for your keys as she scores your neck and shoulders with hot, open-mouth kisses, running the tip of her tongue along the muscle that pulls taut there.
“F-fuck.” The chuckle she gives in response to your whimpering, shaking when you can’t fit the key into its slot, only weakens you further. Larissa must know her effect well as she wraps an arm around you to hold you upright, the other grabbing the key from you and swiftly unlocking the door in one go.
“Trust me, I’m trying.”
Laughter follows you both as you take the stairs one at a time, pausing every few to take her tongue in your mouth and run your hands along her front. You bypass the living room once you reach the landing - a feat in itself - and lead Larissa straight to your bedroom, kicking one heel off in the hall and the other at the threshold of your room. 
She stops you just before you reach the bed and holds you steady for a moment: “Hold on, I want to look at you..” You hair is mussed, curls losing their hold in the heat of your entanglement, chest heaving and red. Larissa steps forward to brush her thumb over your lips, searching your face for any sign of hesitation or doubt.
She doesn’t find any.
“Christ, you’re a pretty thing,” she hums. The pad of her thumb pulls at your bottom lip and you acquiesce, tilting your chin up before taking her finger into your mouth, rolling your tongue against its tip, watching her with wide eyes that imply an innocence you don’t possess. A hiss escapes her when your teeth come down around her knuckle and she scowls, gripping your jaw with an intensity that rivets the surrounding atmosphere as she rips her hand away, smashing your lips together once more.
In the next second the backs of your knees are buckling against the edge of the mattress and you squeak; Larissa had slipped a hand over your sternum and shoved, launching you down hard into the bed. Wet heat urges your hips forward as she crawls over you, but her hands swiftly come down to force them back into the mattress, trapping you there.
“Patience, darling.” You scoff as she begins the journey down your body, placing lazy kisses to your lips, cheek, jaw, chest while her fingers deftly work to pull your dress from you. You lift your back so she can snake a hand around and drag the zipper down to its end at the top of your hips, wriggling free and moving to pull at her own dress–––but she grabs your wrists, pinning them above you with a devious smirk. 
“Ah, ah. Let me spoil you,” she murmurs into the crook of your neck, one hand traveling to cup the dampness between your legs. Electricity cracks against your spine at her touch; you’re sweltering and freezing all at once, watching her eyes rake over you with a hunger you’ve never seen on her before. Her fingers draw idle circles around your clit as she works her way down your body, leaving a trail of wetness in her wake where tongue meets flesh, nipping at the precipice of your hip bones, glancing up at you before she licks you through your panties. There’s no helping the whine you turn free when she all but purrs at the taste she gets of you from the soaked fabric.
“Larissa, please,” you huff, lifting your hips up to meet her mouth. She takes three steps then in quick succession: chuckles into the skin of your inner thigh; pulls your panties down and off of you; and presses a series of messy, teasing kisses to your bare sex. Your fingers clutch at the top of your duvet as she finally begins to devour you, breath hitching as her tongue circles your entrance and delves into you. In a moment of white hot desperation, you hook your legs around her, calves flexing against her back as you shudder into her touch. She’s ravenous, consuming you with long, uninterrupted strokes that ride on the flat of her tongue, lapping your slickness up and winding into you all at once. The coil is tight within you already, pulsing with every movement of her mouth. You’re almost worried it’ll be over before it scarcely has had the chance to start, but a quiet, bemused voice in the back of your mind ridicules you: Larissa is nothing if not generous.
“You taste divine,” she breathes, before returning her ministrations to your clit, sucking and popping with the filthiest fucking moan you’ve ever heard. The feeling of her tongue against that tight bundle of nerves prompts your eyes to roll back, eyelids fluttering, and imbues your hands with a mind of their own, working them swiftly into her hair and pulling her as close to your cunt as you can get her, hips lurching in an unsteady rhythm. You can feel her amusement at your desperation as distinctly as you feel her mouth, but it’s quickly forgotten when she slides two fingers into you with an ease that makes you lightheaded. The sound of your wetness is sinful, and you have to admit it only spurs you on.
“Fuck me, fuck me, pleasefuckme––” Larissa’s grinning against you as she pumps her fingers, curling into you with a startling accuracy that leaves you breathless and aching. You press your cheek to your shoulder in a feeble attempt to keep yourself above the threshold dividing pleasure and bliss, useless as she slips another finger into you and flicks her tongue against you, quickening her pace as she follows the mounting tone of your pleas. Every touch spreads a warmth through you impossible to ignore, stirring a frantic need beneath the surface of your skin.
“Cum for me, darling, cum for me, that’s right.” Larissa presses the heel of her hand into the space just below the swell of your stomach and the coil snaps suddenly, sharply, sucking all of the air out of you at the same time that you yelp and tense with equal force, clamping around her face as your orgasm tears through you. She continues to lap at you even as your hands push at her, holding fast to your thighs to keep her place. Your legs shake as she builds you up in the same breath that you’re coming down, a second orgasm already rearing its head.
“I can’t,” you keen, but Larissa shakes her head and unlatches briefly to disagree.
“Yes you can, Y/N––be a good girl for me.” It washes over you when she lowers her face again and wraps her lips around your clit, sucking with an unfazed firmness that shocks you to your center. You’re tingling over every limb, pacing your breaths to ride you through this second crest. “That’s it..” Larissa coos, running her hand over your leg comfortingly. You can hardly breathe as the shockwaves roll through you one after the other, and the darkness of the ceiling above you seems to double in size as you stare in a daze.
Your muscles melt into the mattress one by one, sinking deep as Larissa finally pulls her head away and crawls forward to kiss you; you can taste your slickness on her tongue, familiar and tangy. When you part, gasping for air, you wrap a hand around the back of her neck and press your foreheads together, gazing up into her eyes with the softest look you can muster after so thoroughly falling apart in her hands.
“My turn?” She laughs loud and heartily at your doe-eyed demeanor. You’re itching to touch her, to taste her, and she knows it.
“Mmm, maybe.” Larissa shrugs and rises up from her position over you, sliding off to the side of the bed where you can’t reach her––and not for lack of trying. A whine catches in your throat when she shoots a withering look over her shoulder, patting the space beside her. “Help me with my dress, darling.”
You waste no time in flipping over onto your knees, shuffling over to her and grappling with the zipper of her dress. You flush when she laughs both at your inability to get it down in one swift motion and the frustrated little growl that bubbles up from your chest.
“Not funny,” you complain, gritting your teeth as she shifts and the zipper gives, revealing the smooth, snowy expanse of her back. Instilled with a renewed sense of hunger, you push the fabric away from both of her shoulders and continue the journey down and around to her breasts, thrilled she’s forgone a bra tonight as you palm the supple flesh there and roll her nipples between your fingers. The sigh she expels is a ragged one, her hands dwarfing yours whilst her head falls back against your shoulder. You revel in the sight of her lip caught between her teeth.
“I want to fuck you.” You just barely catch it in between her labored breaths and your own thunderous heartbeat, but you do, and you turn to glance at her curiously before her meaning hits you square in the face.
“But––”
She cuts you off. “I want to destroy you, Y/N. You can taste me later,” Larissa mutters, pivoting without another warning and capturing your lips again. You wouldn’t complain if it weren’t for the utter distress you felt to get your hands on her. She doesn’t give you a chance to rebut, however, as she slips out of her dress and climbs over you, guiding your hands to grip her ass. “Later, I promise.” She pulls back to appraise you, taking a rigorous inventory that she’ll commit to memory if it’s the last thing she does: Your flushed skin, the way you can’t keep still under her touch, the unmistakable shine of desire in your eyes.
“In th-the nightstand,” you stammer. Suddenly the realization that Larissa is here, in your bed, and you, at her mercy, is too much at once. You’re trembling with need and anticipation. She tilts her head at you, one second, two passing before she follows your guidance and pulls the drawer open, grinning wickedly at what she finds there.
“Harness?”
You nod vigorously, propping yourself up on your elbows and directing her through another drawer of your dresser. The slow, methodical way in which she fastens the leather around herself surely burns itself into your brain, and you can’t help the shameless moan that seeps out when she smooths an indulgent layer of lubricant along the silicone from base to tip, a delicious sight between her legs.
Larissa approaches with an emphasized swing to her hips, bending at the waist to press a chaste kiss to your lips before she nudges you to scoot back into the middle of the bed, positioning herself above you with a hand on either side of your head. She dips her face down into the hollow of your throat. 
Her voice vibrates against you despite her hushed tone. “Are you ready for me, darling?”
Your brain short-circuits at her words, imperfect timing. God, she’s fucking hot.
She lifts her head again to catch your gaze and smirks, nibbling on the tip of your chin. “Use your words.”
“Yes, yes, I’m ready,” you rasp, drawing your nails down the broad expanse of her back in anticipation.
The moment she slides into you is pure ecstasy: your toes curl and you haphazardly clamber for purchase upon her skin as she buries herself deep within you, stalling for a few moments to give you time to adjust. The way Larissa groans into the motion draws out an amusing - filthy - rumination about her being able to feel every stroke as with her own body, delighting in your wetness. She fills you seamlessly, snapping her hips against you before slowly drawing herself back, only to repeat the pattern and plunge into you as deeply as she’s able. It’s bruising and pleasurable all at once, how she brushes up against your walls and the ridges of the toy hit what your mind insists is every nerve-ending within you.
You rock together desperately, bodies moving as one as if you’d been doing this for centuries, mapping each other out and bringing each other to your peak. You savor the novel, tangled scent of sweat and arousal, a newly formed association with the sound of Larissa’s broken whimpers now frozen in your psyche.
A startled breath leaves you as Larissa abruptly anchors her weight to one side and pulls you on top of her, flipping your positions. Her arms wrap tight around you, looped at your back and around your shoulder as she fucks up into you at a crushing pace. You whine into the crook of her neck and realize you’re on the verge of tears, an overwhelming wave of pleasure and desperation wracking your body. Quiet grunts accompany her each thrust, slowing just so until it’s a steady pattern you can count to like clockwork, brutal and sharp at every buck of her hips. Your knees are aching, folded as they are, but the tight, coiling sensation within you overrides any and all discomfort, merely a quiet nagging in your brain; your focus is settled precisely on the angle of her cock and how her nails dig into your skin as you grind against each other. She’s close, too. You can feel it. It’s there in the shallowness of her breaths, in the urgency of her pelvis against yours, in the subtle arch of her back. You try to meet her where she’s at in your muddled state, pitching your hips backwards and down when she thrusts upwards––and you know it’s worked when she gasps and her hands scramble to lock together at the small of your back.
“Yes, that’s it darling. Just like that,” Larissa pants, using the leverage of her hold on you to help you fuck yourself. The only sounds permeating the room are that of your mingled breaths and her cock driving into you with a consistent, almost unforgiving rhythm. 
“Pleasepleaseplease, ohfuck––” 
“Y/N–––”
She tenses with you and cries out as your orgasms hit you both at once, ravaging you beyond reason. You’re hyper-aware of the way her breasts feel pressed against you, the way one of her hands flies up to bury itself in your hair as you ride her through your climax. Larissa’s hips stutter as she whines into your shoulder, sinking her teeth into you, and you marvel at the feeling of her muscles clenching around you, from the sinewy stretch of her arms to her thighs rested between your own.
Everything you’d hoped for. Fantasized about. Greedily deliberated again and again whilst watching her across the table in another fancy restaurant in another unfamiliar town.
Larissa is careful as she pulls out of you, slow and deliberate so as not to disturb the tenderness there. You remain curled on top of her but she doesn’t complain, rather rubbing your back in long, languid movements and whispering affirmations in you ear, a sweet mixture of ‘breathe darling, I’ve got you’ and more headily, ‘you did so well for me, you’re so good, you took me so well’. When you allow yourself to fall to the side of her, she shimmies out of the harness and tosses it somewhere off the edge of the bed, ignoring its clatter as she wraps you up in her arms. You burrow yourself further into her warmth and sigh at the feeling, content.
“Now is it my turn?” you ask, voice low and raked over with exhaustion. The belly laugh she gives is worth all the weariness in the world. “You’re incorrigible!”
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rainy-daze1 · 2 years
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minecraft liminal spaces
-the underside of custom made terrain where the original land still is, covered in torches but still home to the occasional zombie or spider
-multi-player servers when no one's online
-villages in superflat worlds
-the main end island after you've killed the dragon
-adventure maps outside of the area you're meant to be in
-hidden redstone underneath contraptions/doors/etc
additions to this list are highly encouraged
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wine-wrtj · 2 months
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The party at the Prom
But soberness turns out to be the friends we made along the way
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I literally just got possessed and woke up with my this piece finished two weeks later
Mind you as much as deranged teenager I am, for everything to be ✨legal✨ you could tell this is my self-indulgent polish Byler au. Because I was inspired to draw this after my school’s prom and I know NOTHING about American proms lmao. Anyway here’s some more context:
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And yeah Will is totally the person to run the fuck away randomly and Elmax would probably be on the side quest. Somewhere outside of the state. Most likely.
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ninjasmudge · 20 days
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[puts my hand on your shoulder] bro the 'is the lamb amab or afab' question is so stupid dude, canonically the answer is neither. in that world, anyone can have kids with anyone, these characters very clearly arent from a species with two sexes, there is no male or female in here, gender is entirely separate from biology in this world dude. this is not an either/or situation, all the followers are both bro, theyre hermaphroditic, can you hear me?
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magicpiano · 1 year
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I often see people making posts looking for beta readers and getting no responses, and I think I think a big reason for that is just not providing enough information. So here is some advice of things you should mention in your post:
The rating (and maybe why it has that rating)
Any relevant content warnings
The main pairings, relationships, or characters
The (estimated) length! Committing to betaing a 5k work is very different from committing to a 20k one
If you have a deadline you need to work posted by (like if the story is for an event or a holiday, ect.)
What type of help you are looking for. Do you just want a spelling/grammar check, or are you looking for someone to brainstorm with and point out plot holes?
Maybe just a small summary of what the work is about. It doesn't need to be the fleshed out thing you put in ao3, but a short "coffee shop AU" or "season 2 ending fix it" goes a long way in letting a potential beta know what they are signing up for.
I understand the desire to keep your wips a secret till they are posted, but if you can't find a beta, this is probably why. Many times someone would be willing to beta, but doesn't want to offer because they don't know the above and would feel weird backing out after agreeing, so they just don't say anything.
Finally, remember the person on the other side of the screen is a human being. You are not owed help, they are doing you a favor so be polite.
(Please feel free to add more advice!)
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sillyabtmusic · 1 month
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♡ Keonhee in Oneus MVs ♡
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pokeberry5 · 8 months
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if anyone's interested, i'm opening requests for comic panel redraws!
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llyfrenfys · 4 months
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Sooner or later I've gotta make a better post regarding the appropriation of indigenous terminology by proponents of (certain kinds of) Welsh nationalism. But for now here's a very whistle-stop version of that post. I have a degree in Celtic Studies so these topics are very near and dear to my heart.
[Note: I wrote this post originally during a migraine. I'm revisiting the draft while I'm ill but hopefully can fix this up into something somewhat understandable. As always, this is only a very brief description of the history and I strongly reccomend reading about these topics in your own time to develop a deeper understanding of them. These are topics not even well known in Britain, but if you can spend a short time just to read this, you can help to combat misinformation about British (particularly Welsh) history - and that could aid in preventing the misappropriation of history in the long run. Diolch eto for reading!]
Very often, (certain) Welsh nationalists use terminology that positions the Welsh as if they are an 'indigenous' population who have been 'colonised'. They use language (which in this climate) heavily draws upon the language typically used for peoples who are the victims of British colonialism (of which Wales was an active participant). There's multiple issues with this and many of them lie in whether its appropriate to use this language (regardless of its accuracy or not) as a country which was actively involved in the colonisation of much of the world. What I mean in short is that additional language is needed which doesn't step on the toes of endangered cultures and groups directly affected by British colonialism.
Wales not only participated in British colonialism as a whole (alongside Scotland, Ireland* and England) but itself colonised parts of patagonia in Argentina.
I can't think of any similar terminology to 'indigenous' or 'colonised' which would also get the idea which is meant across. 'Native' in certain contexts is permissible, e.g. 'native speaker' in the context of a Welsh speaker. But in other contexts other than langauge, things get tricky when you argue 'nativeness' (this is a topic I will come back to - especially re. Celtic as a language descriptor vs Celtic as a so-called ethnicity). When (certain) Welsh nationalists talk about being 'indigenous' , being 'native' or 'colonised' what is meant by that?
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(Map of the expansion of the Bronze Age Bell Beaker culture circa 2400 BC in Britain and Ireland) - from this map
What makes a Welsh person 'indigenous' to this island that doesn't immediately disqualify other peoples who also have a deep history here? Historically, the island of Britain has been lived on by many, many peoples.
In the Bronze Age you had the arrival of the Bell Beaker people. Then in the Iron-Age, you had tribes speaking (mostly) Brittonic. I say mostly, because we have direct evidence that in the Iron Age Gaulish speaking tribes also moved to parts of Britain but later became integrated with the rest of the population (which, I will add, were not a united peoples but a scattering of different groups who often went to war against each other). Then the Romans invaded Britain (and much of Western Europe) and over time integrated into the local population. So now Britain is Romano-British. Eventually the Western Roman Empire collapses and Britain enters into the sub-Roman Britain phase of its existence. Kingdoms begin to form, with the population speaking Brittonic and British-Latin. So you have different kingdoms in (what would become Wales) and in (what would become Northern England and Southern Scotland) you have more Brittonic-speaking kingdoms.
These kingdoms were also not a united peoples. They shared a language - but it's like claiming that Ancient Greeks were a united people simply because they all spoke Greek. Sparta, Athens, Cornith etc. were independent of each other and the same is true of the kingdoms of the Hen Ogledd (the Old North) and the kingdoms of Wales. They all had a common language but also went to war with each other sometimes. Eventually, the Brittonic language began to diverge into different languages. Namely, Old Welsh and Cumbric (the language spoken in what is today Cumbria, Lancashire, Northumberland and Southern Scotland). The two languages were still very closely related but had diverged by a certain point.
At the same time this is happening, Anglo-Saxons begin to arrive in what is now Kent. They form kingdoms and the Britons living there are either displaced or become absorbed into the Anglo-Saxon populace. Then the Norse rock up and conduct viking raids around the coast before finally settling in parts of the country and forming their own territories.
So now Britain has several groups living on the island (keeping in mind even before settlement from the Anglo-Saxons and the Norse that the British kingdoms were already composed of different groups themselves). Northern Scotland was also having a time re: Picts, Gaels and Britons - but we'll gloss over that for brevity. Also, Ireland was also raiding the Welsh coast at this time too.
Then the Normans rock up and in 1066 William the Conqueror, well, conquers. More history happens after this point but I will try and keep this as brief and as non-messy as I can.
So, to recap:
One of the earliest cultures in Britain was the Bell Beaker people in the Bronze Age. They had their lands settled by the Iron Age Britons ('Celts'). Then the Romans came and the 'Celts' became Romano-Britons. After the Western Roman Empire collapses the remaining population forms kingdoms with distinct political identities. These kingdoms eventually find themselves fighting the Anglo-Saxons and the Norse. Then the Normans turn up and so on and so forth.
So- which group is the original native group to Britain? (Trick question - this question cannot be satisfactorily answered in favour of one group without leaning into claims of historicity which the other groups can also claim).
Which brings me to modern Welsh identity and those who came before.
Something I see in Welsh nationalist groups is a claim to the legacy (or even claims of direct descendance from) the Iron Age Britons (commonly called Celts for shorthand, but as I said before I'm gonna get back to that point). And this narrative is what the "Welsh people are native to Britain" argument is based off of.
It may seem like #praxis to argue the Welsh people are the true inhabitants of Britain and the English are evil invaders. But you have to make *several* logical leaps to get to that point if you're genuinely arguing that point.
For starters, many more people than just the Britons (read: Romano Britons/early Brittonic kingdoms) have called Britain home since the Early Middle Ages. For example, there's the settlement of Scotland by the Gaels, the Irish settlement of certain parts of costal Wales. You have (much later) Roma and traveller groups, Jewish diaspora and many more diverse cultures and peoples existing in Britain at this time. The Romano-British population, which developed into the Early Middle Ages kingdoms of Wales and the Hen Ogledd, was also multicultural. Many black Romans started families with white Britons. By the sub-Roman period, Britain was ethnically and culturally diverse.
But those who argue in favour of a such thing as 'Celtic ethnicity' in order to support the idea Britons (and only Britons) were native to these islands typically imagine that history as white. White Brits, white Romans, white Gaels. When we know this isn't true. Did you know that the Northernmost Ancient Egyptian temple in the world is in Yorkshire because Roman Egyptians in the military brought their religion with them? Mary Beard did a fantastic documentary about a Roman Soldier from modern day Syria who was stationed at Hadrian's Wall who started a family with a British woman. Point is, that some people like to imagine a purely white Britain that they can pine for. And I'm afraid it simply isn't true. The version of history many white supremacists look to simply didn't exist.
I'll quickly bring up one last point before I draw this to a close. And it's about Celtic as a linguistic term vs Celtic as a so-called ethnicity. You see, any first year Celtic Student would tell you that there is no such thing as 'Celts'. Crazy, I know from people studying *Celtic* studies. But hear me out - there is good reasoning why (beyond language groups) Celtic is not a good term for describing an ethnic group. Much of it relates to what I've already mentioned, but we categorise Ireland, Scotland, Wales, Mann, Cornwall and Brittany as Celtic not because of the ethnicity of the people living there (which I've mentioned is pretty diverse) but because they are all places where Celtic languages are spoken. It wasn't until Edward Llwyd (d. 1709) that the term Celtic was coined to describe these languages. Up until that point, nobody was thinking of Irish and Welsh as related because the languages do not sound like they have a common origin. By extension, people didn't think of the Welsh and Irish as being the same peoples (or Celtic) either. Its only in the modern day there is a sense of Celtic identity. The Iron Age Britons were not going around calling themselves Celts. There was no common Celtic identity. But very often people argue Celticness based on a pseudohistory which insists on a false and misleading interpretation of history. Whether or not Celticness exists now is a different matter entirely. But it sure does not rest upon race or ethnicity as a qualifier. This is quite foundational stuff to first year and above Celtic Scholars, but is not generally well known outside of academia because the misinformation is quite strong. So if you read is far, diolch mawr and please share this with anyone you think might be interested in it. Any amount of knowledge of these things would greatly improve understanding of what it means to be Welsh and what it means to speak a Celtic language.
Lastly,
all of that begs us to ask the question:
What does it mean to claim nativeness in a Western European context?
More under the cut
What does it mean to claim nativeness in a Western European context? Especially in a Western Europe post-colonialism.
It means, to me, to claim what isn't our right to claim. To argue and make our points with language that isn't ours and isn't designed to be ours. That this language of indigeneity may sound appealing, but is it improper to use this terminology when our country was directly responsible for the atrocities in which this very language became relevant?
What do we do in response to the misinterpretation of our culture instead of relying on language of indigeneity? These are the questions I want to leave you with and invite you to share your thoughts on. How do we build a Wales which advocates for itself without relying upon inaccurate language which betrays a reliance upon the ahistorical to make its point?
What kind of Wales do we want to live in?
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redtippedfox · 11 months
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I’m a little conflicted about Chloe so I’m gonna ask y’all. Do you think Chloe deserved redemption? Before season 5 showed how bad she was. If it was written properly.
Do you think Chloe deserved redemption?
Tell me how you feel.
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cyanbeetle · 2 months
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I’ve tried like 500 times to articulate my thoughts about nonwhite superman and how much that adds to his childhood of loneliness and every time I hit a stumbling block because the topic makes me too insane to think but please hold my hand and imagine this little boy trying to grow up in rural Kansas and being the only person he’s ever known who looks like he does. This little boy who never has a proper answer when people ask where he’s really from, and even once he knows the truth of himself he can never safely share it. Please imagine him fighting every single day to belong and never being able to no matter how hard he tries because people will always find something questionable in the very way he looks. A lot of the superman mythos is dependant on Clark’s ability to assimilate but when you take that away what is left?? He’s just a kid fighting so hard for a belonging he’ll never have a hope in hell of being handed. Oh it hurts my heart
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