I may have finally unlocked the thing what turns my unhealthy overproductive causes-me-burnout creativity into enjoyable creativity - and it's called working off of vibes.

In the past I've tried just taking breaks from being creative, but that never works. Doing things other than being creative just feels like I've put myself in time out from the thing I actually like doing. Ultimately, I want to be creative. I love making art! I love writing stories! I genuinely get life from being my artistic self like.... all the heckin' time. It's all I genuinely want to do is make stuff. What I don't get life from is making it a grind. Working to rigid schedules, focusing on daily goals and - oh my lord, I despise the push to monetize it. I'm leaning hard away from that these days, and I'm not sure how far I'll ultimately take my aversion to pursuing profit from my creative ventures. It doesn't make me significantly happier to make money off of it (even though sometimes it's necessary, like when disaster strikes and I don't readily have four digits in the bank account to fix whatever's exploded), especially when making money comes with added stress from things like figuring out the taxes on what I've made, and the horrors of the perpetual chase to make more money. The emotional balance trends towards the negative and I'm over it. So I'm attempting a vibes-based approach - doing things when it's good for me to, and in a way that is fun. Some of it's a bit of concerted de-programming: for example, my webcomic is a source of truly bad habits for no good reason. It exists only on my Patreon, and it is exceptionally obscure and always was. There is very little point in wearing myself out trying to pour twenty hours a week into a new page every single week just because one is supposed to stick to a schedule, but over the last decade or so I programmed myself very well to do just that. Getting out of that rut so that I can have a healthy relationship with it again is a fight, but I'm winning. I want to chase the short term happy of getting a new page queued up every Monday, but instead I'm refusing to do so. If the page is done, I queue it up a few days late. And then the next week a few days later than that. Always a different number of days, pushing it out of sync so that I can't fall back into routine and neither can my handful of readers. I did not ever promise them a schedule. A schedule is bad for me. Result? I (mostly) drew three pages this weekend and enjoyed it. They're not done, but I made a heck of a dent and didn't feel gross about it. I'll finish them over the course of the next week or so, in bits and pieces rather than forcing myself to sit still for hours at a time until the page is done. I should be stopping when I'm done. I'm also way happier with the art I'm making. I'm still churning it out quick, but the lack of self-imposed deadlines means that I can have fun with it. I'm doing similar things with my writing. It's nice when I can keep Alpha Base moving forward, but for the last while I've been muddling around in different directions than forward and it's actually getting the creative wheels spinning in my head better than the methodical one-step-in-front-of-the-other approach. If I have a hankering to jump elsewhere in the plot and write a scene, I do. If I need to explore an aspect of a character that technically falls into a prequel (because dang it, I'm starting to develop prequel material) then I go for that. If writing a drabble that might not even land in the book, or any of the book(s), is what I need, then I'm doing that, and it doesn't matter if I'm "ready" to or "there yet" - I'm just doing it. Vibes. It's all worthwhile.  Hell, I spent most of the weekend writing a purely fluff scene (me! writing fluff!) between two of my antagonists and I think that was one of the best ways to spend a weekend. I feel damn good about it and learned a ton about them both. I think I even know where in the book to put it, and I sure didn't when I started writing. Didn't know that would happen! Life's too short to spend turning everything into a dang job.  I just want to play. So to hell with it. We play.

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!

they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.

they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.

you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.

but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.

where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.

and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?

doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.

but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.

what if you're both just people, and you're no saint neither.

just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?

your mouth will always have a hole, is the thing, if you remove the tooth.

I know I'm a week late but I do think people are misunderstanding the point of the Anthony Bourdain quote about Kissinger

The point was never "Anthony Bourdain has good politics and is an unproblematic fave," the point is that even someone with mainstream liberalish politics who goes to Cambodia for a food tour - a, let's be honest, very bougie type of trip to be part of your job - and has a basic understanding of history and a bare minimum of human decency can come away from that bougie food tour wanting to murder Henry Kissinger with their bare hands. The point is that Henry Kissinger fucked up this country so bad the only reason he wasn't lynched decades ago is because it's on the opposite side of the world and the people who were in proximity to him never really saw what it was. The point is that if we could see firsthand what our First World politics do to the Third World we would understand that monsters walk among us and it's a cultural failing that we let them die at home at 100 years old surrounded by their friends and family.

Dropout is great because while on a traditional network nowadays you would have one knockout concept and be done with it never revisiting it again dropouts like “okay we love doing that now let’s do it AGAIN and AGAIN and make it BETTER and more COOL and more ENJOYABLE and let’s keep doing it until our hearts tell us to stop and we love doing it so that might be never so long as we’re passionate about it” and that’s so fucking cool, in an era of commodified creativity the enthusiastic passion for the arts that drives dropout is not only refreshing but heartwarming and cathartic as a fellow creative who would love to have the chance to do what I love to do like that.

play wrestling, yan genshin edition.

lets you win, offers no resistance because they think you're cute: zhongli, shenhe, diluc, albedo, alhaitham, kazuha

lets you win because they don't even realize what you're doing: alhaitham, xiao, cyno, ei

would've let you won, if you hadn't provoked them with insults: kaeya, eula, kaveh

wins to establish dominance: CHILDE, scaramouche, raiden shogun

thinking about mizu from blue eye samurai. thinking. thinking so much. thinking about how mizu operates outside of gender. like we joke about her gender being revenge but straight up? it literally is. like she grew up as a boy and is most comfortable being a man, but behind that is the feeling of betraying himself because he isn't being honest about who he is and he lives in fear of being discovered. and when he lived as a woman, she found joy there as well. she fell in love, and though she wasn't good at it, she liked being a wife and enjoying a simple life. but in that life too, she isn't being honest about who she is. and when she reveals her true self, it's not a woman, she's a demon, a weapon. she's to masculine to be a woman, and too feminine to be a man. ultimately, mizu is most comfortable when they are being a murder machine. that's when they feel they are being the most true to themself. like a sword, they are neither man nor woman, but a blend of both, which makes them stronger.

i genuinely think the people who insist the life series is scripted just don’t understand the difference between something scripted and something that’s been given a basic premise and directives that everyone involved in agrees to play along with for the bit. like, no, specific moments aren’t scripted, but there’s a reason the series isn’t just “best pvper wins” and it’s because they deliberately prioritise entertainment over pure skill because the same person winning every time just wouldn’t be fun.

like, for the most part they’re a bunch of drama kids who have been given the perfect playground to act out the shakespearian tragedy of their dreams (some more so than others) (hello rendog) and they’re given the tools and situation to do so but everything else is just improv. and they’re also just having fun like i think we should all remember they’re doing this to have fun with their friends and play on a server where anything goes and they can grief all they want and sometimes they’ll just make stupid mistakes like walking off the side of a diving board and dying because they were so miffed about losing to a best tower competition they forgot where the stairs were, or blowing themselves up with their own tnt trap because they placed one block in the wrong place.

also i think people forget just how generally predictable people are in general, like after five seasons you can definitely start to guess how people will behave because they’re just like that. joel is reckless and he likes to poke the bear, martyn is good at staying alive but not good at keeping hearts (the difference between winning limlife and going out early in secret life), scott is good at the social game and a formidable opponent but also terribly self sacrificial, bdubs will betray anyone he’s allied with if offered something good, etc etc etc

Lucy (The Egg Girl) spent an inordinate amount of time on these websites and hope you have fun doing so too!

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This place is a message... and part of a system of messages... pay attention to it!

A very, VERY basic doctors argument

Music in Our flag means death s2

I Love My Baby - Nina Simone

Strawberry Letter 23 - Shuggie Otis

Pygmy Love Song - Francіs Bebey

Run From Me - Timber Timbre

This Woman’s Work - Kate Bush

SeaBird - Alessi Brothers

Baby - Donnie & Joe Emerson

Wasting My Time - Harry Mosco

La Vie En Rose - Con O'Neill

I Love My Baby - Nina Simone (2nd time)

Roads To Moscow - Al Stewart

That’s All Right - Laura Rivers

The Times They Are A-Changin’ - Nina Simone

Music in season 1:

Importance

Ren is SUCH a wet dog this season, every single episode he appears in he comes off as this PATHETIC SOPPING WET DOG MAN that is trying really hard to look cool!!

"I'm working hard mining with you guys! I'm organizing!" - Doesn't contribute anything, gets mocked by his co-workers

"No guys!! My game is really difficult!!! If you die you don't get anything!! There's no exceptions!!!" - Dies while doing a basic task

"I'm going to make a big tower!! So menacing!!" - Makes a tiny tiny tower, gets mocked by his neighbors

"Guys please help I'm stuck on my tower" - Fucking dies again

He keeps trying, no one buys it, cleo mocks him, beef mocks him, iskall mocks him, even MUMBO JUMBO is making fun of him at this point.