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banjorice3 · 2 years

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Examine This Report on Study Notes ABA

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#study notes #unisa notes #unisa study notes

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phantomtutor · 2 years

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SOLUTION AT Academic Writers Bay You are only allowed to use the textbook ( The Evolution of Economic Thought, Eighth Edition by Stanley L. Brue and Randy R. Grant) I can help you with book pages if you don’t have it! Citation of sources is required, could be as simple as (Brue and Grant, Chapter 1, p. 4). 1. Why, according to Sismondi, are economic crises and imperialism inherent to capitalism? What role do bankers play in this? 2. What are the major tenets of marginalist thought and determine which of them apply to the writings of Cournot. 3. Contrast Marshallâ€™s distinctions between: (a) supplementary and prime costs; (b) immediate present, short run, and long run; (c) increasing and decreasing cost industries; and (d) internal and external economies. 4. Proponents of limited government often look to the classical school for intellectual support. In what way(s) does the classical school support their view? In what way(s) does it perhaps call for more government than the proponents of limited government would like? 5. Name two economists about whom you read this semester and list two things about each economist that you found particularly interesting and explain why. “CUSTOM PAPER” CLICK HERE TO GET A PROFESSIONAL WRITER TO WORK ON THIS PAPER AND OTHER SIMILAR PAPERS CLICK THE BUTTON TO MAKE YOUR ORDER

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el-pollo-gigantes · 2 years

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Ponte di Puntid by brue' Ponte di Puntid can be found in Val Calnègia, Ticino, Switzerland. Hope you like it! And if you do, please leave a fave! https://flic.kr/p/2nRHLzs

#IFTTT #Flickr

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hirokiyo-rb · 2 years

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✔︎︎︎︎ 秋コーデ模索中🍁 足元は… JD1👟✨⚫️🔵⚪️ university brue 良き🫶 #nike #air #ないき #ナイキ #US10 #ナイキ #ないきしゅーず #ないき✔️ #atmos #スニーカー #スニーカー好きな人と繋がりたい #ぽーとれーと #ポートレート #人も車も #お洒落は足元から #スニーカー好き #スニーカー集め #スニーカー男子 #エアジョーダン1 #エアジョーダン #aj1 #jd1 #universityblue #gotem #ストリート #ストリートファッション #スト男 #脚元倶楽部 #脚元 #あしもとくらぶ #あしもとくらぶ #street (日本だよ) https://www.instagram.com/p/CjMGEIsvLrf/?igshid=NGJjMDIxMWI=

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khoman------i11111 · 3 years

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MAXWELL KHOMANI

REPORT

This report will discuss the design process that has been used when creating a company identity, brand identity as well as a poster.

1. COMPANY IDENTITY

To begin with, I prepared an identity design brief for a company called Austin Car Dealer. The problem statement in the design brief was to design a new business identity that will outlines the company’s core values such as honest, trustworthy, luxury, reliable and strong. The objectives of an identity were to increase the growing reputation of the business within Malawi, show that Austin Car Dealer is a high distinctive business in Malawi, increase loyal customers and increase trust in the eyes of potential customers.

In addition to that, the demographics of the target audience were as follows:

· Gender- All genders were the potential targets

· Age- 18 to 65 years.

After preparing a design brief and approved by my client, I defined the design problem based on the company’s core values as well as the project objectives. When defining stage is done I did a secondary research and that research was trying to find out different ways on how an identity can be created to portray the company’s image as well as achieving its objectives. In the first place, I got a book of Jim Krause titled Logo Brainstorming. Krause (2021) indicates that an effectively chosen colour combined with black and applied appropriately to a well-crafted identity helping the signature attracts and hold the attention of its target audience. After that I got some aspirations from the book titled the Art of Creating Visual Identity written by Gareth Hardy. Hardy (2011) mentions that brue colour symbolises trustworthy, reliable and honest. Therefore, in relation to Krause (2021) I decided to use brue and black as corporate colours of Austin Car Dealer. Furthermore, when research is done, I formed my ideas and wrote them inform of sketches. I did four sketches and I selected one out of them. After that I started drawing an identity using Adobe Illustrator. I created outer and inner circles using ellipse tool. I used type tool to type on a path to add texts inside the circles. Finally, I used a star tool to add stars to the identity.

Furthermore, I added a car symbol to the identity to illustrate what company sells. The slogan ”best of the best” on its own tells audiences that there is no any other company above Austin Car Dealer at the market. In addition to that a slogan and the stars assist in achieving the following objectives:

1 To show that Austin Car Dealer is a high distinctive business in Malawi. This objective has been achieved through the use of slogan.

2 To increase the trust in the eyes of potential customers. This objective has been fulfilled through the use of brue colour on the logo (Hardy, 2011; Keller, 2009).

2. BRAND IDENTITY

Next, I prepared a brand identity design brief for the company. The problem statement in the design brief was to design a new brand identity for a car that has selected to be promoted. The identity should outlines the values of a car such as speed, strong and low fuel consumption. It should also be created in reference to the company’s identity. The objectives of the identity were to convince many people to buy the brand, to portray the speed of a car, to portray that the car does not need a lot of fuel and finally, to outline the strength of a car.

In addition to that, the demographics of the target audience were as follows:

· Gender- All genders were potential target.

· Age- 18 to 65 years.

After preparing a design brief and approved by my client, I defined the design problem based on the car values in considering the objectives of the brand identity. When defining stage is done I did a secondary research. The research was trying to find out different ways on how the brand identity should be created to outlines the stated car values as well as achieving its objectives. I got a book of Daniel Chandler who wrote about semiotics. After studying the Chandler’s book I noted that it is possible to create a brand identity that will portray the speed, strong and low fuel consumption in a car. I planned to use a metaphor as it is defined as an object in a literary way by referring to something that is considered to have similar characteristics to the person or object you are trying to describe (Walter , et al., 2008). Therefore, I decided to use the name of a certain animal called “cheetah” to refer to the car as its brand name. This is because according to Johnson (2021) Cheetah is the world's fastest and strong land mammal which can go from 0 to 60 miles an hour in only three seconds. Cheetahs need only drink once every three to four days (Johnson , 2021). In addition to that, I created the brand identity in reference to its parent identity. Red and black colours are also present on the parent identity to create some sort of connection in terms of its values. In demonstrating the speed of a car in visual form I added the shapes to the brand name. The slogan “Made for you” is an appeal which tells the audiences that the car was made for them. I used this appeal to convince many people to buy the brand.

3. A POSTER CREATIVE BRIEF

Finally, I prepared a poster design brief for the company. The problem statement in the design brief was to design a poster advertisement that will help to promote the Austin Car Dealer’s business. The objectives of the project were to increase awareness and influence purchase decision. The demographics of the target audience were as follows:

· Gender- Both genders were targeted.

· Age-18 to 54 years.

· Income- Both lower class and upper class.

When brief is done, I defined the design problem based on the objectives of the poster. After that I did secondary research and the research was trying to answer the following questions:

1. What is a poster?

2. How a poster can be created?

Furthermore, the research answers the first question that a poster is a large notice, picture or ad printed on a big piece of paper (Ambrose & Harris, 2003). In answering the second question, Ambrose and Harris (2003) states that poster contains words and images combined to send a clear messages to passersby. Poster look best when designed and printed on quality paper. Ambrose and Harris continue by saying that the choice of colour, elements positioning and words is what together influences the message get through on a poster.

When research is done I did 3 sketches during brainstorming stage whereby I selected one out of them for prototyping and then after testing it I created a complete poster below:

In trying to achieve the objectives of the poster, the positioning strategy was utilised. The car is positioned as “top speed, and low fuel consumption”. This will help to achieve the second objective. In addition to that, the first objective has been achieved through the use of visual hierarchy in a design as a point of emphasis. The sentence “car for sale” has been put in larger font size which draws more attention. Apart from that, the brand identity has been put on top of the page which also help audiences to capture the name of a car easily and stick in their mind. The following principles of visual hierarchy have been used for layout.

1. Principle of hierarchy

The brand identity has been put on top of the page while the company’s identity is at the bottom and also it is small in size as compared to brand identity. This will help to create a point of emphasis on a design (Ambrose & Harris, 2003).

2. Principle of contrast

In term of colour combination, the colour wheel has been utilized through the use of complementary colours on the colour wheel. The design also contains colours that are on company identity and brand identity.

Finally, the design is targeting everyone from the age of 18 to 54.

References

Ambrose, G. & Harris, P., 2003. The fundamentals of creative design. SA: AVA Publishing .

Chandler, D., 2017. SEMIOTICS; THE BASICS. Third edition ed. London and New York: Routledge.

Hardy, G., 2011. Smashing Logo Design: The Art of Creating Visual Identities. 1st ed. United Kingdom : John Wiley & Sons, Ltd.

Johnson , W., 2021. NATIONAL GEOGRAPHIC. [Online] Available at: https://www.nationalgeographic.com [Accessed 24 May 2021].

Keller, K. L., 2009. Choosing Brand Elements to build Brand Equity. In Strategic Brand Management. 3rd ed. Delhi: Dorling Kindersley.

Krause, J., 2021. Logo Brainstorming. [Online] Available at: www.jimkrausedesig.com [Accessed 2 7 2021].

Walter , E., Granz, D., Bednarczyk-Krajewska, D. & Glennon, D., 2008. Advanced Learner's Dictionary. Third Edition ed. s.l.:CAMBRIDGE UNIVERSITY PRESS.

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violetsmoak · 5 years

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Appetence [11/?]

AO3 Link:https://archiveofourown.org/works/20251420/chapters/47997634

Blanket Disclaimer

Summary: Red Robin is investigating the disappearance of a friend and stumbles into a spot of supernatural trouble. He doesn’t expect to be saved by Jason Todd, miraculously alive five years after his death and now with the inexplicable ability to commune with the dead. Meanwhile, when Jason returned to Gotham he meant to maintain a low profile and not get involved with Bat business. That was before he found out how hot his Replacement is.

Rating: PG-13 (rating may change later)

JayTimBingo Prompts This Chapter: #haunting #paranormal investigator

First Chapter

Beta Reader: I’ll get back to you on that.

Author’s Note: I decided to upload this today instead of tomorrow as I have a final paper due Friday and if I'm gonna concentrate on finishing it and not writing fanfic, I need to put this up now :P Enjoy the BatFam feels.

________________________________________________________________

A day later and Jason is still stewing in anger—and, if he’s being honest—a bit of hurt. Even after reuniting, even after listening to what Jason had to say, and trying to get him to come home—Bruce still can’t be convinced to deal with the Joker.

Or at the very least stand aside and let Jason do it.

It’s like he’s trying to protect my non-existent virtue or some kind of innocence I never really had.

Does Bruce even actually remember him anymore? Or has he built up some false memory in his head that’s turned the boy Jason was into some clone of Dick?

The obvious, adult way of finding out would be to drive over to the manor and go for Round Two in confronting Bruce, but that’s a journey he’s not ready to take yet. Especially since the emotionally stunted man child that is the Dark Knight might take that as Jason coming to grovel for forgiveness, which just…no.

It’s decided. Jason will sit and sulk in his office and pretend Bruce and all of his Bat-drama doesn’t exist. He has work to do, anyhow.

The phone rings and Jason smirks.

“Like I said,” he tells himself smugly and picks it up, leaning back in his chair with his feet on the desk. “Beyond Investigations, Victor Shelley speaking.”

“First of all, you have a really warped sense of humor choosing that as your civilian identity,” a familiar voice tells him, and Jason’s stomach flips a little as he nearly slides off his chair.

“Well, if it isn’t my esteemed former stalker,” he drawls, then winces because it’s not exactly his best line. “You can’t tell me it’s not funny, in the gallows kind of way.”

“If you wanted gallows, I’m surprised you didn’t go with Vlad Stoker,” Tim Drake remarks.

“That would be cliché. And Stoker’s overrated. Also, he once demanded all the gay writers be imprisoned, which ain’t cool,” Jason replies with an easy enjoyment. “But I doubt you’re calling to talk early horror literature with me. Gotta say, it’s the first time I’ve ever waited more than two days for someone to call me when I give them my number.”

Shit. That was a little more flirting than he intended.

“That leads to second of all,” Tim says, either missing the innuendo or ignoring it completely. “Care to explain why, after you asked me not to say anything to B about you being here, you ratted me out to him?”

That’s…not what he was expecting. Jason sits up, suddenly serious. “Ratted you out? What are you talking about?”

“He came back home after that thing downtown with Freeze yesterday completely shaken because he ran into you, and apparently you let it slip that I knew you were back and didn’t tell anyone.”

There’s more than a little irritation in Tim’s voice there, and Jason’s heart picks up a bit in worry. He thinks back to the encounter the night before, trying to figure out when he would have outed Tim. He can’t think of anything.

Then he remembers his parting words.

The blood rushes to his face.

If Bruce figured out he was talking about Tim with such a throwaway comment, he worries what else he might have inferred.

Don’t think about it too closely. Worry about putting Tim in his crosshairs.

He groans. “Sorry, my bad.”

“Apparently I should have been the one asking for a week’s grace,” Tim goes on dryly.

“Honestly, I wasn’t thinking,” Jason tells him. “Talkin’ to B always gets my blood pressure up, and then my mouth just starts to run.”

“No kidding.”

“He didn’t give you too much trouble, did he?”

There’s a pause, and then, “No more than normal. A couple of years ago that sort of thing would have really messed with my head, but these days I can deal.”

“What happened a couple of years ago?”

Tim pauses again, and even though Jason can’t sense auras or ghosts through telephone lines, he’s pretty sure that the dark aura constantly surrounding the younger man is behind that.

“Let’s just say I learned that Brue can be myopic about certain things,” Tim says at last. “Either he’s entirely focused on what’s right in front of him, or some arbitrary future end game. He doesn’t really…absorb the things that happen between those two points.”

Jason blinks. “That’s a scary kind of accurate.”

“That’s what I do. I think and I know things.”

Jason can’t hold back a scoff.

“Did you…did you just misquote Game of Thrones?”

Tim lets out a somewhat startled laugh. “I guess I did. Totally unintentional, I promise. Although, you get points for catching it.”

“Points for what? Is there a prize?”

“Even if there was, I’d be keeping it. I’m still ticked off at you for telling on me to B.”

“And I still feel bad about that. I owe you a drink.”

No, no you don’t. No drinks, no nothing. Off-limits, remember?

“Still not old enough to drink, Jason,” Tim replies, voice sounding less irritated and weary and more…amused? Fond even?

Then he hangs up, leaving Jason staring at the receiver of his phone in puzzled frustration.

“This isn’t going to end well for me, is it?”

“No,” Sheila tells him from where she’s lingering across the room, “it’s not.”

Jason lets his head fall onto his desk.

With the ice now broken with Tim and Bruce (or at least as broken as it can get given the latter’s inability to process anything resembling emotions), Jason pretty knows his days of privacy are likely at an end.

He completely expects the requisite visitations of various Family members who will no doubt have been told he’s alive.

Both the ones I knew and the one I didn’t…

If he weren’t pretending indifference, he would have expected Dick to be the first to show up, all passion and anger. He doesn’t have many memories of his predecessor-slash-older-brother-figure where he wasn’t furious about something—almost always Bruce related. To Jason, he only seemed to have two settings: coddling and wanting to pick a fight.

Jason’s not sure which of those he wants to encounter just now.

Turns out his intuition about Dick being his first visit is completely off.

Instead, he wakes one night from a dead sleep by a sense of presence, both physical and spectral.

There’s a kid standing at the edge of his futon, swathed in Robin’s colors but with the aura of a predator lying in wait. He can’t be more than twelve, and there’s just something about the set of his shoulders and clench of his jaw that screams Bruce.

He’s also not alone.

Outside the open window that the kid obviously used to break in, a ghostly figure in a voluminous green robe looms, hissing imprecations at Jason’s wards from the decapitated head it holds in its hands.

Jason blinks, intrigue cutting through his sleep-dulled senses. Considering the kid is Talia’s, he obviously has some League of Assassins training. Given that, Jason would have expected there to be a lot more ghosts following the kid around. Either he hasn’t killed very many people beyond the one by the window, or the ones he has didn’t leave anything unfinished.

Either way, this brat’s dangerous.

“You know who I am?” Robin challenges although it’s more a statement of fact.

“Chip off the old block is what you are,” Jason grumbles, sitting up—slowly, in case the hard-looking kid thinks he’s about to try something. He’d rather not get into another Wayne beatdown so soon after his encounter with Bruce. “Did he actually teach you the menacing-people-in-the-dark thing, or is it genetic?”

“What is your purpose for returning to Gotham?” the boy demands, ignoring the question.

“Best chili dogs in the world,” Jason shoots back, reaching for the small table beside his fold-out bed and the carton of cigarettes there.

“Stow your flippant remarks, Todd, I will have my answer whether you give it voluntarily or after I’ve loosened a few of your teeth.”

“Big words for someone probably still losing their own baby teeth. What are you, six?”

“I won’t tolerate any attempts to shove your way back into Father’s life,” the boy insists. “We already have one failure lingering about where he shouldn’t be, no need for a second.” He pauses, tilts his head to one side, and his mouth pulls into a cold smirk. “Or rather, you were the first, weren’t you?”

Jason narrows his eyes. “You know there’s a headless guy in a green curtain following you around, right? I’d think really hard about what B considers a failure before throwing that word at other people.”

The kid’s mouth goes white around the edges—touchy subject, apparently—and moves into a crouch like he’s about to dive across the room. He pauses though, fingers touching his hear, and then scowls.

“That Daddy calling you out for missing curfew?” Jason prods.

“This isn’t over!” the kid snaps, and then like he’s making a point, whips a Batarang at Jason’s face.

By the time Jason’s reached up to catch it, the brat and his ghost have vanished.

“Well, that was fun,” Jason mutters, bemused and confident he won’t be getting back to sleep any time soon.

He spends the rest of the night and early morning first checking emails and then researching. John sent him a bunch of information on kodoku, the technique Jason couldn’t remember in conjunction with the thing attracting negative energy to Tim.

It’s not exactly what he was thinking of, but even if it doesn’t help him figure out that conundrum, it might offer an inkling or two of how to deal with the ever-present Joker problem.

Need to read up on it more before I can know for sure.

His stomach growls and he decides to table it for now. There’s a 24-hour breakfast place down the street actually does bangers and mash, which he’s been craving since leaving London.

Instead, there’s a knock at the door.

Guess I’m putting off breakfast for a bit longer. Oh well. Potential client.

Jason forces himself to put on a normal, welcoming face and goes to open the door.

What he doesn’t expect to find is a certain English butler standing in the shitty hallway just outside his office, with a bulky canvas bag in his arms and a disapproving look on his face that only just falters as their eyes meet.

It’s as if the air has been punched out of Jason’s lungs because if there’s anyone he has missed than anyone else since he’s been away, it’s Alfred.

“Master Jason,” the older man says, somehow managing to keep his voice from wavering, and god, he sounds the same. “I am sure in instilled at least a rudimentary etiquette into you as a boy. Therefore, you can imagine my disappointment upon learning you have been in Gotham for several weeks now and did not come to call at the manor.”

Jason can’t hold back the slightly hysterical chuckle at that, because trust Alfred to act like he’s been on some kind of extended vacation, instead of six feet under and insane. Yet, it doesn’t feel as dismissive or repressing as it would from Bruce.

“You know me, Alf,” he says through a suddenly dry mouth. “That stuff never took.”

“So it would seem.”

They exchange looks, both sizing up the other and then Alfred raises an eyebrow. Jason shakes his head like a sleepwalker and indicates the older man should come in.

Alfred moves smoothly across the threshold of the tiny office, frowning at the disarray (and mostly at the futon).

“Given the fact you’ve only recently, er, moved in, I thought it best to arrive with provisions.”

He sets the paper bag down on Jason’s desk and removes a box containing a hot plate, a kettle and what appears to be a package of tea. Though his back is turned, there’s a tension in his shoulders and a minor tremor that, when Jason cranes his head, he realizes are from shaking hands.

When Alfred turns around, Jason can’t hold back from reaching over and enveloping him in a hug.

It’s so different from the awkward thing with Bruce, and even though Alfred has never been the hugging type, he holds Jason just as tightly.

They stay like that for several moments, before Alfred speaks again, his voice tense like he’s speaking around a lump in his throat. “You have certainly grown into your various limbs, my boy.”

“Yeah…yeah, I guess I did…”

Jason tells Alfred everything.

He doesn’t skip any of the details the way he did with Tim and, to an extent, with Bruce. Because the fact is, he doesn’t know Tim, not really, and he knows Bruce too well. Alfred won’t look at him with pity or as something damaged; there’s pain in the way he watches Jason, but also an overwhelming and unquestionable relief.

Alfred isn’t one to cry, but his eyes gleam wetly as Jason relates how he woke in his coffin and the trial of digging himself out.

“I didn’t remember it for a while,” he admits. “Mostly it’s what comes back in nightmares. I guess it’s so clear because it’s the only thing that happened to me for another year. I was in a coma for about as long.”

“And no one knew who you were,” Alfred murmurs dully. “Everyone thought you were already dead.”

“…yeah.”

“My dear boy…if we had known…”

“Can’t change the past, Alf,” Jason shrugs, trying to play it off. “And even if you had known, I wasn’t me for a long time. Wouldn’t have wanted you to go through that.”

“And yet…somehow, you rallied,” Alfred says, determined. “You recovered.”

“I guess you could say that,” Jason says with a bitter twist of the mouth. “Not sure people would call seeing ghosts ‘recovered’.” He exhales. “I do see ‘em, Alf—all the time. I didn’t know what it was I the beginning, and…that made things harder. I was so out of it; I couldn’t tell when I was talking to someone alive or someone dead. Everyone at the hospitals thought I was insane. Bet you can guess what happened next.”

“Master Timothy…was reluctant to tell me when I asked,” the old man admits. “I’m astounded anyone in the system would have thought Arkham of all places was the appropriate place for you.” He clenches his fists together, no doubt imagining using them on whoever made that particular decision. “But Mr. Constantine, he rescued you?”

“Yeah,” Jason leans back, crossing his arms. “If he hadn’t shown up, I’d still be rotting away there. It was completely by chance, too. An old mate of his called in a favor with him, wanted to prove his sister was possessed and not bat-shit crazy.” Alfred shoots him a reprimanding look and Jason shrugs. “Sorry. Anyway, turns out she was crazy. John was keen to get out of there as soon as possible and happened to pass my room on the way out—he heard me talking to one of my many spectral roommates. He could sense the energy and when he went to look, he could see ‘em too.”

“And thus discovered that your supposed insanity was not quite so clear-cut,” Alfred determines, looking a mite triumphant.

“Not exactly. I’d been driven almost beyond the point of no return by then. If I’d been there much longer, it’d have been too late. But John could tell I was a medium. He decided I wasn’t supposed to be there and busted me out—then decided it’d be dangerous to let me wander around on my own like that. Been with him ever since. Three years of trying to heal what that asshat clown did to my brain and train myself not to lose it when I get rushed by a stampede of dead people.”

“Then I can only be grateful to him,” Alfred says. “Should you speak to Mr. Constantine in the near future, do tell him he will always have a place to stay at the manor should he need it.”

Jason laughs. “I don’t see him coming out this way any time soon. And I doubt B would be open to that arrangement.”

“You let me worry about Master Bruce. As for you—is there any point in reminding you that you also have a place to stay should you tire of this…urban setting?”

“This is my home, Alf,” Jason replies, at least halfway apologetic. “The manor might have...become that if I’d been there longer. Maybe.” He spares a moment’s thought for the little boy that wanted nothing more than to become Batman when he grew up. “But not now. I’m too—I’ve got my own mission now.”

Alfred nods, mouth turned downward. Jason tries to pretend he doesn’t notice the sad gleam in his eye.

“In the hope that your mission is not so all-consuming as Master Bruce’s, I shall still keep a guestroom at the ready. I…suspect returning to your old room would harm more than heal.”

And this is why Jason always loved Alfred. He gets it. Even when he’s hoping for the impossible.

“Guess I can live with that,” Jason says.

“I do expect you to call for dinner at some point in the future. Perhaps not until you’re more settled. But surely you can sacrifice an hour or two for a pot roast dinner.”

Jason’s mouth immediately waters.

“Oh, that’s playing dirty, old man,” he tells him seriously.

“Having lived in Gotham this long, it’s hardly a surprise that I, too, can affect nefariousness when the occasion calls for it.” There’s a buzzing sound and Alfred digs into his pocket for his mobile phone and then heaves a sigh in a very familiar way. “Master Damian’s school. I’m afraid I must attend to this.”

“Ten o’clock and he’s already in trouble,” Jason whistles. “Beating my old record, huh?”

“You have no idea,” Alfred agrees seriously. He stands then, looks like he wants to hug Jason again but manages to keep control of himself this time. “Seeing you again is a gift, Master Jason. I hope you will allow me to impose on your hospitality again in the future?”

“You’re welcome here any time,” Jason says, warm and sincere. “I’m…it’s really good to see you again, Alf.”

The old man nods then continues to gaze at Jason a few beats longer, as if to make sure he really is seeing him, and then heads for the door. Jason sees him out, watches him until he vanishes around the corner, and then sags heavily against the doorpost to his office.

A bone-deep exhaustion that has nothing to do with sleep deprivation washes over him.

“'Stay under the radar’, I said,” he mutters to himself. “'Don’t let the Family know I’m here'. That was the plan. There was a reason for the plan…”

A reason that was supposed to guard against an estranged father and attractive replacement and loving butler.

(Well, to be fair, he didn’t know that ‘attractive replacement’ was on his list, but it clearly should have been.)

At least I got the really hard reunions out of the way. Except for Barbie, but I doubt she’d drag herself up a flight of stairs just to see me. Might be able to avoid that one a bit longer…

Honestly, he's kind of afraid of having to look Barbara Gordon in the eyes. There's so much pain between them, all caused by the same evil.

As it turns out, Jason’s next visitor is somehow more overwhelming. Or at least starts out that way.

He’s shuffling through the hallway to his door with a bag of take-out that evening, and suddenly the air becomes cold and suffocating. Jason winces, tries to breathe slow and measured against the cold.

“Whoever you are, can you just…stay where you are for a minute?” he grunts, fumbling with his keys to jimmy the door open. Silence is the only response, but he takes that as acquiescence.

Well, that’s rare. A creepy stalker that actually listens.

He practically falls into the office, the constricted sensation in his lungs vanishing as soon as he crosses the threshold.

Wards are still working. Good.

“Okay, you can come in now,” he says, putting his groceries on his desk and turning around.

He almost does a double-take.

The person that glides into his office is a small Asian girl, maybe an inch or two shorter than Tim, and deceptively dainty looking. Deceptive, because Jason can see the ghosts crowding the hallway behind her, clawing at the doorway and keening and cursing at her in a myriad of languages.

“How in the hell does someone that looks like you have that big a body count?” he asks, halfway between impressed and horrified.

The girl’s face remains blank, but her eyes skitter away, as if in shame. Jason immediately feels like a tool.

“Sorry,” he mumbles. “Didn’t mean it that way. It’s just…you’re just a kid.”

“Older than you,” she tells him in clear but accented English. She cocks her head to one side, studying him in a way that is almost as invasive as any of the mind-readers he met while working for John. And then she smiles and says, “Little brother.”

Whatever he expected, that wasn’t it. Jason blinks.

“…What.”

She points to herself. “Cassandra. Wayne.”

“Wayne,” he repeats, and then makes the connection and snorts. “Of course. Most people collect stamps. B collects orphans.” He wanders over to his desk and sits down heavily. “What’d he bring you in for? Me, it was boosting tires off the Batmobile.”

Cassandra Wayne’s eyes widen in surprise and then sparkle with amusement and delight.

“So, what brings you here? Come to stare at the clan screw-up?”

“Curious,” she tells him.

“About?”

“They said you see…differently,” she says.

“That’s one way to put it.”

“It’s…comforting,” she says, hesitating on the word like she’s not sure it’s the right one.

“Why’s that?”

“I see different too.”

Jason eyes her, then the myriad ghosts lingering beyond the words. He nods, serious. “I bet you do.”

She smiles at him.

He kind of can’t help be charmed by her, despite the vicious insults being hurled at her by her ghostly entourage.

“Tell you what,” he says. “Close that door so I can hear myself think, and you can stay for supper. I’ve got too much for just me.” He nods at the bags which contain what was supposed to be both tonight’s meal and tomorrow’s lunch. “Not sure if you eat souvlaki, but—”

“I eat anything,” she replies and sits in one of the chairs by his desk.

“Same here,” Jason agrees, handing her one of the Styrofoam containers. “Just promise me you won’t eat it with a fork and knife.”

She makes a face. “I am not Bruce.”

“Thank the gods for small miracles…”

To Be Continued

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