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#our reason for living
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Group E Round 2
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[image ID: the first image is a manga panel of Reo Miyao, a boy with medium length black hair that covers his right eye. he's wearing a black turtleneck sweater, and he's saying: "Is because of I, Miyao, your hero!" outside of his speech bubble is the Japanese onomatopoeia for "Ta-dah" and the words: "Bow before me peasants!" the second image is of Principal Shirley Oddwell, a being with a yellow 4-point star for a head. surrounding his head is a blue-purple miasma. he wears a suit jacket of the same color, a yellow shirt, and red tie. his hands are also yellow. he's saying: "I might have...y'know...met some deity at a party and convinced him to give me a liiiitle bit of power. So I made a portal." a person offscreen says: "Of course you did." end ID]
Reo Miyao
Miyao is a noodly little chuuni boy who believes that his third eye is open to the supernatural, and thusly, that this makes him incredibly hot shit. However, when he and his classmates become trapped in their school and begin turning into puppets, he turns out to be a horrible little coward that will not hesitate to throw everyone under the bus and start whining when they get mad at him for it. He's largely a comic relief character and a lot of the time it might seem like he's just making things worse, but because of his interest in the occult, he's actually really genre savvy and ends up lasting a lot longer than a lot of the more "normal" characters one might expect in a manga like this. He sucks (affectionate), but he's surprisingly useful, and he's just really entertaining to watch.
Principal Shirley Oddwell
Oddwell is well, very odd. Besides talking casually and having his text in all caps, he's shown to be extremely eccentric and very unprofessional despite being the principal of Oddport. He goofs off a lot, announcing to the school asking for a student to come to his office when everyone knows he can just teleport them there, and mashing the button for the speaker system because he likes pushing big red buttons, annoying his co-workers and students in the process. He rushes his choices and doesn't explain much at all, even when trying to get the protagonist to go to his school the first time, to the point where we don't actually know said protagonist's name yet. Despite it all, he's nice, pretty well meaning, and just a goofy, silly guy. He's got a lot of mysteries and suspicion around him though, but I don't wanna spoil the comic too much. (Seriously, go read Oddport Academy.) To put it short, he's a fun principal who runs a boarding school that teaches kids from different worlds various questionable classes like murder and witchery, from a comic that has a charming ms paint-like artstyle.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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awagf · 3 months
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Emo boy with umbrella... Save me emo boy with umbrella <//////33
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Praying and hoping the two (2) other people on this planet (website) who know this manga exists see this in 5 years or somethijng I've been so obsessed w this fucker even if the series itself was lacking so hard.. I even got the shitty mobile clicker game just to see Reo in color.... Thank u @obscurecharactershowdown for reminding me I have to post these 🔥💯
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hailsatanacab · 6 months
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
#dpxdc#batpham#i forget - can we tag the parent fandoms? w/e#immediately alfred's like: while i do appreciate your initiative may i suggest it wait until after dinner?#and danny - who has barely eaten proper homecooked food ever - takes one bite and then absolutely wolfs down the whole lot#after he's finished he's like 'bear with - I've got to add that to the 'Reasons I Would Like to Live Here' section'#danny's powerpoint has tailored sections for each batfam member with lists of reasons why they'd get along#my au thoughts on this is that the fentons disowned danny when he told them he was phantom#and that this is after the ultimate enemy - wherein which he allied himself with the JL to fight against dan#(which didnt really work at all - BUT he knows some of their identities now INCLUDING batman's)#so one of the main reasons why he'd be a great fit is that he knows their vigilante status anyway so they don’t need to worry about secrets#dick just turns to tim like 'he’s your friend. he learnt this from you.'#tim: 'i didn't tell him our identities!! i would never!!'#dick: 'no i know that. it's the stalker tendancies. it's baby tim all over again'#tim: scandalised gasp#they all eat dinner in silence just super subdued and in shock and sending glances to bruce and danny#duke like: 'so i know I'm the last one in the family but like... this isn't how it normally happens right? did any of you make powerpoints?#tim gets all shifty because he absolutely did make a powerpoint he just never actually showed it to anyone#everyone stares at tim because they all know. it was in one of bab's blackmail files she has on him#damian's slide has danny offering to throw down at any time. 'tim says you like to prove yourself with your skills?#how about a real challenge? if i beat you then you have to vote yes to adopting me!'#damian is in two minds about accepting because... 1) look at him damian could take danny in his sleep! but#2) on the off chance that he does win... damian does not want any more brothers#(he takes the bet and its a suprisingly fun fight - and while he'll never say this... he would vote yes even without the wager)#on one of danny's slides there's a picture of ellie: you'll also get my clone sister! two children for the price of one!!#uhhh.... thats it now - I've been having fun with this haha#spent all day with the 'ive lured you here under false pretences' 'danny i live here' line in my head haha#anyway enjoy!!!!!! this was fun#i wanna make these slides so bad
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thegroundhogdidit · 8 months
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it's real fucking strange that the corporations think customers affected by the strike want the writers and actors to give in for the strike to end. like no i want the strike to end because the corporations gave in. like actually i do care about movies and tv shows being delayed but i also want the actors and writers to be paid. why is this so hard for the corporations to understand
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feluka · 1 month
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Egypt 1919
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crimeronan · 1 year
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llamagoddessofficial · 5 months
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this is for the real ones
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Group E Round 1
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[image ID: the first image is of the book cover of The Folding Star by Alan Hollinghurst. it depicts a man in a suit on a spiral staircase. the stairs are wooden and each landing is black and white tile. it's unclear if he's ascending or descending, but the viewer is looking down at him. the second image is a manga panel of Reo Miyao, a boy with medium length black hair that covers his right eye. he's wearing a black turtleneck sweater, and he's saying: "Is because of I, Miyao, your hero!" outside of his speech bubble is the Japanese onomatopoeia for "Ta-dah" and the words: "Bow before me peasants!" end ID]
Edward Manners
the definition of Bad Gay Rep. he's an english tutor who becomes obsessed with his student and with a dutch symbolist painter whose past love affair parallels his own. this is general propaganda for this book READ IT NOW IT WILL MAKE U SEE GOD
Reo Miyao
Miyao is a noodly little chuuni boy who believes that his third eye is open to the supernatural, and thusly, that this makes him incredibly hot shit. However, when he and his classmates become trapped in their school and begin turning into puppets, he turns out to be a horrible little coward that will not hesitate to throw everyone under the bus and start whining when they get mad at him for it. He's largely a comic relief character and a lot of the time it might seem like he's just making things worse, but because of his interest in the occult, he's actually really genre savvy and ends up lasting a lot longer than a lot of the more "normal" characters one might expect in a manga like this. He sucks (affectionate), but he's surprisingly useful, and he's just really entertaining to watch.
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putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023
#apollo don't fucking touch this one#serious post#not a shitpost#hope i forget about this post and have no reason to ever look back on it one day#fyi i'm aware that access to potable water is already a major issue in parts of the U.S. yes i know flint michigan exists#i'm saying that this issue is going to GROW unless local & federal governments work together to fix it.#so it's a matter of if we trust them to fix it. And well--do you?#what are the chances the government just denies there's a problem until the water actually turns brown#at which point it's already been common knowledge for years and people have just become resigned and that's our new normal#i'm mean come on. how many of us already believe that we're being exposed to dangerous pollutants we don't know about and can't avoid#like that's pretty much just part of being a modern consumer. accepting that companies will happily endanger your life for a few pennies#and the most you'll get is like a $50 gift card as part of a class action rebate 20 years down the line#probably the history books will look back on Flint as a warning and a harbinger that went ignored#luxury condos will advertise their built-in top-of-the-line filtration systems--live here and you can drink water straight from your tap!#watch the elite professional class putting $700 dyson water filtration systems on their wedding registry#while the rest of us figure out how to fit water delivery into our grocery budget while putting 90% of our paycheck towards rent#also eggs are $15
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froggiethelesbian · 9 months
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There’s something so intimate with seeing another disabled person in public. I was walking down the street with a friend to a cafe, my red cane in hand. Coming down from the opposite street was a young women with her friend. I saw her bedazzled cane, covered in stickers and art then looked up to her eyes. She had been looking at my cane, covered head to toe in stickers, before looking up to me. We both smiled and kept walking.But with no words spoken there was a message.
“You’re just like me. We are both here, living our lives, walking with a friend like everyone else. We exist, not just online but here in person, we are not alone.”
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bobsyourdylan · 6 months
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Okay, so – a few thoughts on Izzy’s death. I’m sure other people have also laid this out, but I haven’t stumbled across it yet, so this is partially for me to get my thoughts organized. For the record, I love Izzy – he fascinated me (in a horrified sort of way) in season 1, and then he grew on me significantly in season 2. What a weird little guy. But also – I’m fine with them killing him off, and also with how they did it, because I think it makes sense for the story. But I know that a lot of people are super upset about his death, and also about the way he died. So, a few semi-coherent thoughts on that: 
Why not a sacrifice play?
This writer’s room is so self-aware, so deliberate about engaging with tropes – there is no possible way that they sat around breaking the story of Izzy’s death and no one said “woah, wouldn’t it be symbolic and gut-wrenching if he sacrificed himself for Ed? Or Stede?” No way. So why didn’t they go that route? 
Izzy’s arc in season 2 has been all about becoming his own man, separate from Ed/Blackbeard. Like – that’s what he’s worked towards, this whole season. That is his growth. It would be insulting to take that away from him at the last minute, and make his death purely about Ed and Stede.
Listen, I love a sacrifice arc as much as the next person. But Izzy’s life isn’t about sacrifice anymore – that’s the whole point of his season 2 arc. He has spent decades sacrificing both himself and Ed to the altar of Blackbeard. No more. 
It also means that Ed and Stede’s mourning doesn’t have to be tinged with the guilt of “he sacrificed himself to save me/my partner.” They can mourn Izzy purely for himself, because he is worth mourning. This, I would argue, is the send-off that Izzy’s character deserves.
Izzy’s death wasn’t accidental on Ricky’s part – it wasn’t a stray bullet.
We see from the scene when the crew is locked up in Spanish Jackie’s that Ricky recognizes Izzy. We know from their conversation that, for Ricky, Izzy is the epitome of piracy – Izzy, not Blackbeard, is the legend.
The thing is – Ed and Stede are both in the scene where Izzy dies (I’m not sure if you can see Stede on screen, but the bts photos show Rhys’ position, on what would be the far right of the shot). Arguably, Stede would have been the easier shot – Ricky wouldn’t have had to complete a full 180-degree turn before he could pull the trigger. So why doesn’t he go for Stede, who abandoned him to the tender mercies of Spanish Jackie in the first place? Or Blackbeard, arguably the greatest/most famous pirate alive, with the possible exception of Zheng, who he’s already targeted? Sure, you could argue that he’d going for Ed here… but I don’t think he is. The shot’s too low to be accidentally aimed for Izzy – it would hit Ed’s knee or something, probably. I think that yes, it’s a panicked shot, not well-aimed at all. But if it’s aimed at anyone, I think it has to be Izzy. And at the very least, the symbolism of it is very much not accidental.
For probably the first time since they created Blackbeard, Izzy isn’t just a stand-in for Ed. His significance is his own in this scene – in all of his interactions with Ricky. He’s not targeted because he’s Blackbeard’s first mate (why go for the first mate when you could go for Blackbeard?). He’s targeted because he’s Izzy Hands – because he is significant, powerful, famous, respected in and of himself.
And more than that – this is an arc about the end of piracy. And Izzy Hands is piracy – the show has been telling us from the beginning that piracy is a mixed bag, full of the good and the bad, and Izzy represents that  – represents both the toxic, violent side of piracy, and the side of piracy that he grows into, that he explains to Ricky – piracy as family, home, belonging. Izzy dies, and it hurts, because not only is he a great character, but he represents in one person all of the complicated, hilarious, heartbreakin, violent, loving aspects of piracy – and of the show. But it is so, so important that Izzy dies as himself – not as a symbol or shield of Ed, or Stede, or Blackbeard. Not even as a symbol of piracy, but instead as the active embodiment of piracy – as something/someone who grows, changes, ends. Not as static or passive, but as better than when we first met him, as transformed as Buttons in his own way. 
Izzy’s death sets up a possible revenge arc:
We know that everything in this show ties back to the main relationship between Ed and Stede. Izzy’s death is, I think, significant on its own, for him as a character – but it is also, by necessity, significant to Ed and Stede’s relationship. Namely – it sets up an interesting conflict for season 3 re: a potential revenge arc for Ed. 
Now, clearly they’ve carefully ended season 2 on a relatively high note in case we don’t get a season 3. But we know they’re gonna be terrible at running an inn, and we know there’s unfinished business with Ricky. Ed’s current strategy of dealing with everything that’s happened seems to be “I don’t want to be a pirate, get me out of here” – which, while fair enough, won’t last, because that’s the nature of unfinished business. So, at some point, Ed and Stede are going to need to confront Ricky again. And, if the writers decide to lean into the revenge arc, I’d say the odds are pretty high that, when Ed lays eyes on Ricky again, we get a flashback to Izzy’s death. 
And this sets us up for a pivotal, and necessary, moment in Ed’s character arc: when confronted with pain, loss, negative emotion in general – can Ed deal with it without losing himself? Ed needs a balance between the Kraken, Blackbeard, and Edward, and we see at the end of season 1 and beginning of season 2 how challenging that balance is for him to find, especially when confronted with loss or pain. We can see Ed working towards that balance when he’s interacting with Low – Low’s taunts don’t push Ed to violence, but instead get to Stede. But comparatively, Izzy’s loss is a much greater blow, and at some point, Ed is going to need to confront that.
Plus – we know the writing team are thinking of Izzy’s death at least partially in terms of the mentor/mentee arc, which often confronts the question of revenge – after the mentor’s death, the mentee is required to choose on their own how to go on, what kind of person they want to be. And this often requires a confrontation with both the mentor’s loss and a decision about how far they want to take their desire for revenge.
Why not a cooler death?
Okay — I get this criticism. I do. Izzy is an amazing fighter, we all love that about him. And you can keep most of the above symbolism and still have him die fighting two dozen British soldiers. 
But — again — we are back to the root of this show: Ed and Stede. 
Izzy has two deaths this season: one in the premiere, one in the finale. The first is Stede’s fantasy. Cool swordfight, and Stede triumphs, obviously — but the premise of the fight is that Izzy’s a great swordsman and Stede bests him because now Stede’s a great pirate. This is Stede’s ideal pirate fantasy. 
But Izzy’s actual death is not like this. It is messy and inelegant and painful and no one gets any glory from it at all and Ed is crying with Izzy dying in his arms, and Stede wants to help, goes for bandages, but he doesn’t know what to do and it’s not enough anyways — And this is not a fantasy anymore. This is piracy, and this is the piracy that Ed wants to escape. And it’s important that Stede sees this, sees what Ed is done with. 
And it’s also important that Stede tries to save Izzy. Izzy isn’t just a symbolic barrier between Stede and Ed anymore, to be sacrificed to Stede’s reunion fantasy. He’s his own person, with his own death, and Izzy has grown, yes, but so has Stede.
And by using Izzy’s death to make this point, we both get Stede learning the reality of piracy and growing beyond his fantasy, and the glorious fantasy fight kiss i love you reunion between Ed and Stede (if Ed and Stede had reunited by fighting off dozens of British soldiers, but Izzy had died doing the same, the dissonance would have messed with both the death and the reunion, because we the audience wouldn’t be able to distinguish between the fantasy and reality worlds). And getting both of these is the premise of the show — fantasy and reality both. 
And sure — you can be mad that the show used Izzy in this way. But that is the show’s premise — everything is in service of the protagonists and their relationship. This is not a surprise— it’s been openly talked about since day 1. 
You don’t have to like what the writers did. You don’t have to agree that it was the correct choice. But they have proven to us, time and time again over the last year, that they are self-aware and careful with this show that they know we love so much. So we absolutely owe it, to them and to ourselves, to ask why they made a choice that not everyone may agree with. What is the payoff? Why did they decide to do this thing that they knew would upset fans? Because we know it’s not that they hate us. So what is it? You don’t have to agree that the payoff is worth it. But do the writers, and the show, and yourself the favor of recognizing that there is a payoff here.
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campbyler · 13 days
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hello! just wanted to provide everyone with a quick update — due to the projected length of chapter 10, we will also be splitting it into two separate parts the way we did with chapter 9. we also have an estimated upload date of may 10th!
thank you everyone for your understanding and giving us time to work on these updates! 🤍
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phoenixduelist · 6 months
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The only S3 opening I accept is Izzy literally clawing out of the grave, yelling: 'None of you absolute TWATS bothered to check for a pulse??'
In a show where every tiny movement has 26280 meanings and possible interpretations, I refuse to believe that this death has absolutely none.
And I also hope after crawling out, his first half conscious journey is into Ed's and Stede's inn, sending both into a cardiac arrest
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whatawonderart · 26 days
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they're so legend of zelda to me. do you understand.
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virgothozul · 7 months
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Ok. I have listened to the people. I have watched the thing. It is very wholesome.
Kazu comes home. He is hopeless and tipsy. And he swings between excited and wasted.
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