Tumgik
#other than reading the books
wingedcatastrophe · 8 months
Text
it's my birthday :party:
in celebration, let's see if I can manage to finish my notes read-through of the Odyssey today!
2 notes · View notes
soracities · 1 year
Text
i dont know how else to put this but to approach books (or any media, really) solely for the sake of relatability is genuinely incredibly heartbreaking......to have such little (or such unwilling) imaginative scope that you cannot stretch yourself, even marginally, in a different direction to what you’ve known or are used to knowing when the very POINT of stories is to transport you somewhere else, into someone else, so you can do just that........when fran lebowiz said a book “is supposed to be a door!” and george saunders said good prose “is like empathy training wheels” they were right!!! they were so so so SO absolutely entirely right!!!!!
13K notes · View notes
obsob · 11 months
Text
Tumblr media
happy and proud!!
✷(print shop)✷
4K notes · View notes
criticalrolo · 1 year
Text
I had a post a while ago about making sure your dnd character WANTS to be an adventurer a while ago, something else I’ve been thinking about is the importance of making a dnd character that WANTS to be in a group and have some sort of relationship with other PCs. the Group Nature of ttrpgs means lone wolves just aren’t feasible. if you really want to play a lone wolf or antisocial character at the beginning then I highly recommend telling your dm and the others players that you plan on forming bonds along the way and growing out of that mindset. otherwise why are you playing dnd, a group activity that involves cooperation and building relationships? Just Write A Book if you don’t wanna be in a group
5K notes · View notes
unforth · 2 months
Text
Danmei and Baihe C Novels and Manhua Officially Licensed in English
Things are getting licensed fast enough that keeping a list like this up-to-date is basically impossible, but I saw someone asking in the tags so I figured I'd try. All titles are danmei unless otherwise noted (very little baihe is licensed so far). I've included Chinese titles and linked novelupdates for each title when I was able to find them, but sometimes publishers change the original titles so much that I can't track them down, apologies.
Basically: this is everything I know of as of May 7, 2024. There might be more. I tried.
For the latest danmei news, Danmeinews.com is a great resources.
Note that some of this information was sourced from this Carrd, last updated in March 2023.
There is a list of danmei with official licenses on NovelUpdates, and a similar list on Goodreads. Both look fairly up to date to me. Here's another danmei-specific list on Reddit that to my eye looks accurate for the larger publishers but isn't thorough for some of the smaller ones.
-
Seven Seas:
The full list of danmei novels licensed by Seven Seas is here. The full list of danmei manhua licensed by Seven Seas is here.
These titles are in various stages of publication, from "entire series released" to "license literally announced less than a week ago." As far as I know, all Seven Seas titles are available world-wide, through major distributors and libraries, and in e-book and print formats.
Mo Xiang Tong Xiu titles:
The Scum Villain's Self-Saving System (Ren Zha Fanpai Zijiu Xitong).
Grandmaster of Demonic Cultivation (Mo Dao Zu Shi)
Grandmaster of Demonic Cultivation (Mo Dao Zu Shi) manhua
Heaven Official's Blessing (Tian Guan Ci Fu)
Meatbun Doesn't Eat Meat titles:
Case File Compendium (Bing an Ben)
The Husky and His White Cat Shizun (Erha he Ta de Bai Mao Shizun)
Remnants of Filth (Yuwu)
Meng Xi Shi titles:
Thousand Autumns (Qian Qiu)
Peerless (Wushuang)
priest titles:
Guardian (Zhenhun)
Stars of Chaos (Sha Po Lang)
Other titles:
Ballad of Sword and Wine (Qiang Jin Jiu) by Tang Jiuqing
I Ship My Rival x Me (Wo Kele Duijia x Wo de CP) manhua by PEPA
Run Wild (Saye) by Wu Zhe
The Disabled Tyrant's Beloved Pet Fish (Canji Baojun de Zhangxin Yu Chong) by Xue Shan Fei Hu
You've Got Mail: The Perils of Pigeon Post (Fei Ge Jiao You Xu Jin Shen) by Blackegg
-
Rosmei:
Rosmei licenses are Singapore distribution rights only. There is a list of international partners organizing group orders here. I've personally placed my orders through Yiggybean, as discussed in reply to this ask.
These titles are only being released as print editions.
Eta: titles that weren't originally on JJWXC (of which there are several here) WILL have e-book editions.
Ning Yuan titles:
BAIHE: At the World's Mercy by Ning Yuan
BAIHE (I think???) The Creator's Grace by Ning Yuan
priest titles:
Coins of Destiny (Liu Yao)
The Defectives (Can Ci Pin)
Drowning Sorrows in Raging Fire (Lie Huo Jiao Chou)
Other titles:
Albert from Earth by Jie Mo Jun
The Bat (Bian Fu) by Feng Nong
Breaking Through the Clouds (Po Yun) by Huai Shang
Don't You Like Me (Ni Shi Bushi Xihuan Wo) by Lv Tian Yi
The Earth is Online (Diqiu Shangxian) by Mo Chen Huan
Everyone Loves the Cannon Fodder (Chuan Cheng Wan Ren Mi de Paohui Zhuma) by Qie Zai Shan Yang
Global Examination (Qianqiu Gao Kao) by Mu Su Li
Gold Class Enforcers (Jinpai Dashou) by Pao Pao Xue Er
How to Survive as a Villain (Chuanyue Cheng Fanpai Yao Ruhe Huming) by Yi Yi Yi Yi
Kaleidoscope of Death (Siwang Wanhuatong) by Xi Zi Xu
The Killer of Killers (Sha Qing) by Wu Yi
Nan Chan by Tang Jiuqing
Obsessed (Ki Ma) by Wu Chen Shui
Wine and Gun (Jiu yu Qiang) by Mengye Mengye
Wow, You Guys are Really Good at Gaming (Nimen Nansheng Da Youxi Hao Lihai O~) by Yi Xiu Luo
-
Peach Flower House:
Peach Flower House titles are primarily for sale through their website and through some distributors, such as Amazon.com. Whether titles are e-book only, print only, or both varies by title.
Da Feng Gua Guo:
The Imperial Uncle (Huang Shu)
Peach Blossom Debt (Taohua Zhai)
Other Titles:
Golden Terrace (Huang Jin Tai) by Cang Wu Bin Bai
In the Dark (Zai Hei An Zhong) by Jin Shisi Chai
Little Mushroom (Xiao Mogu) by Shisi
University of the Underworld by Ziloi
-
Via Lactea:
The full list of danmei novels licensed by Via Lactea is here.
Via Lactea titles are primarily for sale through their website and through some distributors, such as Amazon.com. All titles are either print-only or e-book + print. Only a handful have actually been released, the rest are licensed and presumably in progress.
Jing Shui Bian titles:
Salad Days (Jing Jiu)
Silent Hearts (Mo Mai)
Other Titles:
Dawning (Liming Zhihou) by ICE
Euthanasia by Feng Su Jun
Falling (Luo Chi) by Yu Cheng
Psycho (Feng Zi) by Xiao Yao Zi
Limerence (Wo Xichen Ni Nan Pengyou Henjiule) by Jiang Zi Bei
Lip and Sword (Chun Qiang) by Jin Shisi Chai
The Missing Piece (Maoheshenli) by Kun Yi Wei Lou
Raising Myself in 2006 by Qing Lv
Rose and Renaissance (Wo Zhi Xihuan Ni de Renshe [Yule Quan]) by Zhi Chu
Killing Show (Sha Lu Xiu) by Fox
Soul Vibration (Linghun Saodong) by Dr.solo
To Rule in a Turbulent World (Luan Shi Wei Wang) by Gu Xuerou
-
Monogatari Novels:
It is unclear to me if Monogatari Novel titles are available for world-wide distribution, but there are group orders being organized or I think they can be ordered directly from their webpage; they are based in Spain. These titles can also be ordered from at least some major retailers. Note that there has been some controversy about Monogatari Novels.
BAIHE: A Clear and Muddy Loss of Love (Jing Wei Qing Shang) by Please Don't Laugh
BAIHE: Female General and Eldest Princess (NuJiangjun he Zhang Gongzhu) by Please Don't Laugh
How to Survive as a Villain (Chuan Yue Cheng Fanpai Yao Ru He Huo Ming) manhua by Yi Yi Yi Yi
The Legendary Master's Wife (Chuanshuo Zhi Zhu de Furen) by Yin Ya
The Silent Concubine (Ya Nu) by Qiang Tang
BAIHE: Soulmate manhua by Wenzhi Lizi
-
Aloha Comics:
A tiny, Hawaii-based press focusing on manhua. Titles appear to primarily be available through Diamond Comics. There are also pre-orders on Yiggybean. All of these are pre-orders, though the earliest are coming out by the end of April 2024 (about two weeks after when I'm posting this).
All these titles are manhua!
Day Off by Qing Cai
Here U Are by DJUN
Link Click by Li Haoling and Haoliners (not technically danmei!)
Nirvana in Fire (Lang Ya Bang) by Hai Yan (not technically danmei!)
-
Chaleuria:
As far as I can tell, Chaleuria has not updated their webpage since April 2023, so the current status of in-progress titles is unknown. All titles are digital and/or e-book, and I'm not sure how to purchase them as I haven't tried.
Complete Guide to the Use and Care of a Personal Assistant (Zhuli Shiyong Zhinan) by Why Radiance
Deep in the Act (Ru Xi) by Tongzi
Fake Slackers (Wei Zhuang Xue Zha) by Mu Gua Huang (no longer available)
From Body to Love (Leng Yan E Nan: Xian Shenhou Ai) by Wan Wan Yi Xia
Interstellar Power Couple (Xingji Qiangli Lianyin) by Kun Cheng Xiongmao (no longer available)
Intoxicated Friends (Zui Qing Zhi Pengyou) by Ye Shu Ying
The Long Chase for the President's Spouse (Zongcai Zhui Fu Lu Manman) by Three Thousand Crow Language
Reborn into a Hamster for 233 Days (Chong Shengcheng Cangshu de 233 Tian) by Yi Shu
Records of the Dragon Follower (Cong Long Ji) by Yueren Ge
Urban Tales of Demons and Spirits (Dushi Yaogui Lu) by Qie Er
World Hopping: Avenge Our Love (Ni Wufa Yuliao de Fenshou, Wo Du Neng Gei Ni Song Shang) by Xiaomao Bu Ai Jiao (no longer available)
-
Webnovel:
When I first made this list, I heard that Webnovel had a few titles but couldn't actually find them - but now I've found them, thanks to a list someone else put together. I'm including direct links to them, since I had so much trouble finding them at all.
Comrade: Almost a Cat-astrophic Love Story (Jintian ye Yao Nuli Dang Zhimao) by Demonic Fire (link)
My Boyfriend is a Dragon (Nanpiao Shi Tiaolong) by Chubby Strawberry Sauce (link)
The National Sweetheart Livestreamer is a Pro! (Quanmin Zhubo Shi Duiba) by Mo Shang Wang (link)
Honorable Mentions:
There are a handful of titles I know of that are official translations of C Novels, where the C Novels aren't danmei or baihe but are often treated as adjacent within fandom (as in: I've seen people shipping characters from them, lol). I've included two above under the entry for titles from Aloha Comics (Link Click and Nirvana in Fire) and here are a couple others I currently know of:
The Grave Robbers' Chronicles (Daomu Biji) by Nanpai Sanshu (six volumes are available in English from Things Asian Press
The Legend of the Condor Heroes (She Diao Yingxiong Chuan) by Jin Yong from St. Martin's Press
Romance of the Three Kingdoms (Sanguo Yanyi), attributed to Luo Guanzhong, available in multiple translations
The Seven Heroes and Five Gallants (Zonglie Xiayi Chuan), attributed to Shi Yukun, there are two translations to English listed at the linked Wikipedia page
Note that to the best of my knowledge both of these are considered very substandard translations. I've personally read the official DMBJ translations and... yeah... and I've heard the LOCH translation is also mediocre.
I will add to the "Honorable Mentions" list if I find any other more mainstream titles with official translations.
Please don't come at me for including a couple classics. The characters shippable, what can I do? I've written fic for Romance of the Three Kingdoms...
-
A handful of other licenses are mentioned on the Carrd I linked at the beginning of this post; I have no idea the status of those titles and wasn't able to find information on them while putting together this post other than what was listed on that Carrd, so I've omitted them.
As a final note, I've personally purchased from every printer on this list EXCEPT Monogatari Novels (I'm holding off because of the controversy and will see how things play out) and Chaleuria (which I vaguely knew existed but nothing beyond that).
Seven Seas translation varies but the editing is general strong and the editions are sturdy and nice. Extras that have come with final volumes are lovely. I am buying literally everything they publish except for You've Got Mail, due to information about the author that was shared with me that the author is a transphobe. Note that Kinnporsche by Daemi is not danmei as it's Thai (and I've heard unsavory things about the author - I don't have a link for that as the information was shared with me on Discord, and I encourage you to do your own research rather than taking my word for it). No judgement if you make a different choice than me, to be clear, I'm just sharing the information I have and why I personally am not buying the books). Note that Seven Seas isn't without controversy, especially for treating their contractors poorly resulting in them unionizing. Some people have also been unhappy with the fidelity of their translations compared to the original Chinese (I've been satisfied personally but ymmv).
Peach Flower House has inconsistent inconsistent editing quality, but the books are very readable, and I'm excited that they're working with translators such as E. Danglars. I haven't bought any of their special editions so can't speak to their extras, but I've bought all their print translations and will continue to do so going forward.
I just got my first title from Via Lactea last week and finished reading it on Sunday, and the translation read very well and there were minimal errors. It also came with a bundle of cute extras, which I wasn't expecting and pleased, and writing this post has caused me to cave and spend $150 to buy the rest of their books. Thank you, tax refund. (Should I spend this money? No. Did I anyway? ...)
No Rosmei titles have actually shipped yet, so I can't speak to their quality, though the previews they've shared on social media (as outlined here, for example) read decently and I'm optimistic. The cover art is also lovely, and they've been communicative and responsive, for example they've already issued a statement related to a recent controversy over perceived poor marketing for At the World's Mercy.
Tl:dr, the above is absolutely everything I personally know about mlm and wlw Chinese novels and manhua that have been licensed for English publication. I hope it helps someone.
Now go forth, and buy some books!
425 notes · View notes
ruthlesslistener · 1 year
Text
God I'm rereading the Lord of the Rings series, and I forgot how fucking funny Aragorn and Eowyn is. Contemporary writng makes you groan and go 'ah here it is lads here's the unnecessary crush' whereas everytime they look at each other its more like this:
Aragorn: what a sad young woman. I hope that she finds peace with herself, rather than waste her life recklessly in despair
Eowyn, through gritted teeth: i just want to fight like you do so fuckin bad
2K notes · View notes
steveharirngton · 2 months
Text
End of Beginning is so much more than just a TikTok trend.
319 notes · View notes
mischas · 9 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media
The O.C. 1.02 The Model Home
221 notes · View notes
incarnadinedreams · 3 months
Text
This isn't really new or anything but the more I reread random passages the more convinced I am that there's something very unique about the way Jiang Cheng reacts to Wen Ning and it's just so interesting!
I'm convinced it's more than just being angry. It's more than just hating him, or blaming him for Jin Zixuan's death or his sister's life. It's more than being a Wen, and it comes long before so many of those tragedies unfold anyway.
There's a sort of urgent, visceral reaction to Wen Ning's presence that just has this different feeling to it than how he reacts to any of the other characters. Even characters he has strong emotional responses to, it's never with the same panic or recklessness. It's not the same as the whole "vengeful wrath, fathomless hatred, or raving ecstasy" situation he's got going on with Wei Wuxian (sexy as that might be).
When it's Wei Wuxian, it's all "...well, well. So you're back?" and "Haven't you got anything to say to me?" Even when he's not being very nice, even when he's throwing teacups and furious at Wei Wuxian, there's still an edge of calmness in the way he lashes out. He's fucking mad but he's had more than a decade to think about this and he's got things to say and he's trying so hard to get a reaction from Wei Wuxian that he just won't give him.
But he can't tolerate having Wen Ning anywhere near him. Much of the time he instantly lashes out, physically, in ways to create space between them. He's mean to Wen Ning, but he doesn't really have much to say to him; he just wants to get away from him.
It really stuck out to me how instinctive and instantaneous and emotional that reaction is when I was reading this passage from chapter 81 (ExR translation since I've got it on hand in digital text form), when Jin Ling returns Zidian and rushes back into the fray during the Second Siege:
When Jiang Cheng was unaware, he stuffed Zidian's ring back into his hand and sprinted toward the crowd, all the way up to the most dangerous area before the mouth of the cave. Jiang Cheng was about to chase after him when he managed to slice a few corpses, staggering. He felt that Sandu was no lighter than hundreds of pounds. Two female corpses threw themselves at him from both directions.
Jiang Cheng cursed. As he lifted his sword again, another pair of hands tore the two corpses into pieces, "Sect Leader..."
Jiang Cheng lost his temper as soon as he heard the voice. He kicked Wen Ning away and cursed, "Get the fuck away from me!"
Obviously that is not very nice and poor Wen Ning didn't deserve a kick for being legitimately helpful there, but the point is that not only does he lash out - the reaction happens even when he's clearly got higher priorities going on in a chaotic situation. Throughout that entire event he reacts in a somewhat more even-keeled way to almost everything except Wen Ning being in his vicinity.
And it's not just after Wen Ning's death, not just after he became Wei Wuxian's greatest weapon, not just after he was forced to kill Jin Zixuan - it's specifically a pattern established from the moment he woke up in the Supervisory Office without a core:
Before he could say anything, those sun robes reflected against Jiang Cheng's eyes. His pupils suddenly shrunk.
Jiang Cheng kicked Wen Ning, toppling over the bowl of medicine. The black liquid all spilled onto Wen Ning. Wei WuXian wanted to take the bowl of medicine. He pulled up Wen Ning as well, who had been shocked speechless. Jiang Cheng roared at him, "What's wrong with you?!"
At this point he doesn't even know how he was rescued, since he was unconscious for all of that, and thinks they're in a Wen trap and likely going to die (or worse). But there's so many echoes of that interaction again, and again, and again between them.
And combined with Wen Ning's remarks during the scene just before this, where he tells Wei Wuxian about the discipline whip injuries and how Jiang Cheng 'should have other injuries as well', the way the narrative is so deliberately ambiguous on what exactly occurred, it all makes me want to crawl up the walls and gnaw on the light fixtures wailing WHAT DID YOU SEE, WEN NING?! WHAT DID YOU SEE?
At a minimum, Jiang Cheng knows that Wen Ning was there at Lotus Pier prior to his capture by the Wen guards, because they'd both seen Wen Ning examining Jiang corpses on the training field before they fled for Meishan.
But everything after that is only implication and subtext and suppositions and speculation, not directly stated in the text. But based on his reaction, you can pry my headcanon from my cold dead hands that that Wen Ning probably witnessed all or much of what happened to Jiang Cheng after he was captured, and Jiang Cheng knows it.
I've also posted before how I think there's an at least nonzero chance that Jiang Cheng was never directly told that Wen Ning wasn't actually there with Wen Chao when they saw him early on, but came later to try to help (because when Wen Ning gives Wei Wuxian that information Jiang Cheng isn't conscious, and nobody tells Jiang Cheng anything. I don't think that headcanon changes much either way, but there is a slight difference, at least emotionally, between 'I helped you while I was there to slaughter your clan and destroy your life' and 'I came when I heard my crazy cousin was slaughtering your clan and tried to help you' and I think it's a juicy thing to add to the pile of misunderstandings they each have of the other's motivations and actions).
Which, if I go with these two ideas together, really drives home what a bespoke and specific nightmare the way the Golden Core reveal played out - not only the substance of the reveal, but the fact it was Wen Ning who revealed it.
He was already furious that they were even there at Lotus Pier, particularly Wen Ning. But the way it all happens it feels like it's not just echoes of the amplified emotions of the confrontation with Lan Wangji & Wei Wuxian in the Ancestral Hall, it's not just Wen Ning being a Wen, or even Jin Zixuan's death, the way the narration calls out. It feels like there are deeper layers to it.
I also feel a bit stupid for not noticing before this probably extremely obvious to literally everyone else who isn't a dumbass like me parallel of Wen Ning getting a gruesome scorching whip mark across his chest at Lotus Pier in the course of saving Wei Wuxian (more or less, sort of - we know as readers Jiang Cheng was intentionally trying not to hurt them with Zidian, but I don't think Wen Ning knew that when he jumped in).
Jiang Cheng looked to find that the uninvited guest was Wen Ning. Immediately, he raged, "Who let you inside Lotus Pier?! How dare you!"
He could manage to tolerate others, but definitely not Wen Ning, the Wen-dog who put his hand through Jin ZiXuan's heart and ended both his sister's happiness and her life. Just a look, and he felt the urge to kill him right there. How dare he step foot on the earth of Lotus Pier—he really was looking for his death!
Because of the two lives and many other reasons, Wen Ning had always felt guilty, and so he'd always been somewhat scared of Jiang Cheng, consciously avoiding him all the time. Right now, however, he blocked Wei WuXian and Lan WangJi as he faced him, taking the hard lash. A gruesome scorch climbed across his chest, but still he didn't flinch.
I don't know that it actually means anything but it's making me FEEL THINGS incoherently at this specific moment, so. Also I find it legitimately sad that Wen Ning has to live with guilt over things that happened when he was controlled by someone else, though the scene before the Ancestral Hall when Jin Ling starts crying on the boat is probably a better example of that. Anyway.
It's just there's so, so many layers to how uniquely horrible it is for Jiang Cheng that he not only finds out about the Golden Core transfer this way, but also that Wen Ning, specifically, directly witnessed this life-shatteringly huge deception and sacrifice too - while Jiang Cheng was unconscious, no less.
And, well, we know how everything got capped off in that scene...
Obviously the shock of the information was going to get a huge reaction no matter what, no matter who or how he found out. Even without the Wen Ning element, it already hits every one of his deepest weaknesses and insecurities and fears.
But to come from the guy who'd witnessed his family being slaughtered, who'd witnessed who-knows-what humiliations heaped on him (who also happens to be the same fucking guy that Wei Wuxian thought it was worth leaving Yunmeng Jiang for, breaking his promise for...), the guy he blames for his sister's tragic fate (whether that blame is misplaced or not), the guy he exhibits a panic response towards even decades later, and goddamn.
There are just so many layers to this perfect little nightmare reveal on so many different levels aren't there?
There's just SO much meaty stuff for these two to dig into post-canon and all we get is an extra with a 'oh yeah sometimes Jiang Cheng yells on night hunts and Wen Ning is there' about it?!
I should probably just shut up and go read some Jiang Cheng and Wen Ning focused fics or something (whether romantic or platonic that's probably an area I really haven't explored enough vs. the amount of sheer interesting hints and material the novel gives to work with! If by some miracle anyone made it to the end of this beast feel free to drop any recs that explore them, especially that 'what did Wen Ning see?!' aspect of the whole situation because that is the current little brain worm haunting me right now).
279 notes · View notes
mendingbone · 11 months
Text
i keep seeing people in their late teens/early twenties having a "[X] content intended for younger audiences does not feel satisfying to me anymore but i don't know where to start to branch out into adult fiction" moment and i thought i would give some recommendations for adult fiction for my fellow creepy crawly queer people. all or at least a LOT of it will be on the darker and more fucked up side bc i primarily engage with horror and thriller media personally but feel free to add on with more or recommendations from other genres :)
edit: i am continuing to add to this list so there might be new recs (highlighted in pink) in here every once in a while! also want to add that there's a variety of POC, queer, and disabled authors in here as well, i am also all of the above (asian, bi/aro, poly, disabled) and tried to incorporate as many of their wickedly talented, compelling narratives as possible. that's all, happy reading!
A Certain Hunger, Chelsea G. Summers
A Darker Shade of Magic, V. E Schwab*
A Dowry of Blood, S.G Gibson
Animal, Lisa Taddeo*
A Ripple of Power and Promise, Jordan A. Day*
Bunny, Mona Awad*
Children of Blood and Bone, Tomi Adeyemi*
Cursed Bread, Sophie Mackintosh*
Dark Places, Gillian Flynn
Dead Girls Don't Say Sorry, Alex Ritany*
Drive Your Plow Over the Bones of the Dead, Olga Tokarczuk*
Eileen, Ottessa Moshfegh*
Fruiting Bodies, Kathryn Harlan*
Goddess of Filth, V. Castro*
Gone Girl, Gillian Flynn
House of Leaves, Mark Danielewski
If I Had Your Face, Frances Cha*
Iron Widow, Xiran Jay Zhao
Jackal, Erin E. Adams*
Juniper and Thorn, Ava Reid*
Kindred, Octavia Butler*
Manhunt, Gretchen Felker-Martin*
Mexican Gothic, Silvia Moreno-Garcia
Ninefox Gambit, Yoon Ha Lee*
Rabbits, Terry Miles*
Scorched Grace, Margot Douaihy*
Sharp Objects, Gillian Flynn
She is a Haunting, Trang Thahn Tran
Slewfoot, Brom*
Sorrowland, Rivers Soloman
Summer Sons, Lee Mandelo
Supper Club, Lara Williams*
The Centre, Ayesha Manazir Siddiqi*
The Change, Kirsten Miller
The Death of Jane Lawrence, Caitlin Starling*
The Dreamer Trilogy, Maggie Stiefvater
The Haunting of Hill House, Shirley Jackson
The Hollow Places, T. Kingfisher*
The Human Origins of Beatrice Porter, Soraya Palmer*
The Jasmine Throne, Tasha Suri
The Locked Tomb, Tamsyn Muir
The Luminous Dead, Caitlin Starling*
The Red Tree, Caitlin Kiernan*
The Unfamiliar Garden, Benjamin Percy*
Vicious, V. E Shwab
Wake, Siren, Nina MacLaughlin*
We Have Always Lived in the Castle, Shirley Jackson
What Moves the Dead, T. Kingfisher*
757 notes · View notes
Text
People are so boring about classic literature sometimes. Like I know it’s cool to be critical of men in books from the 19th century or whatever but it just leads to ripping out all of the nuance in favor of “Uh all of the Brontë men were evil and abusive and that’s all there is to those characters.” Say something interesting. I’m begging you
1K notes · View notes
hedgehog-moss · 4 months
Note
Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet
I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)
Biographies
• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).
• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.
• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.
• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.
I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.
Fantasy
• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...
• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!
Essays / literary criticism / philosophy
• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it
• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all
• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism
Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)
Did not fit in the above categories:
• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it
• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans
Books that I didn't think existed in English translation but they do! but you can still read them in French if you want
• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood
• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)
• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good
• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness
• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff
205 notes · View notes
uncanny-tranny · 4 months
Text
I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
204 notes · View notes
black-and-yellow · 1 year
Text
Tumblr media
Punk rocker in training.
1K notes · View notes
whatisamettafor · 11 months
Text
Tumblr media Tumblr media
I love Elide and Lorcan  ❤️❤️❤️
Someday maybe I’ll come up with an artist rendition of what exactly Lorcan did since Sarah didn’t deliver.
617 notes · View notes
teenytraveler · 6 months
Text
Tumblr media
When book reading took a twist...
280 notes · View notes