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#original reviews
hell0mega · 4 months
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people are drawing Steamboat Willie Mickey doing all this crazy shit and whatnot, but you could always do that. you can do that now, with current Mickey, just fine. it's fanart and it's legally protected. hell you could take Disney-drawn Mickey and put a caption about unions or whatever on it and it would still be protected under free speech and sometimes even parody law.
what is special about public domain is that you can SELL him. you could take a screenshot and sell it on a tshirt. you can use him to advertise your plumbing business. people have already uploaded and monetized the original film.
you could always have Mickey say what you want, but now you can profit off it.
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colorful-horses · 3 months
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charlie
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wiltkingart · 4 months
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Asche and Vindt from Ocean's Blood by Thelma Mantey
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1892 · 9 months
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my red white & royal blue review.
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The Boy and the Heron How Do You Live? (2023) dir. Hayao Miyazaki
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gnomeantics · 4 months
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i was watching the new quinton reviews video and this computer immediately stuck out to me because ??? so i stuck it into MS paint and i've discovered that the computers of mid-late icarly are on a whole other level & i want whatever this OS has going on. it is a gender to me
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wecandoit · 2 months
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25.02.24
these are really old pics, i've since read two more books, watched six more movies and one more drama. idk if many of you know this but it's pretty difficult for me to watch stuff (i watched two movies last year), so i'm super happy with my media consumption this summer.
📖: Let's Pretend This Never Happened by Jenny Lawson My book review of Trick Mirror by Jia Tolentino
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kostektyw · 9 months
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Detco movies rated based on how much shit gets exploded / destroyed
The Time-Bombed Skyscraper - the whole premise is about blowing up stuff, but it's shame no trains got got, 7/10
The Fourteenth Target - it's just an underwater restaurant that is pretty out of the way from anything else and we have no prior attachment to. bonus for the helicopter crash, 5/10
The Last Wizard of the Century - an entire castle does get burned down, but it's no explosion, 6/10
Captured in Her Eyes - just some regular old murder, 0/10
Countdown to Heaven - truly a 9/11 movie. point detracted for leaving the second tower intact, 8/10
The Phantom of Baker Street - the entire thing takes place in VR, so it shouldn't even count, but no one even gets their brain blown up :( 0/10
Crossroad in the Ancient Capital - somehow nothing gets bombed or destroyed? Conan tries a little arson but is unsuccessful, -1/10
Magician of the Silver Sky - a plane gets somewhat mistreated, 2/10
Strategy Above the Depths - a whole damn ship sinks, it's all very dramatic, 9/10
The Private Eyes' Requiem - despite the constant threat of exploding people, barely anything gets exploded. half a point for Kid using a gun on some windows, 1.5/10
Jolly Roger in the Deep Azure - i guess they do find that ancient pirate ship and it immediately falls apart, 5/10
Full Score of Fear - plenty of shit gets blown up including a concert hall while no one inside realizes anything's wrong. you'd think they'd have some fire warning system in place, 10/10
The Raven Chaser - sadly no explosions, but the tower gets shot at hard, and the helicopter does not end up fine, tho no actual crash on screen, 5/10
The Lost Ship in the Sky - only a research facility we don't care about gets exploded in the opening, and that airship barely gets scratched up, 4/10
Quarter of Silence - we have a train exploding out of a tunnel, a dam blown to smithereens, and an avalanche, what more could you want, 10/10
The Eleventh Striker - who can say no to some exploding stadiums, great movie for people who hate football, 8/10
Private Eye in the Distant Sea - just a rando ship at the beginning, who cares, 1/10
Dimensional Sniper - some police cars and incredibly light bombing of the tower, eh, 3/10
Sunflowers of Inferno - a cool museum gets absolutely demolished, the burning fake sunflowers are a lovely image, plus we got some proper plane mistreatment, 10/10
The Darkest Nightmare - both an explosive car crash at the beginning and a ferris wheel gets extremely destroyed, 9/10
The Crimson Love Letter - lots of explosions, and in beautiful scenery too, 10/10
Zero the Enforcer - destroying shit with a satellite is pretty imaginative, but there was not as much destruction as i hoped, 7/10
The Fist of Blue Sapphire - they're surfing on some iconic Singaporean landmarks, meanwhile an oil ship freely wrecks shit, 11/10
The Scarlet Bullet - i fully admit i have no idea what Masumi and Conan were trying to do, both the train and station ended up looking pretty rough. 10/10
The Bride of Halloween - for a movie about bombs not all that much significant shit gets destroyed, but they do go out in style at least. bonus points for covering Shibuya in goo, 9/10
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animehouse-moe · 3 months
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Questions Of Love In Bucchigiri!?
Hiroko Utsumi is no stranger to distilling homoeroticism into their works, but Bucchigiri!? is able to take it a step further as it intertwines with the hypermasculine idea of fighting and gangs. Because of that, Bucchigiri!? poses two questions to the definition of love and how people experience it.
"What is love versus lust?"
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Truthfully, it's a rather simple question to answer (at least to someone outside of high school). The point being the depth of feeling. Lust is strong but shallow, while love moves much deeper.
And the second episode in particular expresses this very strongly through the two gang leaders, Marito and Ken.
They don't feel any way in particular about Arajin until they feel their punch. After that, like Marito says, they just can't forget about it. That's all they know about this kid, "his" punch. And that's all they want from him as well.
The point is to express superficial lust towards Arajin because of something they only experience one single time. They believe that they want the strength behind the person no matter what because of a single moment.
And it's a great comparison to make against Matakara's feelings for Arajin.
Matakara doesn't need to feel "Arajin's" strength to know how he feels about him. On the contrary, he only ever needed to fight (really train) beside him to come to understand that emotion. Even more than that is Matakara's understanding of Arajin outside of fights, and he focuses in specifically on Arajin's passivity and carefulness.
Because of that, you can begin to draw the conclusion that "Lust" is represented by actions involving violence and action, while "Love" stems more from passivity and aversion in this context. Which I think is really really great. It's sort a sort of symbolic explanation of the whole point of violence being boorish and shallow while other communication is deeper and more valuable.
"How much is love worth if they don't love you for who you are?"
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Super easy example here with this one. Just look at the Love Forever stone Arajin gives Mahoro vs the friendship one that he gave Matakara.
The whole point is that Arajin's love in the hands of someone who doesn't love him isn't valuable at all, nor is it valuable in the hands of someone that doesn't love him for who he is.
Marito and Ken can only feel something for Arajin because of the strength channeled through him by Senya. It's something entirely foreign to Arajin as a person, and represents both how shallow the gang leaders are, but also how shallow Arajin is.
Loving yourself is something that's tricky to do, and obviously especially so for high school kids. I think it's well understood at this point that Arajin struggles to love himself in a meaningful way, and that's expressed by his willingness to take on Senya.
Case and point being that he intentionally used Senya's strength to try and make himself look good in front of Mahoro, and in the same way used it against Ken to the same effect.
He's afraid of being and accepting himself, so he's allowed something else to speak for him. And while that catches the eye of many, including Matakara, Arajin himself already knows that it's nothing more than a farce to save face.
It's just... really great work in terms of narrative as it bundles so many different aspects of love together to create this complicated web that all stems from Arajin's inability to love himself. Matakara loves the current Arajin, but that Arajin is unable to face himself so he runs from the reflection that Matakara offers and buries himself in lust and unrequited romance.
And that all just comes from high school kids duking it out for fun alongside mystical fighting people that can merge with humans.
It's definitely a step up the symbolic ladder in comparison to Sk8 The Infinity, but I think it's allowed Utsumi to express much more in terms of romance through implicit narratives.
These first two episodes have been incredible, and I'm loving every moment and want to share every bit, but the overall production effort Mappa's been putting in leaves me in an awkward spot for sharing stuff like this.
I really love to, and I want to celebrate the efforts of the staff behind the series, but Mappa rains on that parade with its terrible scheduling and work ethic. The credits are a veritable mess that make episodes like this an incredible feat. And I'll celebrate that and share what I want to, but I do also want to call out Mappa for their terrible work as a studio.
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onetwothreefarkle · 4 days
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alright @quinton-reviews, here's my nicktoons unite playable characters lineup. I limited myself to shows I've actually watched, which made it harder, but also I think way funnier.
Skipper from The Penguins of Madagascar. You need a weirdly specific invention or explanation for a plot hole? Kowalski can make it happen, using random garbage left at the zoo, defying all logic and reason. Also Skipper as a character is utterly ridiculous and would immediately try to take charge, which given everyone else is humanoid, is extremely funny.
Henry Hart/Kid Danger from The Adventures of Kid Danger. I think he could fill a similar role as Danny Phantom. They're both superhero themed, and he could keep up a similar "I can't let them know my secret identity" bit. Also, I think forcing the nicktoons unite canonicity to overlap with the NSU canonicity is funny. The lore just got EVEN WORSE.
Bloom from Winx Club. I haven't watched the Nickelodeon reboot, but I loved the original growing up. The world of Winx is already a multiverse, including both a mundane world and the Magic Dimension, so universe hopping is not far fetched. Of all of these characters, I think she is the most suited to this adventure.
And, finally, Eliza from The Wild Thornberrys. It's canon in the Madagascar franchise that the animals can't communicate with humans, but Eliza can talk to animals, so that fixes that problem. Also I needed to include at least one classic, pre Y2K nicktoon on here, for my own nostalgia's sake.
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I hope the lineup is up to snuff, mr. reviews!
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unpretty · 4 months
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i was looking at this album cover like "why does this look like some lofi beats shit when it's clearly not" before remembering that i. replaced the album cover in the id3 tags for hana vu's 'public storage' because i didn't like seeing the actual cover show up in my now playing.
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choices-and-voices · 3 months
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Quotes from Kieran that straight-up sound like Shakespearean love poetry: a comprehensive list
‘None may touch me. None but you.’
‘What is left of my heart belongs to you. When you leave, it will shatter anew.’
‘Tell me I did not hurt you.’
‘How am I expected to pass another century without the taste of you on my tongue?’
‘After so many decades spent hating each sunset, knowing nightfall would take my freedom from me... I began to yearn for the moonrise instead of cursing it. Because dreams of you might be waiting on the other side.’
‘I would rather be cursed to roam the wilds as a beast every night than live endless lifetimes without you.’
‘Wherever it is that souls may go, you will find mine waiting for you at the end of all things.’
‘You shall pay dearly for every spilled drop of her blood.’
‘I was not lying. Were you?’
‘Just this once, beloved... I wish you could not lie.’
‘You hold all of my heart, beloved. Now, and always.’
‘I would make and unmake the world for you, beloved.’
‘Believe me when I say I want every part of you. Every version. Now and future.’
‘Look, beloved. Your skin is a canvas covered in stars.’
‘If I were you, I would begin by thanking her and throw yourself on her continued mercy. Because you’ll get none from me.’
‘What would be the point of immortality without you?’
‘No magic. Like an everyday mortal.’
‘Insult her again, and I will carve my refusal into your flesh, so that you may never forget it.’
‘I don’t care what your title is. Every breath, every beat of my heart belongs to you. You are mine for life.’
‘Thank you… for sharing the sky with me.’
‘If you lay a single hand on her, there will be nothing left of this place but a hole in the ground.’
‘Let us live in this moment long enough that I may love you the way you deserve.’
‘I will let nothing separate us… I shall always find you. Your heart calls to mine in a language beyond words.’
‘For you I would set worlds aflame, tear the sun and moon from the sky. I did not live before I met you.’
‘Perhaps you are the most courageous of all, for choosing to live among us. A mortal among gods.’
‘Welcome home, beloved.’
‘You helped me find peace in my grief. I will always help you find peace in yours.’
‘You sacrifice too much for me, beloved.’
‘I cannot give you my heart. It already belongs to someone else.’
‘There will always be tasks vying for our attention. But you are more important to me than any of them.’
‘I like being in here. I always want you to have the freedom of a place to call your own… and it means everything, that you welcome me in.’
(And finally, BONUS: Quotes from *other* characters in The Cursed Heart that straight-up sound like Shakespearean poetry, because the writers of this book just do. not. rest.)
‘I know you. I’m not afraid.’
‘I love him so terribly, it hurts.’
‘You are so much stronger than you know. And a love as strong as this is worth fighting for.’
‘Even if you kill me, I’m glad I met you. Because you deserve to be happy. You deserve to be loved. And I will love you until my very last breath.’
‘The world is rarely gentle to those who are so kind. It is you who must be the strongest of all.’
‘What do you want with that cursed thing?’ / ‘To cut the Sun and the Moon from the sky.’
‘Anything here that wishes to eat me had best prepare to choke.’
‘I know you. And I love you. Both your darkness and your light.’
‘You are everything I want. Just you. Just like this.’
‘If love could forestall death, we would all be immortal.’
‘All stories end. Even ours. That’s what makes them beautiful.’
‘I don’t care where I sleep, so long as it’s beside you.’
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mochiwei · 4 months
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My 2023 Art Summary!! I’m so happy I found time to draw each month 🥹💕
Thanks for an amazing 2023, see you next year! 🎊💖
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yukipri · 5 months
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The Boy and the Heron, the new Ghibli/Miyazaki movie just released in the US, and I finally saw it for the first time!
I went in with zero spoilers, the way it was intended (before it released in Japan, they didn't even show a single trailer, people went in with no idea what it would be about).
It was beautiful, unusual, fantastical, fascinating, thought-provoking, TRIPPY AF. It was just, different. It felt like Miyazaki breaking free and just telling the story that he wants. It's nothing like most mainstream entertainment nowadays—it was an artistic vision, meant to ask viewers to think, because there is no single clear answer to what it's about, what it's trying to say.
If you can, I strongly recommend going to see it, and see it without spoilers. It's not really like any other Ghibli movie in story, though it shares many things visually. Go into it with an open mind, and just let yourself feel.
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