umm so i wrote a little fic/blurb idk i don't think it's good but it's something that's been stuck in my head for a while with my own little oc named grace but her name is only mentioned a few times so it could totally be ignored and seen as reader.
anyway this is my first ever fic so please be kind to me and if you have suggestions or other fic ideas i'd love to hear them.
not proof read and lowercase intended.
and if you think it's awful please lie to me i'm fragile 😔
deny
you are a lover girl. a hopeless romantic, someone who dreams of finding "the one" and living happily ever after. kie often says you tend to fall in love a little with everyone you meet. you can't help it though, you have so much love in you, it feels like you'll burst at the seams if you don't share it with others.
you think you're in love with your best friend jj maybank. no one understands you the way the wild blond haired boy does. no one can communicate with you with just a single look the way jj does. no one makes your heart beat out of your chest and your tummy flutter the way his dimpled smile does, eyes crinkling at the corners, a slight sunburn on his nose because lord know that boy doesn't use the sunscreen you bought him.
so yeah you're in love with jj maybank but then yesterday a different boy kissed you. pope heyward, your other best friend, genius extraordinaire whom you thought was maybe in love with kie but no- he kissed you and you felt a tingle in your ever beating heart. heat filled your cheeks and your ears became fuzzy. that was a new feeling when it came to pope. it made you excited to explore because as much as you love jj, you don't think the boy would ever return your undying affection because your friendship meant too much.
----
you stood in the threshold of popes bedroom, gasp stuck in your throat, eyes wide and mouth open at the sight before you. you’re not sure how to process what you’re seeing.
before you on the bed that pope kissed you on not even 24 hours ago, is jj maybank, your closest friend, kissing the heyward boy.
so many emotions flow through you at the sight before you.
shock because not once has jj; or pope for that matter mentioned or even hinted that they liked men- or each other. then again, jj has always liked beautiful people and pope is certainly that.
sadness because you and pope had literally just kissed. maybe you were naive to think a simple kiss meant something more to the boy, but it was pope, you don't think there's a mean bone in his body. then again you’ve always been too much of a romantic, too blinded to really see what’s in front of you. blinded by your want and need to be loved that perhaps you create situations in your mind that you interpret as reality? maybe you need to contact your therapist again. you're sounding even more delusional than before.
lastly, you feel jealousy. the angry green monster rumbling around in your tummy, making its way up your throat. you’re not sure what exactly is making you jealous because the image of the two boys kissing is surely confusing. are you jealous because pope is kissing another person who isn’t you? a part of you is jealous because he’s kissing jj. or maybe it’s that jj is kissing pope or that maybe they’re kissing eachother and they're not kissing you? you're not sure at this point. dear diary jealousy is a disease babes, and you are infected.
you must have made a noise because next thing you know, the two boys are pulling apart, a string of spit still connecting them and for a second your love rattled brain is jealous of it. the spit that is, because deep down you’ve always known that you wanted them both… to be the one to connect them. you feel slightly crazy being jealous of spit.
jjs face goes beat red and then flushes pale, like a ghost. he looks terrified and like he might vomit all over the floor in a second.
“grace!” popes panicked voice reaches your ears but they’re still kind of ringing from the shock of seeing your supposedly straight best friends kiss.
in your heartbroken haze you wonder if you're being a bad ally right now. you love the gays you swear! you just never pictured pope and jj as being a part of the gays ™.
you clear your throat, “jb and kie are waiting for us downstairs. we were going out on the boat today, remember?”
you try and say that as gently as possible because jj still looks like he’s going to pass out and pope isn’t much better.
popes hands are shaking as he reaches for you and a part of you wants to pull away but you’re not mean. you’ve never been mean so even if your feelings are hurt you’ll always put your best friends feelings above your own. and it looks like pope needs to touch you. maybe to hold your hand and reassure him you’re really standing there, witnessing something that you probably shouldn’t have.
so many emotions flicker through popes eyes. you can’t really see his blush but you’re sure if you touch his face it would be hotter than the sun.
pope grabs your hands in his shaking ones. you can feel how clammy they are and you hazard a look back to jj who has yet to even move. you’re a little concerned he’s gone into shock.
you let out a soft sigh and smile at the boys, a smile that is mostly genuine.
you squeeze popes hand and make eye contact with the panicked blonde boy on the bed.
“it’s ok jj. i won’t say anything if you don’t want me to.” you speak kindly, as if you’re talking to a scared feral cat.
you only see jj swallow hard. “for what it’s worth, i understand the appeal... wanting to kiss pope and all.” you tease hoping to cut the obvious tension in the room. you feel like you're the one choking now.
jj and pope both let out huffs like they’re afraid to laugh but also relieved you’re not upset.
“you’re not mad?” jj croaks like he still has a frog lodged in his throat. he looks at you with soft wonder, like you’re the best thing in his life. his stare makes your tummy flutter.
“of course not. you guys are my best friends. i only ever want you to be happy!” you reply honestly. jj deserves happiness after the shit life he’s been dealt. he deserves good things and if you have to set aside your feelings in order for him to have good things then by golly you’ll do that.
“grace, about yesterday-“ pope starts off,
“don’t worry buddy, already forgotten.” you cut him off. hopefully saving him the strife of having to apologize to you about the kiss and saving you the embarrassment of him telling you he regrets your kiss. you don't think you could survive hearing that out loud.
you march over to jj still holding popes hand, effectively dragging the boy with you. you throw your arms tightly around jjs neck and after a heartbeat, jj returns your hug. you move your head to look at pope and nod at him, encouraging him to join the hug.
“now c’mon. you know how pissy jb gets when he’s made to wait” you giggle.
you lead the boys out of popes room and home and into the twinkie without giving them an option of saying no.
“finally! i thought y’all died or something. what took so long” john b huffs in exasperation.
“my fault jb!” you quickly chirp so the boys don’t have to panic and think of a lie “pope showed me the new book he got and it’s my favourite and i starting gushing and you know me i can’t shut up and… well i forgot why i went up to get them in the first place” you giggle with a sheepish smile.
“you’re so lucky you’re cute, grace” kie laughs teasingly.
you see pope and jj making eye contact. you have a feeling you might need to play therapist for them soon. pope doesn’t know how to talk about his feelings without beating around the bush and well, jjs favourite thing to do is deny deny deny.
actually, that’s exactly what you’re gonna do too! deny you have feelings for pope. deny you have feelings for jj. deny you ever saw them kiss and deny that them kissing only upset you because you weren’t a part of it. deny that a part of you enjoyed it. deny that your feelings matter in this situation and deny that if given the chance, you’d love to be in between a beautiful jj maybank and pope heyward sandwich.
yep, deny deny deny. this is gonna be a long freaking summer.
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Opinions on transfem/Trans woman c!Wilbur? If you havent already, since its a slightly popular Hc w c!W
honestly I'm mostly indifferent ¯\_(ツ)_/¯
it's not for me, but like I've got no particularly strong feelings either way. I can absolutely see a lot of reasons for that reading - it all does fit, so it's not a matter of there being no justification, but more so just personally I just don't hold that headcanon
the thing with either of them being trans is that like, I am for some reason oddly attached to Quackity being specifically and strictly a man who's into men, or at the very least masc individuals - maybe it's cause I just started off with that "hc" (I mean it is kinda pretty heavily canon - I don't recall him ever flirting with a woman). Wil being mtf would obviously make all of that very complicated - each time I start to think about it I can't help but think if
1. is there any way for Q to still be into Wil without that invalidating Wil's gender identity
2. is there any way for Q - a gay man - to have feelings for a woman that doesn't invalidate his sexual identity
Like, exceptions happen, but mm idk
It's obvioulsy completely different if you hc Q as pan/bi/homoflexible/whatever else, but yeah personally I'm just really attached to the idea of Q being strictly homosexual
When it comes to the nonbinary umbrella it's kinda similar (with both being amab) - with Wil it works i'd say, there isn't as much of a conflict with Quackity's sexuality, but again, I'm mostly indifferent and you do you; with Q it just kinda doesn't quite fit for me - idk he just has relatively binary man vibes imo
in regards to other combinations of one/both of them being trans:
> Wil's ftm - yeah sure I'm down with that, good for him, I don't actively hc that but like yeah no conflict there, plus I guess it'd explain how he had Fundy - though fantasy mpreg makes it so much funnier
> Q's mtf - idk i just don't feel it in the slightest. He doesn't really give me any of those vibes. Especially considering things like the fact that he's short, has longer hair, is/used to be a sex worker (with presumably male clients), is heavily (and at the very least primarily, if not exclusively) into men, canonically has a big ass, etc, so it just really doesn't sit right with me to then have him be mtf - I just want some more representation of those characteristics in men, y'know?
> Q's ftm - ok so, it fits. And I really really hate that it fits. It would make so much sense but holy fuck guys I cannot handle that ok - I'm ftm, and if he's cis then I can like at least partially remove myself from all of that... but if he's ftm then holy fucking shit everything just hits so much harder like guys I'm not strong enough to handle the pain of seeing this much of myself in him ok I will simply collapse, like him being seen as an object and sexualised and put down and belittled and pressured to be all submissive and shit just hits so completely different if you see it through the lenses of him being ftm and let me fucking tell you I am NOT ready for the breakdown thinking about it and how similar and in some cases identical to my own experiences it all is would cause m
> ANYWAY with them both being trans it's just a combination of my previous thoughts ¯\_(ツ)_/¯
hope that answers your question UwU anyway ha ha bye--/lh
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I think this shitshow with Toshiro stems from the trend of people INSISTING that interpersonal conflict must be a moral failing. Like I think there's something to be said about how people afford so much less patience to people who are autistic in the "wrong" ways, but also Laios and Toshiro just clash on a fundamental level that has nothing to do with that. Hell, you could read Toshiro as autistic as well. People related to Laios' side of the argument but instead of getting any nuance out of it they started projecting their experiences with ableist people onto Toshiro.
AGREE AGREE AGREE. i think that Fandom Brain gets people very used to thinking of conflicts in terms of "who is the bad guy and who is the good guy", so when they encounter a more nuanced conflict they don't really know what to do. i don't think toshiro is a bad person at all, in his conflict with laios he's just exhausted and starving and has been pushed to the limit and from his perspective, laios doesn't even seem that emotionally affected by the situation. i don't think what he said was right and it was pretty cruel, but i don't think he's a villain or deserves to be permanently hated as a character just bc he fucked up this time lol
also yeah you could definitely read him as autistic, and i think that highlights an issue in the autistic community in general bc like....... a lot of autistic people have conflicting needs which can lead to conflict between them/make them unable to stand being around each other. and it's not because either of them are neurotypical or bad people, they're just incompatible. like autistic people who loudly stim vocally and autistic people who meltdown when they have to be around loud noises, for example. it doesn't mean either of them is bad or not autistic, just that they have conflicting needs
i 100% agree with the last part too. i disliked toshiro at first myself bc i had been (and still do ngl) projecting onto laios hard and the conflict they had reminded me of times when people have been mean or angry at me irl for social blunders i've made unintentionally, or when someone i thought liked me/was my friend turned out to actually hate me. it's a common experience for autistic people and that scene resonates with that! but i think it also helps to take a step back from projecting our own traumatic experiences onto the scene and just look at it objectively. laios isn't perfect either and he's the one who actually starts the physical fight by slapping toshiro (i feel like i don't see many people mention this lol). i feel super bad for him in that scene but he's not a perfect victim and has done things wrong himself too
as an autistic person i've also been in situations where i can relate to toshiro too lol, like where someone is overly physically and emotionally familiar with me when we don't know each other well and i've wanted them to back off but haven't been sure how to say it without hurting their feelings. this kind of conflict is far from just being a "neurotypical vs neurodivergent" thing as a lot of people portray it in the fandom
idk i just wish people would think a little more deeply about the scene and put their own emotions and experiences aside to instead consider the conflict with the added context of the individual characters and their respective cultures + the situation they're in. people don't have to like toshiro but i wish they wouldn't paint him as a villain or make up awful shit about him just to justify their feelings when he isn't even that bad of a dude in canon yknow 😑. also we literally see him at rock bottom struggling and freaking out and i think that's important to remember. in a different context i doubt he would have ever said those things to laios
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I absolutely love Lintu's analysis off kot kot!
(Thanks for giving a platform for additional thoughts ♡ i ended up typing so much that i thought i should also put this in a separate post 😅 i'm just curious what you all think!!)
Idk why it hit different when listening to the whole song but i almost ascended with the first couple of seconds it was so good. Even though i've heard it before. Maybe i was distracted then, who knows.
I'm so glad he teasered both elements of the song before the release because i would have died on impact with the kot kot part. Other than that i have nothing to add to lintu's thoughts - perfect. It's wild and chaotic but still somehow balanced and it doesn't feel like trolling but really sincere even in it's goofyness. The lovely moodyness! Totally!
The song adapts really well with every listen. You feel like you don't want to like it (as much as you do) but here you are replaying it a fifth time, a fifteenth time. Like a taste combination you're not sure you like so you have to go in a second time. And before you know it, you're hooked.
(I still don't love the kot-kot part but that's because i somehow just don't like the word, it's so dry idk.)
I love both parts - the rapping and the singing equally although i will say that i don't vibe with the autotune (it's autotune, right?) that much. (I want to hear your real voice Jere :') even if it's not 100% there yet) I love his voice so much. The high-pitched ''missä'' was a special treat 😫
I love the distorted metallic beats under the rap parts a *lot* lot.
Lintu's analysis of the lyrics is so interesting, i haven't thought of it that way - that this is not a song about the now but a projection into what the future could possibly look like.
Also interesting that the voice on the phone was both Finnish and English 👀 (a hint to friends in other countries and the distance they have?)
I really wish the song was longer. I had the same with ruoska, where it felt like the song was over as soon as you got really into it - blip! Over. (but maybe i'm just slow?) I also wish the 2 elements themselves lasted longer - there's no way you can get into them and really *enjoy* them before they end. And then i was like ... waidaminute! This is intentional! Time confetti! He doesn't get to enjoy his fame and/or private time long enough so neither do we get to live in these elements for too long. It leaves you a little rattled and disoriented. As someone else said - it's like edging 😅 it is! Without resolve. Because that would have been my other point - the song feels like working up to a really good climax but then - bok bok.. 😅😭 That sly little gremlin 😫💚
Also every time i caught myself thinking - hm, that's very commercial 😅 the song kicked the legs out from under me right away 😂 So good for him.
Which brings me to my next hard agree with Lintu - i soooo hope it's a concept album! I don't need to love every song but boy do i love when he experiments. I end up liking those later on mostly. So it's a delayed reward treat idk how to describe it better.
Lastly.
None of this, absolutely none of this, implied sexy poledancing. He just did that. 🙏🏽😫❤
So thank you Jere.
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to me, the question of whether hera would want a body is first and foremost a question of autonomy and ability. she has an internal self-image, i think it's meaningful that the most pivotal moments in her character arc take place in spaces where she can be perceived the way she perceives herself and interact with others in a (relatively) equal and physical capacity, and that's worth considering. but i don't think it's about how she looks, or even who she is - and i think she's the same person either way; she's equally human without a body, and having a body wouldn't make her lived experience as an AI magically disappear - so much as it's about how she would want to live.
like most things with hera, i'm looking at this through a dual lens of disability and transness, both perspectives from which the body - and particularly disconnect from the body - is a concern. the body as the mechanism by which she's able to interact with the world; understanding her physical isolation as a product of her disability, the body as a disability aid. the body as it relates to disability, in constant negotiation. the body as an expression of medical transition, of self-determination, of choice. as a statement of how she wants to be seen, how she wants to navigate the world, and at the same time reckoning with the inevitable gap between an idealized self-image and a lived reality, especially after a long time spent believing that self-image could never be visible to anyone else.
it's critical to me that it should never imply hera's disability is 'fixed' by having a body, only that it enables her to interact with the world in ways she otherwise couldn't. her fears about returning to earth are about safety and ability; the form she exists in dictates the life she's allowed to lead and has allowed people to invade her privacy and make choices for her. dysphoria and disability both contribute to disembodiment - in an increasingly digitized world, the type of alienation that feels like your life can only exist in a virtual space... maybe there's something about the concept of AI embodiment, in particular as it relates to hera, that appeals to me because of what it challenges about what makes a 'real woman.' when it's about perception, about how others see her and how she might observe / be impacted by how she's treated differently, even subconsciously. it's about feeling more present in her life and interfacing with the world. but it's not in itself a becoming; it doesn't change how she's been shaped by her history or who she is as a person.
i think it comes back to the 'big picture' as a central antagonistic force in wolf 359, and how - in that context, in this story - it adds a weight to this hypothetical choice. hera is everywhere, and she's never really anywhere. she's got access to more knowledge than most people could imagine, but it's all theoretical or highly situational; she doesn't have the same life experiences as her peers. she has the capacity to understand that 'big picture' better than most people, but whatever greater portion of the universe she understands is nothing next to infinity and meaningless without connection and context. it's interesting to me that hera is one of the most self-focused and introspective people on the show. her loyalties and decisions are absolute, personal, emotionally driven. she's lonely; she always feels physically away from the others. she misremembers herself sitting at the table with the rest of the crew. she imagines what the ocean is like. there's nothing to say that hera having a body is the only solution for that, but i like what it represents, and i honestly believe it'd make her happier than the alternatives. if there's something to a symbolically narrowed focus that allows for a more solid sense of self... that maybe the way to make something of such a big, big universe is to find a tiny portion of it that's yours and hold onto it tight.
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