so sorry to everyone who has ever befriended me or tried to befriend me bc i legit have no idea what i'm doing 😭

pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]

I think my favorite thing about doing ginger red hair instead of cherry red hair is: lying to people about it

thing about rose, for me, is that she wasn't there first -- this in a "she was first in nu!who in the sense that this was the first person to travel with nine, and the first person since the timewar, and the last person that nine was with, to the point that ten was born out of that experience/modelled on her."

and in that framing, I am a big fan of her haunting of the narrative, because it start outs with her placing herself inside the doctor's ribcage and rebooting their ability to want to feel things, but unfortunately rose is still a human, like every human the doctor travelled with before, it's just that the doctor forgot how to steel themself against that inevitability because of the circumstances around meeting rose

this is The thing that I find tragic about martha, because I think she could have been that person, if she'd been the first person post-timewar to travel with the doctor, but because she's coming in during bleeding-heart times, she's got to deal with triage instead. and yes, there are wonders, and yes, there are good times, but for a lot of it, it's shrapnel, and I think if it hadn't been, she would have had a very different attitude towards *waves hands* space and time travel and aliens and the universe (one where she wouldn't be the person trusted with something like the osterhagen key)

and donna had a sense of that Space the doctor was in post-rose (she canonically stopped the doctor from dying in runaway bride) and stepped away from it, and didn't get back to the doctor until some of that hole-in-chest had been bandaged up, which martha did a great job of, but didn't get to really benefit from, and I think that's the sad thing about martha jones, is that she absolutely got a taste of the beauty and the splendor, but never without all the violence and heave weight that was put onto her

which, again, she seems to have been very aware of, considering she joined UNIT and Torchwood. her eyes were barely ever rose tinted (no pun here) during her whole journey in the story. martha really is in my opinion the most tragic companion (that I've met so far, I know Adric straight up dies, but maybe he had some fun times before that?), because yes, donna loses her memories and rose is in a parallel universe, but that's more tragic for the doctor -- they've both built lives

in donna's case there's probably a lot of imperfection in that life, but clearly a lot of joy as well, with her and her husband and her kid and her mum, and I'm sure she'd have preferred to be the donna who saw the universe and was splendid, but martha never gets to forget, and has to continue her life one step out of sync of everything she could have been

which, maybe her life is pretty flipping fantastic, but we really don't know, which is the biggest thing I side-eye about the first nu!who era. that whole weird ending with the sontaran and mickey is like... anti-character work, it answers nothing and it makes very little sense

all I know about her at the end is that she more than anyone saw the doctor's life and became a soldier (still a doctor as well, but...) because that was the work she saw needed doing, and she's the kind of person who does what needs doing. but is she... okay? youknow?

but going back to the original point, is that framing martha through the lens of rose is all well and good in the sense that rose is the reason the doctor is at that emotional point when he meets martha -- although donna absolutely had a very big hand in that as well -- but once we've established that, martha's arc is martha's arc, and it's dull to me to frame it as the "rebound" arc or even particularly about alloromanticism (including -- and this is why i get why people do it in fandom -- some shit said by rtd, which is just less interesting than what I get out of it, so shhhh)

she's got so much going on, and her relationship with the doctor changes the trajectory of her life, and it's in many ways a more interesting and far less straightforward trajectory of bad-to-better that many companions get -- it's a wonderfully complicated narrative that (and again, I get that some of this comes from within deliberate framings of the text, even though I think it's more than open enough to do more with, death of the author and all that -- but certainly not all of this is text either, some of it is ignoring what is actually there) is done a disservice by not going through the real messed up fascinating extraordinary shit that's going on during her era + arc in s4

but also... is she ok? I want to know. it's one of my top three burning questions, since we're getting a bit of best-ofs of the noughties DW era, some of your crimes can be righted by a simple bit of martha mr davies

Back on ma bullshit

Tfw you're a dude who found what you thought was a weird fish like 10 yrs ago and you let it live in a fish tank for a yr or two before transferring it to a swimming pool and trying to keep it hidden aND ITS GROWN TO AN ENORMOUS SIZE WITH ZERO EXPLANATION, and after going through a whole Free Willy arc and getting the townspeople to see your fishy friend as a non-threat, said fish randomly develops a craving for human flesh and you nearly get nommed

never before seen middle part comic noir… I’m obsessed u draw him so nicely 😭😭 so blessed

NOT THE LAST MIDDLE PART COMIC NOIR I INTEND TO DRAW!!!! age discourse/noir timeline discussions i see on the dash have started to make me think about the overlapping year (1933....) and how that could be tied to the 'canon event'. and specifically the potential of comic!noir having a crazy angsty bittersweet time about itsv noir having longer with robbie because he happens to be born earlier in his universe. but also comic!pete having to grapple with knowing what happened to robbie in his universe and how he can't stand by and watch a version of himself lose robbie when he could change things. which is why i have this draft of a page :)

AND GOD DUDE THE WAY U DRAW COMICS NOIR (baby... baby boy) ABSOLUTELY HAS PLAYED A PART IN HOW I DRAW HIM !!! he is so devastatingly young in your depiction of him and i felt like the way i drew the comic version of him had to change and adjust towards that!!!! i love the comic art but that is not a 16-17 year old kid and i swear if the comic reflected how young he was i would have had the world's worst category 10 woman moment

How does he stand, how does he speak? / How does he say these words to me? / Devil go and let me be!

[one last gawain for @mortiscausa’s ’march to camelot,’ for the prompt ‘grudge’]

Do u know when wolves do THAT face when another wolf snaps at them. okay now do u understand why Shade's cringefailing

(Warning, ooc. This is an AU.)

im really normal about them <- lie

there's something so comforting about artists you admire talking about their own struggles and insecurities

Dirty Little Animals

That song is so going to be my most listened song this year. It fits both of them so well.

Art nerd alert underneath:

If you like drawing with (waterproof) ink, you can try watering small amounts down. Dried layers don't smudge like aquarelles do but liquid ink behaves like aquarelles on wet surfaces.

more rejuv things but its. its just this guy again, im sorry shes all i can draw

I get a little indignant when i look up the lyrics for a song that has very straightforward and understandable meaning to anyone who has experienced a modicum of emotional pain in their life and there are websites like "Song Lyrics Explained" like ohhh some people have never had their heart broken I see.

Mini Silverborn Countdown

If you’ve been around for a few years, you’ve seen me vaguely mention a “Silverborn Countdown Challenge” several times. It’s been delayed and changed as many times as the book itself, lol.

If anyone wants sort of a low-stakes, very chill and spaced out version of this ye olde never tackled challenge to complete in the next year before Silverborn, I propose what I���m doing:

Every 3 months leading up to the initial release, I am creating one thing based on each of the books.

January — Nevermoor

April — Wundersmith

July — Hollowpox

tdov was like a week ago already but I just wanna say when I came over to vacation slash help my sworn brother move flat he told me, "ever since you said you wanted to get top surgery I've been thinking about it. it's straight up number two on my bucket list"