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dissertationthesis · 9 months
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How to find the best research article writing services?
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Students and researchers frequently find themselves balancing several duties and strict deadlines in today's fast-paced academic environment. Writing a well-organized, thoroughly researched research paper can be challenging and takes a lot of experience. Research paper writing services might help in this situation. In this blog, we'll delve into the world of these services and examine the best resources out there for people looking for help writing high-quality research papers, such as online and Scopus paper writing services.
The Importance of Quality Research Papers
The cornerstone of academic success, research papers increase information and foster the growth of critical thinking abilities. A careful process of data collecting, analysis, and interpretation, along with flawless writing and formatting, go into creating an outstanding research paper. Given the difficulties involved, it's not surprising that many people turn to research paper writing services for expert advice.
Top Research Paper Writing Services
Services that specialize in giving thorough assistance during the development of research papers include research article writing services. Research article writing services provide a one-stop shop for all your academic writing needs, including everything from subject selection to literature reviews, data analysis, and conclusion writing.
These services ensure that your research work stands out in terms of originality, clarity, and conformity to academic traditions. They are tailored to the unique requirements of your article. In order to deliver papers that adhere to the greatest requirements, professional writers closely engage with clients.
Writing Services for Scopus Papers: Within the academic community, Scopus-indexed publications are respected for their authority and influence. The Scopus paper writing services have a thorough awareness of the exacting standards that these journals impose and can help you create research papers that satisfy the requirements for publishing on such esteemed platforms.
Online paper writing services have made academic life more convenient as a result of the digital revolution. Online paper writing services provide a simple ordering process, direct communication with writers, and delivery of your finished work, all from the convenience of your home.
The Best Service Provider to Use
To guarantee the caliber and integrity of your work, it is essential to choose the best research paper writing service. Here are some things to think about before choosing:
Expertise and credentials: Seek out services with a staff of seasoned writers who hold graduate degrees in a variety of fields. Your research paper's complexity will be better managed by a qualified author with subject-matter knowledge.
Customization: Because every research paper is different, a trustworthy business should provide tailored solutions that satisfy your particular needs. Services that offer pre-written or generic content should be avoided.
Guarantee against Plagiarism: Authenticity is crucial in academic work. Make sure the provider offers a plagiarism-free guarantee that is supported by careful tests for plagiarism before delivery.
Delivery on Time: In the academic setting, keeping deadlines is crucial. Select a company that has a reputation for providing high-quality papers on schedule.
Testimonial: Customer testimonials and reviews can give you important information about the caliber, professionalism, and level of customer satisfaction of the business.
Research papers are extremely important in the academic world since they add to the corpus of knowledge and demonstrate one's intellectual prowess. However, writing a research paper can be a difficult and time-consuming procedure. When students and researchers need professional assistance, research paper writing services give a helping hand.
If you are someone who is looking to excel in your research paper writing and stand out in your academics leave a query before you leave. 
Visit Now - https://www.unitedinnovator.com/research-article-writing-reputed-journals.php
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phdizone1 · 8 months
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pillowfort-social · 4 months
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Generative AI Policy (February 9, 2024)
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As of February 9, 2024, we are updating our Terms of Service to prohibit the following content:
Images created through the use of generative AI programs such as Stable Diffusion, Midjourney, and Dall-E.
This post explains what that means for you. We know it’s impossible to remove all images created by Generative AI on Pillowfort. The goal of this new policy, however, is to send a clear message that we are against the normalization of commercializing and distributing images created by Generative AI. Pillowfort stands in full support of all creatives who make Pillowfort their home. Disclaimer: The following policy was shaped in collaboration with Pillowfort Staff and international university researchers. We are aware that Artificial Intelligence is a rapidly evolving environment. This policy may require revisions in the future to adapt to the changing landscape of Generative AI. 
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Why is Generative AI Banned on Pillowfort?
Our Terms of Service already prohibits copyright violations, which includes reposting other people’s artwork to Pillowfort without the artist’s permission; and because of how Generative AI draws on a database of images and text that were taken without consent from artists or writers, all Generative AI content can be considered in violation of this rule. We also had an overwhelming response from our user base urging us to take action on prohibiting Generative AI on our platform.  
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How does Pillowfort define Generative AI?
As of February 9, 2024 we define Generative AI as online tools for producing material based on large data collection that is often gathered without consent or notification from the original creators.
Generative AI tools do not require skill on behalf of the user and effectively replace them in the creative process (ie - little direction or decision making taken directly from the user). Tools that assist creativity don't replace the user. This means the user can still improve their skills and refine over time. 
For example: If you ask a Generative AI tool to add a lighthouse to an image, the image of a lighthouse appears in a completed state. Whereas if you used an assistive drawing tool to add a lighthouse to an image, the user decides the tools used to contribute to the creation process and how to apply them. 
Examples of Tools Not Allowed on Pillowfort: Adobe Firefly* Dall-E GPT-4 Jasper Chat Lensa Midjourney Stable Diffusion Synthesia
Example of Tools Still Allowed on Pillowfort: 
AI Assistant Tools (ie: Google Translate, Grammarly) VTuber Tools (ie: Live3D, Restream, VRChat) Digital Audio Editors (ie: Audacity, Garage Band) Poser & Reference Tools (ie: Poser, Blender) Graphic & Image Editors (ie: Canva, Adobe Photoshop*, Procreate, Medibang, automatic filters from phone cameras)
*While Adobe software such as Adobe Photoshop is not considered Generative AI, Adobe Firefly is fully integrated in various Adobe software and falls under our definition of Generative AI. The use of Adobe Photoshop is allowed on Pillowfort. The creation of an image in Adobe Photoshop using Adobe Firefly would be prohibited on Pillowfort. 
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Can I use ethical generators? 
Due to the evolving nature of Generative AI, ethical generators are not an exception.
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Can I still talk about AI? 
Yes! Posts, Comments, and User Communities discussing AI are still allowed on Pillowfort.
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Can I link to or embed websites, articles, or social media posts containing Generative AI? 
Yes. We do ask that you properly tag your post as “AI” and “Artificial Intelligence.”
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Can I advertise the sale of digital or virtual goods containing Generative AI?
No. Offsite Advertising of the sale of goods (digital and physical) containing Generative AI on Pillowfort is prohibited.
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How can I tell if a software I use contains Generative AI?
A general rule of thumb as a first step is you can try testing the software by turning off internet access and seeing if the tool still works. If the software says it needs to be online there’s a chance it’s using Generative AI and needs to be explored further. 
You are also always welcome to contact us at [email protected] if you’re still unsure.
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How will this policy be enforced/detected?
Our Team has decided we are NOT using AI-based automated detection tools due to how often they provide false positives and other issues. We are applying a suite of methods sourced from international universities responding to moderating material potentially sourced from Generative AI instead.
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How do I report content containing Generative AI Material?
If you are concerned about post(s) featuring Generative AI material, please flag the post for our Site Moderation Team to conduct a thorough investigation. As a reminder, Pillowfort’s existing policy regarding callout posts applies here and harassment / brigading / etc will not be tolerated. 
Any questions or clarifications regarding our Generative AI Policy can be sent to [email protected].
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fatehbaz · 1 year
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Today, as you read this [...], there are almost 2 million people locked away in one of the more than 5,000 prisons or jails that dot the American landscape. While they are behind bars, these incarcerated people can be found standing in line at their prison’s commissary waiting to buy some extra food or cleaning supplies that are often marked up to prices higher than what one would pay outside of those prison walls. [...] If they want to call a friend or family member, they need to pay for that as well. And almost everyone who works at a job while incarcerated, often for less than a dollar an hour, will find that the prison has taken a portion of their salary to pay for their cost of incarceration. [...] These policymakers and government officials also know that this captive population has no choice but to foot the bill [...] and that if they can’t be made to pay, their families can. In fact, a 2015 report led by the Ella Baker Center for Human Rights, Forward Together, and Research Action Design found that in 63 percent of cases, family members on the outside were primarily responsible for court-related costs [...].
Rutgers sociology professor Brittany Friedman has written extensively on what is called “pay-to-stay” fees in American correctional institutions. In her 2020 article titled, “Unveiling the Necrocapitalist Dimensions of the Shadow Carceral State: On Pay-to-Stay to Recoup the Cost of Incarceration,” Friedman divides these fees into two categories: (1) room and board and (2) service-specific costs. Fees for room and board -- yes, literally for a thin mattress or even a plastic “boat” bed in a hallway, a toilet that may not flush, and scant, awful tasting food -- are typically charged at a “per diem rate for the length of incarceration.” It is not uncommon for these fees to reach $20 to $80 a day for the entire period of incarceration. The second category, what Friedman refers to as “service-specific costs,” includes fees for basic charges such as copays or other costs for seeing a doctor or nurse, programming fees, email and telephone calls, and commissary items. 
In 2014, the Brennan Center for Justice documented that at least 43 states authorize charging incarcerated people for the cost of their own imprisonment, and at least 35 states authorize charging them for some medical expenses. More recent research from the Prison Policy Institute found that 40 states and the federal prison system charge incarcerated people medical copays. 
It’s also critical to understand how little incarcerated people are paid for their labor in addition to the significant cut of their paltry hourly wages that corrections agencies take from their earnings. Nearly two-thirds (65 percent) of incarcerated people work behind bars. According to the Prison Policy Initiative, those who work regular jobs in prisons such as maintaining the grounds, working in the kitchen, and painting the walls of the facilities earn on average between $0.14 and $0.63 an hour. [...] Arkansas and Texas don’t pay incarcerated workers at all, while Alabama only pays incarcerated workers employed by the state’s correctional industry. [...]
For example, if someone sends an incarcerated person in Florida $20 online, they will end up paying $24.95. [...]
Dallas County charges incarcerated people a $10 medical care fee for each medical request they submit. In Texas prisons, those behind bars pay $13.55 per medical visit, despite the fact that Texas doesn’t pay incarcerated workers anything. Texas is one of a handful of states that doesn’t pay incarcerated people for their labor. 
In Kentucky’s McCracken County Jail in Paducah, it costs $0.40 a minute for a video call; this translates into $8.00 for each 20-minute video call. [...] For those who need to use email, JPay charges $2.35 for five emails for people in the Texas prison system ($0.47 an email). [...]
People in Florida prisons pay $1.70 for a packet of four extra-strength Tylenol and $4.02 for four tampons. And with inflation, commissary items are priced higher than ever. For example, according to the Kentucky Center for Investigative Reporting, incarcerated people in Kentucky experienced a 7.2 percent rise in already-high commissary prices in July 2022. Researchers noted that a 4.6-ounce tube of Crest toothpaste, which costs $1.38 at the local Walmart, is $3.77 at the prison commissary. [...]
In Gaston County, North Carolina, incarcerated individuals who participate in state work release may make more than the state’s $0.38 an hour maximum pay, but they pay the jail a daily rate based on their yearly income of at least $18 per day and up to $36 per day. In fact, Brennan Center research indicates that almost every state takes a portion of the salary that incarcerated workers earn to compensate the corrections agency [...].
These room and board fees are found throughout the nation’s jails and prisons. Michigan laws allow any county to seek reimbursement for expenses incurred in relation to a charge for which a person was sentenced to county jail time -- up to $60 a day. Winnebago County, Wisconsin, charges $26 a day to those staying in its county jail.
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Text by: Lauren-Brooke Eisen. “America’s Dystopian Incarceration System of Pay to Stay Behind Bars.” Brennan Center for Justice. 19 April 2023. [Bold emphasis and some paragraph breaks/contractions added by me.]
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teaboot · 2 months
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Other tips for financially abused kids who want to leave:
Most banks will send you a credit card when you apply. You cannot opt out of it. See if you can get it sent somewhere that's not your home, or find a bank that allows you to opt out of getting one (try emailing them to check).
Also: here's a reddit article I found with banks that allow you to opt out of a credit card- (do your own research though-this information could be false or outdated) https://www.reddit.com/r/personalfinance/comments/deqlx6/how_to_open_a_bank_account_while_hiding_it_from/
(I hear Novo bank allows you to opt out of getting a card. And it's also a business bank. However, a good chunk of the reviews are bad).
Get an account at a bank your family doesn't use, and make sure they don't know about it. Otherwise they could get access to it.
Cashapp can be used as a bank (not recommended bc cashapp isn't as secure as a bank, but it is an option).
You can check how good a bank is by checking nerdwallet and reddit.
You'll need a business bank account-or an account that lets you do business-if you want to freelance (which includes things like transcription). There's an article on nerdwallet about the best business accounts, and another one about accounts you can open without an EIN.
Make sure your bank statements are emailed and not mailed.
There's a bank called Majority which allows people to get accounts without SSN. Most of the reviews I've seen are good, but I still recommend checking the reviews yourself.
Try to get a paypal if you're going to get an online job-a lot of them require a paypal to use their services.
If you don't have proof of address, look for an online-only bank.
^^^
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The Climate Change Survival Network
Are you worried about the future given the state of the environment? Many of us are, but we're paralyzed by our inability to make a difference as individuals. It's a kind of slow torture to be aware that our lifestyles are contrary to our values, but we are not the ones who decided that we should have a world founded on ecocide.
Last year, my fear of environmental catastrophe reached new heights, but when I tried to find an existing organization to join, all I found were conferences you had to pay to attend and ineffectual NGOs. So I decided to make my own network.
The Climate Change Survival Network is intended to serve as a hub for education and organization. All services are provided free of charge.
Below are a list of ways you can get involved with the site.
Become a Contributor. The site currently hosts articles written by me, but I am happy to accept articles or videos from others. They do not have to be unique to the site. Topics of interest include the environment, the politics of climate change, and practical knowledge/survival skills.
Organize or Join a Learning Group. CCSN provides a place to set up lessons on any given number of subjects. If you know how to sew, you could teach others; if you have experience creating a well, you could share that with others. Lessons can be online or in-person, knowledge-based or experiential. To organize, you do not have to be an expert. All members of a group can bring their own research to the lesson and everyone can teach each other. Pre-existing educational opportunities can be posted. The only requirement is that the groups must be held for free.
Make a Mutual Aid Post or Donate. The site will be hosting mutual aid posts. If you are in need of help, feel free to reach out. You can also post giveaways and other offers of aid on the site.
CCSN is still in its infancy at the moment. I work full time, but I am going to be dedicating myself to improving the site in the coming year. Please feel free to reach out to [email protected] with suggestions and comments. I will get back to emails as soon as possible.
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sealpup9 · 1 year
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Internet Archive Live Hearing happens tomorrow: March 20, 2023
Here's a link to the Internet Archive's page, describing how you can participate and listen to oral arguments on Monday March 20th at 1pm ET
You may know the Internet Archive because of the Wayback Machine!!
The court case Hachette v Internet Archive is being brought to court and threatens to tear down the Internet Archive as we know it.
"The Internet Archive is a nonprofit digital library, preserving and providing access to cultural artifacts of all kinds in electronic form. CDL allows people to check out digital copies of books for two weeks or less, and only permits patrons to check out as many copies as the Archive and its partner libraries physically own. That means that if the Archive and its partner libraries have only one copy of a book, then only one patron can borrow it at a time, just like any other library. Through CDL, the Internet Archive is helping to foster research and learning by helping its patrons access books and by keeping books in circulation when their publishers have lost interest in them."
This is so important because not only does the Internet Archive provide books that are long out of circulation and copies for people to borrow, they are also used as sources for things like Wikipedia articles! Imagine if suddenly, no one could access sources that someone cites for their information! Having access to information digitally today is a very important thing, and with all of the paywalls people face nowadays for news, imagine if you suddenly had to pay for access to any books. Websites like Amazon already are attempting to replace any sort of ebook rentals with paid services, when we have the right to borrow books online just as we do physically. The Internet Archive is extremely important and one of our rights- access to information- is actively being fought against.
REMEMBER: This will not JUST affect the internet archive. This could change how libraries in general work, and could threaten public access to information. Imagine how many youtube video essay sources would be null and void, imagine just trying to research an obscure topic at 3am-- If all of that was behind a paywall, only those with money would be able to access them! The harder it is for libraries to share books and archive information, the more the public suffers!
Please show your support! Read more about the case here: https://www.eff.org/cases/hachette-v-internet-archive
https://www.battleforlibraries.com/
I'm not sure how quick Tumblr will work on approving this blazed post but if the day/time has passed, please know that you can actively look into more information on this case and other info on the Internet Archive Blogs. You can also add your name to a list of supporters of Battle for Libraries Here.
Let's work together on making sure we have access to information! In this digital age, we deserve to access just as much online as we do offline!
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usnatarchives · 2 years
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USIA poster, 7/30/1953, NARA ID 5730043.
VOTE ON TUESDAY!
The 2022 midterm elections will be held on Tuesday, November 8, and there's still time to ensure you're registered to vote. The National Archives supports Executive Order 14019, which promotes voter registration, participation, and access to voting. See Vote.gov for more information.
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USIA poster 10/8/1951, NARA ID 5730163.
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American Forces Information Service poster, 1/1/2000, NARA ID 10488372.
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Office of War Information, WW2 poster, NARA ID 515775.
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More online:
Civics for All of US the National Archives new education initiative promotes civic literacy and engagement.
Voting Rights Special Topics page.
Presidential Elections & Inaugurations Records in the National Archives and Presidential Libraries document elections and inaugurations through history.
Black Americans and the Vote This research portal highlights National Archives holdings that relate to the long struggle for equality in voting rights.
Women's Rights: Suffrage Discover an array of records related to the long quest for women to gain the vote as well as education resources, articles, and blog posts.
Online exhibit: Records of Rights presents records in the National Archives that document the ongoing struggle of Americans to define, attain, and protect their rights
Online exhibit: Rightfully Hers: American Women and the Vote highlights the struggle of diverse activists throughout U.S. history to secure voting rights for all American women.
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Trump supporters call for riots and violent retribution after verdict | Reuters
By Joseph Tanfani, Ned Parker & Peter Eisler
Supporters of former President Donald Trump, enraged by his conviction on 34 felony counts by a New York jury, flooded pro-Trump websites with calls for riots, revolution and violent retribution.
After Trump became the first U.S. president to be convicted of a crime, his supporters responded with dozens of violent online posts, according to a Reuters review of comments on three Trump-aligned websites: the former president's own Truth Social platform, Patriots.Win and the Gateway Pundit.
Some called for attacks on jurors, the execution of the judge, Justice Juan Merchan, or outright civil war and armed insurrection.
“Someone in NY with nothing to lose needs to take care of Merchan,” wrote one commentator on Patriots.Win. “Hopefully he gets met with illegals with a machete,” the post said in reference to illegal immigrants.
On Gateway Pundit, one poster suggested shooting liberals after the verdict. “Time to start capping some leftys,” said the post. “This cannot be fixed by voting."
Threats of violence and intimidating rhetoric soared after Trump lost the 2020 election and falsely claimed the vote was stolen. As he campaigns for a second White House term, Trump has baselessly cast the judges and prosecutors in his trials as corrupt tools of the Biden administration, intent on sabotaging his White House bid. His loyalists have responded with a campaign of threats and intimidation targeting judges and court officials.
“This was a disgrace, this was a rigged trial by a conflicted judge who was corrupt,” Trump told reporters afterwards, echoing comments he often made during the trial.
A 12-member jury found Trump guilty on Thursday of falsifying documents to cover up a payment to silence a porn star’s account of a sexual encounter ahead of the 2016 election. Sentencing is set for July 11, days before the Republican Party is scheduled to formally nominate Trump for president ahead of the Nov. 5 election. Trump has denied wrongdoing and is expected to appeal.
Trump continued his attacks online after the verdict.
On Truth Social, he called Merchan “HIGHLY CONFLICTED” and criticized his jury instructions as unfair. One commentator responded by posting a picture of a hangman's platform and a noose with the caption: “TREASONOUS MOBSTER OF THE JUSTICES SYSTEM!!”
Jacob Ware, a co-author of the book “God, Guns, and Sedition: Far-Right Terrorism in America”, said the violent language used by Trump’s followers was testament to the former president’s “ironclad ability to mobilize more extreme supporters to action, both at the ballot box and through violence.”
“Until and unless he accepts the process, the extremist reaction to his legal troubles will be militant,” said Ware, a research fellow at the Council on Foreign Relations.
A spokesperson for Truth Social said, “It’s hard to believe that Reuters, once a respected news service, has fallen so low as to publish such a manipulative, false, defamatory and transparently stupid article as this one purely out of political spite.”
All three sites have policies against violent language, and some of the posts were later removed. Representatives of Patriots.Win and Gateway Pundit did not immediately return requests for comment. A Trump spokesperson also did not respond to an email seeking comment.
“HANG EVERYONE”
After Thursday's verdict, many of his supporters also said that his conviction was proof that the American political system was broken and that only violent action could save the country.
“1,000,000 men (armed) need to go to Washington and hang everyone. That's the only solution,” said one poster on Patriots.win. Another added: “Trump should already know he has an army willing to fight and die for him if he says the words...I’ll take up arms if he asks.”
Other posts specifically urged targeting Democrats, in some cases suggesting they be shot. “AMERICA FULLY DESTROYED BY DEMOCRATS. LOCK AND LOAD,” wrote a commentator on Gateway Pundit.
While the posts identified by Reuters all called for violence or insurrection, most fell short of the legal standard for a prosecutable threat, which typically requires evidence that the comment reflects a clear intent to act or instill fear, rather than simply suggesting a frightening outcome.
Still, one researcher who studies extremist militias said the guilty verdict could inspire violence by reinforcing a conviction among some of Trump's supporters that he's a victim of a conspiracy orchestrated by his enemies.
“I do think a lot of these folks have been looking for an excuse to maybe mobilize for a while,” said Amy Cooter of the Middlebury Institute of International Studies’ Center on Terrorism, Extremism and Counterterrorism. “I hope I’m wrong. I’ve said for a long time, though, that I would not be shocked to see violence result from a guilty verdict, either directed toward the jurors” or others connected to the case.
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spacelazarwolf · 8 months
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if you want to answer (and i totally understand if you dont), who do you think bombed the hospital in gaza? ive seen a lot of different people talking about it and blaming different people & organizations and you seem like you know a lot aboit i/p
IMPORTANT TO NOTE: i am not a news source. i am some guy with access to the internet. please follow the links in this post, as well as doing your own research. please do not use social media posts exclusively as your source of news, and please continuously read and compare several different accredited news sources. keep on top of new sources and evidence that are being put out to ensure that you have the most up-to-date information.
it's not really about who i think did it. i feel like that centers me in a thing that is very much not about me. but i'll give it my best shot.
we still do not have confirmation of how many were killed or who is at fault for the bombing. there are a lot of numbers and opinions floating around online, but as of 4pm on october 19th there has not been a consensus on either of these things from any accredited organizations.
that being said, here are the statements that have been put out as of the time i'm responding to this:
statements about death toll:
the gaza health ministry estimates between 200 and 471 dead
the director of al-shifa hospital where people were brought from al-ahli estimates 250 dead
an assessment from the us director of national intelligence estimates between 100 and 300
an analyst with the center for naval analysis, after viewing photos and video, said the death toll was closer to 50
statements about fault:
(taking these directly from the article)
J Andres Gannon, an assistant professor at Vanderbilt University, in the US, says the ground explosions appeared to be small, meaning that the heat generated from the impact may have been caused by leftover rocket fuel rather than an explosion from a warhead. Justin Bronk, senior research fellow at the UK-based Royal United Services Institute, agrees. While it is difficult to be sure at such an early stage, he says, the evidence looks like the explosion was caused by a failed rocket section hitting the car park and causing a fuel and propellant fire. Mr Gannon says it is not possible to determine whether the projectile struck its intended target from the footage he has seen. He adds that the flashes in the sky likely indicate the projectile was a rocket with an engine that overheated and stopped working. Valeria Scuto, lead Middle East analyst at Sibylline, a risk assessment company, notes that Israel has the capacity to carry out other forms of air strike by drone, where they might use Hellfire missiles. These missiles generate a significant amount of heat but would not necessarily leave a large crater. But she says uncorroborated footage shows a pattern of fires at the hospital site that was not consistent with this explanation.
Visual evidence from the blast site The BBC was able to match details of buildings and the layout of the Al-Ahli hospital site with publicly available satellite imagery, to establish the hospital was the scene of the blast. Based on available evidence, it appears the explosion happened in a courtyard which is part of the hospital site. Images of the ground after the blast do not show significant damage to surrounding hospital buildings. What the images do show are scorch marks and burnt-out cars.
where the explosive came from
so far, israel, hamas, and palestinian islamic jihad have all denied responsibility
channel 4 news reported that palestinian islamic jihad had uncovered a warhead but they have not produced it
in a since-deleted tweet, hananya naftali, a social media advisor for netanyahu, claimed that it was an israeli airstrike that hit the hospital. he followed up by stating that he had shared incorrect information based on a reuters headline that refered to an israeli airstrike
tentative conclusion based on sources:
what i gather from what i've read is that the blast was likely caused by a misfired rocket originating somewhere in gaza, and the blast was exacerbated by the fuel in the rocket. BUT, as i stated before, new information is always being put out. there could be evidence released tomorrow that it was an israeli air strike. there has been no conclusive evidence yet.
and perhaps the most important section:
what you can actually do to help
if you are in the us, call your representatives and urge them to support the resolution for a ceasefire
check out this list of verified aid groups (if there is not a ceasefire as soon as possible, it won't matter what aid is sent to them and if they cannot get the supplies into gaza, so refer back to the first bulletpoint)
send a donation to your local synagogue(s) and mosque(s) to help them offset the rising costs of security
take a moment to be a human. don't think about the numbers. don't think about the politics. think about the human beings who lost their lives, and the people who are mourning them. the mothers who will never see their children again, the children who will grow up without parents. what did they have for breakfast? what was their favorite song? when was their birthday? were they afraid? were they in pain? what can we do to ensure this does not happen again?
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jojo-oliver · 1 year
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How to tumblr for artists… my own version
A collection of things that have been working for me, but may not work for everyone
~~~ your posts ~~~
!!!reblog your own stuff!!! you need to reblog your own stuff, there is nothing morally wrong with reblogging your own stuff regularly. in fact, it is morally right to allow the chance for more people to see your artwork.
~~~ queue it!! ~~~ my queue is 500 posts strong. maybe don't try to make your queue hundreds of posts strong in the same day omg but like… once every month or two i'll go through my whole blog and just scroll and "add to drafts" to every one of my own posts i have. then i'll use the "mass post editor" to add content warning tags. and add to queue, and shuffle. and then I write down what the date was for when I last added my posts to be reblogged on queue. this is helped by turning on timestamps for posts in tumblr "dashboard preferences" settings.
queueing is necessary and life saving for me. It takes out so much work with decision fatigue and the anxiety around posting. It also guarantees that even if I suddenly need time off or away from my phone, I don't just disappear and lose all traction. It also breaks the instant-gratification cycle that you expect when you finish an artwork. It's hard to keep creating when you post something and, when you're expecting to get that gratification, you get none... If you queue your new artwork to come out at a later time, you've separated that expectation - with time. It hurts less and contributes to a more consistent gratification thing instead of peaks and troughs.
~~~ tag ya stuff ~~~ when you're making a new post, the first 20 tags are what gets put into the searchable tags. do not feel shame for using lots of tags. shame is the mind-killer. tags are hard. hard to know what to tag a post with. hard to remember the tags. so I found some ways to help myself. maybe they'll help you too. dedicate some time towards just figuring out what tags you want to use. i have a list in my phone notes that i add tags to and reference whenever i'm making a new post. i have the phone right beside the laptop while i'm tagging so that i can just look at it and scroll. tags are the only way for people to find your artwork, other than people manually coming to your blog because they saw you somewhere. there is no algorithm. posting without tags, until you have an established fanbase, is throwing something into the void.
When I'm doing tag research, I look at what people seem to use - when you put something in the search bar, tumblr recommends you some that have a higher following, typically. Looks like this on desktop:
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if you like one tag, look at what other people who use that tag also tag their posts with. Observe and learn how this tag is used. search through a bunch of them and write them down.
here's what i got in my notes, for the specific kind of art I post and look for:
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these tags are sort of specific to me and the kind of art I make. You'll want to research your own tags, but this is an example of how I keep them organized to make posting more effective. I generally only write down a tag when it's got more than 2k followers. You might be tempted to use the tags with millions of followers, but I've actually found those a lot less functional for small artists. If your stuff doesn't immediately get a bunch of notifications, you're drowned out and pushed to the bottom much faster. But the bigger tags are better than no tags, so I keep them if I can't think of anything else to tag something with.
~~~ post at the right times….? ~~~
fridays and saturdays is when I post fresh new things... usually. every website has it's own peak hours, and you can find those hours in many different online articles that try to sell you social media growth services. tumblr is unique in having later hours.
here's some random graph from google images:
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please don't over think this. please don't let this consume the idea of when to post, preventing you from posting at all. it doesn't mean too much - if you post during very active hours, maybe your art would just be pushed down the feed faster. if you post at the end of hours, maybe everyone's going to sleep… if you post at inactive hours, maybe there's less 'competition'… if you post at the beginning of active hours, maybe that's just more time for your post to circulate for the day, if you have enough people reblogging it once it drops....
this also is in EST. So fuck the other time zones, I guess. I'm over here in europe knowing that the "best" time to post would be like 2-3am or something. It's like this for most english-speaking majority sites - higher traffic in north american time zones.
it's also worth mentioning that this is scattered as heck, compared to other social media sites. and it's not like, the activity times of your followers. it's not the best time to post for your niche. this is just tumblr, broadly. all of tumblr.
~~~ Plan ahead for annual dates ~~~
Your artwork will get more circulation if it's posted on a celebratory day. You could just put them on your calendar and if you're wondering what to make, look on the calendar for what's coming soon. For example, asexual awareness day, trans day of visibility, location-specific holidays, etc. Here's my phone notes thing with my own recorded annuals:
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I got these dates from googling and reading different articles, but I find that I still miss dates, and then I add them for next year. If you know of some I missed, tell me and I'll add them please <3
~~~ reblog other people's stuff ~~~
tumblr is sorta about ecosystems. things get passed around within groups of people that are all following eachother. to enter this ecosystem, you must engage and reblog other people's stuff too.
if you reblog other artists' stuff, sometimes they'll come over and reblog your stuff too. sometimes they'll follow you back. this is called becoming a mutual. I'll search specific tags for the kinds of people I want to follow and the kind of art I like - those are listed in the screenshot of my tag note under "Tags for finding new people".
I see a lot of blogs out there that are very clean, posts are tagless, and are only for the artists' content. like scrolling through a portfolio. I imagine this is good for people who are migrating to tumblr but already have their own established fanbase from elsewhere.
you don't need to do reblog other people's stuff on your art blog, you can do this on a separate blog. but if the two don't look very closely correlated, it's hard to tell who you are when you're interacting. and hard to make sure people know that you are the same person as your art blog. and you gotta remember to promote yourself on your personal blog.
~~~ have an art tag ~~~
make your blog easy to search!
if i go to your blog, and you've written 'artist' or 'sometimes art' in your bio, i wanna see it… it make me so sad when i don't get to see it. i want to reblog it. please let me reblog it :(
to make a tag on your own blog searchable, you don't need to repost it to add a tag. you don't even need to reblog it. you can actually just go back to the original post and edit it to add your tag. I've seen post people just have their art tag be something like #(blogname)art . you can see my own in my tags image above. if it's very unique, then it'll work tumblr-wide. I think that's good, since the tumblr search function is really weird. Otherwise it should still work if it's not entirely unique, people just have to make sure they're searching specifically your blog to see only your stuff.
I like to have a link in my pinned post where people can click to have immediately searched for my art tag. Convenience is king. Keep in mind that most people are on mobile, and if something isn't immediately clickable, they often won't find it.
~~~ be consistent and be patient ~~~
!!!this time will pass anyway!!! how many notes you have is not correlated with how good you are as an artist. wanting to earn something from your art means you essentially have two jobs. two potentially full time jobs. this shit's difficult. most of the job is promoting yourself. don't undersell how hard it is to do… don't feel bad for not immediately succeeding. I would write about how hard it's been to promote myself, but it would just be long and sad I think.
This isn't a full guide, please feel free to add more!!
I'm sure in another year I'll disagree with a lot of this, it will become irrelevant with time, and I'll have a lot of different opinions. Chip in and share what you've been doing? Teach me? This is very overwhelming. Don't do it all at once, just like, try one thing at a time, and see how it works for you. Your niche might be different. One size does not fit all. If you're confused about some of the things I talk about in here, you might be on mobile. I do most of my queueing and posting from the desktop browser version.
I will update this with more as things change, but I think you'll have to click through to see the updated post
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dissertationthesis · 10 months
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Is there a way for me to figure out speech & expressions in a specific past century? I've been trying to write a novel set in the 16th century but there are alot of expressions & idioms that I don't know if they existed back then or not. Do I just cut them out completely?
Researching Historical Lingo, Slang, and Grammar
Here are some things you can do to research the proper lingo, slang, and grammar for a historical setting:
1 - Google "slang (or phrases, lingo, grammar) of [era/decade] [location]" - I don't know where your story is set, but as an example, I Googled "slang of 16th century England" and got back 13 million hits, including things like "9 Elizabethan Words to Bring Back," "English Slang 1400 To 1680," "Elizabethan Swearing, Cursing and Vocabulary" and others. If you Google the era/decade and location of your story and take the time to sift through the results, you can get to know the lingo, phrases, slang, and grammar that would make sense in your story. (Just remember not to over rely on it... you want to avoid obviously modern phrases or words... no one in Elizabethan England would call something "freakin' sweet"... but you also don't want to write something so archaic sounding that it annoys the reader.)
2 - Go to YouTube and Search "slang (or phrases, lingo, grammar) of [era/decade] [location]" - YouTube can be a great source for learning how people spoke in a particular time and place. And in video format, this information is usually presented with additional information about the people and place that helps you understand why they spoke the way they did.
3 - Look for Books About Your Time Period and Setting - There are a lot of time/place settings that are popular enough to have books written about them. There's no shortage of books dedicated to life in Tudor and Elizabethan England, for example, and there are books dedicated to writing stories set in that time and place as well. Whether you go to your local library and ask, go to a local bookstore, or look on Amazon, books about your setting and time period can be a really helpful resource for learning about how people spoke.
4 - When In Doubt, Ask Google - If there's a particular expression, idiom, slang, or lingo you want to use but you're not sure if it existed in your story's time and place, try Googling the phrase plus "origin" or "etymology." That will almost always bring up something that will tell you the history of the expression, idiom, slang, or word that you're curious about. For example, let's say I wanted to know if they would have said "right as rain" in Tudor England. The very first hit on Google told me that while "right as rain" did originate in England, it doesn't seem to go further back than the 1800s. So, it wouldn't make sense for my Tudor character to say it. Some articles will suggest earlier variations, too, which can give you a fitting alternative. @definitely-not-julio suggested the OneLook online thesaurus which has an origin tab... and that actually leads to the Online Etymology Dictionary, which is a fantastic resource.
You can also use any number of idiom search engines or the dictionary to learn the origin of a particular phrase or word.
5 - Curl Up and Watch Stuff - One last helpful resource I want to mention is the great and powerful screen, whether that's the TV screen or device screen. There's a whole world of period dramas out there that take place in just about every possible time and place, so if all else fails, try watching a TV series or some movies set in the time and place of your story, and take notes! Just be aware that TV and movies aren't always super accurate, so it's a good idea to still double check anything you use, but they can be a great way to learn all kinds of potential words, phrases, lingo, etc. The Willow and Thatch web site has a list of period dramas by era (click on "best period dramas list") and it also has lists of period dramas by streaming service.
Have fun researching your story!
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discluded · 1 year
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MileApo and the rise of Thai soft power
Mile and Apo talking about the Thai period film at the Vogue Thailand Gala on 2022/9/21
I've been meaning to sit down and write about this for a while now, ever since I saw the pattern of Mile and Apo injecting it into their talking points about the 2023 historical film, but it's taken some an effort to actually lay it out. Hopefully the time I sat with it will make the it a more insightful, rich reading experience.
Disclaimers:
(1) I have no formal experience in international relations aside from reading and watching the news, but my strong point is research. Folks with a more formal backgrounds in policsci or IR are welcome to add their input!
(2) Comments about policies or political actions of nations, whether positive, neutral or negative, are not meant to reflect on private individuals of the nationality, even those with a notable amount of social-cultural capital. Private individuals, despite their positions of social influence, most often have little to no individual influence on a policy level**.
So without further ado:
What is soft power? (aka soft power for dummies)
Joseph Nye, a then-Harvard professor, coined the term soft power in the 1980s/early 90s. He described it as:
“A country’s ability to influence the preferences and behaviors of various actors in the international arena (states, corporations, communities, publics etc.) through attraction or persuasion rather than coercion.”
In his book Bound to Lead, Nye established that three prongs of a country's soft power were its culture, its political values, and its policies. Here are two different graphics that further break down what those look like when evaluating soft power in practice.
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If you feel like all the above is still vague to the point of unparsable in an applied context, I spent the majority of the time researching how to demystify the term especially in the way MileApo discuss it, and found this great explainer:
A strong nation brand and positive soft power perceptions allow a nation to promote itself as a place for people to visit, invest in, and build a reputation for their quality of goods and services. [...] it is often overlooked that a strong nation brand and soft power can deliver better outcomes at home. Primarily it encourages domestic tourism, the consumption of domestic goods and services (rather than imports). Less tangibly it also just makes people feel better about their country.
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Expressed in this context, soft power can be understood as the act of building trust in the cultural products of a nation domestically -- some more abstract in the form of art (music, film) and culture, some more concrete like products including fashion and beauty -- in a manner to appeal to its own citizens while also broadening the appeal of cultural goods abroad in a which can drive international tourism, trade, and commerce.
In other words: yes, our collective desire to actually taste Farmhouse bread.
The Thai government and the push for soft power
While my interest in this topic was originally piqued by MileApo's comments, soft power policy has to originate at the government level. Note again that Nye's definition of soft power is centered around "a country’s ability to influence", therefore soft power policy must always formally be expressed nationally.
Around the time MileApo consistently began promoting soft power in alignment with the period film, I noticed a slew of references in Bangkok Post, one of the reputable English online publications based in Thailand.
Back tracking through some of the articles as a reflection of national conversation, since 2020, there has been a consistent theme in terms of what the government is attempting and how well it's going (or not going):
On Thailand's soft power and positioning in the world, Feb 2020:
According to Kitti Prasirtsuk of Thammasat University, who has carried out extensive research into Thailand's branding and repositioning in the age of interconnectedness and social media, Thailand and its culture, values and foreign policy have charisma and high persuasive power which can attract admiration and cooperation. But the Thai people and bureaucrats must change their mindset and perceptions and appreciate their country in real terms first before they take up new challenges.
Within Asean, Thailand is behind Singapore as No.1 [among SE Asian soft power rankings]. The report stated that Thailand has the potential to rise into the top 30 in the world, if the country can strike the right political balance between the rural poor and urban elite. It went on to say that Thailand's weaknesses are problems related to corruption and inequality. It also said that the Thai government is failing to showcase the full potential of Thailand's rich cultural offerings beyond tourism. One more weak link is its poor performance in public diplomacy and digital infrastructure.
(Mile, Apo, and Bible all attended Thammasat University, which is considered one of the premiere universities in Thailand. Apo later transferred and graduated from a different university.)
On Milli, a Thai rapper who performed at Coachella in Spring 2022:
The presence of the 19-year-old rapper Milli at the Coachella Music Festival in the United States has reinvigorated Thailand's soft power ambitions -- an area the Thai government has not fully explored nor exploited. Milli, whose real name is Danupha Khanatheerakul, is the first solo Thai artist to perform at Coachella, a music festival that draws tens of thousands of fans annually.
[Milli's prescence at Coachella] was able to advance Thailand's soft power [in ways previously stalled]. It is not that the government is clueless about "soft power". For decades, governments have focused on presenting Thailand's soft power to the world. However, that iteration of "soft power" mainly consisted of Thai customs and traditions such as food, costume, classical dance, Buddhism rituals and the wai. These aspects of our cultural heritage, despite being charming to foreign tourists, are not sufficient to catapult Thailand's into a stronger position in the global market. Thai cultural heritage has failed to catch up in the digital age…
Milli's song also includes ideas relevant to international audiences. One of her songs openly discusses sexual consent. Being relevant is one of the keys to increasing the nation's presence among diverse populations. The cultural impact made by a young girl like Milli should make the government rethink its cultural promotion strategy. More support is needed for progressive Thai artists and innovators.
An opinion rebuttable on Milli's performance and the government's blundering of reaching for soft power while not meeting basic domestic requirements:
One of the minister's advisers belted out a long speech that did not seem to address how Thailand will become a "soft power" but used the term multiple times. One can't help but wonder if the ministry knows what it is doing, or what the so-called "soft power" it is espousing is about.
Milli's self-taunting line "I don't ride an elephant" may sound a bit old but her rapping about how "the country is good, people are good, our food is good but the government is bood," seems to have struck a chord. "Bood" means rotten in Thai. It is thus understandable if the government was not too coherent when discussing anything about the phenomenon that Milli created. Indeed, [Thailand's Prime Minister] Gen Prayut should feel awkward discussing the "soft power" of Milli and mango sticky rice when he filed a defamation charge against the teen rapper himself back in June last year.
Talented as Milli is, and extraordinary her achievements both locally and at one of the world's most famous music festivals have been, the teenage rapper really has nothing to do with so-called "soft power" which government figures are talking about. Her success is largely individual. Milli created a sensation and a craze. For Thailand's "soft power" to be built, let alone recognised globally, it takes more than one successful artist…
The whole product must be good if it is to exert influence. As experts argued, it takes a wide range of qualities for a country to say it has "soft power". These include the quality of its political institutions, education, digital development, innovation, cultural appeal, strength in arts or business brands. That is why it is odd for everyone to talk about Thailand's "soft power" now when we don't seem to have ticked any of the basic requirements.
On Bangkok International Fashion Week (BIFW):
BIFW2022 has been [a] major and continuing mission to promote and drive Thai fashion to international levels. The event strategically aligns with the government’s strategy to empower Thai fashion industry as fashion is one of the most influential soft power that stimulate economic growth.
Note that multiple actors in BOC walked BIFW2022 in September, as well as multiple actors from other Thai BL shows that aired in 2022.
On the increasing popularity of Thai BL:
Thai BL is now popular across Southeast and East Asia[, and] has been gaining traction in Japan, the home of BL, since 2020. Posters of famous khu jin were put up in a train station. Magazines that cover Thai drama, including BL, are rolled out for the Japanese audience. The Tourism Authority of Thailand has launched a Twitter account that uses BL to engage Japanese consumers. They are conducting research on these issues in the context of soft power.
Yes you read that correctly. No joke, BL as a facet of Thai soft power is so prevalent now that the government is literally tracking its popularity and Twitter conversation around the topic.
So what does this all mean?
Thailand is a country within Asia and internationally that has a lot of appeal as a tourism destination. However, with many competitor alternatives in both entertainment (particularly film and music) and beauty/fashion, which are major drivers soft power within Asia and internationally, and domestic dissidence of policy and politicians due to social conditions, Thai cultural power is not as prominent as it could be and also suffers at the international level.
While there is appeal of specific Thai cultural products internationally (such as Milli at Coachella or in the case of Kinnporsche the Series) the government has failed to activate these prominent media products as part of a cohesive soft power strategy.
However, the government does seem aware of the potential, specifically in the realm of BL. Thailand has always maintained an image of being LGBTQ-friendly among all the Asian countries, and may now be looking to push LGBTQ-aligned media (BL and GL dramas) specifically as part of its soft power strategy to increase pop culture and media appeal.
MileApo on Soft Power
Part of the reason my ears perked up at MileApo's consistent talking point of soft power is again, because even without a polisci background, I'm aware that soft power is expressed at the country policy level. Thus when both of them started specifically using the term to discuss the film in pre-production phase, it got my brain gears turning.
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Mile talking about the film on 2022/9/24 at the D7 Grand Opening (vid/txt)
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"Nong Po will act with Hia Mile -- please look forward to this movie next year, please look forward to that a lot. We want to expand Thai culture and soft power..." Apo on the Thai period movie at the KPWT Send off on 2022/9/11
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Mile Phakphum's speech on Mother's Day in Kalasin, 2022/8/5
Here's what we do know. Apo's dance training for the film is with a teacher affiliated with the academy that also produces dancers who specifically entertain the royal court.
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And here is what they individually said in the Vogue Thailand print interview (completed in late August 2022, published October 2022)
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And I would be remiss and dishonest to not point out that Mile's family is prominent in Thailand and his mother is part of the Queen's inner circle. Keep in mind that Thailand is a constitutional monarchy where the monarch has limited powers in practice (think: Japan or UK), and Thailand has a history of cyclical political instability that does not displace the monarchy. So believe him when he says he has limited power compared to Kinn. He travels on a private citizen's passport like all the rest of the cast. (Though my eyes start watering when I'm thinking about baby chaebol CEO Mile and destiny.*)
That being said, what these connections likely did get the production team was access to cultural resources such as the dance expert and most likely credentialed historians to consult on the period film. I would surprised if there aren't ministers' offices who are in the loop about film's production in a way they would not pay to other film or show production teams. I'm sure we will find out more about the interesting and important people involved in the production process around the time the film is released.
Another aspect that stood out to me is the fact that Mile and Apo, neither of whom have policy backgrounds, started iterating the discussion point of soft power in a way you don't see Milli, or Mew Suppassit (who let's not forget was also a RSIFF invitee and the first Thai artist to break into the Billboard World Song Chart), talk about it. Mew actually has talked about soft power a couple of times, but only in the context that he is part of a cultural wave that can increase Thailand's influence globally and never specifically in relation to a project he is promoting. That speaks a lot to the team behind the scenes involved in the writing and consulting (and marketing) process of the 2023 historical film.
The timeline of when these comments popped up is also interesting. While they do coincide with the release of the trailer post KPWT Bangkok, most likely what's happening during this time period is that BOC and more specifically Mile is shopping for sponsors to the project.
Think about Mile speaking about Thailand soft power to an audience of mostly older businesspeople at the mother's day event -- what would the purpose be except an ask for partnership on a project that he is on, which can become a vehicle for Thai products both domestically and globally? Look at the timing of the announcement of the Srichand partnership (end of August), and how successfully that broken the brand into the lucrative Chinese market, moving millions of THB worth of product for a brand that had struggled to get any traction previously. While Srichand's focus is currently on China, working with a Thai beauty brand for a film where the trailer highlighted many historical makeup elements is an actually ideal brand partnership and project alignment.
(Sadly for us, I don't think the film will be the second longest bread commercial in existence. But based on the Farmhouse CEO's comments, I would be unsurprised if they signed on to support the film project too. Ancient Thai bread I guess *jazz hands*)
In Conclusion
MileApo's soft power talking point was an intentional move specifically to shop the film project around for sponsors. The Srichand partnership proved MA-as-a-brand's ability to move product in a lucrative, hard-to-crack foreign market, though Srichand (and Giffarine) as brands aren't necessarily able to stand in the market independently as of yet. Their past brand partnerships' success simultaneously showed how lucrative it is to book MA for a product domestically. I'm sure we'll see a slew of new interesting sponsors and brand partnerships this year. This is only the beginning of MA's power as a cultural brand domestically and internationally.
Mile and Apo have also expressed their pride in the past in being cultural ambassadors of Thailand, both at the RSIFF and when speaking about engaging tourists who are visiting Thailand. Their praise of Thai products (for example, the artistry of Thai silk in the Vogue Th Gala interview) and their active choice to work with mostly Thai brands speaks to their values as businessmen who genuinely want to uplift Thailand's influence in the global market.
That being said, the Thai cultural ministry cannot rely on a single cultural emissary to advance its soft power agenda globally, and as of right now, despite ...some attempts, a cohesive government strategy around soft power does not exist.
MileApo have demostrated their brand has strong impact, and that they can influence purchase behavior internationally (e.g., KPWT ticket sales, Srichand) in ways many Thai media figures have not been able to as of yet. But they are not formally tied to the Thai government, nor should the government intervene and attempt to direct artistic expression.
Culture is one aspect of soft power, and political/humanitarian expression is another major component that advances an international soft power agenda. There are already articles discussing Thailand's problems of political corruption and self/journalistic censorship due to political conditions that prevent full freedom of expression. But that's the government's problem to address that. There is a lot of unharvested potential in multiple realms.
This essay is not about that though. I'm just a fan.
Can it be December 2023 yet 🥺
Additional notes that don't fit into the essay under the cut:
(1) There was a lot of fandom hand-wringing in August and September about Apo publicly having working dinners with Pond over the film project. Let's not forget Mile is someone who cares deeply about the art he makes, and he and Apo both have said multiple times they talk almost nightly about their artistic intent. If Mile talks to Apo and Apo was talking to Pond, why would Mile, a person who cares deeply about art, not be talking to Pond in pre-production? Obviously the answer is a division of labor in the relationship: Mile was working on funding which is just as important, and Mile also needs to sleep and rest and not work. There wouldn't be anyone else he would trust to convey his artistic intent to the director except for Apo. True power couple behavior right there.
(2) * everyday I go feral over baby chaebol CEO Mile. If someone made a kdrama about a handsome chaebol baby who was a CEO but also an actor and model who met his soulmate in university but it was a missed connection and then the soulmate went on to become a famous actor/model who quit because of bullying, but then they met again when the baby chaebol WHO IS STILL A CEO BUT ALSO AN ACTOR met at an audition for a drama... *foams at mouth* I would call this show bizarre, nonsensical and incoherent, and yet HERE WE ARE IN REAL LIFE. The jetsetting supermodel with wealthy CEO part of reality which is now bending around MileApo so they can live their wattpad fanfic life. What the hell am I looking at, I ask myself every day.
(3) ** this statement does not include billionaires like Elon Musk or Jeff Bezos whose net worth exceeds those of small and mid-sized countries. Per today's estimate, ~50 people/families have more wealth than 90 of 190 countries. If your net worth can run the economy of half the countries in the world, then your wealth/resources hoarding behavior can control what the media says and influence otherwise free and fair elections.
Once again, Some of you need some contextualization of how comfortably wealthy vs. billionaire resource-hoarding rich looks like.
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vague-humanoid · 10 months
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Sci-hub is the piratebay of academic journal articles. Its service is mostly illegal because it collects paywalled articles and makes them publicly available online via an indexed search. This is copyright infringement. People love it. The coverage is incredible, many journals have over 98% of their articles covered.
Frustrated with a lack of access to scientific articles, Alexandra Elbakyan of Kazakhstan founded the Sci-hub repository as a 20-year-old graduate student. Her site subsequently provided more open access to scientific knowledge than anyone in the history of science. She was named a person of the year in 2016 by Nature; yes, that Nature of the mega-profit-publisher Springer Nature who promotes open access by charging a 10 grand APC.
Reminiscent of the RAA’s takedown of Napster in 2001, Elsevier took legal action against Sci-hub in 2015 starting in the U.S. and quickly moving to other countries. This international campaign has to do with copyright law being organized by country, making it very difficult to pursue Sci-hub which exists in a cyberspace of mirrors, and it provides something that is unquestionably in the public interest and a basic UN human right.
Although there are allegations of security breaches that could lead to identity theft or other hacking university servers, I am not aware of a single piece of evidence Sci-hub has done anything other than ‘steal’ academic publications. It is not a threat to sovereign nation states, it doesn’t encourage sociopathic behavior. It is a form of rebellion against the plague that for-profit publishing unleashed on science, and a way to promote open science. Of course Elsevier was not wrong in its legal claim of copyright infringement. Elsevier wants researchers to pay for their articles and its minions see Sci-hub as causing profit losses. But the evidence suggests this is nonsense. Elsevier is wasting its time, precious time that it could use to sponsor arms fairs, create journals and sell them to big pharma or try to patent online peer review and force journals to pay to use it.
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adbros · 9 months
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30 ways to make real; money from home
Making money online from the comfort of your home has become increasingly accessible with the growth of the internet and digital technologies. In 2023, there are numerous realistic ways to earn money online. Here are 30 ideas to get you started:
1. Freelance Writing: Offer your writing skills on platforms like Upwork or Freelancer to create blog posts, articles, or website content.
2. Content Creation: Start a YouTube channel, podcast, or blog to share your expertise or passion and monetize through ads, sponsorships, and affiliate marketing.
3. Online Surveys and Market Research: Participate in online surveys and market research studies with platforms like Swagbucks or Survey Junkie.
4. Remote Customer Service: Work as a remote customer service representative for companies like Amazon or Apple.
5. Online Tutoring: Teach subjects you're knowledgeable in on platforms like VIPKid or Chegg Tutors.
6. E-commerce: Start an online store using platforms like Shopify, Etsy, or eBay to sell products.
7. Affiliate Marketing: Promote products or services on your blog or social media and earn commissions for sales made through your referral links.
8. Online Courses: Create and sell online courses on platforms like Udemy or Teachable.
9. Remote Data Entry: Find remote data entry jobs on websites like Clickworker or Remote.co.
10. Virtual Assistance: Offer administrative support services to businesses as a virtual assistant.
11. Graphic Design: Use your graphic design skills to create logos, graphics, or websites for clients on platforms like Fiverr.
12. Stock Photography: Sell your photos on stock photography websites like Shutterstock or Adobe Stock.
13. App Development: Develop and sell mobile apps or offer app development services.
14. Social Media Management: Manage social media accounts for businesses looking to enhance their online presence.
15. Dropshipping: Start an e-commerce business without holding inventory by dropshipping products.
16. Online Consultations: Offer consulting services in your area of expertise through video calls.
17. Online Surplus Sales: Sell unused items or collectibles on platforms like eBay or Facebook Marketplace.
18. Online Fitness Coaching: Become an online fitness coach and offer workout plans and guidance.
19. Virtual Events: Host webinars, workshops, or conferences on topics you're knowledgeable about.
20. Podcast Production: Offer podcast editing, production, or consulting services.
21. Remote Transcription: Transcribe audio and video files for clients.
22. Online Translation: Offer translation services if you're proficient in multiple languages.
23. Affiliate Blogging: Create a niche blog with affiliate marketing as the primary revenue source.
24. Online Art Sales: Sell your artwork, crafts, or digital art on platforms like Etsy or Redbubble.
25. Remote Bookkeeping: Offer bookkeeping services for small businesses from home.
26. Digital Marketing: Provide digital marketing services like SEO, PPC, or social media management.
27. Online Gaming: Stream your gaming sessions on platforms like Twitch and monetize through ads and donations.
28. Virtual Assistant Coaching: If you have experience as a VA, offer coaching services to aspiring virtual assistants.
29. Online Research: Conduct research for businesses or individuals in need of specific information.
30. Online Real Estate: Invest in virtual real estate, such as domain names or digital properties, and sell them for a profit.
Remember that success in making money online often requires dedication, patience, and the ability to adapt to changing trends. It's essential to research and choose the opportunities that align with your skills, interests, and long-term goals.
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