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#kinnporsche meta
ravenpureforever · 2 years
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I think the best part of KinnPorsche, and it really comes to mind with this latest episode, is that every character thinks they’re in a different genre and it’s the funniest thing watching it clash with the reality.
Kinn is just living his best rom-com life where he falls for his sassy but kind assistant bodyguard that he can no longer live with out.
Porsche is basically a YA novel where he falls for his sexy morally ambiguous love interest who’s secretly sweet but *gasp* his past has come to haunt him!
Pete thinks he’s in a dark psychological thriller where he must battle his inner demons and brooding but hot captor to maintain his humanity but it threatens to over take him at any moment as he is torn between his newly found dark desires and the reputation he prides himself on.
Vegas acts like he’s in gothic bodice ripper novel where his entire world becomes the kind, empathic heroine Pete and he will do anything to keep him to himself and Pete is going to help him overcome the truama of his past with his love.
Kim sees himself in this brooding noir style detective film where he must uncover the dark past of his family but oh no he finds himself falling for the pure and sweet ingénue Chay and must wrestle with the dangerous life he leads and the mission he’s devoted himself to and the love of his life
Porchay thought he’s living his Wattpad dream life where he meets his idol and gains his respect as he tutors him and they slowly develop a sweet friendship that turns into a heartfelt romance
They really demonstrate how all the characters are protagonists of their own story, and that’s how they make their decisions, based on the assumptions on the world around them. They think they know the story their in, and that’s the role they have taken, but the tragedy and the complications of these relationships is that they aren’t in a single genre story. They’re people, achingly human people, interacting with other complex people and what is salvation for one is a damnation for the other.
They aren’t in any specific genre (you know, beyond on the whole mafia thing) and that’s where the miscommunication happens, that’s how the drama unfolds, that’s how all these different romances keep missing each other, because they’re all operating on different wavelengths based on the story they think *THEY’RE* in and not stopping to really consider the other perspective.
It’s absolutely hilarious, it’s terribly tragic, it’s utterly beautiful and performed so well by the writers and the actors.
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pepsi-pinacola · 7 months
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Pete: Are we arguing or flirting?
Vegas: I'm literally pinning you to the wall by your neck?
Pete: Well, that's why I'm asking…
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obscurecurse · 2 months
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Kim's Balcony
I haven't decided what it all means yet but I'd like to present some figures on Kim cinematography.
It dawned on me yesterday that the first/last of Kim's scenes both take place on the balcony in his apartment. I wanted to revisit these scenes in order to consider the directorial choices because I suspected there might be some subtext there.
1. The first time we as the audience see Kim he is behind a screen, obscured. He's basically in another room from the viewer with the separation of glass and metal. He stands in daylight but there's no lights on in the apartment. We are not shown his face.
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Starting with some face-value observations: scenes taking place on this balcony give the viewer a sense of how high up Kim's apartment is, how it overlooks the city, suggesting wealth, status. This is also his fortress, his safe space. He's physically elevated from the city, suggesting otherness - being "above" or isolated from other people. He's always shown alone in his isolated, other place, or starts off alone to be visited only by house staff. (Almost every Theerapanyakun has a scene like this, if memory serves.) Cities don't always have to represent isolation and power, by any means, but in Kim's case I think they do.
Obscuring him like this is purposeful. He is meant to be obscured narratively. (To the point that on the first watch I thought he was going to rise to the occasion of "main villain.") His blurring protects a thread of crucial reverse dramatic irony - because Kim knows way more than all of us for, like, most of the show.
2. But in his last scene he is no longer obscured:
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We see him more clearly, both literally and narratively. His motivations were made clear and now they have completely shifted. The screen that previously made him unclear is just out of focus on the edge of this shot.
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3. And then we see him even closer in his video for Chay. The camera just keeps zooming in on his framing, scene for scene. (When Chay watches Kim's video he is also set against the city, btw, in similar isolated conditions. Hmmmm. So close yet so far in their impasse.)
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4. This extended shot after he sends the video does not really add to my meta but it's really a long shot of him looking emo and holding the guitar. I am curious as to whyyy he is always set against the context of the city in these shots? What is the significance there? To remind us his family owns the city?
But thennnnNNNN:
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5. ....???!!!!?!?!?!!? Kim walks out of frame. I'm sure he needs to go pour a shot after being so vulnerable with Chay, but narratively, narrativelyyyyyy... He's abandoned his post! This was the place he started, and he no longer needs (or maybe even wants) to put himself in that position. HmmmMMMMMMMMM.
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discluded · 1 year
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I just realized that the porsche in the book was probably like kinn’s type? Cos they initially imagined a korean actor to play it right.. so apo being called to cast is really sus lol
I have never read KPTN and according to people who have, it's better for my brain that I haven't 😂
According to Reliable Sources, apparently Porsche wasn't Kinn's Type™ because Kinn's type is pretty and novel!Porsche wasn't pretty. But Apo is very pretty so obviously that wouldn't work 😁
Okay since I have a minute now:
KinnPorsche Casting: The Lore
First posting (one version) of the casting story for everyone to set the stage. Thanks to @lorddio for helping me find this one again and MileApo Safe Place for translating as always. it's got a very special part that needs highlight 😉
But setting the record straight(ha!) about the basics:
Mile was Kinn's face model, and purportedly many elements of Kinn were based off of Mile's public image (very importantly: wealthy heir to an important Thai family)
In the variations of posts about Mile is Kinn lore I've seen, this was the specific photo that inspired Daemi's Kinn. He reposted it around the same time his casting for KPTS was announced (this was reposted Dec 2020) but if I remember correctly from scrolling back in his feed, it was taken when he was 24-25 years old.
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As anon mentioned, and Apo mentioned in the clip above, Daemi chose a Korean actor as the face cast for Porsche.
However, he was contacted and specifically invited to audition for the role of Porsche. According to Apo, he didn't even read for any other characters
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Those are the basic public facts we can agree on. But of course there's more going on behind the scenes! There's actually a lot going on here so I'm going to break it down for each actor, starting with Mile because that might set the ground for some of what happened with Apo.
Admittedly some of this is my opinion or interpretation, so take it with a grain of salt and use your own judgment! Again, the above facts are what is probably known and agreed upon.
Casting dates (a clarification)
First of all, there's a couple of confusing things going on with the dates, which I actually didn't highlight in the last post about it, but was exposed by the Facebook posts.
The first Facebook post dated October 1, 2020 talks about how the audition process has started and the first round will go on to October 3. The second post is from October 4 and then lists the dates of the auditions for October 10.
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Now, October 10, the "official" audition date is (1) The day Mile and Apo were both fast tracked through auditions and (2) met again. I don't think anyone on the English side of fandom has noticed this or at least publicly talked about this discrepancy so I'm bringing you hot news (that I've been sitting on and not sharing lol)
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It is worth pointing out that this is supposedly the photo below is of their first kiss from the auditions, and they're both wearing different clothes, so. I'm guessing the fast tracking was actually for the first round of auditions between Oct 1-3, and then the kiss was Oct 10.
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Anyway, they sat next to each other and Apo talked to Mile first, regardless of if it was the same day (likely not, in my opinion)
There's also a couple of different photos of them together at audition.
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Notably, in the first they're sat in uh, waiting area chairs. There's a different clip of Apo sitting behind Bible, so I'm guessing this is before Apo talked to Mile and he had noticed Mile while sitting in this area and went to talk to him.
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The moved together down the line to the audition room, I think?
where Sprite interviewed them:
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Also based on this last photo they switched sitting order at some point while waiting to audition
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Mile's casting
So aside from the fact Mile visibly went to auditions, there is a rumor with some basis that Mile was pre-cast as Kinn. Probably soft confirmed by Mile himself.
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I'm just going to close the loop on this discrepancy too: I think Mile was an invited audition/casting in the same way Ke Huy Quan was invited to audition for for Waymond Wang. Mile did audition. He was likely get the role because he was so preferentially invited by the authors and was the basis for the character.
Clearly, Ke Huy Quan won an Oscar and Mile won a GQ breakout actor award, so in invited casting, even for seemingly "unimportant" roles, it doesn't speak to an actor deserving or not deserving the role based on of acting skills. Mile also was cast as the main character Bohn in My Engineer in 2017 before turning it down; he clearly has some acting chops and can win lead roles.
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In academia, often times internal postings will open for tenure track positions with a preferred candidate in mind; but due to rules these postings are made public and sometimes an outside candidate will blow the preferred candidate out of the water in terms of quality and get hired instead.
Which is to say there could have been another actor that ended up impressing more in auditions as Kinn even with Mile being preferred, or another actor pair that seemed more suited for Kinn and Porsche.
The other thing auditions do is allow for actors to screen test chemistry. So finally, Mile actually going through the casting process allows him to screen test a for a pairing partner. Which brings us to...
Pre-cast Preferred casting rumor credibility: 10/10
Apo's Casting
Play Mastermind.mp3 by Taylor Swift
Once Twice upon a time, the planets and the fates And all the stars aligned You and I ended up in the same room At the same time
Okay if you didn't catch it on the first watch...
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Mile, what the heck is that expression. 😂😂😂
Again, Apo was invited to go to casting specifically for Porsche and only for Porsche. Apo has never acted in a BL before going to audition for KPTS, so the question begged who invited him and why?
First of all, Mile has made it clear that he was a fan of Apo's acting work and followed his career after they met in the gym. He's also made it clear he had the world's biggest crush on Apo. Look how excited he was to talk about working with Apo and how handsome he thinks Apo is in January 2021 (like 3 months after they met again!)
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If Mile was the preferential Kinn cast and he didn't have an pairing partner, it would make sense to ask him if there were any actors he thought he might work well with.
I'm not entirely convinced Mile engineered for Apo to get cast or anything. Apo's acting career and skills stand on their own and I think their insane screen chemistry speaks volumes about why they were cast. But as for who made the request to Apo's manager ... hm 😏 Maybe we'll find out one day.
Mile Phakphum - Mastermind.mp3 rumor credibility: 6/10
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wildelydawn · 2 years
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Kim Prefers Using His Hands.
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What’s really crazy about Kim is that in this moment, he could’ve picked up the gun and shot this man dead, but instead, he chooses to savagely beat him with his own fists and then, when faced with another goon, decides to take a bottle to his head and then cleans his hands before starting up again. Like he’s taking care of his greatest weapon: himself.
Kim doesn’t always need a gun, as the start of the fight scene shows us this, but he chooses not to use a gun here because he wants to physically beat these guys down, and his face after he kicks the gun away definitely depicts a man who enjoys hands on violence.
At the very end, when Porchay is mere inches from danger and he’s surrounded, only then does he get a gun and expertly kills four people via gunshot. And when the last guy gets up, Kim’s body language appears almost passive, uninterested while shooting him down. 
Dare I say that Kim finds gun violence boring. Dare I say he finds it too easy to shoot people. He rather tear people apart with his bare hands. And that’s terrifying.
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returning-spring · 1 year
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you ever remember vegas and porsche have kissed in canon and feel a little unhinged about it? then you remember the circumstances surrounding it (vegas watching porsche dance, porsche trying to break away from the kiss, kinn pointing his gun at vegas) and feel fully unhinged
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This line. This one line for me colored all the rest of Porsche's journey in this show. This one line really grabbed me and percolated in the background of my mind throughout the rest of the series, because, seriously?? Who says that to their kid? Why make it obvious that you have a favorite child? Porsche was 10 when the "accident" happened so not only did his mother say this to her child, she said this to her prepubescent sponge of a child who will internalize just about everything.
As the rest of the series goes on, this is the line that made me think that Porsche and Chay are actually half brothers (or at least everyone but them thinks they are, including Nampheung). Bear with me here:
For context, this line came right after Kinn asked about Porsche's tattoo, and Porsche says that his mom liked phoenixes and that she talked about them all the time.
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This context adds an element of rebirth to her directive not to "die" until Chay has graduated. Before the "accident" Chay was much too young to take in anything from such talk, so the phoenix imagery was directed solely at Porsche. So what "death" and "rebirth" was Mom expecting for her eldest?
The easiest explanation for this is that (only?) Porsche's (assumed?) father was in the mafia. We only get two real examples of Porsche's relationship with his mom pre-mafia-events and they both revolve around phoenix imagery: the sauna scene, and the memory scene where she tells him to "Grow up and fly with freedom, be strong and immortal like a phoenix."
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When she talks to child!Porsche she talks of being strong, being free, of dying and rebirth. She's preparing him for the trial of being hunted/taken by the mafia. She's instilling the yearning for freedom, and the idea that no matter how hard or how bad it gets (death), it won't last forever (rebirth). In telling Porsche not to die until Chay has his degree, she wasn't suggesting that Porsche is worth less to her than Chay. I think what she's asking is that no matter what happens, Porsche should try to make sure that Chay is set up for a good life away from the mafia. Porsche cannot die (be subsumed by the mafia) until Chay finishes his degree (is independent of the mafia). Because no matter what happened to her, the mafia would be coming for Porsche sooner or later. Which they did. And they did only come for Porsche.
Being half brothers would help explain the way the mafia was completely focused on Porsche and only treated Chay as an information source on Porsche/hostage for Porsche's behavior. Korn only mentions Chay as part of the deal for Porsche to work there (ep1) or as a carrot after punishment (ep5). Because he was important to Korn as Porsche's brother, not as Nampheung's son. If Korn's and Gun's obsession with Nampheung was the reason for bringing Porsche in, then they would have done the same with Chay.
(Is it possible for Korn to also already have other plans for Chay? Absolutely. That fucker is a fucker. But once he had Porsche he said that all the pieces were in place. Chay had not been secured as a piece on the board.)
(Also, I don't think Chay's age would be a barrier for Korn/Gun; they're not waiting for him to get older before doing to him what Korn did to Porsche. For one, Macau goes to the same school Chay does. For two, Chay is at least 18 and applying to university. I don't think a year or two will phase the mafia. Especially since Vegas' goons had no problem kidnapping him, twice!)
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Porsche was deliberately hunted, kidnapped, and manipulated into the mafia because of who he is. Chay only experienced any of these to the extent he did because of his relationship to Porsche. Nampheung knew that the mafia really had no inherent interest in Chay, and that Chay could be permanently Out of the mafia (except, you know, for him stalking crushing on Kim who is also wrong in thinking you can get out of the mafia).
So if the interest from Korn/Gun in Porsche is not from being Nampheung's son, then why? Why does Korn want Porsche working there and being happy? Why does Gun want Porsche to switch sides and come to Gun for "protection"? Who do they think Porsche is?
In semi-related meta, this also makes me think that Porsche's dream is not so much A Bar on the Beach specifically, but that it represents the freedom to live for himself. He specifies a private beach, where he opens when he wants, closes when he wants, and serves what he wants. Where his actions aren't constrained by other people at all. He took Nampheung's directive to heart and has been living his entire life for Chay. He only had a few more years to go for Chay to get his degree, for Porsche's life to be his own. But then he was kidnapped by the mob to live the rest of his life for them.
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turtlesocksv2 · 10 days
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Let's talk Fate
ok for #kpanniversary2024 the first prompt is Fate and boy howdy is that a good one to start a rewatch with. Because from the very beginning, as soon as Kinn and Porsche crossed paths there was only one way it was going to play out. In fact, even before that, Porsche's fate was sealed as soon as he was born and here's why:
Porsche was always going to end up in the Theerapanyakul family one way or another. Nampheung was basically kidnapdopted when she was child by Grandpa T, was raised by him, grew up with Korn and Gun who both end up in love with her (or at least psychosexually obsessed with her). And when she was old enough she got out of there. She married a man and had (what we assume to be) an ordinary life for at least 8 years. But here's the thing: Nampheung never actually got out.
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Nampheung was allowed her little housewife cottagecore daydream by Grandpa T. I call it that kind of dismissively, we don't know anything about her life, actually, maybe she had a highpower job, etc etc. but the point is that as soon as Grandpa T decides to call her back home, back to the Theerapanyakul Mafia, she is powerless to stop it. In the flashbacks we see of the moment Porsche's dad died, The things that really sticks out to me are these 3:
1: Gun and Korn both came to visit and in at least one version, they are there at the behest of Grandpa T who wants to see Nampheung.
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2: Pat says that they will never go back to that house and that the family is rotten. (which implies that Pat also has a connection to the family, I am a 'Pat was Nampheung's bodyguard and they ran away together' truther and this leads into the last point and perhaps the most significant
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3) Porsche was hiding in the cabinets when Korn and Gun are there. Now, I don't know about how your family operates but i'm pretty confident that isn't exactly normal behavior when your family has guests. Like, little kids are usually pretty excited to have company, especially people who grow up to be as extroverted and gregarious as Porsche is. Korn and Gun are obviously unaware in the moment that Porsche is hiding. Pat probably knows because I'm convinced that this is a safety drill they'd run many times. Nampheung and Pat knew that someday, Grandpa T's generosity would run out, or he'd die, and the Theerapanyakuls would come calling again. They were trying so hard to keep Porsche out of that life, but it was never going to happen. If they'd lived, Korn and Gun would show up to darken their doorstep at some point. And since they died...well, how did that turn out, hmmm?
Porsche (and Chay but lmao Korn and Gun don't give a single fuck about Chay so we'll just ignore the baby for now ) ends up in the guardianship of an unreliable gambler under the thumb of loansharks. Porsche ends up in illegal street fights to make money. He is being pushed in the Theerapanyakul's direction. Make no mistake, at some point the loan on his house was going to end up in Theerapanyakul hands, or Chan was going to come up to Porsche after a fight, and that would be that. There is no world in which Korn lost track of his beloved Nampheung's sons, not when he's so obsessed with her he has her locked up in his attic. Gun, at least, has the excuse of thinking Porsche and Chay are dead along with their parents. Korn was just playing the long game.
Is it fair to call it fate when it's being orchestrated by someone? Well, I guess that depends how far back you think the hereditary curse goes.
It was never about Kinn and Porsche at all. Nampheung knew it was always going to end here. She tried to stop it. It didn't work. She was never going to get out. Her sons were never going to get out. And now they're more enmeshed than if she'd never tried at all. Sounds like fate to me.
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waitmyturtles · 30 days
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Turtles Catches Up With Old GMMTV: KinnPorsche, and Analyzing the KP Cultural Zeitgeist Edition (Part 2)
[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I conclude a two-part series on my thoughts on KinnPorsche, my very first Thai BL, and the impact that I think KP has had on the Thai BL industry since 2022.]
Top of the morning (or whatever time zone you're in) to ya! Yesterday, I ruminated on KinnPorsche's foundation in regards to how the show wasn't as innovative as newbie members of the Thai BL fandom, like myself, may have thought in 2022 -- but was rather a great example of a show that derivatively used a lot of excellent past Thai BL influences in order to make a newly stylized show that I think, for the most part, worked well.
Harkening back to the outline for these two pieces that I laid out yesterday, this post will concentrate on:
3) How I think KP has impacted how other studios approach, market, and write Thai BLs now, and 4) A quick passing thought on BOC's own continued influence on the Thai BL genre and industry since 2022, particularly by way of Dead Friend Forever.
Before I get fully into point 3, I wanted to take a second to offer one more thought on an element about the KinnPorsche series itself that I didn't unwind on much yesterday, and one that'll connect with point 3 in a second. I mentioned yesterday that I personally (in my own opinion, I am accountable here) don't think that some of the VegasPete elements of the show helped the show's flow and continuity at all times. After my rewatch, I think the show could have stood for more episode editing to better its flow. I very much know how beloved VegasPete are in much of the KP fandom (thanks so much to dear friend @wen-kexing-apologist for the conversations about this during my rewatch!), so I don't want to pooh-pooh very hard, because at the same time, I think Bible as an actor was valuable to the show regarding Vegas's interactions with Porsche -- that side storyline offered intrigue and depth particularly into Porsche's mindset at the end of the series. At the same time, I think the VegasPete scenes contained enough questionable takes on trauma and attraction that I think now contribute to the show's legend and status as a uniquely heaty drama, but (in my opinion, people, I own this!), I think some of those takes could have been removed, smoothed, or tamped down for editing's sake, vis à vis those questionable takes in particular.
Taking VegasPete's trauma-and-kink-driven storyline, and KinnPorsche's romps and unravellings, into consideration, along with the show's excellent use of comedy as a plot driver: I think that KinnPorsche has clearly had an impact on how subsequent "heat" BL dramas have been created and marketed since KP's run. I'm thinking in particularly of some big ones (heh heh), including 2023's Only Friends, and 2023-24's Playboyy (which I did not finish, FYI).
Heat -- and the increasing use and management of it -- has long been an important element of the Thai BL industry. Like I said yesterday, MaxTul (my beloved) were pioneers of it in Together With Me and Manner of Death, and MAME consecrated episodic heat in 2019's TharnType, and even introduced enough of it notably in 2018's Love By Chance by way of those awesome spicy AePete scenes. And the WONDERFUL Lovely Writer offered meta commentary about the dependence that the Thai BL/Series Y industry has on heat in order to drive in fans, oftentimes to the detriment of more interesting and/or fulfilling and/or emotionally complicated plots.
KinnPorsche's lengthy marketing, from its Filmania days in 2020 and 2021, to its eventual 2022 premiere through Be On Cloud, certainly helped to drive interest and intrigue in the show, from the debut pairing of MileApo, to the clear use of heat that the show was promising before its airing. (Red Peafowl could never.)
Looking at the moment we are in right now -- early spring of 2024, with the ability to look back on the conclusions of both Only Friends and Playboyy -- I see the influence that KinnPorsche had on these shows being HUGELY marketed as cutting-edge-entrées to a high-heat and high-interest slice of Thai BL, particularly for Only Friends, which was GMMTV's own first step into really high-heat territory.
Both of the shows ended in meh territory (and both shows were written by the same writer in Den Panuwat, who may very well have a monogamy kink). Both shows ended up putting pure monogamy on a pedestal, and seemed to judge extra-monogamous sex as a "mistake" that was worth rectifying through "true," i.e., monogamous, love.
I posit, and I'm glad, that KinnPorsche did NOT go this route. Extracurricular sex wasn't even in the show's genes anyway, but -- the heat that KP marketed at the time of its premiere was solely associated with the centralized romances of the two main pairings. KinnPorsche didn't have to get extra-monogamously messy in its bones (huh huh) in order to be hot -- and it makes me curious to wonder why shows like Only Friends and Playboyy felt the need to promote relational messiness as a way to hype up their heat, all of which kinda putzed out in the end run of both of those shows.
Of course, we've still had heat in many other shows since KP's premiere, including in directions that roundly surprised the larger fandom, such as Pit Babe's take on omegaverse, and maybe even the vets Earth and Mix getting hot and heavy in Moonlight Chicken, a direction that Aof Noppharnach has been known to not take for the sake of keeping the ratings on his shows kid-friendly. But I do find it interesting that the heavy promotion of Only Friends and Playboyy led the fandom to think that these shows were going to have progressive takes on sex and sexuality, when they ultimately did not (I'd even argue that both of these shows ended up being judgemental of sexual experimentation). And while I don't think KinnPorsche's takes on heat were necessarily progressive, I do think the marketing of their actors getting into that, particularly as compared to Apo's previous career path in leaving acting for a while, was notable -- and as well, the care that the show took to depict heat scenes with excellent cinematography makes many of those scenes so memorable today.
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I want to make one final note about KinnPorsche's and Be On Cloud's general influence on the Thai BL industry, in that I'm impressed by their investment in generally good-to-great writing and directing. As I overviewed yesterday, KinnPorsche heavily featured veterans from across the BL landscape, and Be On Cloud's latest serial offering, Dead Friend Forever, continued that trajectory, having an OG BL director in Ma-Deaw Chookiat partly take the helm of that show. Very importantly, Ma-Deaw Chookiat has been the screenwriter and director of a number of seminal Thai queer films and shows, including 2019's Dew, and more impactfully, 2007's The Love of Siam, which is considered a harbinger of the television Thai BL industry, and a film that has notably influenced important Thai BL creators, especially New Siwaj, who doesn't hesitate to include references to LoS in many of his shows, including Until We Meet Again, My Only 12%, and more. Chookiat has also screenwritten and/or directed three shows written by the notable Thai Y novelist, Sammon, in DFF, Manner of Death, and Triage. Sammon has been on a tear recently, as she will be the screenwriter for BOC's upcoming drama, 4 Minutes, as well as Spare Me Your Mercy, the hugely anticipated BL drama starring Tor Thanapob and singer Jaylerr.
Going back to my thoughts earlier about big marketing of big BLs: we've seen some duds recently from shows that were marketed at a big tip, from OF, to Playboyy, to Idol Factory's The Sign. From what I've gathered from the Tumblr tag regarding The Sign -- it seems that show suffered mostly from a lack of editorial context and plot sensibility and tightness, and that there could have been a good show, if the show had spent less money on CGI, and more money on the script.
Be On Cloud seems to mostly be putting its money where its pen is. I say "mostly" as a caveat. Was the ending of DFF fantastic? No, and I totally admit as much: while the show mostly stuck to its slasher genre conventions (thank you so much to @lurkingshan, my genre guru, for explaining this to me), the show seemed to poop out in the end by giving us a PheeJin BL ship, instead of Phee's and Jin's gruesome deaths. Womp womp. The pull of BL, and the need for clean-ish endings for the fujoshi crowd, may still be too economically enticing for studios, including Be On Cloud itself.
But I'm optimistic for BOC's upcoming shows, with the talent and money they're putting into scripts and directing. And we know that BOC's first film, the non-queer Man Suang, was an important artistic point for the studio as it continues its investment in MileApo and experimental content to market within and outside of Thailand. It was important enough that Dead Friend Forever, emanating from the Thai BL world, took on an entirely different genre instead, and literally presented that back to BL fans on a silver platter. I hope 4 Minutes can tread similar experimental territory. And I'm glad to see Be On Cloud being able to invest in high-quality writing and directing after the publicly major obstacles the studio experienced last year during the Build Jakapan scandal.
From the time I discovered Thai BLs in 2022, to now: I would not have expected KinnPorsche and Be On Cloud to start such a journey in my personal drama fan life. As well, considering how many damn shows I've now watched from Thailand, I also didn't expect this rewatch of KinnPorsche to be so much fun. AND, I truly didn't realize I had this much to say about it -- but there was a lot of say, especially by way of how referential the original KinnPorsche series was, which touched my little nerdy BL heart.
With that, I say ta-ta to my entrée to this fun world of Thai BLs, and move on to the next one!
[OKAY! We are kind of back of the grind, although my ability to watch dramas has really been hampered by real life obligations and schedules. BUT: I'm trucking along through War of Y, and I have some fun rewatches coming up in The Eclipse (my first-ever GMMTV BL), as well as two new-to-me dramas in GAP (the first GL on the list, WOO!) and My School President, which I can't wait for.
I've made a few tiddly adjustments to the list below, including adding Dead Friend Forever as an important addition, and I'm deep in my giggles with 23.5, which I am LOVING. ONWARDS! For more details about the ongoing list, please checkity-check here!
1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) (and notes on my UWMA rewatch here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review here) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (review here) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (Links to the BBS OGMMTVC Meta Series are here: preamble here, part 1, part 2, part 3a, part 3b, and part 4) 34) Secret Crush On You (2022) (review here) 35) KinnPorsche (2022) (tag here)  36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist (part 1 here)
...interrupting the OGMMTVC list here to watch War of Y (2022) (watching) in chronology to decide if it gets listed...
37) The Eclipse (2022) (tag here) 38) The Eclipse OGMMTVC Rewatch to Reexamine “Genre BLs” and Internalized/Externalized Homophobia in GMMTV Shows  39) GAP (2022-2023) (Thailand’s first GL) 40) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 41) Moonlight Chicken (2023) (tag here) 42) Bed Friend (2023) (tag here) 43 La Pluie (2023) (review coming) 44) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 45) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 46) Only Friends (2023) (tag here) (not technically a BL, but it certainly became one in the end) 47) Last Twilight (2023-24) (tag here) (on the list as Thailand’s first major BL to center disability, successfully or otherwise) 48) Cherry Magic Thailand (2023-24) (tag here) (on the list as the first major Japanese-to-Thai drama adaptation, featuring the comeback of TayNew) 49) Ossan’s Love Returns (2024) (adding for the EarthMix cameo and the eventual Thai remake) 50) Dead Friend Forever (2024) (thoughts here) 51) 23.5 (2024)]
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liyazaki · 2 years
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a scene™: on rage, regret & yes- joy
I already wrote a tag novel on this but I can't get this scene out of my mind & it deserves a deep-dive, so- buckle up, kids.
the heartwrench started in earnest when Vegas stormed out of the bathroom and Kinn turned to- or on to- Porsche. look at the small but striking journey Porsche's expressions go through here:
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I'm praying to the BL gods that we get some BTS commentary on this moment in particular because there's so much that could be happening with Porsche here.
maybe in his tipsiness he was just happy to have Kinn there before the reality of Kinn's rage hit him. maybe it was some of that gleeful sass in response to Kinn's jealousy that we saw earlier in the ep.
or it could have a darker meaning: is that little smile a knowing one? a confirmation of the doubts about Kinn's sincerity/intentions that have been brewing in Porsche since he found out about Tawan?
regardless, all are loaded/potentially devastating possibilities.
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Kinn and Porsche then exchange slaps and verbal barbs, but it's much more than the sum of its parts. they both have so many fears, insecurities and lack of trust in each other (and themselves, too) that they've been carrying around since this intoxicating, terrifying thing between them started.
the powder keg was already loaded & ready to explode- the altercation with Vegas was just the spark that lit it.
I'm glazing over the rest of the argument to the aftermath because that's where things really get narratively delicious. I've always been a sucker for a good chase- the idea that someone not just wants but needs you to the extent that they'd pursue you- and Kinn's desperate need for Porsche to stay with him is on full, aggressive display here.
he moves so quickly after Porsche that it comes off as an instinct, not an intentional choice- a magnet chasing its opposite polarity.
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there's this moment against the mirror where they continue to struggle against each other, but it couldn't be more half-hearted. the mutual stare-off is intense as they size each other up. Kinn is a brick wall of determination, but we all know Porsche could easily get out of his grip & that room if he wanted to. which way is he gonna go? the tension in this moment was palpable (all hail MileApo for acting their damn faces off).
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and then, Porsche caves- literally. he curls into himself in a defensive posture against the mirror, clearly pissed about giving into this insufferable man he loves- but he does it anyway, because it's Kinn. one of the hallmarks of their relationship is how mutually weak they are for each other, despite all the reasons they "shouldn't" be.
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once Kinn realizes Porsche is staying with him- at least for the moment- this deep, yawning regret paints his expression, tinged with a sort of loneliness (not surprising after the life he's led), replacing the rage. there's a different sort of tension here now- this feeling of walking the edge of a knife, knowing one wrong word or move could end the fragile sort-of peace.
Kinn's terrified in this moment: not just at the possibility of losing Porsche for good, but the past repeating itself. of how the world seems stacked against his happiness- maybe even how he himself (and what he's had to become/endure) stands in the way of it.
Kinn didn't wax poetic here because, in my opinion, he can't: he's in the midst of a total emotion onslaught, holding onto this man who's become so precious to him for dear life. but he has to say something, do something, so he goes for simplicity: I'm sorry.
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we linger here for a minute, the camera purposefully moving in Kinn's direction then Porsche's, the mirror giving us a full 180 view. again, the ball is in Porsche's court. the choice is his.
I've said it before, I'll say it again: Porsche is a mirror, reflecting back whatever he's given (or not given), which makes the use of mirrors here all the more chef's kiss. Porsche also needs words to go along with actions, so as small as that apology was- it's exactly what he needed to hear.
he didn't want this fight, he didn't want that kiss from Vegas- he wants to stay with Kinn, be with Kinn, in spite of everything they're up against. there are so many layers here, but it's really pretty simple: it's love. stupid, wonderful, intoxicating love.
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I love how slowly Porsche turns to Kinn here- it says "I'm not fighting; I'm not fleeing." and Kinn turns with him, again moving with him like he can't help himself.
and then: Porsche fully faces Kinn and my heart stopped. this isn't an expression we've seen him wear in front of anyone: it's soft but feels like a raw nerve. naked, vulnerable- it says, "you did wrong. I'm hurting, but I'm here. now show me how you really feel. heal what you hurt." Kinn strokes his hair with a breathless sort of wonder, not quite believing his luck that he's still there.
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and then, the moment that shoots this scene into the stratosphere for me: Porsche doesn't move. this constantly-joking, light-hearted gremlin of a man doesn't do a thing to ease the tension- and he's so right for that.
he lets the silence stretch on, and Kinn takes his cue: this is his moment to demonstrate his deep remorse and affection for Porsche. so- he starts worshipping him. smartly, he doesn't move in for a kiss first- this would put them on too equal footing- not until they both get caught up in the heat together.
when they do kiss, Porsche grabs Kinn's chin and gently pulls him away, and Kinn nods to him in reassurance. I like to think he's saying it's OK to surrender, that he's safe with him- and once again, that was all the reassurance Porsche needed.
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damn Tumblr's 10 image limit to hell because Kinn's expressions of pure, utter joy when Porsche touches him back is just incredible. Porsche mirrors (heh) that joy right back, delighted in his ability to make this man weak in the best possible way. it’s a beautiful, sexy sliver of happiness in the middle of the unstable chaos that is their reality- and really, their relationship.
and afterwards, when Porsche grabs Kinn as tightly to him as he can, Kinn in near-tears pressed against his shoulder? Porsche's face tight with his own emotions and empathy for the man in his arms? there's this feeling of inevitability; that they couldn't pull themselves away from each other if they wanted to...come what may.
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POETIC CINEMA, my friends. poetic, smutty cinema.
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vegasandhishedgehog · 8 months
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Okay. I've been thinking about this for a WHILE.
But thanks to the sleuthing on this post, it's figured that Chay is actually supposed to be 19 in canon and Kim is 22. Barcode was cast fairly young, but he did an incredible job embodying Porchay's character, as I and many others have praised him for in other posts. However, now that he has reached Chay's age during the events of the story, I can't help but see photos like this and go HM.
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That's Porchay? That tall kid? This incredibly confident, sunshiney, talented, sweet kid? Who has all of his love to offer to a 22 year old who has been so emotionally out of the sun nearly his whole life, if not entirely. Whose voice is so cute and pure, whose hardships are untold regardless of their number, and whose heart is a curated haven specifically for this world-weary young man. Chay who is an absolute geek with no shame, he may sound shy but his words and actions speak otherwise, and who will go out of his way to share how much he cares for those around him.
Kim, seeing this? He didn't stand a chance. There is no way he could reckon with a force like Porchay and not surrender. This is a man who will metaphorically always be on his knees so long as Chay exists, even if he never gets him back.
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matan4il · 1 year
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It’s missing Kinnporsche hours in the matan4il household.
Why?
Take for example even just the last gif.
The line of Kinn’s neck. His Adam’s apple moving as he gulps with the longing for Porsche even while thrusting into him.
The transformation we’ve seen from a Porsche who was too intimidated to even just hold Kinn’s hand in public in 108 to a Porsche towering over his bf and letting Kinn fuck him in plain view of the entire city.
The way they move together, in perfect sync. Punctuating how much they both want this and they’re both making it happen. The play of reflections, the image of their intertwined bodies bouncing off the glass walls of the pool and the balcony. And the illumination of their lovemaking from below making it look as if the light is coming from them, from the point where they’re joined.
Listen, I might not have written an entire meta post about why this sex scene is one of the best ever, like I did for the one in ep 107, but this gem deserves applause, too.
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pepsi-pinacola · 6 months
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Pete: Shouldn't it be, "You saved my life, now I owe it to you"? Vegas: No. In the opposite direction. You saved my life and now I'm your problem. I do not like this? Kill me. Pete: But- Vegas: God wanted me dead and now you can find out why.
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chanbig · 1 month
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Big Kinnporsche and his uniform
i know the costume design dept gave the theerapanyakul bodyguards different versions of their uniform to make it easier to distinguish between them and make it visually more interesting (even though the point of a uniform is homogeneity) but i think it's interesting how they make big and porsche outliers
Porsche is out here in his slutty little vest and tie (the only one in his shirtsleeves because he is freewheeling, he is bucking the rules, we gotta show off that shoulder-to-waist ratio). he is new, he is special, he doesn't give a fuck. he is the Main Character.
pete, ken, arm and pol are in the usual blazer, no tie, shirt with a couple of buttons undone combo, with varying levels of undone-ness. (pete has the most buttons done up, intriguingly!!!! he typically only has the top button undone. what does this Mean. what could he possibly be hiding under there 🤫). this is what the typical bodyguard wears—most of the bodyguard extras are wearing a black suit and white shirt (one or two have ties, but most don't). they are integrated into the system. they are a team.
chan gets distinguished as head bodyguard by being allowed to wear all black, which gives him a very intense, no nonsense look. he stands out from the crowd when he first walks into frame—without words, you can tell THAT is a man with authority (😳 <- live me reaction)
AND THEN you have big over here in his closed blazer, shirt buttoned to the neck, perfectly knotted tie, and suspenders (!!) outfit. the whole getup. no one else on the main cast is doing it like him—literally. he is on the opposite end of the spectrum from porsche, even though they wear almost the same number of pieces. with the blazer on, big's outfit gives him the most buttoned up/rigid/follows the rules look, like he will wear the fullest version of the uniform because It Is The Correct Way. he has been at this job for years and he is still so strict about this. he is so strict about this BECAUSE he has been at this job for years. even with his ponytail and edgy eyebrow cut, he comes across as 'I am 100% on the job all the time'. he is All Business.
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spot the suspenders 🧐
even when he's wearing the standard tracksuit, it's zipped completely up to the neck, sleeves all the way down.
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we never see him in the pool. we don't see him in casual clothes. he is always SO closed off. he takes his uniform blazer off ONCE (making porsche crawl across the floor is hard work 😏).
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spot the blazer thrown over the chair in the back 🔍
the only time we see him wearing a shirt with the buttons undone is when they're at the casino and he's being forced to 'blend in'. looking closer, though, even that outfit looks like the shirt and trousers he normally wears, just without the blazer, tie, and suspenders.
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same slim-cut black trousers, same type of stiffened spread collar, same big pocket. his trousers fit him well—clearly the suspenders are just for the Look.
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hmmm ive seen this shirt before.
the only time we see him in a short sleeved shirt is when they're on a SWAT-style rescue mission and everyone else is ALSO wearing that.
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field trip time. everyone put on their outside clothes.
so arguably even both 'more casual' outfits are literally part of his uniform
where am i going with this... we see the others in their casual clothes. we see them disheveled, drunk, unbound from their jobs. they are allowed to be something other than just a bodyguard, even if just for a minute, even if they're still with tankhun at the bar—they are allowed that measure of freedom and personality. they drink, they laugh, they have fun. they have desires outside of their jobs (notably, we see ken in a hawaiian shirt when he is revealed to be the mole, i.e. have desires outside of the main theerapanyakul house)
we do not see big outside of his role as a bodyguard. he is this role and this role is him. there's something there about him scrubbing away all of his personal wants and needs to fit into this role as kinn's Head Bodyguard. giving up everything else so he can do this job, be of use to the theerapanyakul family—to kinn. not allowing himself to think about or want things outside of the compound because those things will distract him. no faltering from his role, or any vision of him as a person is allowed to come through. all he has is just a single minded pursuit of his goal and his focus (protecting kinn). he has dedicated himself and he is proud of that. he still gets up and puts on the whole uniform every day, suspenders on, shirt buttoned up, tie tight. he follows the rules and his orders even though he hates them sometimes, even though he might protest at first—one word or gesture from kinn or korn or kim and he falls silent. he will push down everything else he might have wanted under the role he has chosen for himself, that he has now become. he has already given up everything else for the theerapanyakuls—so, in the end, why not his life? what else does he have to offer? what else is left?
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hamliet · 10 months
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Kinnporsche: The Symbolism
Not really a meta. More a collection of baby meta ideas I have and/or symbolism I noticed watching the series that didn't make it into my review.
Oh How The Tables...
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I'm just saying that it's certainly ironic that Kim's first scene in the show is him mocking Big for his unrequited love for Kinn. He asks Big if he should write Big a song about heartbreak, and ends the series writing a song about his own heartbreak and begging Chay to take him back.
Big and Tawan
In general, I think Big and Tawan were the best done minor characters, and the best done characters in the series, if you look at their complete arcs, after Vegas and Pete (Kim and Chay would be next, but their arcs aren't entirely complete and never will be).
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The same episode where Tawan concludes "if I can't be happy, then no one can," and commits suicide (intended murder suicide at that), Big sacrifices his life to save Porsche's, not because of Porsche, but because he loves Kinn. He dies assuring Porsche how much Kinn loves him.
In other words, Big reached the opposite conclusion of Tawan: even if it means he can't be happy, he wants Kinn to be happy. However, the story actually takes a nuanced, complex look at it and doesn't code it as Big=good Tawan=bad; Tawan is framed as tragic instead and you're meant to feel sad over his patheticism, not feel gleeful.
Portraits
Tankhun, Kim, and Vegas all have self-portraits in their rooms, and these portraits are all kind of symbolic of how they see themselves--though not necessarily accurate perceptions.
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Well, except Tankhun's. Tankhun's just just a neon portrait that fits with his flamboyant decor. It's in the corner near where he watches his series, and is very straightforward because Tankhun, himself, is pretty straightforward. He's not hiding the same way the others are.
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Kim's self-portrait is a watercolor of himself, but you can't any discernible features. Of course, this symbolizes how he hides himself behind many masks.
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Behind that portrait, though, is his bulletin board of his family and all the players. Because no matter how Kim acts distant and aloof, he's actually always strategizing and planning to thwart any threats to his family.
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Vegas's self portrait is in a secret room that can only be entered via a passcode, symbolic of how it's really hard to reach the true Vegas because he keeps his vulnerabilities locked up. But when you do enter that room, you see a portrait of a misshapen man that looks more monster than human. That's how Vegas sees himself.
Kinn notably does not have a portrait (that I saw), but his walls are instead windows that overlook Bangkok, which can be symbolic as well: that he doesn't see himself fully as a person, but instead as someone who's supposed to be controlling and surveying something much, much bigger than himself.
Kinnporsche Sexy Times
The idea for symbolism here wasn't fully developed, but it's there, so.
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The first two times Kinn and Porsche have sex mirror the first sexual encounters with others we see them engaging in. The first scene is the Bad Scene, or really, where Kinn basically assaults Porsche since Porsche is way too out of it to consent. But during this scene, Porsche draws attention to the beauty of the city view, which is a callback to how Kinn's hired prostitute remarked that he wanted to see the entire view (and then opened the curtains to find Porsche there, because Kinn's answer to who he is is more adequately found in Porsche than the city).
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Of course it's also kind of a comment on how Kinn views himself in terms of the city, which is not entirely a good understanding lol.
The next time they have sex--and the first time it's consensual--is in the backroom of a club, which mirrors where we see Porsche having sex with the two girls in the series. I'd argue this is probably supposed to be seen as Kinn meeting Porsche where he's at, and to a degree vice versa, but also Kinn's is more morally questionable than Porsche's in terms of consent and power.
Kimchay - The Little Mermaid
I talked a little about the fairy tale motif that was never actually explored in the story despite it having a ton of potential in my review, and I'm going to talk more about it now because I can.
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Listen, if Vegaspete and Kinnporsche are both loosely based on Beauty and the Beast (Vegaspete more directly a retelling, right down to resurrection), Kimchay is probably based on "The Little Mermaid," the other story that gets a direct shout-out in text. Here, both characters are both mermaid and prince.
Kim wants to live a life as part of a different world, and uses his voice to get there. In the end, just like the mermaid in the original tale, he loves the prince (Chay) too much to risk him coming to harm, even if that means his own doom. However, it's precisely that selflessness that helps him live above a filthy world.
Chay also wants to live in a different world and uses his voice to get there. Only, despite all he risks to get there, it doesn't quite work out. The prince (Kim) doesn't return his feelings... well, except he does, but he sure made Chay feel like he didn't for awhile there.
Succession: Kinnporsche Version
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The novel apparently mentions this but I'm not interested in reading it for Reasons, but I did find it intriguing that the mafia family isn't exactly going to continue considering all five of the current generation (Khun, Kinn, Kim, Vegas, and Macau) are all gay. For all the talk about being an heir and succeeding Papa Korn, it's not gonna go for another generation. I actually like this and think it could be a major thematic point if emphasized appropriately, or brought up at all in the series.
Like. The family burdens the kids because of mafia stuff, trying to pit them against one another and using them to solve their grievances... but love can save the day, and also give life, and quite literally stop the cycle--but it's love that isn't traditional, in a sense. It's queer. This also doesn't mean the characters can't have kids, obviously, but symbolically they have to come up with different, nontraditional ways to do so if they do, symbolic of having to like... break from the traditional patriarchal violence of their mafia upbringings.
The ingredients are there! It could have been a thing!
Namphueng: The King
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Namphueng's room has a chessboard pattern on the floor, which ties into the chess motif that Korn was always messing around with. While the audience was led to believe the queen was Porsche in all Korn's playing scenes--and they were right--they were also led to believe the king was either Kinn or Korn. Incorrect. The king was Namphueng, not Kinn or Korn.
The king, after all, isn't really free to move. It theoretically can move in any direction, but only one space at a time. It's quite limited.
I do wonder--not that this will ever be answered--if Namphueng's story is intended a lot more important than just "foster sister." Like maybe her family was wiped out because she was the heir of a far more important family or something.
The Victor Writes History
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Or so Korn said. Again, not that we'll ever get it cleared up, and I personally like the ambiguity wherein we don't know precisely what happened between Namphueng, her husband, Korn, and Gun. I wouldn't actually have wanted it perfectly cleared up. Thematic! Complexity!
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Gun's memories match better with Porsche's than Korn's do--the cabinet where Porsche hid is open in Gun's memories, but not in Korn's, and Porsche remembers Korn standing while Gun sits, which is what happens in Gun's version. However, whenever there are multiple versions of a story, the truth is probably in the middle, and it's hard to believe Gun, of all people, had purely selfless motives.
My personal guess is Korn did kill Namphueng's husband, but it was less about "how dare you not come back!" cruelty and more a long-game plan to get his and Gun's father to spare Namphueng and fake her death to protect her. I think this fits best thematically with the story and the characters as present in the series, in that Korn's motives can be both caring and selfish and power-seeking at the same time. It's also tragic, because killing someone loved by someone to protect them actually has a way of killing them even if you didn't plan on it. Someone can still be alive but have lost everything, a statement that multiple characters made in the show.
It would also fit that Korn misunderstood the power of love, because he definitely doesn't get it. But he didn't ruin every love story, because Kinn and Porsche end up together.
Whose Handprints?
I am annoyed i never got the answer to whose finger paintings Korn had in his desk drawer (the ones Kim found). I presume it's Porsche and Chay's given that there are two handprints, not three, and one is far larger than the other (plus the emphasis on Namphueng and art) but who knows.
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discluded · 1 year
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remember how Vegas was so desperate to be the homicidal gay cousin but was foiled because mafia prince nosy brat Kim Kimhan Theerapanyakul, who moonlighted as a a YouTube idol and daylighted as a college student and had a narratively assigned 1d y/n self insert fanfic love plotline (he was the 1d), also canonically killed more people than Vegas?
Vegas thinks his rival is Kinn but Kinn doesn't even notice him, and his actual rival in the gay mafia bad boy vibes department Kim still squarely beating his ass 😂
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