listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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Danny wakes up, strapped into a rollercoaster train car with a bunch of other civilians, in a dilapidated amusement park, with an insane clown laughing through the speakers.
He can see that the track is entirely broken, and that it will send them straight to the ground.
Danny knows he won't die.
Danny knows the civilians in the train car with him will.
So he slowly freezes the wheels until the car stops, a mere four feet from the edge, allowing the icy tendrils to snake down the support struts and reinforce them. His eyes are letting out a faint blue glow, his hands frosted over, and he isn't so much focusing on keeping the ice stable as he is focusing on getting it into the gears and ensuring that the train car can't be knocked off the track.
Now the civilians are feverishly whispering words of encouragement to him, to keep it up, while the local vigilante family fights the Joker.
Why, oh why, did he think that going on vacation in Gotham was a good idea?
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Hallo, I was wondering if maybe you could sketch out a carnotaurus? They are my favorite dinosaur
Your Carnotaurus has arrived~
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i was at an author event recently and a mom came up to me and was like “you should make sure in your books that you have a page where it’s a whole house but cutaway and you can see into all the different rooms like a dollhouse and there’s different things going on in the different rooms. little girls love stuff like that” and i was like that is so true and i bet you also love it. i love it too. don’t worry
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As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.
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