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familyagrestefanblog · 3 years

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Ml Meta analysis: Adriens current absents, season 4 structure and theory on whats to come

Here I am back again with my endless rambling.

I'm just as worried for our cat son as everyone else (maybe even more) which is why I tried figuring out for my own sanity why he is so absent currently.

Upfront I wanna warn yall that I wrote this post in one rush this night and therefore had no time to do alot of editing. So things can probably get a bit more messy than usual but I tried to write it clearly, while writing 2 other ml essays as well. This is the one drawback of having so many episodes in such a short time, I have no time to write my posts x3 I had another theory planned for before Optigami airs but I don't think I can manage before tomorrow.

But let's not waste any more time. Grab a snack and here we go:

It's 2am right now but I think I just realized why Adrien/Chat Noir is being sidelined so much recently.

Sure, yes, it'll come into play in the very obviously set up Ladynoir drama later on but what I wanna talk about now is more the structure of how s4 is most likely written in terms of both Marinettes and Adriens side of the story. And then deep dive a little on why I think so.

You see season 4 is now reaping what has been built up from s1-s3, but this also includes that you have to take the time now to properly recreate the new possibilities out of the loose pieces of the broken status quo.

Seriously, season 4 has to handle and reinvent ALOT. The show got now officially announced to have 7 seasons, which is exactly the amount of seasons Astruc said they have story for. I couldnt find the official tweet from Thomas himself but I one from another source:

And now look take a look at the possible shows structure:

- s1-s3 was the first status quo and built up everything so now they can pay off after pay off while...

-... S4 is now the transitional season where the old status quo gets left behind as we work towards the new one.

-I have nothing to proof this of course, but in the same sense it would now make sense that s5-s7 where/are planned to play out under the final status quo. If I'm not wrong at first the show was under contract for 5 seasons, which would mean that after the transitional season 4 there was only 1 season of the final status quo for sure. Still, done right it could have been worth the wait. But this isn't where Miraculous will end. The show actually got the 7 seasons the creator wanted and THIS is how I think the long term plan makes the most sense. Nothing all too complicated but still hella effective in its execution.

But now back to our two main characters, because Marinettes and Adriens development are the two aspects that will raise the show to the intense heights of the s5-s7 status quo.

From s1-s3 Marinette was the active player but she was hardly involved with the actual PLOT of the show, since most of the plot and backstory of the show lies directly with the Agreste family. She only started to get her own plot when she literally created a new one by getting involved with the miraculous lore, because the closest Marinette got to the Agreste plot was "The collector".

Adrien in the other hand was always literally right in the middle of the plot but he wasn't enough of an active player to bring us further either.

Season 4 is now going to add the missing parts for both of them and as the very beginning of the season showed us: there are going to do it SEPERATLY.

This is why "Truth" and "Lies" have been structured the way they are (One Marinette-centric the other Adrien-centric). Yes, Marinette and Adrien are meant to end their story victoriously together, but they are simply not the people they have to be to become such a powerful team. Certain aspects of their journey they have to do... basically disconnected from the other one. The "Miracle Queen" endcard shows it quite nicely as well where they are heading now: away from each other.

Obviously the season started with Marinette growing into her new guardian status including everything miraculous related, since she is the main lead and because the new ways the episodes can now utilize everything Miraculous need to be established first before we deep dive into the messed up Agreste mystery.

So while I totally agree that it is annoying to get so little Adrien/Chat Noir content currently I also understand the practicality behind it. As I said, before s4 Marinette was the active main character who mostly didn't really have her own plot. So now adding her plot aspect and have her ACTIVELY figure everything needed out means that right now Marinette/Ladybug is the active focus main character who is solving a huge part of her s4 character arc. That simply drowns out Adrien as the currently still mostly-inactive secondary main character who, yes, may be right in the middle of the shows emotional + villain plot/lore/backstory, but that side of the story simply isn't in focus at the moment.

And I gotta say, I'm kinda glad they're doing it this way. Because I'm gonna be honest, when the season starts giving us Adrien/family Agreste episodes like "Lies" and "The collector" (in this case "Gabriel Agreste" for example) again, I don't want the narrative to be forced to spend time with something guardian lore based just because they didn't took their time to do it earlier.

So, as we see on the s4 episode raster "Gabriel Agreste" is episode 9. Honestly, I expect most of it (especially the ones near the beginning, so ep. 5 included) til that episode to be Marinette based the way everything else til now did (besides Lies obviously and Guilt trip didn't hardcore focus on Marinette/Ladybug either and that's because it's after "Gabriel Agreste") in the spirit of "Truth". It's just the needed set up from Marinettes side of the story and I can live with that.

Because we actually saw the change after "Gabriel Agreste" already in "Guilt trip".

I don't know why some people pretend like Chat almost cataclysming himself after hearing how guilt-eaten Nino is for Adriens sake isn't a huge indicator that the episodes afterwards will not only acknowledge but also DEAL with Adriens/Chats situation and problems. Remember, we are talking about CHAT NOIR here not Adrien Agreste. The show has always portrayed and acknowledged ADRIENS issues very straight forward and with the proper seriousness (especially when it comes to his family), whereas Chat Noir was often mostly used for comedic purposes with some exceptions of his problems being properly delt with (since Marinette/Ladybug was mostly oblivious to them, since Adrien keeps them hidden so well). But now in "Guilt trip" LADYBUG was confronted head-on with just how much negativity Chat has inside and how quickly and extremely he drowns in it.

Sure, correct, the episode also has his negativity "washed away" rather quickly by Ladybug opening up to him on how important he is to her

But this is in character for both of them as "Lies" very clearly showed us that the way BOTH OF THEM behave here is where the problem lies. There Ladybug was freaked out after Chat threw his life away once again but quickly accepted Chats very direct avoidance of the confrontation, since he seemed to be alright to her.

Something I also find noteworthy here is that Ladybugs dialog is "Seriously, you need to stop doing this to me!", which is.... a VERY Marinette-centric way of acknowledging the problem.

It completely shifts the issue away from Adriens extremely alarming self-harmful/suicidal tendencies and instead only calls out how it affects Marinette (whose feelings here are definitely valid, don't get me wrong!). It showcases perfectly how unaware Marinette still is of her partners inner tumult at that point and also parallels how Marinette called Adriens life "perfect" at the beginning of the episode (This is no shade towards Marinette, in general the entirety of "Lies" is about showing us just how harmful Adriens Chat Noir persona actually IS to him so these two moments of her being oblivious to Adriens and Chats immense problems very much fits into that episodes narrative and sets up what's about to come. I still have an entire essay in the making for "Lies" but, guys, it's just getting longer and longer. I suck xD).

So the fact that an episode after "Gabriel Agreste" brings this scenario back, just a little different but ALOT more revealing of Adriens immense problems to his partner, is VERY telling. Besides other things it tells us that this happens at the beginning of the arc that deals with (at least) Chats issues since Ladybug is still way too quickly too ready to accept her partner as "completely fine" again just because Chat makes it seem that way (while some negativity increasing guilt bubbles still to stick to him.).

And yet, others have already pointed it out that Ladybug IS noticing what Chat wanted to do and reacted accordingly...

she just didn't speak of it the way it is because it overwhelmed her, which calls back to Ladybugs "You have to stop doing this to me!" dialog.( For a great breakdown of her dialog HERE is a link to @flightfoot post)

In "Lies" Marinette was way too stressed by her new guardian role to even consider Chats side of it and therefore only spoke of her own, but in "Guilt trip" she's already past that stressful arc. So here she is immediately able to recognize Chats suicidal action for what it is, come to his (much needed) aid and lift her partners spirit the best she can by emotionally opening up to him (which is something we KNOW is incredibly hart for Marinette).

The difference between her reaction in "Lies" and in "Guilt trip" shows that Marinette has her guardian role already mostly handled and is now mentally able to be there for others again, so the extremely Marinette-centric "Truth"-like episodes are mostly passed. Now the episodes can bring Adrien/Chat Noir more into the game again and even shift to "Lies" - like episodes because MARINETTE can pay more attention to him again and isn't faced with something new, important and overwhelming Miraculous related every step she takes.

And THAT is extremely fair from a narrative standpoint.

---

I really need to stop elaborating so much on these posts because I'm only NOW actually getting to the point of where Adriens journey will disconnect for a while from Ladybugs. Sorry guys.

Okay, to understand where I'm going with this I will have to quickly explain how I always saw Chat Noirs place in the Ladybug+Chat Noir vs Hawkmoth war ever since s1.

Because here is the thing: Adrien wasn't able to truly leave the battle field ONCE since the origins. Marinette was completely out of Hawkmoths and Gabriels reach once she detransformed, which balances out her basically being the personification of the good sides force. And Gabriel literally decided whenever or not the battle is even ACTIVE right now! Besides that he is in complete control of his own actions and environment, which gives him all the necessary time, safety and downtime he needs to act as the personification of the evil sides force.

Marinette and Gabriel always knew when they were safe and off the battle field, but ADRIEN never had that and it left him LITERALLY right in the middle of both Ladybugs and Hawkmoths sides.

You see, because before Adrien became Chat Noir he basically was part of Hawkmoths side just by default. He was born into this family, that's his father and lost mother and everything he knows. Adrien didn't/doesn't even have to KNOW that he is part of Hawkmoths side, he's his son at some level he just IS! And I'm not saying this as anything negative, Adrien coming from Hawkmoths side is literally the reason why he became Chat Noir!

Because whereas Gabriel is having the time of his damn life as evil terrorist, created out of tragic and sinister circumstances, ADRIEN on the other hand couldn't handle his families environment and very same circumstances anymore and accepted the role as Paris' hero to escape his heritage for a while.

Keywords being: a WHILE.

Something unique about Adrien I always loved is the fact that he is the villains abused, isolated and overworked SON, who becomes a hero to escape his depressing life and YET it was never Adriens intention to LEAVE IT. Adrien merely wanted to use his time as Chat Noir to let of some steam and breath freely while doing some hero work so he can go back into his civilian life and try to one day successfully ment his broken family. He couldn't handle the current situation anymore but he still always saw worth in his family/father. I have SO MUCH respect for that!

But him not intending to leave his family and instead regaining strength as Chat Noir to continue to hold onto it came with the downside of him not being able to fully become part of the good sides people/force either. Hence why Adriens/Chats place always felt so lost in comparison to Ladybugs and Hawkmoths clear positions. He's caught in between their extremes trying to balance out BOTH at the same time. What an impossible task!

So he couldn't put in the same focus as Ladybug into being the good sides force because he is literally burned out from his civilian life on Hawkmoths evil side. But he also couldn't be involved as an ACTIVE member of his fathers evil force, because he chose to find refuge in his friends and as a hero on Ladybugs side.

Adrien unknowingly is part of BOTH the shows two extreme moral sides of good and evil and this season we will see Adrien/Chat Noir grow into his own within BOTH sides as well.

Because he simply couldn't have done so right away in s1. Now after 3 seasons Chat Noir is more than solidly established as one of Paris Heros and his time with Ladybug, the other heros and his normal friends helped him greatly to find his place on the good side. "Lies" set this up as Chat Noirs arcs starting point that now he has to stop connecting "being heroic" strictly with following Ladybug (as Marinette is the STAND IN personification for the good side, she's still a flawed human being like everyone else and not the ultimate force of perfect and good. Big difference.) just as he has to start looking past his fathers sympathetic moments/qualities to see that Hawkmoth isn't a 100%, inhumane monster just because he is the stand-in personification of evil in their fight, but the man he calls Father and still needs to be taken down. (I talked about this in more detail on THIS post)

Adrien has to seperat himself from Ladybugs path and focus on his family and I believe it'll start with the much dreaded (but expected) Ladynoir fight.

Funnily enough, what I'm talking about was actually already set up in "Frozer" I just didn't remember that for a bit. In "Frozer" we saw Ladynoir having a fight which caused Chat Noir to go his own way in the episodes battle.

I always found it interesting that the episode didn't had Chats decision, to not follow Ladybugs lead here, turn out to be a huge mistake. Almost every other show would have done so but now I think I understand. This episode and s2 in general SET UP the s4 conflict, s3 LEAD UP to it and now s4 DELIVERS it.

So what happened in "Frozer" is a direct parallel to what about to go down:

Ladynoirs fight will cause Chat Noir to not simply follow Ladybugs side anymore the way he used to, but note, he DOESN'T leave the good side AND they make up again in the end after Chat saves Ladybug from the akuma. He just does things on his own because he isn't on great terms with her for a while. "Frozer" showed Chats decision to not only NOT be a mistake but also a necessary part of defeating the akuma, just the way it'll be in s4. Damn, Adrien breaking away from Ladybugs side, the way she (unintentionally tho) did at the beginning of the season, to focus more on himself and his family will be the game changing factor, when Adrien will have his completing arc where he goes from "not active character within the villain/backstory plot" to "ACTIVE character within the villain/backstory plot".

And we already saw with Marinette how many fast breakthroughs we get through these completing arcs. Which is also a reason for why Adriens/ Chats arc comes later in the season, because BUDDY. Once Adrien starts to actively uncover his families mystery and fathers secrets Gabriel is SCREWED! Adrien will gain the needed inside knowledge that complements Marinettes Miraculous power; and reunited they can take on whatever the hell kind of scale the Agrestes plan actually is.

So how to end this post? My biggest intention was to raise hope for everybody (myself included lol) who is right now very concerned and upset about how side-lined our boy is at the moment. But I prefer doing so in a way that actually works with canons context instead of sugarcoating what I don't like. And Adriens/Chats current position I definitely do NOT like but accepting it as realistic outcome from s1-s3 and set up for the escalation for both Ladynoir and his home situation gives it the proper purpose and pay off (narrative and character wise) that it SHOULD have.

Basically, the endcards of "Truth" and "Lies" show it perfectly.

It looks like ShadowMoth is turning a blind eye towards Adrien/Chat Noir because of Ladybugs new guardian status and "greater importance". But Gabriels tunnel vision on Ladybug will leave him vulnerable to his own sons secret actions against him and Gabriel won't see it coming until its already too late.

#Miraculous #Miraculous ladybug #ml theory #ml analysis #ml season 4 #ml show structure #Adrien Agreste #marinette dupain chang #Gabriel Agreste #Chat Noir #Ladybug #Hawkmoth #ml forshadowing

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citrina-posts · 4 years

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Avatar: Cultural Appreciation or Appropriation?

I love Avatar: the Last Airbender. Obviously I do, because I run a fan blog on it. But make no mistake: it is a show built upon cultural appropriation. And you know what? For the longest time, as an Asian-American kid, I never saw it that way.

There are plenty of reasons why I never realized this as a kid, but I’ve narrowed it down to a few reasons. One is that I was desperate to watch a show with characters that looked like me in it that wasn’t anime (nothing wrong with anime, it’s just not my thing). Another is that I am East Asian (I have Taiwanese and Korean ancestry) and in general, despite being the outward “bad guys”, the East Asian cultural aspects of Avatar are respected far more than South Asian, Middle Eastern, and other influences. A third is that it’s easy to dismiss the negative parts of a show you really like, so I kind of ignored the issue for a while. I’m going to explain my own perspective on these reasons, and why I think we need to have a nuanced discussion about it. This is pretty long, so if you want to keep reading, it’s under the cut.

Obviously, the leadership behind ATLA was mostly white. We all know the co-creators Bryan Konietzko and Michael Dante DiMartino (colloquially known as Bryke) are white. So were most of the other episodic directors and writers, like Aaron Ehasz, Lauren Montgomery, and Joaquim Dos Santos. This does not mean they were unable to treat Asian cultures with respect, and I honestly do believe that they tried their best! But it does mean they have certain blinders, certain perceptions of what is interesting and enjoyable to watch. Avatar was applauded in its time for being based mostly on Asian and Native American cultures, but one has to wonder: how much of that choice was based on actual respect for these people, and how much was based on what they considered to be “interesting”, “quirky”, or “exotic”?

The aesthetic of the show, with its bending styles based on various martial arts forms, written language all in Chinese text, and characters all decked out in the latest Han dynasty fashions, is obviously directly derivative of Asian cultures. Fine. That’s great! They hired real martial artists to copy the bending styles accurately, had an actual Chinese calligrapher do all the lettering, and clearly did their research on what clothing, hair, and makeup looked like. The animation studios were in South Korea, so Korean animators were the ones who did the work. Overall, this is looking more like appreciation for a beautiful culture, and that’s exactly what we want in a rapidly diversifying world of media.

But there’s always going to be some cherry-picking, because it’s inevitable. What’s easy to animate, what appeals to modern American audiences, and what is practical for the world all come to mind as reasons. It’s just that… they kinda lump cultures together weirdly. Song from Book 2 (that girl whose ostrich-horse Zuko steals) wears a hanbok, a traditionally Korean outfit. It’s immediately recognizable as a hanbok, and these dresses are exclusive to Korea. Are we meant to assume that this little corner of the mostly Chinese Earth Kingdom is Korea? Because otherwise, it’s just treated as another little corner of the Earth Kingdom. Korea isn’t part of China. It’s its own country with its own culture, history, and language. Other aspects of Korean culture are ignored, possibly because there wasn’t time for it, but also probably because the creators thought the hanbok was cute and therefore they could just stick it in somewhere. But this is a pretty minor issue in the grand scheme of things (super minor, compared to some other things which I will discuss later on).

It’s not the lack of research that’s the issue. It’s not even the lack of consideration. But any Asian-American can tell you: it’s all too easy for the Asian kids to get lumped together, to become pan-Asian. To become the equivalent of the Earth Kingdom, a mass of Asians without specific borders or national identities. It’s just sort of uncomfortable for someone with that experience to watch a show that does that and then gets praised for being so sensitive about it. I don’t want you to think I’m from China or Vietnam or Japan; not because there’s anything wrong with them, but because I’m not! How would a French person like to be called British? It would really piss them off. Yet this happens all the time to Asian-Americans and we are expected to go along with it. And… we kind of do, because we’ve been taught to.

1. Growing Up Asian-American

I grew up in the early to mid-2000s, the era of High School Musical and Hannah Montana and iCarly, the era of Spongebob and The Amazing World of Gumball and Fairly Odd Parents. So I didn’t really see a ton of Asian characters onscreen in popular shows (not anime) that I could talk about with my white friends at school. One exception I recall was London from Suite Life, who was hardly a role model and was mostly played up for laughs more than actual nuance. Shows for adults weren’t exactly up to par back then either, with characters like the painfully stereotypical Raj from Big Bang Theory being one of the era that comes to mind.

So I was so grateful, so happy, to see characters that looked like me in Avatar when I first watched it. Look! I could dress up as Azula for Halloween and not Mulan for the third time! Nice! I didn’t question it. These were Asian characters who actually looked Asian and did cool stuff like shoot fireballs and throw knives and were allowed to have depth and character development. This was the first reason why I never questioned this cultural appropriation. I was simply happy to get any representation at all. This is not the same for others, though.

2. My Own Biases

Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.

I don’t speak for South Asians, but I’ve certainly seen many people criticize Guru Pathik, the only character who is explicitly South Asian (and rightly so. He’s a stereotype played up for laughs and the whole thing with chakras is in my opinion one of the biggest plotholes in the show). They’ve also discussed how Avatar: The Last Airbender lifts heavily from Hinduism (with chakras, the word Avatar itself, and the Eye of Shiva used by Combustion Man to blow things up). Others have expressed how they feel the sandbenders, who are portrayed as immoral thieves who deviously kidnap Appa for money, are a direct insult to Middle Eastern and North African cultures. People have noted that it makes no sense that a culture based on Inuit and other Native groups like the Water Tribe would become industrialized as they did in the North & South comics, since these are people that historically (and in modern day!) opposed extreme industrialization. The Air Nomads, based on the Tibetan people, are weirdly homogeneous in their Buddhist-inspired orange robes and hyperspiritual lifestyle. So too have Southeast Asians commented on the Foggy Swamp characters, whose lifestyles are made fun of as being dirty and somehow inferior. The list goes on.

These things, unlike the elaborate and highly researched elements of East Asian culture, were not treated with respect and are therefore cultural appropriation. As a kid, I had the privilege of not noticing these things. Now I do.

White privilege is real, but every person has privileges of some kind, and in this case, I was in the wrong for not realizing that. Yes, I was a kid; but it took a long time for me to see that not everyone’s culture was respected the way mine was. They weren’t considered *aesthetic* enough, and therefore weren’t worth researching and accurately portraying to the creators. It’s easy for a lot of East Asians to argue, “No! I’ve experienced racism! I’m not privileged!” News flash: I’ve experienced racism too. But I’ve also experienced privilege. If white people can take their privilege for granted, so too can other races. Shocking, I know. And I know now how my privilege blinded me to the fact that not everybody felt the same euphoria I did seeing characters that looked like them onscreen. Not if they were a narrow and offensive portrayal of their race. There are enough good-guy Asian characters that Fire Lord Ozai is allowed to be evil; but can you imagine if he was the only one?

3. What It Does Right

This is sounding really down on Avatar, which I don’t want to do. It’s a great show with a lot of fantastic themes that don’t show up a lot in kids’ media. It isn’t superficial or sugarcoating in its portrayal of the impacts of war, imperialism, colonialism, disability, and sexism, just to name a few. There are characters like Katara, a brown girl allowed to get angry but is not defined by it. There are characters like Aang, who is the complete opposite of toxic masculinity. There are characters like Toph, who is widely known as a great example of how to write a disabled character.

But all of these good things sort of masked the issues with the show. It’s easy to sweep an issue under the rug when there’s so many great things to stack on top and keep it down. Alternatively, one little problem in a show seems to make-or-break media for some people. Cancel culture is the most obvious example of this gone too far. Celebrity says one ignorant thing? Boom, cancelled. But… kind of not really, and also, they’re now terrified of saying anything at all because their apologies are mocked and their future decisions are scrutinized. It encourages a closed system of creators writing only what they know for fear of straying too far out of their lane. Avatar does do a lot of great things, and I think it would be silly and immature to say that its cultural appropriation invalidates all of these things. At the same time, this issue is an issue that should be addressed. Criticizing one part of the show doesn’t mean that the other parts of it aren’t good, or that you shouldn’t be a fan.

If Avatar’s cultural appropriation does make you uncomfortable enough to stop watching, go for it. Stop watching. No single show appeals to every single person. At the same time, if you’re a massive fan, take a sec (honestly, if you’ve made it this far, you’ve taken many secs) to check your own privilege, and think about how the blurred line between cultural appreciation (of East Asia) and appropriation (basically everybody else) formed. Is it because we as viewers were also captivated by the aesthetic and overall story, and so forgive the more problematic aspects? Is it because we’ve been conditioned so fully into never expecting rep that when we get it, we cling to it?

I’m no media critic or expert on race, cultural appropriation, or anything of the sort. I’m just an Asian-American teenager who hopes that her own opinion can be put out there into the world, and maybe resonate with someone else. I hope that it’s given you new insight into why Avatar: The Last Airbender is a show with both cultural appropriation and appreciation, and why these things coexist. Thank you for reading!

#this deleted idk why #so here is me reposting it #atla #avatar #avatar the last airbender #cultural appropriation #meta #atla meta #racism

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rhysismydaddy · 3 years

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Unholy Matrimony Pt. 1 (Nessian)

Nesta’s part of the Damnation Series.

OOF this took so long sorry. I rewrote it, changed it, then deleted it entirely about 9 times. I literally started writing the version before you, from scratch, on Sunday. All parts are linked below, so I’m only tagging people on this version! To go to the next chapter, there is also a link at the bottom <3

ALSO, an important caviat: Nesta is an only child in this one! I originally wrote it for her to be adopted and not know it, but it wasn’t really relevant to the story, so... idk. Just ignore that plot hole I guess.

Parts 2 / 3 / 4 / 5 -- pls like each part I’m insecure

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~Cassian~

“You’re getting married.”

The glass of bourbon halfway to my mouth pauses, because despite being known for being rash and unpredictable, even I’m surprised by the sudden change in conversation.

My eyebrows raise as I look over at Rhysand, my best friend and Capo, trying to figure out if this bastard is serious. His tone says he is, but that doesn’t make sense, because before a few seconds ago, the word “marriage” was in neither of our vocabularies.

He’s been single for as long as I have, although I’m starting to suspect he’s got a bird in the city. He’s too damn happy these days, and the other day I saw him laugh at something on his phone.

Which is weird, because we both know long-term commitments don’t really do well with our lifestyle.

We were raised to not give a shit about anything except the job. We kill without remorse, live in the shadows, and whatever other shitty euphemism you want to use. Settling down in some suburban, picket-fence prison has absolutely no appeal to Made Men.

Don’t get me wrong, most of us get married at some point. But never for love.

Some men choose a bride that’s pretty and sweet. Someone who will donate to charity and help clean up their image. Governors’ daughters, women from old-money families, and social princesses make up this category.

Some men marry to advance their station in the Family. Second sons who will never inherit the business marry daughters of Underbosses to get a nice boost to their status.

And then there’s the ones who are forced to marry by their capo--ie. me-- so they choose whatever attractive woman that’s in the Family and available. Those are always the happiest.

But regardless of the reasoning, marriage in the mafia is heartless, political, and for me, unnecessary.

I know I’ll have to pick someone eventually, but there aren’t a whole lot of desirable options at the moment. Not many of the other Underbosses have daughters that are over the age of fifteen right now, and I have no interest in doing the child-bride thing.

Plus, there’s no way I’d marry someone outside of the family. At my rank, it isn’t an option.

That leaves... a widow?

The only one I know is Ianthe, and considering I highly suspect she killed her last husband and the fact that she’s crazy, there’s no way in hell I’d legally bind myself to her for life.

So he must be joking.

I take a pull from my cigar and look over at Rhys with narrowed eyes. “Uh huh. Sure. To who, exactly?”

“Volchonok.”

The Wolf Cub.

The cigar snaps in my fingers.

“You’re fucking kidding,” I say, honestly hoping that’s the case. He’s either that or insane, and I’d hate to lock someone who’s like a brother to me in a padded room.

Rhysand’s unflinching gaze doesn’t change, but his tone morphs from that of my friend to my boss. “You will marry her, Cassian.”

“She’s a fucking Russian,” I spit, not understanding. That should be reason enough for him to be joking.

In our world, being Russian is a crime similar to stabbing the Pope.

We’ve been at war over New York with them ever since they decided to try and get a stronghold on the east coast, and I’ve killed more of them than I can fucking count. Now I’m marrying one?

“Yes, she is, and so is her father, Alexei Olov.” Aka the Bratva Boss responsible for blowing up half of St. Petersburg last year when the local police refused to buy his weapons. “You will marry her, move to New York full time, and run the city with her by your side.”

“Why? Two or three more years, and we’ll have the city anyway.” Every day the Russians get weaker, and I’ve been responsible for pushing them out of my city block by block.

So there has to be a reason we’re suddenly okay with the enemy.

Rhysand sighs. “It was his idea, not mine. Orlov has agreed to sell our coke in Moscow and Seattle instead of his usual dealer and will supply us all the weapons we need for five years. There will also be no more midnight raids, bullshit arrests on bullshit charges, or missing shipments. He’s offering you a dowry, too.”

I don’t need his money, but the old fashioned term makes me laugh.

“Yeah? And how much does he think his wolf cub is worth?”

His lips twitch. “Ten million.”

“She must be a real pain in the ass, then, if he’s going to pay me that much to take her,” I chuckle.

Not that ten million dollars is anything but pocket change for the man. Orlov may be losing the fight in New York, but the bastard is richer than sin.

Selling arms to half of the entire world will do that to a person.

“I hear she’s beautiful,” he says, trying to tempt me to not fight him.

“Then you marry her,” I shoot back, not ready to give up the argument.

“I don’t feel like it.” Fucking typical. Rhysand sighs. “You and I both know we can work this deal to our advantage, so what will make you say yes?”

He could order to me to say yes and I’d have to, but he hates enforcing that kind of authority with me.

So I think it over, make a show of lighting a new cigar. “I want Sera.”

It’s a burlesque club in New York I’ve always been a little envious of, owned by Orlov and operated by his men. I’d tried to buy it a few years back but hadn’t had enough leverage on the Russian to strongarm him into selling.

Now I do.

Rhysand--the only one who knows about my failed attempt to buy the place--nods and tells me he’ll make it happen.

“When’s all this happening, anyway?”

He looks like he might laugh. “Wedding is in a month, but she’s flying in tomorrow night.”

A quick laugh forces its way out of me. Also typical of him to give me absolutely no time to change my mind.

Well, I have a month. That’s already longer than any relationship I’ve ever had.

Sighing, I stand and shake his hand, cementing the deal before I can even lament the loss of my bachelorhood.

~Nesta~

“Chto sluchilos?”

I slide my gaze to my father, because seriously, that’s the stupidest fucking question I’ve ever heard.

What’s wrong? What’s wrong? Everything.

“Nichego,” I lie, assuring him for what feels like the tenth time as I look out the window. The plane picks up speed and lifts off, taking me towards an uncertain future, an uncertain place.

I might have told him nothing’s wrong, but inside, I’m screaming.

Three days ago, I woke up to find a marriage contract on the pillow beside me. There was a blank space where my name had been typed and a pen waiting for me to remedy that.

I still haven’t.

I’m not signing anything until I meet this... Cassian.

God, what an Italian name.

An image springs to mind, one of a slumped-over, hairy-chest beast with slicked back hair and a gold chain.

I know it’s stereotypical and hopefully incorrect, but I’ve never been to Italy and Alexei strictly forbids me watching movies that portray Italians as anything except revolting.

But looks aside, there’s one thing I don’t need to guess to know.

My future husband will be like all the other men in my life: controlling.

Men in the world I live in take what they want, don’t ask for permission, and feel like they’re entitled to anything and everything. I’ve dealt with it my entire life, so it’s more amusing than anything at this point.

I guess I’m a bit non-traditional in that sense, considering most of the women around me have no problems taking orders from their fathers or husbands. But Alexei and I figured out pretty early in life that wasn’t going to work for me.

As he frequently likes to tell me, I started telling him to fuck off when I was five.

What did he expect? All the kids I hung out with were the opposite sex and at least five years older than me, so my vocabulary and mannerisms became pretty... colorful early on.

Regardless, I’m just not looking forward to having to deal with yet another man who thinks he can control me.

“Ty vresh',” Alexei accuses, lips twitching. You’re lying.

“Konechno.” Of course.

Of course I’m upset, but I understand what’s happening. I might have found out about it three days ago, but I’ve known it was coming for far longer.

As the only child of the great Alexei Orlov, Wolf of Moscow and Pakhan of the Russian Bratva, I’ve been told my entire life that I will one day be used as a pawn to gain more power.

It would--should--piss me off, but I’ve also been told I’m to one day take my father’s place and run his company.

So by gaining more power for him, I’m also doing the same for myself.

Not that I really give a shit about that kind of thing. I started officially working for Alexei years ago, and I already have enough money saved to never have to work again.

But in the Bratva, there’s no getting out. I was put in this world by birth, and the only thing that will take me out is death.

In case it isn’t obvious, I’m not a typical business woman.

My father is an arms-dealer.

A less than legal one, if you believe the heinous lies the media spreads about him.

He sells weapons to governments, private armies, and whoever the fuck else has the money to buy.

He’s also built himself a shipping empire to haul said weapons around the globe, runs the drugs and prostitute rings in Moscow, and has enough real estate to rival most small countries.

It probably sounds like I don’t care, and that’s because I don’t.

I like what I do in the sense that I have a mind for business. I went to business school and graduated at the top of my class, and I enjoy running the clubs and hotels I have. Trained by Alexei himself, I’m ruthless in negotiations, enough so that people started calling me the Wolf Cub by the time I was twenty.

But despite being good at it, I’m not particularly fond of the aspect most people think of when they picture my career in the Bratva. I detest drugs, have never hired a prostitute, and don’t really enjoy selling arms to bad people.

The alleyway meetups, the broken bones and bullet holes, and the blown up houses are all a little tiring to me.

Sure, it sounds exciting. And for a while, it was. I used to lose myself in the chaos, used to enjoy coming home with busted knuckles. But I honestly just got tired of it.

Right now, I don’t have to deal with it as much because Alexei’s still alive. But when he dies and I officially take over the family business, I’ll have to be more involved. Even if the thought makes me want to sigh.

I pull out my laptop and look over the financial report for Sera, my newest club in New York. As predicted, everything’s running smoothly.

I turn the laptop around to show my father, grinning when he pulls out his reading glasses and leans closer.

“Starik,” I tease. Old man.

He flicks my forehead, then reads the report and nods. Then he turns to his phone, probably playing Angry Birds or some shit, and leaves me to work.

The plane ride goes by quickly, and by the time we’ve landed in Chicago, I’ve gotten ahead on my schedule for next week, slept, and changed into what I’ve chosen as the “meeting my future husband” dress.

It’s simple and sleek, the black material clinging to my curves without being obscene. It’s long enough to hide the holster on my thigh, not that I feel in any danger with four personal guards stationed near me at all times.

My heels click as I make my way down the plane stairs and across the tarmac to the waiting sedan, and once my luggage and belongings are unloaded, we head to the Italian Capo’s house.

We’re meeting here, finalizing the contract, and then Cassian and I are flying to New York.

My new home.

“Try to look happy,” Alexei tells me, his heavily accented English almost ridiculous to hear. He speaks English only when he’s in the states, and considering he hasn’t come here since I graduated B school two years ago, he’s a little out of practice.

“I’m ecstatic,” I say, intentionally using a word I know he doesn’t understand.

His eyes narrow, because it isn’t the first time I’ve used this trick, but he doesn’t call me out on it. We continue to ride in ecstatic silence, eventually pulling up in front of the Capo’s... house.

It’s almost obscene to call it that, considering it’s fucking huge. Like obnoxiously huge.

I heave a sigh, step out of the car, and take in my surroundings. The neighborhood’s quiet, likely filled with friends of the Cosa Nostra too scared to make any noise.

A butler--seriously, a butler--opens the door and welcomes us inside, and as soon as I step in, I have to repress the urge to roll my eyes.

The amount of dirty money in the air is suffocating. It drips off the vaulted ceilings, down the artwork on the walls, across the marble floors. It’s in the little details of the crystal chandeliers and the mahogany staircase.

Ridiculous.

One look at Alexei’s disgusted face says he’s thinking the same thing.

Don’t get me wrong, we’re rich. Grossly so. Alexei could have ten houses just like this, if he wanted them.

But he doesn’t. He owns property all over the world, but most of it is commercial or apartment complexes--property that makes him money, in other words. This, however, is a massive waste of capital.

The butler leads us further through the house and into an office where four men wait.

One is immediately identifiable as their lawyer, his over-priced cologne making me have to resist the urge to sneeze. The humongous man in the corner is hired muscle, if the boxy shape of the guns under his jacket is any indication.

The man behind the desk is obviously in charge, so I’m guessing he’s the Capo. Rhysand or Rhyland or something weird like that. He takes me in silently, bright eyes not seeming to miss any details.

That leaves the man leaning against the desk to be Cassian Azara.

My fiancé.

Our eyes meet, his golden gaze beautiful and wild, and I have to remember to keep my expression bored.

Because the stereotype, the horrible image I’d conjured up in my mind, couldn’t be further from the truth.

For one, he isn’t hunched-over. He stands tall, leaning a hip against his Capo’s desk with obvious confidence. But I see more than just self-assuredness in his eyes. He seems a little too rough around the edges, wild gaze almost like he’s daring someone to swing at him.

If the confidence didn’t already make him attractive, his looks sure as hell get the job done.

His hairs long and dark and curly, half of it pulled up in a rouge manner that clashes with the suit he’s filling. He has a few days’ stubble, too, like standing still long enough to shave just isn’t an option.

His shoulders are impossibly wide, narrowing down to trim hips and legs long enough to make him tower over everyone in the room.

His knuckles are tattooed and split open, and there’s a cut above his eyebrow that tells me I was correct to assume he’s a fighter by nature.

Usually, that would be a deterrent for me, but there’s something about the way he’s dressed in a dark suit jacket and crisp white shirt while also looking so untamed that has me cocking my head to study him some more.

He studies me, too, beautiful eyes taking in the long blonde hair and bright blue eyes offset by pale skin. He looks at the dress like he can see everything underneath, and I have the strangest urge to blush. Jesus, he’s toxic.

He’s attractive, is what I’m getting at.

Which is not what I had planned on, considering I’d been trying to think of a plan on how to not sleep with him, but suddenly that’s all my mind can focus on.

His lips twitch like he knows what I’m thinking, and I realize we’ve just been standing here staring at each other for a bit too long.

So I turn back to Alexei and shrug like I’ve seen what my future husband has to offer and aren’t impressed in the slightest.

I toss the marriage contract on the desk, grab the Capo’s fancy little fountain pen out of his hand, and sign my name on the blank above my name.

Cassian watches, but I ignore him entirely until the ink has dried. Then I look up at him through my lashes and wink, turn on my heel, and leave the room.

~Cassian~

I think I’m in love.

Fuck.

She hasn’t said a single goddamn word, but the way she looked at me has me feeling itchy all over, anticipation and nerves rolling through me. I feel like I feel before I fight or something exciting happens.

Like I’m primed and ready and need it to happen now.

Nesta Orlov, my bride to be, is nothing like I expected.

I was fully braced for some meek little woman, similar to most of my friends’ wives, to come in and smile and say hello.

But nope. Nesta didn’t smile; she came in like she was walking onto a battlefield.

And she didn’t smile. She looked me over, clinical blue gaze noticing too much, and left me feeling winded. God, she’s beautiful. Just looking at her made me hot.

She also didn’t say hello.

Just signed the contract and left, like this was nothing more to her than a boring business deal. I mean, that’s what it is, but... I don’t know, I expected more of a reaction.

I’ve heard from some Underbosses that their wives cried or raged when they were forced to sign, but shit if that were the case with Nesta. She honest to God looked like she didn’t care.

Alexei, on the other hand, does look a little pissed about the situation, but I couldn’t care less of the old man’s opinion. He��s signed the contract, so to me, he’s irrelevant. Regardless, he and Rhys proceed to iron out some of the details about the wedding and other shit I’m not paying attention to.

Then they shake hands, and the Russian warlord turns to leave.

He reaches the door and looks over his shoulder at me, and there’s amusement in his cold gaze as he mutters, “Udachi.” Good luck.

As soon as he’s gone, Roman and the lawyer follow, leaving me alone with Rhys.

He slides the contract to me, and I sign my name next to hers, making this shit official.

“This should be interesting,” he comments, vague as usual.

I sigh, because I have a feeling interesting isn’t going to cover it.

_____________________________________________________

NEXT CHAPTER

Tags: @elorcan-trash @januarystears @emikadreams @sjm-things @santas-dwynwen @thebitchupstairs @sayosdreams @perseusannabeth @cursebreaker29 @a-bit-of-a-cactus @elriel4life @girl-who-reads-the-books @shinya-hiiragi @aelinfeyreeleven945tbln @ireallyshouldsleeprn @highqueenofelfhame @rowaelinismyotp @nahthanks @ghostlyrose2 @lovemollywho @tillyrubes10 @claralady @tswaney17 @rowanisahunk @superspiritfestival @thegoddessofyou @awesomelena555 @booksofthemoon @greerlunna @jlinez @studyliketate @over300books @justgiu12 @masstrash @aesthetics-11 @bamchickawowow @b00kworm @sleeping-and-books @musicmaam @hizqueen4life @maybekindasortaace

#nessian #nessian fanfiction #acosf countdown #acosf #nesta archeron #cassian #acotar #acotar fanfiction #acosf fanfiction #a court of mist and fury

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anime-and-manga-rants · 3 years

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Why I Believe Deku Fails as a Character (Part 2 of 3)

SPOILERS FOR THE MHA MANGA (OFA reveal, last completed arc, Chapter 307)

...

Not only were we robbed of a compelling character with a mental illness — which we so desperately need in the media — but we were also robbed of anything about Deku that could make him an interesting character in other ways.

Now, a compelling character should have a quirk (not a Quirk) that separates them from the rest of the characters (because who likes when all the characters all act the same?) and makes them more relatable. Everybody’s got something about themselves that sets them apart from their friends and families. It could be a dialogue quirk — common examples would be someone who references movies constantly or never uses contractions — or just a habit they have that nobody else has. In Deku’s case, it’s his muttering and his hero analysis notebooks.

However, one of the first rules of good writing that a writer will be taught is the phrase “show don’t tell.” And it’s good advice, for the most part. (Some things are better left told, but that rant isn’t relevant to this one, so I’ll hold back on that.)

For Deku, his mumbling is never really shown to us. Yes, it’s shown through the word “mutter” that appears on screen whenever he’s muttering, but that’s actually telling. We don’t ever get to decide for ourselves that Deku mutters a lot. No, the show decides for us, telling us to believe he mutters often and talks too much by the way it always accompanies his muttering with the word “mutter” surrounding him on screen or in the manga panel. He certainly does talk a lot, but it’s ruined by the fact that the anime/manga constantly needs to tell us that he talks a lot.

The reason why showing rather than telling is so important is because the audience needs to be able to figure out aspects of the plot or characters on their own. If they’re simply told everything, they aren’t going to believe it. If the author tells you that Person A hates Person B, but A never shows any animosity towards B through their dialogue or actions, the audience won’t believe it. (Think of the tip from Billy Wilder, which tells screenwriters to make the audience add up two plus two— don’t give them four. Give them two plus two, let them do the math themselves, and they’ll love you forever.)

This is mostly a nitpick, yes. Still, it’s a blatant example of when showing (and not telling) is necessary. In this case, the telling ruins it, and by telling, it negates the unique aspect of Deku’s characterization that would’ve helped make him a more realistic — and therefore more relatable — character.

Which brings me to another point: what about his hero analysis notebooks?

I mean, hell, he’s got thirteen of those things. By now, he should be able to look at a villain’s Quirk and, in the matter of a minute or two, come up with a plan to take that villain down.

Those notebooks could’ve made Deku such a unique character— with thirteen notebooks worth of analyzing already in his repertoire, he should be able to analyze Quirks like there’s no tomorrow. And people, too. Wouldn’t it have been so interesting to see Deku be able to just look at someone and know what they’re planning, thinking, or feeling?

(As a questionably relevant side note, there are accounts of people who have experienced traumatic things such as abusive households who have told stories of how they can look at people and instantly know what they’re thinking. It’s a defense mechanism to prevent themselves from provoking someone, because they knew if they accidentally provoked their past abuser, they would face the consequences. See? It could all tie together.)

And if that seems like it could make Deku overpowered, it really doesn’t have to. There isn’t a single overpowered power you can give to a character that will, without fail, make them overpowered. At least, not at first. We just need a character to earn their overpowered-ness, because we love a character who earns their strength over time. You just have to give the power drawbacks in whichever way makes sense and actually impacts the character.

Deku with All For One’s Quirk, one of the most overpowered Quirks in the anime/manga to date? Using multiple Quirks at the same time makes him pass out from exhaustion. Using too many at once could give him permanent brain damage like what you see with the Nomu. Having a villainous Quirk like AFO makes his bullying even worse as a child, leading to permanent self-esteem issues that keep him from ever wanting to use his Quirk to begin with. (Last one courtesy of Shinsou’s backstory!)

Deku with seven Quirks courtesy of One For All, the other most overpowered Quirk in the anime/manga? Same thing as the first two examples in the paragraph above. Or the burden of having to carry out the wills of the eight users that preceded him, all of whom have differing opinions on Deku’s best course of action for any given battle. The previous users never had to so readily accept him as their successor. Why not have them reject Deku for deeming him too soft to do what’s best, or any other reason?

Deku with Overhaul’s Quirk? Uh-oh, looks like he accidentally killed a classmate the first time he used it, and now he’s forever afraid of it. But, uh-oh, if he wants to be a hero, he has to use it. Or what if the Quirk only works on organic matter, meaning it’ll only work on people or plants? That would kinda suck.

See? No power is automatically overpowered unless you make it that way.

Maybe Deku can analyze anything if given enough time, but he can’t exactly sneak off in the middle of a fight to come up with the best strategy. This could be quite reasonable, considering Deku would have been able to think long and hard before writing anything down in his hero notebooks. And all his training could culminate in the main climax of the series, where Deku creates and executes the perfect plan in a matter of seconds thanks to his analyzing skills.

Or what about All For One, the big bad of the series? (You can argue it’s Shigaraki too, but in the recent chapters, it’s made obvious that AFO is actually controlling him. Therefore, AFO’s the guy Deku should ultimately be putting a stop to. He is essentially Deku’s fated enemy in terms of Quirk backstory, after all.)

What if AFO turned out to be the one person Deku couldn’t analyze, couldn’t read at all, because his face is so disfigured that it’s impossible to tell what emotions he’s experiencing through facial expressions? What if AFO was such a masterful manipulator that Deku couldn’t read the tone of his voice because AFO purposefully kept it unchanging?

The extreme fear that Deku could experience just by being unable to tell what AFO was thinking could make AFO into such an intimidating villain. He’d be the one villain that Deku just might not be able to best, and the audience would fear for him, like they’re supposed to do.

And, at least for me, I haven’t been fearing much for Deku. As of Chapter 307, it looks like he’ll be fighting Muscular again. But where exactly are the stakes of this fight? Sure, it’s a good way of showing how far Deku has leveled up after the time skip, but we already know he’s going to win. I mean, he beat the guy in season 3. He better win, or what the hell, right? It would’ve been much more impactful to have him lose against Muscular the first time and come back again in Chapter 307 to kick his ass.

It’s just... Deku always seems to win. His first major loss that comes to mind is his fight with Todoroki, but the loss only proved how good of a person Deku was. His second fight against Bakugou couldn’t even be considered training— Deku had nothing to lose. And what about Deku’s arms? Again, as of Chapter 307, it looks like he can still use them perfectly fine despite absolutely destroying them in his fight against Shiggy. What was it that doctor said? If he keeps abusing them the way he has, he’ll paralyze himself? Sure, he said two or three more times, but Deku was abusing the hell out of them again and again just to make Shiggy take any damage with his regeneration Quirk. Doesn’t seem like his arms are even slightly stiff at the moment. Maybe I’m wrong, but I don’t think so.

I don’t know. It just seems like nothing goes wrong for Deku unless it doesn’t have any truly negative effect on him. His fight against Shigaraki is an exception, I suppose, but it was also the fault of every other hero who failed to stop Shigaraki from freeing AFO and the villains from all of those prisons. Whenever it’s just Deku, it seems like he never really loses when it would actually mean something if he did.

This is another flaw of Deku’s characterization, but it ties into my second point about Deku’s analyzing skills, too.

Creating a foil for Deku in AFO by making AFO unreadable would help give the conflict some oomph, if you know what I mean. Because, currently, AFO is really only Deku’s foil because of his Quirk and because he wants to take OFA. If Deku was portrayed as a master analyzer...

Think about it— All For One, the master manipulator with AFO, up against Izuku Midoriya, the master analyzer with OFA.

This is the fancy-schmancy dichotomy that we could’ve gotten. The heightened tension that would’ve made Deku’s story so much more interesting to read/watch, that would’ve made me wait for each new chapter on the edge of my seat.

But, once again, Deku’s potential to be an interesting character is wasted.

Horikoshi could have made him interesting with his muttering if he hadn’t shoved it down the audience’s throat.

And while he had set up for Deku to be a master strategist, he didn’t follow through, making Deku seem pretty stupid for having so much experience in analyzing and yet having so little to show for it. Because Horikoshi does try to show it, but only when it doesn’t matter, like when Deku analyzes the fights for the sports festival up in the stands. Why not have him do it when it matters, like when he fights against villains at the USJ or when he fights Shigaraki in the more recent chapters?

Not to mention the fact that he missed a fantastic opportunity to make All For One more of a villain. (Because All For One is kind of a sucky villain at the moment, considering it just seems like he’s a villain because he wants to be. Sure, there’s a little snippet of why AFO does what he does, but it’s subpar at best.)

Honestly, I just wish Horikoshi had done a better job with Deku like he did with Bakugou. But he didn’t, unfortunately, and that’s what makes Deku fall so flat.

#bnha #boku no hero academia #mha #my hero academia #mha analysis #bnha analysis #deku #mha deku #bakugou katsuki #bnha shinsou #shinso #my hero manga

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break-slash · 3 years

Text

Puzzleship JP & KR Fancomic Recommendation List

UPDATE (19-12-2020): Added two more artists and two more titles on the Japanese lists!

I don’t consider myself as someone very tidy and organized, but I just like making lists of the things I love, somehow. Hence this post. I haven’t been in the fandom for long but I thought I’d share some of my favorites primarily from two sites: pixiv and postype. Most of the postype ones are behind paywall, and I will mark them differently.

Some of my favorites come from the same artists, so I’ll also link their pixiv profile on top of my favorite work of them.

(I actually bookmarked a lot and picking them isn’t an easy task, so I will update this step by step. If you see only a link of an artist, that’s the reason, but I can guarantee you will love their works! Feel free to recommend me yours through reblogs or DM as well!)

Japanese

Artist: CYHGM

She is a Chinese and is more active on Weibo (she posted tons of puzzleship there, but my Mandarin is beyond rusty so I could only cry in despair lmao), but she has two fancomics that I absolutely adore of. Those two mentioned fancomics are:

The Past and The Future. You can check my translation for this one here. It tells about Atem who gets transported to 3000 years later before his coronation, and that’s where he met post-canon!Yugi. Just... everything about this comic is so wonderful. I teared up at the last page, not gonna lie ;_;

The Pharaoh and The Fairy: An Ancient Egypt-slash-fantasy AU featuring the S0/TOEI casts. The fairy Yugi was saved by Atem, and it’s an obligatory for fairies to grant their savior’s wishes. However, Atem doesn’t exactly have something he wants of, and this confuses Yugi on how he should repay him back. Pure undiluted sugar, and fairy!Yugi is just so cute.

Artist: Fushitas

Arguably one of the most popular Puzzleship fanartists in the JP fandom (look at their number of followers on Twitter, man), but maybe it’s also due to the fact they were in AoT fandom too. They’re mostly active on Twitter, and if you also watch Zexal, they draw tons of Yuma-centric pairings too. They have released lots of books, and their prices on the reseller sites are... well, let’s just say, unbelievable. Just to show how famous they are.

From everlasting to everlasting: Set after DSOD. A mysterious figure appears in front of Atem, claiming to be his queen. Everyone in the after life somehow acknowledges this person, which makes him even more confused because he’s the only one unaware of this. On the living realm, Yugi who is on the way to his home got hit by a truck (isekai much??) and when he woke up, he suddenly plays the role of Atem’s queen. I’ve always adored Fushitas’ drawing, and this is no exception. The story is pretty simple, but is still good! The ending of this comic is everything I’ve always wanted from the canon lol.

The King’s Guest: Ancient Egypt AU. The councils are starting to get worried because Atem shows no interest in marrying someone, so Shimon opens up a “chance” sort of for civilians to become “someone for the Pharaoh to talk with”. The civilian Yugi takes this chance right off the bat, and stuff happens? This one is just so sweet and the misunderstanding later in the story kinda cracks me up. I really love the way they build the two’s chemistry in here.

Artist: usi

They only draw two puzzleship fancomics, but both are so good and explores the themes I’ve loved from the pairing.

The Lotus’ Devil: Set post-canon with a flashback. It tells about Yugi’s regret in the past where he wanted to show Atem a small pool supposed to be full of lotus flower only to arrive seeing them not blooming. Fast forward to the post-canon, he found out that there’s actually a monster residing on that pool. I really, really loved the ending scene of this one.

Who’s The Detestable, Fortunate Guy Here: I think this is set sometime in the canon story, although the exact timing is unclear. It’s a short comic of Yugi asking Atem to pretend to be his date and go on a “dating practice”. A very pleasant hurt-and-comfort kind of story, and who doesn’t love a story of them dating anyways? :”D

Artist: Houzuki Anzu

She doesn’t draw much YGO, but she has some Arc-V and 5D’s fanarts too if you watch the series!

Hourglass: Sets after the Memory World arc. Yugi keeps hearing a strange sound inside his mind, and he finds out there’s a huge hourglass standing there, guarded by the will of Millenium Puzzle. Apparently, the hourglass is linked to Atem’s remaining time in the living realm? Anyways, the ending of this comic might look like a cliffhanger, but I personally think it isn’t. I love the theme this comic picks to explore and the way it is presented.

Present: Same setting with Hourglass, but this one focuses more on Atem sorting out his feelings about the Ceremonial Duel and what he has learned from Yugi in general. It’s a very nice extra detail that the canon slightly lacks of, and I just love... bittersweet stuff in general haha.

Artist: Chiriko

Are you the type who wants puzzleship to be full of happiness and fluff and nothing else? Well, she has a number of comics to fill that need! I actually love all of her works, but if I have to pick, these two are my favorite:

...Don’t Ever Leave Me Again: A short story about Yugi having a nightmare of where he was stuck in the fire accident at Otogi’s store. Well... this isn’t a fluff sort of, but it’s... a happy ending still? /shot

[Untitled]: A dialogue-less comic, but this is the sort of post-canon what-if that I really, really like. Atem stroking Yugi’s face while sleeping is just... so soft man....

Artist: Komori Nea

Their art style was one of those that’s very noticeable and has a certain charm on it. They are pretty active on Twitter, and even draws puzzle comics once in a while that haven’t been uploaded to pixiv (which is why I recommend you to check their twitter gallery too haha)

The Soul Stays Awake: Post!DSOD. Atem comes back from afterlife in hoping that Yugi would be as happy as he is, but months after, Atem’s existence still hasn’t been registered on Yugi’s life just yet. Another post!DSOD take that I like which involves the fear of another farewell and uncertainty, but this is a good hurt-and-comfort. I swear, it’ll hurt you just... for a while. :”)

The Attack’s Aim: Set during the canon series. A short comic mostly portraying Yugi’s hidden strength but also the tenacity of duelist that is not only targeted toward the opponent, but also to Atem, without the person actually noticing it. The last page of this one is so... soft and gentle I had to put it into this list.

Artist: caf

Often draw with S0/TOEI style, characters and characterization in mind. Their coloring in illustrations is so soft, plus artists who specialize in S0/TOEI style can’t be found so easily. Their comic style is not a manga-like one and they write the dialogues with handwriting, but if you can read hiragana and write and understand how kanji works (so you can write it on translation machine), their comics are easy to understand!

magenta: S0/TOEI AU where Yugi and Atem are two separate person. A short comic of Yugi lying under the rain as Atem searches for his whereabouts. I really love the way they portray the rain and the atmosphere surrounding the scene. Or maybe I’m just biased with rains in general, ahahaha.

Yuugi and Mao’s Stay Home: Same AU as above. Our two boys has to face the same shit we do IRL in this comic, which is quarantine. Atem offers to cook something for Yugi since he can’t eat outside. You love seeing Yugi eating stuff? This is a perfect comic for y’all.

Artist: Kkyut

Artist: Kayu(i)

Others:

Gemini: As Atem comes back to the living world, Yugi faces the dilemma of having being separated by “his other self” physically and mentally. A short comic, but the lines the artist used are so... beautiful. Like, the way they describe Yugi’s loneliness?? Just hits the park so much.

Until The Hourglass Runs Out: Set after the Memory World Arc. As their farewell day goes closer, Yugi decides to give Atem a full control of his body at school so he could spend his time with Jounouchi and the gang more. However, things don’t go as smooth as Yugi had expected. If you like that little teeny weeny pain before the Ceremonial Duel, this comic perfectly suits the taste.

see you sometime: Post-canon. Mahaad offers Atem a chance to meet Yugi in the living realm one more time, but with several conditions. Firstly, he could only stay for a day at maximum. Secondly, Yugi won’t be able to remember who he spent his time with after Atem hangs out with him. Thirdly, Yugi will not be able to “recognize” this Atem; he will only be registered in Yugi’s mind as a new classmate. A bittersweet comic in whole, but seeing the two having fun like a normal teenager would just makes me grin.

After The Rain: A dialogue-less comic, so everyone would be able to read this right away. A short comic of the two, but still very cute and wholesome!

The Tropics of Horus: Post!DSOD, Atem has to chase Kisara who lingers around Kaiba’s soul and he needs Yugi’s help to bring Kisara back to afterlife, but he has his own ulterior motive. This manga is so dialogue-heavy and might be hard to dissect especially if you don’t understand JP grammar and context, but the time spent trying to understand the meaning behind every words will be worth it. That much I guarantee. Just... everything about this comic, and how Atem’s “ulterior motive” connects to our boys’ adventure in canon series are so well planned. You can also purchase the R18 version in a form of the book here (toranoana)

Christmas Day: S0/TOEI puzzleship hint (dark puzzle???). There’s something in store for Yugi in Christmas, but this one might surprise Yugi a lot. It’s not that the prompt of “Atem gets separated from Yugi temporarily” is uncommon, but it is still a sweet one and makes you smile throughout the pages.

Korean

All titles mentioned here are not free unless mentioned otherwise. Also I don’t understand Korean except being able to read Yugi and Atem’s name, so my story interpretation might be wrong. If you understand Korean, I’d really love for you input! ;_;

You can check out on how to buy comics from postype here

Yugi’s 2020 Birthday Anthology: Rain and After End

This is an anthology consisting of four titles, but they share the same (or similar) setting where Atem is reincarnated, but he doesn’t remember his past (or has not yet, depending on how the story portrays it). Some are age-gap (adult!Yugi and high school student!Atem), so you might want to consider that if it’s not your cup of tea.

To Like Someone is to...: Age-gap setting. Mostly tells about how Yugi deals with his feeling as the reincarnated Atem in front of him turns out to have a feeling on him. I like how the story’s conclusion is that Yugi will sort it out slowly while also teasing Atem how he’s “too early” to date Yugi w.

In A Circle: A story about how the two met through an online chess game. Iirc Yugi works in a game company and Atem is sort of a famous e-sports player in this setting. There’s a lot of dialogue in this one and the app sometimes can’t process them very well, but I liked what I can understand from it! not very convincing is it haha i’m sorry i shouldn’t have done this

Familiarity: Age-gap setting, where Yugi becomes Atem’s caretaker. The comic mostly focuses on how Atem notices how kind (or too kind) Yugi is sometimes, but there are times where he feels distant. The plot where Atem gets into a fight with the other kid in his school because the kid mocks Yugi, and how Yugi just... accepts it even when Atem doesn’t want to say his reason of punching the kid is just.... god... I love this kind of age-gap setting like this I guess ;_;

Touchdown: Age-gap setting, but Atem is older in here (university student). The two goes to Atem’s university festival and they think about their own feeling when they got separated. On their way to drop Atem off, he confesses to Yugi, but Yugi is still unsure on his overlapping feeling between the reincarnated Atem and the Atem he knows. Make sure you play Motohiro Hata’s Rain and Aimer’s After Rain during the car scene to make the “rain” mood works even better :”)

Others:

Try For Point: A continuation of Touchdown, where Atem (like, the one from the past) visits Yugi in his dream and helps Yugi in sorting out is his feeling toward his reincarnated self. Atem’s advice is so sweet and there’s one certain line from this comic that I remember very deeply - there’s a part where he says, “If you don’t pull out the card, you won’t know what card it is, right?” to help Yugi clearing out his hesitancy ;w; at this point, I curse myself for not being able to understand Korean

#puzzleshipping #blindshipping #ygo #im sorry if i can't make a precise description...#will be updated regularly as i scan through my bulky bookmarks

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thelazyhermits · 3 years

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The Best Kind of Present

So, as y’all have seen on the most recent post I reblogged, @euan112358 has updated and edited, A Bright Celebration, which I highly recommend y’all check out if you haven’t already.

One of the additions that was made was the brief mention in chapter 5 of Midoriya deciding to give Fortune a second present which I plan on going into more detail here. For the record, this drabble takes place between chapters 4 & 5 of A Bright Celebration.

I hope y’all enjoy it! ^-^

Karaoke is so much fun.

You always figured as much after seeing people singing karaoke on TV, considering they always looked like they were having such an enjoyable time, but now, you know from firsthand experience that this is something that TV actually portrayed accurately.

The you from a year ago definitely would’ve felt differently because of the awful stage fright you used to have. However, that’s thankfully not something that’s afflicting you now thanks to the performance you, Eri, and Class 1-A put on for UA’s most recent class of graduates during their graduation ceremony.

Ever since then, you’ve felt much more comfortable about singing around others. Sure, you never really go out of your way to sing around others since old habits die hard, but you don’t mind singing whenever Eri or your students ask you to.

That’s why you don’t have any problems with singing on the night of your birthday, because you want to make the most of this momentous occasion and have as much fun as possible with your UA family.

Besides, how could you ever say no to your adorable students when they’re looking at you so expectantly?

As a result, once the karaoke marathon is set into motion, you find yourself behind the microphone many times. While you sing by yourself a few times, you mostly end up singing with others since many people wanted the chance to sing with the birthday girl, and you were all too happy to oblige.

Because you’re having so much fun, it’s no surprise that you’re all smiles on the night of your grand birthday celebration. This is, without a doubt, one of the most fun nights you’ve ever experienced, and you know it will definitely be one of the most unforgettable ones.

Everyone really went all out to make your first birthday memorable, and they definitely succeeded.

“Hero too. I am a hero too~”

Even though you’re currently taking a break from the karaoke marathon that’s going on in the living room, you can’t stop yourself from singing quietly under your breath as you make a trip to the kitchen to grab yourself a bottle of water.

Yaoyorozu’s birthday present has really put you in the singing mood, and you have a feeling that’s not going to be changing anytime soon, especially considering how much fun you’re having with everyone.

Before these fun times can continue, however, you must first quench your thirst since all the singing you’ve been doing has left you feeling quite parched. Once that’s done, you can get right back into the festivities.

As you smile at that thought, you open the fridge and pull out a bottle of water. Just as you’re moving to close the fridge door, a familiar voice calls out to you.

“Y/N-sensei?”

You jolt in surprise at the sound since you weren’t expecting to be addressed so suddenly. You had thought you were the only one in the kitchen, but that’s obviously not the case.

When you close the fridge door, you see Midoriya standing there. Taking note of your surprise, he smiles sheepishly. “Sorry if I startled you.”

As you wave off his apology with a smile, you open the water bottle you grabbed and take a swig of your drink. Once you’ve quenched your thirst, you ask, “What brings you here, Midoriya? Did you need something out of the kitchen, or were you looking for me?”

“I was hoping I could speak privately with you for a moment.” Midoriya answers, “So, when I saw you come into the kitchen, I thought this would be the perfect opportunity to do that.”

The corners of your lips curve upwards. “You know, I’m always happy to talk to you, Midoriya, so I’m all ears. What’s on your mind?”

Flushing, Midoriya begins twiddling his fingers. “Umm...it’s about the present you got from All Might...”

Your smile turns teasing. “Were you hoping that you could come along with us? I know you were quite jealous when you heard that my present was a weekend trip alone with him.”

His blush darkens as he begins wildly waving his hands. “N-no! You’ve got it all wrong, I swear!”

With a giggle, you reach over to ruffle his hair. “I know. I was just teasing you, Midoriya. Your reactions are always so cute, so I can never help myself.”

While Midoriya sighs in relief, you tilt your head. “So, what did you want to talk about that involves All Might’s present?”

He awkwardly rubs the back of his neck. “I was just thinking about the reason you were so excited about his present.”

As you blink in surprise, Midoriya continues, “From an outsider’s point-of-view, everyone would assume you were so excited because of your love of cats and because All Might, the former number one hero himself, is the one who will be taking you there, but...”

A soft smile forms on his lips. “When I saw the face you were making after receiving his present, all I could think was that you were so happy because you would be able to spend quality time with All Might. I could tell because I knew I would be making a similar face if I was in your shoes.”

Once you get over your surprise, you return his smile. “As expected of you. You’re exactly right, Midoriya.”

“It’s true I was excited about getting to visit an island full of cats, but I honestly would’ve been excited no matter where All Might decided to take me. because I knew anywhere would be fun as long as he was there with me.” You add.

Your expression softens. “Ever since I was a child, I’ve always dreamt of getting to spend that kind of quality time with him because he was the first hero I ever looked up to, who played a pivotal role in getting me through those years I spent in the underworld, so he’ll always be someone I greatly admire and treasure.”

His smile grows. “I’m sure All Might realized that too. That’s why he worked so hard to set things up, so the two of you can go on that trip together, because he treasures you just as much as you treasure him.”

Warmth envelops your chest at his words. “Yeah, I’m sure you’re right.”

Soon after that, his smile fades, and he begins fidgeting for some reason. Before you can ask him what’s wrong, Midoriya mumbles, “After seeing how happy you were about getting to spend quality time with All Might, I got to thinking and....”

“And?” You parrot as you tilt your head curiously.

His earlier blush returns at full force. “I was thinking that, in addition to the hero costume I had made with Hatsume-san’s help, I could give you another present, one like All Might’s.”

Your eyes widen. “You mean...?”

Midoriya shyly nods, “Since you’re always telling me how much you enjoy spending time with me, because you love spending time with your heroes, I thought maybe the two of us could also do something together to celebrate your birthday.”

After saying that, he quickly adds, “Of course, I realize that there’s no way I could ever compete with All Might no matter how hard I try. I couldn’t take you to something as exciting as one of the cat islands or to any expensive places that he could easily afford, and-”

Before he can finish that sentence, you pull the surprised boy into a tight hug. “Don’t be silly. Do you really think I care about stuff like that? Obviously, I’ll be happy no matter where I go as long as I’m with you.”

His posture relaxes as he returns the hug. “That’s how I feel too. I know no matter what we do that I’ll have fun because I always enjoy myself when I’m with you.”

A warm feeling takes root in your chest at his words. “Just hearing that is a great birthday present in itself since nothing makes me happier than to hear that my hero enjoys being with me as much as I enjoy being with him.”

“Sensei....”

Since it sounds like your student is on the verge of tears, you refrain from saying anything else that could make him cry. Instead, you pull away from him and meet his teary gaze, smiling all the while. “So, what would you like to do together? Did you have something in mind?”

Midoriya blushes as he shakes his head. “Not really. I was so nervous about just asking you to hang out that I didn’t think to consider what we could actually do together...”

“B-But I will definitely think of something fun we can do! I’ll begin researching tonight to find the best places in town to visit, so I can get back with you as soon as possible!” He quickly adds.

Chuckling, you ruffle his hair. “There’s no rush, Midoriya. Besides, considering how late we’ll all likely stay up tonight, I think you should save your research for another day, considering tomorrow is the first day of the new school year.”

He sheepishly scratches his cheek. “Oh yeah, that’s true...”

“So, take all the time you need, Midoriya.” You smile, “I don’t mind waiting since I know whatever you have in store for me will be worth the wait.”

His expression brightens. “I’ll make sure to meet your expectations!”

Your smile grows. “I know you will, because meeting and surpassing my expectations is something you’ve been doing for quite some time now.”

And you have no doubt that that won’t be changing anytime soon.

#TABF #TABF post scene #midoriya izuku #my writing #after talking with storysmith #about this idea I had for midoriya #I really wanted to write a little something for it #since this mental image was just too cute #these two really are too precious #you gotta love them #in regards to where they go #I haven't decided yet #I also don't know if I'll ever write out their day together #I guess it depends on if inspiration hits #I just really wanted to show why all might's present meant so much to fortune #and also show midoriya being his usual adorable self <3

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mophamsa · 4 years

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Thoughts on The Last Of Us Part II

WRITING (creative process)

the game’s storyline is straight to the point, you can see from the trailer that it’s going to be a timeline about revenge. the whole game happens around joel’s death in the beginning and I guess that’s the whole reason why people are upset. but guess what? neil druckmann’s goal was to make you upset, angry and nostalgic. he accomplished his goal and that’s why you’re feeling the way you are.

you not liking the the way things went down does not mean the game’s writing is awful, it just means you were expecting something and got another. not liking something isn’t a crime and it’s totally ok as long as you respect the creators and don’t use your hate to put others down, it’s a valid opinion and that’s it.

what makes a story good is the writing and the thought put into it to make the player/reader/viewer feel a certain way, and the developers did an incredible job to do that. we feel frustrated, anxious and weird the entire gameplay and that’s exactly what they wanted from us, which means they won. I’ll talk more about my opinion on the storyline far ahead.

the graphic visuals of this game are RIDICULOUS, they’re perfect. every detail is insane to look at, they worked so hard to get it right and it was so worth it. every time I entered a new scenario I would just go into photo mode and appreciate the art because that’s what makes the game unforgettable and groundbreaking. the red lighting scenes were so perfectly made and so badass, the sky when ellie goes outside the farm with JJ is breathtaking just like every other view in the game. by far the most beautiful game I’ve ever had the honor to play.

STORYLINE (joel’s death)

the first game gave us a story about love and hope, making us guide joel into taking ellie to the fireflies looking for a cure based on ellie’s immunity. we spend the whole game thinking we’d get to the fireflies, make a cure and live happily ever after but that never happened in those terms. the gameplay made us slowly fall in love with joel and ellie as characters, joel for his tough personality that would fade under the influence of a little girl and ellie for her nativity and innocence as a young teenager who really wants to help other people by making a cure. that’s the whole situation of it, joel getting attached to ellie while she developed a paternal affection for him but in the end joel ends up doing an unforgivable thing, basically destroying the hope for a cure and ruining all hope for the world to heal from the outbreak, so he decides to lie to ellie blaming the fireflies for everything so he doesn’t lose her trust and love.

I do understand liking and loving joel as a character, myself included, because they made the game thinking about it and they knew the audience would develop a major caring for him and ellie as daughter and father, that’s how it was supposed to go and it worked it.

now let’s talk about joel’s death. I think we were all surprised to watch him die so early in the game but considering the game time and storyline, it would have never happened differently. his death was brutal, violent, merciless and inhuman, abby and her crew tortured him until he couldn’t take it anymore and he obviously suffered with ellie being held to the ground begging them to stop. I agree that it was a horrible death but we can’t just pretend joel was a sweet innocent hero because he wasn’t, the audience portrays him as a hero when he literally stopped the human race from being saved, killing the fireflies and acting out of pure selfishness. joel isn’t the angel some people paint him as, he’s not a good person and if ellie herself could never forgive him for what he did, who are we to do so? she said she would try but she never got the chance to and it took her years to even come to terms with it.

most importantly, it’s obvious that people forget these characters are human beings, not real people but they’re real in that universe and technically speaking, they run and feel the same way we would feel if we were in their shoes. they’re people, every character in the game is a person, with feelings, a background, a past, a personality and thoughts. they’re no different than us except for them living in a post apocalyptic world were morality and ethics aren’t taken into consideration since there is no law or living lifestyle.

for us to understand this storyline, we need to step away from our society’s view of morality and wrong or right, because that does not apply to them, everyone in the game has killed people and/or have done something morally questionable in their life since it’s the apocalypse and there is no wrong or right, there’s only how the characters feel about certain situations and how they act on them, which is basically what guides the entire game to happening the way it did: human feelings.

joel obviously changed after the first game, since he starts living in jackson and having to raise ellie as a daughter in a relatively normal town with other people, he’s not the same person as he was in part I, now he turned into a father and a friend, not a merciless mercenary who doesn’t care about others. we see that when he and tommy decide to help abby, a complete stranger who was about to die in the hands of infected, and maybe that’s what led people into hating abby with their heart. but ending this topic, joel’s death was bound to happen, you can’t just expect someone to destroy the world’s hope for a cure and leave with no people being angry at him and wanting revenge, that cure could’ve saved many people’s loved ones but he chose to save his loved one. if joel is indeed a terrible person or not, that’s up to you to decide, that’s more of an internal turmoil within yourself that is different for everyone depending on their experience from part I and how they view joel in the end. it’s kind of messed up if you think about it, would you let the only person you care about die for a not confirmed chance of a cure in a world that is already doomed? that’s a question for yourself.

joel’s death happened so you could see things from multiple perspectives, which is the whole fucking point of the game. there are multiple sides to every story, it’s the same world we live in except in different circumstances. your actions affect others, people have feelings and if you hurt them they might act a certain way, those characters are no different than us because they were based on genuine human thoughts and actions.

ELLIE (growth and development)

ellie is one of the most well written characters I’ve ever seen in my life. she’s the symbol of badass but fragile woman and that’s so amazing to me. as the game goes by we start seeing many sides of ellie, she slowly starts to turn into a completely different person after joel’s death and her urge for revenge. killing abby becomes her main priority the second she leaves jackson and that’s clear in the way she acts and treats others. I’ll have to play the game again to pay more attention to ellie and abby’s behavior throughout the timeline. ellie is the reflection of how the excessive amount of effort you put into a negative thought, the more it will bring you and your loved ones down. watching ellie during the story is such a nice experience, there are times where you love her to death, others you get annoyed with her or don’t agree with how she acts, and that’s exactly how the creators wanted you to feel. revenge takes ellie’s soul from the inside out, from her not being able to forgive herself for letting joel die to her going after abby for nothing but hate for herself in the end.

ellie’s journey is exciting to play and to witness as her relationship with other people (specially dina) starts to fade away and being consumed by hate and regret. we were manipulated into loving ellie since part I and I don’t think she’s a bad person, she lost everything in the hands of other people and went through a lot, losing joel was a deal breaker for her but she just didn’t realize soon enough that killing abby wasn’t going to make things better. ellie’s gameplay was meant to make you reflect on losing a loved one, grief, mourning and revenge, she’s not the lost kid from part I anymore, she’s a grown woman who just lost her dad and she doesn’t even know exactly why. the funny thing for me, which is what makes the story realistic, is that ellie didn’t fully forgive joel yet she still suffered from losing him and went after abby for revenge, when not even herself could forgive him, that’s pretty realistic in my opinion. it’s the human uncontrollable instinct of still missing someone you’re mad at and not being able to say goodbye.

for me, ellie is the perfect and most detailed reflection of revenge and what it can do to you. the game is much more than “revenge is bad don’t do it”, we all obviously know it’s bad but we still have an urge to fight back against it and make the person who hurt us suffer too because it’s not fair for us and it wasn’t fair for ellie until the very last moment.

ABBY (point of view and perspective)

by far the most controversial character of the game. I’ll star off saying I actually like abby and I think the people who hate her so deeply just didn’t understand how things go. hating abby is no different than hating ellie, they’re in the same situation for almost the entire game. abby lost her father in joel’s hands, she was still a teenager and seeing her own dad die for trying to save humanity isn’t easy, just like ellie watching joel being tortured and killed wasn’t easy. being fully honest ellie would’ve done the same thing abby did if joel was the doctor and we can’t deny that.

on the other hand, I do think the ellie and abby gameplays could’ve been distributed better, maybe switching from ellie to abby and back and forth so it wouldn’t get too tiring or confusing since we don’t know the exact timeline when we first play it. that’s the only slightly negative thing I have to say about the game.

I do think abby is a great character, they built her perfectly to make the audience hate her in the begging, painting her as a sadistic monster only to show her side of the story later on in the game and make you realize that you have been wrong all this time, making you see the bigger picture and understand that ellie isn’t the only person in the world, she isn’t loved by everyone, she’s just a girl in the world and so is abby. they both have fucked up pasts and they both lost a lot, and in terms of personality, they’re actually quite similar. we love ellie because we got to see her grow up and WE know that deep down she’s not a bad person, the first impression we had of abby was of her recklessly killing joel with a golf club when ellie was begging her to stop, since that we tend to think abby is a horrible person and that ellie is an angel, but it’s not like that at all. obviously ellie didn’t do anything wrong up to that moment to justify that happening to her, but ellie isn’t the best person in the world either.

the duality in this game was created on purpose and with a deeper meaning, ellie is ellie, abby is abby and the cycle of revenge goes on until both parts understand that it’s useless to keep going. abby let go before ellie could and let her and dina live because of lev, killing joel didn’t change abby to the better, lev changed her. tommy couldn’t change ellie, jesse couldn’t change ellie and not even dina could do it, ellie had to change and forgive herself alone. the point I’m trying to make is that abby is no better than ellie and ellie is no better than abby, they’re both emotionally drained women who are not wrong or right in the end of things.

DINA (support and reflection)

dina is the only character I will 100% defend because she’s flawless and did absolutely nothing wrong during the whole game. in my head she represents ellie’s good side, dina is the constant reminder that ellie hasn’t lost her humanity and hasn’t completely changed into someone else because of revenge, even when she has her downs (example: calling her a burden when dina says she’s pregnant). dina is the most forgiving and loyal character, she loves ellie more than anything and it shows. the sad part of it is that even with dina’s huge amount of love and affection, that doesn’t stop ellie from going in the wrong direction, which brings us to another life lesson: loving someone is a choice you make everyday and nobody can control your choices when you’re determined to do something.

ellie decided to go after abby, dina followed and supported her the whole way through, then she took that for granted and left dina and JJ behind to go after abby again (after abby let her and dina live) officially breaking dina’s heart. that was a choice, dina obviously cared so much about ellie, loved her so much but she couldn’t change ellie’s mind. but the point here is that dina is a reflection of ellie’s bright side, she keeps ellie sane until the very last moment, saving her life multiple times, going with her in a revenge journey, “you go, I go, end of story”, telling the wolves to fuck off and staying by ellie’s side, constantly putting her life at risk while being pregnant, she has loves ellie for such a long time even before getting with jesse (you can read ellie’s journal where she says cat told her dina is jealous of their relationship) and she probably took ellie back when she came back from santa barbara (a theory that I believe in because it makes sense).

dina is one of the few positive ends in the universe of the last of us, highly optimistic, funny, beautiful and an amazing support system for ellie. if it weren’t for dina, ellie would’ve become a monster.

LGBTQ+ REPRESENTATION (ellie x dina and lev)

it’s 2020 and people are still talking shit about the game just because of queer characters. that’s why I say people who hate the game are people who either didn’t capture the story or just didn’t even try to pay attention because of a closed mindset bigot sandwiches. representation is the best path to general acceptance, making people see different stories and realize that someone’s gender or sexuality does not influence on the quality of art.

ellie is a lesbian, that’s clear in the game when she says she’s “not into jessie’s type” (such a nice dialogue by the way), she talks about her ex girlfriend and clearly has had a crush on dina for the longest time (probably the reason why she broke up with cat).

dina is bisexual, in my opinion she always had a crush on ellie but maybe she lost motivation to to after her when she started to get close to cat and started talking to jessie because of that and it ended up working.

now dina and ellie’s relationship is probably the only thing that keeps us sane throughout the game, when we sit down to think “thank god ellie has dina, that means she’s not alone”, which is basically the whole concept of it, ellie not being alone because dina is there to hold her to the ground and stop her from becoming someone she doesn’t want to be.

lev being trans is something I can‘t have an opinion on, I have seen both sides: people saying it was a good approach and others saying it wasn’t an accurate representation. I’m not trans so my opinion isn’t valid and I can definitely see why many people think it was a bad reach but I also can see the other side, so I won’t comment on that.

the nice thing about representation in this game is that they brought it up as a normal thing, the only moment the focus is sexuality is when seth was being a dick and called dina the d-word, ellie got defensive but dina stopped her from getting into a fight. even then the main focus of that situation was how ellie dealt with joel saying she didn’t need his help. the point was never ellie’s sexuality, never, not even in a single moment, because it was never an issue. in a post apocalyptic society people don’t pay much attention to being homophobes (unless they’re in a fanatic religious cult or just assholes like seth).

the game approached the subject very bluntly but in a normal way, not making it that huge of a deal but it is a big deal for those who seek comfort and/or are dealing with their sexuality in a way. if a character they admire ends up being part of a minority group, they can relate to that and feel more comfortable in their own skin. we’re here, we’re real and we exist even in a fucked up infected world.

ENDING + THOUGHTS (moving on)

the last of us part II is a story about revenge, being completely different than part I which is a story about love and surviving. what happens in the second game are the consequences of the first, the choices joel made reflected upon himself, saving ellie costed everything; the cure, people’s lives and maybe a brighter future. people who are bashing the game for it’s storyline and how things went down need to understand that it’s not because we love joel that his actions didn’t matter to others. joel is a human being, so is abby and those who got harmed by joel’s choice to save ellie. joel killed abby’s dad, abby went after him for revenge, a predictable and reasonable thing to do if you just try to see it from her point of view, keep in mind that ellie would do the same exact thing.

if you can’t get yourself to see things from other people’s point of view, you missed the whole point of the game. the storyline isn’t summed up in “revenge is bad don’t do it kids”, it’s just based on the fact that death can never and will never bring you any sort of relief.

the game is the reflection of the cycle of revenge. abby going after joel for killing her dad, ellie going after abby and killing all of her friends in the process, abby finally breaks the cycle letting ellie and dina live but ellie couldn’t get over the guilt and went after abby again, yet she ended up letting her ago and officially breaking the chain for good.

the whole concept of the game is how seeking someone else’s suffering can lead to full destruction of someone’s character and values.

if ellie had killed abby she would’ve turned into the monster she was fighting against and she would lose literally everything she hadn’t already lost: her humanity. I don’t actually know the exact reason that compelled ellie to let abby go, maybe it was losing her fingers and realizing that she’ll never be able to play guitar again, which was her very last memory of joel and what he taught her. it could also be thinking of lev and how he’s the only thing abby has and vice versa, which is what she had with joel and what was taken from her, therefore she didn’t want to turn into the person who put someone through the same pain she was going through. technically if she killed abby she would have to kill lev to avoid him coming after her and continuing the cycle and doing that would kill ellie even more.

to make this shorter, abby moved on earlier than ellie. mostly because abby actually got her revenge killing joel but you gotta look through things before you put all the blame on her. ellie lost everyone in her life, her parents, riley, tess, sam and then joel, going after abby was a defense mechanism since she couldn’t have done anything to save those she lost before, but losing the one who took care and raised her was something she couldn’t bare, specially when she thought joel was the only person she had even though they weren’t in good terms and she and dina weren’t a thing yet.

ellie needed to revenge joel at all costs because that’s what she thought he would want, but in the end she realizes he would want her to move on and be happy, because that’s what he always tried to give her: the best shot in life that he couldn’t give sarah. ellie thought that by killing abby she would be able to let go, when in reality she would just feel more guilty for leaving lev alone like she was having no emotional relief concerning her PTSD. ellie got to that beach fully aware that killing abby wasn’t going to solve any of her problems, but a single memory of joel made her make the decision that she wasn’t going to let her go without a fight. their final fight was silent, in the middle of nowhere, they had absolutely nothing to say to each other because they were both fighting for nothing but excessive mental emptiness. they both knew that nothing would bring their loved ones back and they were ready to move on.

what the game wants to teach you is that nothing good comes from searching revenge and other’s suffering. ellie gets consumed by her own view of justice and ends up losing herself both inside and outside, when she comes to terms with the fact that killing abby won’t bring joel back from the dead, it’s already too late. she lost jessie, her friendship with tommy, her good memories with joel, her fingers which results in her not being able to play guitar anymore, the love of her life and her son.

in the last of us part one ellie says that her biggest fear is to end up alone, and the saddest part of all is that her actions led her to making that fear come true. the ending is ambiguous, it can mean something different to different people depending on what you choose to interpret things and how you view the characters. for some, ellie could just end up alone looking for a life purpose that doesn’t involve anyone from her past. to others, ellie returned to jackson and proved dina that she loved her and that now she’s ready to fully commit because she let go of her anger and is at peace with herself and her inner struggles. but that’s all up to you to decide what you want to believe in.

at the end of the day, this storyline is beautiful, heartbreaking, breathtaking and emotionally draining. it makes you think and open your mind to new perspectives, which is honestly one of the best things art is able to do, create a new universe for you to deep your thoughts in and take your own conclusions. the last of us didn’t have a bad or good ending, it had a realistic ending. just because they didn’t make this the way you wanted it doesn’t mean the writing is bad, it means you’re probably disappointed and that’s fine, but hating on it isn’t the way to make a point.

I can only thank everyone involved for creating this world and making me so invested in it, connecting me with these amazing characters and emotions that I never experienced playing a game before. there is nothing more to say except: endure and survive.

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hanamakkiss · 4 years

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Hope

Oikawa Tooru x reader

summary: The aftermath of a birthday celebration.

Starting the day at dawn to prepare for your no doubt hungover boyfriend’s birthday was not exactly something you looked forward to.

After the crazy party his friends threw for him last night and the unholy amount of alcohol Oikawa ingested, you knew he was going to feel the headache for most of the day. But you also knew he hoped to be pampered all day and you wanted to give it to him.

So you planned everything in advanced and forced yourself up after a measly 4-hour sleep, dressing comfortably to go to the market. Buying fresh ingredients, helium balloons, banners, cake, you were pulling out all the stops to make up for the disastrous celebration you planned for him last year. You still cringed thinking about it, but it was understandable considering how new your relationship was at that point.

Armed with an arsenal of party supplies, you entered your shared apartment to begin your preparations.

You decorated the room with balloons and pennants that read “Happy Birthday Tooru” facing him, then placed a glass of water, Anvil and his gift on the bedside table, easily within reach when he woke.

Then you got to work making brunch. Your worst fear. Every other time you tried to cook for him the food turned out borderline inedible, but he always scarfed it down with the sweetest smile, complimenting your cooking. You knew he loved and appreciated the domestic act of making food for ones’ loved ones, so you persevered. And this time, you had secretly practiced until you’re sure you could make it with decent quality.

Nothing short of a coma could make Oikawa sleep in, so when he started stirring around eleven, it was fortunately still within your estimations. You finished off the last of your clean up and brought the tray into the bedroom, to find him sitting up, in the midst of reading through the card you made. You hoped the words you wrote conveyed it well enough.

Placing the tray on the newly cleared table, you took a seat on the bed, waiting.

Eventually he looks up at you, eyes misty, “Babe this is too much, I’m going to cry,” he whined, pulling you in for hug.

You laughed as he snuggled his face into your neck and stroked his hair gently, “What’s wrong, is the gift not to your taste?” you teased.

“You know it’s not that,” he wailed, voice muffled by your hair, “it’s perfect, perfecter than perfect, you’re perfect,” you glanced at the wristwatch you had saved up to buy him, sitting carefully in its display box, and hoped that he knew.

After a moment, you pulled away from his embrace (much to his dissatisfaction) and made a move to bring the tray to him. Catching sight of it, you saw his eyes positively light up and face almost split from his grin. Ah, this was the reason you woke up at 6, his face alone made everything worth it, you think. He looks like a kid on Christmas.

“Is that french toast?” he’s vibrating, “they look amazing babe, I’m so proud of you,” his enthusiasm is infectious.

You can’t help the slight blush that colours your cheeks, “I know they’re not the fanciest, but I’m confident that this time you won’t need the restroom as often,” you joked, fondly watching him stuff his face.

“It’s dewecious,” he swallows, “for real this time,” flashing you a cheeky smile as he dodges your playful smack.

The meal is wolfed down and cleared, leaving you two and cuddled up under the covers, a little too warm but neither of you are willing to let go.

“Thank you for the gifts, my love.” a kiss to your forehead, “I’ve enjoyed them very much,” he murmurs against your skin.

“Oh? You’ve had enough already?” you managed to maneuver yourself so that you were straddling him, “and here I thought you would have room for one more,” his eyes light up at your challenge, hands immediately situated on your waist.

You shook your head lightly while chuckling, patting his head, “I’m just kidding, I honestly don’t think your hangover would allow you to do anything to strenuous right now,” to which his comeback is surprisingly quick, “Which means there’s a chance for later?” he waggles his brows.

You smack him, incredulous, and the both of you giggle like idiots. After a while the room is silent except for your struggles to quell your laughter. You soon realise hes staring at you with a serious look. Tilting your head in question, he answers with a smile, “Just thinking about how lucky I am to celebrate another birthday with you,”

Your breath hitches and you feel warmth fill your chest.

You cup his cheek tenderly as you looked him in the eyes. You hope he knows. Nothing could accurately portray how you felt for him, but that wouldn’t stop you from trying.

“Happy Birthday, Tooru. I love you.”

He closes his eyes while you press a kiss to his lips.

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gingermintpepper · 4 years

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Doubt [1/20]

Rating: General Characters: Drole, Gloxinia Summary: In which Drole contemplates his decision to join Stigma. Ginger’s Commentary: I promise all of these aren’t this long.

The night air is thick, oppressive even as the endless fields stretched beneath it portray an illusion of serenity. The forest is still behind him, the fae locked in uneasy restfulness, their unconscious minds unable to fully hide their doubts in their king's ability to protect them from the war burning the earth to ash just beyond their borders.

Drole wonders, not for the first time, if he's made a mistake dragging Gloxinia into this battle.

His steps are quiet as he wanders into the vast meadow, moonlight spilling over satiny petals like cursed mercury. He'd only just managed to convince Meliodas to rest, even if for a moment. Now all that was left was the other restless monarch, the king who was far more aggressive hummingbird than delicate butterfly.

"It's a beautiful night."

Violet becomes dusky blue beneath the weight of the darkness surrounding them, yet even in this deep black, Gloxinia's scarlet hair maintains its eternal luster. A part of Drole is struck by how akin to a funeral procession the view before him is - the immortal glow of the king of fae surrounded by blushing flowers ripe for the picking, red hair the mar of blood flowing freely from the uncleanable wound.

He's careful not to crush the foliage as he walks, a private smile illuminating his face for but a moment, "Yes, it is."

Gloxinia spreads his wings, wordlessly relocates to Drole's shoulder as the titan settles himself. There's no need for words between them at this hour, nothing that can be said to change the decisions they'd made while drunk on sunlight and adrenaline. Still, Drole cannot suppress the guilt he feels, the twinge of regret sitting high on his breast as he replays the events in his mind.

Fairies, he remembers Gloxinia once telling him, have no business in secular wars.

It was a fair stance to take. The fairies were not like any of the other races. They bore no will to procreate, had no instinct which drove them to survive. No greed with which to make them consider expanding their kingdom. Their lifespans stretched far into the millenia and with time came distance. Gloxinia was an old creature, older than so many of the systems and kingdoms of the world. Older than the generals of both sides of this war. To him, every conflict must've seemed the squabble of overactive children. His only duty was to the Sacred Tree and to his people. So long as he stood, it mattered not if the demons and goddesses and everyone in between burned the world to nothing. His duty would be fulfilled.

And Drole had convinced him to risk it all to fight in some petty, fleeting war.

"Stop that."

His tongue is clumsy from unspoken doubt but he manages a sound of confusion.

Gloxinia's tiny fingers prod at the spaces between his vast eyebrows, languid motions befitting the childish curl to his words, "I can hear you thinking from over here." A soft giggle, and though Gloxinia weighs nothing, Drole can feel him rolling onto his back atop his head, focuses as strands of unbroken red begin to drip into his face, "You're worrying over nothing. I already made my decision."

He raises his hand, extending a finger so Gloxinia can sit on the digit. He feels more at ease when he can see who he's talking to, finds peace in the eye contact, in making sense out of the tangled up signals of Gloxinia's ever enigmatic body language.

"I've not said anything," Drole murmurs, entranced with the way the fae king folds his wings and perches himself on the brunt of the back of his palm. He'd hated sitting there initially, resolute in his decision to stand with his own two wings if he had to speak to Drole man to man. Time had eased his pride.

Gloxinia's nose scrunches cutely and he averts his gaze. Quite suddenly, Drole is reminded that the fairy before him can read hearts.

"You're not exactly doing yourself any favours here, Drole."

Embarrassment is a sensation one must become acclimatized to quickly in the presence of the fairy king. It was one of the first lessons Drole had learned as his companion, but even the best students faltered in their mastery of certain teachings. Airy laughter trickles forth from gentle lips and under the moonlight, shaking shoulders glow with marble's perfect sheen. Gloxinia is beautiful and already, the laugh that had been so absent in recent days had returned from its abrupt journey.

Somehow, he manages to compose himself. Tilts his great head so he can focus on the multitude of stars wishing him peace from the vastness of sky, "I'm sorry."

He hears a put-upon sigh, the sort that accompanies a helpless quirk of the lips and a softening of piercing eyes. Gloxinia flies silently, again, perching his body on the broad slope of Drole's shoulder. When he speaks, the titan can hear the age in his words, feels the fine hairs on his flesh prick up from the power of the utterings alone. "Nothing that's worth protecting isn't also worth fighting for, Drole."

And he understands what Gloxinia is trying to do, but he cannot help the tempest of his thoughts, "You don't have to fight."

The fairy laughs at that and though the sound is genuine, there is an edge of desperation to it, a harshness that makes Drole think that perhaps, he's missing something, "I'm not stupid. Those Goddesses," and he pauses, chooses his words carefully like he fears Nerobasta will descend upon him for his unfavourable thoughts, "they're determined to have the Forest for themselves. It was only a matter of time before they turned their attention to us to fulfil their needs."

That, Drole could sympathise with.

The Demons had been causing mass hysteria in their valleys and plains, terraforming the land during their hunts, draining their resources, murdering Giant and Human alike in their bid for more ground to use against the Goddesses. Drole had the most elite of his warriors join him in a bid to retake their mountain and the surrounding lands.

He had been the only one to return home.

Since then, his Titans had been scattered and broken, seeking shelter in mountains and forests while their king tried to put together a plan that would see them victorious over this new and most formidable of adversaries. Except Drole had no idea what he was doing, had no clue whether or not he had made the right decision joining this conflict. In that respect, Gloxinia was the better of them; a ruler who had carefully weighed his choices and sided with the lesser of the evils to preserve as much as he could. Drole had simply been backed into a corner.

He frowns, the delicate expression out of place on his usually stony countenance, “Do you think we picked the right side?”

Gloxinia’s tiny elbow digs into the side of his jaw, a snicker falling from bitter lips, “It’s war Drole, there is no such thing as the right side.” The whimsy in his voice fades to sobriety, sharp edges of elbow against bone soothing as the frail touch of Gloxinia’s palm rests upon Drole’s face, “We just need to make sure that we’re on the winning side.”

#long post #Jesus Christ #ginger writes #seven deadly sins #nanatsu no taizai #nnt #drole the patience #drole nnt #gloxinia #gloxinia the repose #gloxinia nnt #writing #Hopefully I stop feeling embarrassed about posting writing directly to tumblr lmao #There's 19 more of these fuckers #drolxinia

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microsuedemouse · 3 years

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hhhhhhhhhhhhhwoof I hate fandom/ship drama

anyway I’ve been thinking about how. there is nothing, inherently wrong,, with being interested in exploring ships (or even non-romantic/non-sexual character dynamics!) that are unhealthy in-universe.

here’s something: there is value in recognising that a ship is unhealthy or toxic or abusive or whichever other descriptor you feel fits best. (I am going to be using ‘unhealthy’ as my umbrella word in this post; obviously it’s an understatement to call an abusive relationship ‘unhealthy’ but it’s still accurate and it encompasses the variety of things I’m talking about.) there is value in taking that as fact and acknowledging such in whatever exploratory work you may choose to create or engage in.

I wanna take a second here to clarify part of what I mean: it is not inherently wrong to enjoy an unhealthy ship, and you are not required to defend a ship as healthy/‘not abusive’ in order to justify your interest in it. this is a very weird result, imo, of purity culture and virtue signalling. when you have a healthy understanding of the difference between fiction and reality, and a recognition of what’s acceptable in reality and what’s compelling in fiction, it’s actually very worth exploring what interests and engages you about Fictional Bad Things.

you know that phenomenon where people love villains? a lot of discourse around purity culture naturally leads to the conclusion: “it is wrong to like villains.” most of us are capable of recognising that this... doesn’t make sense. because obviously, we aren’t - or at least, the great majority of us aren’t - claiming that we would like and support this person in reality, or that we would be entirely comfortable with the deeds they commit if those deeds took place in reality. we’re saying that the character appeals to and compels us for some reason, within fiction. that’s a different thing - and it’s usually a sign of good writing! it’s very worth exploring that experience: what about this villain makes you like them so much? what about them makes them relatable to you, or sympathetic to you, or perhaps even cathartic to you? these kinds of questions can offer both entertainment value and, possibly, some new insights into yourself as a person. those insights might turn out to be interesting and meaningless, or they might provide you with new ways to express yourself, or they might even offer you a new avenue for growth.

(moral purity often also extends to the conclusion ‘you shouldn’t enjoy stories in which the main character suffers, because it’s wrong to enjoy someone’s pain.’ we all know this makes no sense, because that includes most stories. a major reason human beings tell stories is to share in the emotional journey of a protagonist ultimately overcoming great obstacles. but anyway, this is a whole other issue, really.)

what I’m getting at is - the same can apply to ships. there are a few approaches to unhealthy ships, and I wouldn’t go so far as to say they stand on equal moral ground, but there are a variety of ways you might be able to explore them without it making you an inherently evil person, or whatever. it’s also worth noting that while, obviously, I’m expressing here what aligns with my moral position and encouraging you to think similarly - but, I also encourage you to think critically about your own moral positions. decide what is comfortable for you, and what feels right to engage with. it’s fine and it’s normal to draw your own lines in the sand and say, this is where the range of acceptable ends for me. I won’t support or engage with what’s on the other side.

to give a quick overview of some approaches I’m not as comfortable with: sometimes you’ll find a writer/artist/other fan who likes to depict a ship as totally healthy in a way that can only be described as out-of-character. sometimes this seems to be a denial of the actuality of the ship; I don’t like that so much because it’s often a refusal to acknowledge that their canonical behaviour/dynamic is bad. other times this is depicted as a sort of AU; this doesn’t bother me quite as much personally (often depending on what the writer’s overall attitudes seem to be) but it’s also often less interesting to me. in my experience, this is usually very self-indulgent work and has a lot more to do with the writer’s own experiences than with canon itself. which is fair, honestly. sometimes that’s cathartic for the writer and that’s enough - I don’t have to be into it personally to respect it.

another thing that crops up that’s kind of worrisome, imo, is when a writer/artist/etc. depicts the ship as in-character but denies that it’s unhealthy. now, in fairness, if you’re simply reading a fic or looking at a piece of fanart or something, you cannot always tell exactly how the creator thinks the ship actually operates. not everyone is always going to include a disclaimer that says ‘hey I don’t think this is actually Good.’ so try not to immediately ascribe intent to the writer/etc. unless you’ve seen them state outright somewhere: this isn’t abuse, it’s just cute! (or whatever it is they’re seeing.) at that point it is worth being concerned about what this person thinks constitutes a healthy relationship, and if you don’t feel good about supporting their work that’s entirely fair.

HOWEVER. there are also other approaches. two in particular stand out to me that I think are worth discussing. one is simply exploring the possibilities of an unhealthy relationship, with total acknowledgement of its flaws. one unhealthy dynamic that I admittedly find really engaging a lot of the time? ‘these two characters are Very obsessed with each other, and it sure ain’t healthy psychologically, but it’s definitely mutual.’ I love that shit. gimme a couple of unhinged, incredibly codependent pieces of shit, and you have my full attention. particularly if they’re on equal footing - if they’re damaging one another, it’s reciprocal, or at very least they’re both getting exactly what they want out of the relationship. obviously this would not be a dynamic I could support in real life! that’s terrible and I don’t want anyone to go through it! but in fictional characters it can be fascinating to explore. and if the content is going to upset or trigger certain fans: that’s why we use tags and warnings. AO3, where many of us go for a huge amount of our fan content, literally has a whole system in place for precisely this purpose: so we can let each other know what’s inside, and make informed choices about what we want to consume.

the other common approach is the redemption arc. it’s always gonna be up to you which characters you consider redeemable and which ones you don’t - that’s okay. again, it’s your choice what content to engage and what to pass over. but as people we’re traditionally very fond of the redemption arc story, and as fans we love to create the redemption arcs our favourite characters don’t get to live out in canon. because we love something about the character and want to explore them further. like I said earlier, that in itself is worth giving some thought to. sometimes we’ll even end up writing partial redemptions: this character goes from totally reprehensible to kind of appealingly awful. the ship goes from abusive to a much more regular level of fucked up. that can definitely be an interesting story in itself, and it’s okay if you want to explore it.

the main thing is that you always exercise your ability to think critically about what you’re consuming and why you like it - which, honestly, you should be trying to do all of the time, anyway. be clear about what you do and don’t endorse, about what your actual values are, about where you draw the line. (as both an example and a disclaimer, since I know I still have followers from A Certain Fandom where this cropped up a lot before I mostly dipped: one line that I personally draw, and always will, is at ships involving an adult and a literal child. I am not comfortable with exploring this even in the hypothetical space of fan content. it is too objectionable to be compelling.)

go forth. explore your unhealthy ships and shitty favourite characters. experiment and learn why they compel you. write properly-labelled fanfic about them hurting each other and loving it. just remember that everyone has different boundaries, and that fiction and reality are very separate spaces. acknowledge that what you’re enjoying is not inherently right or acceptable in real life just because you enjoy it in a story, and it doesn’t have to be. if you’re a content creator, consider portraying these things in such a way that your audience is well aware of your position on the matter, in order to help them also understand what is and isn’t healthy. be a ruthless writer and a kind person, and you’ll do just fine.

#this got SO long jesus christ #anyway there's a reason I no longer go into ship tags or engage heavily with meta fandom #I like just throwing my fic over the fence and then scuttling away #long post #fandom #shipping

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citrina-posts · 3 years

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Avatar: Cultural Appreciation or Appropriation?

1. Growing Up Asian-American

2. My Own Biases

Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.

3. What It Does Right

#reposting this without the cut so that it survives with my new url!#avatar #avatar the last airbender #atla #cultural appropriation #culture #atla crit #meta #criticism #racism tw #self rb #citrina writes

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antis-delete-your-blogs-pls-thx · 4 years

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Mouse’s Reclist (#2/?)

It’s time for a second reclist! Here’s the first, if you want. This is again in no particular order. Title, author, pairing, and fandom will be listed, as well as if it’s a WIP.

The first few are going to be Snarry, because my reading list recently has basically consisted of entirely Snarry. Why? Because I fucking love Snarry. Sue me.

Angels on the Moon by Writcraft - Harry Potter/Snarry - The aftermath of the war is almost as difficult as the war itself, Harry is a mess and Severus is a reluctant survivor forced back to Hogwarts to recuperate from his injuries. When a brick-bonding spell goes awry, Harry and Severus are forced to confront hatred, misunderstandings and a new and unexpected intimacy which takes them both by surprise. Notes: This is the classic-style Eighth Year!Fic, which has long been my favourite trope in the HP fandom. It’s an especially loved trope of mine when it comes to Snarry, too, as I am problematic filth, and teacher-student relationships are my jam. It’s also a classic bonding!fic. But the way it handles the tropes is just… *chef’s kiss*

The Man Underneath by maraudersaffair - Harry Potter/Snarry - Severus is a secret Auror and must always be disguised. When Harry Potter becomes his new partner, Severus struggles hiding his true identity and burning attraction. Notes: This is more bottom!Snape than top!Snape, which I know isn’t to everyone’s taste. However, it’s fucking fantastic, and as someone who has a cathartic and self-fulfilling love of “char A is ugly and has a shittonne of self-hatred and yet manages to score super hot char B” (something that I struggle with myself and still worry how I manage to keep my own gorgeous partner over), this is perfect. Not that I even agree with J.K.’s assessment on Sev’s ugliness. I like the “goth filled with churning angst” look.

a forest, dark and deep by bleedcolor - Harry Potter/Snarry - Once, many years ago (for that is when all great stories begin, many years ago; we never consider we might be in the midst of our own great story) there lived a boy. But wait, you might say, there is nothing special about a boy living, many people do and never amount to much of anything. You would be right, but you would also be wrong, because this story is not about a boy who lived, but The Boy Who Lived, and that is all the difference. Notes: Harry is cursed and must go on an adventure to the Fountain of Youth to find the cure. I cried. I cried a lot. I cried a lot a lot a lot a lot. Happy ending, though! Fairy tale fic. One of the best fics to read if you want magic in the HP universe portrayed more like magic in ancient medieval history tends to be portrayed: mysterious, Eldritch, Occult-like power that requires strange and sometimes dangerous rituals to harness.

you like making me work for it by bottlefamebrewglory - Harry Potter/Snarry - “Before what, Mr. Potter?”//Before Snape had looked at him, drunk and miserable without knowing why, and told him that he could change his future if he wanted. Before he had pulled Snape out of the darkness he’d been determined to drown in. Before the memories. Before he’d looked into Snape’s eyes and watched him die.//Harry didn’t often change his mind, not about people. He’d been accused by Hermione more than once of being stubborn, even prejudiced. And, once upon a time, he’d thought he’d known exactly who Severus Snape was. But that had changed and Harry was no longer that boy anymore, just as Snape could no longer ever be just his hated professor.//“Before,” Harry said again, more finally.//Harry was pretty sure the fact that everyone never thought he’d live past seventeen was at least half the reason becoming an actual adult was so goddamn strange. Severus just wanted to get on with his life now that it was free of controlling old men.//Or, five times Harry flirted with Snape and one time Snape flirted with Harry. Notes: @snapedefender‘s most recent masterpiece. Post-War!fic, one of the best of. Harry worms his way into Severus’ life, as he always does. Also he has a big crush. Their interactions are golden. Everything about this is golden, in fact. It’s just delightful. Read it, please.

How the War Was Won by avioleta - Harry Potter/Snarry - Severus Snape should be dead. Instead, he wakes up after the Battle of Hogwarts to find himself quarantined in a house full of Gryffindors, waiting for Harry bloody Potter to save the world…again. And Severus must be going crazy because he can’t seem to stop thinking about Potter. (Or, where Harry needs a distraction, and Severus doesn’t refuse.) Notes: War Doesn’t End with The Battle of Hogwarts!fic. And it’s by avioleta, a longtime and well-loved Snarry writer. Well-loved for good reason! They know what they’re doing, and it shows. I’ve long loved “Harry and any number of Slytherins are holed up together and must get along” as a trope, and this nails it perfectly. Another fav was in my previous reclist, Hauntingly by ObsidianPen, where Harry is holed up with Draco, Sev, AND Tom! Fun times!

Chasing Ghosts by DictionaryWrites - Harry Potter/Snarry/WIP - “I guess I’m not ready to join the land of the living just yet,” Harry says. “Need a little more time here at Hogwarts, with all the ghosts. You know what I mean?”//In the aftermath of the war, Harry doesn't feel ready to leave the safety of the castle, and to go out into the world at large: he wants to stay. The Room of Requirement - with great reluctance - grants his wish. Notes: Adult!Harry wakes up in the Marauders Era and becomes a teacher, all while he tries to figure out the nature of spacetime. TIME TRAVEL!FIC! That’s in all caps because I love and adore time travel!fic with all my heart. Again, more of a bottom!Snape story. I used to think I preferred top!Snape, but bottom!Snape has come into my heart with a passion as of late and showed me I’m not always going to want Snape to nail Harry into his mattress. This also shows more of Snape’s backstory, with mentor!Lucius and all, which is a fav of mine as well.

OKAY! Enough Snarry, yes, sorry. Moving on!

Love Potion #9 by murderlight - Bleach/GrimmIchi - Gifted with a horrifying box of potion-laced chocolates from Urahara in the hopes he might feed them to somebody, Ichigo thought all the excitement for Valentine’s Day was done with. Then Grimmjow had to get snacky.//A story in which Ichigo is entrusted with the scientifically altered affections of his once-enemy, and might just discover some of his own. Notes: I love the goddamn love potion/love spell trope. This one highlights the dubcon nature of making someone fall in love with you (even on accident) a lot more, but still makes everyone’s feelings feel genuine and real. And of course it ends happily. And there’s no noncon, if that’s not to your taste. Ichigo is a good boy and does not stroke that pussy until that pussy is entirely free from Kisuke’s experimental serums. Yes, I made that pun.

The Edinburgh Problem by snorklepie - Sherlock/Johnlock - “A nice holiday, just a bit more...murdery. ” John said drily.//“Yes! The best kind of holiday!” Sherlock beamed. “So we won’t get bored!”//After he separates from Mary, John returns to Baker Street. Following a request for help from Sherlock's cousin Violet, the detective and his blogger take a trip to Edinburgh. John discovers more about the Holmes family and Sherlock than he bargained for, but tries not to run screaming. Notes: I fell in love with Violet immediately. I am so gay. If you are also attracted to women, you will probably join me in falling in love with Violet. She is amazing, and very Holmes. But a more balanced Holmes. Well, as balanced as a Holmes can be. I love case fic, I love Sherlock Holmes in general because of my adoration for murder mystery (yes, I am a forensics major, thank you for being able to clock me very obviously), and I love deep backstory and family bonding. It’s a long, long ride, but it is undoubtedly worth every single minute.

The Loss of Flesh and Soul by deuxexmycroft - Sherlock/Johnlock/Abandoned WIP - Five years after John Watson puts the murderous Sherlock Holmes behind bars, a vicious copycat killer emerges. A reluctant John is pulled out of retirement to seek the expertise of the only man who can help, a man who has developed an unsettling obsession with John himself.//Crossover with Red Dragon/Silence of the Lambs Notes: It’s Hannigram but Johnlock, what’s not to love? Sherlock’s characterisation in the TV show is already unsettling enough (well, in the beginning, but I like to pretend Sherlock doesn’t exist past S2), so adding in a little Hannibal Lecter is fantastic. Yes, it’s an abandoned WIP. Yes, that hurts like hell. But it’s so, so worth it anyway. Seriously, this is one of the best executions of serial killer!Sherlock I’ve seen in fandom, and given how fucking gigantic the Sherlock fandom is, hopefully you can see how big of a thumbs up that is imho!

Sinking the Land by emungere - Sherlock/Mystrade - Three weeks ago, Mycroft Holmes picked Lestrade up outside New Scotland Yard and made him an offer he'd been unable to refuse, despite his best judgement. Mycroft had sucked his cock, dropped him off at home, and Lestrade hadn't heard a word from him since.//Now, the door of the black car swung open as Lestrade drew level with it. He could just see Mycroft's profile, hawkish nose and shallow chin limned by the orange glow of the streetlight. Notes: Porn WITH plot! That’s the best way to take your porn, imho. One of the best ways I’ve seen the Mystrade relationship developed. It’s just so real. And Lestrade is so head-over-heels, which is my favourite way to take my Lestrade :p.

Clark Kent, of Krypton by TerresDeBrume - DCEU/Superbat - Batman crashes on Krypton a few days before the Turn of the Year celebrations, and Kal-El's life takes a sharp turn to the left, on a path that will, ultimately, lead him to becoming Clark Kent. Notes: Krypton Wasn’t Destroyed!fic is always, always, always my favourite. Sci-fi mystery again, yes. If you saw my first reclist, then you understand that I am always going to fall for a sci-fi mystery fic. This one develops Kryptonian culture beautifully, and equally-as-perfectly encapsulates what “Clark Kent Pretending to Be a Mild-Mannered Reporter, but on Krypton” would actually look like.

Q It Again by writerofprose - Star Trek/QCard - Picard thinks his position, as captain of the Enterprise, plays the largest role in Q's obsession with him. Q would like to take that bet, even if Picard wasn't making one. What say they try it again, from the start? Without the captain nonsense? Notes: A poignant take on Q’s weird fixation with Picard. Not that anyone can blame him. I mean, shit, the man is Jean-luc Picard. Anyone would be fixated on him. Q uses his Q powers to explore Picard in multiple alternate universes, and erases his own memories in order to come in unbiased. Picard gets to keep his original memories, and those of the AU. Does Q still like Picard as much when he’s not at the helm of the Enterprise?

American Outlaws by manic_intent - Red Dead Redemption/Morston - “Bounty’s for one ‘Jim Milton’,” Sadie said, as she got close to the man under the oak tree. “Wanted for murder, robbery, and unnatural acts.”//“Unnatural what?”///“Don’t got details on here.” Sadie passed the folded up poster to her hunting partner. “You all right?”//Arthur Morgan didn’t answer her as he smoothed open the poster. He was aggressively smoking a cigarette, his second, judging from the stub on the grass. Notes: I loved RDR and RDR2 so much that I wrote my own fic in the fandom, despite knowing jackshit about late 1800’s America. It was only a ficlet, in order to hide how little I remember from my contemporary history classes, but much more talented people than me took on the burden of whole-ass novels. Here’s everyone’s fav BNF manic’s take on a fix-it Morston, pre-RDR1 but post-RDR2. It’s excellent. Who doesn’t enjoy forbidden love historical romance? Especially with a delicious helping of age gap. If you’d like Vandermorgan or even Vandermorston, check out more of manic’s stuff, and also kriegersan, who is another long-time fav of mine.

Every Deckerstar fic by wollfgang. But especially a softer beginning, an amnesia!fic, and if you saw all of me, a true form!Lucifer!fic. You know, since angels are described as weird Eldritch beings in ancient texts. Both tropes are my favourite. Also that latter one has monsterfucking and we are all monsterfuckers here.

A Modest Proposal by ignaz - House M.D./Hilson - Tritter's case against House still depends on subpoenaed testimony from Wilson. To save House from losing everything, the doctors of PPTH decide on an unusual solution, which in turn leads to unexpected consequences. This is a story about the sacrifices we make that turn out not to be such great sacrifices after all. (Contains spoilers for everything up to and including "Merry Little Christmas.") Notes: Work 355 on the AO3. It’s that OG. And for an OG slash fandom, too. Well, not Star Trek levels of OG, but it’s a fandom based on Sherlock Holmes, and ACD did come before Star Trek! You’ve probably read it. It’s the OG Hilson Pretend Marriage!fic. But I had to rec it because when I get bored I watch House on Amazon Prime (or the thousands of clips they upload to YT nowadays), and I always am struck by HOW GAY HOUSE AND WILSON ARE OH MY GOD. I can never watch it with Mum in the room, though, because she was in the medical field before she retired, and the unrealistic nature of how House characters behave (and some of the medical procedures) make her SOOOOOO peeved. Though doctors, especially surgeons, were apparently huge egotistical dicks at times. Maybe not kill your own patient levels, though.

In A Place Where No One Appeared by Gefionne - Star Wars/Kylux - Following the destruction of Starkiller Base, General Hux is ordered to remove a wounded Kylo Ren to a place where he can recuperate. Knowing nowhere else to house him safely and discreetly, Hux takes Ren to his family’s estate on Arkanis. He anticipates adding this experience to the already long list of abhorrent memories he has of his childhood home, but six weeks in company with Ren turns out to be something quite unlike Hux expected. Notes: The imagery is so fucking vivid, I love it. The entire world of Arkanis is just lit up so beautifully in Gefionne’s words. This takes a little liberty with Hux’s backstory, given there wasn’t too much out at the time, but it’s so fucking good, I’d prefer its canon to the actual one, lmao.

all that you love will be carried away by coldhope - Star Wars/Kylux - Supreme Leader, the oscillator is failing. The collapse has begun. There is nothing that can be done.//Hux, sent to retrieve Kylo Ren from the dying Starkiller Base, has lost almost everything, and has little patience or tolerance left for anyone or anything--particularly not Snoke's pet pseudo-Sith and his amateur theatrics. But you do the job that is in front of you, to the best of your ability, and you hold on as long as you can. Notes: One of the first Kylux fics, and one of the best. Their relationship is just so real here.

London Calling by SectoBoss - Overwatch/WidowTracer - Recaptured by Overwatch, Widowmaker is sent on a mission to assassinate a high-ranking Talon agent in London. It should be an easy mission – get in, take the shot, and leave. But when Tracer’s your getaway pilot a lot of things can go wrong, and things like 'subtlety' and 'discretion' tend to be the first casualties. Now, lying low after the mission goes awry, the pair of them have to survive in the city until Overwatch can get them home. Notes: Written when OW was in its heyday. And before the fandom was qqqquite as bad as it became. A WidowTracer case!fic, with Amelie as the reluctant good guy, which is always the best trope and I don’t take concrit on this point.

To the Victor, The Spoil by Annakovsky - Hunger Games/Haymitch/Katniss - No berries, no mockingjay, no rebellion. Katniss killed Peeta in the arena, and now she has to live with herself like every other victor. Notes: An old fandom, an older fic, back in the day when nobody complained about fucked up dark!fic. And fucked up dark!fic this is. Rape, age gap, age gap rape, Katniss losing all hope about the future, etc. But damn, it’s good.

The Want of You by MKK - Star Trek/Garashir - Julian Bashir is not quite sure yet about his feelings toward his enigmatic new friend Elim Garak. So when they both show symptoms of a mysterious illness, it seems they'll now have more time apart to ponder the future of the relationship. Their symptoms worsen, however, and to their shock, they discover there's only one way to effectively and inexplicably ease the pain: getting physically closer and closer - and closer. Notes: A forced bonding!fic where Bashir doesn’t actually know Garak all that well. As in, set very early in the canon. Very early. Which is my favourite way to read this beloved trope, because the whole fun of it (imho) is characters who barely have a grasp on each other’s personalities being forced to learn them.

Timeshare by astolat - Harry Potter/Drarry - “It’s not for long,” Hermione said. “By the time we get back to Hogwarts, the Unfettering Brew will be ready.”//“Listen to you!” Ron said. “He’s got to get through a month with the Dursleys and a month at Malfoy Manor. With Draco Malfoy.”//“Yeah, thanks,” Harry said, because he hadn’t just spent the last week contemplating just how much more horrible his summer holidays were about to be than they’d ever been before. Notes: Another forced bonding!fic, this time by AO3’s own founder. I love it. I love it, I love it, I love it. Their interactions here are perfect.

Speaking of Drarry, here’s a Veela!Draco fic I’ve recced before, but I don’t believe was in the original masterpost.

Talk to Me by Saras_Girl - Harry Potter/Drarry - When the usual channels of communication are shut down, the most surprising people can find a way in. A strange little love story. Notes: Harry is temporarily deaf and blind thanks to a misaimed spell. Draco takes care of him, in secret. Identity porn at its best.

Semaphore by DevilDoll - MCU/Stony - "I’m trying to like you, Tony. You’re just making it very hard." Notes: I wanted to rec another OG. One of the first Stony fics in the MCU, and still one of the best. It holds up very, very well and is worth a read if, by some miracle, you haven’t already.

Prisoner’s Dilemma by AvocadoLove - MCU/Stony - After taking the airplane down in the Arctic, Steve wakes to find himself imprisoned as a human test subject. With no idea where in the world he is, his only ally is a fast-talking inventor in the cell next door. Something’s off about Tony that Steve can’t put his finger on, and it’s obvious Tony doesn't fully trust him either. But to escape they may not have a choice… Notes: IDENTITY PORN! And it’s by an author I adore. AvocadoLove has pioneered the MCU MattFoggy fandom, and also donated their efforts and words to Stony. It’s the best. And it’s canon divergence! Which is another favourite trope, and one I can’t ever seem to stop writing myself. I have a lot of appreciation for it.

Speaking of MattFoggy, all of theapplepielifestyle’s works for the pairing are amazing. And all of their works in general.

Belief Space by magicasen - Marvel 616/Stony - The Time Gem appears not when it is wanted, but when it is needed. Steve learns this the hard way.//(Or: an Infinity #6 AU where Thane refuses his birthright and the Avengers are doomed - until the Time Gem shows up within Captain America's grasp.) Notes: A 616!Stony fic, if you’re craving something in the comics rather than the movies. Still with Civil War angst and Stony angry tension, just this time it’s even more painful, because their friendship in the comics!verse was beautiful and their fallout even more devastating.

This time tomorrow (where were we?) by dorcas_gustine - Marvel 616/Stony - Tony goes to see Wanda, and suddenly Steve is alive and there are Skrulls! Or maybe Tony is just going crazy. Nothing happens in this fic, until the very end. Seriously. There's a lot of talking, mostly at inopportune moments, Tony's views on the acceptable gifts to give people are slightly different from everyone else's and he spends more time than would seem necessary being (half-)naked. What else is new? Notes: More 616 for your Stony needs! Tony time travels into a word pre-Secret Invasion and decides to fix things his damn self.

despite the threatening sky and shuddering earth (they remained) by praximeter (Zimario) - MCU/Stucky - “They really didn’t want the mask to come off.” Hill thumbed through the scans, and pulled out a film that she then handed over to Sam, face mostly expressionless but for the flat line of her pursed lips.//Sam accepted the film and held it up to the light, angling so both he and Steve could see it, squinting at the outline of the Winter Soldier’s skull, and the blips of unnatural white that showed up, God, in his brain, not to mention about half his teeth, plus the mask, with its thin protrusions—//“Those are pins,” Steve realized. He looked over at Hill. “The mask—it’s nailed to his face.”//Hill’s face was as unmoved as ever. “Like I said. They really didn’t want it coming off.” Notes: TWS Identity Porn!AU. Gore, given that the Winter Soldier’s mask is literally stuck to his face. But it’s excellent.

Simple by Osidiano - MCU/Stucky - Written for the capkink meme; "To the Winter Soldier, there are basically three kinds of people in the world: superiors, mission support, and targets. He doesn't have the context to understand things like friendship. So what he sees in the Smithsonian exhibit and what little he remembers or feels about his past, he interprets in that light. He thinks that Steve must have been his handler during World War II. That the reason he couldn't kill Steve and the reason he was smiling in the museum photos was because Steve was a good superior who treated him well (or at least didn't hurt him like Pierce and Rumlow, which to him might be the best he can imagine).//Thinking he understands the situation, he decides to report to Steve. Cue misunderstandings, confusion, and heartache for both of them." Notes: Bucky taking a while to snap out of TWS mode is one of my favourite tropes. This fic executes it perfectly.

Bridge Over Troubled Water by soniclipstick (veriscence) - MCU/Stuckony/Phlint - Ultron is destroyed, the Avengers are in disarray, and the Winter Soldier is still in the wind. Steve knows that he has to fix the ever-growing ocean of distrust between Tony and himself, so he takes a leap of faith and tasks Tony with the most important thing: finding Bucky Barnes. But it takes a pair of sexy but stolen hand warmers, several robots, Hawkeye and countless selfies before Steve realises the immensity of what he's set into motion. Notes: I would die for Stuckony as a ship. It’s one of my favourites to read and to write, and this fic here encapsulates it quite frankly in the best way.

Strange New Worlds by Leletha - Supernatural/Destiel/Sabriel - AU…THE FUTURE: Humanity survives everything, spreads to the stars, and finds it needs to know where it can land. Enter interplanetary explorers Sam and Dean Winchester…and sentient starships Gabriel and Castiel. Then ships and crews start disappearing out in the black and, as usual, all goes straight to hell. Notes: I corresponded with Le’letha when they originally wrote this fic, and my love for it has only grown in the years since. Sci-fi mystery, yes. Dude, Castiel is a sentient spaceship. That itself is premise enough.

In His Image by Anonymous - Supernatural/Sabriel - Kali can breathe life back into a corpse, but what exactly is Gabriel now? Gabriel flits around various centuries trying to work that out, Dean has another powered-down angel and a little brother to look out for, Castiel has forgotten how to trust, and someone keeps sending Sam annoying little notes on his laptop. Oh, and Bobby would like to remind you all that there’s an Apocalypse still going on. Covers season 5 from Gabriel’s death to the finale. Notes: My favourite Sabriel fic. God only knows why the author abandoned it. I have their original name, but it doesn’t feel right to reveal it when they made the conscious choice to anonymise. Let me just say that they were a favourite of mine.

If You Were the Last Woman on Earth by Vali - Doctor Who/Thoschei (Twissy) - Just because your best enemy accidentally destroyed planet Earth is no reason to refuse her hospitality. Written for the Only One Bed fanfic challenge. Notes: That last note doesn’t even begin to cover how wonderful this fic is. Tropes are irrelevant, this captures them perfectly. Still one of my fav ever Thoschei fics. Now just get me one where The Master calls our titular hero Theta Cubed Sigma Ex Squared Lungbarrow, please.

A Wealth of Sorrows by evelynwaaaaah - Dragon Age/Solavellan - Things are getting back to normal in Skyhold now that Corypheus is gone. Until the Inquisitor collapses in mid-conversation. Notes: Solavellan is still a ship I would die for. This fic will make you ship it, if the game didn’t already. And this is coming from someone who romanced Cullen on my first playthrough.

Reclamation by copperbadge - Harry Potter/Background Jily and Wolfstar - In an alternate universe, one man still struggles with a moral decision made many years before. Notes: What if Tom Marvolo Riddle wasn’t quite the same maniac of the canon!verse and was accepted to the position of DADA professor? By the esteemed copperbadge.

Truth and Illusion by penny_dreadful - Mahou Shoujo Madoka Magica/MadoHomu/KyoSaya - “I’ve, um, been dreaming.” She closes her eyes because it’s easier to ignore Mami and Homura’s stares. “In, in my dream I’m still in bed, but I-I’m not alone, Sayaka’s next to me but she’s not breathing, she’s—”//She’s pale and cold and pretty in the same way the stained glass windows of Kyoko’s father’s church are pretty and she’s lying so still she can’t be anything but dead. But in her dream Kyoko still curls around her, soul gem in hand, keeping her warm, keeping her safe—//“—she’s dead, I didn’t even know her that well and she’s dead and in my dream I’m so, I’m scared that there’s nothing I can do.” She opens her eyes. “But there really is nothing I can do. She’s already gone, and we left her there.” She stares hard at her hands. “We weren’t really even friends.” Notes: Not really a fix-it for MadoHomu, but certainly one for SayaKyo. Homura does more spacetime bullshit. Kyouko remembers.

~~~

I think that should cover it for now! That took me ageeeees, and I have games to go waste my life on and fics to write now lmao. Let me know if you want a third installment!

#fic recs #recs #fic rec #long post

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kinetic-elaboration · 4 years

Text

September 4: 1x13 The Conscience of the King

Past midnight and I’m tired but!! The Conscience of the King!

This was a wild ep. A lot to untangle about it.

Dramatic Shakespeare! Jim’s very invested in the performance.

I legit thought that the guy next to him was McCoy the first time I watched this. I hadn’t seen much ST at the time and that’s my excuse but also in my defense he has a similar facial structure and it’s dark.

“What do I do about my log???” New hydration game: drink whenever someone mentions their logs.

So Tarsus had only 8,000 people--that’s not very many. They must have been very isolated and new. And Kodos killed 4,000.

The Karidian players are part of the “Galactic Cultural Exchange Project.”

One of my problems with believing this Kirk/Lenore romance outside the usual honeypot aspects is that she is a little young for him perhaps??? I say as if I didn’t know couples with a bigger age gap but--she’s only 19 so it’s different.

So Kodos faked his death, fairly immediately had a daughter, and then changed his identity. Her age being exactly 19 is probably just about keeping math simple but I would like to read more into it than that.

Major plot hole that there’s a PICTURE of Kodos in the database. Like???? Then everyone knows what he looks like? The idea that only 9 people have the secret knowledge to bring him to justice and yet also everyone with an internet connection can see his photo is just nonsense.

Kirk, being charming at a party. I feel like his flirt game isn’t so strong at first (here, have this glass I’ve already sipped from?) but it gets stronger as their conversation goes on. He doesn’t have the greatest lines but his attitude is so charming and attractive it legit does not matter what he’s saying.

I used to feel, at least, that Lenore was one of his real, legit love interests, probably because of the ending and because it was one of the first eps I saw so I took it as more face value, but on a rewatch... not really sure. At any rate this initial flirting is all about the Strategy.

I find it somewhat disturbing that Lenore played her father’s wife.

The Astral Queen??

Lenore is really bad at judging Kirk, like from beginning to end. If this were airing now and I were in the fandom, I’d be getting into internet fights with people about how her analyses of him are biased and shouldn’t be taken at face value because they clearly have no connection to how he actually is. “Where’s the brash young man from the party?” Was there ever a brash young man? Is he in any way different on their walk versus inside??

A dead body, what a mood killer.

I like the aesthetic of this planet, though.

Wow, wtf, Kirk, your friend’s widow is crying and you give her a five-second hug and then literally push her off screen? Gotta hurry it up ma’am!

So he just has to say ‘over and out’ and the communicator cuts the transmission and he can call someone else. Very high-tech.

Spock is displeased. A little suspicious. A little jealous.

How did you know she was coming on the ship? “I’m the Captain.”

Spock should appreciate how sneaky Kirk is being with all his schemes. It’s not Menagerie level but still.

Riley! I wish he were in more eps. He’s one of my favorite minor characters. I realize he’s only in this one because they accidentally cast the same actor twice but still--he had potential. I see he’s been taken out of Navigation. And given a backstory in Engineering, and then moved to Communications. But he keeps the gold shirt. Busy fellow.

“Star Service.”

So he transferred Riley to protect him because he figured... no one knows where Engineering is?

I love this Spock and McCoy scene. McCoy being so laid back and Spock being like “I am suspicious of this suspicious situation.”

Vulcan was never conquered though??

“Your personal chemistry wouldn’t allow you to see that” sounds an awful lot like a veiled “you’re gay” reference.

Someone finally comments on the romantic lighting that follows Kirk around.

Wow, how did all this “surging and throbbing” talk get past the censors? Tone it down, Lenore.

Kirk claims he eventually really liked her, but this is like the last positive scene they have and he’s still CLEARLY fishing for information.

Love that cut from Lenore and Kirk making out to Spock alone on the bridge at night, brooding. (No one needs to steer the ship at night I guess?)

Poor Riley, stuck by himself in Engineering during the late shift. “You’ve been a bad boy.” I love when the crew gets to just hang out and be friends. Also interesting that Uhura has borrowed Spock’s harp.

Spock: “Riley can’t die because KIRK.”

This is a great triumvirate scene. I love how they play off each other, and how they simultaneously care about each other and about their jobs and doing the right thing.

I do find it weird that McCoy is so anti this whole investigating Kodos thing. Like, this isn’t some crazy vengeful path that Jim’s on or whatever he’s implying. Jim’s actually being pretty careful and slow in his actions? And there is someone actively killing people, like--the threat is imminent? It’s just a weird side to represent. I get the balance they’re trying to portray with the three sides but McCoy just doesn’t have a good argument and Jim doesn’t really need to be pulled back--if anything, he needs to be pushed, as Spock is pushing him.

“Logic isn’t enough. I’ve got to feel my way.”

Double red alert sounds like double secret probation.

Spock shushing the Captain.

Throw the phaser out the window.

Lol after all this hullabaloo about being extra sure and all this scheming to get people on his ship--Kirk just comes out and asks Karidian if he’s Kodos. Well that’s one way about it!

Kodos, like his daughter, fundamentally misunderstands Jim. I know he seems very ‘starship captain with his technological tests’ or whatever but--to call him not human?? He is the MOST human!!

Kirk does understand life or death decisions but he would never have made the decision Kodos made.

I’m with Spock, this is not ambiguous. This man is clearly Kodos. I’m glad there was a character actively saying that the alleged tension in this “who is he really?” plot line is not actually real.

This guy is such a manipulative drama queen oml.

I feel like the morality of this situation is not as gray as some characters are trying to make it. Like, no, Lenore, no one’s crying a river for Kodos lol.

The Kodoses again are either not good at reading Kirk or are deliberately trying to gaslight him into incorrect beliefs about himself because he has literally been nothing but human and merciful this entire time!!! An inhuman person would be like “logically he has to be Kodos” and an unmerciful person would be like “and he needs to die” and just like killed him 10 minutes into the ep.

This is the downside of audio logs--private things don’t stay very private.

Riley’s on the loose! Very IC of him.

I love that the ship has a theater, btw.

Riley must have been very young on Tarsus. No more than maybe 6, 7 years old. Knowing what I know about people’s inability to actually remember things or identify people with any accuracy at all, I don’t actually believe he recognizes Kodos’s voice. But what were we saying about how Kirk is unmerciful and in human?

Riley sure backs down fast when Kirk says so.

This Lenore and Kodos scene is probably the best in the whole ep. Really laying bare their fucked up relationship and how absolutely, tragically, irredeemably mad she is. The drama! I love a true wild woman.

The irony! The Shakespearean over-the-top-ness of it all!

You know at least one person in the audience thinks this is just a really weird play.

Leave it to McCoy to ask all the wrong questions lol. He wants to know if Jim liked the girl--who the fuck cares? He knew her for one day. Maybe he was briefly legit interested in her for a few minutes there, but she’s certifiable AND she tried to kill him, so that’s that on that.

The real important thing we should be talking about here is how Jim feels about the death of a man who killed 4,000 people and traumatized him for life.

And Spock stays away entirely, instead of walking over the chair as he usually does. Giving Kirk space to sort out his feelings, perhaps?

So yeah there’s a lot to unpack in this ep.

I think I once ran across a tumblr post that said this ep implied Kirk was slated to be on the to kill list but honestly it’s pretty clearly the opposite--Kodos killed exactly who he wanted to kill, so if Kirk’s alive, Kirk was supposed to live. (I guess they thought the implication came from Kirk being one of the people to see him? But we have no idea what the circumstances of that were, or why the people to see him included a couple of teenagers and a small child.) Also I think I heard once that there was a deleted line about Kirk saying he was one of the people considered worth saving.

This ep is really wild because introducing Tarsus into Jim’s background really changes a lot and introduces a lot into his character and yet it’s basically just done for plot purposes, to make sure the main character stays at the center of the story. But truly it must have transformed him to witness that at ~15.

Overall we hear very little from Kirk directly here. We know he wants to be sure Karidian is Kodos, and he goes to a lot of trouble to be sure, even though it’s quite obvious there’s no mystery to these massive coincidences. We know from his actions--bringing the players aboard, using Lenore, transferring Riley--that he’s deeply affected by this. And sometimes people (who don’t know him well) talk about him, mostly incorrectly (though in a way where I wonder if the writer was trying to get us to think this stuff is true of him? for the dramatic effect?) But for all that, he doesn’t talk about his feelings much at all.

Another take on this ep that I also saw on tumblr and liked a lot was that Kirk is so optimistic and hopeful in part because of Tarsus, because he saw that Kodos rushed to kill people when he really didn't need to, when he didn't think the supply ship would come in time--but then it came early. So the lesson to take from that is, to always be hopeful, to always believe in the last minute save, to always prioritize people's lives and safety first because anything could happen.

I feel like we're supposed to feel bad for Kodos in some way because he left all the mass murdering behind ages ago BUT it doesn't work so well because we're also supposed to believe, imo, that he was the killer, not Lenore. Like, Spock wants Kirk to act as if this man is Kodos and be proactive, but he's not doing it because he's a vengeful person--he's doing it because Kodos, he thinks, is threatening Kirk. Spock never goes beyond that to advocate, for example, a vengeance killing versus giving him to the authorities versus idk just yelling at him or something. So this idea that interfering with Kodos in any way is just being mean is sort of bizarre--there's an active threat here.

Plus sorry but committing genocide 20 years ago isn’t something we just sweep under the rug. He was the mastermind of something truly horrendous and he got away with it! I’m not going to feel bad for him!

And on top of that the idea that he was just killing people to save other people is one thing--at least morally gray I GUESS lol. But he was targeting people for his own eugenics purposes!! He even says this is part of "the Revolution." The famine was an excuse. He wanted to kill them.

Like I realize most of the people getting on Kirk's back for literally everything are the Kodoses, who are nuts and evil, but I feel like he took a lot of shit for doing nothing wrong.

My mom was wondering how Lenore knew her father was Kodos. I’m not entirely sure but I will say I love her and how just unrepetentedly mad she is. I prefer Lenore to most TOS women because I often feel like the show doesn't......really know how to write women. With Lenore there was no attempt to make her anything but off her rocker nuts. And the twist that she was the killer was effective.

She has that very classic insanity, which is the person who has only one thought and it consumes them. Only one purpose. I think she must have been raised separate from literally everyone but her father--he's been a traveling actor her whole life, so she never socialized, she never went to school, she had no other family. He's very private so she never had, like, a social circle. So he's her WHOLE WORLD. And then maybe she got suspicious as to why that was, and discovered his past. And then she felt that this past threatened him, and anything that threatened him threatened EVERYTHING. So she became...this person we see here.

And, as my mom also pointed out, the ‘body burned beyond recognition’ story is so suspect. With all their future tech? There was no way to id it? Also, what was the official explanation as to how that happened? We know 4,000 people were killed; we know a supply/rescue ship came early, and we know Kodos died and his body wasn’t identified. But what’s the rest of the sequence of events? Was there a riot or revolt and he was killed? Did he kill himself? It’s unlikely he burned to death on accident. The point is that he did not fake his death by himself.

One downfall of this ep is that it is very complicated for only 50 minutes. So much stuff is cut short or cut out--a lot of the backstory, most of Kirk’s feelings, but even stuff like Riley backing down so fast, or Tom’s widow getting literally pushed off screen while she’s grieving. The idea that Lenore and Kirk were supposed to have a real romance somehow? And, the eugenics angle is obviously a huge part of the story but it’s barely touched upon.

According to the trivia on amazon, the original script explained Kirk's presence on Tarsus as being related to Starfleet--he was just out of the Academy and stationed there. That would make him older than other episodes assume him to be--about 42, versus 34-36. But I like it better having him be a teen bc then we don't expect him to know all the stuff that went down later, the aftermath etc. My mom suggested he might have been doing the high school version of a study abroad year, since he’s so smart. This would also explain why his family doesn’t seem to have been on Tarsus, even though if we take his age from other episodes, he was not an adult.

This may be an unpopular opinion, but I don’t think AOS Kirk was on Tarsus, if in fact Tarsus happened at all in the alternate universe. I just see no evidence in his character that would make me think he’d had that experience.

Next up is Balance of Terror, yet another favorite episode. I mean Mark Lenard?? Romulans?? Can’t go wrong with that.

#star trek tos #the year 2020 #2020: fandom thoughts #2020: star trek #wow this got long i am so tired now it's 2am

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autisticmight · 4 years

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how does someone who knows little-to-nothing about it get into sanders sides? i saw thomas' vines, and i've been sort of tangentially aware that the facets of his personality that he portrayed in the vines have since become characters, but there's a whole bunch of new ones??? what the fuck is a janus???? HELP. tldr where do i find The Lore? plz obi wan ur my only hope

it’s very simple!!! you hyperfixate on thomas sanders’s content in, like, 2016? and then he uploads a video called ‘my true identity’, which is a bit weird, but you love those vine characters. then he uploads more, and it becomes a trend. apparently people in the comments are shipping the prince guy and anxiety. you rewatch the new year’s video an embarrassing amount of times with your dog

i had a whole paragraph here about why i like the series, and why i dropped it and then picked it up again, but it was just a block of lowercase text and i guess it’s kind of hard to read

anyway, here’s the playlist of every episode, but i’m going to put a summary of the series and individual episodes under the readmore, while also ranking them, because i am Special Interesting and i like being useful. and i guess i’m gonna write using. like. actual grammar. if the readmore doesn’t work, then. have fun reading my infodump

here we go

Sanders Sides: A Summary

Fictional Version Of Thomas Sanders (known as Character!Thomas, and will be simply referred to as ‘Thomas’ henceforth) has ‘Sides’, which are parts of his personality that have been exaggerated and personified. It’s a nice little series set in some kind of semi-urban fantasy world, but mostly in Thomas’s living room. It mostly uses the idea of ‘Sides’ to represent the inner schemata of an individual. In simpler terms, you know when you’re conflicted, and you end up arguing with yourself? Yeah, it’s that.

Also, don’t read the comments, unless you want to disregard the care I’ve taken to not put spoilers in the Season 1 Summaries.

Season 1

I’d like to split this into parts, because there are a lot of things in earlier episodes that conflict with later characterisation. However, it’s also fun to watch them, and then rewatch them after some of the longer episodes, and feel your heart shatter!

This half of Season 1 was made solely by Thomas. It tends to be a bit more scattered, and can be watched out of chronological order, or completely skipped. Yes, I’m telling you that you can skip literally all of this section, if you want to. However, these are also the easiest videos to watch, and offer a taste of Silly Sanders Sides Hijinks without the emotional commitment.

My True Identity (6 min) - Thomas delves into the three aspects of his personality; his Logic (Teacher Guy), his Creativity (the Prince, also called Princey), and his Morality (Dad Guy who is Not Thomas’s Dad). At this point, the characters are far more similar to their Vine counterparts, and the characterisation clashes with later episodes. (3/5 - A nice way to see if you’ll enjoy the humour of this series)

Way Too Adult (5 min) - Thomas is asked by his family to help cook Thanksgiving dinner. Dad Guy pops up and discusses with Thomas how he can better learn to take care of himself. Features a talking stove, which is part of the reason why I classify this series as urban fantasy, and the start of a running joke. (2/5 - A fun, albeit rare, look into Dad Guy being responsible. I actually prefer this to My True Identity, but ranks lower due to conflicting with later S1 characterisation.)

Taking On Anxiety with Lilly Singh (6 min) - Thomas hopes and dreams to get rid of his Anxiety, who is a sassy, snide guy, sitting on the staircase. Princey, as the embodiment of Thomas’s hopes and dreams, is... Usurped by an imaginary version of Lilly Singh, who helps teach Thomas how to cope with feeling anxious. (3/5 - Introduces some secret tools that will help us later. The tools are Thomas being able to travel to various places in his head, and also Anxiety.)

A New Year of Lying to Myself... In Song!! (7 min) - The first video wherein you realise that this is A Thing. Thomas welcomes in the new year, hoping that 2017 will be better than 2016. Logic shows up to help him figure out some New Year’s Resolutions, accompanied by Dad Guy and Princey. Anxiety joins in to point out that Thomas has rarely, if ever, kept to his resolutions before. Through the first musical number of the series, the Core Sides and Thomas figure out simple, achievable resolutions that Thomas can use to improve his wellbeing. (4/5 - Unintentional foreshadowing in the form of a bop.)

The Dark Side of Disney (6 min) - Princey, not for the last time, enthuses about the wonders of Disney. However, Anxiety also appears, insisting that Disney is not as wholesome as it first appears. They argue and bond, despite the fact that Thomas still hasn’t redacted his statement regarding his hopes and dreams to get rid of his Anxiety. (2/5 - I have strong feelings on the meaning of ‘Beauty and the Beast’ and ‘The Little Mermaid’, both of which are shrugged off in favour of the tryhard-edgy ‘blegh stockholm syndrome’ and ‘blegh change yourself to get your man’. Still, it’s a fan-favourite for a reason, and the endcard always makes me smile.)

I’m in a Disney Show!! (6 min) - Princey enthuses about the wonders of Disney, because Thomas is in a Disney show. He talks about what happened, while the Sides (mostly Logic) suggest clickbait titles in order to entice people to watch the video. (2/5 - L*gan P*ul is mentioned, as he was also in the episode.)

The Mind vs. The Heart (6 min) - Thomas finds himself split between following his mind, Logic, or his heart, Morality. Features onesies, and looks further into the characters of Logic and Dad Guy. (3/5 - Pretty calm and peaceful, to be honest. It’s nice.)

Then we move onto the second part of Season 1. This is when Thomas’s friend, Joan, began to offer their input into scriptwriting and directing. They’re most of the reason why Sanders Sides is an actual series, instead of being silly skit characters in short vlogs. From here on in, episodes become more complex, and work on an actual timeline.

Alone on Valentines Day (9 min) - Thomas is rather upset that he will be, as the title says, alone on Valentine’s Day. The Sides try to help him figure out how to get a date with an imaginary version of his friend Valerie, but each of them has a weirder way of going about it than the last. (4/5 - Far more cohesive than previous videos, but Thomas still wasn’t fully out as gay, so his hypothetical date is a woman. Yes, I took points off because of that. Yes, I’m about to erase the 3/5 to make it 4/5 because Valerie is a delight.)

Losing My Motivation (9 min) - When Thomas finds himself procrastinating, Logic takes it upon himself to find out which side is causing it. In order to get into a deductive mindset, Logic dresses up as Sherlock, while Dad Guy joins in as Watson. Once the case is solved, an important piece of information is revealed: the Sides have names. (Logic’s name is revealed) (3/5 - It’s just a fun little video, and I can’t keep giving every video from here on in 4/5, or that’ll ruin the whole thingy.)

Sanders Sides Q&A (9 min) - Exactly what it sounds like. There’s not much else to say. (2/5 - I love it, but it’s not really necessary to understand the whole series. It’s just extra characterisation.)

Am I Original? (12 min) - Thomas finds himself in a creative rut, trying to think of a completely original idea. Princey requests full creative control - “full-on Daydream Mode” - in order to rapidly consider and enact many different concepts, all while trying to make something that has never been seen before. (Princey’s name is revealed) (4/5 - Important characterisation for Princey. I originally rated it lower due to Thomas’s inability to rap, but upon rewatching, i found that the ending dialogue between Princey and Thomas was worth two points, rather than the single one I gave it previously.)

My Negative Thinking (13 min) - When Thomas messes up in an audition, his ego - Princey - is out of commission and being cared for by Dad Guy. Therefore, the only Sides available to aid him in this situation are Logic and Anxiety, neither of whom can help Thomas in the way he wants to. Anxiety is worsening Thomas’s mental state, so Logan proposes a debate in order to combat those cognitive distortions. (4/5 - A fan-favourite episode which offers a lot of insight into Logic and Anxiety as characters. It is useful as a tool for identifying cognitive distortions in real life, which may help with the individual’s mental health. Even though it introduces another running joke, it’s educational and fun, and it develops their relationship in a positive manner, I just don’t particularly enjoy it.)

Growing Up (15 min) - It’s Thomas’s birthday! He’s in his late twenties, and he’s still a kid at heart. He hasn’t done his laundry, he's silly and immature, and he feels like he isn’t at the point that he needs to be in his life. Therefore, all the Sides, except for Dad Guy, who ironically embodies Thomas’s inner child, work on trying to make him more mature. (Morality’s name is revealed) (3/5 - Features the concept of Voltron Shirt. I love this episode, but there is a noticeable change in audio quality at the end which affects how enjoyable it is.)

Making Some Changes (15 min) - Back in Thomas’s living room, and in opposition to his view from the last episode, Anxiety is worried about how life changes in unpredictable ways, and especially about losing contact with Thomas’s friends. Therefore, in order to keep Thomas’s friends permanently by his side, Princey gets them all to shapeshift. (3/5 - It might be skippable, but it’s just really, really fun.)

Becoming A Cartoon (10 min) - Adding to the whole urban fantasy thing, it turns out that animators can literally, physically turn people into cartoons. Thomas wants to be a cartoon. Princey catches Anxiety in his arms and says “everybody loves the villain,” and I think that’s all you need to know. (1/5 - Co-stars B*tch H*rtman, known for Fairly Odd Parents, Danny Phantom, and Being A Bigot, who did the character designs for the Sides, if not the actual animation. And the designs are kind of. Eh. Just watch some fanmade animatics.)

Accepting Anxiety (23 min) - Part 1: Excepting Anxiety (10 min), and Part 2: Can Anxiety Be Good? (14 min) - HOO. If the musical number or the animation didn’t clue you in, this video confirms that Sanders Sides is A Thing. Remember how Thomas hoped and dreamt to get rid of his Anxiety? Remember how he never redacted that statement, or even expressed a bit of remorse? Well, here, his wishes come true, and he doesn’t feel bad about it at all! That’s because he has absolutely no shame, caution, or fear of death. Yeah, he’s a mess. Therefore, the Sides make him take them on a magical quest to Anxiety’s Room, in order to un-mess-ify Thomas. (Anxiety’s name is revealed) (5/5 - The team really went above and beyond with this one. Like. Hoo. That’s it. Just. Hoo. Hoo. I’m an owl.)

And that’s Season 1!!! I’m going to add Season 2 in a reblog, because this has taken roughly three hours and it’s been really difficult to not spoil their names!!! which i did anyway because their names are all easier to type from muscle memory!!!

#helen stfu #asks #sanders sides tag da lee lay da lee loo #Anonymous

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the-evcnstar-archive · 4 years

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So...The Witcher

I finally finished the season having mixed feelings about it. Keeping in mind I have only read the books, not played the game, I’d say it’s pretty well achieved, and most things I did like, though I still have some issues (Details under the cut)

What I liked

I love how the three main characters were portrayed, especially Geralt. Now this might be partly because I am a sucker for Henry Cavill, but I saw Geralt’s mannerisms in every gesture, in his constant humming and grunting and in his cursing and sharp, acid-wit comments. I do feel like they could have toned down a bit the seriousness on Yennefer’s character. While she is a very powerful, seemingly perfect woman who comes from a tragic background, she had her moments in the book in which she was not that solemn. I’m not sure if I see tv show Yennefer as someone who keeps stuffed unicorns in her room. But Anya is amazing I really owed all of Yenn’s badassness. As for Ciri, I really love the strength and innocence in her, as well as the hints of the little rascal she can be. I can’t wait to see her training to be a witcher.

Jaskier/Dandelion is spot on. Physically I didn’t like him at first, he was nothing like I imagined, but the acting got me completely on board. I think I just missed a little more of his womanizing ways, because it’s a huge part of who he is as a character: always getting himself in trouble because he just can’t keep it in his pants. But his upbeat vibe, his overly dramatic discourses, but also the way he interacts with Geralt, Yennefer and the other. It’s just so in character. And his voice is really nice.

BUT THE MUSIC. THE MUSIC WAS ABSOLUTELY NAILED! It’s the second thing I liked best after the main character’s portrayal. It’s so epic, and witchy. It’s what legends and epic fantasy is supposed to sound like. Also Toss A Coin To Your Witcher is so beautiful and catchy, which is exactly the kind of thing Jaskier would come up with.

Roach. That’s it. That’s the point. Just Roach.

The monsters’ designs. They’re unique, yet still believable withing the fantasy genre. They really help to build the world the action is set in. And also can be creepy af (like the striga).

The landscapes. I love the locations. The only location I was not entirely satisfied with was Aretuza, but that was simply because it was nothing like I imagined it. But objectively, it was just as beautiful and breath-taking as the resy.

What I did not like:

Fringilla. They might as well have created a new character and given her that name. Where are the green eyes!? That’s one of her main physical features because Geralt has a thing for intense eye coloring. Where is her seductress nature? Her extravagant and luxurious dressing? That’s another of her key features. Fringilla is a seductive enchantress, very smart and very beautiful and she knows it and exploits it to her benefit. She likes fashion and luxury. In the show they portray her as a flat, cold-hearted, fanatic b*tch, obssessed with the Nilfgaardian emperor. In the books I don’t think she ever even mentions it. She was never in Aretuza and she was never involved in Nilfgaardian politics, at least not as portrayed in the show. It just pissed me off whenever she came on screen because she was simply not Fringilla.

Cahir. Another character they’ve done dirty. Reduced to a senseless fanatic, blindly devoted to Nilfgaardian supremacy. Even before his redemption arc, Cahir was already different because he was never a fanatic. He was after honor and glory, yes, but had a strong mind of his own to start questioning his own orders. Also, he was a dumbass jock with an ultimately good heart, and barely out of his teenage years. Not a serpent looking, sour, psycho. TV show Cahir looked more like Emyr than Emyr looked like himself (if you know what I mean)

Triss Merigold disappointed me too. First of all, she looked nothing like she is described in the books. She looked far too mature. And I would have liked to see more agency, more interactions with Yenn (they’re supposed to be best friends) and perhaps a hint of her feelings towards Geralt, because Triss is supposed to be like blindly infatuated with him to the point of wanting to f*ck him while she was half-dead from sickness.

I missed some details from Yenn and Geralt’s relationship. I would have liked that they included some mention of the time they lived in Vengerberg together because sometimes in the TV show I got the impression that they were more like really good hook-ups and not on-and-off soulmates. What saved their relationship portrayal on screen was Henry and Anya’s chemistry.

I felt like some chapters, particularly the ones that were covering a long period of time (like Yenn’s education in Aretuza) were a bit too abrupt, jumping from one scene to the next leaving loose ends.

I don’t know if they will include other moments worth mentioning, during the next season, like Yenn’s revenge on her family or Geralt and Istredd’s conflict (since they chose to make the later such a relevant character), but I missed those too. And finally, I think a character as key as Philipa Einhart ought to have been introduced in the first season, considering the roll she will play later one. Maybe including more of the Northern Kingdoms politics would have been nice too, so as to get a better notion of the conflcit between them and Nilfgaard.

The final veredict is that despite the details I disliked, I was still entertained and ultimately satisfied and I can’t wait for more shirtless Geralt season two.

#the witcher #geralt of rivia #yennefer of vengerberg #cirilla of cintra #the witcher netflix #ciri #thaly speaks #thaly trash #ooc

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