Tumgik
#notable moments
leverage-ot3 · 4 months
Text
notable moments from The Cross My Heart Job
leverage 4.09
(team comes down an escalator toward the main floor)
Sophie: Well, that trip was a complete disaster.
Hardison: It was a train wreck.
Eliot: No, it was a shipwreck. And you know how I know that? 'Cause I was in the wreck.
Hardison: Hey, man, I don't want to hear you complain. At least you don't have to fix th-the ear buds. You know what?
Eliot: Man, don't talk to me about the ear buds! I just fought three ex-Brazilian combat divers with spear-guns, underwater!
Hardison: I don't want to hear it. I don't want to hear it.
Eliot: You believe this? (taps Sophie’s arm)
Sophie: Ow, don't touch me. I am sunburnt everywhere. I hate playing the French heiress on the topless beach.
Parker: Oh, I don't know what you're complaining about. I didn't even get to see the emerald.
Hardison: Are you for real?
Eliot: Oh, my god, for the last time, it's not an emerald. All right? It's an island. It's the "Emerald of the Caribbean."
chaotic family on an escalator
- - - - -
Parker: The heart could be anywhere by now. They could have jumped in a taxi and driven off.
Sophie: No, no, we have to assume it's still in the airport, that they're planning to fly it out.
Parker: Why?
Eliot: 'Cause otherwise, we've already lost
- - - - -
Eliot: All right. They're in there. We're gonna need a distraction.
(Sophie takes off her pants and uses her long shirt like a dress, then shakes out her hair and pulls a pair of heels from her purse. Parker counts some cash)
Parker: All right, they told Linda to call from a pay phone for instructions once she made the drop.
Eliot (hands Parker money): Better hurry up, or they're gonna start getting suspicious.
Parker: It's a good thing we didn't stay on that island to see those emeralds.
Eliot: Parker, I just t...
(Sophie leans on Eliot to put on her shoes)
Eliot: You carry high heels in your purse?
Sophie: I always travel with heels. (takes Parker’s scarf and ties it around her waist) How's this? Distracting enough?
Parker: Hmm.
parker and eliot both look away, partially to give her privacy but partially to act as a wall so that other people won’t see her changing
notice the stark contrast between this scene and the other changing scene in this episode
- - - - -
(the clerk closes the doors. Inside, Eliot pulls the kidnapper between two tables while Parker talks to Tanya)
Paker: Yeah, that will work. We'll get you a little taser, carry it with you wherever you go-
parker and her tasers + being surprisingly good with kids
- - - - -
Nate (to Eliot): What do you got on this guy?
Eliot: He's not a professional. He has no combat training. Lousy Zanshin.
Parker: The what?
Eliot: He's a loc... It means "personal awareness." Thug for hire, but very well funded. (hands Nate tickets) Two first-class tickets, one for him and one for the girl, and that's how they got past security, and (hands gun to Nate) plastic gun. One or two shots in the barrel warps, but that's pretty much all you need, very pricey hardware.
Parker: Why would someone pay for that but not hire a professional?
Eliot: He doesn't want a professional. He wants a local so we can't trace him back to him.
- - - - -
(Eliot uses a cord to tie the kidnapper’s hands)
Eliot (to Sophie): Don't suppose you travel with handcuffs.
Sophie: No, not on this trip.
👀👀👀
- - - - -
Parker: Plus the ear buds are busted.
Hardison: And I burned our phones and our credit cards so we can't be traced.
Sophie: Most of our money went on bribing the waiter.
Eliot: We're operating in a secured area.
Parker: And my lock picks are checked.
Hardison: And airport wi-fi is a joke. Face it, we're practically naked.
- - - - -
(Eliot and Parker walk out of the Restaurant and part ways. Parker approaches a kiosk that sells computers and looks around, then crouches to look at the locks before walking away. Eliot approaches an electronic store before yelling catches his attention from a check in desk not far away)
Platinum Flyer: You guys! Hey! Platinum flyer over here. Come here. Somebody look at me.
Airline Clerk: Sir, please calm down.
Platinum Flyer: Ju... let me stop you right there, okay? I don't care what seats you have left, all right? Do you see this? (holds up a card) I am a vista Atlantic platinum flyer, all right? Is this card gold? No. Look at it. Is it silver? No.
(Eliot looks around, sees a magazine and picks it up)
Platinum Flyer: It's platinum, all right? So if you think that I am sitting back in coach with the rabble, you got another think coming, all right?
(Eliot puts the magazine over the Platinum Flyer’s briefcase as the man tries to drop his wallet into it)
Platinum Flyer: You can just forget it. I don't even want to talk to you anymore. Who's that? Thing one and thing two, come here. You guys. Hey!
(Eliot walks back to the electronics store and pulls the Platinum Flyer’s credit card from the wallet. He enters the store and grabs several packages of walkie talkies, then flags down a clerk)
Eliot: Yo, yo, yo. Come over here.
(Parker tries on various sunglasses, stealing a pair before walking away. She walks past again and steals a snow globe. On another pass she steals a bag. She returns to the computer kiosk and breaks the sunglasses to picks the locks, revealing an old style CRT monitor)
all this competence porn, it’s SO GOOD
- - - - -
(later Parker and Eliot take apart the walkie talkies at a table while Hardison uses an old computer at the bar with Sophie and Linda watching while Nate paces)
Nate: Hardison, come on.
Hardison: Look, man, this is like stone knives and bearskins, okay? Nobody's asking Eliot to fight a guy with a nerf sword.
Eliot: Damascus, 2002.
Hardison: Like you've been to Damascus.
domestic parker and eliot taking apart walkie talkies? eliot legit sword fighting with a nerf sword? amazing
- - - - -
(the clerk watches from behind them, amazed)
Hardison: Wh-what? Come on, man. Like you've never seen a man travel with a desktop before. Go.
LMAO
- - - - -
Nate: Right there! Right there. Him.
Sophie: Dean Chesney?
Nate: Dean Chesney, CEO of Vertronics defense contractor. I had my eye on him for quite a while, but he was never a high-priority target.
Hardison: Why not?
Nate: He was dying.
- - - - -
(Eliot sits down and his feet hit against the struggling kidnapper. Eliot kicks him in the head but he continues making muffled sounds)
Nate: Are you done?
(Eliot kicks the man again)
Eliot: Yeah
- - - - -
Hardison: After we get out of the public areas of the terminal, we work on level two. It's ground crew, tarmac access. It gets us from here to the private terminal.
Parker: How do we get that? Break Eliot's wrist?
Hardison: What? N-no, no. We just pick one up from where the ground crew left it.
[Locker Room]
Parker (opening combination lock): Yeah, this will keep my stuff safe, from a 6-year-old with the DTs.
(Parker opens the locker and removes a jacket. Eliot closes the locker and hits the lock on the one next to it, opening the lock. He pulls out a level 2 badge and hands it to Parker)
Eliot: That's two.
(Parker and Eliot begin to change clothes)
🔥🔥🔥 scene tho 🔥🔥🔥
also, notice how they start getting changed without turning around or anything, like hardison would have immediately turned around because that’s who he is. she literally immediately takes her shirt off without a care. he doesn’t even blink at it. eliot and parker have a very strong, nonverbal, physical bond because they’re similar entities. they understand each other on a deep level because of their pasts and there isn’t that type of need for modesty between them.
also they’re literally so close to each other when they’re doing this??? literally, personal space? they don’t know her
ALSO, eliot throws his shirt at the camera and idk it feels like he’s giving parker privacy from the “onlookers” (aka the camera) if you get what I’m saying,,,
- - - - -
Sophie: Well, we have to lure them out.
Parker: Oh, okay. Set Nate on fire?
Eliot: Settle down
she mouths “no” back at him and they have a silent exchange where she ends up smiling I love them
- - - - -
Hardison (pacing): Come on, Eliot. Come on, come on. Come on, man.
Announcer: Mr. Picard. Mr. Kirk Picard, please meet your party at door "E.
ELIOT KNOWS HOW TO GET HARDISONS ATTENTION. HE KNOWS TO MAKE A STAR TREK REFERENCE AND BAM HARDISON KNOWS WHATS UP. WHAT D O R K S
- - - - -
(Eliot gets into a cart that Parker is sitting in. She holds up the keys and hands them to him)
Parker: Let's ride
her SMILE and EXCITEMENT
- - - - -
Hardison: Excuse me. Uh, something's wrong with my pin. Can you reset it for me?
(Hardison hands the card to the guard, who scans it)
Guard: Can you confirm your old pin?
(the screen shows that the card belongs to a woman and the guard looks at Hardison in surprise)
Guard: Uh...
Hardison: What?
Guard: Wh—
Hardison: what? You got a, you got a problem? My little transformation? Go on, speak your mind. Yeah, I had some surgery, huh? A little nip, a little tuck, a little pop, okay? And now I am who I'm supposed to be. I used to be Francesca. Now my name is Frank!
Guard: Um...
(a second guard turns to look at Hardison)
Hardison: You got a problem? You... excu—excu—I didn't know this was the club. You all up in the mix, don't even know the flavor. What's your problem? (walks around the desk aggressively) You got a, you—everybody got a problem with this? Look, racism, sexism, anti-semitism? That's how you y'all want to play this? Cool. I thought it was a no-no in airport security, but I see y'all profilin' me right, left, and center, everywhere. You know what? Shame on you. Shame on your mama. Shame on your kids.
(Hardison glances at the monitor to see the pin number, then walks back around the desk)
Guard: I-it's fine. I-it's fine. I got no problem with anything. Uh, it-it looks like you used to, used to be a-a really pretty girl.
Hardison: Used to be?
Guard: A-and n-now you're a-a very handsome gentleman.
Hardison: You hitting on me?
Guard: C-can you confirm your old pin?
Hardison: It's 5135.
Guard: Uh. (scans the card) Okay, there. Try that.
Hardison: Thank you. (looks at second guard) You better re-adjust your peripherals.
Guard 2: Real smooth.
(Hardison returns to the card reader and scans the card, entering the pin)
Reader: Pin accepted.
Hardison: Don't care what anybody else says. Next time, I'm taking the train.
I can’t tell if this scene was transphobic or not ??? like, it could have been worse and he called out people who would be judgmental of his “transformation” ???
like there was like one other kinda transphobic thing they did in the show but I forget the episode
- - - - -
Nate: I know what you're gonna say.
Sophie: I think you should have a drink.
Nate: Okay, I didn't know what you were gonna say.
Sophie: Look, we don't like it when you drink, (pours him a drink) but we trust you when you do. We both knew this was gonna get personal. We need you to stay clear-headed. You let it get to you now, it's gonna go bad for all of us. Be very careful, Nate.
- - - - -
Nate: Sam would have been 13 this year. A teenager. Almost a man. I mean, you know, probably a big pain in the ass, but… Joshua Spin is getting out of that hospital bed.
(Sophie nods. Nate sighs and takes the drink, looking down at Sophie’s hand over his)
- - - - -
hardison’s GRIN when he sees all the computers in the tower 🥺
- - - - -
Parker: It took us 8 minutes to get there. It's gonna take us 8 minutes to get back. Wait. (goes around to the front of the cart)
Eliot: What are you doing? Wait. No way!
(Parker lies on the ground and reaches under the cart)
Eliot: Come on, Parker, we got to go! We got to get-- Let's go! What are you do-- Quit monkeying around under there!
(Parker stands up holding a piece of electronics)
Eliot: Did you just pull something out of the engine?
Parker: Yeah. Spark regulator, keeps the cart from going more than 25 miles an hour. Now we'll get there in 4 minutes.
(Eliot starts the cart and takes off quickly)
Parker: Hey! Whoa! Whoa! Yeah!
- - - - -
Nate: Last week on that island, you faked a volcanic eruption. How is this harder?
HE DID WHAT NOW
- - - - -
Nate: You just sell it to the tower.
Sophie: Massdot special?
Nate: Massdot special.
Linda: Massdot special?
Sophie: Yes! (takes Linda’s phone and makes a call)
[National Weather Service]
Rachael: National Weather Service. This is Rachel.
Sophie: Oh, thank God!
[Crab-a-Rama]
Sophie: I was just out walking my dogs, and I saw a tornado touch down!
(Nate pulls up pictures of tornadoes on the computer)
Rachael: Are you sure?
[National Weather Service]
Rachael: The current forecast don't indicate any severe-weather patterns.
Sophie: I'm sure.
[Crab-a-Rama]
Sophie: I took a photo of it with my phone. I'm sending it to you now.
(Nate sends a picture of a tornado to Rachael as he dials the phone)
[National Weather Service]
(Rachael looks at the picture in shock)
Rachael: Uh, please hold, ma'am. (places Sophie on hold and takes another call) National weather service. This is Rachel.
[Crab-a-Rama]
Nate: Are you asleep at the wheel? There's a tornado out here by the airport right now! A freaking tornado! Come on!
[National Weather Service]
Rachael: Bill. Bill!
Bill: What is it?
Rachael: We got calls here. I think we need to issue a tornado warning for the Cincinnati metropolitan area.
- - - - -
Chesney: --to make the top of the list. This is my only chance. I've planned for months. I have eight backup contingencies. I'm fighting for my life, Mr. Ford! What are you fighting for?
[Crab-a-Rama]
Nate: I am fighting for that 15-year-old boy that you're going to kill.
[Chesney’s Room]
Chesney: God helps those who help themselves.
Nate: And I help people who can't.
[Crab-a-Rama]
Nate: And God help you if anything should happen to that boy, because if he spends more than one second longer in that hospital than he needs to, I will make it my mission in life to end you.
[Chesney’s Room]
Nate: I will ruin you.
[Crab-a-Rama]
Nate: I will ruin your name. I will ruin your company. I will bring down everything you have ever touched. And when I am done, I will hunt you down--
[Chesney’s Room]
Nate: --and I will kill you myself.
[Crab-a-Rama]
(Nate hangs up the phone)
- - - - -
parker yells “yee haw” a lot and I love her for that
- - - - -
Pilot: Tower, field is in sight.
Program: We have you in sight. Clear to land on runway 1-8.
Hardison: Okay, flight 4-0-9. W-we have a visual. You are clear to land on runway 1-8.
Pilot: Roger. Clear to land.
(the airplane lands safely)
Pilot: Tower, we are down.
Hardison: Yes! Hell yeah! That's what I'm talking about.
Pilot: Say again, tower?
Hardison: I'm sorry. No, no, I'm sorry. It's cool. It's cool. It's cool. Celebrate with me. All right.
hardison managed to land an airplane with 300 people on it with nothing more than a computer and a flight simulator and we STAN our intelligent man
- - - - -
eliot was always standing next to hardison in all the extra scenes in this episode and we love to see it
- - - - -
(Eliot looks at Nate and Sophie, then nudges Hardison)
Eliot: Let's go.
(Eliot grabs Parker on the way down the hall, Hardison follows them)
his lil pat on hardison’s shoulder? how he places a guiding hand on parker’s arm, leading her away? we LOVE to see casual touches and casual intimacy between them
- - - - -
so hardison likes to assemble model helicopters in his spare time sometimes and nate assembles model ships in his ???
- - - - -
Chesney: So now what? You can't report me without exposing yourself. And what's to stop me from trying again?
[Leverage HQ]
Nate: I am. (hits remote to bring up information and a video feed on the monitors) I'm watching you. I'm watching your money, your people, your company. What have you got there, a pulse rate of 86?
[Chesney’s Room]
(Chesney looks around in alarm)
[Leverage HQ]
Nate: Oh, look at that.
[Chesney’s Room]
Nate: Just jumped up to 104. That can't be good for you.
[Leverage HQ]
Nate: Make your peace now, Chesney. (continues putting model together) Because if I see anything, anything I don't like...
[Chesney’s Room]
Chesney: Well, Mr. Ford it seems you've killed me after all.
[Leverage HQ]
Nate: Oh, I didn't kill you. God killed you. I just made sure it took. (hangs up)
110 notes · View notes
turtleblogatlast · 24 days
Text
Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)
Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)
Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)
The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt mikey#rottmnt leo#rottmnt draxum#rottmnt hueso#listen you don’t understand#imagine mikey trying to get leo to accept draxum as a father figure only for this to push leo to purposefully turn to Hueso instead#idk I love when this accidental flaw of Mikey’s is explored and I think it meshes well with Leo’s own AND fits nicely with their dynamic#100% this ends with Leo & Hueso bonding and Mikey & Draxum bonding and Mikey & Leo bonding and even Hueso & Mikey a bit#but notably only a little Draxum & Leo - because it’s important that Leo isn’t forced to accept him imo#Leo realizing during all his denials of Draxum that oh you know who he DOES think of as family? Hueso#Draxum is trying mainly for Mikey’s sake#Hueso is too tired to care about all this family drama but is reluctantly worried about Pepino#Mikey just wants one big happy family because - that’s just easier y’know?#he tries so hard to work with everyone’s emotions that he just wants things to be easy for once#he wants love and family to be easier than it is - than has BEEN lately#gimme that heart to heart Mikey & Leo moment in this regard#by the end Leo DOES raise Draxum up a bit from ‘complete distrust’ to ‘mild side-eye’#but it’s a long ways off if he ever gets pushed into the family tier#and also#SO MUCH SLAPSTICK COMEDY and sarcastic comedy in this episode fr#and if you’re wondering-#yes they DO fight the Yokai monster they’re delivering the pizzas to#but they get paid so it’s whatever#kinda wanna attempt to copy the style of the show and make fake screenshots of this ‘episode’ ngl
395 notes · View notes
quirinah · 9 days
Text
Tumblr media Tumblr media
ummmmmmm guys this dungeons looking a little dark here..........................ummmm..... hello??? guys??
172 notes · View notes
iamnmbr3 · 2 months
Text
Tumblr media
So when first asked to identify Harry, Draco doesn't do it but he stammers a bit and kind of prevaricates. But now he doesn't hesitate. He's made up his mind. As surely as he is now certain that he is looking at Harry Potter he is also certain that he's not going to be the one to reveal that fact. And he actually turns his back and walks away and refuses to be a part of it. Even knowing what the means, what it will cost him and his family.
And remember, Harry's appearance is altered but not so much that the Snatchers didn't suspect his true identity. There is no way that Draco, who in 6th year identified Harry by a glimpse of his shoe and the sound of his breath, did not recognize him.
(Incidentally this is one of the scenes I love in the movie because you can see the moment the penny drops and he realizes exactly who is in his drawing room and the momentousness of this moment and of the decision he must now make.)
I think it's notable that Draco looks both reluctant and fearful. Obviously he's reluctant to have a hand in Harry's death. And I think the fear comes from several things. I think it's fear of what will happen if Harry escapes, and an even greater fear of what will happen if he doesn't.
Draco knows what he's risking by giving Harry a window of opportunity and he's afraid of the punishment he and his family will endure if Harry gets away and of course he's afraid of how much worse it will be if it's discovered that he intentionally withheld the truth about Harry's identity. And yet despite everything he has been taught and despite the fact that he's never prided himself on his bravery, he is still even more afraid of the idea that it will all be for nothing, that Harry won't get away and will die right here in Draco's own drawing room.
Also. Nobody else comments on how afraid and reluctant Draco looks so I think he does a decent job of concealing it. (Given that he's alive after this incident we know Voldemort certainly never figured out Draco didn't immediately identify Harry on purpose). Harry just knows him so well he sees right through it.
And my drarry heart LOVES how throughout this whole scene Harry thinks of him as Draco. He starts thinking of him as Draco when he sees him forced to tortured Rowle and only reverts to "Malfoy" during the Room of Requirement confrontation. Because in this moment something in Harry knows Draco isn't truly his enemy.
Also I wonder if Narcissa also saw through Draco's facade of ignorance and started to suspect how he feels about Harry - that what she once might have taken for jealousy or perhaps a shallow infatuation isn't that at all but rather something much more powerful and deeper. Maybe that's why in the end she expected Harry to know where Draco was, even in the midst of the battle.
164 notes · View notes
bonefall · 26 days
Note
I personally like Thunder's prosthetic. Explained it to my friend (who does use a mobility device, a cane and wheelchair, and listens to me rant and infodump about BB) and they agreed, it's important to know that not every person needs what someone wants to give them. It's another example of "bad ableist person does a thing that hurts a disabled person because they are bad and ableist".
Clear Sky got Jagged Peak killed and would have killed Sunlit Frost! He would absolutely force his disabled son to be "normal" and present it like a privilege. "I wouldn't do this for anyone else, it's special, why don't you want to be helped?"
Thunder Storm should toss it in Clear Sky's face. (I would say toss it into the river but we do not pollute waterways in this house)
Thank you for telling me this, and tell your friend I'm thanking them too! If they have anything else to add please forward what they have to say
Since BB!DOTC tackles some of the heaviest topics in the entire series because its canon equivalent is so dark, I think very carefully about what I do here and how I show it. I take feedback on its sensitive aspects very seriously. If I'm understanding the criticism properly, it's that I should avoid stigmatizing prosthetics by making sure Thunder Storm's not the only one with it-- which he's not! And I'll add even more.
I don't want to avoid something only because it's uncomfortable if the topic is important, and my portrayal is respectful. Ableism IS uncomfortable! There are some situations where a prosthetic is not wanted! I think the rejection of this particular one is both a good opportunity to show a type of ableism and ALSO is very fitting for the characters.
In BB!Clear Sky's mind, the villain, he's fixing an old mistake. He can't admit that he got Jagged Peak killed or take REAL accountability for it (though he will, occasionally, apologize insincerely), but deep in his bones, he knows what he did was cruel. He'll never tell anyone this because he doesn't really cognate it himself, but Thunder Storm NEEDS to take his gift.
If Thunder doesn't take it, it blows a hole in his newest story. You see, throwing Jagged Peak out was All That Could Have Been Done back then. It was a Tragedy and he simply Made A Hard Choice. He regrets it very much, But You Have To Understand.
But now? Now? Well, behold. Look at what he's accomplished since the tragic death of his little brother. His cats are well-fed, cared for, and stable enough to make such incredible advancements. If only Jagged Peak had been able to hold on longer, if only he could be here now, I could fix him.
Just like I can (MAKE YOU JUST LIKE ME) fix you.
"Everything I've ever done is for Jagged Peak. For Fluttering Wing. For you." Thunder Sky is SPECIAL, but if he rejects any gift, tries to turn down the "privileges" offered to him, in an instant that becomes ungratefulness and arrogance. He both forces him to be special, and then leverages it against him if it's rejected. "Spoiled brat, doesn't appreciate what I've worked so hard to give him."
It all goes back to him and his own guilt. He can NEVER be wrong. He can't accept his family doesn't have to be "normal" or reflect his own ability. He won't see himself as a bully, let alone a murderer. It was never about his son's comfort or finding out what Thunder Storm wants or needs, it was about his own ego.
...All that said I'm still taking feedback if there's anything else I should keep in mind, or if anyone has a counter point, especially if you also have experience here.
(In the interest of having a link trail for posterity, here's the critique/call for feedback this is in response to)
#ALSO also I will take suggestions on other characters who should have prosthetics#Sunlit makes sense and it will make a really nice character moment later for him to have one built#There's also an amputee in RiverClan few people talk about called Stonestream#I can give him one and bump him up into a bigger character. In BB he is the sibling of Willowshine#BB!DOTC#better bones au#Also just as a side note... I love writing BB!Skystar. My ire for the character comes from his redemption arc so I feel like I get to--#--write the character I WANTED to see#Same with Bramble in other BB arcs#cw ableism#tw ableism#ableism#They're fascinating in that they always have to see themselves as the victim or the hero#They believe every lie they tell.#If you ever catch them in a contradiction they will still try to find some way to turn it on you and YOUR lack of understanding.#Interestingly both of them are ableist. Sky's is just more obvious because he's LOUDLY bigoted.#But BB!Bramble is *notably* less close to Jay for a very sad and very subtle reason.#Jay just doesn't serve his ego like the others do until much later in his life.#unfortunately most bigotry is like that.#the type you have a hard time calling out because it's a deniable bias. the constant gaslighting of being part of a marginalized group#Maybe I need to address the criticism by adding a character with a prosthetic to THIS arc even earlier#Problem is that like... Thunder's small merc group is already full of disabled characters and their THING is forming in response to ableism#OH maybe I'll put someone in the Forest Cat group which is lead by Slash?#I need to finish that last book and then gather up all the cats for sorting into allegiances
75 notes · View notes
commsroom · 3 months
Text
considering hera's canon disability, i think there's something interesting about the presumably short lifespans of goddard AIs. each generation of sensus units seems to be on a development cycle of about three years, and the gen zero units - rhea among them - were less than a decade old. there's nothing to say that an older AI will necessarily be replaced by a newer one, and it's entirely possible goddard maintains and upgrades the functionality of at least some, but there's no sentimentality to it. the fact remains that AIs do not have lives outside their jobs, and their ability to keep those jobs depends entirely on being the most reliable, effective, and cost-efficient option. think about the life cycle of real-world technology. these are people for whom the right to repair and access to healthcare are the same thing, and there's something in that about planned obsolescence and the way capitalist systems treat human people like disposable objects - particularly, again, with regard to disability, and lines of work where it's a high risk.
and i'm interested in hera and embodiment from that angle. because people like her don't tend to live that long - there's no way of even knowing if a regular human lifespan will be possible for her - and the idea of her having a body is uncharted territory with even more uncertainty attached. people will tell her that. that her body could reject her, that she might not have mobility, that it might make her pain worse, that it might not work at all. that, even if it does, she probably won't live very long that way. and she might have difficulty, and pain, and, yes, she will still be disabled. but she will go on to live another thirty or forty years longer than anyone told her would be possible, and get so used to normal, comfortable everyday things that she'll take them for granted. that's what i want for her.
106 notes · View notes
ahappydnp · 1 month
Note
I’m not the anon asking about the Florida trip but now I’d like to know more about the one where Dan went too
a ton of cute photos and tweets and also dan got detained by tsa and sent to the bahamas
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
66 notes · View notes
cheese-water · 5 months
Text
When you think about it, Peptio’s sudden outburst makes a lot of sense. Pepito was pushed to a breaking point. And for Pepito, the only way for things to change, to get better even, is to refuse to play into Roier’s “game.” To give up on trying to make a broken system work. To discard any and all items that were supposed to make this hell tolerable. And, most importantly, to fuck off to who knows where, at least it’ll be better than here.
Actually, when you really think about it, this song and dance sounds quite familiar. If only Pepito had tossed all the items in lava instead of a chest… well let’s not dwell on it too much, the damage has already been done.
If the gas mask fits, you might as well wear it and all :-)
114 notes · View notes
skrunksthatwunk · 3 months
Text
losing my shit at this shot
Tumblr media
noooo eiji im sorry you have to leave you're in danger you'll slow me down ohhh ok ash sorry im such a burden noooo you're not a burden we just live in different worlds and i don't wanna drag you into that distance distance distance meanwhile they're closer than ever. look at that you gay fucks your shadows are overlapping no matter how much you're in separate frames. jesus
95 notes · View notes
ojirocardigansniper · 5 months
Text
god. so many people do not understand the sheer power of telling a "misbehaving" child they're not in trouble and then just talking to them about what they're feeling. so many people- even the most well-intentioned- place value judgements on every fucking thing a child does no matter how dysregulated they are, and expect that child to implicitly understand the moral paradigm their punisher believes in and acts within. from the bottom of my heart, for every "bad" kid whose eyes go wide when i speak to them without that FUCKING tone, disbelieving my lack of anger- fuck you if you treat kids like this. this is how we've all become the fucked up adults we all are. act better
62 notes · View notes
mewkwota · 3 months
Text
Tumblr media
A Rare Moment
This is kind of a silly comic, but I ended up making it kinda cute at the same time. During my Harmony of Dissonance run I never found the Rare Ghost but by some crazy chance I happened to come across it once in Maxim Mode. I still haven't found it normally.
This was the only monster Juste couldn't find on his journey, so Maxim decided to lend a hand logging it in. How sweet of him, no? ^^
42 notes · View notes
angelsdean · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
gender trouble by judith butler (1990)
1K notes · View notes
heaven-zent · 30 days
Text
Tumblr media Tumblr media Tumblr media
what do you think he meant by this
22 notes · View notes
mettywiththenotes · 2 months
Text
What it looked like from both pov's at the time
Tumblr media
What they were both thinking at the time
Tumblr media Tumblr media
45 notes · View notes
sportsthoughts · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Tagged by @couthbbg thank you! this was hard.
Post your nine favourite albums: (in no particular order)
1. Arrival by ABBA (1976) 2. Midnight Memories by One Direction (2013) 3. Rumours by Fleetwood Mac (1977) 4. Tapestry by Carole King (1971) 5. Abbey Road by the Beatles (1969) 6. Speak Now by Taylor Swift (2010/2023) 7. Taking The Long Way by the Chicks (2006) 8. Stick Season by Noah Kahan (2023) 9. Breakaway by Kelly Clarkson (2004)
Tagging: @samuelbennett @robindrake13 @freebooter4ever @timbitshockey @dilftanger @harpyharpyharpy @cornerihaunt & anyone else who feels like it!
25 notes · View notes
Text
It’s absolutely devastating, but I think Luka Modric comforting Rodrygo might become my favorite moment of this whole World Cup. Luka Modric, a veteran, a mentor, and a legend in the game, waited patiently in his moment of victory so that he could comfort a devastated young player and club teammate. He didn’t rush in and give a half-hearted pat on the back, or head back to his celebrating team, he waited. He patiently waited until he could tell Rodrygo that everybody misses, that he’ll grow from this, and that he loves him. He didn’t gloat or avoid the situation, he went out of his way to both celebrate with his team and to show compassion for the hurting side. I get teary just thinking about it. That level of love and compassion and respect coming from one of the most talented players in the game is what it is all about in my opinion.
293 notes · View notes