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#not that i didn't also get emotional at the trailer
horsechestnut · 2 years
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I love The Lighting Thief Musical... but it has ruined THE line for me. I keep seeing people making memes about it, but every time I read the line instead of picturing the dark, atmospheric, amazing way Walker says it, my brain automatically goes for the high energy, excited, slightly angry “LOOK!... I didn’t want to a half-blood.” way Chris did it.
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moonlightsolo · 2 years
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eddie the bloody-handed
summary: your boyfriend, eddie, sacrifices himself in the upside down to keep you and dustin safe- but when you finally go back for him, something else has taken his place.
pairing: vampire!eddie x female reader
warnings: graphic depictions of blood, death, angst, mourning of a character, major spoilers for vol. 2, kinda villain!eddie at the end but with good morals
note: said i was gonna take a long break, but i couldn't help myself when this idea came up. also thinkin about a part 2???
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all you feel is pain. pain as your heart wrings in your chest, as if it will burst at any moment. pain from your lungs not allowing you to take a full breath. pain as your bones ache with grief while you scream out for your dying boyfriend, watching him choke out his last breath.
eddie's body sits limp and heavy in your arms, erratic pleas tumbling from your lips. your hands cup his bloodied face as sobs roll out one after another, searching his still face for any sign of life.
“no, eddie! please! wake up!” your voice echoes in the alternate dimension, coughing hoarsely from the phlegm building in your throat. 
“we have to go. right now. nancy's plan didn't work." steve’s worried eyes come into view in front of you, wide and full of fear. 
"why didn't you just run?" you cry out to eddie, fists desperately grasping at his leather jacket.
harrington stands up after you ignore him, taking a step behind you. his arms swoop under your arms to pull you up to your feet unwillingly, “what?! no!” your voice shrieks in protest. your legs kicking as you fight against his efforts, “steve, please!” you suck in a wheezy breath, your chest shaking and bottom lip quivering. with a grunt, you press a kiss against eddie’s still warm forehead. 
before you’re overtaken by steve’s strength, you yank an arm away from his hold to run your fingers through eddie’s unruly hair you’ve grown to love, “i love you, my sweet eds.” your watery eyes blink out numerous tears above him. the liquid slides off your face and onto eddie’s cheeks, carving tracks through the blood and dirt dormant on his skin. your body goes slack, succumbing to the battle. 
“i’m so sorry.” his voice cracks, the thunder rumbles above you two as your feet drag against the pavement. steve sniffles as he helps you up the stairs of the munson’s trailer, towards the gate in the living room. steve's emotions are getting the best of him. he would never want to do this to one of his best friends, if it wasn't a life or death situation.
the rest of the group has already climbed through with a new rope they found. the discarded one sits beneath the gate, causing the memory of eddie slicing it to save you and dustin to flash in your mind. 
another hiccup tumbles from your lips. a wet sniffle honks from your nose in attempt to suck up the mucus leaking from your nostrils. 
steve aids in helping you climb, his hands sitting respectfully on your waist. “steve… i can’t leave him.” you whimper quietly under your breath, pausing your climbing to glance down.
“i know, honey. i know, just- get through this part and we’ll come back for him. it’s not safe for us to be down here right now.” his thumb rubs your sides in attempt to comfort you, urging you to keep moving. 
your head nods, taking a deep shuttering breath before continuing your climb. small puffs of strained breath fall past your lips until you’re flipped right side up, back hitting the mattress that’s laid out on the ground.
robin’s hand reaches out for you, helping you up to your feet to allow steve to fall through. the floor rumbles beneath your feet, making you second guess if you’re still in the upside down. 
the things around eddie’s trailer begin to tremble, glass clatters and the objects on the wall swing. your eyes dart around at the people around you, their face mimicking your panic-stricken one. 
“steve! hurry up!” nancy shouts at him through the portal, making him quicken in pace, “i’ll be right back!” you announce as you turn on your heel.
“no! y/n! shit- what is she doing? there’s an actual natural disaster happening right now!” robin rants, loud voice slightly cracking as she follows. your legs quickly carry you back to eddie’s room, but not without tumbling into the walls from the force of the ground shaking beneath you. 
the modular home whines and cracks around you as your body frantically pushes through his door. 
the smell of his familiar cologne, weed and tobacco instantly smacks you in the face. tears instantaneously fall down your face, you stumble up to his electric guitar sitting pretty on the wall. 
“come on! we need to go!” dustin screams at you and robin from the other room. the urgency makes you reach out for the instrument, slipping the strap over your head. 
the dresser falls forward, drawers clattering as they fall out onto the floor of his room. you lunge forward to catch it before it could hit the ground, robin runs up to your side to help you keep it steady. 
“i think we really, really need to go. like right now, right now!” her voice is strained with panic. 
“i can’t leave without some of his stuff.” you huff out, dropping to your knees to vigorously search through his pile of clothes on the floor. 
you find two of your favorite band tees before standing up swiftly, snatching his cologne that has fallen to the ground on the way up. robin stands back to let the wardrobe fall, stumbling backwards to clutch your upper arm. 
she starts to lead you down the hallway, but a fallen polaroid catches your eye. you reach down as you run out of the room, snatching the flimsy photo. your eyes glance over it, a teary smile coming to your face when you realized what it is. 
eddie is laying down in his bed with you, arm around your shoulders as you hide your face in his chest. he’s playfully sticking his tongue out at the camera, his hand on your shoulder in a rocker gesture. your poor boy, oh how you wish he would have just ran. 
“holy shit! holy shit!” robin screams, her hectic pace quickens even faster. her scared voice makes you follow her eyes to peer at the ceiling, seeing that the gate has spread down the hallway. 
“come. on! come on!” harrington waves you down from the front doorway, screaming at you both to hurry up. robin practically flies past steve, hopping past the steps instead of using them. 
your arm is tugged along with her, so you have no choice but to follow her movements. you slide into the middle seat of nancy’s car. eyes watching as the gate burns a hole right through the top of the beloved trailer. 
once steve hops into the passenger seat, wheeler screeches out of the grass, punching the gas as she speeds out of the trailer park. 
all three of you in the back turn around to watch the gate crack the home in half, spreading to the ground outside. your heart aches as all the memories you shared with eddie are destroyed- just like that. you sorrowfully turn back around, sinking in your seat as tears silently run down your warm cheeks. 
“everything… is just gone…” you whisper out, fingernails digging into your knees caps through your jeans. dustin tackles your side with a hug, holding onto you desperately as he cries against your shoulder.
he didn’t even have to talk for you to wrap your arms around the boy, the silence in the car is deafening as you comfort each other. 
the ride home is dreadful. the rest of the party was informed that max was taken to the hospital, and the town is completely destroyed from all the gates merging. 
the next few days are even worse. half of hawkins population has been relocated to the high school. where you were involuntarily volunteered to help out, since it’ll be ‘good for you’ to get out.
you’re busy slumming out peanut butter and jelly sandwiches for the people of hawkins, working in a machine-like routine. robin is occupied with vicki, and steve is somewhere folding clean donated clothes. 
how is this supposed to help? it’s making you feel worse. you’d rather be absentmindedly strumming chords on the guitar instead of-
your running thoughts pause when you notice a crowd forming around the large windows. 
the knife in your hand clatters to the table below you before you run past robin to push through the crowd. your heartbeat pounds against your ears, ignoring the clamor of the people you’re pushing out of the way. 
you come to a clearing, noticing steve staring out the window in the front. you reach out to grip his shoulder to pull yourself to him, stumbling forward out of the packed crowd. his hand instinctively grabs yours to bring you closer to him, holding onto you protectively. 
when you’re close enough, you finally realize why everyone has gathered. to other people, it seems like it’s snowing, but to you and your friends, the familiar upside down dust is floating freely in the air. 
“steve…” you breathe out, hand gripping his just as harshly, “what’s going on?”
he turns his head, giving you a look that makes fear travel down your spine, “i think.. it’s merging with our world. another gate must’ve opened.” 
the sound of another gate opening makes you perk up, mind cranking with millions of thoughts. steve realizes what just clicked in your mind, but he’s too slow to react. you’ve already pulled your hand away from him, and started pushing back through the crowd. 
you need to find this gate in hawkins, you need to find eddie. 
steve calls out your name repeatedly, not having the best luck weaving and bobbing through the crowds as he chases after you. 
your feet take off in a sprint, dodging numerous children and people as you make your way through the maze of corridors in the high school. the area is heavily guarded by military personnel; which means you need to find a way past them. 
you burst through the front doors of the school, trotting quickly down the steps. the door behind you bangs open, a panting steve emerging as he weakly screams your name. 
you stop in your tracks, turning around to look at him with a stern glare.
“steven, you can either you help me, or you can ignore what i’m doing and go back to folding clothes.” you breathe out heavily, giving him an ultimatum. 
he marches up to you, face twisted with frustration, “i don’t think you realize how dangerous it’s going to be to go back! i mean- seriously? there’s militia everywhere, they will shoot-!” 
“you can lecture me all you want, harrington, but you will not change my goddamn mind.” 
steve groans in annoyance, looking up at the darkened sky, “you obviously know i’m not going to let you do this by yourself, right?” he mutters, stressfully running his hand through his hair as he drops his head to stare at his feet. 
a small grin curls up on one side of your mouth, your hands rest proudly on your hips, “i seriously love you, steve. now let’s go.” you slap your hand into his to pull him to your car but he doesn’t budge. 
“we can’t do this alone.” 
steve corrals robin and dustin from inside the school, gives nancy a call, but she refuses to help anyone go back into that hell. (that’s her exact words)
dustin knows exactly where eleven’s hideout is, so steve drives there with the help of dustin’s directions. the car rolls up to a very old, almost destroyed cabin. 
the inter-dimensional dust seems to be thicker around this part, and there’s nobody to be found. “come on.” you usher, hopping out of the backseat to run towards the house. you knuckles rap against the wooden door, but to no avail. 
you hop down the steps, ignoring the rest of them to run around back. you notice a trail that leads through the forest, so you opt to follow it; even with steve’s fatherly protests. 
it seems like you’re going the right way since the dust is growing thicker, almost as if a gate is nearby. you come across a clearing, a grassy hill scattered with wildflowers. the scene behind it catches your eye, dark smoke billows into the sky from the cracked open earth. 
it resembles a scene out of a fantasy book, like lava is spewing from the depths of the planet. the group is standing farther down the hill, surrounding something on the ground. 
you run up to them, chest constricting with anxiety as you grow closer. there it is- the gate.
the people around you call your name in surprise from your arrival, but it falls upon deaf ears. every form of self-preservation is screaming at you to not jump through, but your heart aches for eddie; to find him and put his body to rest.
as you’re about to step through the gate, your body is held captive by someone gripping the back of your metallica t-shirt, “what do you think you’re doing?” 
your head spins around to the person holding you back, seeing hopper, alive and well. “oh my god!” you shriek, throwing yourself at the man who quickly hugs you back with a hearty laugh. 
“hey kid. how you doing?” his deep voice rumbles. this doesn’t seem real. 
the floodgates let loose, tears soaking into his shirt. “i’m terrible.” you sniffle, wiping your nose with your hand, “my boyfriend… he- he died in there.” you point back at the gate with your lip quivering. 
“i want to get him. bring him back to give him a proper burial. i just- i left him in there.” you sob, digging your face into his chest. 
“hey, hey. i don’t think going back there is the best idea right now. we need a plan.”
you pull away from him, eyebrows furrowed in frustration, “i do have a plan. i’ve been thinking about it for days. i know what i need to do.” you pull away from him, turning on your heel to stare down directly into the gate. 
it seems as if everything slows down around you. before you could decide if you want to jump into it, a tentacle from the gate whips out at your foot. the slimy extremity spirals up your leg to grip your body, pulling you harshly to the ground. 
a scream leaves your mouth as you’re tugged towards the mouth of it, “no!” you yelp, scratching at the ground, dirt building up under your nails. you wanted to make this decision yourself, not to be forcefully taken in.
flashes of your friends running after your helpless body are seen between your head being hit repeatedly against the ground. your body is lashed around by the violent force of the creature as you fight against its efforts. 
your strength is nothing compared to it, unable to keep yourself in your own world. the tentacle tightens it’s grip on your ankle as it pulls your body into the alternate dimension. 
the thing detaches from you, throwing your body into the air as you scream into the oblivion. gravity takes over and you’re sent hurling towards the ground. your side slams into the solid terrain, your lungs left unable to work. 
all the air is punched out of your body, instantly struggling to breathe as you army crawl away from the insistent tentacle. “augh- fuck.” you wheeze, unable to take a fully deep breath from the air being knocked out of you.
you roll onto your back, looking over at the gate that’s sealing up in the ground. the once colorful flowers around you seem to have molded and withered away, the sky is dark and menacing, lightning flashing red. 
your consciousness seems to fade in and out, head twirling dizzily. you blink in attempt to clear your fuzzy eyesight, lungs finally regaining some strength. 
your hand rests on your chest as you breathe in all the upside down grime. you close your eyes for a moment to try and relax, taking in deep and slow yet painful breaths. 
something above you blasts air in your face, making you gasp and whip your eyes open. the dark silhouette of a large bat-like creature in the sky is shown by the flashing lightning. 
adrenaline kicks in your nervous system, activating your fight or flight response. your legs scramble beneath you as the bat nose dives, and barrels down right towards you. 
“shit shit shit shit!” you screech when you notice it growing closer, hands coming up to hide your face. it’s cold grasp embraces your body, trapping your arms by your sides and lifting you up into the sky.
the freezing air whips through your hair, your eyes hesitantly squint open to look around you. red flashes in the clouds you’re flying through, making your body tremble with fear. even with the cold temperature of the sky, sweat pools on the back of your neck.
the monster soars through the air, it’s fur slightly tickling your nose. since you’re pressed into it’s chest, you didn’t dare to look up at its face. you’re not dead… yet, so you decide to glance at your attacker. 
it seems almost human like- it’s skin is soft, yet deathly pale, almost grey. it’s wearing a bloodied white shirt, it’s scarred sides in full view from the torn holes. you realize that it’s not fur, it’s curly hair that adorns it’s head. 
oh my god. 
the jawline, the hair, the ripped up hellfire club shirt… 
“eddie?” you scream out over the loud wind in your ears. instantly, tears spring to your eyes as you wiggle in his grasp to bring one of your hands out. his tight grasp doesn’t budge, not letting you move as he traps you against his chest. 
eddie drops beneath the clouds, making you squeal from the feeling in your abdomen. his arms tighten protectively around you before his wings widen, stopping the airflow to gently lower you both to the ground. 
once your feet touch the grass, you stumble backwards to fully look at him. it’s eddie, but he doesn’t look like your eddie. his skin is much paler, clothes torn where he was bitten by the demo-bats, wings folded fingertips black with long dark nails, and leather jacket scuffed and ripped from his protruding wings. 
“eds?” you call out his name again, stepping forward with your hand out. his head hangs, frizzy hair covering his face as he shakes and grips the roots at the top of his head.
“baby, please. look at me.” your voice whimpers out desperately, tears running down your cheeks. 
“stay away!” he raises his voice, making you stop in your tracks. his shoulders quiver as he silently cries into his hands, “i’m a monster. i don’t want you to see me like this. why did you come back?”
you take another careful step towards him, waiting for him to tell you no before you take another one, “my love. you’re not a monster.” you mutter with a breathy laugh. 
his head lifts up, looking at you with bright glossy red eyes instead of the dark brown ones you’ve grown so fond of. you stop to stare at him, looking over his slightly sunken cheeks. his perfect lips are still plump, and slightly pink. 
“but i am.” he talks, flashing his pearly fangs in his mouth. the sight makes your blood run cold, but you refuse to let him know that it terrifies you. 
“no, eds. you’re not.” you shake your head with a watery smile, reaching both your hands out for him. his bright eyes dart towards you, then to your hands then back down to his.
shakily, he lifts his arms so his hands were hovering above yours, fingertips grazing against each other’s. you slightly raise your hands, fingers wrapping around his slender wrists. the temperature of his skin is a great contrast to yours. it feels as if he’s been outside in the snow all day.
“i don’t wanna hurt you, sweetheart.” his voice is timid, quiet and scared. 
“you won’t. i know you won’t.” you let your hands travel up his familiar arms, feeling the muscles and once full veins under his skin. you let your hands travel to his waist, pulling yourself towards him to embrace his rigid body. 
at first, he’s tense when your body presses into his, but he soon softens against your touch. he nuzzles his nose into your hair, letting out a relieved shaky breath. “god, i missed you so much.” 
“eds, you died in my arms. i thought i was never going to see you again.” you mumble into his dirty shirt, voice muffled. 
“i did, but i woke up once you left. i turned into... whatever this is,” he motions to his body, “think i’m part demo-bat, or somethin’.” he chuckles, fluttering his wings behind him. 
“like kas the bloody-handed, from d and d.” 
“kas?” he tilts his head back to look at you with a sly smirk, “hearing you say that was so sexy.” 
“only learned from the best.” you bring your pointer finger up to poke his nose, making his face scrunch up. 
“can i kiss you or will you bite me?” 
“maybe i will… maybe i won’t.” he shrugs playfully, gripping your hips to pull you closer. his infamous smirk makes your stomach flutter with butterflies. 
you stand slightly on the tips of your toes, craning your neck up to peck a wary kiss against his cool lips. he chuckles against you, dipping down to catch his lips with yours again.  
the temperature sends a shock down your spine, goosebumps rising on the surface of your skin. his nails slowly drag up the back of your arm, making another shiver wrack through your body. 
the sharpness of his fangs press into your bottom lip as he deepens the kiss, wiggling his tongue past your lips to press against yours. 
eddie’s hands glide down your sides to rest on the swell of your ass, squeezing the plushy flesh there. his wings flap happily behind him, curling in around your bodies to shield you both from the surroundings. 
you pull back from the kiss, eyes fluttering open to look around, noticing the fleshy wings circled around you. “eds, you’re so beautiful.” you stare up into his crimson irises, bringing a hand up to cup his cheek. 
the boy nuzzles his cheek into your palm like a puppy, happy to be here with you in this moment. touching you, feeling your warm skin under his icy fingertips. 
the crunch of footsteps behind you makes him tug you against his chest possessively, wings tightening around your body to hide you as he whips around towards the sound. 
eddie lets out a loud hiss, showing his fangs at the aggressors in front of him. his eyes are intimidating, baring his teeth as he tries to ward off the intruders. 
“hey, hey, hey!” someone attempts to calm him down, their voice deep and muffled by something. “we don't want to hurt you. we’re looking for someone! a girl. she came in here, did you see her?” 
his eyes flicker between the people, muscles softening against you. his wings slowly unravel, letting you in view. when you turn on your heel, you don’t exactly recognize them at first. 
two men are standing in front of you, clothed in protective gear, flashlights and weapons in hand and bandanas over their nose and mouth. “steve? hopper?” you breathe out, squinting to get a better look. 
“hey, yeah- it’s us.” steve’s eyes flicker to eddie, looking fearful of the winged man. “harrington?” eddie calls out with a shocked tone, hands on his hips as he leans forward to stare at him for a moment.
“should’ve known by the hair.” he gestures with a twirl on top of his own head, “sorry, buddy.” he chuckles, “didn’t mean to scare ya.” 
“what happened?” harrington asks, eyes raking over munson’s silhouette with a frightened look. 
“long story short… those uh bats? turned me into a vampire, kind of thing.” he nods his head once he thinks he explained it good enough, pursing his lips awkwardly. 
“y/n. we have to go. you can’t stay here, come on.” hopper waves his hand as he moves toward you. 
your eyebrows furrow, taking a step towards eddie. “i’m not leaving him. i just got him back.” you wrap your arms around his side. 
eddie pulls you in protectively as hopper sighs and takes another slow step towards you both, “i don’t want to fight with you, let’s just go. it’s not safe.” 
“excuse me. i don’t know who you are, but she says she doesn’t want to go, and frankly, i don’t want her to either.” eddie grows more and more protective by the moment, upper lip slightly twitching as he yearns to snarl. 
the man completely disregards eddie, “did you not hear me correctly? it’s. not. safe. you can’t be breathing in all this shit for a long period of time.” hopper grows impatient, his broad shoulders huffing. 
steve is behind him, eyes darting nervously between everyone as he stays quiet. “you gonna help me, or what, kid?” hopper shouts back at steve who clears his throat and steps forward. 
“yeah, uh. you should probably listen to him.” 
“or what?” you snap back, chest rising and falling quicker as anger brews deeply inside of you. 
“or i’m going to drag your ass out of here.” jim states, obviously loosing his cool. 
“over my dead body.” eddie steps forward, almost chest to chest with the taller man. his fangs slightly show as he finally snarls at him. 
hopper let’s out a chuckle, but not one that’s sounds like you just told him a joke. “huh, okay.” his hand rests on the weapon in the holster of his waist. 
“eddie. get us out of here.” you whisper up to your boyfriend, in fear for both of your safety. “hold on tight.” his arms wrap around your waist as he launches himself from the ground and into the air. 
“hey?! hey!” hopper and steve yell at you both, watching from the ground as eddie disappears into the clouds. 
your body shivers from the below freezing temperatures of the high altitude, gripping his body for some sort of solace. 
“hold on, baby. tryna find your house.” he dips beneath the clouds, eyes looking over the area until he finds your home. he drops to the ground, leading you up to your doorstep. 
eddie pushes open the front door, letting you walk inside first before following behind. he locks the door behind you both, letting you look around at your home. 
“it’s like mine… but different.” you breathe out, walking up the steps to find your room. eddie folds his wings behind his back as he follows you up the staircase. 
the door to your bedroom is already cracked open, letting you slip inside easily. the bed is messy and thankfully not covered in vines, “i’ve been staying here. since mine got destroyed by the giant gate.” he clears his throat awkwardly, watching you as you peer at all your familiar things. 
“can you sleep?” you ask, turning to look at him leaning against the doorway. 
“nope, i tried.” he huffs, rolling his eyes, “doesn’t mean i can’t cuddle with you while you do.” his eyes perk up, awaiting for your answer with a little smile. 
“of course, darling. you can always cuddle me.” you plop on the bed, patting the empty space beside you. 
eddie sulks up to you, sinking into the soft mattress. “you know, i tried to leave through a gate and it burned me. i mean, i healed quickly, but it hurt like a mother-fucker.” 
your worried eyes flash to him, “wait- you can’t leave?”
he shrugs in response, gulping when he notices your emotions growing stronger, “don’t worry ‘bout it right now, babe. we’ll get henderson down here and that nerd will figure something out.” he wraps an arm around your shoulders, guiding you down into the bed. 
“but for now, get some rest, okay? i can tell you’re tired.” he tucks you in under the blankets along with himself beside you. 
he stares down into your eyes as he slightly hovers above you, “everything will be okay.” he pecks your lips with a reassuring smile. 
“you’re right, we’ll figure something out.” you give him one last kiss before succumbing into his side, nuzzling against him to get comfortable enough to be able to fall asleep. 
one of his wings sneaks underneath you, wrapping around the side of your body like a canopy. he absentmindedly presses soft kisses to your face, enjoying watching you sleep.
“i love you.” he whispers to your sleeping self, before he begins to press kisses down to your jaw, making his way to your neck. 
eddie let’s his cold tongue poke over your jugular vein, feeling the heartbeat pumping blood through your body. his mouth salivates at the feeling, knowing you’ll be so tasty. you’re his girl, everything about you is tasty. 
he’s careful not to wake you up while he drags his fangs across your soft skin. every bone in his body aches to feed, to sink his teeth into you.
the animalistic urges take over, eyes tearing up from being unable to control himself. a hoarse hiss emits from his mouth, making you jolt awake. he presses his nose into your skin as you wake up, “eddie?” your pretty voice whispers out to him, pushing against his chest but he doesn’t budge. 
he trembles in your arms, lips opening to mouth at your skin, “eddie, you’re scaring me, baby. get off.” you whimper, pushing more aggressively against him. 
“i’m so sorry. i just- i can’t be without you... please forgive me. i love you.” he weeps softly in your ear. 
his words makes you go still, eyes going wide when you realize his fangs are pressing into your skin. “eddie!” you yelp once the pain grows hot on your neck, pushing your hands roughly at his chest. 
a cry tumbles past your lips, his wings curl around you to hold you steady. his strength is no match against you as he slurps at your delicious blood. 
the thick warm liquid hits his tongue, an almost orgasmic moan gurgles out against your neck, “eddie, please!“ your cries grow softer as more blood is drained from you. 
the hits against his chest slowly fade to nothing as you go limp in his arms. he pulls back instinctively with a gasp, wiping his wet mouth on the back of his hand. 
he cups your face once he realizes what he’s done, “i’m so sorry, baby. i’m so sorry.” he wails above you, wiping at the seeping blood on your neck with his hand. his thumbs swipe under your eyes to dry up your tears.
“you’ll wake up soon, sweetheart. everything will be okay.” 
-
tags: @authorlovers @powerfultenderness
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neptuneiris · 4 months
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Behind the Scenes (04/05)
Behind the Acceptance
pairing: actor!aemond × fem!reader
summary: there are new changes for you and Aemond, he wants to rectify himself for past mistakes and you get used to your new life with the father of your son present.
word counter: 10.2K (consider it as a christmas gift, love you all❤)
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I'M SO SORRY!
i know the wait has been too much and you don't know how sorry i am. i experienced stress during my last week of uni before leaving for vacation and i got a new job, which consumes my time and i couldn't edit or do any writing, but i managed to find small times to write and that's why it's taken me so long. i appreciate your understanding, really🥺
I would like to wish you all merry christmas and a happy new year, my best wishes to all of you and also to your families, have a great time and God bless you all beautiful people, you are amazing and truly thank you for so much🥰
now yes, enjoy!
warnings: aemond dad melting our hearts and that's it:)
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When Aemond told you to please go back to work and stop running away so that the two of you could face all this together, you didn't quite understand what he meant by 'go back to work'.
However, the next morning after waking up and starting to prepare breakfast for Aenar, you received an unexpected call that answered your question.
It's an unknown number so you accept the call with some caution.
"Y/N speaking? This is Michelle Watson, from the Warner Bros studio production department," she says and your heart jumps.
"Hello?"
You speak on the other end of the line, holding your phone to your ear.
It's HBO, who Aemond is working with right now and where you left your job thrown after unexpectedly meeting him again.
Nerves soon set in and you hold your breath, already feeling ashamed for leaving the shooting set like that without saying anything to anyone and creating a complete circus the moment Aemond called your name in the trailer in front of everyone.
"Yes, she speaks," you reply nervously.
"We want to inform you that despite what has happened, we understand it and the circumstances that led you to leave unexpectedly during your working hours," she tells you in a soft and formal voice, "And we will expect you tomorrow without any problem to resume work."
You frown completely, hesitate a little and blink several times in disbelief, not quite understanding.
"I'm sorry… what do you mean by resuming work?" you ask, barely able to contain your own surprise and disbelief.
"Some conversations took place," she explains, "Mr. Targaryen was quite insistent on convincing the production team to reconsider your situation. He advocated on your behalf, explained the circumstances and your entire track record as an excellent professional makeup artist so that you could continue to work with us."
With your lips parted and your eyes wide open, you are speechless for a moment, staring at a spot in your living room with your heart pounding, definitely not expecting to hear any of this after everything that has happened on this day.
You didn't even expect Aemond to decide to do this for you after everything that happened with him and Criston.
And just when you were starting to worry about how you were going to pay the rent for this apartment and even started to make a schedule in your mind to go get a job somewhere else tomorrow or even today.
"So if there's no problem and everything is fine with you, we'll expect you tomorrow at 7:00 A.M."
Completely speechless.
You can't even control your own heart rate.
But in spite of that, you can't help but feel a huge relief run through your entire body, where you still feel overwhelmed by the generosity and gesture of trust they are offering you, but you definitely feel completely relieved and grateful.
"Yes, yes, of course," you hasten to say, trying to control your emotions, "I'll be there. Thank you so much."
They give you a few more details, you ask few more questions and finally end the call, which leaves you with mixed emotions as you silently contemplate that you still have this new possibility of a better life for you and Aenar.
But you also think about Aemond.
And you will also wait to see how Aemond's integration into your son's little life will be now.
You really appreciate this gesture, you know that only he can do something like this with his influence and connections.
And in fact it gives you the confidence that he will keep his word that no one else will interfere in your and Aenar's life, only the two of you will make the decisions.
Arriving at the recording set, you leave Aenar in the nursery and then you enter the corridors of the whole big production, which is buzzing with its usual atmosphere with its twinkling lights, technical equipment with the huge cameras, microphones and all the sets ready.
You honestly feel nervous knowing that tomorrow you and Aemond will be working in the same place again, like in the old days.
But that's why you try to be as prepared as possible and you won't let all kinds of personal matters interfere with your work.
And once you arrive, you take a moment, take a deep breath and push open the door, where that familiar atmosphere once again envelops you.
You don't even know why but your heart is pounding as you walk down the halls and every step leads you to your area, the makeup and wardrobe trailer.
You assume it's out of shame after what happened yesterday.
Unfortunately your entrance doesn't go unnoticed and as you close the door behind you as you walk just a little into the trailer, some curious faces turn to see you, including Jess, who stops her usual routine and rushes over to you, her eyes wide with surprise.
You hug her back gently, feeling relieved and less tense by the warm welcome from Jess who, even though the two of you don't know each other very well, she actually seems like a very nice person and her personality shows you that.
"Ah Y/N, what a relief to see you again!"
She exclaims with her tone full of joy.
"God, I thought you wouldn't come back," she says as she hugs you excitedly, providing you with some comfort.
"I'm so sorry about yesterday," you say with a regretful gesture and you both break the hug, "I shouldn't have left like that and you don't know how embarrassed I feel. I'm really sorry."
"Oh no, don't worry about it," she assures you instantly, making a nonchalant gesture, "That's all in the past. The important thing is that you're back and I can't tell you how much I appreciate it," she comforts you with a small smile, "We have a lot of work to do today and we need to get you up to speed right away."
Jess, full of energy, ushers you further into the trailer while you greet your other co-workers. Then she explains the day's itinerary precisely, pointing out schedules, wardrobe changes and other important details.
All the while you nod, thanking her for her guidance and trying to keep up. In the midst of all the preparations, the huge door opens again and Aemond is now the one who makes his presence known.
Your gaze meets his and you see the obvious and unexpected surprise in his eyes at seeing you again, but there's not much reaction from either of you as instantly the makeup artists call him over and guide him to start prepping him for today's filming scenes.
And Jess also takes your arm, guiding you to the back of the trailer where the dressing rooms are located explaining what you will be doing, forcing you to look away from him.
And you can only feel Aemond's gaze on you until he loses sight of you.
Jess continues to explain to you, but you can't help but think and wonder certain things, like if everyone here, even Jess, knows about you and Aemond... what you once were and that you have a child together.
The behavior of both of you yesterday was very obvious, that's what you would think if you were an expectant one, so surely there must be some speculation.
And at that moment you remind yourself that your priority right now is your work and that the personal should be kept out of your work environment, so you shouldn't even think about it.
Finally you focus on following Jess's directions, putting aside distractions and preparing for the day.
Jess leaves you alone to take care of her own work and you start with yours, where you spend about an hour still in the back of the trailer, where you check and prepare the costumes that already have to be ready for the scenes that will be filmed soon.
When in the middle of everything, you hear some footsteps approaching behind you and thinking it must be one of the other actors or one of your co-workers, you turn around and the first thing you notice is that silver hair.
Aemond enters this section of the trailer a little unsure, without saying anything, while you also watch him without saying anything.
He is ready to record his scenes with that scar on the left side of his face that his character has and he only lacks the costume.
Until finally he speaks first.
You knew that having a conversation with him again would happen soon, so you're not surprised.
But for a moment there is a tense silence and a slight nervousness and insecurity on the part of both of them, where a clash of emotions is reflected in each other's gazes.
"Hey," he says in a soft, low voice, taking a couple of steps towards you.
You try to smile a little in his direction, not knowing exactly what to say or what to do.
"Hey," you wave back.
There is an awkward pause before Aemond again takes the initiative, taking a few cautious and slow steps towards you.
You bite your lips and lower your gaze for a moment, as he puts a hand to the back of his neck and looks so insecure and nervous standing there, surprising you a bit, as that behavior in him is unusual.
He usually always has that confident attitude in everything he says and does.
"I'm glad you're back," he admits to you, his low tone full of sincerity, "It's good to see you around again."
His words and that friendly gesture take you a bit by surprise, and although you still feel overwhelmed by the unexpected situation, you appreciate the way he is leading in handling all of this to start working together for Aenar's well-being, leaving past tensions behind.
"Thank you," you reply, feeling that sense of relief in your chest again, "Oh, hum… and thank you for talking to production so I could come back," you say a little shyly but gratefully, "You didn't have to."
He lets out a scoff in a nonchalant and also absurd gesture, frowning slightly his nose and forehead.
"Please, it was the least I could do," he tells you softly and with a warm tone, "Besides, it was nothing. I was just afraid you'd decide not to come back."
You hum in understanding.
"I thought about that," you confess to him, lowering your gaze for a moment, "But things were going to be easier for both of us with Aenar if I came back here," you explain, "Still, it was a very kind gesture of you."
Aemond nods, his gaze conveying a mixture of emotions that reflect both relief to see you back here, understanding, and also regret for the past that still haunts him. But he doesn't let those thoughts invade him too much at that moment.
Again there is silence in between for a few seconds, when he speaks again.
"How is Aenar?" he asks in a voice charged with a mixture of happiness, nostalgia and longing for his son.
"He's fine," you say in a soft voice, "He's in the studio nursery. Mary takes very good care of him," you add, wanting to reassure him that his son is being properly cared for.
He nods slowly, humming in response, trying to hide the intensity of his emotions in his gaze.
"That's good, I'm glad to hear that," he replies, vulnerability in his tone and gaze.
The air between the two of you still lingers, charged with emotions that neither of you dares to express openly. However, taking advantage of the conversation, Aemond decides to propose something.
He just met him yesterday and can't wait to see him again, to be in his company.
Yesterday's hours were simply not enough. And knowing that his son is well brings him relief and a feeling he hasn't experienced before since he found out he is a father.
"If you want, I can pay for a trusted babysitter for him," he offers and this gets your full attention, "I'm just saying… so you don't always have to bring him with you to work," he says with a hesitation, his tone betraying his insecurity about his proposal.
You remain silent for a moment, not knowing what exactly to say, in fact processing the unexpected offer. And Aemond can't help but feel even more unnerved by your silence.
"I-I… I don't know," you murmur, hesitant.
This nursery in the set is at least in the same place as you and that gives you relief that whatever happens, you can rush to him right away.
The idea of a babysitter strikes you as a mixture of relief and concern.
In the morning you'd have more time getting ready to come to work and it wouldn't be as much of a burden on you, yet you've never left someone to take care of Aenar while you're away.
But leaving him at home and coming all the way here to work, that causes you hesitation, besides the fact that you have to know the person who will take care of your child perfectly, as well as have confidence in her, above all.
"Only if that makes you feel more comfortable," Aemond adds softly, "But if that's not what you want, that's fine."
You bite your lips, feeling uneasy at the thought of someone else caring for your son and having him away when you're working.
"And you know someone who might be trustworthy?" you ask attentively and still with hesitation in your gaze.
"Yes," he tells you immediately, softly, "Rhaenyra has an army of babysitters to take care of my younger nephews. I can ask her for help with that and I know she'll say yes," he assures you.
"And they are professional babysitters?"
"Yeah, yeah, Nyra is also very careful with the selection and the babysitters she has hired have years of experience and so far several of them have worked with her for a few years now."
And after a moment's reflection, you agree.
And as convincing as the information is, still a mixture of worry and resignation envelopes your body.
But you knew that sooner or later you would have to face the situation of balancing your job with the responsibility of caring for your little one, accepting the idea that you won't always be able to have him with you.
"All right," you nod to him, "But I'd like to do some interviews first."
"Yeah, of course. I'll take care of that, don't worry," he says softly, nodding to you and you nod back.
"Thank you, Aemond."
"You don't have to thank me, Y/N, it's for our son. And if he or you need anything, please just let me know."
Seeing Aemond so willing to be a present father and his desire to be involved in his son's life, to some extent relieves you and surprises you a little, clearly because of what happened at first when you found out you were pregnant.
But so far… he has really shown you that he wants to be present and without having Criston and all his team around anymore.
The slight tension in the air is felt again as you and he continue to navigate the terrain of this new dynamic, which feels a little weird and you feel very nervous, though you don't even know why, while he at all times seems unsure.
And in an attempt to diffuse the tension, now you're the one who speaks first.
"Okay," you nod, "And if you…" you try to say a little nervously and with some caution and insecurity, "If you want to go see Aenar at the nursery or even at the apartment, you can," you assure him with a soft tone, "I never said you couldn't visit him and I don't plan to take that right away from you."
Vulnerability is reflected both in your words and in Aemond's expression, who with his soft face and with his gaze full of various emotions, places a small gentle smile on his lips.
"I'd love that."
Your words mean more to him than you probably realize. That sincere gesture of openness on your part, Aemond deeply appreciates.
Just as he appreciates that the conversation has reached a level of understanding and cooperation that neither of you had anticipated, but that you definitely appreciate. It doesn't end there yet, though.
"Can I ask you something?"
You nod, with no problem.
"Sure."
"What will you be leaving work on when your shift is over with Aenar?" he tells you interested and attentive.
"Um… well, yesterday I took the bus," you explain, considering that just yesterday was supposedly your first day, "And I had already planned that if I finished late, I'd take an Uber. Like now in the morning I was running a little late and took an Uber," you reply, trying to explain your transportation routine.
In fact there is nothing wrong with moving this way, many people do it, besides you don't have many options.
But that's what Aemond doesn't want, he wants to make your life a little easier, especially since Aenar lives with you and he doesn't want to risk something bad happening to both of you one day with public transport.
"Well, if you want, I can take the two of you," he also offers without hesitation, "Or if it seems too much, I can ask my driver to pick you up and take you wherever you need to go, without problem," he assures you, "I just don't want you to move that way with Aenar or by yourself."
This new unexpected offer from Aemond also surprises you, that you even think about turning him down, telling him it's not necessary.
Mostly you see it from Aenar's safety side.
But his concern is genuine and also you know that then moving you will start to be a problem.
You know you can't afford Uber every day, the fares aren't exactly cheap and there are other needs you have to take care of, besides taking the bus late could be dangerous.
"Well…" you look at him hesitantly and a little embarrassed, "You won't have a problem with that?"
"No, of course not," he answers you instantly.
You nod in his direction, grateful for his consideration.
"Yes, it's fine and seriously thank you for this too," you can't help but say, "Sometimes transport is complicated."
"Don't worry, it's fine."
He is about to say something else when a third voice interrupts him, entering the same space as you.
"Yeah, I know, sorry, I'm already on it," he assures her instantly.
"Aemond, are you ready now?"
Enters one of your co-workers, watching him intently and instantly with concern at the sight of him still in his civilian clothes.
"For God's sake, why aren't you dressed yet? Your scene is going to shoot in less than fifteen minutes!"
"I'll be back in ten minutes. Hurry up, please," the worried girl says and hurries away.
You instantly at that moment decide that the two of you can talk later and hand him his clothes from the scene he'll be shooting soon and he thanks you, heading for one of the small dressing rooms quickly.
When he finishes putting on his clothes, you quickly help him look perfect for filming the scene.
"I'll be seeing you," he tells you before leaving and you nod.
"Sure."
And from that moment on, over the next few days, everything changes as much for Aemond as it does for you.
He kept his word to drive you and Aenar back home every time your shift ended. And if he was still filming scenes, he would send his driver to take you instead of him, also to bring you in the mornings.
The relationship is cordial and collaborative and while there is no romantic reconciliation involved, there is a determination to build a more stable and secure future for Aenar, as well as prioritizing his well-being above all else.
At work, too, the dynamic between the two of you changes completely. Communication is professional, as it should be, but in every interaction there is a complicity that seems to have evolved.
There is a quiet understanding, a new focus on cooperation and mutual respect that is taking shape.
Also Aemond kept his word to hire a fully trusted babysitter and while he took care of that, sometimes you found him in the nursery with Aenar, keeping him company and playing with him.
At first this caused you some noise and also confusion, since Aemond is under the public eye spending quality time with his son and doesn't bother to hide it, so you wondered if already everyone working here, also Aemond's co-workers, knows that he has a son with you.
Again that sight couldn't help but make you smile with a certain nostalgic look, watching the interaction of those two silver-haired heads in their own world.
But it made you feel happy to see your little boy laughing and playing with his father.
And if so, you doubt that it will come out soon, because working in this production of whatever position, there is a confidentiality contract for everything, even for the personal life of the actors.
But when the shooting of this show is over, everyone is probably going to know about it. Although it seems that Aemond doesn't even think about it and doesn't really care.
So you decide not to ask him anything about it and how Criston and his whole team is going to take it.
You honestly don't know what Aemond has done with him, what they have talked about and what exactly happened for him to leave you and Aenar alone.
And you don't want to know. You've had enough of him and everything he did to you. And fortunately you live in peace and feel safe to have Aemond on your side this time.
And before you can say anything, Aemond steps forward with a soft little smile.
When one day on your day off you find yourself making dinner while Aenar watches his favorite cartoon in the living room and you supervise him occasionally from where you are, there's a knock at the door.
You're traumatized with the thought that maybe it's Criston and something bad is going to happen, but when you open the door you find Aemond with a woman by his side.
"Hey."
"Hi," you try to smile, a little confused.
"Are you busy? I-I didn't know and thought I'd just come over," he says, "And I'd let you know but I don't have your number or-or something."
"No, no, it's fine, I'm just making dinner," you hasten to say.
"I came because I wanted to introduce you to Elinda Massey," he tells you, pointing to the woman next to him and she looks at you with a warm smile, "One of the babysitters Rhaenyra recommended to me to take care of Aenar."
"Oh," you nod, now understanding.
You watch Elinda and she radiates warmth and assurance in her gaze, instantly feeling comfortable with her presence.
"It's nice to meet you, Elinda," you say with a small smile, extending your hand to her.
"Same to you, Y/N," she replies, shaking his hand with yours, "Aemond has told me so much about you and Aenar. I'm very excited to meet him as well."
Aemond beside her nods, his expression calm.
"Elinda is professional and very experienced. I wanted to introduce you to her and thought maybe we could do a little interview together, just to get to know her and see how she gets along with Aenar."
You instantly nod again.
"Oh yeah, yeah, sure, come on in," you step aside, allowing them to pass, "Aenar is watching his favorite cartoon," you say as you close the door behind you.
Aemond instantly walks towards him, making a sound of surprise, catching his attention and Aenar instantly notices him, smiling big at the sight of him, his huge blue eyes lighting up and reaching out his little arms towards him.
Both you and Aemond know Elinda better and you realize that she is a woman who has all the necessary experience and training. Besides the fact that when she approaches Aenar, he instantly laughs and plays with her.
Aemond laughs and takes him in his arms, starting to leave a bunch of kisses on his huge chubby cheeks, making him laugh as he holds him against his chest and speaks to him in a honeyed tone.
And you again can't help but smile as you watch the scene.
There is still that feeling of worry in you knowing that you will have to leave Aenar in someone else's care.
But Elinda shows you so much in so few hours, she tells you about her experience, shows you letters of recommendation, first aid certificates, as well as other care and Aenar has fun with her.
Aemond stays a few more moments in Aenar's company, playing games and watching the cartoons he likes, while you finish dinner and cleaning the kitchen.
The three of you establish a work schedule for her, as well as you tell her some recommendations and observations regarding Aenar.
And once everything is ready and clarified, she leaves and Aemond tells you that he has already taken care of all the payment details with her.
Every now and then you hear how Aemond asks him questions in a honeyed tone and repeats the same expressions he does when he sees his favorite character on TV, and then both start laughing.
Those sounds, the sound of your son's laughter and also Aemond's expressions, unconsciously make you smile and you watch from the kitchen as Aemond makes funny gestures or faces to make him laugh and attacks him with a lot of kisses all over his face or tickles.
Then you walk him to the door once he is ready to leave.
And there the two of them make themselves comfortable on the couch, eventually Aenar falls asleep on Aemond's lap, his back and head against his chest. He cautiously gets up holding him gently and puts him to sleep, while you thank him.
"Oh, right, I almost forgot," he says stopping in front of the door and turns to you, "This is for you."
You see him take his wallet from his back pocket and inside it, he pulls out what appears to be a black card and holds it out to you. This catches your attention and also confuses you, taking the card with that confusion, not understanding.
And only when you take a good look at it in your hands do you realize that it is a bank card.
"It's yours."
He says and you frown more, then raise your gaze to him asking for an explanation.
"I can only send money to it, I don't have direct access. You'll get the PIN from the bank, tomorrow after the shoot, I'll take you to activate it," he tells you, "You know, it's in case you need money to buy something for Aenar or for you, whatever you need."
Then when you fully understand the explanation and the purpose of this, you start to panic.
"Aemond—
You try to say feeling the lump in your throat and your heart starting to pound.
"I know I didn't tell you about this, but please, I want to do it," he interrupts you with a pleading tone so you won't reject him or reproach him about it, "Besides, this is necessary. Sometimes I will have to travel to other cities for shootings or events and I won't be able to see you or him and I want to make sure you don't lack anything. So just accept it, please."
"But—
"Please," he insists.
This really seems too much to you and you have an idea of the amount of money the card must already have. And no… in spite of everything, you don't want to accept this and feel that you are taking advantage of him.
You watch him still with hesitation and worry on your face, tension hanging in the air as you and he stand in complete silence, saying nothing for a few seconds.
You look back down at the card in your hands and Aemond follows your gaze, both of you standing face to face.
And it just seems that Aemond reads your thoughts by the hesitation and insecurity on your face.
"If you don't want to use it to also buy things for yourself, use it just to buy Aenar whatever he needs," he tells you softly, "After all, I was going to do this sooner or later, wasn't I? It's my responsibility to make sure he doesn't lack anything and that's what I'm going to do."
You let out a long breath, beginning to feel less of the weight of the luxurious and clearly exclusive black card in your hands, with his words beginning to soften your chest at the mention of Aenar.
"Fine," you mutter finally, letting out a sigh and raising your gaze to him, "B-but I'll only use it for things that Ae-
This gesture from Aemond is a clear sign of concern and responsibility he feels towards you and his son. And you truly feel that genuine desire that he wants to contribute for the welfare of both of you.
You try to clarify but he quickly speaks up.
"Yeah, okay," he nods at you, "Don't worry. Just… use it."
You nod again.
"Thank you, Aemond."
A slight flicker of concern appears in his gaze and he quickly tries to be able to struggle to find the right words to be able to explain himself so you don't misunderstand him.
"I don't want you to feel like I'm trying to—
"No, no, I don't think so," you tell him softly, with understanding, "This…" you look back down at the card in your hands and let out a sigh, "This is actually necessary and very helpful…. you really don't know how much I appreciated it."
He nods, his expression relieving a bit as he sees your behavior and also as you accept his support.
"Easy, it's okay," he assures you in a soft murmur.
"Also…" he starts to say with some nervousness but definitely more confident, "I wanted to ask you if you have social security for Aenar and you," he says with a serene expression, looking directly at you.
Again silence settles between the two of you but the air is different, calmer and less tense, feeling the mutual understanding.
And Aemond, after the two of you say nothing for another long few seconds, thinks it best to talk at this point about another plan he has in mind.
This also immediately catches your attention and you watch him warily, tilting your head to one side and starting to get an incredulous look on your face.
"You're not seriously thinking that—
"Y/N, please," he interrupts you, "This is no problem for me, really," he insists, "I just need to know."
"But—
"This is also important and I can pay for it."
"But it's a lot of money and I don't think—
"Do you really think I'll let you and Aenar go through life without being covered?" he asks you incredulously, "I can handle this. I really can."
His words continue to reflect that genuine commitment and you, despite your concern, feel something warm invade your chest, especially the gentle and willing way he is looking at you.
After all that has happened, seeing Aemond so determined to contribute to your son's well-being gives you a new hope and opportunity for Aenar's future.
The costs are too much, nothing you could really afford, not even for Aenar, since your salary was not much and had to cover other needs. You couldn't even afford it on your current salary.
You have always worked very hard to try to give Aenar everything he needs. Among them, paying for a social insurance for him, in case of anything.
But you could never afford it.
And that suddenly Aemond is offering it to you so easily, clearly because he can afford it, you feel somewhat overwhelmed and also feel that it is too much.
"And you're completely—
"Yes, I am," he interrupts you again, being very clear and honest with you, "This won't be any trouble, really," he assures you.
You want to tell him thank you, but the words get stuck in your throat. However, Aemond sees the gratitude is visible in your gaze, along with your concern and how you find yourself overthinking it.
So he just gives you a look of understanding and total reassurance.
"I'll be leaving. You need to rest. I'll see you tomorrow, okay?"
You let out a long breath, bite your lips and nod in his direction.
"Okay."
"Good night," he says softly as he opens the apartment door again.
"Good night. Drive safe."
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Lately the days have been more… peaceful.
But as the days progressed, you realized that it was useless to feel that way because when you returned to the apartment, everything was absolutely fine. And also everything is easier when you transport yourself with Aemond's help or with the help of his driver.
Having Elinda as a babysitter, your mornings are easier and she does an excellent job with Aenar, so you have nothing to worry about.
At first you would leave home feeling horrible and your whole body tense, always alert to your phone and exaggeratedly paranoid.
Aemond also one day told you the same thing, that lately things have been quiet, even the recordings have not been heavy for him compared to other days or other jobs.
And for the same reason that he is busy filming, he hasn't attended any events or interviews, that happens rather after he finishes filming a new show or movie and there is still time left for that.
Aemond drives in silence and the soft background music on low volume fills the entire interior of the car while you watch the city through the windows and Aenar sleeps secured in one of the back seats.
So on this one day and for one occasion only, Elinda had an important commitment that she couldn't postpone, so she didn't show up for work and you didn't have any problem, since you can bring Aenar to the nursery on the set.
And now it is Aemond who is driving them home after your shift ended almost at the same time he finished filming his scenes.
He and you haven't talked much during the whole drive, only about work, but even so the silence is comfortable and you can't wait to get home to cook a nice dinner.
The cityscape soon transforms into familiar and somewhat… careless streets, as you approach to your apartment.
He parks in front of your building and watches you.
You know this isn't a luxurious area and there's a lot of detail to look at, but it's what you can afford right now.
And that's just what Aemond thinks as he looks around the neighborhood, hating to leave you and Aenar here when he can get you a much better place. But he knows you'll say no.
"Will you stay here any longer?" he asks you softly, "I mean, will you continue to pay rent?"
"For now yes," you nod to him, "I'm saving up to move to a better place, to an apartment in a different area and that's close to work," you let him know, "It's just taking time because of my paycheck."
Aemond stares at you intently for a moment, thinking and pondering your words, with a thoughtful look on his face, while you make sure you have all your belongings with you before getting out of the car and carrying Aenar.
And just as he is about to speak, a familiar sound interrupts him and his son's crying is heard throughout the car.
You follow him too with all your things in hand, walking over to both of them.
You quickly turn to him to attend to him, trying to calm him down, while Aemond reacts and quickly gets out of the car to open the door to the back seats.
It takes him a little while to unfasten the seat belts, but once he's finished he takes him in his arms and whispers comforting words in his ear to make him stop crying.
"Shh, my little one," Aemond whispers, holding him against his chest and stroking his silver hair, "Hey, it's okay, it's okay," he murmurs, leaving a soft kiss on his forehead.
You move to his side and run one of your hands over his wet cheeks, watching you for a moment with teary blue eyes only to close them tightly and continue crying.
"Either he wants to sleep in his room or he's hungry," you say, stroking his face to try to calm him as well.
"He didn't eat?" he asks you attentively.
"Yes, Mary said yes."
"Then he wants to sleep," he says, trying to wipe the dried tears from his cheeks, "Come on upstairs, I'll take him," he tells you and you nod.
All the while Aemond tries to comfort him until they reach the door of your apartment, but when he lays him down in his crib, Aenar cries more and he carefully holds him in his arms again, trying to soothe him while you quickly stop in the kitchen and prepare a baby bottle, hoping it will help.
And when you hand it to Aemond, he stands gently pacing around the room holding Aenar with one arm while the other hand holds the baby ottle for him against his mouth, hoping it will soothe him and he will fall asleep.
You take the bottle and Aemond carefully lays him down to sleep in his crib, leaving a soft kiss on his forehead to finally let him rest.
Aenar eventually calms down as he drinks from the baby bottle and watches with his blue eyes Aemond above him, who is still gently walking him around the room.
And little by little, wrapped in the safety of Aemond's arms, he falls asleep.
He sits up and turns to you, where you both look at each other without saying anything for a moment, sharing a silent connection.
"Thank you," you whisper to him.
"Don't worry," he says back to you in the same way.
Together you leave Aenar's room without a sound and gently close the door.
That night Aemond drives to his apartment with a new thought in mind, one of which is to always provide a better life for you and Aenar.
That's why, without telling you anything and taking advantage of the fact that it's your day off, he manages to leave the recording set early, he tells you to accompany him to the mall to buy new clothes for Aenar and you accept without thinking about anything else.
During the ride, so far you haven't questioned him about anything and that relieves him, but when you finally pay attention to the streets he is driving through, that's when your confusion appears and Aemond is thankful that you are about to arrive at the real place he wants to take you.
"I don't think there's a shopping mall around here, Aemond," you tell him confused, watching the streets carefully.
You realize that he is actually driving through a private residential neighborhood, with the streets lined with luxurious homes or rather mansions that would catch anyone's attention and you are clearly no exception.
And remembering your locations, you can tell that this neighborhood belongs to the Visenya Hill area, the most exclusive and prestigious area of King's Landing.
"Aemond, where are we going?" you look at him completely confused and questioning.
"I want to show you something," he tells you without giving you any more detail, generating more confusion and despair in you.
"But you said we were going to the mall."
"I know, but I lied to you," he says with some regret and you frown, "If I told you I wanted to show you a house where you can live with Aenar, you wouldn't have come."
"What?"
You inquire in your completely incredulous, serious and questioning voice, watching him with your eyes wide open.
"Surely you're joking," you tell him absurdly, shaking in his direction and watching him completely intently and seriously, really wanting to believe this is a joke.
"No, I'm not," he says letting out a small laugh, watching you for a moment to turn his gaze back to the road.
"Aemond," you start trying to warn him, serious.
"We're here," he announces out of nowhere, alerting you more fully.
You watch with your lips parted and completely attentive at all the windows, as the car comes to a stop in front of an impressive house, whose high ceilings and elegant white columns stand out in the neighborhood.
The front garden with the green lawn, a beautiful fountain and flowering bushes only make it stand out more, besides the elegant entrance, its huge windows and the dimension of the whole house that makes you continue to stare at everything with your mouth open.
In comparison, Aemond looks at the house with a hopeful expression and feeling genuinely happy and excited. But at the same time, he is worried about your attitude and what you will tell him about all this.
At first you refuse to get out of the car, still incredulous and surprised, telling him this is crazy, but Aemond makes you get out and also gets Aenar down from the back seats, instantly on this rare occasion preferring your arms instead of his father's.
"Aemond," you try to say, worried and still unable to believe it.
"Easy. Come," he tells you completely unconcerned, leading you to the entrance of the house.
You observe everything, unable to help yourself, as there is even furniture and everything looks too expensive but too beautiful at the same time.
You watch as he holds the fucking key in his hand and opens the beautiful, gigantic door for you, without giving you a chance to say anything else.
And as you enter, the entire interior of the house spreads out in front of you, illuminated by the daylight filtering through the windows and highlighting every majestic detail of the property.
The simple entrance is large with a crystal chandelier above you hanging from the high ceiling, the living room is spacious and there is also a small decorative fountain. Further on there is another living room that you can observe from the spacious and eye-catching kitchen.
And the entire upstairs also completely grabs your attention, having three huge bedrooms, the master bedroom being the largest of them all, each with its own bathroom and closet.
The bathroom down here is ridiculously large for a bathroom. The pantry is also a ridiculously large room for a pantry.
The garden is lovely and has a swimming pool which, according to Aemond, can be automatically closed off for Aenar's security. There is a laundry and drying room as well.
"It's perfect, don't you think?"
Aemond tells you slightly excited as you walk down the stairs behind him, with Aenar in your arms and who also looks at everything around him with a twinkle in his eyes.
"Work is nearby, my apartment is nearby and Elinda has come to this area to work before, so it won't be a problem," he tells you with that little smile, turning to you, looking with that gleam of hope compared to you.
He clearly expects the same reaction from you and even having already seen the house, you let out a sigh and look at him with a serious and confused expression.
"Aemond, what do you think you're doing?"
"Well, it's for you," he tells you, pointing to everything around him, still not seeing how much this is costing you, "It's perfect for you and Aenar. And a chance for him to live and grow up in a nice, spacious, safe place."
You are speechless for a moment, feeling that heaviness in your chest and your heart pounding as you press your lips together and briefly observe everything around you again.
"Everything will be taken care of by me, you won't have to worry about anything," he assures you softly, "Aenar's room is big, the kitchen is big, there are two living rooms and..." he shrugs, "Like I told you, everything is close by."
"Tell me you haven't already bought all this," you say slightly concerned.
And then all emotion from Aemond slowly fades.
"But why? What is it that—
"Aemond, this is too much," you interrupt him incredulously, shock in your eyes, "How do you think I'm just going to accept this just like that?"
He steps closer, with the slight concern in his gaze, trying to convey calm, but his eye reflects the urgency of his purpose.
"Y/N, please. I only want what's best for you and Aenar. Besides, you said you're moving soon and—
"Yes but to an apartment, not a house that costs millions of dollars," you tell him absurdly.
"Yes, I know, but—" he bites his lips, nervous, "I wanted to do this. I wanted to give this to you and Aenar," he says insistent, "A safe place in a quiet neighborhood, where you can also have your space without having to worry anymore."
You shake your head.
"But—
"Look, just..." he tries to find the right words, trying to work on your willing attitude for not accepting this, "Consider it, yes?" he insist, "You don't have to make a decision right now, for now I just wanted to show you around, nothing more," he says calmly, though you know that behind that calmness is an obvious longing.
"But it's just that this is too much and... no," you look at him with slight concern, "I don't need to consider it because no matter how much I think about it, my answer is no."
"Aemond, this..." you begin to say with restrained sadness, hesitating, "This won't change the past. This won't make it so I can forgive you," you tell him resignedly, "This isn't about me and Aenar, it's about Aenar nothing else and her well being," you tell him in a broken voice, "But this... this house... it's too much."
"Y/N..." he says, taking a couple more steps towards you, wary, "Two years ago, I was the worst shitty boyfriend," he says with sadness and regret, "I had to support you, be there for you completely, I shouldn't have let Criston talk me into his plans, accept in the beginning to hide you and hide my responsibility."
He says as he looks nostalgic at Aenar in your arms.
"And now that you've given me this second chance, I just want to make things right....I want to do what I should have done in the beginning."
Aemond's expression, although he himself tries to remain expressionless, still feels as if he has been hit hard in the stomach when he hears your words.
And all illusion disappears, as well as his enthusiasm.
He resignedly steps back, leaving a space between you and him, not wanting to overwhelm you any more than he already has.
He thought this would be a good idea, that by the time the three of you were here, looking forward to the idea of a new home, you would understand and accept.
But there are still many open wounds from the past and he knows they cannot be healed with these sudden gestures.
"I know, it's just that I-I..." he tries to say with his voice laden with regret and deep remorse," I didn't expect this... a house or an apology to just fix things," he says sincerely and with disappointment, "I just wanted to give Aenar stability and offer you a safe place for the both of you, give you a better life."
Silence envelops you both, dense and charged with mixed emotions.
Aemond tries to find some sign on your face, wanting you to see his true intention, longing for some small indication of hope or acceptance.
And you feel the overwhelming weight of responsibility and emotions inside you. All of this is tempting, though your heart is still scarred by past pain and also distrust. And you are torn between caution and the opportunity to give Aenar the stability he deserves.
Aemond remains silent, respecting your space and your time to process the situation. But the indecision in you is all too obvious.
"Y/N, I promise you that all this is for Aenar and nothing else," he tells you seriously and sincerely, "I promise I won't try anything, except to take care of him and make sure he lacks nothing," he insists, "At least stay in this house until he grows up a little more and if you still think it's too much, we can find a smaller place," he proposes.
His words are left floating in the air, while you continue to think too hard. His proposal echoing in your mind, plunging you into a sea of thoughts, with indecision.
Aemond seems to have put his heart on the table, but your emotions continue to struggle between caution and hope, as you cannot ignore the possibility of offering Aenar a more secure and stable life, which is all you wish for him since you could not give him that at the beginning.
And it is also what Aemond desires, that is why he is so insistent and you see his true intention to give this to Aenar, without any other intentions in between.
But is it right to trust him again? What if Criston and his team try to intervene again? This time they would do it more easily.
Maybe it can be different this time.
You honestly feel like you're taking a big risk by agreeing. It's a big bet to open your life and Aenar's to this new opportunity, but you also see how he's striving to give you something better.
And that's exactly what has you questioning and wondering: should I give this a chance?
"All right," you finally say in a soft voice with a mixture of nervousness, "But only for Aenar."
Aemond looks at you with surprise and hope.
"Really?"
You nod, swallowing hard and Aemond lets out a long breath, visibly relieved and then, avoiding smiling big, takes the house key from his front pocket and holds it out to you, to which you take it a little confused.
"Don't you have to give it to the real estate agent?"
"Actually, I already bought it," he says with a nervous but innocent gesture at the same time, scratching the back of his neck, "Well, I haven't paid the whole amount, but I've paid most of it. So it's yours."
Seven fucking Hells.
You can't help but think as you close your eyes for a moment and let out a sigh, unable to believe it.
The new house soon began to have that warmth the moment you started settling in with Aenar. Every room radiates a sense of peace and comfort that you haven't experienced in a long time.
The move wasn't difficult at all, the only thing you had to transport from the old apartment with the help of Aemond and his driver was your clothes, Aenar's clothes, her toys and her crib, nothing else.
The house already had furniture, beds, decorations and even televisions already installed.
The high ceilings allow natural light to flood in, while the white walls set off the black and gray furniture and Aenar toys, creating a warm and cozy atmosphere.
Aemond builds Lego block forts together with him, buys him toy dragons, cars, stuffed animals and they both watch Aenar's favorite cartoon or movies, getting cozy on the shag carpet or on the couch.
Because Aemond's apartment is close by, his commitment is more accessible, so there is never a day that goes by that he doesn't visit Aenar.
Special moments between father and son are spent in the living room, where toys scattered on the floor become Aenar's playroom area.
Also some evenings the three of you have dinner together, where Aemond offers to feed Aenar and eventually the dining room fills with laughter and smiles as you focus on him.
The backyard also becomes a realm of adventure, where they both even plan picnics and invite you over.
They also both sometimes spend afternoons exploring with laughter and playing with the plastic cars on the lawn where Aenar imitates the sounds Aemond makes from a car.
The new house is filled with happy and warm moments, forming the perfect setting for Aenar to begin to grow up, having both of his parents looking after him.
The proximity of work and Aemond's apartment made the daily routine easier. The routes are short and convenient, allowing more time to enjoy time together.
And above all you definitely feel more at ease having Elinda taking care of Aenar while you are considerably closer to home from the set.
When one day at night, you had already received a message from Aemond telling you that he would be a little late to visit Aenar, as usual, and you replied that it was fine, even though tomorrow is your day off and you have no problem with sleeping late.
But the clock is almost half past eleven at night and you think he is not going to arrive, when just at that moment you hear the doorbell ring and you go to the door, checking from the IPad the cameras of a program that Aemond installed to record Aenar while he sleeps and also monitors in case of anything and so you can make sure he is okay.
And finally you open the door, watching Aemond carefully.
"I thought you weren't coming anymore," you tell him in a low, warm tone, but also worried.
Aemond nods, letting out a sigh.
"I finished later than I thought. It was a hard day," he tells you heavily.
You nod softly and understandingly, stepping aside to let him pass.
"Aenar is already asleep."
"Yes, that's what i thought," he says calmly, "But it doesn't matter, I won't wake him up, I just want to see him," he watches you with tired eye, "You should go to sleep too," he says as he places one of his hands gently on your shoulder, "I'll lock up and set the alarm when I leave."
Hesitation shows on your face for a moment, watching him intently and with a flash of concern.
"Are you sure?"
"Yeah, don't worry," he nods at you with a small soft smile, "Go get some rest, I'll take care of it."
"Fine, but anything tell me, no matter what it is, okay?"
"Okay."
With a soft nod, you both head up the stairs and down the hallway to the rooms, you wave goodbye to him before entering your room and he enters Aenar's room.
And once in your room, you cover yourself with your sheets and thinking that you would fall asleep the moment you were in the comfort of your bed, you suddenly stare at the ceiling for a long time unable to close your eyes and clearly unable to sleep.
He hasn't left yet, as you haven't heard that soft 'click' of the door or his footsteps in the hallway walking away.
You try to find sleep any way you can, but the thought that Aemond is still in the house is what keeps you awake.
And it's not because you don't trust him, on the contrary, you look at the time and feel remorseful and worried that he has to drive back to his apartment so late.
Minutes pass and suddenly you find yourself restless, sleep refusing to invade you. So with quiet steps, you approach Aenar's room, where the dim light of a night lamp reflects through the frame below the door.
Carefully and determined, you gently open the door, first peeking your head and then your body, catching the attention of Aemond who turns his head towards you, sitting near Aenar's crib and gently and very lightly stroking his hair so as not to wake him with a look of affection that does not leave his face despite the interruption.
"Can't you sleep?" he whispers to you, watching you with a soft gaze.
You nod softly, folding your arms as you look down at sleeping Aenar with palpable tenderness.
"It's late and I thought maybe... if you want, you can sleep here," you say with a warm tone but your hint of shyness in your voice is noticeable, as well as your hesitation to suggest such a thing.
It's no problem for you, it's just that he's never slept over before and you don't know what his reaction will really be to you proposing that, whether he'll say yes or no.
"And you're okay with that?" he observes you thoughtfully and softly.
"Yes, of course I am," you assure him completely nonchalantly, "It's totally fine with me."
He nods at you with a gesture, without wiping away his soft little smile.
"Thank you."
And then both his gaze and yours return to watching Aenar asleep in his crib. And Aemond resumes the smile of tenderness on his lips, again sliding his hand over his hair.
"He's beautiful, isn't he?" he whispers with a flash of pride in his gaze.
You hum in assent, slowly moving closer toward them both.
"Yes, he is," you reply, gazing at your little one with indescribable love.
A brief silence envelops you for a moment, only hearing the soft hum of the spinning lamp projecting images on the ceiling, creating a peaceful low-light scene of animals and stars for Aenar.
This usually helps him sleep and also calms him down a bit if he wakes up crying in the middle of the night while you wake up and rush over here.
"For a while I imagined how he would looked like, whether boy or girl..." he murmurs in a soft, warm, low, wistful tone, "No matter what you decided to do when you left, I always thought about it," he gives you a meaningful look, guilt on his features and you nod, watching him with understanding.
Aemond clenches his jaw and looks at Aenar again, while you remember those days, where fear and uncertainty lived inside you every day.
You wish you had them, those happy moments that a new mom should experience, but that was not the case for you and yet... you cannot imagine a life without your little boy, it is impossible.
What is supposed to be happy news, was not happy for you and Aemond.
There was no single moment of joy at the beginning, when you learned of your pregnancy. Nor did you experience that feeling the first few months, when you ran away and went back to building a new life.
And Aemond feels the remorse most in these kinds of moments, when Aenar is asleep and he looks at him, not being able to believe and wondering over and over again how it is that from the beginning, he supported the idea of just getting rid of him.
And now he sees only him and cannot imagine a world without him.
Shame overcomes him, guilt also and he even wants to cry with anger as he thinks of all that you must have gone through, without his support, trying to make a living for you and his son, all alone in a new and unknown place.
And he knows that this, allowing you to be in Aenar's life, is a great opportunity that he doesn't deserve and yet you have given it to him.
"I know you said you can't forgive me but... someday can you? For how I reacted and for the decision I supported in the beginning?" he asks you, unable to help himself and needing to know.
His tone is charged with a mixture of regret and longing as you feel a pressure and a slight sharp pain in your chest at his words.
Silence stretches for a moment throughout the room, Aemond respects your silence and though there are many reasons why you should never forgive him for what happened, you still decide to be honest.
"I don't know," you whisper in a low, sad and vulnerable tone.
The words echo through the room, enveloping the space with palpable tension.
Aemond feels his heart pounding, filled with overwhelming regret. He lowers his gaze, unable to bear the weight of his mistakes and your words are like a dagger in his heart, but still, he understands you completely.
He nods with compression, letting out a regret-laden sigh, still gently stroking Aenar's hair.
"I understand," he murmurs with a tone of melancholy and fragility, as well as in his gaze full of pleading and remorse.
"Does your family know about him?"
And you with your sad eyes full of regret, you watch him out of the corner of your eye.
And you see all those emotions in him, all his thoughts reflected in his gaze, trying to stand firm and on the sidelines as he continues to watch Aenar.
You can't help but ask, trying to calm the atmosphere a little, though it's useless, as that slight tension is felt and also that physical and emotional distance from both your side and him.
"I've wanted to tell them, only Nyra knows but I asked her not to say anything," he confesses to you in a low voice, trying to speak firmly but the nostalgia is clear, "Even though I know my mother and siblings will be disappointed in me when I explained what happened two years ago, yes I have wanted to tell them," he nods, "But first I wanted to discuss it with you," he says looking briefly at you over his shoulder.
And now it is remorse that comes to you.
"Tell them, Aemond," you tell him firmly with a soft tone, "They deserve to know."
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benisasoftboi · 7 months
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I am so happy with the conclusion of BBC Ghosts.
There were so many things I loved about the final series that I can't even keep it all straight in my brain, I'll have to rewatch it all (and the Christmas special, of course! Must remember it's the not the true end yet!)
But something I can immediately say I loved was what they didn't do. See, that line in the trailer that turned out to be from episode 5 - about there being a pattern to when they move on - worried me. One of the best things about the show, to me, is how there truly is not any reason at all to why the ghosts are there, or when they go. It's something the creators have said over and over, and that the show has always backed up; we saw so many times that, unlike in most ghost media, addressing unfinished business or achieving emotional resolution changes absolutely nothing. Pat hit some sort of emotional resolution three times. And Julian realised the importance of family, and Robin saved someone’s life, and Thomas discovered the truth of his death, and so on and so on. Finding closure isn't the end, and equally, the end isn't predicated by a climatic conclusion. It just happens. And the same is true for why people become ghosts. It just happens. And you exist, and fill your days, and then you’re gone. And no one knows why.
It's kind of the most agnostic television show I've ever seen.
I love that. Every other afterlife show I've ever seen has some kind of reward and punishment system. Or at least says that there's a reason for things, some kind of higher power at play, not necessarily a god but something like it. Even the American adaptation felt the need to bring Hell into it, which is why I need to specify that I'm only talking about the British version here. And I feel like a lot of fans wanted there to be reasons too, or felt like there simply had to be, that it wasn't even a question. I get why - it's not just because it's the standard for ghost narratives. It's really uncomfortable to think about the randomness of life and death. But Mary didn't go because of anything that happened before that day, and Cap was never going to go because he came out, and one day, when they've all gone, there won't have been a reason for it.
Because the real point of BBC Ghosts is that there is no point. You’ve just got to make it through the days, surrounded by people that irritate you, trapped in a confusing world where you’re mostly powerless. And it sucks, and you're angry, and sad, and bored as hell. And you also find happiness in the mundane chaos, and you get really good at chess, and watch the ants in the garden, and write bad poetry, and read terrible romance novels, and gamble money you don't have, and go camping, and play games, and learn French, and watch reality TV, and have sex with a decapitated Tudor nobleman’s body, and dance to old music, and look at the stars, and find that you actually really love all those annoying people after all, and that’s the point.
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people-wxtching · 2 years
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Yeah, I know many people have talked about this already but I need to say it as well before I explode.
I love visually seeing how the campers are all age accurately cast. In the books, it didn't hit me as hard because it was something I read when I myself was around 12. Even upon rereading I just go back to my 12-year-old body and the age is just this textual evidence that I KNOW exists but it doesn't truly impact me as much as it really should.
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With this still, though, it's clearly visible how young all of them are. And it's scary. It's just the teaser trailer and it's already scary to think just how tiny and innocent they are, and how many hardships they have to go through at such a tender age.
But the scariest part about the scary part?
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The youngest campers. That little girl (sorry for the bad quality) who's sitting right behind the girl with glasses looks around 7-8 at most. She's so small, so tiny, and yet she's at a camp where she has to learn how to survive and fight off monsters 100 times her size.
And the essence of all this is exactly what the movies failed to capture. The movies had a mostly adult cast, with zero ideas of what they were doing with the plot and characterization that could make the movies as impactful as the books, and focused a little too much on getting their Percabeth ship going, with absolutely no buildup of trust or slowly falling for each other or anything.
But with this show, I'm sure it'll be a lot more emotional and real because while it is sad that they're all just little kids, it's also a reflection of reality. Not every kid has a wonderful life; we all have to fight our own monsters no matter how young we may be, because life doesn't wait to see how old you are to throw problems at you. It doesn't have an age limit for trauma and hardships. The younger you are, the harder it impacts your life, and them being this small has a much more impactful meaning to it than watching almost adults go through the same problems that often get solved in an underwhelming manner.
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aha-chuu · 7 months
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Okay I read a bunch of the Wriothesley and Neuvillette leaks, I promise this won't be spoilery for the story, I just wanna pick out some of the cute/funny/interesting things I found
Okay. We all saw Neuvillette in the first trailers and were like "severe judge man". Then we met him and a lot of people swerved to "uwu soft baby". I'm here to tell you he has some pent up rage
Very very emotionally distant. Not perfect wording yet but it seems like he fakes a lot of his emotions since he can't express them
Realising I didn't start with the cute or funny stuff ':))
Wriothesley! And Neuvillette, actually. Wriothesley gave him an umbrella in the rain like they're from a goddamn k-drama
Neuvillette got Wriothesley his current position! This is despite Wrio having a bit of a,,,, ah, troubled past with the law
While Neuvillette is full of rage, Wrio is very chill - like he will fuck you up but only if you get on his bad side
Which brings me to: the girl dads are fathering. Neuvillette has this whole "if anyone hurts my sweet precious melusine daughters they will die by my hand" and Wrio has "yes my daughters bully me yes I'm okay with it"
(hoping people can adapt to new characterisation information because this is like the reverse of the vibe I've seen in fanon)
Wrio has zero hobbies and trust issues. Therapy needed.
Neuvillette also needs a therapist but they need to be of a higher calibre to deal with his issues
Wrio is so weirdly nice about everyone - even Furina he's like "oh she thinks I'm boring, I'll bring her tea maybe I can change her mind" anyway I'm giving him headpats rn
Neuvillette full on admitting that Wrio & Sigewinne have some sort of dad-daughter (maybe brother & sister?) thing going on. Adorable.
Neuvillette seriously needs a punching bag he has too much anger in his soft heart
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carolmunson · 2 years
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fixin' dinner. (sadist!eddie x f!masochist!reader)
back again with a mean sadist!eddie (also technically mechanic!eddie) and his hot masochist gf. let's explore the one time they played 'mean 50s husband and hot 50s housewife who can't get her shit together.
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warnings include: smut, minors dni. established dom/sub sadist/masochist relationship, all aspects of the scene being written are consented to between these fictional parties, belting, spanking with belt, general threats, degradation, humiliation, emotional sadism, physical sadism, mean names (bitch), pet names (baby, honey, darling, etc.), face slapping, slight breeding kink, p in v sex (unprotected), teasing, rough sex, food mention, the works. eddie is MEAN in this, as a reminder. this doesn't feature aftercare but it sort of doesn't need it in a way. ---
When the phone rings in the trailer, you know it's him.
"Hi," you chirp.
"Hi sweet thing," his voice is warm and crackly, tired. Like it was this morning when you woke him up for breakfast.
"What's goin' on, you okay? Staying late?" you ask, leaning against the wall in the kitchen.
"No, babe, I'm about to leave -- just wanted to know if dinner was gonna be ready by the time I got home," he smirks when he asks, your eyes linger at front door's frame -- his leather belt hung on a nail next to it. You gulped.
"Uh, um..." you stammer, heart starting to pound.
"You better hope dinner's ready by the time I get in the door," his voice is menacing, "Or you're gonna be in for a world'a hurt, you understand me?"
"Y-yes, sir," your mouth runs dry but your lower half can't say the same. He'd brought up this scenario weeks ago -- 'Like those 50s housewives baby, how their husbands would get home from work and they burned dinner. We could do it like that? You were just saying how I haven't used my belt in a while. It could be fun, huh?'
He ran you through it this morning, going through your normal 'do you trust me?' routine before he left for work so you didn't have to do it before starting. 'If you decide you don't wanna play anymore, just say 'I ordered pizza' when I ask if dinner's gonna be ready, okay? I love you either way. Gonna fuck you on that counter either way, too.'
He was insatiable.
"Don't disappoint me," his voice takes on darkness so easily. You bite your lip to hold back the whimper in your throat.
"I won't," you whisper, "I promise."
"See you in twenty," he says, "Love you." He hangs up before you can tell him you love him, too. Eager. You take the time you have to freshen up before her arrives -- you had already burnt dinner, it sat on the stove blackened and crisped on purpose. He'll love the extra effort you put in to make it authentic.
The green tinged light of the bathroom mirror isn't doing you any favors, but you glide on some Dr. Pepper lip smackers and a little blush for good measure. Pouty and flushed, just how he liked it.
You put on a flouncy dress with flutter sleeves, the kind of dress that buttons all down the middle. Frabric that flounces with you when you walk, hitting just above your knee. A spare apron from an old French maid costume completed the look along with a pair of fake pearl earrings, and heels that made Eddie fall to his knees. You smoothed over the apron, hearing his van pull in noisily, the slam of the driver side door. Normally you're so ready for these interactions, for his harshness, for his angry stare. Today felt different, you were in the headspace, you were a little afraid.
It was exciting.
You plaster on a smile when he comes through the door. His grin meets yours, and so does the scent of gasoline and oil blended together with his sweat. His hair is tied back today, tendrils and bangs crowding his face, showing off his jaw -- the stubble left on it from this morning.
"There's my girl," he's gruff, pulling you by the waist to kiss you -- it's passionate, like he hadn't seen you in years.
"Hi honey," you flush, trying your hardest to stay in character and not just bend over the couch, "Good day at work?" "Better when I know I have you to come home to," he smiles and winks, taking off his work shirt all the while revealing his oil stained wife beater and the two silver chains he wore around his neck. His steps are broad and deliberate on his way to the kitchen, scraping one of the metal chairs away from the table before collapsing into it like a brute.
"Get me a beer, sweet thing," he demands, tutting while you get one from the fridge with dainty and graceful movements -- his pretty little thing, "Shouldn't have to ask you, should just have it when I come in." "Sorry, dear," you respond, watching him open the bottle on the edge of the table. He takes a swig, licking his lips while he looks you over.
Please just fuck me, you're so hot right now, you try to send him the message telepathically but he's not getting it.
"It's okay," he says, taking another sip and setting the beer down, "What's for dinner, angel?"
Your eyebrows raise, but you shake the fear off, forcing another smile, "Darling, I'm so sorry. I accidentally burned dinner. I can make something else if you'd like! Anything you want!"
"So dinner isn't ready?" he asks, surprised.
"It...well, it was. It burned," your voice was meek, he salivated over it.
"So you burned dinner?" his brows furrowed, standing up slowly from the kitchen chair.
"You burned dinner?" he asked again, his face stained in anger, "Am I hearing you right?"
"Baby, I'm sorry -- I was just trying to get it done on time and the oven was on too high. I'm sorry," your lower lip wobbles, he rolls his eyes before they end up in a hard glare down at you. "I work all fuckin' day, every day, to keep a roof over your head," he takes a step forward while you step back, "I break my fuckin' back so you don't have to lift a fuckin' finger. And you can't even manage to make me fuckin' dinner?"
"I...I did -- it just -- it burned -- I'm -- " you sputtered, taking careful steps while backing away from him. You shook in your heels, his eyes menacing and shining with rage.
"So what is it, huh? You too stupid? Too lazy?" he spits while he stomps forward in his combat boots, the floor shaking while he cracks an open palm hard against your cheek, "You a fuckin' idiot, is that it?"
The force sends you reeling, hands immediately reaching for your stinging face -- certain there'd be a mark left behind later. Tears prick your eyes but you don't want to cry yet, opting to swallow the air pocket flying up from your chest -- desperate to steady your breathing.
"No, I -- it was an accident," your back hits the wall and he takes a deep breath through his nose, letting it out the same way like a bull ready to strike. You can feel a pulse in your cheek where he hit you, the places where his rings hit starting to swell. You make a run for it, checking his shoulder while you do, smearing oil on your dress's flutter sleeve.
"Oh, no, no, no," he taunts, turning at his waist and catching your forearm in a vice grip to pull you back to him, "Don't you run away from me when I'm talking to you."
"Don't you have any manners?" he asks, slamming you against the wall to cage you in with a hand resting by your shoulders. You nod, tears pouring hot down your cheeks, mascara streaking over your rouge.
"Answer me!" he growls, you wince -- your eyes shut tight.
"I h-have manners," you stammer out, eyes still closed.
"Look at me," he huffs, "You know better." You do know better than to not look at him when he's speaking but you just can't. You hang your head instead.
"Oh, you don't wanna listen? Go get my belt," he sighs, pushing his curly bangs away from his forhead, "Gonna have to teach you, aren't I?" "No, I -- please no," you plead, eyes popping open, but it gets you nothing but fingers digging into your jaw.
"If I hear another sound come outta that mouth that isn't you cryin' and apologizing to me, m'gonna make you sleep outside in the van," his threat feels real and your heart hammers, "Do I make myself clear?" "Cr-crystal," you nod. "Now," he mutters through gritted teeth, peering down at you with his jaw forward, "Go. Get. My. Belt."
You sulk, walking the short distance to where his belt hung by the doorframe -- a reminder every time you left his trailer, best behavior. You lift it off, running the length through your hands -- thick and wide, he never wore it, it was only for play.
"You think I got all day?" he calls. You shuffle into the kitchen, your heels scraping against the linoleum leaving scuff marks in their wake.
"And you've been leaving marks all over my floor," he spits, wrenching the belt out of your hand and wrapping some of the length around his knuckles. He shoves you roughly over the kitchen table where you obediently assume your position, shoulders shuddering while you lift your dress up.
Eddie takes the casserole dish with the charred dinner and tosses it in front of you, "Baby, I don't like having to do this, you gotta stop giving me reasons to. What is it, huh? You gotta go back to school and take home ec or somethin'?"
"No, sir," you barely squeak out.
"Like I said earlier," he says gruffly, bringing the belt down hard across your ass, "You're in for a world'a hurt, tonight." It doesn't help that you like the belt. You like how he looks in the kitchen light while the shadows from the florecents enhance the muscles in his arms. His sneer when he rears his arm back, his smile -- almost relief when he hears the loud crack of the leather hitting your skin. Your release and his.
The act happens in slow motion, your heart beat in your ears while he brings the belt down on you again. You falter in your heels a little, your knees buckling a bit at the force.
"Get up and take it," he harshly demads, "Get that ass back up."
"Yes, sir," you whisper, fixing your posture. He sounds like he's underwater, your eyes start to glaze over outside of the tears. His belt meets your thighs, your sit points. He always took extra measure on those so he could watch you wince and whine later on a hard chair or in the van. The burn and sizzle on your backside started earlier than normal, but he wasn't starting off light. With his belt, he never did.
"Always gotta.." thwap, "..tell the guys.." thwap, "..what a fuckin'.." thwap, "..disappointment you are." THWAP. You can't help but start crying out, trying to muffle it with your hand so the neighbors don't start asking questions. You're standing on your toes in your heels to meet the intensity of his whips on your backside.
"And they always say.." thwap, "..just gotta.." thwap, "..show her whose boss.." THWAP.
"But you know who the boss is, don't you baby?" he coos while you cry into the hand covering your mouth. Body stinging and burning.
"Yes, sir," you whimper.
"Whose the boss, hm?" he asks, his hand smoothing over your back. "You're the boss," you sniffle, putting both hands back down on the table. "That's right, baby," he says back, his voice back to soothing honey, "That's a good girl."
"You need some more?" he asks gently.
"Please," you breathe out, "I need t-to learn my p-place."
"Fuck..." he mutters under his breath, your eyes peer down to see the perfect outline of hard cock against his dark wash jeans. His hand gripping the belt tight, veins pulsing from his hand up his forearm -- his tattoos dancing with them. He'd been thinking about this all day.
"Say it again," his voice his ragged while he brings the belt back down on you. "I need to l-learn my place, s-sir," you repeat, wincing while he continues, blow after blow. Your skin was raw, the cooling end of summer air outside doing nothing to soothe you through the screens of the open windows.
"Yeah you do," he says to himself, grunting with each come down of the leather. He bit his lip at the jump in your hips, watching you start to get weak under the repeated smacks, your knees buckling more often -- fuckfuckfuckfuckfuck.
Eddie drops the belt with a clang and you jump to attention, turning around to face him.
"I'm sorry baby, I -- I can't," Eddie starts, "I'm callin' it I gotta -- oh fuck, I gotta fuck you right now."
You nod, ugh finally, taking a step toward the hall to get to the bedroom but his hands come up to roughly shove you back on the table -- beer bottle and casserole falling to the ground, shattered glass and mess to be dealt with later.
"This fuckin' body -- this dress? You know what you're doin' to me, don't you," he smirks, shoving your dress up to your waist and pushing your thighs up against your chest.
"That's why you wore these heels, hm?" he grabs your ankle, leaving a sloppy kiss on your calf, "Wanted to make me bust in my fuckin' work jeans?"
You giggle, his stained hands leaving oil marks on your legs. The same fingers undoing the buttons on your dress with nimble finesse.
"I could just rip it but I like this on you," his mumbles, "Don't wanna ruin it."
You simply nod, wanting to say 'thank you,' or 'appreciate it', but your tongue is too big for you mouth. You feel stupid and faded, just wanting to feel his touch and hear the low roll of his voice. He unbuttoned until your lace enclaved chest was full exposed, eyes feasting on you laying on the table for him -- way better than dinner.
Eddie works quickly on his jeans, the stiff fabric being shoved hard down to his thighs, his boxers coming down just enough for his balls to hang down over the band before he lines himself up with your entrance.
He pushes in with ease, slick so intense that it had already started moving down your thighs, shining in the light. His face relaxes, head falling back while he gets a rhythm going hands finding the smallest part of your waist for leverage.
"Oh shit, baby," he grunts, head falling back forward, hair falling out of the elastic and crowding his face, "Fuckin' -- nnmff -- needed this."
You gasp at his pace. No matter how wet or how ready you were it was always just a little too big -- stretching you in just the right way. Even when he was loving you he was punishing you with the size of his cock -- a little reminder every time, pain always reaps pleasure.
His picks up one of your hands and brings it to his lips, kissing it gently, warm brown eyes meeting yours. You feel the warmth before you realize that your three fingers are in his mouth, soaking them in spit before guiding them to your clit.
"Show me," he moans, "Make yourself feel good for me."
"You're already -mm!- making me feel good," you smile, slowly rubbing circles over your clit. His eyes nearly get stuck rolling back in his head at the sight, biting his lip while he drives harder into you. Eddie grunts, bending at the waist and caging you in on the table, hands finding you hair.
"Kiss me," he breathes, his mouth hot and wet on yours. His thrusts quicken while he chases his orgasm, the feeling of your hand working between you making his cock twitch. Eddie's brows furrow while he deepens his kiss, groaning hard into your mouth when your tongue brushes his.
"So fuckin' good, sweet thing," he whispers against your lips, "You're so good."
His plush lips crash into yours again while he pulls your hand from between them, "Can feel you gettin' close, you close?"
You nod feverishly, the tight binding in your belly getting tighter with each thrust of his cock between your thighs. He pushes up, back to standing over you, a glob of spit sent falling between your legs onto your clit -- making you jolt. Eddie's thumb works like magic over your, your thighs twitching with the sensation of his rough but lubricated finger pad and the stretch of his cock pumping in and out of you.
"Oh you're gonna cum, huh?" he nods while he asks, and you nod to answer.
"Yeah, you gonna cum for me?" he mocks. His eyebrows raise while you bite your lip, hips moving back and forth to fuck back on him, "You gonna be a good girl and cum?"
"Y-YES, sir," you cry out, your pussy spasming over him, thighs snapping tight together over his wrist -- just making it tighter over his dick still fucking you relentlessly. He coaxes you through it, praising you over and over, "Oh, good girl. That's my girl. That's it. Love when you moan for me like that..."
"Fuck, FUCK, Ed, Eddie," you whimper while he continues.
"Almost th-there, angel," he grunts, fucking into you with fervor.
"W-wanna cum inside," he says, but you know he's asking for permission. You nod at him, breathy 'it's okay..s'kay..'s pouring out of your mouth as your second orgasm builds in your tummy.
"Yeah?" he asks, cocky grin building while he leans in again to press flush against you, "Want me to c-cum inside you?" "Make you my little housewife f-foreal?" he dips his head to your neck, sucking and biting until you bruise, "Get you knocked up and st-stuck here?"
"Yes, yes, Eddie -- wanna be your -- ah, shit, shit," you whine, the second orgasm comes on quicker and harder than the first, your nails digging into his tank top and exposed flesh.
"Gonna make you my pr-pretty fuckin' housewife -- fuck, oh fuck, shit," he groans in your ear, nipping at your earlobe hard enough that you yelp. You can feel the hot spurts of his seed filling you, it stings in a good way, warming you from the inside out -- biting at the stretched skin while it oozes out of you.
When Eddie comes to, he leans up on his forearms, pressing a kiss against your lips. His eyes meet yours, gentle and heavy lidded, "I love you."
"I love you, too," you smile, offering a second peck. The pain settles in on your thighs and ass, you almost forgot you'd been belted.
"S'starting to hurt, honey," you confess quietly.
"I know, m'sorry," he mumbles, he kisses your cheek, then your other cheek, your forehead, your nose, "You need help in the shower? I was gonna clean up in here."
"I'm okay," you smirk, "You've done way worse damage before."
He gets up, rolling his eyes playfully, "Don't tempt me."
You sit up slowly on the kitchen table, which had shifted so much it was almost entirely against fridge. After Eddie pulls up his boxers and jeans, he helps take off your heels and hoists you down so you don't have to slide off the edge.
"Be careful of the glass, please," he warns, setting you down on the ground. You tip toe to the bathroom, hearing him sigh as he gets to his knees to clean up -- your sweet little domestic boy.
"Hey, c'mere, before you go get cleaned up," he calls out. You pad back to the kitchenette, stopping just before the linoleum. From the floor he turns back to you, "What do you want on your pizza? I'm gonna put in an order when I'm done cleaning up."
"Just cheese for me is fine, but I'm not picky. Get whatever you want," you shrug.
"I'm getting anchovies," he says.
"Anything but anchovies," you say, annoyed.
"That's why you shouldn't say get whatever you want if that's not what you mean," he smiles, "Just saying."
"Why don't you do one cheese and one meat lovers since that's what we always get?" you suggest.
He considers it, for a minute, "I think I'm gonna get three pies babe, I'm fuckin' starving."
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Part 1
Here is part 2!!! I hope you guys like it and it was worth waiting for. Thank you for all the love and support on part 1 🥹 it means the world. Enjoy :) never proofread
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~~
Steve and Eddie raced to the school, anxiety in their veins as Eddie parked the van. Both boys ran into the building, following the sounds of screaming and cheering.
Steve pushed through the huge crowd, arms immediately wrapping around Y/N's body. Yanking her frame off of Jason, who is on the floor groaning in pain.
"STOP. STOP" Steve screamed, trying to keep his grip tight as she wiggled and squirmed to get out of his touch.
Eddie raced behind, going for Jason instead. Y/N doesn't fight unless she's provoked and he had a good idea Jason started it.
But Eddie's attention on Jason got caught short, hearing Steve Y/N's name as she marched down the hall.
~~
Steve didn't waste a second running after her. He let her walk away once, and he didn't want to do it again.
"Please, just stop" Steve pleaded, hand reaching out to grasp her elbow.
She hated that she melted once he touched her. She was mad at Eddie, but Steve hurt her too.
"what Steve? Now you want to talk?" She spat out, turning around to face him. Cradling her own elbow out of his touch.
"I'm sorry, I never should have let you walk away without listening to you first. You deserve to have the opportunity to explain." Steve confessed. He watched her closely. Her eyes were blocked off from any emotion. And her lips were turned down into a frown.
"no, I don't deserve to explain myself, I deserve to have my boyfriends trust me enough to not even think twice about a rumor like that. I also deserve to be treated as my person. Not a shell of the people who hurt both of you in past moments. I'm not Nancy, and I'm not whoever the fuck Eddie thought I was. I'm me, and you both didn't trust her. Fuck both of you. You followed behind Eddie's lead like a fucking dog. Don't you think for yourself, Steve? It's pretty clear where I stand compared to Eddie. " She said harshly, turning back around and marching out of the school.
Steve took the hit, he deserved it. He was a grown man and he should have thought for himself. He knew he was going to hurt her and he did it for Eddie's sake. He was supposed to treat both his partners fairly, and he just put one higher than the other.
~~
Eddie didn't waste much time with Jason. Spat out to leave them alone and followed the direction where Steve went.
Eddie found him alone in the hallway. Shoulders dropped, and Eddie assumed the conversation didn't go well.
"she still pissed?" Eddie asked, arm wrapping around Steve from behind. Steve shrugged him off and created space between the two.
"just don't touch me." Steve sighed, turning to face Eddie. Watching Eddie's face drop.
"what? What did I do?" Eddie scoffed
"We should have been better. And I should have thought for myself. With everything in me, I don't believe she cheated, and I should have told her that. I followed you and I lost her. And seeing this heartless monster you've been, I think I lost you too. If you believe she did it, that's for you to deal with. But I'm not following you anymore." Steve confessed, giving Eddie a small smile and turning to walk out of the school.
~~
Eddie's insecurities cost him both partners. And now it's on him to fix everything.
He always wanted to protect both of his partners, and he's the bad guy who tore it all up.
Eddie wasn't sure how Steve got home, but once Eddie made it in his trailer, he felt alone. He spent night after night in Steve's apartment, never returning home. He went into his bedroom, throwing himself face-first on his mattress.
He wanted to fix things altogether, he didn't want to talk to Y/N and Steve separately. If he was going, to be honest, and break down into pieces, he only wanted to do it once.
~~
Many phone calls later, Eddie got Y/N to answer. Most of his calls were answered with a scoff and the slamming of the phone hitting the wall. He barely could get a word each time. But this wasn't the time to give up. Once he finally got her to stay on the line longer than two seconds, he asked her to come over to talk.
And it wasn't easy. She was stubborn and still pissed off. Calling him every name in the book, dragging his name up and down the block, before finally sighing and saying "Be there in ten."
Eddie knew convincing Steve to come over would be easy, all he had to do was mention he has Y/N on the way over.
~~
The room was silent, and all three of them were uncomfortable. Y/N couldn't look at either of them, keeping her hands in her lap. Steve kept his eyes on Y/N, silently pleading she'll look up. And Eddie kept his eyes on the floor, stomach twisting in knots.
They were in this position all because of Eddie, and he knew that. All the blame rested on his shoulders and his shoulders alone.
"I want to start by thanking both of you for coming and hearing me out." Eddie sighed in one breath. The anxiety filled his stomach.
"yeah, I think it's a nice option to have a chance to explain yourself, but that's not for everyone." Y/N threw out the side remark. Rolling her eyes as she finally looked up at Eddie.
"I'm sorry for everything. Y/N, I'm sorry for attacking you right away, not letting you explain yourself, and turning Steve against you.....I know what I did was so wrong. Deep down I knew I was fucking everything up but I couldn't stop myself. " Eddie voiced out. His eyes connected with Y/N's.
"Eddie, I just don't understand why it was so easy to believe I cheated on you guys. I've been loyal, supportive, and understanding of both of you! I would have believed you guys over anyone. But knowing you chose to believe random high schoolers over your girlfriend is fucked up. And I deserve a real explanation for that. I don't care if you knew you were wrong, it's the fact you continued to be an ass to me. I'm also disgusted by the fact you saw me as someone seeking to hurt Steve and that you felt the need to protect him. Protect him from his girlfriend? That's low." Y/N didn't plan to hold anything back. She spent night after night having her thoughts brewing over and over.
"you deserve an explanation. I need to be honest with both of you and myself. I acted out of insecurity and fear. I....heard the rumor and my first thought was I cannot let anyone know this would hurt me. It's fucked up, and I picked my pride over being vulnerable. I wanted to show I could be unaffected. That the relationship between you and I isn't what I depend on to be happy. But it is, and it's fucked up of me to find that embarrassing to admit. Because it's not. You and Steve make me so fucking happy and show me what love is about. I took all that for granted and tossed it aside like it wouldn't mean anything to me. Neither of you deserved that, and Y/N you didn't deserve to be treated like that. " Eddie took a deep breath before continuing.
"I also want to apologize to Steve, I wanted to protect you but all I did was hurt, everyone. I should have been mature and brought the topic up in a controlled way. I shouldn't have thrown it out in a fit of anger and I shouldn't have turned you against her before she even got home. I was wrong and I was wrong to both of you. I know I don't deserve another chance, I know I didn't give Y/N a fair chance, but I'd like to ask for another chance at being your boyfriend again." Eddie nervously looked between the both of them.
"Before we answer that, I'd like to apologize to Y/N also," Steve sighed out, facing her fully. " You are right, I should have thought for myself. We both know Eddie doesn't communicate well, and I was the only one in that situation that could have controlled the conversation and helped us out. I should have let you explain yourself. You're not Nancy and you've proved that. I also am guilty of letting my insecurities take over and ruining everything we built. I think I speak for Eddie and I when I say, if you give us this chance, we will prove our loyalty to you. And we will always communicate when our insecurities are taking control again. "
Y/N was happy to hear both boys being honest with themselves, admitting that their insecurities got too much and they panicked. It doesn't take away the hurt and damage, but it's a start to fixing everything.
"I appreciate both of you apologizing. Eddie, I'm hurt that you felt that your pride was more important than being vulnerable with me. But I like to hear that you know what's wrong and you are aware that was the wrong thing to do. I know you are trying Eds, and I don't expect you to know what to do all the time. You know you hurt me, and you knew it was on you to fix it. Thank you for taking responsibility for that. I will give you another chance, but I want you to work on your communication. We shouldn't count on Steve for all the communication between us. If you can prove to me that you are working on that, I'm happy for you to be my boyfriend again." She smiled at Eddie, his face breaking out into his smile.
She turned to Steve, a soft look in her eyes. " Thank you for apologizing as well. Thank you for knowing I am not Nancy and thinking over my words. I understand that your insecurities took over and I would also like for you to communicate that to me. I have faith that you can do that. I am also happy for you to be my boyfriend again." She smiled.
All three smiling at each other. Both boys understood they needed to back up their apologies, and show that they meant it.
Eddie knew that no one was ever going to make him as happy as his two partners do. He's lucky enough to have two people fall in love with him. He's safe with them. He can fall apart with them and know neither will judge him. He's flawed and that's okay.
Steve knew Y/N was her person and she was beautiful. She wasn't out to hurt him or Eddie. She just wanted to love them for who they are. Steve knew he needed to think for himself, and speak his thoughts if they happened to disagree with hers or Eddie's.
"Can I kiss you now?" Steve and Eddie asked at the same time, both boys chuckling to themselves as they stare at their girl across from them.
She giggled behind her hands, nodding her head.
"who's going first?" She joked. Knowing a fight was ahead of them.
"ME!" Eddie screamed, shoving Steve as he raced across the room.
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Eddie's hard work has finally paid off. Corroded Coffin is the new sensation and soon enough, Eddie gets an invitation for an interview, one that could promote the band on a much larger scale. He's excited but also terrified and Steve, being the supportive boyfriend he is (and also CC's unofficial mascot, "the yellow sweater boy" or simply "Stevie" to the fans) offers to go with Eddie. Eddie introduces Steve as his "emotional support ex-jock" and it goes well.
Until it doesn't.
Eddie gets more lively as he talks about the band's beginnings, the inspiration behind their songs and their influences, his own musical idols and influences. He's at ease, gesturing animatedly as he explains the evolution of the band's style, so he's caught off guard when the interviewer brings up that fateful spring of 1986. Eddie freezes, opens his mouth but nothing comes out. The memory of snapping bones, feeling of helplessness...it all comes flooding back.
But where Eddie feels like curling up into a ball and hoping the world will finally leave him alone, Steve is ready and prepared. He grasps Eddie's shoulder - Eddie blurted out a confession in one of his concerts so it's no secret for his fans that they're together, but why tempt fate - and gives the reporter a wide smile, sincere to someone who doesn't know him. He slips into his charming persona and speaks for the first time during the interview. "Thank you for asking this question," he says and the drop of poison easily dissolves in the sweetness of his voice. "I hope my recollection will be enough because I sure don't want to have Eddie go through all that horror again. But I assure you...I was there for nearly all of it. So ask away. I'm glad to finally set the record straight."
And so Steve talks about that March, about how Eddie found Chrissy dead in his trailer, mutilated in such an inhumane way his body took control and got him out, no call to the police, not a single thought. He mentions there was a witness who saw him enter the trailer and immediately stumble out, not enough time to harm anyone (Max has stuck to this story and never changed it, no matter how much anyone pushed). He talks about how he met Eddie later, how shaken he was and how the town started a manhunt for Eddie for no good reason, except that he was different. "He started a club for kids who were outcasts, who just wanted to remain children for a bit longer - and the whole town went to hunt them down. They attacked a thirteen year old girl. They beat up a fifteen year old boy just for belonging to the club."
Now it's Eddie's turn to grasp Steve's shoulder, his arm, worried about his sharp tone, his hardly contained anger. But Steve carries on, staring the reporter down as he stutters that he will have to verify this information. "This is rather different from the official story," he says, his forehead glistening with sweat.
And Steve just flashes the disarming smirk that established him as King Steve once upon a time and tells him to verify it all, please. Because Eddie Munson has nothing to hide and neither does the Corroded Coffin. "It's not different if you paid any attention to the police report," he mentions calmly, leaning back in the chair. "People don't like to speak ill of the dead, but a dead person is exactly who's at fault here. Jason Carver riled up the mob. He bought a revolver after he did that, publicly for self-protection, but..." he shrugs, buries the edge in his voice under his charm yet again. "We have a witness that heard him admit who it was for." Dead men tell no tales, but Nancy Wheeler sure does.
And as the reporter scrambles to put together a coherent thought, Steve lands the finishing blow. "It's a shame you only invited Eddie to discuss this," he says and the sympathy in his voice is almost believable. "After all, his band mates were also targeted and attacked."
The reporter stares at him, speechless.
"Oh, you didn't know?" The disbelief is genuine for once and he leans in, looks the man straight in the eye. "Jason Carver and his friends went to interrogate the band, you know. Only to talk, they said. Except they almost broke Gareth's hand during that talk. Once again...there is a witness. A different one, if you were about to ask. Perhaps you should talk to them too, I can give your their contact details. You know," he adds, smiling at the reporter, "I am incredibly thankful you brought this up. There aren't many who are willing to dig up old wrongs to set things right. I wasn't sure what to expect of this interview, there was always a possibility of someone malicious taking advantage of this traumatizing event, just to get a shocking scoop on a bunch of guys who have worked incredibly hard to get where they are. I was wary because there are always people willing to destroy lives just to get a bit further in theirs. I'm so grateful you aren't one of them. Because I see you as someone who wants to do more than shock their audience...I think you're someone who wants the truth, no matter how ugly it is."
And no matter what the reporter intended before, he is that man now. He nods frantically, assuring Steve that he will bring justice to Eddie and the Corroded Coffin. Steve Harrington has that effect on people - if he believes in someone, that belief is often enough to give that final push. Anything to keep Steve Harrington's faith, not to disappoint that earnest look in his eyes. Eddie almost feels sorry for the reporter - after all, he knows the best what his boyfriend is like when he doesn't hold back. It's a sight to behold.
After a few reassurances from the reporter, the man finally turns to Eddie. "I apologize for bringing up bad memories, Eddie," he says and perhaps this time he means it. Eddie would like to believe that. "Is there...would you like to add anything?"
Eddie thinks screw it and firmly grasps Steve's hand, homophobia be damned. He needs to get through this. "Yes, actually..." he says and his voice is low, almost broken, but at least it's coming out now, carrying the words he's wanted to shout at the world for years now. "That night...was probably the worst night of my life. Worse than when I almost died. Well. When I actually died before someone brought me back," he smiles at Steve, briefly, before turning back to the man scribbling down every word. "It took me a long time to realize I couldn't have done anything to save Chrissy. Hell, some days I still don't believe myself, I'm thinking if I've done something differently, been faster, but...in the end, it didn't matter. Doesn't stop me from feeling like I failed her."
Steve knows these things, of course. That's why he doesn't interrupt, just strokes his thumb over Eddie's whitening knuckles.
"Chrissy Cunningham was a wonderful, bright girl. She was friendly to everyone, even outcasts like me. There is no way in hell I'd ever want to harm someone that...that warm. Kind. The truth of the matter is - for years I didn't defend myself against these accusations that still appear from time to time, no matter what the official investigation said. I didn't sue anyone even though I was advised several times to do so, for the slander, the attempts at my life. Because you...because I felt guilty just for being there. For surviving when she didn't." He looks at the reporter with full force now, straightens his spine. "But I knew Chrissy Cunningham and I know she wouldn't want anyone feeling guilty for something they didn't do. She brought joy to others, not misery. And I want to honor her memory. So once and for all, for the record - I didn't kill Chrissy. I never hurt her, couldn't have. But I still keep her with me as an inspiration, as a soothing voice behind every bitter thought - I don't talk about her, don't use her story for publicity because she didn't, doesn't deserve that. But she's what I think of when I see bright smiles of our fans, when I see young people having fun at our concerts - I wish, more than anything, that she could have been one of them. So I try to bring as much joy into this world as I can to make up for the empty space she left behind, even if that might never be enough. That's all."
The interview spreads like a wildfire. Headlines like "Corroded Coffin's Eddie Munson breaks silence for the first time!" or "CC's frontman reveals details of persecution and mass hysteria in 1986". The news pick up the story, question the people in Hawkins who deflect or begrudgingly admit to their actions, justifying their deeds...but some of them talk. Karen Wheeler becomes the star of the show, recalling in horror the hunt for her daughter and her son's friends. "I vouch for Steve Harrington's recollection," she says firmly, shushing her husband's feeble attempts at deflection. "I'm glad someone finally had the courage to call the spring of 1986 what it really was - a witch hunt."
Eddie finally has the courage to do what he's wanted for years - he names the next album This One's For You, Chrissy. The world knows now, it knows that he mourned for her in his own way and that she meant so much to him, as a first extended hand, as a symbol, as a human being. He donates as many profits as he can to a foundation in Chrissy's name, providing the much needed mental health support to Hawkins children and teenagers. And piece by piece, Eddie Munson heals.
Before the interview becomes the sensation it is, Eddie crushes Steve in a hug and thanks him for everything, for making this burden easier. He's still worried his words will get twisted, that there will be a new wave of hatred, but Steve just chuckles and kisses his head. He reaches into the leather satchel he had at the interview and presents Eddie with a dictaphone - everything they've just talked about recorded. "Please, Eddie," he rolls his eyes in that bitchy way that has Eddie swooning, "I may be pretty, but I'm not stupid or naive."
Apart from the much needed closure and at least partial justice, there is an unusual side effect to this whole ordeal - Steve gets a new nickname in the Corroded Coffin fan base. After the way he handled the interview, after shielding Eddie and his band mates from unwanted attention, he becomes "The Guard Dog Steve", also lovingly referred to as "Golden Retriever Steve". Eddie loves it. Steve finds it ridiculous, but it makes Eddie smile so maybe it's worth it.
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skygemspeaks · 11 months
Text
okay stop stop stop stop stop what you're doing and go watch the one piece trailer that just dropped!!!!
my thoughts:
literally the only thing i didn't love is nami's wig. honestly think it might've been better if they'd gone a more natural ginger route instead of the bright orange. like they did have a more natural blond for sanji's hair instead of bright yellow. not that big of a gripe honestly
LOVE what little of the chemistry we saw between our main cast. Luffy: I'm sensing a little bit of tension amongst the crew Zoro and Nami in unison: NOT a crew. ALKSJDALKJSDALKSDJ
Buggy's makeup is PHENOMENAL
Merry's figurehead 🥺It's really cute, I've said this from the beginning but I love how they decided to portray her figurehead. honestly, i really liked all the ships. baratie looks like a place i would DIE to go to dinner at, it's fucking gorgeous.
The one gum gum pistol we saw from luffy was a little bit cringe but that's not exactly inaki's fault and let's be fair, this is one piece we're talking about. if it's not a little bit embarrassing WHAT IS THE POINT
mackenyu as zoro and taz as sanji?? absolute perfection. i love everything about them, they embody their characters SO well. the others are also all really good, but taz and mackenyu especially shone!
the cg on the seakings and the ships is pretty decent! not the worst i've seen, and listen, let's not pretend we didn't all know that this show was gonna be a little wack given how cartoony one piece as a series is and how difficult that would be to translate that vibe to live action. i think it's gonna take a little getting used to, but i'm still really excited about it
love that they let inaki keep his curls, i think it really suits luffy! the scar on his face is really well done too! and the hat!!! really liked the costume design in the trailer tbh
love the palette of the show! i know i was complaining about the orange of nami's hair, but otherwise i love how bright and vibrant the show is from what we see in the trailer. the lighting is also really well done and it really helps establish the mood of the show
the barrel scene at the end made me really emotional 🥺it's exactly how i imagined it, and it looks like that might be where they're planning to end season 1? either on that specific scene, or just a little bit further at reverse mountain. 2 great potential scenes i think would be perfect to end the season would be either at the top of reverse mountain just before their descent, or if they want to go a mild cliffhanger route, they could end it on a shot of the merry on a collision course for laboon
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xjulixred45x · 2 months
Note
Can I please request the female douma in hasbin hotel I just saw the new trailer and thought about my favourite demon lazy demon .
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Ohhhh, Hazbin Hotel! That pretty cool! Deal ;)
Thanks for the Request ❤️
Hazbin Hotel x Douma Reader
Genre: Headcanons
Reader: neutral
Warnings: Douma itself is a Warnings (Cults, cannibalism), Hell, Alastor, mentions of alcohol, long work.
You died during the Taisho era, in Japan. having lived a fairly long and…full life, so to speak.
You were born with a unique appearance! with Rainbow irises that made you extremely popular in the area where you lived.
So much so that the people in your family believed that you had a special gift for speaking with the gods, so they formed a cult around you.
without knowing that in this way they would be awakening the darker side of your being.
As you grew up, being worshiped by the cult your parents had made, you couldn't really learn to differentiate emotions, which was frustrating. You wanted to feel SOMETHING, anything. have the experience.
and you tried everything.
do good things, do bad things, help the cult people with words you didn't really mean, scam, hurt, hurt animals, hurt yourself, hurt others in multiple ways, etc.
Even if they generated a certain feeling of emotion in you, you wouldn't say that they filled you up.
until you decided to try killing certain disciples and eating them to get rid of them.
and it was a success!You finally started to feel the emotions that others talked so much about!
Although of course, not all good things come for free, when you died there was no doubt that you would fall to hell, and so it was.
Honestly, You were very surprised to have fallen into hell, not because you didn't deserve it, but because you were an atheist all your life, believing that everything you preached was a lie.
And it turns out that it was true?? How curious.
but it didn't mean you wouldn't take advantage of your new playground.
With your natural charm, your unique and striking appearance (almost the same as you were when you were human) you were able to convince several low-ranking demons to trust you with their souls, rising in rank exponentially.
To make it easier for you, with your demon abilities you created a place similar to what your cult was like, there you could more easily control the people who gave you their souls.
In record time you became an Overlord. one quite well known but very mysterious. One that had a striking appearance and powers, but was rarely seen.
You could do anything you wanted in hell! which made the scope of your misdeeds increase exponentially, you couldn't be happier!
If we're talking about interacting with Hazbin Hotel's rl cast, of course you did! You were somewhat curious to know how Lucifer's daughter's attempt at humanitarian aid would fail. Also, bother Alastor? You are in!
Technically you already knew Alastor, you two died at similar times (you died before) and you saw how he rose very strongly among the Overlords, you liked him.
Unfortunately Alastor did not enjoy your company in the least, precisely because it made it very difficult for him to read you, either because of your lack of GENUINE emotion or because, like him, you used the trick of always having a smiling and pleasant facade.
Still, of course, he would rather be killed again than admit that.
But it was really a shame, he found some aspects of you pleasant.
For example, your taste in Canibal cuisine, Alasror recognized that you had good taste in that aspect.
Apart from that, you came from a VERY rich culture and spoke fluently in both English and Japanese, which was a great sight. Alastor normally wouldn't think that someone (at first glance) so airheaded would be able to speak a language like that so fluently.
but he is definitely something like your Akaza.
I mean, every time you push him out enough, Alastor will use Elrich magic on you and destroy you in the most grotesque ways possible.
That's until he realizes that you like it when he does that! That you make him hurt you on purpose because you're a masochistic son of a bitch!
The worst thing is that he doesn't realize this until Husk tells him...having already known you for years.
Speaking of, Husk doesn't trust you, not in the slightest.
he thinks you're a freak, a second Alastor but even worse, at least Alastor is honest about how horrible he is unlike you.
He serves you drinks when you ask, but if he can, he throws the glass directly in your eye or head, simply because he can. for your delight.
He is quicker to realize your intentions than the average person, and if he realizes that you want to turn one of the hotel members into your "dinner" he is drawing the cards SO FAST---
lots of offensive nicknames, to counteract the "affectionate" nicknames you give to people you know.
Don't touch it or ask it by surprise. Have you seen how cats do when they step on their tail? that's Husk when you surprise him.
Charlie...she's insecure about you.
and she feels BAD about it! She is supposed to be impartial and that everyone deserves a chance to change their ways! but you...well, it's you.
Charlie is not so naive, when more than one member of the Staff warns her that you are bad news, she is considerate of them and tries to make you leave, they have already had incidents with Overlords before, she wants to believe that you are different.
but it proves quite quickly that not when you show your more... somber side.
She tries to be cautious, failing miserably because she wants to know everything about you. You are someone very interesting!
Charlie definitely didn't have much of an idea who you were when she met you, your name did ring any bells, but she didn't think it was that important ---
until you casually blurted out the information that you had a fucking cult.
and that you eat demons.
FROM THE SAME FUCKING CULT YOU HAVE.
There Charlie decides to put into practice everything given in "setting boundaries" and tells you that although she likes how... you liven up the atmosphere of the hotel (and the air conditioning in some way) she DEFINITELY does not want to associate with you having Alastor.
if she KNOWS that you are trying to do something against the hotel or any of the staff members (especially Vaggie)...ohohoho buddy, prepare yourself for an ANGRY Charlie ready to show you WHO'S THE BOSS HERE.
(She definitely tries to get several members of your cult to go to the hotel with her to protect them from you).
You get on Vaggie's nerves. A Lot.
not only because you cool everything you touch, but because you are very similar to Alastor.
She knows you're hiding something, that you want something from them but she can't get it out of you easily, so she's content to just watch you from a distance and make sure you don't mess with anyone.
VERY PROTECTIVE WITH EVERYONE WHEN YOU ARE THERE, it increases the hotel's defenses by 130% and keeps you away from where others are.
You definitely like to annoy her by calling her names that are too friendly for your type of relationship or even using her as an armrest. In these types of cases you usually receive a few good punches in the ribs or a headbutt.
If you try to get too close, she applies the pilot's weapon to you, that is, she takes out her angelic spear and threatens you with a lot of violence. cursing you in Spanish in the process.
She's not as intimidated by you as she is by Alastor, but she definitely doesn't think you're safer for any reason.
less after finding out what you do with the people in your cult.
good luck keeping Vaggie from killing you!
Angel Dust is scared of you, like, really scared.
It's not because you're similar to Alastor, or because you're a Cannibal, or because you're a powerful Overlord. not at all.
It's because you are very similar to Valentino.
You pretend to be a good person, that you give a shit about what happens to the people at the hotel, but really no, it's all fake. REALLY fake.
you feel nothing.
and that terrifies him. He doesn't know how he acts around you. so Angel avoids you as much as he can, going near the fireplace since you don't like the heat, or near Husk.
he keeps making jokes at your expense, but it's really his way of handling the situation.
apart from the fact that Angel genuinely thinks you're pathetic, because you couldn't find any other way to enjoy your life and another life other than hurting people.
that's pathetic.
Yes, she won't let you be near the most vulnerable residents, like Niffty (when she's drunk) and she definitely won't let you be near Fatt Nuggets.
Try him and he will show you what he lived by while he was alive.
Niffty isn't scared of you in the slighleast.
In fact she is attracted to you on many levels, but Alastor will NEVER LET you be even a kilometer close to her in his presence.
In fact, there is a high possibility that you and her will secretly become friends, but Niffty better take care of herself around you.
She makes you use your ice powers so she can make things in the snow, snow angels, dolls, kill bugs with snow picks, etc.
she likes you and you like her :) surprisingly.
Sir Pentious is quite similar to Angel with you.
Sir Pentious is very aware of your reputation as a fearsome Overlord and definitely does not want to join the list of victims with his Eggboys, so he stays as far away from you as possible.
He has tried to make inventions resistant to your frozen currents, since it costs Charlie quite a few resources (because you don't pay a shit for what you break, you cheapskate) and certain artifacts that counteract your ice powers.
He brings several of his smoke machines to the hotel when he knows you're coming to visit (and if you come as a surprise, most likely everyone will hide in Pentious's warship because it's very hot in there.
Yes, he doesn't let his Ehgboys be near you in the slightest, he tells them horror stories with you like the big egg-eating monster.
and if you try something with his Minions PREPARE FOR THE DEATH RAY--
In general, you are a pain in the ass for everyone, everyone, always :)
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^when they find out You come to visit
Thanks for the Request ❤️
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rafebarrysmut · 5 months
Text
“Did you just bite me?”
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Pairing: Rafe Cameron x Barry (Outer Banks)
Summary: their first time and it's hate sex (based on the requests I got, thanks lovely anon and @obx-for-life )
This takes place in season 2, post-betrayal, when Rafe has just watched his father's confession video and had that fight with Sarah. The alcohol won’t help and he needs something stronger to numb those emotions and the screaming voices inside his head. So he ends up at Barry's. Naturally.
Warning: minors dni. Rafebarry smut. Explicit language. Top!Barry x Bottom!Rafe, Virgin!Rafe, some canon-typical violence, mentions of Ward's (fake) suicide, biting, crying, lots of whimpering, Rafe tries to be dominant. And gets railed. Barry's pov. This is almost 3.5k words. holy fuck.
Fuck, Rafe Cameron was the last person Barry expected to see showing up on his porch that day.
When he heard the dirt bike approaching, Barry looked up from the worn copy of The Crying of Lot 49 he was reading, frowning as he saw Rafe coming to a halt, getting off his bike, literally throwing his helmet at the trailer. Barry mumbled a curse when the boy came stomping towards him. Of course, Barry had heard the news about Ward Cameron and he'd guessed that they would have to let Rafe go with his father taking the blame for Peterkin's murder. And he had expected the boy to be angry at Barry for ratting him out, but he sure hadn't expected him to come running to him that same day.
Barry closed his book, put it to the side, about to get up and greet Rafe with a casual but tense grin, when Rafe kicked at the coffee table causing it to topple over.
“Hey!” Barry jumped to his feet.
Rafe was quick, both his hands grabbing for the collar of Barry's shirt.
“Easy there, dawg.” Barry was alert, but cautious. He had lifted his hands but didn't touch Rafe, just looked him straight into the eyes. “Sure this is upsetting and all, but you might wanna calm down.” Barry's voice was low, but firm.
Rafe's hands fisted around the fabric, white knuckles showing. His jaws clenched as he glared down at the older male. Every muscle in his body seemed tensed up, Barry could feel it, see it.
“I'm gonna end you,” Rafe muttered between gritted teeth. Barry could smell the stench of liquor in the boy's breath. He could see the tears in his bloodshot eyes.
The boy was fucked up, like really fucked up. And by now Barry knew that Ward Cameron was to blame for the most part of that. Barry didn't feel sorry for Rafe, but he understood what it was like to be fucked up like this by your own parent. And though Ward might have saved Rafe from going to jail by taking his own life, he had literally torn that messed up boy to pieces by doing so. Barry had gotten to know Rafe in all kinds of stages of messed up. This was beyond.
He tried to stay calm, still assessing the situation, and part of him was also curious why Rafe had gotten all the way into the cut to take out his revenge on Barry on this day. But with Rafe, there was no reason – at least not the kind of reason other people understood, that boy acted on impulse only. Or something else. Some completely messed up logic of his fucked up mind.
“This is on you,” Rafe hissed. “If you hadn't turned me in, he wouldn't – this is all your fault.”
Rafe's voice grew louder and he shook Barry.
“This is all your fault,” Rafe was practically fuming now, pushing Barry back, who stood his ground.
Rafe's hand reached for Barry's throat, but Barry was quicker. Grabbing both the boy's wrists, freeing himself from the grip, he pushed Rafe back, his chest colliding with his.
There was a moment of surprise in Rafe's widened eyes, then the anger kicked in. He growled and fought Barry's grip, fought him fiercely and blindly. His body urging against Barry's, shoving him backwards with such force that Barry stumbled and lost his balance when hitting the edge of the couch with the backs of his legs.
“Fuck,” Barry cussed, trying to stop his fall, and in doing so, he let go of one of Rafe's wrists, who used the momentum to land a punch at the other's face, hitting his jaw.
Barry’s back hit the worn-out couch and Rafe was on top of him. But not for long. Barry lost his patience and fought back. They tumbled off the couch, landed on the ground. Barry tried to get a hold of Rafe's hands, tried to pin him down, but the boy was writhing below him now, wriggling out of his grip and attacking Barry. A fist hit Barry's rips. A knee kicked at his stomach, missed, but made Barry lose the upper hand again. Barry had not only lost his patience with this boy, he felt his own rage now driving him on. Punching, hitting, gripping, tugging, they rolled along the floor of Barry's porch, hitting furniture and scattered empty cans. The sounds of furniture being shoved, fists hitting, bodies colliding, mixed with groans and heavy panting as they engaged in this fierce, very physical fight.
“Fuck!” Barry cried out when a sharp pain hit his shoulder.
Rafe was on top of him with one of his arms twisted behind his back, Barry had wrongly believed to have the upper hand in that moment.
“Did you just bite me? You fucking crazy,” Barry couldn't hide the surprise in his voice, when he grabbed Rafe's hair, pulling him up a bit, so he could look into his face – and see the boy look at him, his lips parted, blood dripping from his mouth and Barry was unsure whose it was.
“You crazy bitch…” He gazed up at Rafe, who looked straight into his eyes. Something so fierce and wild in those blue ones. Barry heard his own raspy breathing, felt his chest rise and fall. They'd suddenly stopped their fight but that hot rage was anything but gone.
Barry’s hand grabbed Rafe's jaw, which made the boy gasp, those eyes widened even more, pupils dilating. And then, as if remembering they were in a fight, he pulled at that hand, tried to free his face, and Barry's finger slid between those bloodstained lips. And he felt the soft wetness of his tongue and those lips closing around it, and he pushed the digit deeper and saw Rafe's eyes rolling back in his head, and a surge of something hotter than rage suddenly hit Barry's body. And for just a second it felt like Rafe's mouth was sucking on his finger and Barry's breathing hitched. And the next moment, sharp teeth sank into his finger. Barry growled, quickly pulling his finger out and smacking Rafe across the face, sending his head whipping back.
When Rafe moved his head back to look at him, something had changed in his expression. He looked surprised and tears were pooling in his blue eyes, and Barry couldn't help but chuckle at the sight. Whereas Rafe had glared at him like a wild beast before, he now looked like a kitten, a sad kitten that seemed to be puzzled about what it had done wrong.
Barry quickly grabbed the back of the boy's neck as he felt him shift on him and pulled him close.
Rafe's hands were pressed to the floor on either side of Barry's head and he was struggling to keep himself up like this with his face only inches away from the other's.
Barry felt the body above him trembling and he knew that it wasn't just from the exhaustion.
He pulled him closer. Rafe still fought his grip, struggling to push himself up. Heated puffs of air hitting his face.
Barry felt the warm breath on his face. Those full lips opened. Those eyes flickered. Barry noticed how they moved to his mouth. He grinned. Those eyes met his again. Rafe's panting grew more rapidly. Those eyelids fluttered shut and Barry lifted his head, just an inch, and his lips met those soft lips of Rafe.
He felt the boy freeze, then struggling to push away, but he wouldn't let him. His other arm wrapped around his body and he pulled him closer, pulled him flush against his body, as his lips moved against those too soft lips, hungrily kissing, tasting blood.
As he felt Rafe opening his mouth, a whimper escaping his lips, Barry pushed his tongue inside his mouth – despite the risk of those sharp teeth biting at it. But Rafe gave up his resistance, finally giving into what Barry had noticed the boy had wanted all along.
It wasn't unusual to get aroused from fighting, with all that heat and bodies so intimately colliding. But the way Rafe now kissed him back, Barry knew that this was something else, this was a hunger much deeper, much darker.
Rafe began shifting his body on Barry's. His hands suddenly eager to grab and tug. One hand gripped Barry's throat and Barry groaned in response, his hips buckling up, meeting Rafe's who was straddling him, making the boy feel how hard he was.
The grip around Barry's throat tightened as the kiss got more heated, with tongues fighting for dominance and teeth not just teasing, but biting hungrily.
Barry's hand grabbed for Rafe's ass, grabbed hard at the firm flesh, and he almost expected the boy to withdraw, but all he did was whimper.
The kiss got sloppy and breathless, both were so riled up that this was by far not enough to satisfy their hunger.
Rafe's hand closed tighter around Barry's throat, by now making it harder and harder to breathe. Barry tensed up and with a sudden motion pushed Rafe off of him. Sitting up, his hand went to his throat where Rafe had surely left marks. He narrowed his eyes, his breathing still strained.
And Rafe, sitting on the ground in front of him, gazed at him with those eyes, and he looked as if he had been slapped again.
“You're crazy, baby boy,” Barry's voice was hoarse, but he chuckled and shook his head in amusement.
Rafe sat there, panting, and slightly trembling. His wet lips parted, they looked swollen from the angry kiss. His blue eyes moved over Barry's body and his expression was this strange mixture of puzzlement, anger, and hurt. And something else.
Barry had his eyes on the boy as he moved cautiously, as if not to scare him. Slowly, he took off his own shirt. Rafe's eyes were immediately drawn to his abs.
Barry waited, but Rafe didn't seem to pick up on the invitation to do the same, but just bit his lips as his eyes wandered over Barry's muscular torso.
Slowly, very slowly Barry pulled down his shorts, just enough to show his cock's pink tip.
Grinning, he noticed how Rafe wetted his lips.
Barry leaned back, propping himself up on his elbows, he looked at Rafe, tilting his head.
And there it was again, that strange look in the boy's face. He was nibbling on his finger and his eyes flickered wildly about.
The muscles in Barry's stomach twitched.
“This your first time, hm?” A mocking tone in Barry's voice.
“It's not,” Rafe was quick to respond and shot him an angry glare – and right then Barry knew that Rafe not only never tasted cock before, but that he was in fact still a virgin. – And it was like those months ago, their current interaction mirroring the first time Barry had offered Rafe coke, who took it with that angry tone lying when stating that it wasn't his first time – just like now.
Barry lifted his hips slightly to help Rafe pull down his shorts completely, who did so hastily.
As if trying to prove that he was in fact used to giving blowjobs regularly, Rafe gripped the base of Barry's cock, propped it up to guide it to his opened mouth as he leaned down, kneeling next to Barry. Without hesitation Rafe took the tip between his lips and began sucking, making Barry hiss a curse and clench his fists. But the next second, Rafe pulled back, his face contorted, rubbing his lips that he was licking frantically, obviously appalled by the bitter taste of Barry's precum. But at the same time, he just couldn't take his hands of that thick cock in his hand. His other hand rested on Barry's thigh and his nails dug into its flesh as he tried again. Rafe closed his eyes, the curtains of his hair almost hiding that pretty face and the tears running down his cheeks, as he opened his mouth further to take more of that fat cock in. The warm tongue pressed against the slit and Barry gasped. Spit was running down Rafe's chin and drooling onto Barry. Rafe had given up on the sucking, but began moving his head up and down, his lips tight around the thick cock. His mouth clenching around it. He didn't get much more than an inch in when he was already gagging.
It was messy, it was sloppy, and quite frankly, it was the worst blowjob Barry had ever received. It was perfect.
Barry was breathing hard, his cock throbbing and glistening with Rafe's drool, as Rafe was coughing heavily, his cheeks flushed, tears running down his face, drool covering his chin. While the boy was trying to compose himself, trying to make that coughing stop and probably contemplating about whether it was worth giving it another try, Barry sat up, grabbed that pretty face and kissed those quivering red lips.
Rafe was quick to stop him, push him away, still fighting to regain his breath. And Barry chuckled when blue eyes darted at him, ready to kill.
Barry wanted to wrap his arms around him and pull Rafe close to him and just kiss that frown, but Rafe pushed him back, so hard that Barry landed on his back again, looking up in surprise. But then he saw that Rafe undressed himself. Got rid off that grey shirt, his jeans and boxer briefs.
Fuck.
Barry inhaled and held his breath, because that boy was literally breathtakingly beautiful. His mouth watered as he saw his well-trained body, perfectly toned. And his cock must have been the most beautiful cock ever. Nice and smooth and big. Not as thick as Barry's, but huge as it was pressing against Rafe's flat stomach. Barry would've loved to suck it, but Rafe obviously had something else in mind.
He climbed on top of Barry, straddling him, sitting down on his hip.
Barry was about to grip the boy's hips, when Rafe slapped his hands away, then gripped his wrists to pin them next to Barry's head.
Hovering over him, his face close to Barry's, he spoke in a low voice.
“You don't move when I fuck you.”
Barry flashed a grin and he couldn't deny how hot it was that Rafe wanted to dominate him.
Only problem was that Rafe was obviously completely inexperienced. By now Barry suspected that he had never actually been intimate with anyone, neither girl nor guy, and only got his knowledge from watching porn clips probably.
Rafe let go off Barry's wrists when the latter stopped moving as demanded.
He sat up and reached behind himself to grab Barry's cock. Barry felt it throbbing as those eager hands tried to position it.
Rafe bit his lips, concentrating as he lifted his hips a bit.
The wet tip poked against his firm cheek, brushed along the crack, then touched that sensitive muscle and Rafe winced.
He let out a long breath, his brows furrowing, his mouth opening wider and wider as the tip pushed against his tight entrance. Barry felt it flinching and he growled as he almost lost it.
Rafe’s body was tensing up and Barry could see his erection faltering as he desperately tried what seemed impossible. And Barry saw that Rafe was about to lose it.
In one swift motion, Barry sat up, wrapped his arms around Rafe and shut up his angry protests with a passionate kiss. Feeling skin on skin, the heat between their bodies grew into something fervent. Both being naked, their hunger for each other was no longer that desperate, but still as fierce.
Rafe's hands gripped and scratched whatever they could reach. And Barry just needed to hold and never let go.
Rafe moaned into Barry's mouth as he rocked his hips hard and needy against Barry's.
His fingers digging into Rafe's hair, Barry guided the younger's lips to his throat, flinching and groaning as those teeth scratched along the sensitive skin, already bruised by Rafe’s hands.
Barry tried hard to not just give in to his own needs – and Rafe's urging. His breathing got more strained as he felt Rafe's hard length between their bodies.
He spit on his own fingers and rubbed them between Rafe's ass cheeks. His fingertip was greeted with a whimper – and teeth digging into his shoulder as he slowly pushed inside, carefully trying to stretch the tight ring. More spit and he pushed deeper. Rafe's legs wrapped around him and his fingernails dug into his back. The boy whined as Barry curled his finger inside him.
Barry gasped as he felt his own cock aching with jealousy.
Rafe felt so incredibly soft inside, smooth like silk. And was so tight that it was hard to push his finger deeper. But the sounds Rafe made were everything. Barry felt that whimpering tighten his own balls.
He exhaled, held Rafe closer to his body, feeling his rapid heartbeat, hearing his whining words that made no sense at all.
Originally, Barry just meant to prepare him, so he could fuck Rafe thoroughly, but the boy's reactions to being fucked by just one finger drove him outright crazy.
There he was, Rafe Cameron, sitting on his lap, arms and legs wrapped around him, shaking, whining, whimpering and trembling as he got fucked by a finger. The angry crazy boy who tried to kill him moments ago, always so commanding and trying to dominate, became a whimpering mess as the tip of Barry's finger again and again hit that one sweet spot inside him, making his body convulse, making him moan and roll his eyes back as he let his head drop back and come completely undone, spilling ropes of hot cum on his own and Barry's stomach.
All tension gone, Rafe had gone limp in Barry's arms. His cheek pressed against the other's shoulder, he breathed in and out through his mouth.
Barry caressed his head, then stopped himself when he realized what he was doing.
And it seemed it was the same moment that Rafe came down from his high and was forced back into the harsh reality.
“Fuck you! This wasn't what I wanted!” Some of his anger seemed to have returned already when he was still shaking. He shoved at Barry's chest and climbed off him.
His legs trembling when he kneeled and collected his clothes, apparently wanting to leave.
Barry growled. Sometimes he wondered why he even put up with this crazy son of a bitch.
Rafe had turned his back towards Barry, kneeling as he put on his shirt, his back covered in a film of sweat. His perky ass right in front of Barry. He could clearly see that glowing redness between those perfect white cheeks.
“Don't think we're done yet,” Barry growled into Rafe's ear, his arms wrapped around the boy, pressing his body flush against the boy's back, making him feel his neglected rock-hard cock urging against his ass.
Rafe didn't even manage to utter his angry protest as he was pushed forward on his fours. His breathing quickened and when Barry grabbed Rafe's cock, he felt it grow hard almost in an instant.
“So needy,” Barry chuckled.
He pushed Rafe's legs further apart as he positioned himself behind him. He saw the boy tremble with excitement as he ran his cock teasingly over his ass. He used some more spit and a lot of force, but he managed to push his thick cock into Rafe's tight ass, making the boy scream and then eliciting all those sweet sounds, those whimpers and whines and moans that drove him crazy.
At some point Rafe tried to move and meet Barry's thrusts, but he gave up soon, needing all his strength not to collapse as Barry fucked him, fucked him hard and ruthlessly, grabbed his hair and made his back arch, rearranged his guts and filled him so completely. Rafe clenched too hard, came too quickly, was too tight. And he was just perfect.
And Barry knew this was what Rafe really wanted. Being fucked into oblivion, being fucked so good that he even forgot his own name.
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icearts · 4 months
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A couple things about Sonic Prime that disappointed me
1. Shadow was in almost the entire trailer, but showed up for 3 out of the 7 episodes
2. An action scene that lasted for three episodes. It got redundant
3. There was an entire plot point where Sonic was dying from the prism energy being taken from him. This took 3 minutes of screen time and the risk felt minimal if it was there at all
4. No consequences = no stakes (literally there was no issue or "sacrifice" that came out of repairing the prism. Idk what i was hoping for, but the fact that everything was so easily fixed kinda hurt my feelings because it made the entirety of season 2 seem completely pointless and dumb)
5. Shadow was super protective of Sonic in the first episode, but never showed that same "Would kill and die for you in a seconds notice" energy he had in that first episode
6. The chaos emerald is mentioned again but never used as a plot point. Chekov's Gun is fake, apparently
7. It's said that Sonic can't exist in the Shatterspace without prism energy, but Shadow never had it in the first place. There is no provided explanation as to why this makes sense. The closest thing was "shadow wasn't there during the blast" but that only explains why he doesn't have the energy, not why he doesn't need it to live like Sonic does (I assume the others have at least a signature of it too which is why they cloned and Shadow didn't. Again this is unexplained in Prime. What does the prism energy even do for/to the supporting cast)
8. Why are there only 7 episodes? Why do they take up so much time in one place?
9. Rouge and Shadow only had one line of dialogue (this isn't a genuine critique I just wanted to see my favorite duo be a duo)
10. Sonic's Prism "Super Form" doesn't come back. Shadow doesn't get anything like that either. Another dud Chekov Gun. Why is this dumb little anecdotal metaphorical firearm never firing
I really loved the new season, and it was great and super fun, but those critiques really ruined some things because those were all things I thought would be a guarantee because of the trailer and because of how the other seasons were.
Why would they even bother to mention the chaos emerald, and this weird void thing if it wasn't going to be essential to the plot other than being an excuse to sideline Shadow. They could have just as easily said that chaos energy is neutralized in cyberspace because it's not connected to the world/chaos/master emerald. That works too!
Plus, why was Shadow sidelined so much? What's the reason? Why wasn't he allowed to use chaos energy and go apeshit? Why couldn't he take off his inhibitor rings in a desperate situation to protect Sonic and be able to teleport into shatterspaces even at the expense of his health?
I know it's a TV-Y7 show. It honestly did not need to be, but I'm sure it was a Netflix mandate to make sure their animation is all meant for kids and only kids, but they really ended up nerfing themselves by alienating their more passionate audience which would be teenagers and adults. Just make it TV PG that would've allowed you to work with higher stakes and a higher budget (oh wait that's what Netflix's intention was nevermind).
If you wanna see me make a list of things I genuinely liked, feel free to ask or comment that. I might do so anyway. I feel like the internet is too negative and critiques of shows tend to do too much of that, so sorry for contributing to that culture, but I really needed to get that disappointment out because it bothered me quite a bit. Feel free to disagree too, or say "bro it's a kids show. It's not that deep. Stop having passion and emotions for your special interests you dumb fuck" I get it. Anyways, good show, good season, highly recommend, it's very fun and enjoyable especially if you're a fan of Sonic
Last minute edit: I only saw the season once and my sense of media literacy isn't by any means perfect, and also, to clarify, most of my concern isn't quite "these plot points are 1000% absent and terrible" and more "I thought the distribution between the action scene in episodes 4-7 and the rest of the season's story was very poor and made the content I was more excited for seem watered down/unplanned/super easily resolved". Again the part of the show where Sonic almost dies because of the prism energy withdrawal was about 3 minutes long. Why did it feel so low-stakes?? I love action scenes. They're great, but when you dedicate over 30 minutes to one long fight scene, it becomes less interesting and there's still MORE OF THE SHOW TO GET THROUGH so those parts got super rushed
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i think Helaena can be autistic but also a happy and joyful girl , autism ≠ depression. the way the portrayed the only neurodivergent character on screen as unstable, shunned depressed, and with no importance to the plot feel very ableist and weird , but then they're the ones who made the guy with a foot disability a feet fetishist 🫠
Hi OP, finally answering this because the trailer dropped and still the only Helaena shots we have are from her Jaehaerys' funeral. There is also one still photo of her. If you haven't seen it, here she is, apparently sewing the funeral shroud for her little boy:
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So it seems like season 2 is going to continue on this trajectory for Helaena as a character who exists in order to suffer beautifully.
Don't get me wrong. I am glad that the show is going to wring the full emotional effect from Blood and Cheese, not just shock value. The audience will feel the real horror of a six year old child brutally murdered in his own home and the psychological torment of Helaena. It should be terrible, it should be devastating, and I hope they do not pull any punches.
What's disappointing about how the show has handled Helaena is that they didn't really put any effort into building up her character before her tragedy. It's all well and good that she likes bugs and she's touch averse, but what are her opinions? Who is she closest to? How did she react to becoming a mother so young? To what extent does she understand her visions? What does she value? She can be happy and cheerful, or she can be frustrated and angry, and hell, she can be depressed too, but I need to know why. It's telling that I can describe the basic internal motivations for each of the male children, including Luke who was a glorified plot device, but I cannot for Helaena. Aegon wants to feel loved, Jace wants to prove he's as worthy as any trueborn heir, Aemond wants what his brother has, Luke wants to be free from his family's expectations. Helaena? Fuck if I know. I guess she wants not to die horribly.
The ableism is an issue. F&B is full of women who were deemed "simple" -- Gael, Daella, Jaehaera-- without being given much else to define them, and HotD adds another (there's something, I think, to the way the "simple" Targaryens are always women and how disability kind of used as a way to remove them from the narrative and shunt them aside, often tragically). And while it's great to see an autistic person represented on screen, the show consistently has an issue with treating representation as characterization. "Autistic girl who likes bugs" is not a personality. Autistic people, (even those with horrifying prophesies I assume), do have hopes and dreams and feelings about things. The one peek we get into Helaena's life is at the in episode 8 when she roasts Aegon and even that scene is open to interpretation (and gets taken wildly out of context). Now, I can read a lot into the actor performances, but ultimately, lines that could have given a glimpse Helaena personality were cut. It's as if they're afraid that if they give her an opinion on anything she would lose that (frankly kind of infantilizing) "pure cinnamon roll too good for this world" "i would die for her" sympathy from people who are not inclined to be sympathetic for her family as a whole.
(And anon, you're right about Larys. And let me say, turning Larys' clubfoot into the punchline of an OnlyFeet joke also does not inspire confidence that they'll handle Aegon II's eventual disability with any sensitivity either, especially when Mushroom's accounts of his last few months are incredibly mean spirited. We need to start that discourse now so they get the memo).
Sadly, I don't think the show really has any intention of course correcting with Helaena in season 2. I imagine at most we'll have her try to warn Aegon and/or Aemond about Blood & Cheese but they won't understand her warning, and then this will be a vehicle to further their guilt and grief. And while we do need to see Aegon's guilt and his grief, I also want to know if Helaena blames herself, if she wishes they'd run away when they had the chance, if she thinks Aegon could have done something, if she is angry at Aemond for killing Luke, if she wants revenge. I do think, with the public funeral for Jaehaerys, they are going to show that the smallfolk are fond of Helaena, and hopefully that will be expanded upon this season and in season 3 because her death is the catalyst for the revolt that sees Rhaenyra driven from the city, and we should understand why her death has such an impact before she actually dies.
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momojedi · 3 months
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Bad Batch: Season 3
My Predictions
The final countdown has started and I'm not ready at ALL! Here are some of my predictions for Season 3 and what I could imagine happening!
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1. Tech will be back.
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Yes, the trope of dead characters returning is incredibly overused. But as many others I have a good reason to believe that Tech might still be alive. Think about it. It’s pretty likely Hemlock managed to locate Tech’s body considering he left us a huge breadcrumb: his goggles.
Why would Hemlock get rid of a genetically enhanced super soldier, especially considering he likely knows how to properly brainwash someone?
I too like to think that Tech might be the black armoured soldier in the front. It’s the same, if not similar armour as Clone X. Maybe these are part of a special type of clone assassins or troopers? Could they be the prototype for the Dark or Death Trooper?
It’s pretty plain to say that Tech will likely come back, though probably not as the Tech we know.
2. Crosshair & Omega Dynamic
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We've seen Omega genuinely bond with all of the Bad Batch - except for Crosshair. Despite her trying her best to get to him every time they had the chance to interact, he denied her any kind of response. Whether that would be because he's just too withdrawn or because he refuses to let anyone see his vulnerable side, we don't know so far.
What we do know however, both based on pure logic alone and the fact that we've heard them both involved in a heated debate in the leaked trailer from the Star Wars Celebration last year, is that they likely will spending a lot of time together on-screen now that they're both captives of the Empire.
Hopefully Omega will be able to lift Cross' spirits, he doesn't seem to be doing very well from what we've seen!
3. Ventress will be an enemy!
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Asajj Ventress! We all know and love her, so naturally it's incredibly nice to find out that she'll be returning to the screens for the final season of the Bad Batch! Despite they're naturally being some raised eyebrows considering her fate in the Dark Disciple book, I'm curious to see in what way they'll connect the stories!
However, seeing as Ventress could rather be classified as an anti-hero rather than a full on hero, I believe that she won't be helping the Batch but rather fighting them in order to get to what she wants - as she likes to do.
Perhaps she'll end up cooperating when she realises there might be no other solution, but I strongly doubt she'll be any help to them when it comes to following their personal goals.
4. The Fall of the Clone Rebellion
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It's sadly no secret that given the events of Rebels and the three remaining clones Rex, Gregor & Wolffe, it's very likely the rebellions aka rescue of the clones didn't go as initially planned.
I could imagine this being explained a bit clearer in the finale, perhaps even leading up to a great fight against the Empire in the end. We can't forget that the series mainly revolves around a rogue batch of clones, so the thought that it might also go out with a clone-centric subject, especially such a big one, isn't necessarily far-fetched.
5. The End of the Mission
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And finally, my most tragic prediction: The end of the Bad Batch.
The writers have been making it very clear that season 3 will likely be the darkest season of the show which unfortunately leads me to think that, as much as I'd want it not to be the case, the finale will lead to the ultimate end of Clone Force 99.
I suspect the series to end with the batch ending up together in some way, as the original five, and landing in a tricky life-or-death situation. Perhaps they'll be stuck in a crashing ship with a one-person escape pod or maybe they'll be facing a threatening figure such as Sidious, leading to the decision to sacrifice themselves in order to protect Omega.
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Either way, despite season 3 likely becoming a tragic rollercoaster of emotions, I'm glad we had the chance to experience the epic story of the Bad Batch. It's sad to see them go and although these characters have become like a family not only to me, but to many other fans, let's enjoy our last moments with them and let them go out with a bang!
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guardianspirits13 · 4 months
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Ok now for a list of things that I'm kind of iffy about or wish they had kept from the books. It's worth noting that I can't think of a single show exclusive scene they added that I did not like, and most of the changes were integrated flawlessly.
Starting out, the pacing. I'm hoping this gets better with time, especially given that the second episode has much more time to breathe. The whole first episode felt a little cramped, and some of the exposition felt a bit... exposition-y. I don' t think there is much they could have done to get around this though so I'm not gonna dwell on it.
As a fan of the series, I love how they introduced the structure and function of the PJO world with the intro, but I think the jump from "Percy sees things" to "everything is all real" felt a bit abrupt. I am curious what first time fans think about this, and again the first episode covers a lot more ground page-wise than ep 2.
Manchild Gabe... I am not sure how I feel about this. In the books he seemed downright threatening and even with Percy's 12yo bravado, he was still an intimidating figure. His bickering with Sally seemed more like your typical dysfunctional relationship than a power imbalance... both can be harmful in their own way, but I'm still undecided on how much giving Sally a bit more agency in her relationship with him effects the larger story. The whole "not all monsters look like monsters" thing works well in the books with Gabe, but I guess they were redirecting it to foreshadow Luke's betrayal? I'm not sure.
...which brings me to Sally. I was unsure about the casting, but she has earned her stay to me. I always imagined her as a bit more subdued, especially with the more intense iterations of Gabe. She's kind and gentle and has a rebellious streak, but as worried as she might be for Percy she hides it inside of herself. I think her being a bit more expressive as a character works in this setting though, especially since we aren't seeing her through Percy's kid colored lenses. She feels a bit less like the perfect, kind, and understanding mother Percy sees, and a bit more like a real-life single mother trying to keep some of that childhood wonder alive despite everything. She does seem younger than I would have expected, but that's a nitpick on my end. I think she is one character that I will always have a separate book/show counterpart for in my mind.
Ok. Now for Clarisse. Out of all the characters I was skeptic about, I think she's the only one who didn't win me over. This is a writing issue, nothing at all to do with the actress. She was characterized more as a 'queen bee' type mean girl than a bully who picks fights just to feel worthy of her father's approval. She would be better fit for a vindictive daughter of Aphrodite than a daughter of Ares. My mind might be changed in the future but we got most of her scenes in these first two episodes so I'm doubtful. The one moment that had potential was when Percy broke her spear, but the Clarisse I know would not back off just because there is an audience.
There was no hellhound... I was kinda looking forward to it, and it does emphasize that even camp isn't really safe for Percy and is a catalyst for both his quest and the idea that there is a traitor. I can kind of see why the cut it for thematic purposes so Percy feels safe for once in his life, but that's only if I squint.
The scene cuts. I know, I know they're supposed to mimic book chapters. I get it. But it just doesn't work for me, it feels like there's a lack of establishing shots and the black screen is long enough you think the tv is buffering. It's an interesting idea in concept, but the execution falls flat.
OH also as far as things that were missing- the 3 fates. I know this is in the show since it was in the trailers, but I'm curious as to where they're gonna put it now.
Anyways minor nitpicks aside these two episodes were an emotional roller coaster and absolute masterpieces of television cinema.
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