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#no spoilers please Ive seen up to episode 4 at this point
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Rotating Mizu in my mind, this man is so entirely transgender.
Rotating him with Taigen they are extremely homoerotic. Rotating Akemi she's very surprising. And Ringo so upbeat and sweet despite it all.
Rotating Rotating mm some fucking delicious food.
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neoflect · 1 month
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sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production
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my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!
with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.
sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.
just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)
wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.
the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!
which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing.  i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)
in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.
okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here
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musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.
the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.
if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.
i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain
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tumblingclockwork · 3 years
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HI LEAF IVE BEEN HYPERFIXATING ON MC STORY MODE AND ON STAMPYCAT PLEASE PLEASE PLEASE TELL ME YOUR THOUGHTS ABOUT STAMPYCAT BEING THE WHITE PUMPKIN IT SOUNDS SO COOL
HELLO HI YES I AM MORE THAN WILLING TO EXPLAIN
Before I start I wanna give a huge shout out to @mephones-declining-mental-health who was actually the first to point a lot of this out. We spent a lot of time putting this all together and she deserves a ton of credit for it. So go check them out.
ok so mcsm is an old game so quick refresher on episode 6: Jesse and his gang end up in another world and are put into a murder-mystery type situation. They’re trapped in the mansion due to zombies and have to survive until the day while the person who invited them all to the mansion (who goes by “The White Pumpkin”) kills them off one-by-one in order to obtain the Enchanted Flint And Steel. Which Jesse is also trying to get. Minus the main cast, everyone in this murder mystery is based off and voiced by famous minecraft YouTubers from the time. This was a pretty genius move on TellTale’s part because it meant the players were already going in with a certain level of attachment to these characters, allowing the game to kill them off in a way that would be emotionally impactful without effecting the plot of the overall story that much.
The people you meet in the mansion are the following youtubers: CaptainSparklez, TorqueDawg, StampyCat, TheDiamondMinecart, LDShadowLady, StacyPlays, and CassieRose
Multiple of these YouTubers are killed off (though some can be either saved or killed depending on your choices) and [spoiler warning] Cassie Rose is revealed to be the white pumpkin at the end. Her motivation being that she’s stuck away from her home world for and desperate to get back.
Now here’s the thing: that doesn’t make Any sense.
Cassie doesn’t have a single line or any piece of evidence that would necessarily point to her being the white pumpkin. The only real evidence that points to her feels so last minute and forced. And just completely disregards any other scene in which you were collecting evidence.
This would be less frustrating if there weren’t multiple other people that had far more evidence against them. But the one who has the most undeniable evidence against them? StampyCat.
Now I don’t know if they changed the story halfway through development or if the writers at TellTale are just bad at their jobs (equally likely but there is some evidence to suggest Cassie was not always the intended White Pumpkin) but Stampy has the most evidence, best motive, and would have just been a very interesting villain entirely.
Let’s go over everything.
So for starters. The first murder.
Spoiler alert! But the first murder is TorqueDawg. He stands under a dispenser that shoots him with a poison tipped arrow and he dies.
Now, tipped arrows were a relatively new thing at the time, and the game makes a point out of this. A lot of the characters in the mansion Don’t Know what a tipped arrow is. But a few do.
After the second murder (which we’ll address in a moment) you have the ability to interrogate three of the characters. LDShadowLady, TheDiamondMinecart, and StampyCat
Lizzie (LDShadowLady) is fully aware of the tipped arrows. Both Dan (TheDiamondMinecart) and Stampy point this out. When you ask her about it, she says she does know how to make them and taught others about it.
One of the people she talked about the tip arrows to is Cassie, aka the white pumpkin. So story-wise it does make sense. But Lizzie also states that Stampy had asked her about the tipped arrows, and specifically how to make them. So we know he has full knowledge of them.
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But what does Stampy say when you ask him about the tipped arrows?
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“I’ve never seen anything like it before”
This is Never addressed. Not once. Stampy blatantly lies about knowledge of a murder weapon when he seemingly has no reason to do so and he gets away with it.
So Stampy 1. Has the ability to create the weapon used for the murder and 2. Felt the need to hide this ability.
So that’s pretty suspicious right off the bat.
Now these interviews are caused by the second murder. So let’s talk about that.
Second murder: CaptainSparklez is pushed into a sand pit and suffocated by a very elaborate redstone trap. The trap is activated by one of the buttons on the table that they’re all sitting at.
Each of the buttons activates the trap, but only one of them was actually pressed. The connection we’re supposed to make here is that the White Pumpkin set up multiple buttons to keep suspicion off of themself.
The people sitting at the buttons were StampyCat, TheDiamondMinecart, LDShadowLady and Jesse’s friend Lucas.
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Now you’ll notice that CassieRose, the actual White Pumpkin, is not on this list.
TheDiamondMinecart (Dan) is the one who presses the button. Dan is supposed to be a Red Herring here as he didn’t know what the button would do and pressed it anyway (though he’s a bad red herring. And we’ll discuss that in a moment). Even with the knowledge that it wasn’t the white pumpkin who pressed it, it doesn’t make any sense for her to have not been sitting at a seat with a button. And this is never really addressed either. Making this scene a complete waste of time, unless of course the original white pumpkin was intended to be one of those 4 people.
The interviews give us a lot of knowledge about the interpersonal relationships of the characters and what their skill levels are. Such as what I discussed earlier about the tipped arrows. But one thing that stays consistent is Jesse’s insistence that whoever the white pumpkin is, they must be good at redstone.
And he’s right. Every trap set by the white pumpkin at this point was redstone activated. Whoever made it must have been very skilled with it. And out of all the suspects there’s only one who has that level of ability. Stampy.
Both Dan and Lizzie make a point of saying that Stampy is a master of redstone and his skill is unmatched. But when Stampy is asked about this, his first instinct is to lie about it. When you catch him in this lie, he immediately back-tracks.
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So Stampy
Has knowledge on how to build the first murder weapon (which wasn’t knowledge everyone had at the time)
Completely lies about this knowledge and is never called out for it
Was sitting at one of the buttons that caused the second murder
Is the only one with the redstone knowledge capable of creating the white pumpkins traps.
Lies about his redstone ability
So there you go! That’s a ton of evidence against him! And pretty much no evidence against Cassie other than the fact that she also knew about tipped arrows at the time.
In fact the dinner scene confirms Cassie can’t be a suspect unless we’re supposed to believe she just hoped someone else would do the job for her. Which considering she’s later characterized to be super paranoid and unwilling to leave things to chance, I doubt it.
While looking through secret tunnels you manage to find a secret conversation between Dan and Lizzie where Dan admits that he was the one who pushed the button on accident and that he feels super guilty about it. Jessie spots the white pumpkin looking through a painting at this moment. And considering he’s also seeing Dan and Lizzie, and he knows where Lucas is, out of all the people sitting near buttons, Stampy is the only one left. If the White Pumpkin was someone who was sitting at one of the buttons (which it should have been) it would have had to be Stampy
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Now I do think having Dan push the button is realistic and fine. It’s a button. Everyone likes pushing buttons. But the fact that the white pumpkin would Bet On That Happening and not sit near a button at all feels like it couldn’t possibly be right, especially because everything else is so thought through and calculated. It feels out of character for Cassie to do. Cassie being the white pumpkin also means those interview scenes were an entire waste of time. They gave us no real information that could be used in the case and crossed off the real murderer as a possible suspect.
If *Stampy* was the murderer however, this would have made a lot more sense. As the interviews would have given us a lot of info about him and against him. Plus his relationship to the others. Even if Dan turned out to be the one who pressed the button, we still would have gotten that important info on Stampy. Not to mention that Dan just so happening to press the button before the White Pumpkin got a chance is a lot more believable than the White Pumpkin betting on that.
Now the way the story actually goes is that Stampy is revealed to have the enchanted flint and steel (even though before he claimed to not even want it) and as I’ve said, Cassie is revealed to be the white pumpkin.
We learn she’s the white pumpkin because she’s the only one who didn’t have a portrait of herself with a red X over it, which is a sign someone had died. Meaning she was never intended to die at all.
Now because the writing team didn’t put any actual evidence of her being guilty before this, they slip in a Not At All Subtle clue that she’s the white pumpkin.
The white pumpkin’s hide out is Filled with calico cats. The same cats as Winslow (the cat that Cassie had kept with her). And while this is obviously supposed to tell us it’s her, it doesn’t really make much sense as a clue. Considering Winslow is just one cat. A bunch of cats that look like him is sort of out-of-nowhere. She’s had no real evidence against her other than the final connection, meanwhile all signs seem to point to Stampy.
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This doesn’t necessarily mean anything but I do think it’s worth mentioning that there is one character who Does have a ton of animals like the ones we see in the white pumpkin’s room. And that’s Stampy. He has a ton of dogs that could have easily taken the place of the cats. But anyway.
This last second Right At The End clue seems to almost indicate that there was some change in writing half way through the process. Before Stampy is revealed to have the flint and steel (which is something that any character could have confessed to and the story would be pretty much the same), the story makes a lot more sense with the idea that Stampy was originally intended to be the white pumpkin. We can also gather that it seems they intended the white pumpkin to be a man, as the protagonists refer to the white pumpkin by he/him pronouns and that assumption is never addressed when they learn the white pumpkin is a girl.
Either that or the writers are just. bad. Which is also very likely.
That’s all the evidence I have. So let’s talk about how story-wise it would have been so much more interesting to make Stampy the white pumpkin.
Cassie is great. But she didn’t get a lot of actual screen time in game until her villain reveal because she really never had any evidence against her. Stampy however got a lot of screen time and was generally the fan favorite when it came to the youtubers that were in episode 6. He was one of the most beloved youtubers at the time and the writers took that into account.
Whenever Stampy was accused of something, he’d play the innocent card. He’d say things like “it’s me! Stampy! I’m everyone’s friend!” In an attempt to get sympathy. Instead of defending himself, he played at the emotions of the people around him. He was played as the sweet innocent character who wouldn’t do anything wrong. I think this would have made him a Great twist villain. It would have made a lot more sense for the end scene as well, as the other youtubers defend Cassie, saying she would “never do something like that”. Which never really made sense considering they all knew one of them must have done it, and none of them had any real connection to her. Defending Stampy or being shocked would have made a lot more sense regarding the relationships of the characters.
His villain reveal would have been so much more surprising as well, as Cassie’s tone quickly shifts to much more malicious once she admits to being the White Pumpkin. And while I do believe shes a very good actor, I do believe the scene would have had an extra punch if the lines were delivered by someone who was previously set up to be the trustworthy friend who wouldn’t hurt a fly
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But it’s Cassie’s motive specifically that I think would have fit So Well if Stampy had taken her place.
Cassie wants the flint and steel so that she can return to her home dimension. She’a been stuck here for a very long time and is willing to do anything to get back home. Specifically saying that she needs to get out of this “stupid world”.
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Now this will only really make sense for those who are familiar with StampyCat outside of mcsm. But I’ll do my best to explain.
Stampy, as a YouTuber, was known for his “lovely world”. The minecraft world that he loved and cared about a lot. If the plot line was that Stampy specifically was separated from his lovely world, it would have been a great motive that he was desperate to get back it it.
So uh. Yeah! I think that’s all I got. I’m sure me and Worm aren’t the only people who have come to this conclusion but I’m just here to put it all into writing. I’m not sure if this was all a last minute change or sloppy writing but either way I think it’s interesting!
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wandavision spoilers please and thank you
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im pretty sure it should be confirmed that evan peters is supposed to be a quicksilver, or more specifically xmen peter. namely because they wouldn’t cast evan peters unless it was just some caneo joke but they wouldn’t keep him in the series if all it was was a joke? so when i refer to peter, im talking abt evan peters’ quicksilver, and when im talking about pietro, it’s atj’s version
so here are the possibilities and theories ive seen so far including a couple of my own personal ones:
he’s nicholas scratch, aka some sort of shape shifted version of that rabbit (señor scratch) into a quicksilver that’s still alive but in a different universe. it’s possible that this power is like the skrulls in captain marvel where they have to see it to transform into that thing, so they could’ve tried to find an alive quicksilver and decided it was close enough since pietro is now unfortunately a decaying corpse.
he was pulled into the mcu/wandavision universe by either agatha or wanda. agatha most likely because she always knows what wanda is thinking (??) and thus wanted to drive a wedge between vision and wanda since she apparently knows what they were fighting about. or wanda because subconsciously she wanted her brother back i guess. either way, it can explain why peter knows a little too much to the point where it’s just suspicious. plus he’s a cheeky bastard and him being all meta and stuff kind of makes sense for his character?
a little more in depth, he was pulled in by agatha involuntary and is being mind controlled by her, explained by the purple magic when he first arrives at wanda’s house. none of his words were necessarily his own but you could say that him oddly knowing a lot about the hex was in a way telling wanda that he like obviously doesn’t know why he’s there exactly? i don’t know how to word it but for lack of a better word, it was a cry for help. after he was yeeted by wanda, he was shaken from agatha’s hold and the post credits scene in episode 7 is him being himself and scaring monica by saying “snoopers gonna snoop”. after this, it’s really just a free for all and he’s probably going to be like “hey, i don’t know why im here im from a different universe”
alternatively, he’s still being mind controlled in the credits scene and was set up as some sort of bodyguard/goon for agatha’s house/the hex? and the reason why monica’s eyes were purple was because peter did some fun little wiggly woo magic since he’s being controlled by agatha? or he just captured her somehow and is justgoing to be in leagues with agatha until he’s set free by vision
i don’t know about this ^^ though because i don’t know if it would make sense for this all powerful witch to need a bodyguard and against what? monica’s arrival wasn’t planned. if a bodyguard was really needed why didn’t quicksilver catch monica sooner i guess? like when she entered the hex? he is a speedy boy after all. but i don’t know it’s still a possibility, but personally it’s probably just my confirmation bias and hope that this peter maximoff is a good guy and is staying/leading to the multiverse thing.
he’s mephisto, just shape shifted. maybe? but agnes was controlling peter. unless she had to use her magic to make sure that he kept up this form of peter. question is, why not just use pietro if it was mephisto and he can shapeshift somehow.
i just came up with this one, maybe between the events of days of future past and apocalypse, he might have experienced extreme grief like wanda (maybe he lost his sister, either one of them, maybe that elusive other sister mentioned in the rogue cut) and made a deal with mephisto in order to get his sister back during his extreme grief. however, in turn for that he had to help agatha and he’s instead voluntarily being this bad guy. or maybe even during his time with wanda, he realized something and in the credits scene he saw the opportunity to help wanda and co.? the possibilities are endless.
nevertheless, i’m still really happy that xmen quicksilver is back since he was honestly kind of did dirty in apocalypse, dofp, and dark phoenix (didnt wwtch it but from clips ive seen he barely gets screentime)
this also does open up the possibility of the multiverse to maybe get fully incorporated into the mcu and we get to see cameos from the xmen universe and maybe even fantastic 4. but im still really excited for the possibilities that this show has to offer, especially considering that it’s the first show that is supposed to be fully canon in the mcu. now all i have to do is wait another excruciating week until episode 8
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scare-theory · 3 years
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I agree with you about your assessment that David’s comment is regarding Hopper and that Sara could definitely be part of it. I’m curious if you have any more thoughts on that subject? I’ve got a dozen ideas as to what I think could be going on but I can’t seem to stick with just one.
This is my literal favorite topic of all time to theorize about. Please, please message me or ask me if you want to talk about Sara. I’m with you on not being able to decide what theory I like best, but I do have a lot of them (most of which I could write a short essay about) Also, several of these could (and likely do) coexist, which makes theorizing all the more fun. 
So here are my theories: From Most to Least Likely. 
Kali was used to alter Hopper’s perception of Sara’s death. (Spoilers for Suspicious Minds) The reason why I think this is so likely is that it has happened before. In Suspicious Minds, Kali helps Terry Ives fake the death of a subject for long enough and well enough to fool even Doctor Brenner. This looks like a precedent to me. If she at about twelve years old convinced Brenner himself that a patient was dead, Hopper and Diane would not be a difficult target for her at all, especially when she was older (as she would have been when Sara ‘died’.) Her ability set would mean making a fake scene like we saw in the flashbacks at the end of season one would be easy, and perhaps even normal for her. For those reasons, this is the only one of these that I am almost certain happened. 
Sara was/is an experiment. This is a common take, but an important one none the less. I’m sure you’ve heard the evidence, so I’ll keep it short. Her episode in the park looks a lot like Will’s, the staircase, I could go on. Regardless, the idea that Sara was an experiment would not only connect her to Eleven, but it would give Hopper extremely personal stakes in taking on the lab. I also think a FANTASTIC scene for Hopper’s character would be a reveal that A: Sara’s grave is empty or B: We find a body Hopper identifies as Sara with a tattoo on her arm. 
Also, the idea that Sara might have called Brenner Papa, and Eleven would refer to her as sister is just too good to pass up. 
Sara lived well past age 4, but as of Season 3, she is dead. This of course ties into the experiment theory, and I’ll touch on my ideas on the later part later. 
Additionally, Sara was a FAILED experiment. One thing we know about the other experiments is that they were taken when they were infants. This makes Sara a very interesting and unique case, as she would have been taken much older than the rest of the subjects. In my mind, this would mean that the experiments did not work as intended. I’m not entirely sure what that means for her, perhaps she’s dead, perhaps she doesn’t even look human, but it’s a prospect I’m interested in. 
--- Those are the sane ones, here are the stretches. I don’t know how much I believe any of these, but I wanted to touch on them. 
If she is still alive, the line “But please, for the sake of your dear old dad, leave the door open three inches” has a double meaning. I’ve seen people point that the gate is still open just a crack (3 inches?) after Joyce closes the gate, which got me thinking. Yes, the letter was directed at El and Mike, but perhaps another person kept the door open three inches for Hop? Again, this is a stretch, and I don’t know how much I believe it, but I can see an innocuous line like that being used to foreshadow something big. 
Eleven unknowingly helped kill Sara. This is one of my personal favorite theories, but it would rip me in half. Likely, it was an accident, perhaps something that Brenner forced her to do, but it is something I can not only see happening but I can see serving as the reason why betrayal comes up so often in the Video Store Friday movies. I’ll get into a few specifics later, but I think this is very possible. 
Okay, now for the real tin foil hat one. Just... hear me out.
Sara might have met Will while he was in the Upside Down. A few things make me think this is a possibility. Firstly, I’ve always been bothered by the fact that  a twelve year old boy survived a parallel dimension alone, he didn’t seem to have met anyone or anything while he was there, and he just managed to figure out that he could talk to his mom using the lights. Secondly, I can’t help but think of the presence of the tiger stuffed animal near Castle Byers and in Hopper’s path when in the Upside Down seems weirdly intentional (also, of all the things about Sara, it fits most neatly into the category of Easter Egg.) I have always thought it was possible and perhaps probable that Will was less alone than we thought in the Upside Down, but perhaps it was Sara who was was with him? This would mean that Will would have had someone who knew how to fend off the horrors of the Upside Down, and perhaps even taught him about the lights, and also, it would make the appearance of the tiger make a lot more sense. My favorite detail about this theory though, is that if it by some miracle is true,  that means that Will would recognize her if she came back, but Hopper likely would not. Again, it’s a strech, but I’ll throw it out there. 
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snkpolls · 3 years
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SnK Episode 65 Poll Results (for Anime Only Watchers)
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The poll closed with 98 responses. Thank you to everyone who participated!
Please note that these are the results for the Anime Only Watchers’ poll. If you wish to see the results for the Manga Readers’ poll, click here.
Anime only watchers, beware of spoilers if you venture over to the manga readers’ poll results.
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RATE THE EPISODE 94 Responses
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Although a bit muted compared to last week, the response to this episode was still overwhelmingly positive, with 96.8% of people giving it a rating of 3 and higher. MAPPA’s on a roll!
Amazing!!!!
i just wanna see more!! 20 minutes is not enough. its too good
Awesome episode! Great pacing and the cgi was not too noticeable.
WAAAAYYYYY TOO HYPE
WHICH OF THE FOLLOWING MOMENTS WAS YOUR FAVORITE? 93 Responses
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Mikasa and Levi took the spotlight this week! 30.1% of viewers felt most hyped up by Mikasa’s “explosive” reintroduction to the anime, while 22.6% were stoked to see Levi take on Porco to save Eren. 18.3% were most hyped by the Survey Corps taking on the Jaw Titan and the subsequent cliffhanger.
THE CGI CONTINUES TO BE A POINT OF CONTENTION. BE HONEST, HOW DO YOU FEEL ABOUT THE EXECUTION OF CGI SO FAR THIS SEASON? 93 Responses
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Just under 50% of responses seemed to indicate that they thought MAPPA was doing very well with the CGI utilized. A little over 15% stated that although it was not their favorite, they understood that it could be a lot worse. Other responses (in order) were being neutral about the CGI, not liking it, but understanding the need for its usage and folks who adamantly rejected 3D animation. 
I actually prefer CGI titans because of the way their movements looks, it looks almost slower, to me it fits very well with how the big titans are. Im not an anime guy at all so ive never seen cgi in other anime but i really like the way Mappa's CGI looks, it blends in very well. I dont like CGI people though, the shot with Jean throwing the marly soldier off the rooftop i didn't like very much.
I feel horrible saying this believe me... but I really vibed with the CGI up until this episode. I think maybe because it's the first time its been used on humans (OPM) rather then titans. I'm not massively put off though, I really apreciate the efforts this episode must have taken. TY Mappa
The episode is great no doubt, my only concern is the CG personally, as a 3D artist myself, I think I would prefer an all 2D medium like the battle at Stohess. Using 3D is fine as long as it blends seamlessly to the background, like kengan ashura, it's not perfect but bearable.
I honestly think that 2D will always 100% be better than cgi but I can understand why mappa is using cgi
It was fine in the other episodes, but in this episode, it looked overused and bit bad
HOW WAS EREN’S ROOFTOP SWAN DIVE? 94 Responses
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When it came down to Eren’s swan rooftop dive (“Like a fallennn angel…”), the majority seemed to be impressed, with 68% giving it a score of 4 or higher. It was not a monolithic opinion however and many seemed also rated it poorly. Do better, Eren!
WHICH RETURNING CHARACTER’S ENTRANCE WAS YOUR FAVORITE IN THIS EPISODE? 94 Responses
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The Survey Corps has returned! Of these reappearances, viewers most enjoyed Mikasa’s (48.9%), Levi’s (31.9%) and Sasha’s (14.9%) the most. Jean and Connie got a little less love, though we’re sure people were still happy to see them!
WHICH RETURNING CHARACTERS HAS THE BEST GLOW UP? 93 Responses
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It would appear that the slight plurality sees Mikasa as having the best glow up out of the cast, followed by (in order) Eren, Sasha, Connie, Jean, Floch and Levi. The Old Captain doesn’t like to change up his style, we suppose. 
Eren didn't have a glow up- he had a glow down.
Mikasa can stomp on me please god
OF ALL THE ORIGINAL CAST, WE STILL HAVE NOT SEEM ARMIN, HANGE OR HISTORIA YET. WHICH OF THE THREE ARE YOU MOST LOOKING FORWARD TO SEEING NEXT? 93 Responses
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In relation to the previous question, we still haven’t seen 3 major members of the cast. Armin, Hange and Historia. When we asked which of the three you were most looking forward to seeing next, the slight majority (52.7%) expressed their excitement for seeing Armin again, followed by 11.8% wanting to see Hange most. Some others have also expressed their desire to see Historia again. 17.2% simply could not choose and 10.8% stated that they simply didn’t care about the 3 characters.
WHAT DID YOU THINK ABOUT THE WARHAMMER TITAN? 90 Responses
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The Warhammer received an overwhelmingly positive response, with the majority expressing much excitement over both its design and powers. 15.6% noted that the design was a bit too creepy for their liking, but the powers were awesome. And on the flip side, 10% noted the Titan’s design was rather cool, in contrast to its rather OP ability. A select few did not enjoy either aspect. 
Would probably enjoy it more if it belonged to someone that likely is not going to be just cannon fodder
HOW DO YOU FEEL ABOUT THE NEW UNIFORMS? 92 Responses
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The Survey Corps returned sporting new uniforms to much fanfare. 30.4% of respondents really enjoy the upgrade, finding the suits to be badass. 23.9% couldn’t find the words and just settled for pure hype. 20.7% enjoy the new uniforms just as much as they enjoy the classic uniforms. 12% felt it was a much needed upgrade, though 10.9% don’t care at all about the uniform change.
I like both but I prefer the old design
EREN SAYS TO MIKASA, “YOU GUYS ACTUALLY CAME.” THIS IS FOLLOWED UP BY MIKASA ASKING EREN TO COME HOME. DOES THIS INSINUATE THAT EREN WENT TO THE MAINLAND ON HIS OWN? 90 Responses
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The circumstances of the Survey Corps’ presence on the mainland continues to be a mystery. When we asked about whether Eren was there alone or not a few episodes ago, the majority believed that he was either there alongside the Survey Corps or was sent there by them. Overall, the feelings seem to be the same (that Eren came alongside the Survey Corps). 45.6% think that Mikasa’s words may have some other meaning and that things are way too planned out to be coincidence. 18.9% believe that Eren did go rogue, while 15.6% think that Eren didn’t necessarily go rogue, but wasn’t working with them for a while either. The remaining 20% have already been spoiled on this particular plot point.
THE ATTACK ON LIBERIO SEEMS TO PARALLEL THE BREACH OF SHIGANSHINA. HOW DO YOU FEEL ABOUT THIS EVENT IN COMPARISON? 92 Responses
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Now that both sides of the conflict have had their rude awakening, we asked how you guys felt about the two events comparatively. 33.7% feel that both attacks were tragic, but still feel more empathy toward the Eldians on Paradis than they do toward those who were raised on Marley. At a tie, 22.8% of respondents felt that the victims of the Liberio attack got what was coming with them, while another 22.8% felt about the same amount of sympathy for the victims on both sides. 10.9% feel this is way worse than what happened in Shiganshina and feel more sympathy for the victims in Liberio. 
I am yet to know the goals behind this attack.
Marley did this countless times so I don’t feel bad for them. I kind of feel for eldians tho bc they are brainwashed from a young age to give up their lives for a country who doesn’t give a shit about them. 
Honestly they deserve what Eren is doing to them. Excluding Falco, no one outside of Paradis has earned my sympathy, even with the additional context.
SADLY, UDO AND ZOFIA DID NOT SURVIVE THE ATTACK ON LIBERIO. HOW DO YOU FEEL ABOUT THEIR DEATHS? 91 Responses
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Udo and Zofia have joined the ranks of characters who tagged along with the main cast for a while only to be killed off for character development. 25.3% anticipated at least one of them to die, but not both. Another tie on this poll, 24.2% stated that they were disappointed and was hoping to see more of them, while another 24.2% didn’t care about them at all. 14.3% are happy to ditch the focus on them in favor of more familiar characters, and 8.8% feel pure and utter devastation. 
Good riddance Warrior scum
Sad but allows for Gabi’s development 
sad but okay. death is common in this anime.
EREN AND FLOCH’S LAST INTERACTION IN S3 WAS A VERY TENSE ARGUMENT. NOW IT SEEMS FLOCH IS DEDICATED TO EREN’S CALL TO ACTION, SHIFTING THE “NECESSARY DEVIL” STATUS FROM ERWIN ONTO HIM. WHAT DO YOU THINK THEIR RELATIONSHIP IS LIKE NOW? 91 Responses
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Eren and Floch were anything but BFF’s at the closing of season 3. Now Floch seems to be wholly devoted to Eren’s cause… What changed? 28.6% believe that nothing has actually changed in terms of their relationship, but that Floch simply just latched onto Eren’s fight in need of a new devil. 23.1% feel that they still aren’t friends, but are in more comfortable “ally” territory. 15.4% aren’t sure what to make of it. Smaller handfuls feel that they either grew to become friends and/or co-conspired to attack Liberio together. 22% are already spoiled on the details. 
Floch is easily persuaded...and annoying 🤷‍♀️
WE SEE GABI GRAB THE GUARD’S FUN AFTER WITNESSING SASHA KILL HIM. WHAT DO YOU THINK MIGHT HAPPEN? 90 Responses
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Gabi moves headstrong into the fight, wanting to play her part in defending her hometown. A large chunk of anime only viewers have been spoiled on future developments for her character. But for those still in the dark - 24.4% feel that she will successfully kill a member of the Survey Corps. 21.1% aren’t sure what to expect, while 10% think she will only manage to injure someone in the Survey Corps. Smaller amounts feel she won’t be successful in any capacity or may even die herself.
ADDITIONAL THOUGHTS ON THE EPISODE?
Epic episode, survey corps come back, OH YEAH, but I wished they didn’t use CGI on humans and bettered the CGI on Titans.
It really makes me sad how Eren is continuing the cycle of revenge by killing innocent Marleyan civilians, but it makes sense for his character. 
Real cool ep but w h e r e a r m i n
It sucks that I like the warriors and the Corp bc both of them are victims in different way so seeing them have to go head to head sucks. They all deserve better
SO great I loved it! However, I missed Reiner, Falco, and Zeke. I hope they're okay :-) RIP Udo and Zofia :-(
I think I need more dialogue between the old crew to really settle back in with them. I kinda believe that Mappa's still trying to 'click', they obviously can't just get it right immediately. Other then that I loved the titan scenes, more than ODM scenes 😔
This was a great episode and I was literally vibrating in my seat from excitement! I think MAPPA is doing a great job with the animation and the music works really well with the action. Can’t wait for the rest of the season!
I miss wit studio
Willy seems to have his first daughter really early, he looks like 30 !
I’d say the episode as a whole is a solid 8-9/10, the cgi in some parts really ruins the moment for me
WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 88 Responses
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Thanks again to everyone who participated!
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tellmesomethinggg · 4 years
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****
linking this here bc it was technically a journal? i just don’t want it on my notes anymore and if i ever (likely not to) want to re-read for whatever reason. please note that i knew people would read this so things are censored and are the basic version. also there was a switch at one point from **** to chris because i didn’t want things to be read
(for later when i got time lmao)
Matt is a piece of shit that just wants to fuck -Chloe
well fuck
here goes nothing
the plan: don’t get drunk bc i got shit to do early next morning and ill tell him tomorrow when i do get drunk. spoiler alert that didn’t work
Gaby (coles gf) came too btw
so i had a smirnoff ice and said no more than two shots after so id be buzzed but not fully drunk (i ended up having three and was very much drunk)
me jon and gaby we’re talking about guys and i mentioned something about liking a guy or some shit and gaby looks at matt and then me and confirms it with me. then she tells me that apparently when she met me and a few other friends at the beach last quarter, that she predicted the two of us would end up together and told cole this. im like wtf how and she claims she’s psychic lol
later, Matt and i are on the sack and he looks at me and goes do you like me and im thinking well fuck so i say yes and he’s like well shit sorry but (and then i forgot exactly what he said) something along the lines of it’s not mutual or it’s not the right timing (i forgot okay) and then he gets up after a bit to go to the bathroom (I’m pretty sure cole went out too) and then me gaby and Jon have a chisme session and they think that he does like me but whatever
so the guys come back and at this point i really need to pee again so matt offers to take me and we start talking and he’s all, oh im sorry if i led you on and shit and im like it’s alright ill get over it, it just might be a bit awkward for me for a bit. but then on our way back from the bathroom he asks me , do you wanna at least kiss your crush at least one time and im like uhh yeah so he kisses me and then we start talking but i forgot about what and im kinda dizzy so he says, oh let’s sit on the couches for a bit before we go back, so we do and somehow we kiss again and then start making out
and at this point im like bitch there’s no way you don’t like me like why would you do that if you didn’t
so we finally go back and it’s been some time so the rest of em are obviously curious
matt goes with cole to the bathroom again and the three of us have a chisme session otra vez and they’re like yeah he fucking likes you he’s prob just scared bc of his last relationship
cole comes back in and basically backs up their side based on his convo he just had with matt
and so it’s decided that we’ll both sleep on the sack, Jon sleeps on his bed and the other two together in coles bed
he comes back and we all “go to sleep” but I push for him to hold me like he usually does whenever we sleep together and around like 2,3 am we both start making out again and just like uhhhh
also we’re both very much drunk but of course i tend to remember things whenever ive gotten drunk, however, he did not and so now we gotta talk and figure shit out and go from there
also im not telling Emilou or Hanna yet until we figure things out so
yeah
fuck
alrighty, so after last night, ive decided to do absolutely nothing about it and decided to just let things play out the way things do. i don’t wanna say something and ruin our friendship that we have bc i trust him a lot and like hanging out with him, so, i guess the end of this note for now, unless the situation changes anytime soon
Can Tim see what I write on this?     -Chloe
Yes -Janet
Hi Tim!
-Chloe
Tim pls respond.
-Chloe
Hi Chloe! Sorry I have been busy at home LOL
He responded I’m so happy!
-Chloe
FYI im just going to add things at the top of the note so that its easiwr to see stuff when i add it bc then otherwise youd have to scroll a ton
and I’m dating shit so i know when I wrote stuff and my memory and yeahhh
FEB 15 1 pm
chillin in alp so lets get this chisme
alrighty so last night i stayed the night in pratts but it wasnt just me so calmate, it was me and jon bc long story short i was too lazy/dizzy to get up and jons roommate had her bf over. basically we both shared the bed, not a lot of physical contact but whateva
brb
anyways, there was also one point where he was watching a movie from his childhood and idk what tf it was but he was shocked that i havent seen those movies, so apparently now im gonna watch them so i told him for payback we gotta watch disney movies lmao
oh also! i fucking got back to my room and took a shower to get ready for class, and when hanna gets back from class shes all like oh you slept in HiS rOoM huh and i was like uhhh yeah and told her the truth like i was too lazy and dizzy to get up and then she didnt really say anything but uhhhh yikes
and then i mentioned this to emilou later when we were walking to class and shes like yeah idk why she did that that was weird and i was thinking like thank God she doesnt think the same as hanna bc shes also slept in his room on the bean bag a few times
FEB 14 2pm
heyyy its valentines day and guess whos still single and workinggg
so uhhh last night, around 1, both me and pratt finished our shit (hw and studying) and im wide awake so im like hey, brooklyn 99? (because i got him into the show and i love rewatching the show bc its sooo good) and hes down so we start watching in his room. were both on his bed but were sitting (for the tie being) and eventually i decide to lay down and use one of his pillows but its the flat pillow so i attempt to steal his other one, which he protests and we lowkey wrestle over it and eventually i fail ugh and i fall over in frustration and land my head on his knee and then just quit and stay there, but get this, he just deals with it and lays on top of me, like his head is on my side. granted we both also have pillows so like his pillow is in between me and him and same for me but like ughhh
and eventually i fall asleep for like an episode (?) and wake up right before 3 am, and then decide hey sleep sounds important bc i have an 8 am and so does he, so i sit up but im too lazy to get up right away so i sit and go through twitter and shit so chris just lays down with his head on my leg and i set my arm down on his chest and he falls asleep for a few minutes and then i finish going through my social media and every part of me doesnt wanna move, but im also in a position that would be uncomfortable to fall asleep in so i wake him up and then go back to my room
oh and the other thing i forgot was that for a good couple hours we were texting and joking around and yeahhh
i feel like im reading a lot into what happens but at the same time, like i doubt id be this comfortable doing shit with guys like this and idk about him, but like sometimes i wonder you know?
also, saturday night, as far as i know, its just me and him going to the basketball game bc idk who else is going (eye emoji insert here bc im on my computer lmao) so we'll see what happens
FEB 10 11am
okay soooo last night,
the plan was to get buzzed, just me and matt and watch Brooklyn 9-9 but then Anthony and emilou joined us so never mind. after a bit, Anthony leaves so he can answer a phone call and pratt offers me shot #1 and not emilou (she’s laying on the bean bag, I’m on his roommates bed chillin behind her so she can’t see what’s up)
we take two and im slightly buzzed but i think “hey lets see how much we can take before she notices” and he’s down so uhhh let’s get this
later we have to include Anthony and he’s down to see how much we can take and he just lets us continue, i get to 4 shots and he finishes the bottle so i can’t have a 5th
brb im gonna go eat with him
okay im back now...
anyways were both pretty out of it, emilou still hasnt noticed and anthony finds this all funny i assume and so do i , and eventually she finds out and then the two of them leave i guess around 2 am and the two of us are both on the bean bag and were both tired and drunk and drunk me like petting his hair and apparently holding his hand and well yeah i kinda hate drunk me bc if that wasnt obvious enough lmao :/
continuin, we basically end up cuddled together most of the night until we both kind of sober up hella early in the morning and kind of separate a bit
and so in the morning guess who brought it uppp and i at least have an excuse that i was drunk and not thinking and just kinda doing whatever drunk me wanted to do (but omggg his hair is so fucking nice to play with omg) anyways imma just die real quick bc idk what happens now
also since no one else was in the room literally no one else knows about this and i think were keeping it that way bc lets be honest if anyone found out about that i think id be screwed for secret keeping and then well yeah
FEB 8 1AM
i remembered:
sunday 2-3
i forgot this happened but before I ended up in chris’s room i was chillin upstairs watching tv and then he came out on the phone with some one and long story short he said something on the phone to his friend along the lines of “you’re gonna have me in your life for a long time” and when he was saying that i was looking at him bc soy chismosa and i was curious and he winked at me and I died
Monday 2-4
so the other thing that happened was I had lunch/dinner with him before my writing class and no recuerdo que decimos, but uhhhh yeah
i like hanging out with him
also, just got back from his room and am more convinced that he may not like me but actually just sees me as a friend but at the same time maybe he does but IDK
i hate feelings and it’d be so much easier if i didn’t have them sometimes lmaooo
FEB 7 5-7 PM
so im currently in the room rn so im gonna try to make this as chronological as possible
saturday 2-2
alrighty so mind you this is the day ive volunteered with ship and have spent the whole day there, (i dont remember why i thought this was relevant :/)
so saturday night, i go to work in his room around 8 (?) so i can work on my essay and finish my shit bc he has a bean bag thats hella comfy to work on
andd so later on, jocelyn comes in to watch anime with him and then after i finish we all decide to watch gabriel iglesias and ended up squishing together on the bean bag with me in the middle of the two of them
and so were all chillin there, laughing whatever and at one point chris fucking pratt puts his head on my shoulder for a little bit and i dIeDddd
and eventually i fall asleep when we start watching emperors new groove and mind you im fucking next to chris pratt like uhhhh my GOD
so i wake up once the movies over and then go to the bathroom and come back and by then he has taken over the whole bean bag and im sad that i cant just get back and go back to sleep so i go back to my room
(hanna doesnt know what time i get back i think and im pretty sure it was around4 am) (emilous also not here bc she went home for the weekend)
sunday 2-3
so i decide hey i was productive yesterday and decide to return to his room to work on shit and try to get as much done before work in theevening
i finish around 1/2? and then i tell him im bored and i wanna do something before work but idk what so he says lets go to the rec room and its just the two of us and its chillin and he puts me on his story playing pool lmao
and then i go to work :(
but then THEN later after work i go for a run and end up back in his room and theres a couple other people there and so were all chilling (mind you this is around midnight)
and somehow i end up falling asleep on the bean bag next to this girl jon from my hall and (this is a secret in a secret) but i hear her get up at one point and then chris pratt then joins me and during the night im tossing and turning and leaning on him a bit (ughhhh i died a shit ton)
monday 2-4
so in the morning around 720 or so i wake up pay dumb and am like oh whend you get here and he explains and then hes like yeah i dont really know the girl who slept in my bed (one of jons friends) and i figured since im more comfortable with you id just move here (!!!!!!!!!!!!!!! fuck me upppp) [please note that when i say fuck me up i dont mean that type of fuck]
alrighty thats what i remember that i havent told you, and then the other bit from the screen record was tuesday and now its thursday and here i am in guess whos room again
possibly staying the night lmao
but jons also here so its not like im staying the night staying the night
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jerrydog · 4 years
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I had absolutely no intention of watching The Rise of Skywalker. In fact, I’ve never even bothered watching a single trailer for this movie. The only way I’d watch this is if someone dragged me into it, which is exactly what happened. Thanks to The Last Jedi, I started viewing Star Wars movies in a different light— more objectively, so to speak. It made that cloak of nostalgia that was hindering my vision vanish completely. Because that’s all there was to it. I realized that I only liked Star Wars because of nostalgia. Because of its great significance in pop culture for the past few decades. Take that away, and I realized that most of these movies were average at best.
I was old enough to watch the prequels in cinemas. Maybe I was too young then, but I loved The Phantom Menace. This made me look forward to Attack of the Clones, which I didn’t really like at first. But everyone else seemed to like it. Everyone else was so hyped up over it, because duh— it’s Star Wars. So I somehow convinced myself that I should like it as well. Call it peer pressure or whatever. Revenge of the Sith had its issues, but overall I found it entertaining. At least entertaining enough to make me seek out episodes IV-VI on home video. Maybe it was the influence of nostalgia again, especially since my parents were huge fans. After watching all episodes from I to VI, I was already somewhat of a Star Wars fan.

I was one of those who were so excited to see The Force Awakens. After such a long time, we were gonna see a new Star Wars movie on the big screen! And it had a lot of the original cast returning! That was surely a case of pandering to nostalgia, but heck everyone including myself lapped it all up. Sure it was mostly a rehash, it doesn’t hold up that well on repeat viewings, but it sure was fun to watch for the very first time. Especially once you see all those beloved characters back on the big screen. And with that cliffhanger ending showing our first glimpse of Luke Skywalker after all these years? Man, everyone sure as hell were hyped up for the sequel.
Which was the aforementioned The Last Jedi— definitely the most divisive Star Wars movie ever made. I can’t understand how some people loved it, because I think it’s downright horrible. Apparently I didn’t think it was so bad the first time I saw it— I gave it a 3/5 on my review here. That time though one of my friends fell asleep while watching. another one was so bored he wanted to walk out. These were HUGE Star Wars fans by the way. The fact that two huge fans couldn’t finish viewing a Star Wars movie was quite telling. I saw it again with my cousin after two months because she had not seen it yet. It’s a struggle to get through such a pointless plot on second viewing. I was shocked to find out that Rose Tico didn’t die. lol. Apparently I was no longer paying much attention towards the end on my first viewing. After this second viewing I’d give it a 2/5. I managed to see it alone at home for the third time, when I did a Star Wars marathon of sorts. It was the only movie that I was struggling to finish. Since I was watching it alone in the comfort of my own room, I could rate it the most objectively. After the third viewing, I’d give it a 1/5.
I know we all have different tastes. If you liked The Last Jedi, if you enjoyed watching it, I’d respect that. But please do not refer to it as excellent, as perfect, or the best Star Wars Movie ever because it isn’t any of those. I wouldn’t call a movie with such a useless plot perfect. That main plot could have been told in 15 minutes or less. The entire movie just wasted 2 ½ hours over nothing. The side quest was just as pointless. Plot holes were numerous. Beloved characters were quickly set aside. Beloved characters start to behave in a way that’s completely out of character. A bunch of new main characters pop out of nowhere, with no other purpose than to serve an agenda. Many things did not make sense even on a science fiction movie. Characters show new skills, even though such skills were never foreshadowed in what’s supposed to be a saga. It also diverged from any logical path following The Force Awakens. In fact after viewing all Star Wars movies in succession from episodes I to XI, The Last Jedi stands out because it doesn’t conform with the universe set in the other episodes. In doesn’t fit the overarching narrative at all. They might as well have called it The Last Jedi: A Star Wars Story.
Look, I get it. Innovation and non conformity should be praised, but only when it’s done in a proper setting. If you’re going to make a movie that’s part of a trilogy or part of an entire saga, you have to be a team player. You have to stick to a certain theme. You can’t push boundaries too far, else your movie won’t feel part of a whole even though it’s supposed to be. Rian Johnson knew The Last Jedi was gonna be part of a Trilogy. You can’t verge too far when you’re making an episode in a trilogy— especially not when it’s the second installment you’re making. So yeah, I’m glad JJ Abrams did a retcon and basically ignored Episode VIII. It wouldn’t take much to ignore it anyway, considering the fact that close to nothing of significance happened in that episode. Oh yeah, Luke died/ vanished. Also Snoke, in what was the only awesome scene in the entire movie IMO. Anything else that happened were basically non events.

Now critics are complaining that The Rise of Skywalker ignores the narrative threads that were set by Rian Johnson. Oh you mean the same way he ignored the narrative threads set by JJ Abrams? I didn’t hear any critics complaining then. All I heard were praises because the movie was so inclusive, it was so empowering, it was refreshing because it didn’t feel like a Star Wars movie. How can “not feeling like a Star Wars movie” be a good thing about a movie that’s supposed to be part of the Star Wars Saga? Look, general audiences couldn’t care less about the race or gender of characters they see onscreen as long as a good story is being told. Majority of people who hated The Last Jedi aren’t single white men who are still living in their parent’s basements, so SJWs should quit that tired narrative. A lot of people who hated The Last Jedi are ordinary moviegoers who just wanted to have fun watching a movie set in the universe they’re familiar with. A lot of people hated The Last Jedi because even that was taken away from them.

Critics are also complaining about several plot points. Like how Emperor Palpatine is still alive (not a spoiler: it’s on the movie’s official synopsis, and it’s stated right at the very beginning.) I know, that totally came out of left field. Palpatine clearly died on episode VI. There were no hints or foreshadowing that he was still alive on episodes VII and VIII, even on repeat viewings. Thus is comes off as a cheap and desperate attempt. Whose fault was this though? Who decided to kill off this new trilogy’s big bad on the second episode? Rian Johnson didn’t leave much for JJ Abrams to work with here, he was basically pushed against a wall and working with his hands tied. Creating an entirely new villain would be anticlimactic, but since it’s a part of a 9 movie saga, the next best thing would be to revive a villain from the past. Another common complaint is that this new movie feels rushed, that so many things were being packed in a little over 2 hours. Again whose fault is that? If Rian Johnson didn’t waste 2 ½ on the previous movie and told a story with significant events that would feed naturally onto the next episode, an episode that would serve as a bridge between two episodes instead of looking like some disjointed amalgamation, this wouldn’t have happened would it? JJ Abrams had that unenviable task of trying to tie up so many loose ends. It would have helped if Rian Johnson tried to be a team player by tying up some loose ends from The Force Awakens and then tying up some of his. But no, he preferred to do things his own way. He preferred to be different, he preferred to leave his indelible mark. Instead of effectively bridging two episodes, he left the Skywalker Saga with no clear direction. 

I agree. This movie seemed rushed. It seemed forced. It could use a lot more time to tell the story. But considering the difficult task that JJ Abrams was given, those faults are easily forgivable. Yes a lot of it is fan service and obvious pandering. But isn’t that only fitting for what’s supposed to be the final chapter in the Skywalker Saga that started way back in 1977? Anyone who grew up with these movies would enjoy this finale. it contains a lot of the things that people have loved about Star Wars. This series has been around for more than 4 decades, fans belong to different generations. Episode XI is not a perfect movie, but it’s a perfect thank you to everyone who has been a fan. I had no intention of watching this movie, but I’m glad I was forced to give gave it a chance. It’s not the best Star Wars movie, but it’s good enough to restore my faith in all things Star Wars. 
… 
My rating: 4/5
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booksandchainmail · 5 years
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nanoha vivid liveblog i guess? episode 1
Some background: I watched Nanoha, A’s, and StrikerS about five years ago in my mid-teens, and also read as much of the vivid manga as was out then. So I probably have seen about as much as the anime covers, and also know a bunch of spoilers, which will show up in this often. This franchise meant a lot to me back then, and I’m suddenly reinterested in it. Feel free to ask me anything about these shows!
So I’m going to try liveblogging nanoha vivid. I figure I’ll make one long-ish post with a read more per episode so as not to clog my blog up. Also, sorry but all my screenshots have the progress bar in them, because I guess piracy does have a cost after all
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This opening narration is fucking hilarious, considering how generally moe this show is It would not be out of place in a relatively dark historical show then again, this is nanoha, which is kinda famous for dark scifi worldbuilding mixed with magical girls
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Whos that?I thought I had a pretty good grasp on the various rulers of the end of the Belkan War, but apparently not
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OLIVIE!!!!!!!! It her!!! and is that mysterious figure possibly jeremiah girl?
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And claus looking appropriately mopey
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Now for the op
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ITS THEM the true otp being all cute and domestic
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Nove!!! Confession that I looked up all the numbers a few days ago or I wouldn’t have remembered which one she was. A good good punch girl
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All the other contestants... and i dont actually remember any of them.  Except for Sieg! I really liked her when I read the manga, don’t actually remember why
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And the entire old gangs here Gods I still love Subaru and Teana so much Also, feels like forever since ive seen an op with the sponsor talk at the end
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This reminds me a lot early nanoha Particularly vivios little side ponytail things
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That is the most boring possible way to say “my mother is an s-class military combat mage”
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oh gods this is sweet
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shes been in combat since she was nine, cut her some slack
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High fives are an objectively good family goodbye
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“Four years, to be exact. When I was adopted. Because, yknow, that was very definitely a major incident”
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Theyre ten, let them be goofy kids. On the other hand, those girls are probably like 14ish, so its pretty in character
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@hogwarts
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rio is adorably exicted about getting to learn how to punch from a convicted criminal
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IT HER Gods im gay I wasn’t interested in nove at all during strikers but uh Yeah
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Her last name being nakajima now is good. Nanoha is all about adopted family
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Oh gods shes adorable
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I appreciate that is an actual gym of normal people that is just currently being invaded by anime protagonist girls
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MORE NUMBERS I DIDN’T EXPECT THIS Im really happy about this
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Shes so happy about getting to teach children how to punch
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All the ordinary people are visibly confused about this small child fighting a grown woman Though I suppose by some ways of looking at it, nove is like 7ish years old herself Though by those standards vivio is 4 which probably makes it worse
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Domestic nanofate is just good
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And fate still looks at nanoha like that after fifteen years
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Pure
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This setting is very chill about giving children lethal weapons
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Theyre! So! Cute!
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It probably would have been to much to ask for this franchise to get less nude and boob about its transformation sequences. blech.  That said, this is pretty good aesthetically speaking. Lots of rainbows and stars and she punch
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Oh gods they never told fate
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Im picturing fate frantically worrying that she missed a few years somehow
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To quote vivio, “WHAT DO YOU MEAN ‘KINDA’!?”
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~mood whiplash~
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ginga! Serial assault case on hand-to-hand combat fighters who get challenged to duels is really hilarious for some reason Like, is it still assault if they agree to these fights? They presumably could decline
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Larping your ancestor *something something homestuck something something*
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oh she definitely thinks that mask makes her look cool and intimidating
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dont make Fate cry! 
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though their “whoops” faces are great
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Fair point! Though in fates case that’s actually a really bad example because she very much did not have a choice about that And nanoha also ended up hospitalized. So maybe not the best argument to make
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nanoha is just mildly embarassed. “why yes we did have potentially lethal fights back then, didn’t we? how time flies”
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these guys!
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Your daughters a nerd
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Ok now I have a lot of questions about midchildan religion given the reference to heaven. Because the only church weve heard about is the sanktkaiser one, and that would be… awkward for obvious reasons Reasons being that vivio is the clone of their jesus-figure
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This is fucking adorable And especially given that vivio is adopted. this show is just good about family
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I like to imagine that these apparently umprompted emails from vivio show up about once a week and everyone else just rolls with it
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EVEN MORE NUMBERS And otto is as butch as ever, excellent
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Fuck, this is where never having listened to the soundstage is going to be a problem Oh she was probably the other ruler in the opening montage
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I appreciate cinque’s fashion sense
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This must be a weird family dynamic, where your sister’s student is also clone-jesus and you’re a nun who gets to wear a suit
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Awww Also definitely the correct way to honor your god-king who is also ten
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can we see it? please?
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knowing this is actually a very shy ten year old makes this all hilarious
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we get it, you larp
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miss-musings · 6 years
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Some wild or not-so-wild predictions about Episode IX (with some TLJ meta/analysis)
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So, for the record, these crazy-ass wild predictions (or maybe not so wild???) are based on: 1) evidence of themes, motifs, character development and story arcs from TFA and TLJ; 2) overall story arcs and whatnot from both the Prequel Trilogy and the OrigTrig; 3) other media (TV shows) within the Star Wars universe; 4) other media outside of Star Wars that I feel like share some thematic/character parallels and that I know are very popular among modern audiences; and 5) fan metas that tie into all of this.
So, in no particular order and with plenty of art to break up the text…
And in case this isn’t going to be obvious… SPOILERS FOR THE LAST JEDI!!!
PREDICTION ONE: The Title
Across the 8 Star Wars films we have three possibilities for the way titles are worded: A/The (Adjective) (Noun) ; (Noun) with a verb somewhere in the phrase; (Noun) of the (Noun). So far in this new trilogy, we’ve had the first two. But we haven’t had (Noun) of the (Noun) yet. This has been the case with the third installments of each trilogy: Revenge of the Sith (III) and Return of the Jedi (IV).
I imagine IX will fit this pattern; and, while I doubt it will have “Jedi” or “Sith” in it, I wouldn’t be surprised if it had the word “Balance” in it. Like “Balance of the Force” or something, except that I imagine they might be kind of nervous about using “Force” again in a title so soon, considering they have The Force Awakens and another property The Forces of Destiny.
But, I’d bet money “Balance” is in the title. Maybe not a lot of money. Like $5 or something, but still. I’ll bet money on it. Maybe… “Power of the Balance.” Because Balance has very much been a recurring theme/motif in this trilogy, and I’m 100% certain we’re going there (which we’ll get into more below).
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PREDICTION TWO: Character Dynamics
Okay, so for a more general observation of the Core Three Characters of each of our trilogies – Anakin/Obi-Wan/Padme ; Luke/Han/Leia – we had a romantic pairing between two of the three characters (Anakin/Padme ; Han/Leia), and a sibling or pseudo-sibling bond two of three characters (Anakin/Obi-Wan ; Luke/Leia). And the remaining connection of the triangle (Padme/Obi-Wan ; Luke/Han) was more of a friendship than anything else.
Now, looking at our main three characters of this NEW trilogy, I’ve seen a lot of people arguing that it’s Rey/Finn/Poe. No, it’s really not. As much as I like Poe, he’s really more of the Lando or Yoda or Mace Windu of this series. He has an important role, but initially he’s more of a side character (especially considering that he doesn’t really get any character development until TLJ). This is evident in the marketing for TFA and the fact that Poe was supposed to die in the crash on Jakku.
No, Rey, Finn and Kylo are the main three of our story. With that, the bonds between them become more evident: Rey and Kylo are the romantic pairing as we clearly see in TLJ; and Rey and Finn are going to be more of the pseudo-sibling pairing (Sorry, FinnRey, shippers. I enjoy their dynamic but I see it being more platonic.) That will presumably leave Finn and Kylo to one day become friends, although it probably won’t happen in the events of Episode IX.
It’s evident that Rey and Finn deeply care about one another, and while there were hints to a possible romantic pairing between them – like the “cute boyfriend” comment and the “stop holding my hand,” awhich might’ve been done as either comic relief or shipping fodder – I don’t see them getting together unless Kylo dies (which I HIGHLY doubt, and we’ll get into more below).
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Finn is the first person who ever cared about Rey and treated her like a real person, like family. That’s partly why she’s so attached to him; that and he’s just generally a good guy. Likewise, Rey was the first person to believe in Finn, and it’s obvious that she means a lot to him. They’re the first real connection they made after they escaped their respective shitty lives (scavenging on Jakku and working for the FO). But Finn only ever calls her his friend, and he and Rey never exchange any dialogue in TLJ. He hasn’t really talked to her since Starkiller Base, before he fell into his coma; they’ve both seen and done a lot since then. They’re really not the same people that they were on Jakku, and while they will always care about each other, their lives are moving in different directions to a certain degree.
Anyway, sorry that was long way of saying: Rey and Finn aren’t getting together; Rey and Kylo are getting together. At least romantically. I imagine Rey and Finn will still be a big part of each other’s lives at the trilogy’s end.
PREDICTION THREE: Length of the Time Skip
I doubt it will be shorter than six months, but I don’t think it’ll be more than three years. We need enough time for the Resistance to have built up their forces again, but not so long that I think Hux will have overthrown Kylo Ren (because it was very obvious that he’s not at ALL pleased with Kylo as Supreme Leader).
A year or a year-and-a-half seems pretty reasonable. Any more than that, and I think you’re going to have to explain why the hell Hux hasn’t killed Kylo Ren or why either the Resistance or FO hasn’t found out about the Force Bond (because I definitely think that’ll be making an appearance).
PREDICTION FOUR: Basic Plot Outline
On that note, here’s how I think the movie might go. We’ll get into the specifics of some of these later.
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Since taking over as Supreme Leader, Kylo Ren has been mostly brooding. He doesn’t give a lot of orders, but mostly kind of lets Hux run things. He’s so incredibly conflicted, given everything that happened in TLJ. He is not at all stable emotionally or spiritually. He shuts himself in his chambers and doesn’t do much but wait for the Force Bond to connect him with Rey. They don’t really say anything to each other, even though both of them want to but can never find the words. Or something like that.
(EDIT: I could’ve sworn I put this next prediction in my original draft, but I guess not. Oh, well. Adding it back in now.) Leia’s death will be shortly before the events of this movie. In fact, it’ll probably be mentioned in the opening Title Crawl. News of her death or the feeling of his mother being gone (as he might sense it through the Force) will cause Kylo to break routine and leave his quarters to go on a solo trip to some location that reminds him of his mom. Alderaan is gone, so maybe wherever Leia and Han raised him?? As long as it wasn’t one of those planets that Starkiller blew up. Wherever. It’ll be somewhere that reminds him of his mom.
(EDIT:) Side note: I’m not sure what will cause Leia’s death. She might’ve died in battle. That’d at least be badass. But losing her husband and twin brother within a week of each other might’ve taken a strain on her physically and emotionally, much like what happened to Carrie Fisher’s mom, Debbie Reynolds, IRL. But, I think death in battle would be more fitting. Although, if that’s the case, Kylo won’t have ordered it.
As Kylo is visiting this site connected to his mom, Rey will either be on Jakku or Tattooine – delving into her own origins (visiting her parents’ graves in the junker desert) or into Luke’s/Anakin’s and trying to learn more about the Force. She will have constructed a new lightsaber: either one that’s totally unique to her (maybe like a staff size?), or one that uses half of the kyber crystal from the Skywalker Lightsaber (and Ben will use the other half for his saber at the very end, after he’s redeemed).
While they are both alone and on their personal journeys, the Bond will activate and they will finally say something to each other for the first time since TLJ. It won’t be much, and there will still be some anger/resentment/hostility between them, but it will be poignant and emotional. Rey will probably say something about how his mom never gave up on him, etc.
At some point while Kylo/Ben is visiting this location that reminds him of his mom, he will probably hear some audio of his mother speaking to him through the Force (they might use an earlier clip of Carrie/Leia saying “Ben” or something, they way they used the Alec Guiness/Old Ben dialogue in Rey’s Forceback).
Luke will appear as a Force-ghost to either Kylo or Rey or both at some point during the film, but this point (when they’re both on their respective journeys of nostalgia) seems the most likely. He’ll probably spout off some exposition-heavy dialogue (possibly giving Rey her third official lesson, if they decide the TLJ deleted scenes aren’t canon), and then tell Rey she’ll have to face Kylo again.
In the meantime, the Resistance has been cooking up some big plan to take down the FO’s most recent base/big gun/whatever. Poe is now in charge of the Resistance since Leia’s death. Finn and Rose are potentially a couple now, and they’re also major Resistance leaders.
Either the Resistance will win some major victory or the FO will start to fracture as Hux takes more power from Kylo. Something will have to kick Kylo back into full Renperor mode. Something will threaten his position of power and he will feel as though he has to retaliate. But, Hux won’t be killed off, either in battle or by Kylo, until the third act of the movie.
There will be a gigantic space battle in either the second or third act. Poe will probably be the one to kill Hux, if Kylo doesn’t.
Finn will likely find out about the Force Bond, if Rey hasn’t told him during the Time Skip.
If there’s an element where the Resistance has to send one of their own to infiltrate the FO base, Rey will do it. Finn will initially volunteer at first, but Rey says she has to face Kylo and give the Resistance its best chance to win.
Somehow Rey and Kylo will face each other in the final act of the film, likely after she’s sought him out on a FO base. Or they find each other on the battlefield.
Since the end of TLJ, Rey has gotten considerably stronger in the Force, especially her combat abilities. She and Kylo will be a literal even match. They know each other so well and are both so strong that almost every attack is ineffective. I really HOPE (not predict, but hope) that this fight will either have some kind of a dance feel to it or go back to Episode IV, when it was an homage to old samurai films. Like when they’re both trying to do one-shot kill moves on each other, but keep blocking it.
Okay… now as to how the fight will end… I truly believe that it will end in a draw with both of them being hurt to the point where they can’t fight any more, probably with inverse/opposite/complementary/mirroring injuries. The injuries will be major, but not life-threatening.
While they’re laying there, not fighting any more and experiencing a shared/parallel pain, they’ll both vocalize their feelings for one another. And probably kiss. And while they kiss, they have Force visions on how to resolve this conflict: to balance the Force by becoming Gray Jedi (Force-wielders who use both the light and the dark sides, in balance) TOGETHER.
Kylo will proposition to Rey to join him as a Gray Jedi, which she will accept.
Once they realize this, the two will go back to their respective sides, and figure out some kind of compromise/system where neither the Resistance nor the FO exists, but some kind of balanced government system where everyone feels represented and no one is oppressed.
Everyone celebrates the creation of this new system, the destruction of the old system(s), and Rey and Kylo leave their friends to become tandem Gray Jedi Masters who will teach the next generation of Force users all about the full scope of the Force. They’ll also totally become a couple and maybe we’ll see a Force-vision of the future, where they have kids or something.
Together, Ben and Rey will have brought balance to the Force and the galaxy at large!
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EXPLANATION TIME!!!
Kylo letting Hux run most things would be a good reason for Hux not having killed him yet. And Kylo brooding rather than being a bad dude makes a lot of sense if he’s going to be redeemed and live. And it’s clear from the effort that’s gone into Kylo Ren’s character that he WILL be redeemed, and because we’ve already done the Redeemed Hero Dies route (Vader), Kylo will get to live, albeit probably scarred/injured/handicapped or something. He can’t do TOO much more evil stuff or otherwise he’ll be considered TOO unredeemable for average audiences. Killing Han, killing a bunch of innocent people and Resistance combatants, and trying to kill Luke are all pretty unredeemable, but eh. He killed Snoke, and Rey, Luke and Leia all believe in his goodness. Seeing his conflict early on in Episode IX will clue the audience in on his being redeemed by the end of the movie.
I’m basing a lot of this on Zuko’s character arc from the Avatar: The Last Airbender series and Sasuke from the Naruto universe (which we’ll talk about more in a second).
Rey’s arc, much like Luke’s in Episode VI, will be somewhat overlapping with the main War plot, but will ultimately take place parallel to it. Luke was on a journey of discovering himself, the Force and helping Anakin Skywalker to redeem himself. Rey, likewise, is on a journey of discovering herself, the Force and helping Ben Solo to redeem himself. Her main story will intersect with Finn/Poe/Rose/the Resistance’s, as Luke’s did with Han/Leia/Chewie/the Rebellion’s, but it will ultimately take place mostly separated from them.
With Carrie gone, they are going to have to have some kind of carry-over from the OrigTrig, and Luke as a Force-Ghost makes the most sense. He’ll do the Ben Kenobi role of getting the main characters to fight each other and figure out whatever the Force is trying to tell them. Because, as a Force-Ghost, Luke’s consciousness is one with the Force, or whatever; so he knows exactly what needs to happen for Balance to be achieved.
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There will have to be something plot-wise to make Kylo snap out of his vulnerable state and back into his Renperor self because we’re going to need tension that he might kill Rey in their final duel, or at least destroy the Resistance. That way their final battle will have higher stakes.
Rey’s Force powers have leaned more toward the Sensing/Emotive side. Her first “awakening” is the Force-back, but even before that, she’s first aware of being called by the Force (the Lightsaber). She then figures out how to turn Kylo’s Force-sensing interrogation technique back on him, and senses his greatest fear. She also figures out how to use the Jedi Mind Trick, which she will ABSOLUTELY use again in Episode IX, and it’s only later that we see her using more of the physical attributes of the Force (pulling stuff toward you, combat enhancement, etc.). Rey is more naturally drawn toward sensing things via the Force, like the Tree, the Island (in her dreams) and the Lightsaber, and when she senses the Force as whole and then the Dark Side (the cave) in TLJ. So, during the Time Skip, she will have trained in learning how to use the Force to enhance her combat abilities, because it always felt to me like those were earned from her harsh life on Jakku rather than something inherent she had because she was Force-sensitive. (I mean, she didn’t even realize she was Force-sensitive until the Lightsaber scene on Takodana; but she’d been fighting off assholes all her life.)
I wouldn’t be surprised if the Force Bond is exposed to either the FO, the Resistance or both. This might be why Hux tries to usurp Kylo; and I doubt the Resistance will take Rey’s connection to Kylo all too well, considering that he tortured Poe and almost killed Finn (EDIT: and they might blame him for Leia’s death). Rey might make up for this by excusing herself from the main action of the War and offering to take down Kylo alone.
Now, what’s all this about the Gray Jedi and bringing “balance to the Force”?
(EDIT: Linking to the Wookieepedia article on “Gray Jedi” here.)
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So, this is what all the eight movies have been leading up to – the prophecy that Anakin was supposed to fulfill. At the end of VI, the Sith (Vader and Palpitine) die and only one Jedi (Luke) survives to pass on what he has learned. This is not balance. At the time, we didn’t know about the whole prophecy thing and the OrigTrig was just about the good guys winning and the bad guys losing. But, over time, Star Wars has evolved to show us that this world – like ours – is a lot more GRAY. That’s what the Clone Wars series was about; that’s what Rebels (as far as I know) has been about; and that’s what the PT was sort of hinting at. That’s what THIS new trilogy has been hinting at, especially with the Finn/Rose subplot in TLJ. (EDIT: Which I wrote a whole meta analyzing and defending the importance of that subplot. Read it here.)
That’s not to say the FO hasn’t committed atrocities and the Resistance isn’t made up of people who have suffered and want better lives. But, as we saw with Finn, there’s a possibility that Stormtroopers are good people who don’t like what they’re being told to do. And, as was hinted at in TLJ, there are plenty of people who don’t like the Resistance. Because, in a war, no side is all good or all bad.
The whole Star Wars franchise kicked off as WWII In Space! But, since WWII, we’ve entered several conflicts where we (the U.S.) weren’t always in the right and the enemy wasn’t always in the wrong. There’s a TON of gray area in our conflicts now.
Anyway, this is all a very long way of saying that the OT’s understanding of the Light Side and the Dark Side isn’t well managed. As we saw with Luke at the end of VI, he let his anger, hatred and rage against Vader flow, but he didn’t become evil. He stopped himself, and realized that Vader was much more like him than he previously wanted to admit.
But, then in the PT, we see that the Jedi’s belief system is very lop-sided. They can NEVER let their emotions get the better of them. They have to be stoic, mindful, “celibate” (more or less), and detached from the world around them. They are encouraged to be compassionate, but not to love or become attached to people. This is a philosophy that isn’t going to fly well among modern audiences.
(EDIT: There’s a really great video Pop Culture Detective did on this very topic today. Linking to it here.)
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Like with the War side, the answer is that we (the audience) are something in between. We do sometimes let our emotions get the better of us, which CAN be a bad thing sometimes, but not always (as “Inside Out” taught us, it’s unhealthy to lock certain feelings away). But, at the same time, most people aren’t evil and hate people so much that they want to destroy them.
So, the answer for The Force side of Star Wars is a balance: a coexisting of the extremes and the meeting of the two halves (Kylo and Rey). In TLJ, Luke’s big thing is that the Light Side WILL exist without the Jedi; and that the Force is ALL ABOUT A BALANCE: life/death, light/dark, heat/cold, peace/violence, etc. The Jedi is a RELIGION that used the Force, but there are plenty of other Force-users in this universe who aren’t Jedi or Sith (like Ahsoka Tano or Chirrut from Rogue One). The Gray Jedi can be the religious practice (the way of life) of Kylo and Rey. They can use both sides of the Force without being overcome by one or the other, by keeping them in a balance. I don’t know exactly how this would work, as I haven’t read TOO extensively into this topic, but I know it’s possible as I believe there were some Gray Jedi in the Legends Universe. I suppose it might be a bit like the Guardians of the Galaxy (another popular Disney property) – Kylo and Rey wouldn’t be all bad (because then they’d be evil) or all good (because then they’d be boring), but a little bit of both or something in between.
The happy ending to this entire saga isn’t about the Light snuffing out the Dark, the good guys killing all the bad guys, because the whole idea is that the Force and the world needs to be brought into balance. As much as we want the heroes to win, we also want the ending to be reflective of our human nature – both how we succeed and how we fail. This Gray Jedi ending would be reflective of that and bring the whole saga to a nice end.
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I mean they wouldn’t have put a fucking YIN-YANG SYMBOL in the Meditation Pool on Ach-To if the idea behind the trilogy wasn’t about bringing the Force into balance. I wonder if it’s a good thing Rey took those ancient Jedi texts, because maybe they hint at if/how the Ancient Jedi (not the ones in the PT) were more in balance in the Force than our PT Jedi were.
We see this nicely encapsulated into Rey and Kylo as characters. Rey who embodies the Light, but has plenty of darker tendencies (like getting mad, charging at Snoke in a fit of rage and aggression); and Kylo who embodies the Dark, but has plenty of lighter tendencies (like telling Rey to detach herself from her past and let it go). They are a literal fucking YIN-YANG SYMBOL as people, side by side. But combined and intertwined… if you put a Yin-Yang symbol in wet paint on paper, and then mixed it together, what would you get?
A gray circle.
Gray Jedi is the answer, people. No question about it. At least in my mind.
Now, about the fight. Why do I think Rey and Kylo will have to wound one another and kiss?
Well, the draw/wound thing is something I stole from the Naruto universe.
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For those of you who are unfamiliar… the main character Naruto (on the left) is very much the “light side” of his universe. His rival Sasuke (on the right, and who has a redemption arc similar to what we’ve seen of Kylo’s so far) is very much the “dark side.” There’s a point where they get sun and moon symbols on their respective hands, and each holds half of the same power source, although they manifest it differently based on their respective abilities/personalities.
Now, the entire series is built-up to this final showdown between the two. Naruto is not trying to kill Sasuke, but needs to stop him, because Sasuke IS trying to kill Naruto and bring an end to things/people Naruto loves. And, it physically ends in a draw. The two lose their dominant arms: Naruto loses his right; Sasuke, his left. Their wounds are a literal mirror of each other (see below). And in that shared pain, they find an understanding, and Sasuke decides not to kill Naruto but to come back over to the “good” side (more or less), to stop being a murderous asshole, and to start atoning for his crimes. (So, in a way, Naruto wins the fight on an emotional level, as he brings Sasuke over to his side.)
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That’s very much where I see this Rey/Kylo thing going. There are so many parallels between these four characters and their respective arcs, it’s ridiculous.
With Kylo and Rey, each of them will be trying to kill the other so their respective side will win the War. A draw (with a major non-fatal injury) is the only way I see this fight ending in a way that will bring them into balance with each other and the Force at large.
Also, we’ve never had a movie lightsaber fight end in a draw before, to my recollection: Darth Maul killed Qui-Gon; Obi-Wan killed Darth Maul; Count Dooku injured/beat Obi-Wan and Anakin (I guess he ran away from Yoda, so you might count that); Count Dooku injured/beat Obi-Wan in the rematch and then Anakin killed Count Dooku; Obi-Wan injured/beat Anakin; the Emperor forced Yoda to run away; Obi-Wan allowed Vader to kill him; Vader beat/injured Luke; Luke beat/injured Vader in their rematch; Rey injured/beat Kylo; and there wasn’t really an actual lightsaber fight in TLJ.
It would fit the whole “balance” motif for neither to win or lose the fight, but instead the two come to an understanding and compromise.
Now. The Kiss.
Why do these two little fuckers have to kiss, IMO?
Well, do you all remember the Disney Channel TV Show “That’s So Raven”? The main character (Raven) is a psychic; and there’s an episode where she meets a male psychic. And, while they have 0 romantic interest in each other, there’s a point where they continue escalating their physical proximity/touching, because it allows them to better use their powers. There’s a point where they have to kiss in order to find Raven’s BFF and some other people.
And, as we saw with Rey and Kylo in TLJ, these two are oozing with sexual chemistry and Force power. I mean if they see each other’s futures whenever they touch hands, what the hell are they going to see when they kiss? (Or if they ever had sexy times… but this is a family-friendly movie, so that’s not going to happen on screen; the kiss is the closest we’re going to get).
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I mean, c’mon you guys… everything we saw in TLJ is building up to them kissing and the Force coming into balance as a result of their combined lives/knowledge/destinies or whatever.
Also, as others have pointed out, they’re not going to kill off Ben Solo. The Skywalker family is too much of a commodity, and there’s so much possibility in leaving him alive and with Rey. I mean think of all the spinoff movies and TV shows we could have of them and their kids??? (EDIT: Just like how the Legends Universe focused in part on the kids of Luke, Han and Leia.) Rey is too well-loved by the fans to kill her off, and Ben/Kylo has gotten too much character development to not get redeemed. His kids with Rey would sell toys and tickets and subscriptions like crazy.
So, why do I think Ben/Kylo will proposition Rey, instead of the other way around (which would seem more natural)?
Well, in TLJ, each saw the other turning over to their side in a vision of the future. Rey says that Kylo won’t bow before Snoke and will turn, and she’ll help him. Kylo says that when the time comes Rey will turn and join him.
Now, from a physical standpoint, these visions were true after the Praetorian Guard fight. Kylo physically turned against Snoke and killed him, but emotionally was still attached to the Dark Side. Rey did physically join Kylo by his side in fighting the Guards but was still emotionally attached to the Light Side, or really, the Resistance. Neither ACTUALLY came over to the other’s side. Kylo didn’t want to join Rey politically, and she didn’t want to join him spiritually.
But now, they’re going to find that compromise where they meet in the middle both politically and spiritually. Kylo was right in TLJ: the old THINGS (political organizations, religious ways) should die, but Rey was right in that the PEOPLE should be saved. The only way to achieve both goals is to end the War, the FO, the Resistance, the Sith and the Jedi… and create something new. A compromise that works for everyone and brings the much-needed balance to the Force and the galaxy.
Each of them WILL join the other. Rey’s vision will have to be right that Kylo will turn from the Dark Side, and Kylo’s vision of her turning from the Light and joining him will have to be true as well.
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So, like any proper proposal of marriage/political alliance/spiritual alignment, I think Ben should be the one to suggest it. That way, we the audience can see the fruition of his redemption arc, etc. (Also, we have to come full-circle on the Space!Mr.Darcy thing.)
Anyway, I’ve now rambled on about this for QUITE long enough. Just wanted to throw out some ideas and see what you guys think and if you have predictions of your own. (EDIT:) And, to quote Preston Jacobs, “I’m probably wrong about half of this.” There’s plenty of hints of where the franchise is going, but I’m sure there are some details I will have gotten wrong. Which is fine. This can be my headcanon for the next two years.
I guess there’s nothing else to say other than, “May the Force be with you, always.” Cheers, guys! And thanks for reading!
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On Warging in GOT: What Could Have Been
Spoiler alert: I hate the show. I hate it with a passion. But, it was not ever thus: I loved series 1, and I found series 2…tolerable. I was at most disappointed with series 3. Series 4 was where the show started to actively anger me: the reduction of the Dornish to their “exoticism” and their sexuality; taking away Sansa’s agency in her plans to flee King’s Landing; the presentation of magical elements.
In view of my hatred, I thought I’d engage in an experiment: how would I present the first instance of skinchanging? Skinchanging is one of the key magical elements of the series (with some theorising about its connection to the Others and its role in the wars to come), and it has been chronically mishandled in the show so far.
So, assuming that we have, up until this point, had an accurate and adequate adaptation of how Bran is exploring his powers (seeded in series 2/3/4, ideally, also through Jon and Arya’s storylines), I would kick off whatever episode Bran first wargs into Walder (in the alternate reality where I am running GOT) thusly.
A couple of disclaimers: 1) I am by no means a screenwriter. 2) I realise this does not necessarily fit exactly with the continuity of the show - that would be because I hate the continuity of the show: it prioritises the wrong things, wouldn’t know a theme if one kicked it in the face and exists primarily so D&D can spoil endings etc. for book readers. So there. 3) We won’t have the gratuitous stuff with Locke et al, so the first time Bran would be warging into Walder would be in the cave with Bloodraven turning a blind eye. 4) I hate “Hold the Door”. My brother is mentally disabled in a similar way to Walder, albeit with more speech, and this episode sickens me on so many levels. 5) As you may have noticed, I will be referring to “Hodor” as Walder, since that is his name, rather than an ableist nickname to which he did not consent.
Now, I’m not a fan of “cold opens”, but I promise it would make more sense and be less jarring in this version of the show because we would have spent more time with the wildlings as characters, rather than as a monolith, in Jon’s arc.
We are in a snowy landscape - it’s not clear whether it’s North or South of the Wall until an eagle screams by the camera. We follow it with swooping angles and fast cuts until it lands on Varamyr (it’s not necessary to explain that it was Orell’s eagle, but you get bonus Book Points if you do - give the eagle a memorable scar, or have it wearing a coloured sash or something). We then go to what Varamyr describes in ADWD as his life before allying with Mance Rayder - dominion over the village and coercing the women into his hall so he can have sex with them. We would have one example of this happening as “”normal””, maybe a montage of women going in and out at day and night, but then the last one changes things.
Have Thistle come in dressed as a Spearwife (scarred, braids, leathers and furs, have her still be armed because Varamyr has become arrogant and doesn’t think any woman will fight back and resist him): either because he likes the challenge, or because she tries to physically fight him; Varamyr tries to warg into Thistle. Cue psychedelia.
*Quick aside*
My main problems with Bran’s storyline in the cave with Max von Bloodraven are that a) the parameters of skinchanging aren’t really properly explained (e.g. the show has it so that Bran can affect the past, as in Hold the Door, the books state that the Weirwoods only provide a looking glass) and b) we do not have enough weirdness. Thinking about the first point: we are supposed to realise that skinchanging into other people is wrong - this is not just something you can do and get away with it. There should be and are consequences, one way or another, for the powerful attempting to subjugate the weak in this way. The show presented how Bran warging into Walder would look from the outside, and what effect it would have on the plot (which is all they seem able to understand), but they do not show what is happening on the inside, aside from showing that Walder is clearly confused and upset by what Bran makes him do to Locke, for example (such as when he looks at his bloodied hands).
As for the second point: this is a 128-year-old sorcerer who is tutoring a 9-year-old boy in how to become a God. I don’t want stationary, realistic shots. I want dreamscapes, cosmic weirdness, the curtain of light at the end of the world. I wanted the show to have taken the opportunity to show us Asshai and Wyverns and Sothoryos, since we will likely never see it in the books, and for a show that prides itself on bringing the spectacle of cinema into people’s living rooms, the mystic side of the show has been...well...boring.
With that in mind, I want everything about this scene to be jarring: sound, lights, camera movement, colour distribution (remember: whoever looked at ASOIAF and thought “You know what we need? Grayscale” should never be allowed near a camera or screenplay again). I want us to practically feel the psychological damage this is doing to Thistle, while seeing what she does in the books, clawing at her face. (I also think that the white eye thing should be used more sparingly, as a sign that the skinchanger is “clocking in and out”: for reasons that will become clear in a second). I realise this seems to contradict criticisms of gratuitousness etc., but this violence would be for a specific purpose: we are supposed to identify with Thistle, not Varamyr, in the book, and we are supposed to feel an instinctual revulsion at what he is doing; and we are going to make this immediately relevant to the “main arc” with literally five more seconds of screentime.
So we’re immersed in Thistle and Varamyr, and at a moment where, in this version where we’re using more of a dreamscape approach, both of their faces are on-screen, terrified and driven mad by the pain and the violation and exulting in their power and domination respectively...
...their faces warp into Walder and Bran, we continue to see Walder’s pain (mirroring Thistle’s both to humanise him, since dialogue apparently can’t, although Guardians of the Galaxy managed with Groot, and make her more relatable to audience that has, at this stage, been with Walder for 4/5 seasons), and then a scene continues (in the cold light of GOT-style grayscale, since in this case it would actually aid contrast between the magical and the mundane) with Bran-as-Walder, Meera and Jojen in their own cave, where we learn that Bran has been with Bloodraven for three days – Meera is worried, Jojen is cryptic and Bran-as-Walder is just sitting there, with the occasional flash of the white eye effect as Bran reasserts control over Walder.
…ok, hear me out.
I can understand why Bran does what he does: he is a nine-year-old boy from a noble family who was traumatically crippled, bringing an end to his dreams of becoming a knight and being “taunted” by the image of Walder, a "simpleminded giant” in Bran’s own words (AGOT Bran IV), being able to physically achieve anything; since being crippled, he has unlocked the potential for vast powers for which he is barely given any guidance as to their use. I understand. But understanding does not make this right. I find it shocking how many people are willing to label Arya, a child soldier who regularly shows empathy to others while still doing awful things, a psychopath while not giving Bran’s actions the least bit of scrutiny. Bran knows that what he is doing is wrong: he actively thinks about it, in ways that reveal a lot about Bran and his mental interactions with Walder and what he thinks they mean.
The big stableboy no longer fought him as he had the first time, back in the lake tower during the storm. Like a dog who has had all the fight whipped out of him, Hodor would curl up and hide whenever Bran reached out for him. His hiding place was somewhere deep within him, a pit where not even Bran could touch him. No one wants to hurt you, Hodor, he said silently, to the child-man whose flesh he'd taken. I just want to be strong again for a while. I'll give it back, the way I always do. (ADWD Bran III)
This is wrong.
Now let’s look at why.
“Like a dog who has had all the fight whipped out of him”.
Setting aside, for one moment, the rampant dehumanisation of the mentally disabled in Westeros (seen with Walder, Lollys, countless others who remain unnamed and unremembered): whipping the fight out of a dog takes sustained cruelty and many attempts. Whipping the fight out of a dog is a waiting game, designed to achieve the outcome you want at the expense of the dog’s wellbeing, and designed to suppress any personality or will in the dog. The trainer knows this, before, during and after the act. Bran knew what he was doing, every one of the apparently many times that Bran has forced himself into Walder.
“Hodor would curl up and hide whenever Bran reached out for him”
A shownly tried to tell me, about a week after “Hold the Door” aired, that Hodor would have done it willingly for Bran, and that “Hodor”, essentially, was more useful when being controlled by an able-minded individual: that he was “asking to be used like that”. This individual has, you will be pleased to know, been cut out of my life entirely: someone who thinks that the privileged in society have the right--nay, the obligation--to use those socially inferior to them for their own ends is clearly a fucking psychopath. In the books, Walder curls up and hides. This is not the action of someone who consents. This sign alone should be enough to convince Bran that, actually, forcing yourself into someone else’s mind to stalk your crush and your bezzie mate (unbeknownst to them, which is weird in itself) is an abomination.
“the child-man whose flesh he'd taken”
This frankly gruesome description of Bran’s violation of Walder shows, without doubt, that Bran knows what he is doing. He knows that it is wrong and, more to the point, he feels the barest amount of remorse. He feels enough pity for Walder to pathetically attempt to reassure the man whose mind he is raping, but not enough to ever stop. The description of Walder as a “child-man” is, in this context, therefore, particularly horrifying. But it is Bran’s attempt to reassure himself that it is Walder’s “flesh” that he is taking that is the most disquieting thing for me: because it isn’t. That is the effect, certainly: Bran only notices that he is taking Walder’s “flesh”, since it is the only thing about Walder that interests him. However, we can see from this passage that Bran is taking so much more from Walder than his “flesh” (such a gross way of referring to someone’s body, while we’re on the subject – more animal than human, akin to “horseflesh”): Walder, someone with a limited understanding of the world who has, among other things, been attacked by literal zombies and subject to mental abuse, does not feel safe in his own mind. That is, and should always be, horrifying.
“I just want to be strong again for a while. I'll give it back, the way I always do.”
It’s the “just” here that is the most sickening part. Because what Bran wants is so pathetically simple (again, I understand that he is suffering as well: but we are witnessing him mentally raping someone weaker than himself, so you’ll forgive me if I don’t show my usual empathy): he wants to be physically able, and is willing to dehumanise and violate someone else to get that feeling for a few hours. The casualness of “the way I always do” speaks to a flippancy surrounding the violation, similar to what we see earlier during the wight attack: “He wondered what Meera would think if he should suddenly tell her that he loved her.” (ADWD Bran II)
What this means for the show.
The show has made clear, from the moment they added in Kristian Nairn’s naked body into the bathing scene in the Godswood, that they do not view Hodor—Walder—as a person. They view him as a literal joke, and as much of an object as the women whose naked, unnamed bodies they paraded around in Littelfinger’s brothel scene or in the scene where Ramsay taunts Theon with beautiful women. Hodor is an object to them: a means by which they can move their able-minded, therefore more important, character from one point to the next. D&D’s fixation on plot has meant that the subtleties of Bran’s ADWD Chapters have been lost in favour of exposition dumps, seeking to spitefully spoil surprises for readers of the books. This fixation has also meant that they have focused on the outward effects of this warging, without appropriate consideration being afforded to anything else: instead of looking at the previous passage, they focused on the second part of this quote: “Deep inside he could hear poor Hodor whimpering still, but outside he was seven feet of fury with old iron in his hand.” (ADWD Bran II) In failing to humanise Walder, in failing to treat him as more than a prop or a plot device, we have been robbed of a kind and gentle man who feels no ill-will toward anyone.
"Hodor!" the stableboy announced, as was his custom, smiling hugely at them all. (AGOT Bran IV)
Hodor hummed tunelessly as he carried Bran down the steps and through the gallery (AGOT Bran IV)
Hodor washed the sweat from him with a warm, damp cloth and dressed him with deft and gentle hands. (AGOT Bran IV)
And it perhaps Bran’s chapters at the beginning of AGOT that can prepare us for this warping of Bran’s character, which will hopefully be addressed by some form of confrontation with Euron, as they battle for dominion of the Westerosi astral plan: “It felt queer to look down on him this way, when he'd spent his whole life looking up at him, but when you sat on Hodor's back you looked down on everyone.” (AGOT Bran VI, emphasis mine)
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destielfanfic · 7 years
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I stopped watching the show around season six. Are there any fics set in-verse during that season or before worth reading? I feel like everything I try to find on my own is set in the more current seasons or an AU. Not that I have anything against AUs.
We’re answering this on the blog because, with the show going on for so long, there’s a lot of fans who have either stopped watching at some point or new fans who haven’t caught up with the latest seasons but still would like to read some fic. So, we are here to help and explain how to use our blog.
First of all, please start with our Tags Page. All canon fics are tagged with SU (supernatural universe) tag.  We also have season and some episode tags
solo hunter!dean, Djinn Dream (2x20 and others)
pre-season 4, Season 4, It’s a Terrible Life (4x17), 4x20,
Season 5, 5x03, Endverse (5x04), 5x08
Season 6, the French Mistake (6x15)
There’s several older fic compilation posts on these tags for search convenience. Please note that these posts list fics recced until the post was made. For more recent recs you’ll have to look through the tags.
ask from 2013 that lists over 70 fics from Seasons 4, 5 and early 6.
ask about fics set at the end of season 6 and after; usually those fics were written before season 7 started
Some fics are tagged with both, SU tag and AU tag which means that canon elements are really strong but also AU stuff happens.Season tags are decided on content, ie season 6 tag will be added to a fic that has canon elements from 6x01 and onward, but not to the fic that is about post 5x23 events. Some fics has only SU tag but not season tag. It means there’s no distinct canon element to pin the season down or it’s an old review written before season tags were introduced. More info about tags on this post .
Since you asked for fics we would recommend, here’sa few of our favorite canon fics that are set prior to season 7.
All links go to our to our reviews or submitted rec posts.
I. Canon favs from seasons 4-6. 
In the Silence Afterwards by ibroketuesday (season 4)
Named by maclachlan (season 4)
Hesitation by apokteino (season 4/5)
Cult-de-Sac (season 5)
Hard Road by aleishapotter (season 5)
The Fourth Wall by entangled_now (season 5)
Smells Like Roses by bomarlowe (djinn dream, season 5)
Ugly Sweater Verse by saidtheking (season 5)
Shine by zatnikatel (season 5) 
This Story Was Brought To You By Our Sponsors by Annie D (scaramouche) (season 5)
My Eyes Are An Ocean by entangled_now (season 5)
Return to Sender Address Unknown by gedry (fallen!cas)
All Saints Saga by oselle (endverse)
The Day The World Went Away pyjamagurl (season 5)
Somewhere Back of the Sun by enigmaticblue (endverse)
The Waste Land by savingfaith333 (endverse)
Something Stupid by zatnikatel (season 5/6)
Imitating Life by littlehollyleaf (French Mistake)
Cruel Angels series by ORPHAN (season 6)
II. Alternate meeting (not like in 4x01) favorite fics. The stories vary from being really close to canon events to alternate settings where Dean is still a hunter but Cas is a either civilian, non-SPN angel or a creature. Please read the reviews and tags to see how far from canon these fics deviate. We tried to arrange this list from most canon compliant to least but, well, it is an exercise in YMMV notion. 
Equinox by luchia13 (alternate meeting since when Dean was a kid)
Outrun My Gun by misachan (alternate meeting in s2)
Good Ones Gonna Be by remmyme (alternate meeting in s2)
Castiel Rising by phate-phoenix (alternate meeting before s4)
My Roots Take Flight by kismetjeska (re-imagining s4) 
So Says The Sword by komodobits (alternate meeting before s4)
Some Assembly Required by narrow_staircase (alternate meeting pre - series)
Broadway Musical by griftings (alternate meeting in s4)
A Crash Course in Someone Else’s History  by Annie D (scaramouche) (alternate meeting in s6)
A Judicious Application Of Free Will by Annie D (scaramouche) (spoilers!) 
Architecture of the Minotaur’s Heart by beenghosting (spoilers!)
Rockfall by aileenrose (submitted rec) (alternate meeting in post s5)
Slice of Heaven by domesticadventures and propinquitous
Shifter by LadyLini (submitted rec) (established destiel, pre series)
The Mirror by cloudyjenn 
When Worlds Collide by jhoom (Dean Smith meets endverse!cas; the epilogue brings the story back to season 12 but recent canon knowledge is not essential to enjoy the fic)
Kiss You When It’s Dangerous by zoemathemata (FBI agent Cas)
King of the Road by LoversAntiquities (non SPN angel Cas)
Convenient Husbands by Annie D (scaramouche) (creature Cas)
Carnival Oasis by violue(creature Cas) 
III. Our favorite fix-it-fic Master Post. All fics have a note about seasons they cover and subvert. We think that all fics up to and including alternate season 7 fics are enjoyable for folks who have seen most of season 6. 
Redemption Road requires specific mention here. At a time when Destiel and Cas fans were at one of their lowest points, this group of writers said “Bite Me” and created this 650K superepic fix it for the mess that was season 7. The fic goes canon divergent after 7x01.
IV. The last resort
This blog started in August 2012, shortly after the end of season 7, so if you made it this far and are looking for older fics, go to the very first page of our SU tag, page 36. Most of the fics recced during first year are about older seasons. Summaries, reviews and fic posting dates will help you to determine the season even if the review is not tagged with it. You can also search first wave destiel authors from this post (all links are broken, please use your google fu!)
Note: After five years and nearly 1500 reviews and recs, this is by no means an inclusive list - that is what our tags page is for!  Instead, these are a selection of favorite fics that in our opinion fit the ask.
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So I watched Citrus ⚠SPOILER WARNING⚠
And I have issues with it. Now Ive never read the manga a day in life. Ive seen fan art of it however and knew it existed but never what it was about. If im missing out on some parts message me and explain please. I’m not going to hate the show. I don’t hate the show at all. I just have issues with it. Now here’s my thoughts.
Note there’s only 5 episodes on Crunchyroll but here’s my thoughts so far
So Mei is the Class President and has been since she was a first year. Her grandfather is a Chairman of the school and Mei’s father marries Yuzu’s mother and they move to another district. For some reason Yuzu’s mom forgets to tell her that she’s got a younger step sister and for some reason Yuzu’s never seen her new stepfather. But Im gonna ignore that.
Yuzu wants to fall in love and get a first kiss and get a boyfriend. Nice plan for a high schooler. So she walks in and this girl with springy pig tails named Momokino gives her shit. Mei comes up and feels up and down Yuzu to get her phone from her pocket. Later on in the day she meets her friend Harumin. Harumin explains to her that everyones not outgoing and follows the strict rules. Oh and um everyone looks EXACTLY the same. Black and/or purpley hair, beige top, greenish plaid skirt, all shy and reserved.
So it’s implied all the girls in this all girl school fuck each other before they get married off to someone after high school. So fast forward and Yuzu finds the hot teacher and Mei kissing and later it’s said theyre supposed to be married to each other. Later in the day Mei goes to Yuzu and her moms apartment and then Yuzu making an effort to talk to Mei and get along as step sisters. Mei ignores her this entire time so Yuzu has to talk about a subject that’ll strike a nerve to get conversation. Mei takes her down and kisses her.
At that moment I do the Oprah gif where she’s squinting. It’s not incest cuz they’re not real sisters but I’m sure a good majority would argue it is and I can understand that but lets ignore the incest is wincest meme right now.
At this point Im sure Im missing a lot of aspects in the anime and manga. I know that there’s a good following for the manga but i haven’t seen much for the anime cept a few screenshots and comparisons to the manga. This is what I think about the characters and plot watching it blind I guess.
Mei….bothers me. Characters like her I have an issue with because they always initiate the first move like kissing them or some shit and then are always confused about why the Protag is so confused and can’t control their emotions. I don’t usually watch romance anime like this in fact the only one I liked was My Little Monster and Sakura Kiss but that’s another thing. I get it Mei you and your dad have a bad relationship and haven’t seen him in five years and you live alone. Alright I get it but that doesn’t give you the right to fuck with Yuzu like that.
I’ve seen a post that Mei is literally sexually assaulting Yuzu and that it’s a toxic relationship but I don’t wanna go that far. Ill just chalk it up to anime being anime. It’s not the first time we’ve seen characters force a kiss but back to the topic on hand.
Mei in the anime is such an unlikeable character. In Episode 3 Yuzu sees that Mei’s stuffed animal is ripped and she sews it back together as if nothing happened. Later in the episode when Yuzu has to stay at school late to clean the bathroom Mei goes through her stuff and finds a Manga named Peach Sisters and confronts her about it saying stuff like “if someone saw you with this theyd be disgusted” or “you should be ashamed.” so Yuzu kisses her and says all this is happening because she kissed her.
Finally we address the situation. Yuzu is absolutely right. All the shit that Mei detests so much is all her fault. She could’ve engaged in conversation and at least put in the same effort Yuzu was putting in and they would’ve bonded making the “romance” between them understanding. But no. Mei just completely ignores Yuzu and gives her the short end of the stick.
In episode 3 Mei says the only reason why she kisses her multiple times in the other episodes is to shut her up. But in episode 2 when the two girls fall in water Mei kisses and licks Yuzu’s neck while Yuzu is thinking about why she kissed her and Mei says “You looked like you wanted me to touch you.”
So what’s the truth Mei? Are you taking advantage of your older sister or are you not?
I hate Sasuke so much. Mei is starting to get close to that amount of hate. Yuzu is doing mental backflips to figure out her feelings and what to do while Mei is doing everything except thinking.
Oh yeah in episode 2 when Yuzu AGAIN tries to make an effort on what’s going on with Mei offering to help, Mei throws her on the bed and starts ripping her clothes off only to be caught by Old Grumpy Gramps. Yuzu is expelled and Mei does fuck all about it while in other times Yuzu stood up for Mei. In the begining of episode 2 while Mei gets chewed out by gramps Yuzu stands in front of her and says “if you want to get mad at someone get mad at me. She has nothing to do with this.” Gramps doesn’t listen and at the end of the episode gramps has a well deserved heart attack. And who helps him? Yuzu.
I think I’ve ranted about Mei enough now onto Yuzu. In the first episode she monologues to us about how she talks about having boyfriend’s and kissing them when she hasn’t even had her first kiss yet. I did the same thing in high school and Im sure others have too.
Yuzu is a likeable character. She’s blonde and has personality and very well rounded I guess? I don’t have problems with her. If anything I feel bad for her because of what Mei puts her through. It’s not only Mei. Is this other girl too. I can’t think of her name. Like this has taken me a few days to write when it shouldn’t. I think her names Kono-something but well get to her later.
Harumin is Yuzu’s friend in the situation and has NONE of an idea pf what’s going on with Yuzu and Mei however she’s there to help and is a pretty good friend. In episode 5 they share an indirect kiss when Harumin feeds Yuzu something from her lunch and they do it so naturally. As platonic as the relationship may be I prefer theirs over Yuzu and Mei’s SOOOOOOO much more. If this show threw a curveball and ended with Harumin and Yuzu being a thing I would NOT be upset and id accept it as such but that’s not gonna happen.
Now onto the friend. Her name is Kono or Kokno but for now let’s just call Kono. So she’s got purple hair with girl pigtails thats in curls and she’s the vice president. She’s known Mei for what seems like maybe Kindergarten? I dont know which school years are similar to ours (Im from America) but that’s just my guess. So Kono has this disdain for Yuzu because she doesn’t conform to rules and is all of sudden getting close to Mei. So after episode 3 in episode 4 she keeps asking Yuzu what the two did some conference room or what not and Yuzu doesn’t tell her so in Kono’s….trial to assert dominace over Yuzu she goes and licks and touches Mei’s ear. That turns into Mei moaning and then Kono slides her hand under her skirt and the scene cuts away to the afternoon sky. Later in the episode Kono tells Yuzu to meet her at a cafe or something and the two talk and Kono says they “crossed a line” which DOES NOT sound good by the way. Im not sure if that’s the english translation of what she said or what but it doesn’t sound okay (Im watching Sub). So Kono lies and says Mei wants NOTHING to do with Yuzu and never wants to see her again. Yuzu’s already thinking “but we live together”.
This whole time Im thinking the two might’ve fucked or something BUT in the episode 5 Mei tells her Kono made advances at her and she told her no or something. Kono sees the two walking outside of school and Mei tells her to stop putting weird thoughts in her head and Kono is sad and stands there.
In episode 4, Mei tells Kono that she and Yuzu are step sisters FINALLY and anytime Yuzu tries to be a good older sister Kono sees it as making advances on her.
I don’t like Kono. She’s very annoying. Im not sure if she was like that in the manga or not but again Im going in this anime blind.
She’s honestly very annoying and that’s just how I feel. Gets in the way and just don’t like her character.
Mei and Kono? Can’t stand Mei. Kono is…slightly tolerable.
Yuzu and Harumin? I like them. They have better chemistry than the romance intended.
I cannot stress how much context Im sure im missing and I WANT to read the manga and know stuff but sadly that’s just not possible. If ANYONE could link me to translated versions of it online great. Now Im gonna talk about the plot of this.
I don’t watch romance. The only two I watched and liked was Sakura Trick and My Little Monster. In the show My Little Monster there was plot. However little it was there was still plot but it kept it entertaining to watch. Sakura Trick barely had plot at all but it had a storyline and had lots of lesbian kisses. More than the entire anime industry combined and that’s where the show got it’s charm.
Another show I watched and liked called Yuru Yuri. The girls start a club. That’s it. Don’t ask anything more of them.
Citrus? If you asked what the plot was…I couldn’t give you a simple sentence answer. Im not sure…where this anime is going. I know they’ll end up together dispite them being step sisters but for the plot right now I have no clue what or where it is. I think it’s just me being stupid but right now I can’t really think of a plot. The closest I can think of is “two step sisters who have some things to work out.”
I don’t have any….comments on the animation. Modern. Clean. Looks nice for 2018 animation. Nothing really striking except when Yuzu is in uniform she’s very pleasing. Color scheme wise I mean. It’s no Ancient Magnus Bride so….I guess I mean….animation is okay I guess.
Overall, I don’t hate the anime. But I don’t love it. I have issues with it and Im going to continue to watch it cuz I want to see where this will go. I want to see Mei’s character growth and I want to see plot. I want to see this get good and I want to like this anime and Ill stick around as long as I can. After a few more episode’s Ill do a part 2 on what I think.
For now….3 outta 10. I’d have to have a lengthy conversation with someone before recommending this to them.
So those are my thoughts on the anime Citrus. If you wanna talk about it with me just DM me. If you’ve read the manga and what to give me context great. Thanks for that.
Considering doing anime reviews as a thing.
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logh-icebergs · 7 years
Text
Episode 26: Farewell, Distant Days
Dear Icebergs readers—as we’ve reached the first season finale of LoGH, we’ve inevitably arrived at some pretty serious spoilers, so if you haven’t already seen all of LoGH season one, I would advise against reading any further. Instead, you can find our FAQs here and our very first post here, and we hope to see you back here soon!
Everyone else: When you're ready, please proceed to our episode 26 post, below. —the editors
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September-October 797/488. Ansbach’s assassination attempt on Reinhard is thwarted by Kircheis—first by knocking his gun out of the way, and then by taking fire himself from yet another concealed weapon, this time in Ansbach’s ring. Ansbach shoots through Kircheis’s chest and neck, then bites a poison pill to commit suicide. Reinhard’s admirals scramble, but it’s too late to save Kircheis, who dies while Reinhard holds his hand and looks on in bewilderment. Beyond devastated, Reinhard shuts himself away with Kircheis’s body for days on end. Oberstein convinces the admirals to cast former ally Lichtenlade as a scapegoat for Ansbach’s crime, and, grateful for something to do, the entire fleet storms Odin. Meanwhile, Oberstein informs Annerose of Kircheis’s death, Reuental receives an unexpected invitation, and Reinhard hardens his heart.
Reinhard and Kircheis
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The first time I watched episode 26 of Legend of Galactic Heroes, there was a moment when, literally sitting on the edge of my seat, I wondered if this show was about to disappoint me horribly. Kircheis was, clearly, dying. The admirals were fluttering around him trying and failing to stop the bleeding, giving up on leaving to go get a doctor—too quickly, it seemed. And where was Reinhard? Why wasn’t he there?
As a queer consumer of media, I’m used to this kind of disappointment. Seeing my experiences reflected onscreen at all remains rare, and when a piece of media does deign to include a queer character or two, more often than not they’re killed off unceremoniously in as homophobically moralizing a way as possible. The death scenes of queer characters tend to leave me with a sick feeling not because I’m grieving the character but because I hate that I’ve had to give up on expecting queer characters and their relationships to be given a fraction of the respect afforded their straight counterparts.
The first 25 episodes of LoGH had surprised me with their nuanced and respectful depiction of queerness, in particular of Reinhard and Kircheis’s relationship. But as a seasoned veteran of queer media consumption, as Kircheis bled out on the floor while Reinhard did who knows what across the room, I didn’t know how else to interpret what I was seeing other than “Kircheis is about to die alone.” My stomach hurt. And then, this happened:
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Given that it’s animated, LoGH has so far been remarkable in its commitment to realism. Without exception, what has been shown to us onscreen has been presented as an accurate depiction of events; the closest to a diversion from that has been the show’s frequent use of flashbacks, but even those are always anchored to a specific character’s experience of remembering the past.
As Reinhard steps painstakingly down the stairs toward where Kircheis lays in a pool of his own blood, the creators of LoGH throw away their own established set of rules. What we are seeing is no longer what is literally happening; instead, we are with Reinhard—and for him, nothing in the world exists at that moment except Kircheis and himself. With this scene, the LoGH creative team show us that they will do whatever they have to in order to respect their characters: If there are too many people around for Reinhard and Kircheis to get the intimate last goodbyes they and their relationship deserve, well, everyone else will simply have to be removed.
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Even the lack of voiceover accompanying Reinhard’s quick series of flashbacks here reinforces the extent to which reality has been skewed for the duration of this scene.
For me, this was when LoGH went from being a great show to being (as you may have noticed) my favorite show—and not just because of how kindly it treats its characters, even while they experience gut-wrenching tragedy. Kircheis’s death changes Reinhard and, as I’ll obviously be exploring at length as we move into season 2, that changes the entire landscape of the show. Though from the beginning it has always been deeply personal and human, especially for a war epic of such massive scale, the question of what Reinhard will do now, without Kircheis, turns LoGH psychologically dark in ways that have only been hinted at so far.
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Back in episode 4, we were first introduced to Reinhard’s plan to gain enough power to rescue Annerose from the clutches of Kaiser Friedrich IV. Friedrich IV has since died of natural causes, freeing Annerose without Reinhard’s help. In episode 8, we learn that Reinhard’s ambitions extend to overthrowing the Goldenbaum empire, and then achieving supremacy over the entire universe—very specifically with Kircheis at his side. By the end of episode 26, Reinhard rules the empire in everything but name (the six-year-old Erwin Josef II still sits on the throne as Kaiser), but Kircheis is dead, rendering Reinhard’s longtime goal of joint conquest impossible.
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For practical purposes, this barely matters: Above, Kircheis uses some of his last remaining energy to beg Reinhard to follow through with the plan they made together, in effect guaranteeing that he will continue on the same path after Kircheis dies. But in more abstract terms, both of Reinhard’s main reasons for seeking political power are now gone. And with a promise to the dead Kircheis as Reinhard’s driving force, Empire-side LoGH has suddenly become a very different show—one that is no longer about a man trying to conquer the universe, but is rather about a man searching for something to hold onto in a universe that, without Kircheis in it, seems to have very little to offer.
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Annerose
But Reinhard shouldn’t feel entirely alone in the universe. After all, he has his sister, right? Well, not exactly. As Reinhard learns after Oberstein breaks the news of Kircheis’s death to Annerose (against Reinhard’s wishes), Annerose has decided now is the perfect time to do something really, really cruel: cut off contact with her grieving brother.
Reinhard’s Family
That the season 1 arc of Reinhard and Annerose’s relationship ends on a bad note is frankly an understatement, but to really dig into how things stand between them in episode 26, we must first get a handle on all the moving parts that brought them to this point.
Over the course of my season 1 posts, I’ve mapped out much of the dynamic between Reinhard and Annerose: Reinhard, who both idealizes and idolizes his sister, does so (unwittingly) at the expense of her personhood; Annerose, whose agency has been violently denied her since an early age, projects a portion of her (natural) resentment onto her brother, who moves freely about the universe steadily gaining power while her life remains stagnant. One aspect of their relationship that I haven’t examined, however, is the extent to which Annerose has played a parental role in Reinhard’s life.
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In this scene from the episode 4 flashback, Reinhard assigns to Annerose the kind of responsibility for his behavior that would ordinarily be reserved for a parent or guardian.
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And then, after Reinhard and Kircheis have conspired to keep Reinhard’s misdeeds from his sister, Annerose puts their wet clothes in the laundry and dotes on them with hot chocolate and freshly baked pie. This is maybe the most archetypal depiction of motherhood I’ve ever seen, despite the fact that Annerose is both 1. actually Reinhard’s sister and 2. only five years his senior.
Reinhard’s father, who sold Annerose into sexual slavery at the age of fifteen, is obviously awful. And Reinhard’s mother, who hasn’t even ever been mentioned, clearly never had much of a presence in Reinhard’s life. Annerose is the only person (besides, eventually, Kircheis) we ever see taking responsibility and caring for Reinhard.
Reinhard’s family, as it is presented to us, is comprised of three people: himself, Annerose, and Kircheis. Though Kircheis is literally never (not once in all of LoGH!) referred to as being “like a brother” to Reinhard, their constant companionship since a young age means that their interactions often blur the line between surrogate-familial and romantic. The fact that Reinhard always brings Kircheis with him on visits to Annerose, for example, indicates that he at least views the three of them as a tight-knit unit.
But in Reinhard’s chosen family, there is a clear delineation of roles between Annerose and himself/Kircheis. In the gif above, Reinhard and Kircheis sit across the table from Annerose, who acts like a parent not just to Reinhard but to Kircheis as well; the difference in age and maturity between them is underlined by both Annerose’s matter-of-fact competence and Reinhard and Kircheis’s unashamed (and matching) nudity.
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The photo that Kircheis gazes at in episode 25 (which eventually shows up in Reinhard’s locket, discussed later in this post) also draws a solid line between Annerose—who is more than a full head taller than the boys—and Reinhard/Kircheis. Kircheis’s sideways gaze at Reinhard serves to emphasize even further that they are a discrete pair.
Reinhard’s behavior towards Annerose starts to make more sense once you realize that he basically considers her his mother. Just as children tend not to understand—sometimes well into adulthood—that their parents are fully formed, flawed human beings with rich inner lives, so Reinhard has kept Annerose on a pedestal, treating her more like a symbol than a complex person. This also explains how Reinhard can, for example, be so blasé about teasing Kircheis in front of Annerose for his love of her cooking: Naïve as he is, the idea that Annerose might have feelings for Kircheis that go beyond platonic and motherly would never occur to Reinhard in a million years—unless something were to happen that brought Annerose’s feelings into stark relief.
Annerose Makes Up Her Mind
Which brings us back to the scene at hand, Kircheis’s death being the exact sort of cataclysmic event that might throw a wrench into Reinhard’s precarious relationship with his sister. And the second Annerose opens her mouth to speak, Reinhard knows something is wrong:
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Annerose’s tone of voice here is as cold and distant as what she’s actually saying; rather than sharing in or sympathizing with Reinhard’s grief, she isolates him in it, trivializing his feelings of loss while also—by implying Kircheis was the only person Reinhard could ever care about losing—calling into question the authenticity of his devotion to her.
If Reinhard had been aware of all the little signs of Annerose’s resentment towards him that have been building up over the course of the last 25 episodes, this conversation might have gone differently—not because Annerose would have done a better job playing the part of the soothing sister/mother, but because Reinhard might not have been expecting her to. But Reinhard is naïve, especially about Annerose, so her abrupt switch from passive aggression (which Reinhard of course never picked up on) to overt hostility shocks Reinhard into a realization.
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Above, Reinhard first protests Annerose’s disingenuous declaration that he has nothing left to lose, and then looks on in horror as it becomes clear that she intends to make it a true statement. But even while Reinhard listens, and responds, the gears are (visibly!) turning in his head, trying desperately to figure out what the fuck is going on. So let’s join him: What the fuck is going on?
First and foremost, I think, is Annerose’s desire for freedom. With Kircheis gone, she must realize that Reinhard’s need for her emotional support will increase astronomically. It’s one thing for her to live quietly in Reinhard’s mansion when he’s usually off gallivanting around space with his boyfriend; it’s quite another thing to share a home with someone who is grieving the loss of, as Mittermeyer so eloquently put it, half of his own self.
Because Reinhard may view Annerose as a mother, but that isn’t how Annerose views Annerose. We don’t actually know how she views herself—as I said back in episode 1, our entire characterization of Annerose is a reflection of how the world sees her—but we do know how she came to be Reinhard’s mother figure and, like her sale to Kaiser Friedrich IV, it wasn’t through any choice of her own.
In fact, this choice, the one to tell her grieving brother to fuck off so that she can finally get some time and space to herself, is the first choice we’ve ever seen Annerose make. So despite episode 26 ending on a catastrophic note for Reinhard’s relationship with Annerose, it ends on something of a triumphant note for Annerose herself: In choosing not to allow her well-meaning brother to use her as his personal grief counselor, she has finally, if perversely, reclaimed her agency.
Meanwhile, Reinhard has come to a completely different realization about Annerose’s motives:
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My much earlier promise of a love triangle between Reinhard, Kircheis, and Annerose has finally come to fruition in true LoGH fashion, i.e. as morbidly as possible.
Make no mistake: The reason Reinhard asks this question of Annerose now is because it has never occurred to him before, and the reason it has occurred to him now is because Annerose is behaving in a way that he interprets as some mixture of jealous, vindictive, and heartbroken—none of which align with his image of his sister. Faced with her unambiguous and uncharacteristic cruelty, Reinhard searches around for an explanation and comes up with what would have sounded outlandish to him until this moment: romantic love.
But was Annerose in love with Kircheis? I don’t know. Frankly, I doubt Annerose knows (and we never get to see her answer, if she even gives one). Remember, Kircheis was ten years old to Annerose’s fifteen when she became the Kaiser’s concubine, meaning for most of the time they actually spent together, Annerose was basically Kircheis’s babysitter. It’s certainly possible that she developed romantic feelings for him over the years, or at least projected some romantic ideal onto him that she experienced as love. Given that he was probably the only male figure in her life besides her brother who was ever kind to her, it wouldn’t be surprising.
As a rival to Reinhard, though, my guess is that Annerose never considered herself in the running—and if anything, that would have made Kircheis an even safer object of affection for someone whose real-life experience with men was limited to a decade of blatant sexual exploitation. But that certainly doesn’t preclude jealousy or heartbreak; in that sense, Reinhard might be partially right about why Annerose chooses to act the way she does.
The accuracy of Reinhard’s suspicions, however, isn’t particularly important. What matters is that Reinhard has had this realization at all: In yet another twisted triumph for Annerose, and at immense cost, her brother has finally realized that she’s human.
Queerness
Given the reasons for the existence of this blog, it’s only fitting that we end our first season with a discussion of how LoGH treats queerness. Conveniently, this coincides with the creative team’s decision to convert a substantial portion of the show’s queer subtext into explicit text, done via multiple perspectives and narrative techniques throughout the season finale.
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Our first open acknowledgement of the romantic nature of Reinhard and Kircheis’s relationship comes, unfortunately, from Kircheis’s murderer, Ansbach. The phrase “other half,” unlike much of the language used thus far to describe Reinhard and Kircheis, doesn’t have a heteronormative surface reading.
Incidentally, Ansbach’s easy familiarity with the concept of a romantic partnership between two men has always been one of the things that made me wonder about his feelings for Braunschweig—along with the fact that immediately after this, Ansbach tells Braunschweig to “wait for him in Valhalla” before killing himself.
Kircheis’s last words, too, work to remove a layer of heteronormativity from LoGH’s surface reading, albeit more subtly:
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In this final, stunning example of a Reinhard-Bechdel Test failure, Kircheis uses his last breath to ask Reinhard to tell Annerose... that he kept his promise to be a good friend to Reinhard.
In a heteronormative piece of media, when a male character brings up a female character’s name in his dying breath, one would probably expect him to declare his undying love for her. That Kircheis starts his last sentence with “Please tell Lady Annerose...” and finishes it with a positive allusion to his relationship with Reinhard is an incredible subversion of heteroromantic tropes. It even goes so far as to “straight-bait,” dangling the possibility of Kircheis’s romantic feelings for Annerose in front of the viewer before categorically dismissing it.
Later, while Reinhard mourns, Mittermeyer uses similar language to Ansbach’s, above, to explain to Müller why Reinhard is in such an inconsolable state:
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Like Ansbach’s usage of “other half,” Mittermeyer’s “half of his own self” doesn’t have a non-romantic interpretation to bolster LoGH’s increasingly shaky heteronormative surface reading. Also like (maybe) Ansbach, Mittermeyer is a character who (as we’ll see much more of soon) can speak from his personal experiences with queer romance, making him perfect for delivering this unambiguous message not just to other characters, but also to the viewer.
The last scene of the episode and the season finds Reinhard at Kircheis’s grave which, yet again, emphasizes his romantic relationship with Reinhard, and not just because of the inscription’s use of the singular possessive “my”:
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Though the German “Mein Freund” directly translates to “my friend,” that isn’t actually how the phrase is used in Germany, where “Mein Freund” most frequently refers to a male romantic partner. The only ambiguity about Kircheis’s inscription is in how it’s translated: as わが友 in Japanese or, literally, “my friend,” obscuring the German usage and allowing it to continue to pass as heteronormative.
After placing flowers on Kircheis’s grave, Reinhard sits back, revealing that he has started wearing a locket. Opening it, he shows us that it contains a photo we’ve seen before of Reinhard with his chosen family, and a lock of Kircheis’s hair:
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Season one of Legend of Galactic Heroes ends on a deeply personal note, and it also ends on a series of questions: What, or who, will Reinhard find to fill the gaping hole in his life left by Kircheis’s death? Will it be his rivalry with Yang? Other, darker questions are left unspoken, but their presence is felt nonetheless: Will Reinhard find something to “quench the thirst in his heart”? And, if not, what then?
Stray Tidbits
During this post, as usual, I’ve used gifs from the LD (original) versions of LoGH instead of their redrawn versions. Episode 26 was almost entirely redrawn, and many of the “remastered” scenes are dramatically different from their original versions, so I’m gonna give a few sample comparisons here. Kircheis’s death scene, for example, was changed to make his physical process of dying appear significantly less grisly. Below, on the left, the redrawn Kircheis’s body is still and his eyes are focused on Reinhard; on the right, the original Kircheis’s breaths are visibly laborious and painful, and his eyes are unfocused:
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Below, Reinhard’s facial expressions and reactions during his conversation with Annerose were changed so drastically that he might as well be a different character. In the redraw (left), Reinhard is practically throwing a tantrum; in the original (right), Reinhard is still shocked, but keeps his composure as he struggles to process his sister’s unexpected cruelty, placing the emphasis squarely on his thoughts rather than on his feelings:
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On a lighter note, the redraw team seems to have been confused (or, less charitably, offended) by this public display of intimacy between Reuental and Mittermeyer—in the redraw (left), Reuental stops Mittermeyer from standing by either touching his hand or just making a motion as if to touch his hand, keeping a respectful distance; in the original (right), Reuental physically impedes Mittermeyer from standing up by placing his hand on *draws a diagram* his very inner thigh, and leaving it there:
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A small worldbuilding note: The dates on Kircheis’s grave are wrong! He was actually born in 467, not 468, according to every other marker of time in the LoGH universe.
And now for something extremely disturbing: An official LoGH-branded Kircheis roomba exists. When it’s low on batteries, it says, “I won’t be able to serve you anymore, Reinhard-sama.” Sadly, this is real and I’m not making it up.
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sunshine-captain · 7 years
Note
do you have any good star trek novel recommendations? (tos please!!)
Yes! I do! I’ve been meaning to make a post about this for…so long, whoops, but I’ll answer this ask instead! (might still make the post someday, idk tbh. I probably should though because since I have so many Trek books I haven’t read yet, I might like more enough to rec them, haha.) Okay, anyway… (By TOS I assume you mean the original Enterprise crew, I hope it’s okay that not all of these actually take place during TOS, aka the five year mission.)
Sarek by A. C. Crispin You might have seen me mention this one the other day on my blog; I really love it. It takes place post TUC, Amanda is dying and Sarek is uncovering a plot that’s way bigger than anyone realizes at first… Also there’s some stuff about Jim’s nephew Peter (from the episode with the farting flying pancake aliens? lol.) and yeah, it’s a great read. All the parts with Sarek and Amanda are lovely and sad and the plot is interesting and it’s just all around enjoyable.Definitely recommend.
Collision Course by William Shatner This is the other one I mentioned on my blog already, and this one is probably my favorite Trek novel. Spock is nineteen and Jim is seventeen when they first meet, and they’re both too smart for their own good and get into trouble and…well, all the things you expect from Jim and Spock. It was originally supposed to be the first in a series, but for various reasons, there probably won’t be any more (CRIES) but this one is so good. And it doesn’t end on a cliffhanger so it’s okay. I especially enjoyed tbh how Bill appreciates what an effect Tarsus would have had on Jim (this is only three years later, after all) and it’s still very visible on lil’ Jim. Not a spoiler, bc a reference is made to Tarsus on…literally the very first page. Lol. Anyway, this one is really fun and sometimes sad (bc Tarsus) and just really great! Also, at least one of the plot twists genuinely surprised me, which is rare… I normally see them coming a mile off in Trek novels. ;) (Which doesn’t usually take away from my enjoyment, tbh!) But I really appreciate when they can surprise me.
Star Trek: The Motion Picture (novelization) by Gene Roddenberry You knew this was coming. This is an absolute must read if you’re a Spirk fan, tbh. I’m not all the way through with it so far, about halfway done, but I can tell you it’s a much better way of telling the story of TMP than TMP. Lol. The movie has this simple feeling and Jim rushing to Spock on the bridge and saying his name like a prayer and other things, but it also has all those dreadful special effect sequences. And the novel has its own gay to offer. I don’t necessarily agree with the way Gene wrote Jim (in fact, it’s been forever since I picked it up but I distinctly remember being bothered by it), but…yeah, at least borrow a copy from someone and witness the gay parts for yourself, haha.
Star Trek IV: The Voyage Home (novelization) by Vonda McIntyre I’m going to go ahead and say right now that if you’re going to read the novelizations, go for the ones by Ms. (Mrs? idk) McIntyre. She wrote 2, 3, and 4. I haven’t read 3 yet, but I have read 2 and 4 and I like that she actually adds in scenes and stuff that weren’t in the movies. It makes me feel like I’m actually getting something additional for my time even though I’m reading a novelization of a movie I’ve already seen. I like this one, because there was quite a bit that wasn’t in the movie (I have a hunch the extra scenes, at least some of them, might be based on the script? because the scene with Sulu’s great….something or other grandfather as a child meeting Sulu is in the book, and I know they tried to put that in the movie but never managed to. anyway.) But yeah, there’s actual stuff in there that’s not in the movie! that’s the way it should be. Also…she ships Saavik/David pretty clearly. :P Like I said, haven’t read TSS novel yet, but I know she was working it into 2, and it’s mentioned in 4 as a thing. Anyway…good stuff! This is the one where the whole “Vulcans get drunk on chocolate” thing comes from btw :))) (Avoid the novelizations by JM Dillard! Avoid!!! I’ve read them and they’re not good.) (Oh and pretty much everything I’ve read by Vonda McIntyre I’ve enjoyed, she’s a good Trek writer.)
Dwellers In The Crucible by Margaret Wander Bonnano Margaret Bonnano is another writer I just generally recommend bc I like all the stuff by her that I’ve read, too. Anyway… okay so let me say that this book’s main characters are not Jim and Spock. I know, I know. But wait!! It’s so worth a read!! Jim and Spock are in it, not much, but when they are they’re literally so married and explicitly confirmed to be t’hy’la… :)) it’s great. okay anyway. The main characters are a human named Cleante and a Vulcan named T’Shael. They are ladies. THEY ARE GAY AF. OKAY. THAT ALONE MAKES IT WORTH A READ. it’s so glorious.I mean the book only says they’re friends but…in the same way Jim and Spock are friends in canon. they’re super freaking gay. and also there are like a thousand incredibly obvious parallels between our human and vulcan lady and Jim and Spock. it’s fun. also Sulu goes undercover as a Romulan. :D yeah, just…read it. it’s great. (it made me angry at one point. I’m still angry. but I recommend it.)
Ishmael by Barbara Hambly This one was, for me at least, just a genuinely good read. I really enjoyed the plot. So…Spock goes back in time to 1867, not willingly I don’t think. And he gets amnesia. So right there are two tropes I ADORE (time travel and amnesia, I don’t care, I LOVE THEM.) He lands in North America, in Seattle if I remember correctly. And that’s the plot pretty much. Haha…okay, there’s a Klingon plot, the Enterprise crew searching for Spock, Spock trying to adapt and hide he’s an alien while bonding with the members of the community he lands in. Also Jim and Spock’s reunion is a bit gay. (Warning for spoilers if you click that? it’s pictures of when they find him near the end, so. Yeah.) I just really enjoyed the book in itself, the plot and everything. Fun!
Enterprise: The First Adventure by Vonda McIntyre In light of the tv series called Enterprise, the title of this one might be a little confusing… But it’s most definitely TOS and has nothing to do with Enterprise, haha. The premise is that it’s the first voyage of the Enterprise with Jim as the captain. And the mission is…to transport a theater troupe. It’s ridiculous and so silly, I know, but it’s really fun. There’s a winged horse, a really un-Vulcan Vulcan (I think he’s Spock’s cousin? I don’t really remember tbh), Spock heckling the theater troop, Uhura being a good friend to Janice…that’s all I remember off the top of my head, but I remember really enjoying it when I read it! 
Unspoken Truth by Margaret Wander Bonanno Remember what I said about those two writers? Lol. Okay so this is a Saavik-centric book. I really love Saavik, okay? So, as you might know, Saavik is half Vulcan, half Romulan. Well in this book (actually, in a bunch of books, by at least three different writers, it seems to be her accepted backstory in the novels) she was the result of a terrible experiment by Romulans, and when it didn’t work out, she and a bunch of other children were abandoned on a planet called Hellguard, and…some really horrible things happen. Anyway, Spock saves her, mentors her, and Amanda and Sarek basically adopt her (literally, she calls them mother and father, IT’S MY FAVE), well anyway, years later, either after or during TVH, she learns things are happening to the survivors of Hellguard…and the story goes from there. This was really good! Intense tbh. I loved it, but then, I love Saavik. If you don’t like her… But if you do, you’ll enjoy this one!!!!
Doctor’s Orders by Diane Duane Diane Duane is another must read author. All her books are excellent. In all honestly, I don’t remember too much about the plot of this one, but I know I liked it! Dr. McCoy is like “you can’t make me take command on the bridge” and Jim is like “uh actually I CAN” so he does and of course on McCoy’s very first day watching over the bridge Jim goes AWOL and shit starts going down. Poor Bones. Also, there’s some crazy aliens in this one, but they’re interesting!
The Vulcan Academy Murders by Jean Lorrah This one has such misleading cover art, lmaooo. At least, the version I have. There might be others… Anyway. Patients at a hospital on Vulcan keep dying and stuff, and then Amanda is in trouble. Lots of Sarek and Spock and Jim and Bones interaction. It’s a good one. (It’s been soo long since I read this one, too, sorry. But again, I know I enjoyed it!)
Uhura’s Song by Janet Hagan I love the alien species in this one. They’re like giant cats, and I love cats. When I read it, I got really into the planet and the species and their culture. The plot is that an old friend of Uhura’s is from this planet, and they “exchanged songs”…songs are a big deal in their culture. Anyway, there’s a plague threatening everyone on the planet and humans, too, and they think a song might hold the key to curing the disease, so they all go down on the planet to try and find it.
Strangers From The Sky by Margaret Wander Bonanno The plot to this one is…kind of hard to describe. Okay. So the parts with Jim and Spock go back and forth in time, part of the time being like, post-all the movies (I think) where they’re old friends (and really married, they’re just like. Margaret Bonanno has this way of inserting this really easy, casual intimacy they have with each other, and calling it friendship when OBVIOUSLY they’re married af, but either way I love it) and part of the time being very early on when Jim hasn’t been in command for long and he and Spock didn’t care much for each other (I mean personally I think they liked each other quite well from the start, but I’ll let it go, lol)… And then there’s a book. In the book. That everyone is reading and obsessed with and Jim starts reading it… It sounds weird, I know, but the book in the book is the story of the first time Vulcans came in contact with humans, long before the OFFICIAL first contact, it was when Vulcans crash landed on Earth and were discovered by some humans… I fucking love Vulcans, so that is obviously a great point of interest for me. Lol. Anyway when Jim reads the book he has nightmares, but then he discovers Spock has those nightmares, too, and it’s more than ‘just’ a book. Probably sounds bizarre but I really enjoyed it. ….and doesn’t every Trek plot EVER sound bizarre af when you try to describe it?
That’s all I’ve got right now!! This got so long I’M SO SORRY TBH BUT I HAD TO BE THOROUGH.
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snkpolls · 5 years
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SnK S3E13 Poll Results (Manga Reader Version)
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The poll closed with 539 responses. Thank you to everyone who participated!
Please note that these are the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!
RATE THE EPISODE 534 Responses
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WIT kicked off the arc fantastically according to the viewers! This episode got overall positive reviews, with 95% of respondents giving it a 4 or 5 rating.
An ideal opening episode in my opinion!
Incredible start for possible the best season yet ♥
Awesome opening episode to set the stage for the arc to come. Pacing was just right, imo.
HYPE MY SOLDIERS
I think it was a great ep and did pretty well with the chapters it adapted. The dialogue was there and so were the scenes, the ending hyped what is coming so much so I'm already in love!
Lack of creavity when it come to the OP and ED visuals, but the ep overall was good.
The soundtrack slaps, voice acting is on point, and the animation proves to be very promising. Overall, it's a great episode to start off the second cour!
Awesome episode with awesome soundtrack.
One of the best episodes of the whole series, which was surprising.
RATE THE OP 533 Responses
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Overall respondents liked the new Linked Horizon opening, which was a great summary of the current arc, but overall it fell flat as a song that most would be willing to label as their favorite.
OP depicts the upcoming battle well!
Great adaptation, just wish the opening was a little more original
It is the worst OP of all. The song is disappointing; it sounds like typical, boring song from random shonen series.
The opening definitely had some parts to it that felt recycled from previous openings, but I guess it's just Linked Horizon's way of linking them all together.
SPACE OPERATION RAINBOW!!!
To me it looks like they ran out of time to make an OP so they slapped a green filter on what they had done already.
RATE THE ED 530 Responses
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The 104th-centered still-frame ED has some mixed reviews with most of the fandom sitting somewhere in the middle between loving and hating it. Respondents overall are leaning more toward the positive, however.
ED is perfect with the time skip just over the horizon
WE GOT A FEW NEW SAWANO TRACKS. HOW ARE YOU FEELING ABOUT THEM? 530 Responses
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Well over half the fandom are already pumped for new music from the series’ composer Sawano Hiroyuki! A whopping 76% already feel that he’s killing it. 22% need more time to decide how they feel. A small sliver of respondents don’t really care for the OST. Who hurt you?
ost perfect as usual
It was good but at this point everything sounds like it's been reused a bunch of times. Hopefully we get some new great tracks later on..
Hyeh
The bassline in the new rendition of "Attack on Titan" (or however Sawano spells it) is amazing. I cannot wait for the S3 soundtrack to be released.
WHICH OF THE FOLLOWING WAS YOUR FAVORITE MOMENT? 532 Responses
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The scene with the Beast Titan appearing with his army of titans took 30% of the vote, with Levi attacking Reiner as a close second with 22% of the vote. 10% overall liked the entire episode, and 7% favorited the cliffhanger staredown. We can all agree the battle to come has us all hyped!
I repeated the scene where Reiner appears until the end of the episode tons of times already
Did they really had to skip Levi's frustrated expression after he failed to kill Reiner? It was my favorite moment…
Levi attacking Reiner and everything after that has become one of my favorite scenes in the series. Damn!
Nice Erwin Screentime, nice Levi nyooming behind Eren
Best girl makes her appearance
the last three minutes of the episode where the warriors show up was fucking amazing
ON SCALE OF ARMIN TO ERWIN, HOW GOOD ARE YOU AT GIVING ORDERS? 526 Responses
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The majority of respondents relate to Armin’s timid nature a bit more when it comes to overall confidence in giving orders. Just a small 6.3% of you guys feel you have the charismatic swag that Erwin brings to the table.
I loved Armin giving orders politely.
How was Armin overcoming social anxiety a billion times cooler then eren flying over a 60m wall, becoming a titan and basically saving humanity.
ON A SCALE OF 1-5, HOW MUCH DO YOU WANT TO GO HORSEBACK SURFING? 528 Responses
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This was in no way a serious question. But at an almost even split, 35.8% of voters would totally try their hand at horseback surfing, while 35.2% would never risk their life doing such a dangerous activity!
HOW DO YOU FEEL ABOUT THE ANIMATION QUALITY IN PART TWO SO FAR? 529 Responses
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Overall respondents are pleased with the animation in the first episode of the RtS arc, with 54% stating that it’s the best animation they’ve seen from the series yet. 42% feel it could be better, but is also not the worst. A small percentage don’t find the animation all that impressive.
I can’t believe how clean all of the animation is looking. SUPER impressed with the difference in art-style compared to season 1 as well.
The animation is on the highest level.
i miss the thick lines the show used to have
i really love the colour palette of this season and the op especially.
IMO the color tones on this episode could've been handled better, it was too gloomy on some scenes :(
The animation & art style was almost as good as season 2’s (which is one of my favorite pieces of animation of all time) but still lacked in some areas.
Looks like they went all out with budget on this season and I'm loving it
WHAT DO YOU THINK OF THE CG COLOSSAL TITAN IN THE OPENING? 532 Responses
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57% of respondents aren’t too upset about the GCI Colossal Titan in the opening and say they don’t mind either way. 35% aren’t happy at all with the decision to make the Colossal CGI, while a few actually find the effect super cool.
ON A SCALE OF 1-5, HOW EXCITED ARE YOU TO FINALLY SEE THIS ARC ANIMATED? 533 Responses
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The overwhelming majority are extremely excited to see this arc animated after all these years. With its high levels of action and drama, it’s no surprise to us to see that the fandom is looking forward to getting this arc in an animated form!
IVE WAITED MORE THAN 2 YEARS FOR THIS IM NEVER BEEN SO FUCKING HYPED IN MY WHOLE LIFE
I've waited so many years that I'm satisfied and ready to pass now that my favorite arc is being animated
HOW DO YOU FEEL ABOUT THE ADAPTATION OF RTS SO FAR? 532 Responses
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67% of respondents are feeling very satisfied with the way the arc is unraveling in the anime, finding that it’s a very close adaptation of the original source material. 23% feel that it’s still too early to judge the adaptation properly, and a few less feel that the adaptation so far is somewhere between good and bad.
Fantastic adaptation.
Good pacing jumping right into the action, while staying faithful to the manga.
Overall very good, but could be a TAD better
I think the adaptation so far has been great, but I need to see how the action is handled before I say for sure whether it's well adapted or not.
It was ok.
It was very well-adapted! All the important details were there and nothing important seemed to be missing, which was something I was sad about in the last arc. It seems like everything I want will get covered.
How do we come back from there without breaking my heart?
PART 2 IS SLATED FOR 10 EPISODES. DO YOU THINK THIS WILL BE ENOUGH TO ADAPT THE ARC WELL? 531 Responses
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Voters are confident that WIT knows what they’re doing by shortening the amount of episodes that will air for this action-heavy arc, with only ¼ of respondents feeling that they haven’t given themselves enough screen time to cover every last detail. 10% don’t want to say either way.
i was disappointed in knowing it was a 10 episode arc, but seeing the quality and taking into account that this is an action-heavy arc, i'm bouncing off of the walls to see what wit has underneath their sleeve. hopefully they don't ruin the best arc
one advantage of the short season is that they cant draw out the serum bowl for too long. God, that was a painful wait when the manga was dropping those chapters.
Really well done, the pacing in particular was great. After seeing it I was convinced 10 episodes was perfect for this arc. A 6-4 split is perfect.
WHAT DO YOU THINK ABOUT THE VERY SPOILERY OPENING? 532 Responses
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61% of respondents agree that the opening, while spoilery, is a great summary and teaser of what is to come for those who only watch the anime. Without context, they can’t know what every last symbolic image in the opening means, after all! 23% of voters expressed distaste at how much WIT is spoiling the viewers, however. 9% aren’t even concerned about it.
The whole opening was just one big “fuck you” to people who don’t read the manga.
it only becomes obvious b/c manga readers keep pointing stuff out. Yes, the intros have always hinted at things but it goes so fast that I don’t think every person will know exactly what something means if they’re anime only.
The Opening is good representation of this phase of the story ending.
I don't get why people are making a big deal over the "spoilers" in the opening when they're not even anime-onlies themselves in the first place.
Man, it only seems spoilery for those of us who know what's coming. Anime onlies don't understand the context of the images, so they can't recognise them as spoilers unless it's directly identified as such! We gotta stop judging this stuff from the perspective of someone who already knows what's coming.
It's definitely not holding back on the indications that'll happen in the arc
HOW DID THE NEW ED MAKE YOU FEEL? 527 Responses
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61% of manga readers felt nostalgic seeing the images of the 104th during their trainee days coupled with a somber song. 20% felt sad about the ending, and 15% were just disappointed with the entire thing.
Lazy ending.
WHAT DID YOU THINK ABOUT THE RED EYES ON THE TITANS? 533 Responses
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Just over half of the fandom feel that the red-eyed pure titans was a cool aesthetic to add to show that they are under some form of control by a shifter. 33% feel it’s a cool addition, but not really necessary. 11% don’t care.
I was on board with the red eyes until the cart titan also had them. No longer made any sense.
I don't get why Pieck's eyes are red when she's not a mindless being controlled by Zeke…
Like the red eyes but why does Pieck have them too.
WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 530 Responses
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Perhaps unsurprisingly, over half of the fandom is most hyped to see the Eren vs. Reiner showdown in Shiganshina. Although not far behind, 28% of respondents are excited about Erwin’s badass unhooding moment as he challenges Reiner.
THUNDER SPEARS FOR NEXT CHAPTER!!!!!!!!!!
ADDITIONAL THOUGHTS ON THE EPISODE?
Even though I totally know what will happen, the episode is written and directed in a way I still get goosebumps and forget I actually know what will happen. And the music, oh god. That's amazing. These two together have a really good effect.
I need the next one RIGHT NOW.
AAAAAHH!!!!
It was an introduction episode, so imo, it's just there to put the basis for the rest of the season. There was a good balance between the "emotionally charged" scenes and the more quiet ones, all this accompanied with an increasing tension in the background.
I wish theyd reanimated the scene of armin talking to eren about the opening instead of just reusing the animation from season 1.
that Zeke smile is like : hey there, i am here to euthanize you all. Love it !
I'm buying tickets into denial islaaand, bye, bye!
Airpipes. AIRPIPES. p.s. cracking soundtrack
Reiner has been enjoying himself some Marley protein, he extra swole now.
Armin was the MVP
PIECK!!!
I don't like the fact that WiT decided to spoil a lot. Some anime onlies already have guessed that Armin is going to be burned and then will become the next CT. So the serumbowl won't be as emotional and exciting for them anymore. I don't understand why WiT decided to do such thing. Don't they want anime-onlies to enjoy the show?
Exactly as expected you'll find a strange titan next to the beasty
I love Mikasa’s improved design and hope they show more of her working in a team like the manga. Focusing on the mission ect without pandering
RIP nameless soldier killed by Reiner.
Very happy to get a glimpse at best girl Pieck
Really no questions about our exactly right girl in this poll ? I am dissapointed :/
Watching this episode is bringing back all the suspense and awe I felt when I read this part in the manga. What a treat to be able to relive it!
They did a great job at keeping the tension and the "well shit everything's about to go wrong" from chapters 73 and 74, and managed to make the explosion at the end worth it, despite the fact I still think Reiner's continued survival throughout the arc is stupid and wish the anime had changed it so it'd be more believable, but here we are.
WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 514 Responses
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Thank you to everyone who participated! We’ll see you again in a few days!
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