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#never could get it right
mickules · 2 years
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Sometimes burnt bridges can be rebuilt.
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Ace Attorney had it's 20th anniversary last year and combined with the long awaited translation of Dai Gyakuten Saiban/the Great Ace Attorney Chronicles I got all nostalgic.
THIS moment is my absolute favourite scene: Phoenix Wright, terrified of heights, running across a burning bridge above a canyon because he's far more scared of losing anyone else, that he'd do anything to stop it. And in what would become a recurring motif, when Phoenix is in desperate straits, Edgeworth puts everything on the line to build him back up.
The same way Phoenix saved him.
I love these games.
(longboy combined version under cut cos the quality gets nerfed)
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lungthief · 10 months
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listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.
like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been
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confessedlyfannish · 25 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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ew-selfish-art · 7 months
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Dp x DC AU: Danny didn't want to rely on his rogues, but Tucker's computer skills only got them so far and if the media black out continues... Danny knows it's not going to be pretty for them. Nightmares begin to plague the Justice League.
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Danny gets back from a shitty conversation with Clockwork and in his frustration, accidentally sets off one of the new GIW sensors that his parents allowed to be installed in the lab. Their collaboration seemed to be going no where but when Danny had new holes blasted through him... it must be going somewhere. Damn it.
The commotion is loud enough that Jazz hears it from her room above the lab (he knows she listens to more than just the lab... it's cause she cares, even if it is a bit invasive.) and rushes in to play the distraction while Danny gets away. This time it works- the Drs. Fenton might have the worst aim in the city but they demand all shots cease if a civilian is nearby- Next time his mom might be aiming her gun at him and not the ground. Danny decides he'll buy Jazz a coffee on his way home.
But first, new holes. Yikes. That like, needs medical attention- He heads to Tucker's place and he's pretty sure Sam is already there.
"Danny! What the fuck, did Clockwork-" She starts, her meticulous cat eyeliner making her glare all the deeper.
"Nah, it's the stupid GIW sensor, the stupid one I told you guys about that has a spring lose in the back?"
"I thought we decided those weren't a concern?" Tucker looks him over, face covered in undisguised and very blatant concern.
"Yeah well, Clocky pissed me off so I forgot about them when I came back in through the lab portal-"
"you were supposed to be practicing making your own." Sam interrupts.
"-And when I did, the thing got knocked and I was swatted like immediately. Jazz launched herself into the lab so Mom made them stop shooting and it gave me enough time to get out." Danny continued to explain, ignoring his friend's 'i told you so' faces.
"Dude. We're pushing it close this week. Sam already had a confrontation with the lab guys and I already got blacklisted on my new persona accounts. We're like seriously threading the needle for getting caught." Tucker, pulls his glasses down to pinch the bridge of his nose and Danny and Sam both get what he's really saying. They need to lie low.
"What did CW say to piss you off?" Sam asks after a silent moment.
"He said nothing really, just like he always does, but insinuated I should try getting a rogue to help." Danny sighs.
"What, Like getting Ember to announce the GIW invasion on her tour? We already agreed that-" Sam is getting angry as she speaks so Tuck cuts her off- "It's a bad Idea. She is- They are all just as likely to get captured and hurt as you are if you go out of town." He comes to the same conclusion they've agreed on for weeks. No rogue involvement.
"Maybe we just need to sleep on it... Hey... wait." Danny sighs, but then his gears start to turn.
"Nocturn. We need Nocturn to help us. He can get the message out through dreams." Danny comes to the new conclusion and his friends look hesitant but at least like they're considering it.
"Isn't he an ancient? He's not going to help us for free." Tucker, ever the Egyptian god in these moments.
"Most people don't take their dreams literally." Sam, ever the skeptic in these moments.
"Yeah but, if they dream it enough times, and they're the right people to do something... they can look it up and then at least see that there is a problem?" Danny sounds hopeful and its the first time he's sounded that way in months.
"What, you're gunna give Batman nightmares?" Tucker snickers but Sam looks inspired.
"That's exactly what he's going to do. We need to haunt the Justice League. They'll see past the fake facade the GIW put up online and they'll be able to get the right legislation passed." Sam is practically buzzing.
"Okay, so lets get scheming- What do you get the primordial beast of the unconscious? Should I google 'what to get someone who has everything'? " Danny laughs.
_____
Bruce and his children rarely do feelings when they have breakfast in the morning after a night of separate patrols, but it seems as though the room is plagued with unease. Tim looks about as tired as ever, so his unease is probably attributable to WE board meetings, but its unlike the rest of his children to be so... disturbed. For some reason, after Alfred has excused them all from eating more than a few nibbles, they make it to the cave. Bruce is glad for the noise his children bring.
The nightmare's he's been having are following a dark plot. A town, a boy who looks like he was kin, and so, so much death. Bruce has had vivid dreams before in life, but this nightmare is... unreal. He tries to remind himself that it's just a nightmare.
When his JL emergency communicator goes off at the computer desk, he's not expecting it to be Dinah Lance. She and her Birds are typically wary of him in Gotham, even if they work well together in the League. He answers it like he would any Batman call, with silence.
"Bats, we have a problem. Any chance you've been having weird dreams about a kid getting experimented on or a town being burned down? Ghosts? Lazarus portals?" Dinah sounds exhausted, but Bruce snaps to her voice with rapt attention. As do all of his children.
"I-" Bruce takes a look around the room, everyone's heads except for Tim's nodding up and down with distress," We all have."
"Something tells me that they whole JL is. Everyone I've talked to this week has had a variation of the same dream. We either have a telepath trying to tell us something, or something even worse than that."
"I'll call emergency meeting, we need to collect details and try to determine the complete message."
"I'll send you what I've noted down so far, sans personal details of course, it's definitely in a town called Amity Park though. My client this morning saw the sign."
Batman grunts and the call ends. It's time to get to work.
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When the Justice League finally arrives, the town is glowing, and everything feels like... sleep. smothering. snoring. smoking. smoldering.
And then, despite the exhaustion that echos within them, the trudge onwards. The noise of laser guns certainly wakes them up a bit.
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fiepige · 7 months
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Compilation of EVERY single time they changed Hobie's filter in the digital version:
Left: Theatrical release Right: Digital release
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You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')
#This took so long to make lol#cause I had to edit every scene with Hobie from both versions so I could watch them right after one another to compare them#I did this with ALL the scenes he's in also the ones where he's on screen as spider-punk#but they only changed his filters in these scenes so it was a waste of time :')#sidenote: no it wasn't it's never a waste of time to look at hobie I just couldn't use it for my GIFset lol#I also made a bouns one but I'm not allowed to post more than 30 GIFs in one post apparently so I guess I just won't add it then...#but Hobie was basically filterless during all these scenes in the theatrical version#I like that they gave him more different filters in the digital version#the only change I don't like is in the first GIFs#cause like that one post pointed out it looks like they removed his lipstick for some reason#also really wish I had a better video editor so we could get a closer look at Hobie but I did my best with what I had#also slowed some of them down to get a better look at them#been having this idea for a while and now I finally finished it!#which means I can go back to working on my fics now#hopefully lol#also lemme know if there are some other scens you guys want me to make comparisons of#cause I have both versions#the theatrical release isn't the highest quality though so if you know where I can get my hands on a better version lemme know ;)#hobie brown#spider punk#miles morales#spider man#peter b parker#jess drew#miguel o'hara#spider man across the spider verse#across the spider verse#across the spiderverse#atsv#theatrical version
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heartorbit · 2 months
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happy valentines day... 2!
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poorly-drawn-mdzs · 2 months
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I want you whipped into shape!
[First] Prev <–-> Next
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s0fter-sin · 1 month
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
#in my head its bc graves abducts his sister and is using her as hostage to draw him out knowing ghost will always follow him#but the intensity and intimacy of saying ‘you cant trust your mind not to betray you so let me be in charge of your body until you can’#after what happened to tommy he could never deny johnny his right to save his sister#but its bc of what happened to tommy that he knows he cant let him do it alone with only his rage to guide him#hes more likely to get himself killed and ghost wont live through that#so he has to balance it#and the only way he knows how is to completely shut down soap’s mind until hes no more than instinct and muscle memory#if he cant think practically then dont let him think at all#reduce him to a place where he can only follow orders#and when its finally over and his sister is safe and graves is dead#only then will he drag johnny back up to the surface#he’ll do it even if it means dragging him kicking and screaming back to humanity#instead of letting him sink in the depths where nothing hurts. theres no fear down there. no pain. only order#and thats the risk ghost took sending johnny to that place but he only did it bc he would stop at nothing to bring him back#and help him through the after#the breakdown. the rush of panic and rage and relief and anguish johnnys been supressing on his order#it was his word that turned johnny into a ghost#and its his touch that brings him back to the man#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#cod#soapghost#ghostsoap#ghost x soap#ghoap#simon ghost riley#ghost cod#john soap mactavish#soap cod
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skeletoninthemelonland · 10 months
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a glimpse of what their early dynamic looks like
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ohitslen · 10 months
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Intrusive thoughts
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carrotkicks · 7 months
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so it seemed like the hero's did end up winning today (barely) but there's so much that needs to be resolved in the aftermath.
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turtleblogatlast · 25 days
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Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
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comradekatara · 2 months
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mai and sokka teen detectives 🔎
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8bit-mau5 · 1 month
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One-hour experimental comm i finished in January! This is my first time drawing a marvel villain and my big-men loving self was overjoyed to get to draw one of my fave depictions of Doc Ock ever, tied with Spiderverse's Liv 💚
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justaz · 3 months
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thinking about klance.
keith who is always left behind and abandoned, either voluntarily or not. keith who has trouble trusting people and talking to people and getting along with people and-…keith having trouble with people in general. keith who is used to fending for himself and not relying on anyone bc the two (2) times he’s done that, his parents and shiro (died, left, disappeared), didn’t end well. keith who despite finding shiro again couldn’t help the gap forming between them as his brain and heart insist that something will happen again and shiro being here isn’t permanent. keith being proven right in season 2/3 and being left alone again.
lance who is SO trusting that he comes across as a bit naive. lance who worked hard to get where he is, who studied and practiced day and night to be at the top of the class. lance who always fell short and just missed the cut and ended up a cargo pilot. lance who only excelled once keith was gone but was stuck living in his shadow. despite the fact that iverson was mean to keith, keith was his favorite student and iverson always held a grudge for lance taking his place and was downright cruel to him at times. lance who started a rivalry w keith in his head bc he was determined to prove that he could be better than keith. lance who was moved from blue to red paladin, following after keith yet again. lance who worked hard to prove that he was worthy of being red paladin but always failing bc he was never keith, he was never good enough.
klance who found what they lacked in each other. lance who was there for keith when it seemed like the universe was crumbling down around him. lance who stood by keith’s side and told him what he needed to hear, supporting him being leader and helping lead the team together. keith seeing lance as an equal and relying on him the way lance relied on him. keith who was loved and supported by someone who never left, lance who was seen for who he was and who never doubted him or his place on the team. klance who turned on each other.
keith who turned into what he hated and leaving lance behind. lance who saw keith as weak and selfish for leaving him the team behind. keith who came back to a lance who was so angry and upset, but who never left his side bc lance was just Like That. lance who was so hurt and upset, who said cruel things in the vacuum of space, but keith never saw him as less for it, who never got angry enough to hurt lance back.
at the end of everything, lance searching for keith to sit at his side as they watched the sunset bc lance will always be at keith’s side. keith who told lance how relieved he was and hopeful bc he knows what lance is capable of and how much he needs him. klance being what the other needs, holding each other’s heart in their hands but never taking the opportunities to crush each other. lance who never left keith behind, keith who never saw lance as less despite the vitriol he spat at times.
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golyadkin · 1 month
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Studies from the stream
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