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#natalie keen
world-of-ryan · 1 year
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obsidians-nightmare · 10 months
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“…They’re just mildly concussed.”
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“Let’s get out of here.”
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tv-moments · 2 years
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Black Bird
“You Promised”
Director: Joe Chappelle
DoP: Natalie Kingston
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lexiresources · 7 months
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by CLICKING THE SOURCE LINK of this post, you will be redirected to #212 gifs of MIMI KEENE (1998) in the film, AFTER EVERYTHING as natalie. these gifs were made entirely made by me from scratch and were made for rp purposes, but you are welcome to use these gifs for however you see fit. if you alter/share them anywhere that aren’t for personal use then please link back to the original post and/or credit me on the post​. ​LIKES and REBLOGS are not required, but encouraged! DO NOT: use my gifs for taboo roleplays, to portray minors, to portray mimi herself, racebend, or edit the gifs without crediting me and/or asking permission.
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zombieunicorngamerzu · 10 months
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(Nat Scatorccio x fem reader on period)
[Warnings - Oral while on period to help with cramps, whiney Nat begging to eat you out, mentions of cannibalism and Nat liking the taste of blood]
“Come on babe, lemme help….” Nat whined at you, she’d been at it all day, tending to you on your period with chocolate, a hot compress on your tummy, cuddles, kisses, but now what she wanted to do was help you with your cramps… in a more sensual manner.
“No, Nat, that’s disgusting.” You shook your head again, you couldn’t believe your girlfriend wanted to eat you out while you were on your period. “Come on, I’ve eaten worse.” She countered which made you freeze, it had been weeks since you all ate Javi and hearing her say that so nonchalantly was… disturbing. “Natalie.” You just stared at her, she quickly realized what she said and stuttered out as she stepped forward,
“Look, you know what I mean, and just- in biology class they said that orgasms help with period cramps, something about relaxing your like uterine wall or something.” She rasped out with a innocent shrug, the thing was, Natalie really wasn’t bothered by the taste of blood for some reason, but after eating Javi…. She kinda just started craving it. She felt disgusting and horrible for it but she’s just had this fantasy of eating you out on your period, plus she was hungry. She knows it’s weird and like utterly disgusting to think it but… she was thinking, (hey, it’s kinda a meal, blood has iron and protein, right? Calories?) she shrugged at the thought before approaching you again to beg again.
“Please baby, I wanna help you, just please… let me.” She pleaded again with those begging eyes she would give you, jutting her lip out just right making you cave with a sigh, “God- fuck Natalie, fine.” You sighed out before laying down, you didn’t understand why she would do this but if it would help with your cramps, fine. Plus, she looked so happy and excited when you said yes, dropping to her knees almost immediately to tug off your pants.
“You won’t regret it baby, I promise, now just relax, let me take care of you.” She spoke with such a loving tone before spreading your legs, her eyes locked on the mess between your thighs, licking her lips and swallowing unconsciously before kissing your knee and down your inner thigh before finally meeting where she wanted, hesitating before she just pushed her face in between your thighs completely, her tongue slipping through your folds with a loud groan like moan coming from her.
You’d never heard her moan like that before, and god, you’d never had her eat you out so eagerly before either. Nat ate you out like she was starved, loud sucks and messy wet noises sounding out as she flicked her tongue and sucked at your folds, her lips grazing your clit to make you shiver and tremble as she rubbed your thighs, “Fuck baby, god… you taste so fucking good…” she panted out, making you whine out, for some reason her words embarrassed you and turned you on more, moaning out as you pushed your hand down to grip her hair, moaning for her through quick gasps, “N-Nat, I’m gonna cum!” She just smirked against your clit, sucking on it harder to make your eyes roll back before mumbling out, “Come on baby, cum for me!”
And at those words your body keened up, back arching and body tensing as you cried out, getting thrown into a burning orgasm because Nat wouldn’t let up, crying out as you came, tugging on Nat’s hair so hard she whimpered, helping you through your orgasm before finally pulling away once you went limp. Your eyes widened at the sight of her, face covered in your blood which made you blush red with a whine, “Nat, ew.” She just smirked and wiped at her face timidly, “What? I can’t help it, I’m starving.”
(This was a little weird, but I just saw the gif and got the idea to write this. I know it’s gross, but Mabye it’s a turn on for some people, idk. Don’t come after me. Lol)
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janedeleon · 7 months
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MIMI KEENE as NATALIE after everything (2023)
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(Feel free to ignore this if you feel it counts as a request!) what do you think the creeps pet peeves are? Like not necessarily dealbreakers, but things they aren’t too keen on/gross them out/etc :)
I went with their absolute strongest pet peeves;
Jeff: Chewing sounds, being interrupted, public phone calls, driving slow/too close, being late, chewing ice/slurping drinks, toothpaste left in the sink, eating their food instead of getting it yourself
BEN: Chewing sounds, being interrupted, being late, toothpaste left in the sink, eating their food instead of getting it yourself
EJ: Chewing sounds, repetitive tapping, being interrupted, leaving drawers/cabinets open, being late, chewing ice/slurping drinks
LJ: Being interrupted, public phone calls, being late
Toby: Chewing sounds, being interrupted, public phone calls, being late, chewing ice/slurping drinks, eating their food instead of getting it yourself
Tim: Chewing sounds, repetitive tapping, texting during a meal, public phone calls, leaving drawers/cabinets open, driving slow/too close, being late, toothpaste left in the sink
Brian: Being interrupted, public phone calls, being late, toothpaste left in the sink, eating their food instead of getting it yourself
Slender: Chewing sounds, repetitive tapping, being interrupted, texting during a meal, leaving drawers/cabinets open, being late, toothpaste left in the sink
Liu: Chewing sounds, being interrupted, driving slow/too close, eating their food instead of getting it yourself
Jane: Repetitive tapping, being interrupted, being late, toothpaste left in the sink
Natalie: Chewing sounds, being interrupted, being late, toothpaste left in the sink, eating their food instead of getting it yourself
Helen: Chewing sounds, repetitive tapping, being interrupted, public phone calls, being late, toothpaste left in the sink, eating their food instead of getting it yourself
Smiley: Chewing sounds, being interrupted, texting during a meal, leaving drawers/cabinets open, being late
Offender: Repetitive tapping, texting during a meal, leaving drawers/cabinets open
Trender: Chewing sounds, texting during a meal, leaving drawers/cabinets open, being late, toothpaste left in the sink
Splendor: Texting during a meal, public phone calls, being late
Jason: Chewing sounds, repetitive tapping, being interrupted, leaving drawers/cabinets open, being late, toothpaste left in the sink
Puppeteer: Chewing sounds, being interrupted, leaving drawers/cabinets open, being late, chewing ice/slurping drinks, eating their food instead of getting it yourself
Zalgo: Chewing sounds, being interrupted, texting during a meal, leaving drawers/cabinets open, being late, toothpaste left in the sink
Candy: Being interrupted, public phone calls, being late
Hobo: Chewing sounds, being interrupted, public phone calls, chewing ice/slurping drinks
Nina: Chewing sounds, being interrupted, driving slow/too close, being late, toothpaste left in the sink, eating their food instead of getting it yourself
Kate: Repetitive tapping, being interrupted, public phone calls, driving slow/too close, being late, eating their food instead of getting it yourself
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ericeffiorg · 9 months
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First look at Mimi Keene as Natalie Kingsley in 'After Everything' (2023)
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lupincentral · 10 months
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Have you heard the news?
Lupin III is diving into the world of live action once again, with Jigen Daisuke ‐ a spin-off film releasing “worldwide” on October 13th, 2023, exclusively on Amazon Prime Video!
Tetsuji Tamayama, who previously portrayed the character in the 2014 released feature film, will be returning to the role of Jigen.
Yoshimasa Akamatsu (BD ~Akechi Tantei Jimusho, Corpse Party: Book of Shadows) has produced the script for the film, and Hajime Hashimoto (The Detective Is in the Bar franchise, AIBOU: Tokyo Detective Duo, Shimauma, Signal) is directing.
In preparation for his reprising of the role, Tamayama states in an interview with Natalie that he has watched the Lupin the IIIRD spin-off film Jigen’s Gravestone, and hopes to bring this cooler, more mature version of the character to television screens come October.
Details on the plot are currently scarce - however, the Natalie article mentions that it involves Jigen searching Japan for the world’s greatest gunsmith, after his trusty combat magnum is in need of some TLC (and said gunsmith just happens to run a rather curious watch shop)…
More details on the film are to be revealed closer to its release date. For now, you can check out the films first trailer embedded below, and its announcement over at website Natalie.
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After Lupin ZERO wrapping up at the end of last year, and VS. Cat’s Eye releasing in January, a live action Jigen spin-off is not where I expected TMS to go next with the Lupin franchise. It is, however, in my opinion, a welcome diversion from the norm.
I would be lying if I did not first meet the announcement with some scepticism, though, mostly due to the series’ less than stellar track record of live action adaptations (the amazing 2017 Inspector Zenigata spin-off drama aside). Taking a moment to think back, I quickly realised that while the live action film directed by Ryuhei Kitamura did not win the hearts of fans back in 2014, it did do one thing right - the casting.
Shun Oguri as Lupin III and Tadanobu Asano as Inspector Zenigata were big gets for the film, and both appeared to take their appearance throughout it seriously. Meisa Kuroki played a gorgeous, cunning Fujiko, with Go Ayano trying his best to bring the stoic samurai Goemon to life. It was Tetsuji Tamayama, however, that best looked the part. Fans on social media were swooning over his Jigen as soon as the character portraits were revealed, with some saying he was made for the role.
Despite issues with pacing and its overall narrative, all of the main cast members represented their anime / manga counterparts well, and if there is one positive to take away from that film, it would be their performances.
This gives me hope for Jigen Daisuke - with fresh writing staff and a keen new director to the franchise on board, with an actor we already know can do the character justice, both Amazon and TMS may be on to something special, here. Now slightly older and more experienced, I have full confidence Tamayama will exceed that of his already good performance as Jigen from 2014.
I’m looking forward to finding out how this comes together. Keep an eye out for a full review of the film come October, which I will aim to post up on lupincentral.com a few days after its release.
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thoughtfulchaos773 · 6 months
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The Muse Theory
This is all just for fun, BUT it's plausible. Also, it may be completely debunked based on Sydney's timeline - that's still a mystery.
Theory: It would be an epic romantic plot twist if- Carmy first laid eyes on Sydney in New York. He remembers her, at least; he thinks he remembers her. He observed her as she ate his meal- the best meal she'd ever had, and after his shift, he made a sketch of her.
This was inspired by a conversation with @currymanganese and @yangsharperavery fanedit with my favorite song, "Favorite Faded Fantasy," by Damien Rice.
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Carmy was going to tell Syd she looks familiar, but in Carmy's mind, it would seem creepy to tell a girl. hey, I remember seeing you at my restaurant, I didn't approach you, but I remembered that moment I first laid eyes on you. He's avoidant that way.
How did he see her eat his meal when he was in the kitchen? I noticed the new kitchen is similar Eleventh Madison Park, We didn't see what was in front of Carmy in the 1x02 episode hands but I'm guessing it was a window- one that Carmy can see through and watch a girl sitting by herself visibly enjoying one of his meals.
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Since artists have a keen eye- he remembers her because of how much she inspired him at that moment. When he told Natalie in 1x02 Hands that people loved the food it had to do with watching Sydney eat.
Why keep this a secret? It's because he really liked staring at her - that was an intimate moment for Carmy- to stare at a woman like that - he hasn't experienced that kind of intimacy since drawing Claire.
True intimacy for Carmy is just staring at a woman, really just deep connection like that and I loved to be a part of something like that where it wasn't some sexy naked thing, it was just looking into each other's eyes.-Molly Gordon
Now, how does he remember Sydney when he couldn't remember Claire? Carmy remembers more than he lets on. He remembers Claire's address, but he can't remember the face or that she sat behind him in algebra class? This seems like he's avoiding it since he was ridiculed for expressing himself.
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When Claire mentions the drawings- He lies and tells her it was shorts- when really it was Claire.
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he mentions the designer that came into his restaurant, and it really inspired him to draw again.
Plot twist: what if it wasn't the designer that came into his restaurant- what if it was Sydney that evening, wearing her signature Thom Brown pieces.
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So, during a grueling shift at this restaurant, he sees Sydney. He watches her as she enjoys his meal, and he starts drawing again on a napkin later that evening- the dream to draw again came back because of Sydney.
Is this far-fetched? I think not- this show has some serendipitous moments.
And is it stalkerish? Absolutely not- it's healthy and normal for an artist to have muse- too bad Richie and Mikey gave him a hard time about it.
Why should an artist have a muse?
Inspiration can be a transformative force, allowing artists to tap into their full potential and produce works that are both meaningful and powerful. A muse can provide a sense of direction, helping artists navigate the creative process and bring their ideas to fruition. -link
This could be the best love mystery! For me, at least.
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tv-moments · 2 years
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Black Bird
“WhatsHerName”
Director: Jim McKay
DoP: Natalie Kingston
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danisbrainrot · 1 month
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i had this idea myself but i’m too lazy to write it so i thought i’d share and i know u wanted to write something about natalie 😛
natalie getting her hair cut (maybe even bleached) by one of the yjs ‼️‼️ came to me in a dream but i haven’t been bothered to write it
lottie matthews x natalie scatorccio
I had to do my babies!! thank you for the ask, I was dying to write for nat!! this is an au where they crashed but lottie didn't get sent to switzerland, but moved in with natalie.
snip snip snip. the scissors felt natural in lottie's hands, but the danger of her hands holding such a weapon that close to natalie's neck worried her. she felt her hands shake as she began to overthink, before sucking in a deep breath and taking a step away.
"you alright?" natalie's keen eyes watched her through the mirror, concerned at lottie's reaction. "I swear, if my hair is above my ears again—"
lottie shook her head swiftly, "no, no. I'm not making that mistake again. . . just shaky," she replied. natalie snorted, absentmindedly playing with the ring lottie had gotten her for her birthday.
the pleasing sounds of scissors making their way through natalie's hair comforted the blonde. "my regrowth getting pretty bad," she commented. lottie hummed absentmindedly, which nat took to mean agreement. "I mean, not as bad as when we were rescued. . . but I think I should get it done again," lottie bit her bottom lip in concentration, ignoring what nat was saying as she focused on fixing the blondes split ends problem.
it was silent for a minute longer, even lottie's breath was bated as she pulled out a long strand of hair before snipping it off. "sorry, what were you saying?"
"nothing. since when were you such a good hairdresser?" natalie teased, a wide grin on her face.
lottie sighed, shaking her head, "I gave all my dolls haircuts," she replied, shrugging her shoulders. "your roots need touching up, I've got foils but they might be dodgy," natalie snorted, shaking her head.
"thanks, lot. but I think I'll get that done by the pros," natalie teased, playing with her hair, amazed at the new feel. lottie smiled, proud of her work.
"you know what my payment is," lottie teased, jumping up on the kitchen counter, crossing her arms across her chest.
natalie rolled her eyes, sighing but getting up. "if I'd known you'd shrink out of your chores, I never would have asked you to move in," she joked, opening the dishwasher.
lottie raised a questioning eyebrow, "you would have let my parents send me to switzerland?" she asked, eliciting a chuckle from natalie.
"probably would've chased right after you," natalie retorted, opening the top cabinets to put away the cups.
lottie smiled softly, knowing that it was a sweet lie natalie told her. in fact, lottie was sure natalie only asked her to move in because she still felt some kind of need to protect her—as if she didn't leave her leadership behind in the wilderness.
"I hope you're okay with pasta for dinner, because that's all I know how to cook," natalie announced, snapping lottie out of her thoughts.
lottie rolled her eyes, and shook her head, "wow, I gave up switzerland, land of the meatballs, just for pasta every night," she sighed teasingly.
"after the shit we went through, I'm shocked more of us didn't go vegetarian. sometimes I see a piece of meat and. . ." natalie paused, realising that she wasn't joking anymore and instead leading towards dangerous territory.
the two had tried to avoid talking about the wilderness beyond silly jokes. it felt too real. like their trauma was haunting them—that the people they'd eaten were lingering around their house. the time they'd spent in those woods had such a profound impact on them, on their relationship, it was inconceivable that they could ever live without each other.
some nights, when the nightmares made them jolt, lottie finds herself flinging out of her bed and into natalie's arms—even though they both know damn well why she shouldn't be there. natalie was dating travis, and lottie wasn't mentally stable for a relationship yet. but still, that didn't prevent them from sharing a bed every so often. . . they convince themselves it was a perfectly normal thing for friends to do.
lottie sighed, watching natalie bend over to take out the cutlery holder. "did you hear tai's a vegetarian now? must have the same thought process as you," lottie mumbled. natalie chuckled again, looking at lottie in disbelief.
"that'll last three weeks. she loves pork ribs just a little too much," natalie teased, chucking the cutlery in the drawer, not bothering to check if it was in the right slot.
"are you sure you don't want me to redo your roots?" lottie asked abruptly. it would sound like a purposeful topic change to anyone except natalie, who knew the brunette was having her own conversation in her mind.
"okay, if you insist. but I'm not doing your laundry, that's where I draw the line," she joked, her mouth cracking up into a toothy grin.
lottie rolled her eyes, "like I'd let you in my room, I've seen you eyeing my pilgrim hat" she teased.
natalie licked her lips, "why would I want that when it looks better on you?" lottie felt her cheeks heat up, but before either of them had time to realise what that could mean, she quickly added, "nevermind, I might need it after you're done with my hair."
lottie snorted, rolling her eyes at the implication. "shut up. i'll get the foils now." a soft smile appeared on nat's face as she watched the brunette leave with a bounce in her step.
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randomishnickname · 3 months
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Thinking about Amma Crellin and her actions as reflections of the social hierarchy she grew up in. (spoilers under the cut)
Amma is pretty much Windgap royalty. Not only is her family extremely wealthy, her mother holds power over the livelihoods of big parts of the population. Her family history is deeply tied to that of Windgap. The sheriff and other officials are at Adora's beck and call. Everyone knows Adora and deferes to her, and this status transfers to Amma:
She plays the star part in the school play as a matter of course. She can get away with everything, from shoplifting to breaking curfew, from taking drugs to insulting and taunting a police officer. She's hot shit and very good at being a hot girl to boot, on the way to being prom queen like Camille once was. Her friends do everything she wants. Boys, she feels, are hers to control. Others are her playthings. At home, she's at the mercy of her mother. In the rest of Windgap, she's invicible.
Then, Ann and Natalie. Both outsiders who moved to Windgap only recently, their family without social capital worth speaking of. Both freaks, misfits - tomboys and late bloomers, still running through the woods instead of following the norms of girlhood and femininity. Still lacking self-control, prone to tantrums and biting. In the social hierarchy both of the school and the town, they're near the bottom - it's interesting Amma was friends with them once at all, but then this keen sense for social status often becomes more prominent once puberty hits. I think it's a safe bet they were bullied. They were not cool girls. And so Amma, who never faces consequences for everything, who's royalty, who has friends entirely devoted to her - she's safe killing them, in her good right almost, they're nobodies, and Windgap, that she knows so well, proves her right by not even once suspecting her. Had not an other outsider and freak, Camille, disturbed the status-quo, she would have gotten away with everything swimmingly. Her friends laugh about it too - Ann and Natalie's lives don't seem to have had much worth to them.
[I do believe her choice of killing Natalie wasn't entirely out of convenience either - I have the suspicion that Amma had a childhood crush on Natalie's older brother John that got rejected, and that killing his beloved little sister was a form of punishment for this unheard of outrage. Amma telling Camille John fancies her (despite him treating her like a venomous snake in the pool scene) could be a sort of wish fullfilment. Would explain how viciously she latches onto the 'baby killer' narrative.]
And then, Mae. To me it's VERY MUCH not a random choice to have Mae be a black kid. The only people of color Amma has probably ever met in the conferedate nostalgia enclave of Windgape are domestic workers that obeyed her, or workers at her mother's pig farm who defered to her, all of them incredibly lower on the social hierarchy than the litte Windgap princess. And now she meets this black city kid, who lives in a rented apartment, maybe with a single mom. That's not someone Amma would respect, or consider on her level, but instead I think she'd have this deep belief that Mae was her inferior and should obey her, defer to her. Did she plan on killing her when Camille granted Mae attention? Or did Mae refuse her somehow, got sick of being bossed around, in this fight they supposedly had?
And I love how all of this is both implicit and subtle yet crystal clear, in everything we learn about Ann and Natalie, the way their peers describe them (in contrast to the adults who are more proficient liars), in every interaction we see between the white upper class of Windgap and POCs.
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itsnatt09 · 3 months
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Since I've got a lot of new mutuals thanks to The Discourse, I should probably do another intro post.
I'm Natalie, 33 y/o she/her transfem from Oregon, and I'm happy to meet some new people on the gender journey! I wanted to throw out a few things just in case up top here:
-I do spicy content *often*. I'm not gonna throw full nudity here because I'm not keen to invoke the wrath, but it's around on my OnlyFans. I work a 5-day job and then do some sex work on the weekends if I have time. Very body positive and sex positive space here. I'll throw that link here but I'm not gonna push it too much. I understand that kind of content isn't for everyone, and won't blame you at all if you muted some of my risqué stuff.
-I'm also gonna post some anarchist politics and relationship stuff here. Probably nothing about real-world situations but in a general sense as I work through that stuff. I very much try to believe in our personal and community relationships being what will get us through the coming bullshit of the next few years. Love your people, always.
-I post my hobbies here too, mostly my Star Wars Legion miniatures. Painting them has been a joy and I'm even looking to branch out into commission work. Let's hope I don't get in over my head 😅
-I hope you'll all stay around with me after all that babbling, my brain often tries to brain too much and I have too many words. Tumblr community has been a huge part of my transition from the start and I have met a lot of lovely people. Thanks for being here.
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janedeleon · 7 months
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MIMI KEENE as NATALIE after everything (2023)
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teas-of-trin · 1 year
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"Camille and Amy are further unsettling because they invert--indeed, weaponize--the violence aimed at them and gain power through the language they have been historically denied. "
"...her motivation in solving the Wind Gap murders is unconsciously linked to this sorrow. Camille's inability to find a home stems from her newfound position as an objective stranger, someone who is not passive and detached, but simultaneously distant and near, indifferent and involved. Despite having belonged to the Wind Gap "group" in her adolescence and her childhood, Camille's external development as an antiheroine now renders her strange...she imports qualities into [the group], which do not and cannot stem from the group itself"
"Camille's acts of self-harm place her in the liminal space between life and death and serve as a physical reminder of her existential uneasiness... Camille's cutting is a safety net...the words cut into Camille's flesh symbolize her fraught relationship with femininity"
"The perpetual links here between self-mutilation, sexual desire, and maternal control speak to anxieties surrounding female otherness, suggesting that the antiheroine-stranger is inextricably and disturbingly tied up with such notions. In crossing these patriarchal boundaries and defying traditional notions of femininity, the antiheroine-stranger remains familiar, rejected, and desired in her transcendence."
"Camille is a variation of Camilla and the Latin name, camillus, meaning noble youth attending at sacrifices, or acolyte. The connections here between the violent sacrificial deaths (of humans and animals) and smothering motherhood further enunciate Camille's outside status, for her very name positions her as involved but detached, distant but near--an attendee or observer, a stranger."
"Amma's fascination with the objectified animals [pigs] hints at her own internalization of patriarchal methods of violence control, which she then internalizes through the act of murder, whereas Camille redirects the violence onto herself. Both methods expose the cyclic nature of patriarchal violence, suggesting that the antiheroine-stranger must either redirect such violence towards others or decide to harm herself, both of which operate as a coping mechanism and method of cathartic expression"
"Amma's violent transition into adulthood holds a mirror to Camille's own traumatic past, but Camille's social exclusion and strangeness are also exacerbated by her significant lack of a physical and symbolic place to call home...[Camille] hated being in Wind Gap, but home held no comfort either, with its "cheap transitory, and mostly uninspired" aesthetic only reinforcing her wandering and nomadic status. Conversely, the family home in Wind Gap is stagnant in its isolation and memories of Marian's death."
"The name of the town itself suggests a transitory place, a space defined by invisible forces, absence, and now, inexplicable crime. Camille's own childhood abuse at the hands of her mother is suggested from the moment she reinhabits her childhood hom, for her dreams begin to confuse memory, fear, and unreality...It is the reconnection of the self with the familiar, transitory space that allows Camille to confront the horror and realities of her past. Further grounding of this dream as symbolic of her own past is Camille's discovery shortly afterwards of Natalie Keene's corpse, found in a physically liminal location...Natalie's body, simultaneously innocent and defiled, speaks to the sexual anxieties surrounding female deviancy, sexual expression, and violence, confronting Camille with her uneasy relationship with her (strange) self and others. The positioning of Natalie's body is also fittingly gendered given that she refutes traditional binary gender performances in her own propensity for violence and her tomboy personality. Viscerally disturbed by the sight of Natalie's body--which is representative of the "utmost abjection--Camille also unknowingly faces the realities of her childhood and witnesses her potential future as a fatal victim of Adora's 'love'".
"Camille's position as a stranger...clouds her ability to find the truth efficiently, yet it also empowers her to find answers eventually."
"Camille unrelentingly confronts the boundary of life and death, actively skirting the borderline to gain a sense of control over her own body and identity...It is only because of her position as a recognizable stranger that Camille is able to confront the truth of her past and expose both Amma's and Adora's crimes."
"...Camille engages with the borderline between life and death as a way of reconciling her inner turmoil...."
-From, "To Start: I Should Never Should Have Been Born": The Antiheroine as Stranger in Gillian Flynn's Sharp Objects and Gone Girl by Eleanore Gardner
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