— you can just tell they had the most fun time filming monkey man too. dev patel the multitalented and gorgeous man that you are.
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Raquel Welch in Myra Breckinridge (1970)
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Raquel Welch, 1970 - photographed by Terry O'Neill in 4th of July costume to promote the release of Myra Breckinridge
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Joe Keaton, producer E.H. Allen, Louise Keaton, director Charles Lamont, Myra Keaton and Buster on the set of Palooka from Padukah (1935).
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what if richie was a milkman . . . . .. . . . i mean he has the boobs for it. . . .
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It's Here... IT'S HEREEEEE!! x3
THE TRAILER IS ALREADY FREAKING OUT!!!
AAAAAAAAAAAAA!!! 🥹😭
I Actually SCREAMING AND FREAKING ME OUT FIR WATCHING THIS TRAILER, IM READY!!! TwT
I Need To Calm Myself Down and I Need To Chill!! ;3;"
I HOPEFULLY THEY WILL BRING BACK TRIANA AND MOL FROM THIS MOVIE!! T~T
But I'M VERY EXCITED ABOUT THIS!! x3
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Raquel Welch and Farrah Fawcett in "Myra Breckinridge", 1970
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“This change in the culture’s popular feminine ideal—from the respectable Victorian “angel of the household” to the brash, sensation-seeking “flapper”—was maybe the single most visible transformation in a feverishly transformative decade. The arc from belle to vamp can be traced in the films Keaton made over the course of the decade, as his characters’ love objects went from the demure young bride played by Sybil Seely in his first independent release, One Week (1920), to the worldly, hard-drinking single actress embodied by Dorothy Sebastian Keaton’s longtime real-life mistress) in his last film of the decade, Spite Marriage (1929). Though his marriage to Natalie Talmadge rose and fell in the years between those films, it isn’t likely that Keaton’s personal beliefs about the social status of women changed much during that stretch of time, or ever. Having grown up with a mother who not only spent her life on the traveling vaudeville circuit but rolled her own cigarettes, played cards into the wee hours, and nipped whisky straight from the bottle, Keaton had no patience for the D. W. Griffith cult of unspoiled female purity. He parodied Griffith in his first feature, Three Ages, and once nominated the director’s favored heroine, Lillian Gish, as an example of an ideal candidate for a pie in the face, her style of prim femininity being especially vulnerable to a pastry-smeared takedown”
-Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century by Dana Stevens
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Raquel Welch, 1970 - photographed by Terry O'Neill in 4th of July costume to promote the release of Myra Breckinridge
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Btw this is a first for me, pretty sure, but when I go into the As You Are tag (and I normally don't go into tags to begin with but still), it is wall-to-wall me freaking out over this movie. This is both hilarious and embarrassing. I am so, so very late to the party and so very, very emotionally horny over it.
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this really tells you everything you need to know about my taste in movies doesn't it
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