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#my kiss only for you fic
ladamedusoif · 9 months
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My Kiss, Only For You
The Thief x Museum Guide F!Reader - One Shot
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Pairing: The Thief x Museum Guide F!Reader
Word Count: 1.6k
Rating: Explicit (18+; MDNI)
Content/warnings: oral (f receiving); theft (I mean, obviously); smut; did I mention theft; strong language
Summary: You've noticed a regular attendee on the guided tours you offer as part of your job at the museum - and one day, he decides to ask you for more information on a favourite exhibit.
Notes: I keep on getting sent to horny jail by @lunapascal and @julesonrecord. (P would be very disappointed in you two insisting on incarcerating me all the time.)
This time, for reasons I'm still not entirely sure about, I was sentenced to 'double jail' and have two punishment pieces to write to get myself free. This first one, chosen by @julesonrecord, involves The Thief (from the wine ads) and the prompt "stealing a kiss".
Please enjoy my first foray into writing smut about a (very sexy) man from an ad campaign.
I wrote this at like, 1am and am still worried there are sections I thought I wrote but that were actually happening in a dream. Bear that in mind as you read.
Dividers by @cafekitsune
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“And we finish with the jewel - if you’ll permit me a little pun - of the collection, the remarkable Katarzyna’s Kiss ruby.”
The afternoon’s tour group is mostly teenagers on a school trip, and they couldn’t be less interested in the bright red gemstone illuminated in the case behind you if they tried. One of them lazily lifts their phone to snap a photo, apparently of the display. It’s only when you see them pouting for a selfie that you realise they’ve had a BeReal notification.
You keep going with the standard tour script, putting your heart into it as always. You notice a familiar face at the back of the group, listening attentively: a handsome, dark-eyed man you guess must be in his mid to late forties, who is a regular attendee of your tours in the museum. He seems to be particularly interested in the gemstones and jewellery collections, always turning up for those tours with a notebook and a random, specialist text on the subject. 
“The story behind this gemstone and its unusual name is that a seventeenth-century Polish princess supposedly fell in love with the apprentice to the court jeweller. Now, as you can imagine, in those days an apprentice jeweller would never be considered an appropriate match for a princess, and their love was doomed from the start.”
The handsome man smiles at you, eyes twinkling behind his spectacles. You offer a little smile in return, noticing how the museum lighting catches the attractive patches of grey in his sparse beard.
“The poor young apprentice had never kissed his princess, and not because he didn’t want to - they were afraid they would be caught in the carefully-monitored world of the court.” Your expression turns sad as you move to the next part. 
“One day, the young jeweller heard that his beloved was to be married - the next day, in fact. He was distraught. But when the princess woke on her wedding day, equally heartbroken, she found this ruby - so the story goes - in a gorgeous, handmade silver box, engraved with the words ‘My kiss, only for you’”.
One of the teenagers at the front yawns dramatically, setting the others off into fits of giggles. You sigh. “And that brings our tour to an end, I guess. Gift shop that way, toilets over there, if you want to find out more about the collections you can purchase a guidebook…”
Your voice trails as the group rapidly disperses. Only your handsome regular is left. You hadn’t noticed before how nicely dressed he is - not showy, not in the least, but his clothes have that unmistakable air of quality and expense. Today he’s wearing a dark green, beautifully cut casual jacket with a Nehru collar, combined with dark jeans and a pristine white grandfather shirt. 
“Thank you for a wonderful tour, as usual.” His voice is warm and low, a pleasing sound in the near-empty gallery. 
“Thank you,” you return the compliment. “You’re one of our regulars, aren’t you?”
He pushes his glasses up his nose and nods. You notice he’s holding a small green notebook in one hand, and a pen in the other. “I must admit, though, that I prefer to go on your tours. You are a natural - truly, a joy to listen to. So knowledgeable!” He turns and looks at you out of the corner of his eye. “And, if you’ll forgive me for being forward, even lovelier to look at than Katarzyna’s Kiss.”
You raise your eyebrows. The closest thing to flirting you’d experienced in your time as a guide was when elderly men would corner you near the military history displays and wax lyrical at you about nineteenth-century battleships.
The man has moved closer, now, to you and to the display case. He appraises the ruby at close range. “I’d like to talk to you a little more about this beautiful thing - I’m fascinated by the story.” He turns and looks at you over the top of his glasses. “Would dinner tonight be a good time to talk about this kiss?”
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To your surprise, he’d booked a table at the fanciest restaurant in the city. Dinner had been a delight, swapping stories of rare jewels and favourite galleries and museums around the world. 
He had changed since this afternoon, and arrived dressed in an exquisite green and black check suit with a black shirt and tie. He was attractive, there was no way around it - but you preferred to keep your guard up a little longer.
You were about to order a cab when you realised you didn’t have your phone.
“Shit. I must have left it in the office.” 
“It’s not too far away, is it?” He is the picture of concern. “I’ll gladly accompany you back to the museum.”
So he does, offering you his arm at one point like a man in an old movie. You huff a laugh at the gesture until you realise he’s serious. 
“Oh, god. I’m sorry.”
He keeps his arm out, offered to you, and smiles at you with an eyebrow raised. “Chivalry isn’t quite dead yet, ma chérie.”
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Maybe it’s the sneaking into the museum after hours, with its connotations of illicit shenanigans, maybe it’s the whiskey you had after dinner, or maybe it’s just the way his suit sits so perfectly over his broad frame, as if it’s begging to be touched and clung to. 
Whatever it is, you’ve barely entered your small office when you’re pushing him against the wall and kissing him like your life depends on it. He groans into your mouth and it goes straight to your pussy. 
He guides you back onto the desk and sits you on the edge, lowering you down carefully as he stands above you. He trails a long, thick finger across the neckline of your dress, slipping his fingertip under the fabric to trace the outline of your breasts.
You whine in pleasure and frustration as he kisses your body. 
“Tell me more about Katarzyna’s Kiss, beautiful. Do you believe the story?”
He keeps kissing as you talk, through the fabric of your dress down to your thighs, where he hitches up the skirt and encourages you to open your legs a little wider. You moan as you feel his fingers tracing up the inside of your thighs.
“I want to kiss you, mi amor, but I will only do so if you say the word.”
You nod frantically, all thoughts of the bright red ruby forgotten. 
He brings his torso down to meet yours, placing a soft, wet kiss to your lips. You hear the zipper of his pants come down and you know that he has taken his cock in his hand. With the other, he reaches past the top of your head, stretching his hand out along the desk and resting his fingers on the marass of papers and, you judge by the clicks going on behind you, your computer keyboard.
“Aren’t you going to kiss me again?” Your voice is heavy, confused. He’s kept one hand behind you, still resting on the keyboard, as he intersperses caressing and kissing your breasts with giving his cock a quick stroke.
“I am, chérie, be patient. The kiss I plan to steal now is more valuable than any ruby - tastes better, too.”
He drops to his knees and pulls your legs apart, dragging your panties down over your soft thighs and knees. He begins by literally kissing your cunt, placing soft, delicate kisses to the wet folds before his broad tongue strokes its way from your opening all the way to your clit. It elicits a muffled scream from you.
“You can’t be there already, beautiful thing.” You aren’t, but the way he’s ‘kissing’ your pussy, then driving his fingers inside you, is getting you very close.
When he begins to suck your clit you feel the pressure building, and soon your slick is coating his perfect nose, his mouth, his face - and his beard. It glistens in the soft light of your desk lamp. 
“Fuck me,” you murmur quietly. 
“Not tonight, dear one,” he says as he returns to standing, zipping back up his pants. “Stay put, I’ll get something to clean you up. Where are the bathrooms?”
You point him towards them, unable to stand up just yet. He’s made you feel completely boneless, fucked out with just his mouth and fingers on your own desk. It had been a while since anyone made you come at all, let alone like that.
You realise you don’t even know his name.
And soon, you realise he’s been gone a rather long time.
The museum’s back corridors are unsettling at night. You wander up and down, calling quietly into the darkness to see if you can find him.
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The wail of the siren is deafening as you race back to your office, frantically trying to log back in to check where the alarm has been triggered. You try to contact the night security team, but there’s no response. The screen eventually lights up and you see it: the Kiss ruby. That’s what they’re after.
Security arrives in the exhibition gallery a few minutes after you, leaving it to you to reveal the carefully opened case and the empty plastic clasp that once held the ruby on display.
Where was he? Did he get stuck in part of the building and panic when the alarm went off?
You reach into your pocket to find your phone before you remember you don’t even have his number. 
You find a crisp, folded piece of paper in your dress pocket. It had definitely not been there earlier.
You sneak off behind another display to open the note, before police arrived to question you. The handwriting is fanciful, rendered in pen and ink:
I have helped myself to Katarzyna’s, I’m afraid, but remember that the kiss I gave you tonight - my kiss - is only for you.
Adieu, chérie!
Your Gentleman Thief
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stevebabey · 1 year
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you thought it would be all sweetness??? nooo u got to have a little miscommunication angst before anyone gets any hickies. but they will. in time >:) part one. part two. this is a part three :)
Steve blames it all on the clock.
That stupid cuckoo clock on the wall of the Munson trailer. It's an absolute horror of interior design that would make Steve’s mom shiver if she ever laid eyes on it. It’s probably why Eddie loves it — and the god-awful cuckoo! noise it makes when it goes off.
Because the moment Eddie utters that delightful question, asking for a hickie, the nerve of him, Steve loves it — and Steve is more than ready to oblige him — the stupid clock goes off.
It gives them both a fright, Steve more than Eddie. He gives a whole-body twitch that shifts them both, his head snapping to the wall, a breath forced out of his lungs at the sight of the mustard-coloured bird. Shit. Stupid fuckin’ clock, Steve thinks.
But it seems to break the trance over the room. The sweet tension of their shared closeness is sucked out of the room in an instant. Steve is suddenly aware of the time the popping out bird is announcing. It’s late. Far later than Steve intended to stay over, especially considering work tomorrow.
Without meaning to, the prickle under Steve’s skin rolls through his body. It steals away the comfort that he usually feels with Eddie, tenseness filling his body. Steve hates it — hates how he can’t stop himself from tensing up beneath Eddie.
Eddie notices. He's quick to to retract himself from Steve, pushing up and back, giving Steve his space. He sits beside Steve on the couch, still close. Not close enough to touch.
It helps. The rigidness of Steve's body relaxes just a bit but Steve doesn’t want that. He wants Eddie back on him. Wants his hands gripping Steve’s side. His breath fanning over Steve’s face, cheeks cherry red and pupils blown wide. Steve doesn’t say any of that and he sure is shit isn't brave enough to ask for it.
Instead, he croaks, “It’s late.”
Steve reluctantly pushes himself up from his slumped position, eyes already searching for his scattered shoes. He misses the way Eddie’s face falls, the way he tries to tug his hair in front of his face to hide the hurt. It takes another second to school his expression.
Steve hears a cough and then Eddie agrees with a murmur. “Yeah, sure.”
The words ache. No part of Steve is relieved to have Eddie agree with him. He’s not sure what he wanted; for Eddie to egg him to stay just a little while longer? To prove that their kisses hadn’t been a heat of the moment impulsivity? There's nothing to prove they weren't.
No, it was Steve who said he had to go. It is late. But then again maybe, Eddie wanted him to leave. But, no— Eddie just asked for a hickie, he wouldn’t—
“Don’t you have work early tomorrow?” Steve’s spiral cuts short at Eddie’s voice, tinged with… irritation?
O-kay. Now Steve’s not sure what to think. What had been the source of immense joy because Steve had asked for a kiss and Eddie said yes is suddenly… tilted.
The beginnings of embarrassment begin to cling to Steve like a thick fog. He’s done it again. Been overly eager. Asked for too much, too soon— fuck, that had been Eddie’s first kiss too.
“Yeah,” Steve replies, standing and shoving his foot into the one shoe he can find. He spies the other one under the table and wiggles it out with his toe. He can’t find in it to look at Eddie, not just yet. “Yeah, uh, I should get going.”
It’s all wrong. Steve shouldn’t be leaving — not on these terms. Not when he can’t look at Eddie for fear of what he’ll find. Regret? Steve’s not sure if he could face Eddie again, not if there’s even a trace of it on his face. It would feel like Halloween all over again, a bludgeon on Steve’s too-soft heart. It’ll crumble, he just knows it.
Steve wants to stay. He really wants to. He wants to ask for another kiss, ask for a dozen more kisses. Wants to give the hickie Eddie asked so nicely for and receive one back; matching love bites, like a gentler version of their matching twisted scars adorning their sides.
But he’s always asking for more. Steve always needs more. It’s greedy. It’s embarrassing how much he wants it, how he’s already gotten patient touches from Eddie but it’s not enough. Eddie had sounded a pinch annoyed — even aggravated at Steve.
It doesn't cross his mind that it might be for any other reason. Really, Steve thinks he’s doing Eddie a favour.
“Um,” Steve clears his throat, takes the wobble out of his words. Nods to himself and chances a glimpse at Eddie. The older is staring down at his lap, locks of hair trapped between twitchy fingers. They should talk about it. Steve’s not brave enough to risk his heart tonight.
“Well, g’night.” He says quietly, letting himself out the trailer door. He closes it behind him gently, shoes tapping against the stairs on the way down. It feels wrong, it feels wrong — but it would be selfish to turn back.
He repeats the sentiment over and over, raspy whispers beneath his breath as he climbs into his car. It would be selfish. The engine turns over and he hesitates for just a moment, hoping to catch a silhouette in the kitchen window. It’s empty. Of course, it’s empty.
Of course, Eddie is not chancing for a glance at him on his way out because Steve just asked for more and more and more, and he took Eddie’s first kiss and then— He whispers it to himself again. It would be selfish to turn back.
When he thinks about it on the drive home, Steve’s sure it all comes back to that stupid fucking clock.
-
Eddie stares in the mirror.
He’s not sure why he was so convinced there would be some radical change in him upon popping his make-out cherry but… well, here he was. Staring in the mirror like he had this morning. Except 10 hours earlier, he had been unkissed.
Tonight, the difference shows. His lips are rosier than usual, a swell to them given by hasty sweet kisses. It’s the only evidence of his spit-sharing moment of passion with Steve on the couch. The rosy colour is already beginning to fade.
Eddie sinks his teeth in. He doesn’t want the only physical proof that he even got to kiss Steve to be gone so soon. Even if that fact seems terribly bitter now.
“What the shit did you do, Munson?” He murmurs to himself in the tiny bathroom mirror.
It’s got toothpaste specks splayed across it. Eddie stares past them. Stares into his own face, reading every change in his features as emotions inside him churn. It’s heading for a distraught expression, the upturn of his brows and quiver in his lips giving him away. He always was a crier. Eddie really wishes he wasn’t.
“Idiot!” He pairs the word with a bang on the wall beside the mirror, frustration leaking out. The toothbrush on the sink shudders in its cup with a clink.
Eddie hates the welling in his eyes. He hates that he ruined the first fuckin’ good thing to happen to him in this town. Loathes that he drives away the first person who actually knows him and still wants to kiss him.
Well, wanted to kiss him.
Eddie’s pretty sure Steve scampering out of the trailer is more than a big enough sign. It’s a blazingly bright neon sign — light up words that say ‘This was a mistake!’
Except, it hadn’t felt at all like a mistake to Eddie. It had felt wonderful, better than anything he had thought, the soft curve of Steve’s lips, the grip on his hands on Eddie’s face, the heat in his face, the— Eddie growls, wiping his hand down his face to shake the thoughts. Too good to be true was what it was.
It’s because of what he said. Of what he asked for. It had to be that. But— but Steve had looked eager and almost excited and then the stupid clock had gone off, scaring the shit out of them both. Maybe it was then that Eddie’s words had sunk in and Steve realised what he’d gotten into— and who he’d gotten into it with.
“You had to ask for more, huh?” Eddie scolds himself angrily, wiping his cheeks harshly when a tear streaks free. Another follows, just as fast. Eddie wipes roughly at his face to clear them. Doesn’t care about the streaks of red he leaves on his cheeks. Another trembling reprimand comes out. “You just had to push it, huh? You fuckin’ idiot.”
Eddie can’t stand his reflection anymore. He tears his gaze away as he spins and heads straight for his room.
The button on his stereo is sticky and it takes a few forceful clicks to turn it on, but when he does, he cranks it. It’s loud enough he’ll surely wake some neighbours. Eddie can’t find it in him to care, not even when the neighbours dog starts off with its incessant barking. Anything to stop hearing himself cry.
-
“Something’s up with Eddie.” is the first thing Robin says when she comes in the front door.
Steve’s mid-yawn when she does, a result of a night of tossing and turning, and he somehow manages a strange choke at her words. In a haste to shut his mouth, he chomps on his fingers covering his mouth — then hisses, pulling it away from his face. He ignores Robin’s perplexed expression, shoving the hand deep in his pocket. His ears feel a tad hotter.
“What? Why? What makes you think that?” Steve asks the questions in rapid succession. Very chill, he chides himself. At this rate, Robin would have him all figured out 10 minutes into their shift.
And it’s not like— well, Robin’s advice is usually great. A bit cut-throat, sure. She doesn’t have a problem trodding on his feelings on her way to tell him the hard truth. Usually, it’s fine. Steve could probably do with a bit of ego-bruising.
Today, he’s… It’s different. That’s what Steve tells himself. This thing with Eddie, he wants to fix it himself. And with too much meddling from Robin’s advice, even if it was with the best intentions, might mix things up too much. It’s hard enough keeping his half-baked apology that’s been brewing since last night in proper order in his mind.
Thankfully, Robin doesn’t comment on his odd demeanor. She just bustles into the back room — there are a couple sounds of her dumping her stuff. When she comes back out the front, she’s fixing her Family Video vest. It looks perfectly straight to Steve.
He checks his own — it’s sitting askew, part of the collar flipped over. He hastily fixes it, running his hands down the front to smooth it a bit.
“Just,” Robin starts, talking as she sits in front of the computer, beginning to take a crack at the admin she managed. She likes doing things as she talks, Steve knows. Helps keep her from letting words run away from her.
Steve’s thankful for it now because she isn’t looking at him when she says, “I think he might have had a bad nightmare last night, or something of that sort. I don’t know. Maybe I’m way off — you know how I am with trying to read people, Steve. I’m not good at it! But when I saw him, he just seemed…”
Robin seems to take an extra moment to deliberate her word choice. Steve’s really glad she’s still facing the computer so she can’t see the myriad of emotions that show on his face.
“…Off.” is the word she decides on.
Which means bad. Steve feels like he’s swallowed a stone. It sinks deep into his stomach. It burns, sour and scorned, twisting up his gut. It means Eddie is bad — it means disappointment, means he regretted it. That Steve had been right; that he’d been too eager, too soon. Too much.
Right. Of course, this happens again. Really, Steve had brought it on himself by asking for so much. It had been one thing to ask for a hug — who actually has to do that? — and then to expect he might get Eddie to kiss him too? What a overstep. Christ, he's an idiot.
“That’s not…” He hears himself say, still lost in his thoughts. It's only when Robin turns on the stool, brows raised, that Steve realises he hasn’t finished his sentence. “Good. That’s not good. To hear.”
Steve turns and starts shuffling around the films on the returns cart, picking them up at random. He stares at a copy of ‘The Princess Bride’ in his hands, a new release, and forces out a causal question.
“What made you think that?” He asks, shoving the film into an empty slot, like he was arranging them. He’s relieved when Robin’s clicking on the keyboard resumes, along with a dramatic sigh.
“I don’t know. I don’t know if I can be trusted to read anyone’s emotions correctly at any given time, honestly. Remember that old lady? I thought she was being sweet that whole time and then you told me she was being rude! And I couldn’t even tell…”
Robin’s ramble is comforting and helpful to Steve in a way he didn’t know they could be. He presses the cart out, finally getting a move on with it, but delivers a quick nod to Robin when she’s looking to let her know he’s still tuned in. He listens to her get distracted by another topic and leaves Eddie’s name in the dust. It’s a silent relief.
It’s a task to multi-task, listening and devising a plan, but Steve has all shift to find the balance. It’s sometime between finishing re-stocking the action section and starting the romance that Steve decides he should apologise. He should go over today and apologise.
Eddie’s a big boy but Steve’s fairly certain now, if he regretted it, Eddie had probably felt obliged to kiss him back. Probably hadn’t minded the first kiss but- but— Something sticks in his brain; it was Eddie’s first kiss.
It makes Steve feel worse. It doesn’t matter, really, Steve should say sorry for all of it. God, he’s such an idiot.
By the time he’s clocked out, it’s all set in place. He’s got a dozen different apologies running in a loop in his head, reciting the words in time with his anxious tapping on the steering wheel. It’s not a long drive out to Forest Hills Trailer Park. The drive is well-known now. Steve tries hard not to wallow in what he might be losing today. What he lost because he’d been too greedy with want.
The sight of a brown van parked roadside yanks him from his thoughts. Eddie’s van. Steve’s stomach turns, nerves gnawing faster. He slows, trying to catch eye of the other boy as he rolls to a stop behind the van. The sun is beginning to dip closer to the horizon, the temperature going with it.
At the same time, they see each other; Eddie’s head popping around the raised hood to see who had stopped, right as Steve pops his door. Eddie retreats in an instant. Steve's chest grows a bit tighter.
Gravel crunches underfoot as Steve takes a few wary steps closer. It doesn’t take more than a couple before Eddie calls out. He doesn’t bother poking his head out again.
“Go away, Steve.”
Steve swallows thickly. Yeah, okay, he deserves that. He deserves probably worse than that. But more importantly than that, Eddie deserves to hear this. And Steve... needs to not lose Eddie.
“Can I… can we talk?” Steve asks, taking a couple steps closer. A car whizzes by on the road, hidden from Steve's view behind the van. He still keeps his distance, hovering. His hands clench nervously at his sides. Steve shoves them deep in his jean pockets, wiping the sweat off them as he goes.
“What part of ‘Go away’ isn’t clear enough for you?” Eddie snarks back. He still doesn't stick his head out, still won’t look at Steve. It stings.
“I know, I’m sorry,” Steve starts, another instinctive step forward taken. “I-I just, I shouldn’t have left like I did last night. I wanted to apologise.”
There’s a clattering from behind the hood like Eddie’s dropped a tool. He swears. Steve wants to take another step, wants to see Eddie — wants to read every emotion and apologise for causing any of the ugly ones.
“Well, apology accepted,” Eddie responds. There’s a bite in his words. His next words are grumblier, quieter. “And message fuckin’ received.”
What? “What’s that supposed to mean?”
“That—” Finally, Eddie steps away from the van, rounding the hood to march up to Steve. His arms cross over his chest, a wrinkle set between his brows that pull his face into a glare. Robin was right; he is off. This isn’t normal Eddie. Fuck, Steve had fucked up bad.
“That means message received, Steve.” Eddie seethes. He uncrosses his arms to gesture wildly. Steve misses the wobble in his bottom lip. “Message received loud and clear! I get it!”
And all Steve wants to ask is: get what? He doesn’t ask that. He should know what. That would be an idiotic question, would make Eddie more irritated. Lord knows, Steve has been enough of a fool in the last day. So, he doesn’t ask.
“Look, I just…” Steve starts, words a bit weak. They die in his throat as he tries to recall a single apology he had practiced all day and comes up empty. “I’m just- I just wanted—look, I’m sorry I took your first kiss!”
It’s not exactly what he means to say, but Steve certainly is sorry for it. Eddie’s expression wavers, some anger slipping away. Confusion takes its place.
“What?” Eddie says with a tone of bafflement. “What are you talking about?”
“And I’m sorry I kept… kept asking for more.” Steve continues on, pulling on the thread inside him, connected to the terrible stone he swallowed earlier. He tugs it. Hopes pulling it will unravel the guilt sitting heavy in his stomach.
Steve scrunches his eyes shut and rubs the bridge of his nose. “I know, okay? I know that I can be a lot.” He sighs and drops his hands.
“But I didn’t mean to… shit,” He wrenches his eyes open. Eddie’s a bit wide-eyed now, brown eyes watching him intently. Steve doesn’t know what expression he’s wearing, can’t tell if it’s good or worse. He continues, soft words scraping out his throat.
“I didn’t mean to be like that with you.”
Eddie searches Steve’s face, eyes darting and wild. He licks his lips. His hands are in motion, fingers twisting rings, quick and fast. It’s a nervous action.
“What do you mean by ‘like that?’” Eddie asks, voice gentler. It's lost its snarl from before.
Steve blinks, a scrape of teeth worrying his bottom lip. He murmurs his admittance lowly, just one word, “Selfish.”
Eddie doesn’t try to hide his surprise; it ripples across his face in a wave. Confusion melts away into something closer to, Steve hopes desperately, relief. Steve can feel his own heart thudding hard inside his chest — can feel the beat it skips when Eddie steps closer.
“Steve?” Eddie says, sounding unlike himself. Steve’s never heard his voice that small. He nods, wordlessly. Eddie searches his face once more — wide brown eyes scanning and devouring. Steve can’t help but do the same.
He drinks in the details of Eddie’s face; the soft scruff along his top lip, the darkness of his lashes and the way they kiss in the corner that Steve adores. The pink of his lips. The familiar ache to kiss Eddie surges up within him, still as violent and strong as it had been the night before.
Steve should really stop looking at Eddie’s lips. He’s supposed to be apologising. He drags his eyes up and meets Eddie’s gaze full-on, prepared for whatever he might say. Except, he’s not expecting him at all to say;
“Can I... try this again?” It comes out a ragged breath, Eddie's scared eyes conveying the weight behind his words.
And this time Steve doesn't even need to ask what because he knows. Because Eddie's hands are reaching up and holding either side of Steve's face so gently. Steve can't recall a time he's ever been held so softly. His own hands come up slowly, draping around Eddie's wrists to hold them, to keep them there.
Eddie's thumb traces. It draws a sweet line of that familiar fire beneath Steve's skin along til it's settled on Steve's bottom lip, resting. The blood under Eddie's thumb thrums, gloriously warm, aching with want. Yes. Steve thinks. Yes, yes, yes.
"Yes, please." Steve breathes, so sincere the words comes out as a kiss against Eddie's thumb.
So, Eddie kisses him.
now with a part four !
tags below! sry if i tagged u and u didn't want it just tagging everyone who replied <3 @they-reap-what-we-sow @impeachy @anaibis @resident-gay-bitch @ediewentmissing @newtstabber @original-cypher @invisibleflame812 @hunterbow04 @leather-and-freckles @dracoswifeandlokispet @foolofentirelytoomanyfandoms @lfaewrites @sundead @call-me-big-eyes @the-redthread @goblinmanifesto @etaka @bishopextractions @ketterfuck @persephone13 @beckkthewreck @maya-custodios-dionach @autumnal-dawn @yourstrulyjoko @gleefully-macabre @princess-eddie @savory-babby
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oceanwithouthermoon · 2 months
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ive come to realise that i dont actually hate kubokai, i just hate the way people write them
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botanybulbasaur · 4 months
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Schneider is SICILIAN, not Italian. YOU ARE WRITING HER WRONG.
Yes, this post is directed towards YOU, fan fiction authors!! And— yes, I will admit, it sounds a little confusing, but I’ll elaborate.
Schneider is an immigrant from Sicily, which, in all due respects to everybody who writes her speaking standard Italian, HAS ITS OWN LANGUAGE!! (Or dialect..? Aye aye aye, I am not awake enough to perpetuate one side or another of a centuries-old argument.)
For more information, you can go to a website somewhere on the interwebs (like this one!: https://mangolanguages.com/resources-articles/sicilian-and-italian-whats-the-difference/) or simply take a look at Schneider’s wiki page!
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So, sí, Reverse 1999 officially makes the distinguishment here: her mother tongue is Sicilian!
The next time you pick up your keyboard (or.. phone, if that’s your thing?) to write a fic, stay away from the Italian google translate screen— as tempting as it may be!— and go to a website like Glosbe instead to use the Sicilian translator there; given you’re trying to write a vulnerable moment where she expresses herself in the first language she’s ever learned to.
I apologize if anything in this post is overly fired-up or aggressive. My family (particularly my grandfather) have been looked at like they were insane when they spoke Neapolitan in the middle of Rome, so the distinguishment between Italian and its sister languages is very important to me— as well as other Italian fans of the game, I’m sure.
That’s all for this post! Happy writing :3
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marchtooctober · 10 months
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Twilight finally steps into Loid Forger's home. It was late at night and he thought for sure that everybody was already asleep, save for Bond who might get overzealous and wake everyone up. But the moment he closes the door, a figure appeared through his vision.
It was Yor, putting away laundry. She put them down and walked over to Loid.
"Loid! You're finally back!" She says in quiet surprise. Bond circled around them.
Loid pat Bond's head who then went back to his spot right away. Then he turned to Yor.
"I'm home. Sorry, I'm very late... I must have made you worried."
"Uhm... No! It's okay... You must have been very busy at work. " Yor asked.
"Well..." Loid's voice trailed off.
If only she knows what this man just went through.
"Yes... I had a very tough patient I had to deal with." He finally said.
Yor's eyes went wide.
"Did you have another concussive session with a patient?! Did you get hurt anywhere?! Oh, look! You have bruises! Let's treat you! Sorry, I didn't notice right away. It's dim." Yor stared at him with obviously worried eyes.
Loid couldn't stare back at her, feeling that he might end up letting his guard down.
"N-No! There's no need for that. My bruises are not that bad. I'm just... really tired with dealing with my patient today."
"Do you want some tea before you rest?"
Loid was very ready to retire to bed and sleep away the pain of his arm's gunshot wound. But chances of peace with Yor are ever so rare that he willed himself to stay.
"Ah... Sure."
"Okay. I'll pour you a cup."
Yor seated herself beside Loid on the sofa. The closeness made Loid all tingly but in a very comforting way. For the most of time, they were silent. Then Yor gave repeated glances at Loid.
"Is there something bothering you, Yor?"
"A-Wha-What? Sorry! It's just..." Yor emptied her cup and placed it on the table before continuing.
"Seeing that you can get hurt like this for treating a patient... Are you still okay with it?"
Loid seemed to be caught off guard, he only stared right back at Yor.
"Don't you regret being a psychiatrist?"
The silenced prolonged. The question gave a deep impression to Loid, to Twilight. As if asking if he regrets being a spy.
"Sorry! That was rude of me to ask! I'm not even the one to speak. I'm really sorry! You don't need to answer that, Loid."
Loid also placed his own empty cup on the table. He leaned back and stared up the ceiling.
"No. I don't regret it. Even when I get hurt doing this proffession. Because it's something that I have decided a long time ago. So there's nothing else for me but to stick with it, even during the hard times."
Yor fell silent, her eyes glinting as if understanding Loid's words very well.
Loid closed his eyes and recalled right away what he just said. It was something he just blurted out but it's true. Not only for him, but also for everyone else who decided their own path.
He drew his head back, almost hanging to the side. His mind is in total disarray. His eyes fluttered open in time only to see Yor leaning over him. Too tired and slow to react, his mind suddenly went blank when he felt a kiss on his forehead.
"You did well." Yor said and sat back.
Her calm demeanor quickly turned into surprise, and she covered her face with her hands.
Loid fixed himself in an instant, sitting properly. He faced a very embarrassed Yor. Internally, he was just as embarrassed because of their proximity just now.
"N-No! It's not what you think it is! I just..." Yor said and waved her hands.
"C-Calm down, Yor! Speak slowly." Loid said with a similarly frantic gesture.
After a few breaths, Yor continued.
"My coworkers told me that... a... w-welcome home kiss is a common thing between couples. B-But I couldn't do it earlier and you're too tired from work so I... just wanted to comfort you instead." She said and shyly looked at Loid.
Loid took a deep breath.
"Thank you, Yor. And I'm sorry." He said.
"What? You have nothing to apologize! I'm... the one who should say sorry."
"I'm sorry because I..."
His words trailed off once more as his body started moving on its own. It was as if his arm was no longer in pain and reached out for Yor's face. In an instant, Loid closed off the distance and pulled Yor into a kiss.
It was a kiss that was warmer than the tea they just had. Loid closes his eyes and thoroughly felt Yor's lips, his hand gently holding the base of her head. Yor was wide-eyed for a second before she let herself be pulled in deeper. To her, this first kiss doesn't taste like lemon. It was the sweetest thing there ever was.
All thought is lost, only this moment remains. And perhaps, it's just what Loid really needed as a reward after a hard day's work.
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findafight · 1 year
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Au idea I'll probably never write:
Steve as seven au, BUT he escapes at the same time as El in season 1. They get separated after Benny's, when seven tells eleven to run and definitely kills a couple government agents to give her more time.
So the a plot of will being missing and Mike finding El? Standard canon except El is ALSO looking for her brother and is worried about him. She sees that he's mostly safe and tries to help find will but also insists she go to her brother soon.
B plot of barb and Nancy...idk I haven't really thought about how that'd work without Steve's kickback. Maybe they go to a party (like actual party not the five person hangout) together and get separated and no one notices barb disappear from the edge of the lawn. Idk
The C plot is seven, kinda bloody and definitely cold, wandering out into the middle of the street, and one Robin Buckley almost running him over with her bike. She immediately clocks "guy who seems pretty fucked up" about him, and offers him a ride to her house. But Robin has never been the most coordinated of people and biking with a(admittedly probably too skinny) teenage boy sitting in her package rack is hard, and combine that with a guy driving like the devil's after him, they end up swerving of the road.
Eddie steps out, apologizes profusely, and offers them a ride. seven is sceptical, especially when both of them pause when he tells them his name, but does end up in the van. He finally gets a chance to breathe once they get to the Buckleys', and Robin gets him some leftovers.
He sits in front of the tv set to a blank station, tucks his head into his shirt instead of blindfolds, and tries to see El.
He sees her older, with flowers braided through long hair, laughing. Too far. He sees her with short curls, a patterned button down, eating something in a cone beside a mustachioed man. Too far again. He sees her tiny, scared, holding his own small hand. Not far enough.
Finally, finally, he sees her as she knows her now, mostly, standing beside a group of children and in front of a monster in a large room.
Eddie and Robin have no idea why their new friend? Has turned the tv on to static and is hiding in his shirt, but figure he's had a rough day. He pops his head back out, blood dripping from his nose, and grins, telling them he knows where his sister will be.
Anyways blah blah blah El sees where people ARE Steve sees where people have been/will be (based on where/who they are right now. Futura is constantly in motion etc).
Idk season 2 would happen very similar as canon minus stancy break up (they never date and are just friends) (also Steve tells Robin and Eddie he and El are safe and they pass it on to the kids) El finds Kali, Steve fights demodogs, etc etc.
But I want a (pre?) season 3 scene where Robin and Steve are hanging out as soulmates do, door closed because they are discussing Sensitive Subjects (gay shit) and giggling like schoolgirls. Hopper, in all his disappointed dad glory, opens the door and starts in on a rant about keeping the door open three inches.
Steve, bitch that he is, just tilts his head to the side and says "but that is for when we are with people we date. I am not dating Robin."
Hopper, not yet picking up what's happening, sighs. "Kid. It's about propriety. You can't be alone with Robin, because what if you do start dating. Then it's. You have to set an example for El!"(it would be a nice move bringing up Older Brother Responsibility, except...well.)
"but we aren't. I am dating someone else?"
"still need the door open three inches, pal. When El is home, at least"(El is almost always home)
"we do! And you complain about the loud music!"
"wait. Who are you dating? I thought Nancy was dating Jonathan still. She barely comes over." Hopper please pick up what Steve is putting down oh my god.
(hop has forgotten Robin is there and she is trying very hard not to make noise but Steve keeps meeting her eye sometimes because dear god. truly an iconic moment in friendship history.)
"yeah obviously. Eddie comes over all the time, though."
"what does Ed- oooh. Ah. I see. That's why you keep the door open even though he complains."
Steve nods like Hopper is the dumbest man on the planet. He might just be. "Yes. Because you said El had to and she asked why I didn't have to so then I started to leave it open when Eddie was over. At least Eddie doesn't laugh at you to your face"
"Eddie laughs behind my back?"
"he said you didn't know we were dating but I told him of course you knew, the door is open three inches."
Hopper clasps Steve's shoulders and looks him in the eye. "Steve, I need you to keep telling him that. And not mention this very awkward conversation we had."
"because he was right."
"he doesn't need to know that."
That's all I got lmao (also check the tag ramble I added lol)
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poepill · 10 months
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happy belated valentines day quodo upon thee! originally posted on ao3 for the quodo minifest, this was my valentines for @chacusha, who organized the event! i had a ton of fun drawing them and im definitely looking forward to next year <333
+ bonus art based on the comic by Kate Beaton, Javert is in Slash Fiction:
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starrynightarchive · 24 days
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it's so fun to write a fic for a well-known and loved ship. because you will walk inside this fic thinking "oh how bad can it be. eventually they'll kiss and it'll be okay." but then you realize the author is a bastard. and take max damage every time the said characters kiss.
i'm talking about this fic of mine btw
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luxaofhesperides · 5 months
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Ghostlights prompt enemies to lovers/opposite sides of a conflict? Depending on how serious the conflict is, it can be fluffy or angsty :)
The lights flicker above his head. Danny swallows roughly, trying to quiet his breathing as much as possible. It would be so much easier if he could just stop breathing completely, to use his powers to disappear from sight, slip around the rest of them and take them all out. 
His palms are sweating. Taking another steadying breath, Danny tightens his grip on the gun, shifting just slightly where he’s crouched, hidden out of sight. 
He can’t hear anything beyond his own rapid heartbeat, but that doesn’t mean he’s safe. The Bats thrive in silence and darkness, and this messy warehouse with its stacked shelving units is full of places for them to hide, waiting for him to cross their sights. 
There’s no one left to help him.
Danny’s on his own. 
No powers, he tells himself firmly. He has to do this as a regular human. The Bats will know otherwise, and he can’t risk it. Just remember what Mom taught you.
The lights flicker again, then go out completely. 
Now! 
Danny springs away from his hiding spot, searching the darkness for any movement. The Bats like to go up high, so he follows suit, sticking close to a wall as he scales his way up a shelving unit. Every moment sounds so loud, like a clap of thunder in the dead of night, and the back of his neck prickles with the feeling of being watched. 
He was never going to out run them. He can’t hide from them. The least he can do is take out as many of them as he can before they shoot him down.
His only saving grace is that Black Bat isn’t here. Last he saw, she was heading down a different street, chasing someone else. As long as he makes his move before she returns, there’s still a chance he can get out of the warehouse and try to escape them again. 
The clouds above Gotham drift apart, allowing the pale moonlight to shine down on the city. Moonlight streams in through the large windows and Danny moves to stay in the shadows, as out of sight as he can manage. He keeps moving, refusing to stay still; if they want to get him, then he’s going to do all he can to make it as difficult as possible. 
The top of the shelving unit is steady. Danny keeps one hand out, close to the wall, as he creeps across it, looking out over the entire warehouse. 
He’s close to the entrance now. All he has to do is drop down and run, and then he’s back out in the streets, no longer trapped in an enclosed space with some Bats. 
Danny reaches the edge of the shelving unit and prepares to jump when he sees a movement in the corner of his eye. Reacting instinctively, he throws himself out into the air, twisting to aim his gun at the flash of purple tucked against the side of a shelf. 
He shoots, one shot after the other, until he lands on the ground in a messy roll. 
Spoiler curses as she ducks away, sending a few return shots of her own, but with her hiding behind the shelf, taking cover. “Just give up!” she shouts at him, “We’ll get you sooner or later!”
“You were supposed to be on my side!” he returns, firing another shot before turning on his heel to sprint away.
“Plans change! Now I have a reason to take you down.”
Which means Black Bat got a hold of Spoiler earlier and got her to change allegiances. It must have been right before he reached the warehouse, still believing Spoiler to be on his side and frantically having to dodge her attacks before they lost each other in the labyrinth of the warehouse. 
So, that’s another person after his head. 
The streets are quiet, a rare treat in Gotham. He’s the only one out, running through the streets like his life depends on it. No doubt Spoiler is right behind him, determined to take him down. He hasn’t seen any of the others for a while, but they have to be somewhere in the area. 
Danny ducks into an alley and scrambles up a fire escape. At least out in the open air, he can pass off a few impossible jumps as being really good at free running. 
He runs, crossing a few streets, and throws himself into a roll, hiding behind an AC unit when he hears more gunshots. 
From the cursing accompanying it, Red Hood must be near.
That’s good. That’s someone who is (presumably) still on his side. 
He follows the noise to the top of a bakery, where he catches a glimpse of a disgruntled looking woman scowling from the window. He offers her a sheepish grin as he climbs by the window, her startled jump turning into rolled eyes as she closes the blinds.  
He gets to the top of the bakery just in time to watch Red Hood pick up Robin and throw him at Nightwing, who drops his gun in order to catch the kid. Taking his chance, Danny crouches on the edge of the roof and aims.
Nightwing falls to the side to avoid it, but he doesn’t manage it in time. Robin takes the hit, still held by Nightwing and unintentionally used as a shield.
“Oops,” Nightwing says as Robin scowls and brings out a shuriken, trying to stab Nightwing in retaliation.
“Nice one, kid,” Red Hood says. He offers Danny a high five, which he happily returns.
The moment lasts for only a second before another shot rings out and Red Hood stumbles forward with a curse, a splatter of yellow paint on his back. 
The Signal swings by, scooping Danny up with an arm around his waist. Red Hood moves to follow, but Nightwing is on him again, their fight beginning again as Robin hops off the roof and disappears from sight.
“Let go!” Danny demands, trying to wiggle out of the Signal’s grip.
“No can do. I’m winning this. My share of Alfred’s cake depends on this.”
Unfortunately for the Signal, Danny’s share of Alfred’s cake also depends on his victory. He’s already got a few points by getting shots in on the other team, small splatters of white paint decorating their costumes, but not as much as the others. He’s also got paint all over him, mostly black and blue, but the game doesn’t end until the Point Person (Danny for his team, Damian for the other) is taken to the other team’s base.
Danny’s team set up their base on the thrift store at the end of their designated game area. He has no idea where Duke’s team has their base, and he doesn’t intend to find out any time soon.
“Sorry,” he says, then shoves a foot between Duke’s legs to slam his heel against a pressure point just below the knee. 
The Signal bites back a pained yell and hits the roof hard. They both go rolling across it, carried by the momentum of his swing. To add insult to injury, Danny gets back to his feet and shoots Duke point blank in the chest, then makes another run for it.
“No you don’t!” he hears Signal yell from behind him, followed by the heavy thud of footsteps. 
Danny jumps, making it onto the next roof, adrenaline rushing through him. He tries to find a way back to his team’s base, but the Signal doesn’t let him past, trapping him in. They dodge paint bullets from each other, moving back and forth as if dancing.
And because Danny has abysmal luck, he trips over his own feet when the Signal lunges at him and he tries to spin away from him. 
“Woah!” 
The Signal drops his gun to catch Danny, pulling him close and steadying him. Danny clutches to the Signal’s arms, his own gun pointed off to the side awkwardly. They end up pressed together, barely any space between their faces. 
They’re frozen there for a moment, staring at each other. This close, Danny can see through the visor of the Signal’s helmet, and Duke’s eyes are just as wide as his. 
“Caught you,” Signal breathes, and Danny’s gaze drops down to his lips. 
He’s sure his own feelings are clear and on display in the moment, but he can’t help it. They may be on opposing teams, but a hero is a hero and being saved by the Signal never fails to make danny’s heart skip a beat. 
He really needs to get his head in the game. He needs to push the Signal away and try to get back to his own team. He needs to win so he can steal Duke’s share of Alfred’s cake. 
The Signal tightens his grip on Danny’s waist and leans in just a little, barely noticeable.
But Danny notices.
Fuck it, he thinks. 
Before he can overthink it, before his nerve get the better of him, before anyone swings by and interrupts, Danny closes the distance between them and kisses Duke. 
It’s just a soft, small peck. He pulls back almost immediately, cheeks flushed red, but doesn’t go far before Duke is kissing him again and again and again.
“Now is not the time, lover birds!” Spoiler shouts. They startle apart, giddy grin on their faces. Danny turns to see her land on the roof with her hands on her hips, waggling her eyebrows suggestively, and knows that neither of them are going to live this down any time soon. Nightwing and Red Hood follow soon after, trying to tackle each other, and almost bowl over Spoiler as Red Robin takes the opportunity to pop up out of nowhere, Black Bat on his tail, to shoot at Spoiler.
With all of them distracted, Danny shares a smile with Duke then darts back in for another kiss. 
Then he pulls back, shoots Signal again, and takes off with a laugh.
The game’s not over yet, but that’s not going to stop him from feeling like a winner anyways.
He is going to get that cake, though. Losing is not an option with Alfred’s baking on the line. Crush or not, Duke is going down.
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youchangedmedestiel · 1 month
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This ficlet is called "You are perfect the way you are" (also available on AO3). This came to me because I wasn't feeling so great. I wanted to hear those words, instead I wrote them. But if you need to hear them too, then this is my gift to you. And also, you are perfect the way you are! This is clearly not my most elaborate fic but if it can help at least one person to feel better, then it makes my day. I hope you'll enjoy reading it:
"I love you." Cas declares, his arms holding himself up above Dean, his hands resting on the mattress at each side of his face.
"What's that for?" Dean chuckles, because what else can he do when Cas is facing him, blue eyes piercing deep in his, honesty all over his face.
"You are smart." He says, kissing his forehead.
"Right." Dean answers, not believing a word of it.
"You are funny." Cas adds, kissing the tip of his nose.
"Cas." Dean says quietly, he wants to tell him to stop but he can't.
"You are kind." Cas keeps trailing his road, kissing Dean's cheek, noticing the light blush starting to grow there. Dean wants to hide it, so he turns his face towards Cas's arm. "Dean." Cas tries to make him look at him again, but without success. Instead he uses his other hand to grab Dean's chin and make him look up at him. They lock eyes and he adds, "you are beautiful." And he kisses his lips before Dean gets the chance to look away again. It's a chaste and soft kiss. Dean chases it when Cas moves his head away.
"Are you done?" Dean asks, acting annoyed but his blush betrays him.
"No." Cas answers, squinting his eyes. "Did you listen to what I said?"
"Yeah. I'm clearly out of your league." Dean jokes, but Cas isn't.
"Dean!" He says loudly, frowning. He softens quickly when Dean looks up, his eyes wide open, surprised by Cas's tone. "You are perfect the way you are and I love you." Cas insists on every syllables, never looking away from Dean's eyes. Even when you're joking and it's not the time, he thinks. Dean can't escape this, trapped by Cas's body against the mattress. The only thing he can do is watch how sincere Cas looks when he pronounces those words.
"I love you too, Cas." Dean whispers, lifting his upper body from the mattress to reach out for Cas's lips with his. That kiss is not as chaste as the previous one. He grabs the back of his neck and pulls him down with him.
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greenerteacups · 18 days
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hi GT!
Lionheart had me the moment you kicked it off with “it’s a nice day to start again.” Might i ask why you chose that particular line?
And, if you havent already answered to this emoji:
❄️
P.s: you have my eternal gratitude for creating the most brilliant piece of writing i’ll ever read. I shout about it from the rooftops, share it on my socials, requested my spouse to read it so we may discuss it together (in lieu of a present for my 30th birthday), et cetera.
I see from your URL you are a fellow lad of taste.
There's a couple things going on in the epigraph for Book 1. On one level, it's a lyric from the first muggle song I picture Draco listening to on his walkman at the end of the book, so there's a cute full-circle thing there. The second layer is the theme of change and redemption, which, in Lionheart, doesn't so much come from major moments or self-sacrifice, but from the slow, grueling, everyday work of living, and living better. It's a nice day to start again because every day is. You always have the opportunity to start making better choices, no matter what lies behind you. That's the thesis of any Draco redemption arc, right? You have to imagine that he could have chosen to be better.
And then thirdly, there's the audacity of doing a full Hogwarts canon rewrite, a good 30 years after the original books came out, millions upon millions of words of fanfic later, and basically asking everyone to read the same story they did the first time around, only different. So it's a kind of winking entreaty. It's saying to readers, many of whom are understandably wary of doing it over, zeroing out the characters to starting positions, and starting from the beginning with 11-year-olds all over again. It's going: "hey. That was fun, right? Why not do it again?"
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Hehe
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Satoru always: im just a little guy i did nothing wrong DO NOT look at all the war crimes my clan spent a fortune to erase from history
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hotluncheddie · 1 year
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stop being a goblin and let me kiss you
part 5
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‘fucking steveeeee harrington. fucking i just like hearing you talk about it eddie. i like listening to you eddie. i’m actually amazing and perfect in every way eddie. no no don’t mind me i’ll just make your heart melt out of your ass with how sweet i am and then give you a boner like it’s nothing and then act like these are all none issues for you and you’ll live to see another day!’ eddie grumbles, kicking a rock into the dark recesses of the trailers underbelly.
he shoves his toe into the hole the rock left and glances back at steve’s idling car.
steve is looking somewhere distinctly below eddies eye-line, mouth a little slack. but when he notices eddie looking he perks up, waves like they haven't just spent the last four hours together, like eddie didn't just get out of his car.
fucking dork. you’ve fallen for a dork munson what is this? who are you?.. a fucking ex jock dork.. who listens… and is kind and hot.. and was just looking at your ass.
ugh. ugh!!
eddie stomps closer to the trailer.
the little angel version of himself appears on his shoulder. christ not this guy, always bad advice with this one. 'he likes you, you like him, what's the problem?' little angel eddies little white wings flutter, his little halo glints. eddie growls to himself, yeah what is the problem? maybe the problem is that it’s steve. it’s steve and we’re eddie and that just isn’t gonna fly!
thankfully the little devil version is on the other shoulder. now this is the guy he normally gets good advice from, stuff he can follow.
'the problem is that this is steve harrington'
exactly little devil eddie! 'exactly!'
'and he probably has a big dick and you do not know how to handle that.'
oh my god.
'oh my god' eddie mumbles, scrubbing and hand over his face, tugs at his hair. little devil eddie leans on his little pitchfork, making a very obscene hand and cheek gesture.
'better to big dick than not dick at all right?' angel eddie is not helping. not helping!! ‘plus it’s steve! we know steve! he’s nice!’
and eddie softens, arms slack at his side because yeah, steve is nice.
he thinks about how steve would come see him at the trailer all the time because he was always over at max’s helping. about how he really did mean it when eddie could rent on his employee account so they could watch together and save eddie the money. or how when eddie was in the hospital, all tubed up feeling like day old baloney, steve managed to pull a little smile out of wayne, asking him about eddie as a kid and who he’s rooting for in the series.
god, fucking, damn it!!
eddie takes a deep breath. rubs at his eyes so he sees the red goo of his brain.
…come on munson. we promised ourself. no more running.
whirling around eddie bounces on his toes, fist gripping the front of his tee. says a little too loud and a little strangled. ‘you don’t, uh, you don’t wanna come in for a bit do you?’
steve jumps, getting out the car and locking it quick, dipping to smooth his hair down in the side mirror before strolling over to eddie. he spins his keys around on one finger and follows eddie up the little stairs to the trailer door.
lifting one arm up to lean on the doorframe steve looks at eddie who is very interested in his shoes actually, could do with a clean soon.
‘this where the magic happens ed’s?’
that makes eddie look at him.
dumb, pretty boy.
eddie lifts his hand, flourishing it so it looks like he produced the door key from behind steve’s ear. ‘you were here two days ago steve.’
steve stands up straight, looking at the key in eddies hand. ‘how did u do that?’ he looks so serious eddie can’t help but snort.
‘cute.’ poking steve in the chest eddie opens the door, holding it open and sweeping his arm to let steve through first.
little angel eddie and devil eddie fly in front of his nose and high five. disappearing with a cartoon 'poof'.
eddie sighs. follows steve fucking Harrington inside.
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part 1 (eddie) part 2 (steve) part 3 (eddie) part 4 (steve) part 6 (steve) part 7 (eddie)
(ty everyone who read this!! sorry that they won't be coming out consistently i am very much treating this as a fun thing to write when it comes to me so yeah. luv u mwah!)
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ruuinxs · 4 months
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saikechi “back to the old house” by the smiths the line “and you never knew how much i really liked you, because i never really told you”
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nostalgia-tblr · 5 months
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I watched Avengers: Age of Ultron (apart from I skipped some overly long action sequences) and I am not sure so can someone tell me whether or not Tony Stark was the baddy in that film? Because about halfway through I was sure he was but then it was maybe just an evil robot after all and I am confused because either this film was surprisingly subversive or it was about robots hitting each other.
#I CANT STAND THE CONFUSION IN MY MIND#also i get why people wrote wanda/sylvie. they should go on a wholesome chick-flick revenge-quest together. and also they should kiss.#also i am now only *half* joking about thor being in love with mjolnir#it kept doing Christianity Bits which was quite awks.#not sure why it used the bit about building the church on a rock for some metal i mean wasn't jesus making a pun there? about peter?#i think Vision might be Jesus? or else he's Dr Manhattan who's done a first year philosophy course. could go either way on that tbh.#BUT TONY WAS THE BADDY RIGHT? WAS HE? WAS TONY THE BADDY OR NOT????#with the homocidal glitches in what he thinks is his winning personality?#and all the weapons he's made and is in fact still making but now he only sells them to The Good Guys?#except look how easily they fall out with each other and also don't a lot of innocent bystanders die in their overly long action scenes?#also i need to write fic about whether mjolnir does in fact obey some unknown code that can be cracked if you set your mind to it#she does like Robot Jesus so apparently we can rely on her to make the major decisions from now on#the ending's a bit ominous - apparently someone's collecting those TVA paperweights to do... something? Oh no! :O#yeah i watched the MCU in the wrong order shut up this was inevitable and Marvisney should just embrace that at this point#(i know 'Marvisney' will never catch on but that will not stop me using it)#the loki series ending is but the latest installment of “unlimited power with no oversight is fine as long as the Good people have it”#UNLESS TONY WAS ACTUALLY THE BADDY. WHICH AS I MENTIONED I AM NOT AT ALL CLEAR ON.#maybe what i mean is was tony stark the baddy *on purpose*?#i only picked this one to watch next because tumblr gifsets told me thor wears a nice coat in it#which he does! but only for a small fraction of the film :(#journey into the mcu#the avengers (the marvel ones not the other ones)
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singsweetmelodies · 10 months
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AKA: angst, miscommunication and a/b/o, feat. brief/mentioned maxierre with piarles endgame (+ implied maxiel.) happy birthday @boxboxbrioche my love
"Hello, Charles," Max smiles when Charles runs into him (literally) in the Budapest paddock on Thursday. He's wearing the same Red Bull team shirt and jeans as ever, naturally, but something about him looks unusually relaxed and content. Sated, even.
Probably because he's been winning practically every race this season, Charles thinks. That's enough reason for anyone to be looking relaxed and content.
Still, when he steps in a little closer to fist-bump Max's proffered hand, he can't help but notice it. Max's scent is... more than just content. He smells like he's only just come out of heat, and whoever was taking care of him did a very good job of it. He doesn't smell like sex, precisely, but he smells like what Charles would imagine afterglow would, if it had a scent. Golden and lazy and sated.
Oh, he's got blockers on, of course, but Charles has always been blessed (or cursed, depending how you look at it) with a very good nose. So. He knows immediately.
Some too-perceptive instinct is telling him that the timing of this heat has something to do with Daniel's return to racing this weekend. Almost like Max... wanted to get his heat over with before he saw Daniel again?
...That's a big stretch, of course, and Charles would never dare say it out loud. (Except to Pierre, maybe, because Pierre loves theorising about the latest paddock gossip just as much as Charles does.)
So he just smiles politely at Max, and says "Hello" back, and wishes for Pierre to appear out of some corner of the paddock somewhere. It isn't that Charles hates Max, or whatever the media likes to spin, but it's also true that Max isn't Charles' most favourite person in the paddock. (Obviously, that honour goes to Pierre.)
No, Charles' and Max's relationship is simply that of colleagues - good enough, if a little bland.
Which is why Charles is not expecting it at all when Max leans a little closer with something that looks almost like a conspiratorial grin. Charles has no idea what Max might want to be conspiratorial about with him - it's not as though he's leaving Ferrari anytime soon, despite what everyone likes to speculate.
Surprisingly, what Max says to him is not racing or incident-related at all. "Do you know where Pierre is?" he asks, as though Charles is the most reliable source of the Alpine driver's whereabouts. (Charles shouldn't be, but he's very flattered.) "I still need to thank him."
"Thank him?" Charles echoes, a little puzzled. "For what?"
And then Max says the one thing that blows apart Charles' world and turns his day upside-down immediately. "For agreeing to spend my heat with me so last-minute."
He says it so casually, too, and Charles...
Well. Charles knows that many of the other unbonded omegas on the grid like to spend their heats with other drivers. This might seem contradictory at first, but the thing is - while they might not necessarily trust each other on track, you can always rely on the fact that another driver, at least, won't reveal details of that hook-up to the press anymore than you will. Most of the alpha drivers on the current grid are decent enough people off-track that you can trust you'd be taken good care of, too.
It's something that Charles has done himself, too, once or twice - mostly with Alex, who is always incredibly kind about it, and makes sure Charles is comfortable and well-hydrated afterwards.
But mostly, Charles spends his heats alone. He schedules them carefully so they won't interfere with races, and then he bears them on his own, teeth gritted as he works himself open over and over again and clings to whatever article of Pierre's clothing he can find nearby.
It's never good enough, never, but Charles has never really wanted another alpha. He only goes to Alex if his body genuinely cannot go without it anymore, and then it's purely a case of friend helping out a friend.
So, really, Charles has no reason to be this shocked that Max apparently spent his most recent heat with Pierre. The two of them are friends, aren't they? Much better than Charles and Max have ever pretended to be. There's no reason why they wouldn't spend a heat together, really.
Except...
Charles grits his teeth, and it's only years of media training that enables him to still pass it off as a smile. "He did?" he asks, tightly.
Max laughs, still happily unaware that he's taken Charles' day and shattered it like a glass breaking into unrecognisable shards. "Yes," he confirms, and then he bumps Charles' shoulder, almost unbearably conspiratorial again. "You, of course, would know why I now need to thank him."
No amount of media training in the world could have helped Charles keep up his smile in response to that. Max notices - how could he not - and his own smile falls. "You two have not...?" His voice rises up in the end, like he almost can't believe he even has to ask the question.
Charles tastes something sour in his mouth, and by the way Max flinches back, he's sure it must be all over his scent as well, blockers be damned. "No," is all Charles says, brusquely.
Max opens and closes his mouth for a moment, and then he reaches for Charles' shoulder. He hesitates, though, hand hovering awkwardly in the space between them. "I'm sorry," he says, and it sounds sincere. "For assuming. The two of you are so..." He makes a face. "You are good friends, so I thought if he would do it for me, he would of course do it for you too."
"No," Charles says again, and the word tastes acrid in his mouth. "We have never."
Not for lack of trying, Charles thinks bitterly, and then he forces himself to think of something else. Some excuse that Max will accept.
Fortunately, a little gaggle of people in bright Ferrari red are passing by, and Charles latches onto them with almost too much relief. "Ah, my team," he says, pointing. "I need to go."
It's stupidly obvious, as excuses go, but Max has the grace not to mention it. He just watches Charles go, biting his lip.
Charles wants to hate him. He wants to hate him more than anything else - for having a race-winning car, and a team that supports him properly, and championships, but more importantly than any of that, Charles wants to hate him for having Pierre.
It's not that Charles thinks Max is actually in love with Pierre, or even that they're courting. No, it was clearly just a case of friend-helping-out-friend. But even that is...
Unbearable. It is unbearable, because Charles hasn't had even that much.
Charles had only asked once, and only because he'd been stupid with pre-heat already and not thinking straight. Pierre's long, long silence before he'd said, very gently, "Charles... I don't think that's a good idea" had told him all he'd needed to know, anyway.
After that heat, though, Pierre had called Charles and made sure he was okay, and that he knew it wasn't personal, Pierre just didn't think it was a good idea to get that involved with another driver. Especially one who's also a friend.
Charles had accepted it at the time, and he's never had any reason to think that Pierre has changed his mind in any way.
Except now here Pierre is, apparently spending heats with Max fucking Verstappen, of all people. And, really. Out of everyone on the grid - every goddamn omega - it had to be Max, didn't it?
A part of Charles wants to fall to the floor in devastation, wants to tear at his hair and shake and cry to anyone who will listen, why doesn't he want me, why doesn't he want me?
But Charles remains standing, because even more than he's heartbroken, he's furious.
Pierre did not help Max through his heat because they're in love, or because they're courting. So, he must have done it as a favour to a friend.
Then why the hell would he not do the same for Charles?
Charles also asked him as a favour to a friend (and yes, maybe Charles wanted more, but he wasn't stupid enough to ask for that. He'd just asked for a favour, the way every unbonded omega on the goddamned grid asks their alpha friends for favours every once in a while.)
Pierre had said no, and that he doesn't do that. But he'd forgotten to mention the part where he apparently does do that.
If he were here, Charles might slap him clean through the face. It's not an urge he's often had when it comes to Pierre (or ever, really) but today...
Today. It's just. What the hell does Max have that he doesn't? Max and Pierre are friends? Charles and Pierre are better friends. Max is an omega? So is Charles, and he's better at that, too.
It's obviously not even about looks! Because Charles doesn't want to be rude, but he is definitely better-looking than Max. It's just a fact, as true as "the grass is green" or "Charles is Monégasque" or "Charles is in love with Pierre."
No. Fuck that. None of this makes sense.
If Pierre is willing to spend a heat with Max, then there's no reason why he can't help Charles through one, too. It's not like Charles is asking Pierre to love him back - no, he's long since made his peace with the fact that that, at least, is impossible.
Charles has always wanted too much, though, and if he sees even the faintest chance of getting what he wants, even if it is just in the form of a favour to a friend -- well. He will never not go for the gap.
So Charles waits, increasingly impatient, for his media and team obligations to be done for the day. As soon as they are, he heads for Alpine, because there is no way Pierre will have left already - he is far too dedicated to them, staying behind extra hours to learn as many names as he can and give as much feedback as possible and help with everything that needs helping.
Right, because isn't Pierre just so incredibly helpful. Normally, this would make Charles smile, fond - but today, it makes him want to snarl.
Helpful, yes. Except to him, apparently.
No. Charles will not accept that.
Various team members glance up when Charles storms into the Alpine hospitality, freezing with coffees half-way to their lips and tracking him like the spectators to a tennis match as he storms across their building and towards the driver's rooms. One particularly brave soul ventures an "Er..." but Charles is already across the room before he's even finished saying it.
Charles knows the way to Pierre's driver's room as easily as he knows the way to his own (incidentally, it's on the same side of the building) and it's mere seconds later that he's bursting through the door of Pierre's driver's room.
Pierre freezes when the door slams open, mouth caught in a comically surprised expression, but it relaxes quickly into a fond (if still somewhat surprised) smile. "Charlito!" he says, standing up and reaching a hand in Charles' general direction. "This is a nice surprise."
But Charles is not in any mood for pleasantries. "Did you spend a heat with Max," he asks, but it's not really a question as much as it is an accusation, pointed and sharp.
Pierre freezes again, the smile slowly dropping off his face. His scent goes bitter with unpleasant surprise. "I -"
"If you lie to me, I am going to slap you," Charles says, injecting the words with just enough of a snarl that Pierre will know he's not messing around.
Pierre's expression goes from shocked to hurt to angry almost faster than Charles can process. "I wasn't going to lie to you, Charlo. I would never. Not with you."
He sounds sincere enough about it that Charles almost feels guilty, but then Pierre adds, "He's just a friend who needed a favour" and Charles is right back to furious.
"I was a friend, and I needed a favour," Charles says bitingly. He doesn't have to say anything more, because he knows Pierre will understand exactly what he means.
Pierre's face shutters, closing off completely. Even his scent goes blank, like Pierre is deliberately shutting off every part of himself. "That's different."
"How?" Charles hisses at him, and Pierre obviously wasn't expecting the vehemence of it, because he stumbles a step back. "How the hell is it different, huh?"
Pierre's expression does something complicated, and he makes a rough noise, low in the back of his throat. "It just is," he says, and refuses to elaborate.
Charles is livid. "It just is?!" he explodes. "Tell me how it just is, Pierrot, because I sure as fuck don't get it. I am your friend - non, I am your best friend - but when I ask for this favour, you say no. Then when it is Max, you say yes?"
"It's different," Pierre says again, sharply, as though sharpness alone will make Charles drop the subject.
He really doesn't know Charles if he thinks that will work. "It is not different. Not at all. What, unless you are trying to say that you don't want me?"
"Of course I-" Pierre starts, then cuts himself off with a groan, dragging a hand down his face. "I don't want to do this with you, Charles."
"Well, I want to do this with you," Charles retorts, unfazed and as fuming as ever. "What is it, huh, Pierre? You prefer Max over me?"
"Of course not," Pierre says, and he has the audacity to sound almost offended.
"But you must, if you fucked him and not me," Charles snaps. He's not entirely sure what he's trying to accomplish here, but he knows - he knows that he's furious, and Pierre is being a fucking asshole, and he needs Pierre to admit that much. At least.
Pierre, however, seems determined to continue being a stubborn asshole. "It wasn't like that," he insists, and Charles sees red.
"It's exactly like that! I asked you to fuck me, to help me through my heat, and you said no because you do not want me."
And that, somehow, is the last straw.
"Shut up, Charles," Pierre growls - actually growls - at him. "Just, shut up. You don't know what you're talking about."
"Oh, I don't?" Charles snaps right back, goading. "Why don't you tell me, then?"
Pierre snarls again, guttural and furious, and Charles knows that he should be terrified. But right now, he's far too furious to care.
"Tell me," Charles goads again, because he knows that nothing will ever compel Pierre as much as a challenge will.
Pierre is breathing hard, his fists clenched, his shoulders rising and falling rapidly. "You think you know what happened with Max, huh?" he asks, and Charles has never heard him sound like that. Despite himself, it sends a thrill through Charles' whole body. "You think you know what I want and don't want?"
Charles lets his belligerent silence do the talking for him, and Pierre's eyes flash. "Well, do you know that none of it is true? Do you know that none of the rumours of me with all those omegas are true?"
"What do you--" Charles begins, but Pierre cuts him off with a single hand held up, raised as sharply as a slap.
"Do you know, Charlito," he says, almost viciously, "that I've never been able to date any other omega for longer than a few months because I was always comparing them to you?"
Charles jolts where he stands, all the breath wrenched from him. "What--"
But Pierre doesn't give him a moment to process that. "Do you know that I only agreed to spend this heat with Max because he was desperate and out of options?"
"Do you know," Pierre continues, dangerously soft, "that I had to think of you just to be able to come at all?" He stalks a single step closer to Charles. "Do you know that I had to pretend it was you all the time just so that my knot wouldn't go down?" Another step, and Charles is shaking all over, but he can't move. Pierre has him pinned down, completely rooted to the spot with his scorching gaze and world-ending words.
"Do you know," Pierre concludes, softest of all, "why I really said I wouldn't spend a heat with you?"
Charles isn't sure how he even manages to form the word. "Why?"
Pierre's eyes are so, so dark as he stops just in front of Charles, raising one hand to ghost just millimetres above Charles' collarbone. "Because," he says, and his voice is rough. "I knew that if I did, Charles, if I fucked you even just once, I wouldn't be able to hold back. I would bite you, then and there, and I would make you mine."
All the while that he's been speaking, Pierre has been tracing his fingers upwards, a slow, slow torturous slide mere centimetres above Charles' skin. Charles can almost feel the heat of his touch, almost but not quite, and when Pierre stops just below Charles' mating gland - Charles whines and shudders forward, the combination of Pierre's hand there and that word mine too much for him to resist.
Pierre's fingers touch the overheated skin of Charles' mating gland, and the world explodes.
Charles' knees buckle, and his head spins, and he has to press his thighs together in a desperate effort to ease the sudden and burning need there. He's wet, he can feel it, leaking slick all over the place just from that one touch.
Pierre jerks his hand back, of course, but even that split-second of contact was enough to destroy Charles perfectly.
Pierre is panting, and he looks about as wrecked as Charles feels. "So do not stand there and tell me that I don't want you, Charles," he says, and his voice shakes - anger or desperation, Charles can't tell. "Not when I have done nothing but want you for as long as I have known how to want."
Charles shudders, the full weight of Pierre's words sinking in on him all at once. As Charles stands there, processing, he watches as the world rearranges itself entirely.
Charles breathes in, and then he breathes out. "Fuck you, Pear," he says, only a little shakily. "No, seriously, fuck you. How obvious do you need me to be? I literally asked you to spend my heat with me!"
For a moment, Pierre looks so indignant that he forgets to be angry. "You asked it as a favour to a friend!" he protests. "I just said, I can't do that! Not if it's you."
"Yeah, well," Charles says waspishly, "I only asked it like that because I thought you would say no otherwise."
And all at once, Pierre's expression transforms as he comes to the same sudden and brilliant realisation Charles just had.
"Charles," he says, shell-shocked. "If you're saying what I think you're saying..."
He glances down at his hands, clenches them tightly into fists again, then looks back up at Charles, his gaze burning. "You have to know, you can't take it back. I'm not going to let you take it back. Not if you mean it."
"God, Pierre, you are so fucking stupid," Charles says, and alright, maybe he is still a little angry about the whole situation, after all. (He thinks he has the right to be, though.) "Why do you think I was so angry that you went for Max?"
When Pierre doesn't say anything immediately, Charles snaps off a sharp step into Pierre's space, flicking his fingers against Pierre's forehead. "Yeah, it's because I wanted you to choose me. Only me."
Pierre's hand comes up, grabbing Charles' wrist in a bruise-tight hold. He draws Charles' hand away from his face, but then he doesn't let go, just keeps holding on, fingers circling Charles' wrist like they're meant to fit there. "Only you?" he echoes, and it sounds like a question.
Charles nods, because there was never any other answer, and he's about to say it, too, but then Pierre kisses the words right off his mouth.
If Charles' world hadn't already exploded so thoroughly earlier, then it would now.
It's a good kiss. No, it's better than a good kiss - it's a fucking incredible kiss; Pierre's one hand still wrapped around Charles' wrist while the other finds its way to his waist, like it belongs there. Pierre kisses him like he's still a little angry, but also like he's never meant anything more, pouring every part of his soul into it. Pierre kisses him like he's already imagining the night they're going to spend together after this, and he kisses Charles like how he's planning to fuck him later.
Charles has no objections to that. None at all.
Well. Except the one.
He pulls away from the kiss, pressing his palm hard to the side of Pierre's face. "You're going to spend my next heat with me," he says, orders more like, and it's far too possessive, but he can't bring himself to care. Not one goddamned bit.
Pierre growls, low in his throat, and pulls Charles even closer to him. "No, chéri," he says, too-softly. "I'm going to spend every single heat with you from now on. Forever."
"Forever," Charles breathes, and then he kisses Pierre again, hard, making it a promise. "Forever."
#posted this at 01:16 which is not QUITE 1016 but as close as i could get on this fine evening#HAPPY BIRTHDAY BRIONYYYY#myfic#piarles fic#10 x 16#maxierre#(technically)#(they're really only there as a plot device to get us to piarles endgame)#in other news WHOA MY GOD THIS GOT LONG#(who's surprised....)#but i SWEAR the intention was just to write you something short and sweet for your birthday today since#since we'll only be releasing the main fic later#(well; i say short and sweet; but i don't think SWEETNESS was ever the intention. i wanted to write possessiveness)#(and also miscommunication and misunderstanding and all them GLORIOUS angsty tropes)#and since i have absolutely no self-control to speak of... here we are#BRIONY. my love. i love you so much#please accept this humble offering of my first ever publicly posted a/b/o on the occasion of your birthday#sorry for making the boys angry at each other but i unfortunately think it's very hot to make them scream confessions at each other#hot angry confessions... CHEF'S KISS#and i really hope you like this too!! and go as insane as i did over certain lines#because by God... i fear that you have created a monster#now that i have discovered a/b/o i am NEVER LOOKING BACK#this was so fucking fun to write oh my god. JEEZ#but anyways!! getting distracted here#HAPPY BIRTHDAY AGAIN MY LOVE#and before you say this is too much.... NO. we can never celebrate your birthday too much#this is just more proof to that end#LOVE YOU ENDLESSLY ❤️❤️❤️#briony's birthday bonanza 😘
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