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#moving on... ahem
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Bringing this back.
Vincent Price's introduction to The Bat (1959)
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pizzee · 1 year
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star light, star bright, first star I see tonight
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starheirxero · 5 months
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No but genuinely this is such a fun and fascinating turn to me!!
I will never truly get over the fact that Solar harbors guilt for "killing" his Sun and now the fact he's being hunted by the one other peson who should know that he didn't is gut-wrenching to me.
It almost mimics Lunar and Eclipse to me in some way. Just,, the vibe of "you should be the person who can help and understand me best, but instead you hurt me. Instead of being a supportive figure, I have to run away from you to feel a semblance of safety and normalcy. Instead of being able to cry into your arms, I have to raise my hands to shield myself from you." Yk????
Idk it just feels very sad to me and I can't fully explain why. It's just the ever-lingering "what could have been", I think.
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daily-hanamura · 6 months
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gummy-axolotl · 2 months
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:333 I wasn’t lying when I said Jax liked bondage
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Cube. Cube honey. Bestie. Darling. I. Am so normal. About this. I am completely chill and not dying. I am vibing. All good. Nothing. Yes.
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artsygreeen · 2 months
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I suck at lighting, still. Humanized the duck and rabbit in specifically The Looney tunes show. ( I feel like they have different styles and attires for each different piece of media, yk)
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Ok so I read the post on your thoughts on Gio and the American Dream and I hate to say it … as an immigrant, I understand him.
I also come from a culture where women tend to their male partner's needs and I don't believe he wants to turn Jo into a subservient wife. He fell in love with a lively, free, and wild Jo and loves that aspect of her.
At the end of the day she loves him too so why would she leave? I understand she doesn't like to be dependent of him but where else would she go? There are no parties or glamour, which was her whole thing, anymore. At least the farm offers stability in the economic crisis.
Point is, I understand Gio as an immigrant, but don't understand Jo as a woman.
BABES! We’ve got another one…
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(As in me being touched and having no other means to say how much I love y’all takes other than to give them a standing ovation in GIF form).
But you know…there’s a whole lot to break down here, friend, especially about Jo. I think you know what that means! Under the cut we go….
First and foremost, I very much appreciate you saying you understand that aspect of Gio. I did in part write him as a commentary on the immigrant experience in America (filtered through his own personality/character of course), and so to know that is relatable means a lot to me. I don’t think it’s a spoiler to tell y’all his journey is far from over, and you can already see the cracks in his outlook beginning to form. Whenever Jo is depressed he says this quite vividly:
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Because you are very, very correct. This isn’t about molding Jo into some subservient housewife, or even eroding those exact qualities that he loves in her. This is about Gio attempting to square what he’s been taught/believes will bring his life happiness and meaning with his own experience and emotions. It’s about the myth of the American dream and the perfect housewife and the very real struggle of those things existing as actual, lived realities.
Because at the root of it, Gio is amalgamating an understanding of his own family unit and what he knows he doesn’t want in this country. He has seen another methods of “making it” in America, and so he thinks if only he can make the “right” choices, he can avoid that, and become the respected and happy man that he wants to be.
Now onto Jo, boy oh boy, Jo….
I think one of the core misunderstandings here is that Jo wants stability. This is kind of the crux built into her desire for control and her never-ending failure to achieve it. She wants to control her surroundings, to make sure nothing and no one can hurt her, but she also wants to feel in a way that is hard to find in a stable, heavily domesticated life. On the flip side, despite whatever imaginary dream Gio has, he’s the same way. They both want a life filled with excitement and new experiences, new people and rushes of emotions. This is one of the ways they differ heavily from Antoine and Zelda.
Now on one level, this is simply the way Josephine is. She’s high energy, fun loving, and insatiable. But on a deeper level, this is tied into her experiences not only as a woman, but as a daughter. She has a brief moment of clarity in that last post where she realizes:
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Now I have chosen not to go too in-depth on Josephine’s trauma, but you can see her lay out the course of events here and also her deep hesitation to any of it here. Josephine is still only a teenager in that second post. Her mother not only told her things like that (“this is the weight that prejudice and expectation have placed upon us”) but also “what do you want to be then? Some glorified maid to a man?” (Which, frankly, I can write another Ted Talk about the juxtaposition here, but I think ya'll can pull some threads).
So when you see Josephine’s struggle with control, this is heavily rooted in bodily autonomy. Now all things considered, Josephine has managed to make great strides toward reclaiming this and reasserting not only her sexuality, but also her sense of self in her body. Gio knows this. We see him recognize and respect it quite clearly in that last post. He’s been part of that process for her, and that only adds another element of love, trust, and safety between them.
But on a fundamental level, neither Gio nor Josephine has made the connection between that trauma, her own personality, and why she hates her life now so much:
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Here’s the issue right now: Josephine doesn’t feel like she’s living her own life. We have seen how she would like to live in the 20s not just in the parties and glamour, but when she was managing bands. She wants to be fulfilled professionally, through helping people/places she believes in and bettering her own life by bettering theirs. That’s how she gets her joy, and that’s what she would chose to do if given the chance.
And right now, she does not feel like she gets to chose. You’re correct in that part of that is coming from the current economic situation. Again, she sees that herself here. She knows what demons are waiting outside her window, and how easily poverty can make them rearise. That only makes it worse. It doesn’t make the smell of bread (domestic security) any better or more comforting. It makes it bitter, because she didn’t chose it. She was backed into a corner by circumstance (and, as she can sense, by the choices men made for her without telling her), and now she feels like she can’t say no. That’s her ultimate trigger.
Now whether or not that loss of control is simply perceived, or should be offset by how “lucky” she is to be in a stable position in such precarious economic times, we might all have different options on. Even more, I’m sure each of us would answer differently for ourselves in that situation. I know I would. But for Josephine? Not only is this a life she will never find joy in, because even without her trauma, she is an ambitious, restless, and outgoing person with different goals for herself; but that added memory and pain makes her reaction to it all the more volatile.
Perhaps most importantly, Jo feels as though her life is being controlled again, whether by Gio, the reality of the world outside her window, or by her own guilt/love that makes her feel beholden to the people around her (just like it did to her mother). Because you’re right, she does love him. She wouldn’t leave because she doesn’t. If she leaves now, it would leave because she panicked, because she feels like she’s lost all the autonomy she worked so hard to regain and she’ll never feel the fulfillment she felt when she was successfully independent ever again. That’s the element I hope we can understand, even if it’s not what we would do.
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mmmairon · 2 years
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Thoughts on diluc's lil waist coat?
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Its so small it makes his ass look so breedable pleasant.
It makes it look pleasant.
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if waist not meant to be grabbed then why small?
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mrpsychokiller · 4 months
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im surprised all the objectums online havent gone crazy over Wild Sex (In The Working Class) by oingo boingo yet. its literally a song about being horny for industrial machinery. ive been unwell about this for like a year now
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roseofcards90 · 5 months
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I hate car dependency I hate having to rely on a car to go to places I hate having to pay for gas every few weeks I hate traffic being so normalized and one of the most inconvenient things in the world I JUST WANT MORE PUBLIC TRANSPORTATION 😭😭😭
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ghostlypanda · 2 years
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reasons to watch rise: "okay, todd. how about you trade us that dusty RV and we make you a new place to sleep, huh?"
please support rise of the tmnt by watching the show and movie over on netflix!! 🙏💜🧡
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Vincent Price
promotional photo for The Tingler (1959)
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rainymoodlet · 8 months
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Kiss Me in Komorebi+ 🌸
[Ep. 16] The Beach Episode Spa Arc
[ Part 6 of 15 ] 🌹
@julietisufferingwiththeuser @hallasimss @anarchosimdicalist @mattodore @morrigan-sims @gothoffspring
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vilochkaaa · 1 year
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my little headcanon about his appearance in his youth
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[.. there is something in the tags!!]
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shayberri789 · 10 months
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Once, just once, I would love for a show or series to have an aspec character and:
A) have it be confirmed in text
B) the fandom fucking respects it
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arklay · 1 year
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DIANA x ALBERT WESKER / template.
#mine.#pair: ewskers#oc: diana#click for better quality ♡#posting this before i start changing more things lmao but yes i went nuts and made my own psd from scratch... don't look at me#changed ages to birth years cause of how much time passes in the story!! and also gives cheeky fc for you hehe runs away#the checkboxes make me scream like he almost had a clean sweep it's so funny. and he could've had one more i'm not even joking. cause their#first kiss was technically both of them... like idk how to explain this but they were already standing close then diana moved even closer#and was tracing his jaw and such and they were just lingering while holding eye contact but he was the one who actually closed the distance#so i mean... yeah. she was just about to and he beat her to it!! but diana made the move to get them into that position in the first place#is what i mean. i just couldn't give him more it was already too hilarious lmao#can't tell if i like the lil icons but i can't doodle so peace and love on planet earth but yes i'm happy with how this came out hehe#clueless levels are cause they are clowns <3 i have a lot of thoughts about all that but yes they both take hints in some aspects but i#think they both have trouble telling if they are genuine or not or if they are misreading the situation or whether something is romantic or#not (unless ofc it's over the top and ridiculous. ahem. excella. cough. explodes her with my mind) but yeah hit him with the tism so he's#learnt how to read people very well as he's gotten older but i think when it comes to actual just genuine like wanting to get to know#someone and not just someone wanting to get in his pants he seconds guesses it a lot. and diana's all stems from being rattled by her past#experiences oughguhh and i mean her not actually having experienced proper feelings for someone until him lmao but she's got trust issues#also there were so many tropes i could use (thank you to bestie elliot for helping me finds names of things) but i had to do i got you a#drawer specifically because that moment has such a special place in my heart!! like i need to finish the wip where i talk about that cause#it makes me so silly i'm not even joking#anyway omg i hope the mentions work because doing this on the legacy editor after copying the html for beta one because the image just#didn't want to work in the beta image for some reason rip
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