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#mason weaver icons
editfandom · 1 month
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Mason Weaver - Kong: Skull Island, 2017
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boredmezzosoprano · 3 months
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I personally really liked the character of Mason Weaver in Kong: Skull Island🦍 in fact I might actually prefer her to the likes of Ann Darrow/Dwan - she’s not some vapid damsel in distress running around barefoot, she has a legit reason for being on Skull Island and she and Kong don’t "fall in wuv" they bond over protecting the inhabitants of Skull Island - I wish more action movies had a heroine like her! She’s much more like Dr. Ellie Satler or Ellen Ripley than Ann Darrow. Anyway I was thinking about what would happen if her character were to make a return to the series and if so who would play her because obviously if it’s in the present day then they would need somebody older (although they could still use Brie for flashbacks)? Here are some ideas I had:
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Sigourney Weaver - The character of Mason actually got her last name from the Alien icon so how could I not pick her!?
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Jessica Lange - perhaps as a throwback to the 1976 version of the story we could once again have Ms. Lange as the object of the big guys affection?
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Susan Sarandon - just because she’s a kickass actress, is around the right age, kinda looks like Brie and could believably play a former anti war photographer who’s probably dealing with some sort of PTSD. I would certainly watch that movie!!
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Helen Mirren - for similar reasons to Ms. Sarandon. Plus with her razor sharp wit and dry humour she could keep things real without it getting too sappy. Once again I would watch that movie!
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Adrienne Barbeau - This woman absolutely ruled the 1980s sci-fi scene and kicked ass while doing so! She mostly does TV roles now but I bet she would fit right into the Monsterverse!
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Anyways that’s just my opinion. What do you guys think?
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krispyweiss · 8 months
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Spooky Tooth Co-founder, “Dream Weaver” Gary Wright Dies at 80
- Keyboardist and singer collaborated with George Harrison and Ringo Starr
Gary Wright, the Spooky Tooth co-founder who pioneered synth rock with 1975’s the Dream Weaver, has died.
Wright was 80 and had been diagnosed with Parkinson’s disease and dementia.
Ambrosia, the band that backed Wright on his final gigs, called the musician “a big part of our hearts,” in announcing his death.
“Gary's iconic music added so much to our shows, and we always enjoyed having him with us,” the group said.
Wright was an original member of Spooky Tooth before going solo. Former Traffic (and later, Fleetwood Mac) guitarist Dave Mason said,” there’s a certain (and sure) brotherhood from those days, during that incredible era of rock ’n’ roll.”
“He leaves us all with great songs and was one of the good guys in this business,” Mason said of Wright. “I’ll miss this lifetime friend. Blessings, Dream Weaver.”
Wright collaborated with George Harrison throughout the 1970s, beginning with All Things Must Pass. His biggest solo success came with his 1975 album, the Dream Weaver, whose title track and “Love is Alive” became Wright’s best-known songs - numbers he would perform with Ringo Starr’s All Starr Band in the following century.
“Gary's vibrant personality and exceptional talent made every moment together truly enjoyable,” Stephen Bishop said. “His legacy will live on for many years to come.”
Wright released his final solo album, Connected, in 2010.
“May Gary Wright rest in peace and love,” Todd Rundgren’s Spirit of Harmony Foundation said.
9/5/23
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srvgers · 3 years
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brie larson icons
please like or reblog if you’re using/going to use !!
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dnvvers · 3 years
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Brie larson icons
reblog or ♡ if you use/save
tw: dnvvers
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editsbrielrsn · 4 years
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𝑴𝒂𝒔𝒐𝒏 𝑾𝒆𝒂𝒗𝒆𝒓/𝑩𝒓𝒊𝒆 𝑳𝒂𝒓𝒔𝒐𝒏 𝒊𝒄𝒐𝒏𝒔
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favsicons · 5 years
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like or reblog if you use or save please.
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inspiration-avatars · 5 years
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Brie Larson
please like/reblog if you use ♥
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fandom-lover20 · 3 years
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Requests Are OPEN
(I’m happy to do crossovers for anyone who like one)
I’ll do more than just romance ideas as well, if you want a father/daughter or best friends, siblings etc. that’s completely okay. This is also the same masterlist for if anyone wants any Match-ups, gifs, icons basically just anything you want. If it's in italics then it's because those are my favourite or the ones I just find easiest to write. One-shots: Whatever relationship you like, characters included and either writing prompt or small idea of what you want to happen Match-ups: Fandom (as many as you like), gender/pronouns and sexuality, basic description of physical features and some hobbies/interests, style, any extra info if you like
MINORS
⭐  - Headcanon
❤ - Romance
💋 - Smut
💛 - Fluff
🌹 - Angst
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MASTERLIST
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Requests are open for the following fandoms: 
The Alienist
Cyrus
John Moore
Laszlo Kreisler
Lucius Issacson
Marcus Issacson
Sara Howard
Stevie
The Breakfast Club
Allison Reynolds (the basketcase)
Andrew Clark (the jock)
Brian Johnson (the nerd)
Claire Standish (the princess)
John Bender (the criminal)
Buffy The Vampire Slayer
Angel
Buffy Summers
Rupert Giles
Oz
Spike
Willow Rosenberg
Xander Harris
Criminal Minds
Aaron Hotchner
Alex Blake
David Rossi
Derek Morgan
Elle Greenway
Emily Prentiss
Jennifer Jareau
Kate Callahan
Penelope Garcia
Spencer Reid
DC - (I'm not the biggest fan so the character list for this is short)
(any characters from)
Aquaman
Wonder Woman - I haven't watched 1984, sorry
Divergent
Caleb Prior
Christina
Eric
Peter
Tobias Eaton
Tori
Tris Prior
Will
Doctor Who
10th Doctor
11th Doctor
Amy Pond
Glee
Artie Abrams
Blaine Anderson
Britney Pierce
Finn Hudson
Jake Puckerman
Kurt Hummel
Kitty Wilde
Marley Rose
Mike Chang
Noah Puckerman
Quinn Fabray
Rachel Berry
Santana Lopez
Sam Evans
Tina Cohen-Chang
The Greatest Showman
Anne Wheeler
Charity Barnum
Charles Stratton
Jenny Lind
Lettie Lutz
Phillip Carlyle
P.T Barnum
W.D Wheeler
Grey’s Anatomy (up to the end of season 9)
Addison Montgomery
Alex Karev
Amelia Shepard
April Kepner
Arizona Robbins
Callie Torres
Christina Yang
Denny
Derek Shepard (McDreamy)
Finn Dandridge (McVet)
George O’Malley
Izzie Stevens
Jo Wilson
Lexie Grey
Mark Sloan (McSteamy)
Meredith Grey
Miranda Bailey
Owen Hunt (McSoldier)
Richard Webber
Teddy Altman
Harry Potter
Angelina Johnston
Blaise Zabini
Dean Thomas
Draco Malfoy
Fred Weasley
George Weasley
Ginny Weasley
Harry Potter
Hermione Granger
Katie Bell
Luna Lovegood
Neville Longbottom
Pansy Parkinson
Ron Weasley
Seamus Finnigan
(Young) Tom Riddle
Bellatrix Lestrange
Hagrid
James Potter
Lily Evans
Narcissa Malfoy
Newt Scammander
Nymphadora Tonks
Peter Pettigrew
Remus Lupin
Severus Snape
Sirius Black
The Hunger Games
Beetee
Cato
Cinna
Clove
Effie Trinket
Finnick Odair
Gale Hawthrone
Glimmer
Haymitch Abernethy
Joannah Mason
Katniss Everdeen
Marvel
Peeta Mellark
Primrose Everdeen
Rue
Inkheart
Dustfinger
Farid
Meggie
Mortimer
Knives Out
Benoit Blanc
Marta Cabrera
Ransom Drysdale
Kong: Skull Island
Cole
Houstan Brooks
Jack Chapman
James Conrad
Mason Weaver
Mills
San
Slivko
Lab Rats
Adam Davenport
Bree Davenport
Chase Davenport
Donald Davenport
Douglas Davenport
Leo Dooley
Marcus Davenport
Tasha Davenport
Mamma Mia
Sky
Donna Sheridan
Rosie
Tanya
Sam Carmichael
Bill Anderson
Harry Bright
Sophie Sheridan
Marvel Cinematic Universe (I haven’t watched WandaVision but it’s on my list, I just don’t want to ball my eyes out)
Baron Helmet Zemo
Bruce Banner
Bucky Barnes
Clint Barton
Darcy Lewis
Drax
Gamora
Groot
Jane Foster
Loki Laufeyson
Natasha Romanoff
Nebula
Peggy Carter
Peter Parker
Peter Quill
Rocket
Sam Wilson
Sharon Carter
Shuri
Stephen Strange
Steve Rogers
T’Challa
Thor Odinson
Tony Stark
Vision
Wanda Maximoff
The Mighty Ducks
Adam Banks
Charlie Conway
Connie Monreau
Dean Portman
Dwayne Robertson
Fulton Reed
Gordan Bombay
Greg Goldberg
Guy Germaine
Jesse Hall
Julie Gaffney
Lester Averman
Luiz Mendoza
Russ Tyler
Ted Orion
Terry Hall
NCIS
Eleanor Bishop
Kate Todd
Leroy Jethro Gibbs
Nick Torres
Timothee McGee
Tony Dinozzo
Ziva David
Now You See Me
Daniel Atlas
Dylan Rhodes
Henley Reeves
Jack Wilder
Lula May
Merritt McKinney
One Tree Hill
Brooke Davis
Haley James-Scott
Lukas Scott
Mouth McFadden
Nathan Scott
Peyton Sawyer
The Originals
Aiden
Davina Claire
Elijah Mikaelson
Freya Mikaelson
Hayley Marshall
Joshua (Josh) Rosza
Klaus Mikaelson
Kol Mikaelson
Rebekah Mikaelson
Pitch Perfect
Barden Bellas
Beca Mitchell
Chloe
Emily Junk
Fat Amy
Flo
Stacie
DSM
Kommissar
Pieter Kramer
Treblemakers
Benji
Bumper Allen
Jessie
Rush
James Hunt
Niki Lauda
Scandal (seasons 1-3)
Abby Whelan
Charlie
David Rosen
Fitz Grant
Harrison Wright
Huck
Jake Ballard
Mellie Grant
Olivia Pope
Quinn Perkins
Stephen Finch
Sherlock (RDJ Movies)
Irene Adler
John Watson
Sherlock Holmes
Sherlock BBC
Greg Lestrade
Irene Adler
Jim Moriarty
John Watson
Mary Watson
Molly Hooper
Mycroft Holmes
Sherlock Holmes
Suits (I'm halfway through S3, just finished thingy oils plotline)
Donna Paulsen
Harvey Spectre
Louis Litt
Mike Ross
Rachel Zane
Supernatural
Castiel
Charlie
Claire Novak
Crowley
Dean Winchester
Gabriel
Rowena
Sam Winchester
Teen Wolf
Adrian Harris
Allison Argent
Bobby Finstock
Chris Argent
Derek Hale
Hayden
Issac Lahey
Jackson Whittemore
Jordan Parrish
Kira Yukimara
Liam Dunbar
Lydia Martin
Malia Tate/Hale
Noah Stilinski
Peter Hale
Scott McCall
Stiles Stilinski
Theo Raeken
Twilight
Alec
Alice Cullen
Bella Swan/Cullen
Carlisle Cullen
Demitri
Edward Cullen
Embry McCall
Emmet Cullen
Esme Cullen
Felix
Jane
Jasper Hale
Leah Clearwater
Paul Lahote
Quill
Rosalie Hale
Sam
Seth Clearwater
The Vampire Diaries
Alaric Saltzman
Bonnie Bennet
Caroline Forbes
Elena Gilbert
Enzo St. John
Damon Salvatore
Jenna Sommers
Jo Laughlin
Kai Parker
Matt Donovan
Stefan Salvatore
Tyler Lockwood
Lexi Branson
Liv Parker
Valerie
Vicki Donovan
X-Men
Charles Xavier
Erik
Kurt Wagner
Logan
Raven
Youngblood
Dean Youngblood
Derek Sutton
Jessie Chadwick
Coach Murray Chadwick
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scotianostra · 3 years
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Shall we make a new rule of life from tonight: always to try to be a little kinder than is necessary?
 One of my favourite quotes by J M Barrie who died on June 19th 1937.
The creator of the boy who never grew up, Peter Pan was born and brought up in Kirriemuir, the seventh child to David Barrie, a hand-loom weaver, and Margaret Ogilvie, the daughter of a stone-mason. Surviving on the income provided by declining weaving industry, the Barries were never wealthy and it is from his early childhood experiences as a dweller in the tenements that Barrie drew his sympathetic portraits of the rural poor.
The death of his older brother, David had a profound effect on the young Barrie, His mother never recovered from the loss of her son, whom Barrie perceived to be the favourite and whose place in his mother’s affections he strove to replace. The psychological significance of Barrie’s relationship with his mother and his need for maternal approval are apparent in the uncritical, almost doting biography of her life which he published in 1896. The exploration of feminine identity was to become a marked feature of Barrie’s writing. The experience of death in childhood would also influence Barrie’s work, which is constantly pre-occupied with the themes of exile, immortality and the otherworldly.
Barrie’s most famous work is of course Peter Pan and his tussles with Captain Hook are legendary, but you might be surprised to know Hook was not in the first drafts of the story, the villain of the piece was actually Peter Pan himself!
The original draft to me sounds more like the Peter Pan inspired horror film in which the boys retain their youth and gain their powers, including flying, by becoming vampires.
Of course if you’ve read the books, you will know of them, they never really featured in the Disney cartoon, but were in the later film Hook.
Barrie himself described the original Peter Pan as a “demon boy” and depicted him kidnapping children from their beds in the dead of night. Although Peter’s image definitely softened once Hook was added to the story, he is still not an altogether heroic hero. As Allison Kavey, co-author of “Second Star to the Right: Peter Pan in the Popular Imagination,” told The Week, “He is selfish, devoted to his own entertainment, and except in battle scenes, incapable of taking care of himself. He also loves like a child, without thought to the effect his love has or what it will mean if he forgets for a while.
More on the Disney film and the character Tinkerbell, contrary to popular myth, Tinker Bell in the Disney movie was based on actress Margaret Kerry, not Marilyn Monroe. Stills of Kerry modelling Tinker Bell poses (including with giant prop scissors and other objects from the movie) can easily be found with a quick Google search.
Another myth is that Barrie invented the name Wendy, not true, the name Wendy in the playBarrie arrived at the name by shortening ‘my fwiendy-wendy’, reportedly how the young Margaret Henley, who had trouble pronouncing her Rs, referred to Barrie. But the name Wendy had been used as a girls’ name since the nineteenth century deriving from the much older name Gwendolyn. However Barrie is credit with inventing the term ‘Wendy house’. The name originates in the small house that Peter Pan builds around Wendy Darling when she is shot by Tootles, one of the Lost Boys. The idea came from the washhouse outside Barrie’s own childhood home.
Off Barrie himself, he was friends with some of the most important writers of the time — many of whom played on an amateur cricket team he started — including Arthur Conan Doyle, George Bernard Shaw, H.G. Wells, Thomas Hardy, Rudyard Kipling, P.G. Wodehouse, G.K. Chesterton and Robert Louis Stevenson. In fact, not only were Stevenson and Barrie well acquainted, so were their respective pirates — Captain Hook, wrote Barrie, was the only man ever feared by Long John Silver, the iconic villain from Stevenson’s “Treasure Island.”
Finally he gave Quality Street chocolates their name. One of J. M. Barrie’s less well remembered stage works was the 1901 comedy Quality Street, set during the Napoleonic Wars. The play is not read or revived much now, but its lasting legacy was in providing the confectioners, Mackintosh’s, with a name for their new chocolates in 1936.
Barrie’s own view of his mixed fortunes in the theatre was wittily summed up by his assessment that ‘some of my plays peter out, others pan out, a  bit like this post maybe? 
Anyway  Sir James Matthew Barrie passed away age 77 in Marylebone, City of Westminster, Greater London, he is interred back home at Kirriemuir cemetery, as well as Peter Pan his legacy includes  donating all the rights and royalties to “Peter Pan” in both the play and his books to  Great Ormond Street Hospital for Children in London
That hospital still benefits from this endowment. At the time of his death in 1937 he was Chancellor of Edinburgh University.
I’ll leave you with another quote from the man, please note though, the term “Scotch” was widely used back in his day rather than the more acceptable “Scots” we use nowadays.
“I've sometimes thought ... that the difference between us and the English is that the Scotch are hard in all other respects but soft with women, and the English are hard with women but soft in all other respects.”
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modernghostfare · 3 years
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cold war sex!?
uality headcanons. hi. everyone is out so i can do my list :)
NATO:
adler: the straightest man in the world. homophobic
baker: also really straight. not homophobic
bulldozer: bi. he likes milfs and twinks
hudson: mindnumbingly straight. homophobic
hunter: bi.
mason: STRAIGHT but he was reznov’s prison wife so
maxis: she can be bi.
park: bi
rivas: lesbiab
salah: bi
sims: GAY. spouse of lazar.
song: straight. not homophobic
stryker: gay. has never had a relationship
weaver: straight, sugar daddy
wolf: bi bc i rly like him.
woods: GAY. committed to bowman even tho hes died.
zeyna: bi, prefers women
bonus lazar is bi.
WARSAW:
antonov: i like him so hes bi. total loser.
beck: straight-ish
fuze: bi
garcia: straight, asshole
ghostface is gay
jackal: tough. gay but in the closet so hes like hypermasc straight
kitsune: straight, but only bc shes a guy. fucks milfs
knight: straight all around horrible guy to be around
naga: straight but he has fucked dudes. sort of just to see what the fuss is about
portnova: straight but shes a gay icon
powers: this is hard. i dont know. shes too busy to fuck it doesnt matter
stitch: gay.
stone: bi he will put his dick anywhere
vargas: gay. maybe.
wraith: shes so straight. homophobic
bonus perseus is bi
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The squad with a curly haired gf
Adler
Can you say, iconic hair duo?
Because, yeah lol
Russell is the rare example of a man who won’t give you shit for taking extra time to get ready to go out
Primarily because he also requires extra time to get ready to go out
It’s not that he makes a big deal of trying to ensure every last strand of hair is perfectly in place, mind you
More so that there’s a lot of steps in between when his hair is freshly washed, and when it’s ready to go, all gelled up and styled like it is
The cabinet under your shared sink is divided right down the middle with yours and his hair products
Of course, you would have no problem sharing, and you do in fact share certain things that you can
But your hair simply has different needs moisture and support wise, so you get all your own stuff
However, you have put some curling gel in his hair at least once, just to see how he'd look
It was not a very good look, but you both had fun trying it
Hudson
The exact opposite of Adler lol
While you and Adler would draw appreciative looks, you and Hudson get more like bewildered stares
It makes a bit of sense, considering just the powerful contrast between your glorious mane and his stark baldness
Hudson doesn't mind however
In fact, if anything, he finds it quite amusing
However, he could live without you draping your hair over his head now and then to "see what he'd look like"
Regardless, he does love your hair
It's so different from what he's use to, namely his lonesome bald himself, that is
He likes the soft texture between his fingers and against his stubble, and the fruity, flowery scent it always carries
Hudson has about zero skill with hair care, but if you're patient and willing, nothing would make him happier then learning how to help
This may come as a bit of a surprise to you, but he really is glad to do it...
As long as you can keep his secret safe ;)
Lazar
As an ethnic Jew, I think Lazar would have a lot more experience with luscious, curly hair then you'd think
He is undoubtedly a master braider and knows exactly what kind of protective styles would look good on you
Additionally, he loves doing this for you!
His mom has basically been preparing him for this all his life, so he's excited to flex his skills
And, while he doesn't necissarily use them himself, he has great recommendations for what kinds of creams, oils, and gels you should try
Personally, I suspect Lazar also has naturally curly hair, he just brushes and gels it to match the current style
However, if you encouraged him to go natural, he totally would
You'd be kind of like the sign he's been waiting for to do it lol
With a little shape up and some care, he looks amazing with his little floof top
From them on, the two of you strut around as the epitome of curly haired couple goals
And yes, you both do take great joy in telling people this is your natural hair when they ask where you got your perms from
Mason
Mason, sort of like Hudson, is a big of the unique smell and texture of your locs then anything else
He finds it comforting, and before long he starts to identify the most prominent smell from all your creams and oils as the smell of home
It's hard to explain, and he's afraid you might think he's strange for it, but...
Something about the reminder of you brings him to a safe place in his mind
The kind of place he didn't even think he had up there anymore
However, you don't find it wierd at all, quite the opposite in fact
You're glad that something as silly as the smell of your hair makes him feel at home, both physically and mentally
So, you makes sure to keep that particular product in your rotation whenever you can
Alex is not very good with hair care/styling however
He will try to learn if you want to teach him, but it just doesn't seem to click
So try not to expect much more then him helping you administer product and brush it through
This plays to his advantage though, as he's able to learn what it is that makes that smell he so adores
I say advantageous, because when he has to be away for longer periods, he buys one for himself, just to have
When he particularly misses you, he puts a dab of it in his own hair, just to have the smell follow him around
And why not? If nothing else, his justification is that it keeps his hair just as nice and silky too
Park
She's. In. LOVE
I hope you're ready to have your own personal stylist, because that's exactly what you'll be getting with Helen
Growing up, she was a big fan of playing dress up and princesses with her dolls
Now imagine how she'd feel as an adult with such a gorgeous head of curls in front of her
Unfortunately, doll hair and human hair care are quite different, and while she's easily able to grasp this of course...
She will need a bit of guidance on your hair care needs
But no matter how complex, she's game
It's very hard for her to pick out one thing she loves about your hair tbh
But, if she had to choose, she enjoys braiding it the most
It's also quite nice because, while her own hair is rather low maintenance, she does pick up a few useful tips and tricks from you on hair care
Of course, she does also appreciate that you don't mind returning the favor and giving her hair a bit of love
Before long the two of you would be walking around with absolutely perfect, hydrated and glowing locs
The effort may be a bit time consuming, but all that time together, and particularly the result it has, are so worth it
Weaver
He thinks your hair is the most gorgeous thing he's ever seen
If you two wanted to/were able to have kids, he'd be the type to pray all the kids get your hair
That's not to say he dislikes his natural, smooth and straight hair, that is
Just that he'd feel like quite the proud dad to have his beautiful little floofy haired family running around
But for now, he's more then happy to dote on you and your hair
He can manage a very basic braid, which might come as a shock to you, but if you want him to do anything more complex, he's going to need a minute or three
Also, he's quick to be proud of your hair on your behalf when someone compliments it
Considering perms were all the rage in the 80s, you basically get worshiped and for your curls and asked where you got them done a lot
It's funny at first, but a little tiring after a while
However, Weaver never seems to get tired of bragging on you
After a while, he's pretty quick to be the one saying "It's all natural" to those who inquire
You find it a little funny, but it does feel good to be appreciated so
Woods
Of all the others, he'd be the one to tease you a bit
Nothing all that mean or rude of course, more like in an endearing way
He nicknames you "Curls" almost immediately
At first it runs you the wrong way, and so he has to dedicate some effort to prove that he doesn't mean it like that
But in the end, he does manage to pull it off, and his teasing becomes something of an inside joke to you two
Only he is allowed to make jokes like that though, anyone else who tries it, even in a friendly way, gets snapped at
You do wish he'd ease up a little about it, but he can't help but be protective of you
Frank is a total lost cause when it comes to styling your hair
Honestly, you're lucky to convince him to even consider doing up your hair, but that's another story
He's one of those where if he can't get it right the first or second try, he gets to frustrated to keep going
With a little encouragement, he might be able to manage a basic braid
It does not look very good at all, but he tried
At first, he's a bit pissy over all the "girly" smells from your products overwhelming his living space
As well as the amount of time it takes for you to get ready in the morning
But he grows accustomed to it after a while and it doesn't bother him anymore
In fact, he goes down a similar route as Mason, and starts to identify the smells with a feeling of security
Woods would never go so far as to put scented anything in his hair, even as a token reminder of you, but...
He has been known to swipe one if your conditioners before a deployment, just to bask in the comforting smell now and then
It's probably stupid, but he likes to think it brings him luck, having that tiny piece of you with him out in the field
Just a little something to remind him to come home safe <3
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erictmason · 3 years
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The Road To “Godzilla VS. Kong”, Day Four
(Sorry for the delay on this one, Life proved just a bit too busy the other day to finish it; my “Godzilla: King of the Monsters” review is gonna be pushed back as a result too.  But!  No worries, on we go. ^_^)
KONG: SKULL ISLAND (2017
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Director: Jordan Vogt-Roberts
Writers: Dan Gilroy, Max Borenstein, Derek Connolly, John Gatins
Starring: Samuel L. Jackson, Tom Hiddleston, Brie Larson, John Goodman, John C. Reilly
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Technically speaking, Gareth Edwards’ “Godzila” from 2014 was the first entry in what is now generally referred to as “The Monsterverse”, an attempt by Warner Bros. Studios and Legendary Pictures to do a Marvel Studios-style series of various interconnected movies (and which, like most such attempts to cash in on that particular trend, hasn’t really panned out; “Godzilla VS. Kong” seems likely to be its grand finale as far as movies are concerned, the only two “names” it had going for it are Godzilla and Kong themselves, and even at its most successful it was never exactly a Powerhouse Franchise).  But the thing is, when that movie was made, the idea of a “Monsterverse” did not yet exist; it was only well after the fact that Legendary and Warner Bros. got the idea to turn a new “Kong” project into the building block of a Shared Universe of their own that they could connect with the 2014 “Godzilla”, with a clear eye on getting to remake one of the most singularly iconic (and profitable) Giant Monster Movies of all time.  As you might guess from that description, however, said “Kong” project also had not originally been intended for such a purpose; it would not be until 2016 that it would be retooled from its original purpose (a prequel to the original “King Kong” titled simply “Skull Island”) into its present form, which goes out of its way to reference Monarch, the monster-tracking Science organization seen over in 2014’s “Godzilla” and which includes a very obviously Marvel-inspired post-credits stinger explicitly tying Kong and Godzilla’s existences together.  
The resulting film is fun enough, all things told, but that graft is also really, distractingly obvious.
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Honestly, I wish I knew why I’m not, generally, fonder of “Skull Island” than I am.  It’s not as if, taken as a whole, it does anything especially bad; indeed it does a great deal that is actively good.  Consider, for example, the rather unique choice to make it a Period Piece; that’s decently rare for a Monster Movie as it is (indeed one of the only other examples that springs to mind for me is Peter Jackson’s 2005 remake of “King Kong”, which chose to retain the original’s 1933 setting), and it’s rarer still that the era it chooses to inhabit is an immediately-post-Vietnam 1970’s.  Aesthetically speaking, the movie takes a decent amount of fairly-obvious influence from that most classic of Vietnam-era films, “Apocalypse Now” (a fact that director Jordan Vogt-Roberts was always fairly open about), and it results in some of the movie’s strongest overall imagery (in particular a shot of Kong, cast in stark silhouette, standing against the burning sun on the horizon with a fleet of helicopters approaching him, one of a surprisingly small number of times the movie plays with visual scale to quite the same degree or with quite the same success as “Godzilla” 2014).  It also means the movie is decked out in warm, lush colors that really do bring out all the personality of its Jungle setting in the most compelling way and, given how important the setting is to the film as a whole, that proves key; Skull Island maybe doesn’t become a character in its own right the way the best settings should (too much of our time is spent in fairly indistinct forests especially), but it does manage to feel exciting and unusual in the right ways more often than not.  The “Apocalypse Now” influence also extends to our human cast,  which is sizeable enough here (in terms of major characters we need  to pay attention to played by notable actors, “Skull Island” dwarfs “Godzilla” 2014 by a significant margin) that the framework it provides-a mismatched group defined by various interpersonal/intergenerational tensions trying to make their way through an inhospitable wilderness, ostensibly in search of a lost comrade-is decently necessary.  Though here we already run into one of those aspects of “Skull Island” that doesn’t quite land for me.  Taken as a whole, it sure feels like the human characters here should be decently interesting; certainly, our leads are all much better defined and more engagingly performed than Ford Brody, to draw the most immediately obvious point of comparison.  Brie Larson (as journalistic Anti-War photographer Mason Weaver), Tom Hiddleston (as former British Army officer turned Gun For Hire James Conrad), and John C. Reilly (as Hank Marlow, a World War II soldier stranded on Skull Island years ago) definitely turn in decently strong performances; I wouldn’t call it Career Best work for any of them (Hiddleston especially feels like he’s on auto-pilot half the time, while Larson has to struggle mightily against how little the script actually gives her to work with when you stop and look at it) but they at least prove decently enjoyable to watch (Reilly especially does a solid job of making his character funny without quite pushing him over the edge into Total Cartoon Territory).  I likewise feel like Samuel L. Jackson’s Preston Packard has the potential to be a genuinely-great character; his lingering resentment at the way the Vietnam War played out and the way that feeds into his determination to find and defeat Kong is, again, a clever and compelling use of the 70’s period setting, it gives us a good, believable motivation with a clear and strong Arc to it, and Jackson does a really solid job of playing his Anger as genuine and poignant rather than simply petulant or crazed.  But there’s just too much chaff amongst the wheat, too much time and energy devoted to characters and ideas that don’t have any real pay-off.  This feels especially true of John Goodman’s Bill Randa, the Monarch scientist who arranges the whole expedition; the Monarch stuff in general mostly feels out of place, but Randa in particular gets all of these little notes and beats that seem meant to go somewhere and then just kind of don’t.  Which is kind of what happens with most of the characters in the movie, is the thing; we spend a lot of screen-time dwelling on certain aspects of their backstories or personalities, and then those things effectively stop mattering at all after a certain point, even Packard’s motivations.  A Weak Human Element was one of the problems in “Godzilla” 2014 as well, though, and you’ll recall I quite liked that movie.  There, though, the human stuff was honestly only ever important for how it fed into the monster stuff; it was the connective tissue meant to get us from sequence to sequence and not much more.  Here, though, it forms the heart and soul of the story, and that means its deficiencies feel a lot more harmful to the whole.
Still, those deficiencies really aren’t that severe, and moreover, like I was saying before, there’s a lot about “Skull Island” to actively enjoy.  The Monsters themselves do remain the central draw, after all, and for the most part the movie does a solid job with that aspect of things.  It does not, perhaps, recreate “Godzilla” 2014’s attempt to make believable animals out of them (even as it does design most of them with even more obvious, overt Real World Animal elements), but there is a certain playful energy that informs them at a conceptual level that I appreciate.  Buffalos with horns that look like giant logs with huge strands of moss and grass hanging off their edges, spiders whose legs are adapted to look like tree trunks, stick bugs so big that their camouflage makes them look like fallen trees…the designs feel physically plausible (especially thanks to some strong effects work that makes them feel well inserted into the real environments), but there’s a slightly-humorous tilt to a lot of them that I appreciate, especially since it never outright winks at the audience in a way that would undercut the stakes of the story. Kong too is very well done; rather than the heavily realistic approach taken by the Peter Jackson version from 2005, this Kong is instead very much ape-like but also very clearly his own creature (in particular he stands fully erect most of the time), with a strong sense of Personality to him as well; some of the best parts of the movie are those times where we simply peek in on Kong simply living his life, even when that life is one that is, by nature, violent and dangerous.  Less successful, sadly, are his nemeses, the Skullcrawlers; very much like “Godzilla” 2014, Kong is here envisioned as a Natural Protection against a potentially-dangerous species that threatens humanity (or in this case the Iwi Tribe who live on Skull Island, but we’ll talk more about them later), and while they’re hardly bad designs (the way their snake-like lower bodies give them a lot of neat tricks to play against their enemies in battle are genuinely fun in the right sort of Scary Way), they’re also pretty bland and forgettable, even compared to the MUTOS.  That said, they serve their purpose well enough, and their big Action Scene showdowns with Kong are genuinely solid.  Indeed, the movie’s big climactic brawl between Kong and the biggest of the Skullcrawlers has a lot of good pulpy energy to it (particularly with how Kong winds up using various tools picked up from all around the battlefield to give himself an edge), likewise there’s a certain Wild Fun to the sequence where our hapless humans have to try and survive a trek through the Crawlers’ home-turf.
Where things get a bit tricky again is when the movie attempts to put its own spin on “Godzilla”’s conception of its monsters as part of their own kind of unique ancient eco-system. The sense of Grandeur that gave a lot of that aspect such weight there is mostly absent here, especially; there are instances where some of that feeling comes through (Kong’s interactions with some of the non-Crawler species, for example, do a good job giving us an endearing sense of how Kong fits into this world), but far more often it treats the monsters as Big Set-Piece Attractions.  Which is fine as far as it goes, it just also means a lot of them aren’t as memorable or impactful as I might like.  Meanwhile, the way the Iwis have built their home to accommodate, interact with, and protect themselves from the island’s bestiary feels like a well-designed concept that manages to suggest a lot of History without having to spell it out for us in a way that I appreciated (I would also be inclined to apply this to the very neat multi-layered stone-art used to portray Kong and the Crawlers except that the sequence where we see them is the most overt “let’s stop and do some world-building” exposition dump in the whole movie).  But the Iwis in general are one of the more difficult elements of the movie to process, too; it seems really clear there was a deliberate effort here to avoid the most grossly racist stuff that has been present in prior attempts to portray the Natives of Skull Island, and as far as it goes I do think those efforts bear some fruit; we are, at the very least, very far away from the Scary Ooga-Booga tone of, say, “King Kong VS. Godzilla”, and that feels like it counts for something.  I just also feel like there’s some dehumanizing touches to their portrayal (in particular they never speak; I don’t mean to imply that Not Speaking equals Inhuman, but the fact that we are not made privy to how exactly they do communicate means we’re very much kept at arm’s length from them in a way that seems at least somewhat meant to alienate us from them), especially given their role in the story as a whole is relatively minor.  
At the end of the day, though, all the movie’s elements, good and bad, don’t really feel like they add up together coherently enough to make an impact.  And I think if I had to try and guess why, even as I find it wholly enjoyable with a lot to genuinely recommend it by, I don’t find myself especially enamored by “Skull Island”.  It has a lot of different ideas of how to approach its story-70’s pastiche, worldbuilding exercise, Monster Mash-but doesn’t seem to quite succeed at realizing any of them fully, indeed often allowing them to get in each other’s ways.  It isn’t, again, a bad movie as a result of that; there really isn’t any stretch of it where I found myself bored or particularly unentertained.  But I did paradoxically find myself frequently wanting more, even as by rights the movie delivers on basically what I was looking for from it.   
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srvgers · 3 years
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rabbitcruiser · 4 years
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Around Central Park, Manhattan (No. 1)
55 Central Park West is a 19-floor housing cooperative located on the Upper West Side of Manhattan, New York City. The building was designed by the architectural firm Schwartz & Gross, and built in 1929. The building is a contributing property within the Central Park West Historic District, which is listed on the National Register of Historic Places.
The building holds significance in American popular culture because the plot of the 1984 film Ghostbusters revolves heavily around it. Although the building does not have an official name, it is often colloquially referred to as The Ghostbusters Building, The Shandor Building, The Shandor Apartments or Spook Central, the fictional names it is given in the film.
Plans for the building, between 65th and 66th Streets, were filed by architectural firm Schwartz & Gross at the behest of Victor Earle and John C. Calhoun, for whom they were working. Earle, and his brother Guyon, had been actively developing the Upper West Side of New York City since the 1910s.
The structure is considered to be mostly "second tier"[4] by the socialite New Yorkers who occupy most of the buildings along Central Park West. It was opened as a rental property in 1930. Its neighbor to the south is the earlier Holy Trinity Lutheran Church. Upon its opening Real Estate magazine praised it as resembling "Jungfrau, that most beloved snowcapped Alpine peak."
Musician Rudy Vallee and industrial designer Raymond Loewy were two of the building's earliest residents. Ginger Rogers was one of its residents during her Broadway days in the early 1930s. Hat designer Lilly Dache with husband Jean Despres of Coty Perfume were residents following their 1931 marriage until 1935. Other residents of the building have included Donna Karan, Calvin Klein, Noel Ashman, Ring Lardner, Jr., and Marsha Mason. The duplex penthouse on the 19th and 20th floors was owned by composer Jerry Herman in the 1970s, before he sold it for $1 million to Klein (who later sold it, and then bought it again in the 1990s). David Geffen later purchased it for $6 million, before selling it for $8.6 million to music executive Steve Gottlieb, who in turn listed it the week his record label TVT Records filed for bankruptcy. He sold the apartment to Marc Lasry (co-founder and CEO of the Avenue Capital Group) for $33 million in 2014.
The exterior of the building is somewhat non-traditional. As the brick facade rises from the ground it changes shade from deep purple to yellow-white. Color was widely used during the 1920s as a tool in architecture for overall effects. The rental brochure stated: "new modernistic design of exterior with beautiful shaded color scheme". The New Yorker's architecture critic, George S. Chappell, praised the building's use of color, said, "the total effect is exhilarating."
The building is a contributing property to the Central Park West Historic District, which was added to the National Register of Historic Places on November 9, 1982. It is also a contributing property to the New York City's Upper West Side / Central Park West local historic district. Benjamin Schwarz, writing for The Atlantic, said of the buildings along Central Park West, "no endeavor on earth is more arduous than getting into one of these buildings," and specifically cited the "details of Donna Karan's deal for her digs at 55 Central Park West."
The building holds significance in American popular culture as it was prominently featured in the 1984 comedy Ghostbusters. In the film, "550 Central Park West" – known also as The Shandor Building, The Shandor Apartments or "Spook Central" by Dr. Ray Stantz (Dan Aykroyd) – was the residence of the Ghostbusters' first client, cellist Dana Barrett (Sigourney Weaver). They later learn it had been designed and constructed by insane architect and surgeon Ivo Shandor, who founded and led a secret society in 1920, The Cult of Gozer. Consisting of over a thousand followers, The Cult was dedicated to the worship of Gozer the Gozerian, an ancient, ultra-powerful, apocalyptic entity first worshipped by the Hittites, the Mesopotamians and the Sumerians. The members of The Gozerian Cult were the original occupants of the apartment building, which Shandor had devised as a modern-day ziggurat. They performed bizarre rituals on the roof after its completion (the actual building was built in 1929), seeking to summon Gozer The Destructor and end the world. Since Ghostbusters first hit theaters, 55 Central Park West has been known as the "Ghostbusters Building;" it was portrayed much taller and with the rooftop temple, via the eight floors that were added to exterior shots of it via matte painting by Production designer/Art director John DeCuir. The Gozerian Temple consisted of its massive, ornate shrine, altars, obelisks and the iconic gargoyle statues depicting The Terror Dogs, Zuul The Gatekeeper and Vinz Clortho The Keymaster.
Source: Wikipedia
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leiaofrph · 6 years
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By clicking the link below you will be taken to a page with 253 gifs of actress Brie Larson in her role as Mason Weaver in Kong: Skull Island. All of these gifs were made by me so please don’t claim as your own, post in a separate post, or post in your own gif hunts. Please contact me if you wish to crop these into gif icons as I would like credit if you redistribute.
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