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crazyyfilmyfreak · 2 years

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Okay Guys this is going to be one long ass post / Rant and you guys know what is a love letter right ? and this is my hate letter to mcu for what they have done to hulk ❤ So you have been warned and you can skip this post if you want now

So lets just go back in time even before the whole mcu shit show has started , HULK IS DEF ONE OF THE MOST POPULAR COMIC BOOK CHARACTER OF ALL TIME IN MARVEL, like TOP 5 OR EVEN TOP3 Famous & popular ... Spidey , Xmen , Hulk & FF4 That's how the order would be if you ask me the top4 and anyone who were born before the mcu era would know this HULK HAS THAT HUGE STARDOM & FANS and THERE HAVE BEEN 2 VERY SUCCESSFUL LIVE ACTION HULK TV SHOWS & 2 MOVIES OF HULK & A FEW ANIMATED SHOWS EVEN BEFORE THE MCU HAS STARTED , HE IS THAT FAMOUS...Like he is such an iconic & legendary Super hero / Anti Hero and everyone knew about him & " Don't make me angry , you wouldn't like it if i am angry " line is more famous than all the avengers in the OG Mcu avengers team there were so many tv shows & movies where they used this particular line as a reference to hulk 😭 So you guys know what i am talking about right ? All i am saying is HE IS THAT FAMOUS & HE IS LOVED BY EVERYONE BACK THEN AND HE IS A VERY IMPORTANT COMIC BOOK CHARACTER OF MCU ..Even in mcu the very first movie after D tier super hero iron man was INCREDIBLE HULK ( IRON MAN IS FAMOUS NOW AND I TOO LOVE HIM AND HE'S MY ALL TIME FAV IN MCU But lets be honest he was just a C or D tier Super hero before the mcu ) so by now i have established how famous,loved & important hulk is even before the mcu started and if you don't believe me you can always go and check the record sales , the comic sales , the trps , the older blogs and what not and you too would agree with me 🤷🏻‍♂️

HOW MCU DEALT WITH HULK

Now lets talk how the Mcu has dealt with such an iconic & legendary Superhero/Anti Hero

Remember this line ?

" I got low. I didn't see an end, so I put a bullet in my mouth... and the other guy spit it out! So I moved on. I focused on helping other people "

You See how Dark & Deep this is ? He was physically & mentally abused as a child and his mother was dead when he was a kid and you know who abused him & who killed his mom ? BRUCE'S OWN FUCKING PSYCHOPATHIC DAD ... YEAH THAT'S HIS ORIGIN & then he had to fucking fight with himself every fucking day to live & then there's a raging monster inside him who also didn't make it easier for him but did we get to see all this stuff onscreen

NO But Here's a deleted Scene From Incredible Hulk ... The Incredible hulk may not be liked by many fans but trust me even tho it has its flaws its not a bad movie atleast the makers were trying to create a fucking real cinema and lots of footage has been cut and didn't even make it into the final cut but i am very thankful to this movie bcoz the makers atleast took Hulk seriously in this movie and they wanted to tell something about him and i fucking love the movie idc about others but guess what the marvel heads has removed ed norton from future hulk projects bcoz he was a little too passionate with the character and was involved in making the hulk movie and later casted mark ruffalo... they wanted some puppet who will just sit back to do what they ask for 💀 instead of fighting back for the character & questioning the Execs i think that's a lil too much for Mcu heads anyways moving on

1. THE ORIGIN HAPPENED OFFSCREEN

And Jen who knew all of this had the audacity to make fun of bruce's trauma in She Hulk Episode 1 ❤❤❤ you guys know why Jen has no alter where as Bruce has a complete different personality the HULK When he gets angry? ITS BECAUSE OF D.I.D ( Dissociative identity disorder ) & for the Dumb heads who didn't understand yes this is the same condition marc spector from moon knight also had and Bruce also has this condition and the root cause for this is his never ending trauma that he had faced thru out his life ... HULK IS HIS ALTER , HULK IS NOT A MONSTER HE IS THE ONE WHO SAVED BRUCE , Just like how tony Said in the original Avengers movie HULK IS THE REASON WHY BRUCE IS ALIVE TODAY AND NOT EVEN ONCE MCU ADDRESSED BRUCE'S D.I.D OR EVEN HIS TRAUMA , HULK IS A VERY DEEPER & INTENSE CHARACTER & mcu didn't even touch the tip of the ice berg they are too very much far from it 😭

and this is what jen said about in She hulk EPISODE 1 🤗❤ SHE KNOWS EVERYTHING BRUCE HAS BEEN THRU NOT ONLY DOES SHE UNDERMINE BRUCE'S TRAUMA BUT ALSO MAKES FUN OF IT & NEVER EVEN APOLOGISED FOR IT ... The Comic Book Jen would fucking beat mcu jen to death for this sole fucking person... my comic book jen would never do this 😭 now tell me how do i have a remorse for jen in mcu after this ? or even give a fuck about her or care about her ? but Still i was open minded and watched the remaining show

And we all very well know HULK is the main highlight and the SPECIAL X-Factor of original Avengers movie HE MADE THE MOVIE SO MUCH BETTER & HE OVER SHADOWED EVERYONE IN THE LAST 10-15 MINS OF THE MOVIE Even tho he had such less screen time

AVENGERS 1

Later we see him Avengers AOU and he takes a Fucking flying Ship and goes to some unknown planet and we don't fucking know what he did those 2 fucking years ofcourse in thor ragnarok we learn he's in Planet Sakaar but again

2. WE DON'T HAVE A FUCKING CLUE WHAT HE DID IN THOSE 2 YEARS

3. And ALSO WE GET THROWN INTO OUR FACES THAT HULK IS IN CONTROL FOR 2 CONTINUOUS YEARS AND BRUCE WAS NOT EVEN IN THE CONSCIOUS ATLEAST ONCE JUST LIKE THAT??? NO BACK STORY WHAT SO EVER

A LOT OF CHARACTER DEVELOPMENT AGAIN HAPPENED OFFSCREEN

Also i really Do enjoy #ThorBruce in Ragnarok & i was so happy to see bruce smiling & laughing in that film but lets be honest Hulk is a fucking joke & a clown in that movie 😭 i am so sad to say this coz only ed norton,Louis Leterrier & joss Whedon were the only ones who treated hulk with some respect & dignity

Guess what the events of Avengers age of ultron, Events in thor ragnarok & Events that occurred in Avengers infinity war All this happened to bruce within in a single fucking day 😭 YEAH AND NO WE NEVER GOT ADDRESSED ABOUT THIS FACT & HOW MUCH THIS MIGHT HAVE EFFECTED HIM

Now REMEMBER the First Fight in Avengers Infinity war ?

Where Thanos Beats the shit out of Hulk after loki says " We have Hulk " which is also the same thing tony said to loki in Avengers 1 when hulk was not a joke and that was the time when makers took hulk seriously but guess what happens now Thanos beat the shit out hulk w/o even using his Stones 💀 You know why they did that ? Russo brothers wanted to establish the fact that " Thanos is more stronger than the STRONGEST AVENGER WE HAVE EVER SEEN " They wanted to elevate the character of Thanos by downplaying hulk & undermining him

But you know What would happen in a comic book world ? Thanos would die a 1000 times before he could beat hulk and he would have never beat hulk in the first place with out using those infinity gems 😭 BECAUSE BY DEFINITION " THE MORE ANGER YOU MAKE THE HULK THE MORE POWERFUL & STRONGER HE BECOMES " So By definition itself You can not beat hulk coz if you are winning the battle he will get more angry & he becomes more stronger and even BIGGER which will make it impossible for thanos to beat hulk in Infinity war 😭 but yeah anyone who read a comic about hulk would know this fact but russo mfs DON'T FUCKING CARE and Hulk doesn't even come out later in the movie and there is again a big inner conflict between Bruce & Hulk now did we get to see that ?

4. NO WE DIRECTLY FUCKING SEE SMART HULK IN ENDGAME

Again like always the character development & Story of hulk happened off screen💀🤷🏻‍♂️

NOT ONLY HULK DIDN'T GET A SECOND CHANCE TO FIGHT AGAINST THANOS BUT HE WAS ALSO COMPLETELY AND UTTERLY USELESS IN THE BATTLE AT THE END IN AVENGERS END GAME 😭 AND DONT GIVE ME THE CRAP HE BROUGHT BACK HALF OF THE POPULATION BACK THAT SEQUENCE WAS DONE RIDICULOUSLY BAD ... After all this shit as a fan of hulk the comic book character whom i have admired since a kid and seeing the way he is being mistreated in mcu it fucking hurts and makes my blood boil and finally when i heard they were making SHE-HULK You know how happy i was 😭 ? i was dancing on the sky & stars COZ I WAS FINALLY WE ARE GETTING A GOOD HULK CONTENT But mcu again let me down 😔💔 & ruined the show for me ..... Not only mcu jen is not at all comic accurate but it is really hard to like her or even care for her they made it that hard for the viewers but still i rooted for her and even want the best for the character and SHE DESERVES BETTER AND HULK DESERVES BETTER... THE CHARACTER DOESN'T FEEL COMIC ACCURATE & THE WAY THEY WROTE HER ALSO SUCKS AND THE SHE HULK SEASON i will not say it is completely bad but it is definitely very very very underwhelming and below par , i loved , admired & enjoyed every marvel series that has released so far from wanda vision to miss marvel and yeah miss marvel & moon knight were also not comic accurate but they ATLEAST HAD SOME SOUL & HEART IN THOSE SHOWS... MOON KNIGHT FOCUSED ON MENTAL HEALTH ISSUES & SHOWED US MARC'S D.I.D WHICH VERY MUCH MATTERS & MS. MARVEL HAS DONE A LOT TO REPRESENTATIONS AND THRU OUT THE SHOW THEY SPOKE ABOUT THE CONSEQUENCES THAT HAPPENED BCOZ OF BRITISHERS & There was something serious happening in those shows , they had a story to tell, characters to discuss , themes to display & they addressed about some issues that needed awareness but SHE HULK 💀💀💀 WHAT A JOKE

THEY THREW 4 FUCKING FILLERS AT OUR FACE , THERE WAS NO FUCKING NARRATIVE WHAT SO EVER & THE WRITING IS SO AWFUL & CHARACTERIZATIONS ARE SO BADLY DEALT AND THEY THOUGHT THEY DID STH WITH THE FINALE 😭😭😭 I get it i get it The makers of she hulk are basically trolling themselves and jen coming out of the disney plus and talking to writers is straight out of the comics like in byrne's run in comics where jen asks for a better ending 😭 and yes mcu is trolling itself they acknowledged their problems in story telling and they want to us to laugh along with them and they know their mistakes but the joke has over stayed its welcome & it is so meta that it made me cringe af after some time 🤢 like i am glad y'all are self aware and obviously i wouldn't want a crappy routine mcu format finale So why don't you give us a good finale 😭 instead of ending the show with so many loose ends & plots w/o answering them and IF YOU LOVE THE ENDING YOU ARE ALSO SUCH A FOOL COZ WHAT ABOUT THE FIRST 8 EPISODES WHICH LEAD TO THE FINALE EVENTS 😭 ITS DOESN'T MAKE SENSE AS THEY WERE THE CLICHE MCU FORMAT EPISODES so are you saying all this was useless & such waste of time 😴 its like you are contradicting yourself man

Also guess what 5. WE AGAIN DON'T KNOW WHAT HULK DID IN PLANET SAKAAR IN SHE HULK & WE ARE DIRECTLY THROWN THAT HULK HAS A SON WHO IS SKAAR

LIKE ALWAYS A LOT OF STORY & CHARACTER DEVELOPMENT & ARC OF HULK HAPPENED OFF-SCREEN FOR THE NTH TIME 😭😭😭

Also do i even have to talk about how awful the design of She Hulk is ? its obviously not the vfx artists faults but its mcus fault for forcing the vfx artists and torturing them thru out the process and forcing them to finish the project even before the dead line & constantly changing the designs & their ideas and every one knows how pissed the vfx artists were coz they were abused too in a toxic mcu environment in the studios So we can't blame them BUT WE CAN BLAME MCU EXECS & MAKERS OF SHE HULK COZ OF HOW AWFUL & UGLY THE VFX WAS & HER DESIGN WAS THRU OUT THE SHOW 😭 and its okay if you liked / loved the show and liked / loved the show and every thing i said might not be true or i am 3000% right in here but the ones who are dickriding should STFU 💀💀💀 DON'T TAKE EVERYTHING THE MCU IS THROWING AT YOUR FACES BLINDLY QUESTION THEM & BOO AT THEM SO THEY WILL GIVE US BETTER CONTENT IN THE FUTURE & the people who might disagree with me rn i know some of you will agree with me after some time later in the future 😌👍🏻 i am pretty sure about that ... All in All

All i am Saying is

HULK DESERVES BETTER TREAT HIM WITH RESPECT & DIGNITY

JEN & SHE HULK DESERVES BETTER

MCU / MARVEL PLEASE DO BETTER

MCU CAN REDEEM THEMSELVES FOR WHAT THEY HAVE DONE SO HULK WITH JEN & SKAAR BUT AFTER WATCHING SHE HULK & THAT CLOWN ASS HAIR CUT OF SKAAR 💀💀 I AM NOT REALLY OPTIMISTIC ANYMORE & Since we are on this topic i also want to put this out if mcu can work with sony and use spiderman & make a fucking trilogy and give the 70% of profits to sony what's stopping them from making a hulk movie with the universal studios ? you know what ? THEY JUST DIDN'T CARE ENOUGH ABOUT HULK 💀 SO FUCK THEM

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learningrendezvous · 3 years

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Media and Society

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An eye-opening look at how popular media perpetuates fat hatred that results in cultural bias and discrimination.

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A body positive documentary intent on inspiring change, FATTITUDE offers alternative ideas that embrace body acceptance at all sizes, explores examples of fat positive representations being produced today by activists and the media, and focuses on real life solutions for moving forward and changing the national conversation about body image.

DVD (Color, Closed Captioned) / 2019 / 88 minutes

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DVD / 2018 / 82 minutes

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DVD / 2017 / (Grades 6-12, College, Adult) / 48 minutes

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DVD (Color, Closed Captioned) / 2017 / 24 minutes

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DVD (Region 1, Color, Closed Captioned) / 2017 / 95 minutes

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DVD / 2017 / 95 minutes

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Director: Fred Peabody

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ALTHUSSER, AN INTELLECTUAL ADVENTURE

By Bruno Oliviero

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The film also delves into Althusser's little-understood struggles with the mental illness that would see him hospitalized numerous times throughout his life. In intimate letters to his wife, Helene Rytmann, and mistress, Franca Madonia, Althusser describes his treatment and mental states. As Yves Duroux says, in order to understand the man, one must look not only at his philosophy and relationship with the Communist Party, but to "his own madness" which in some ways linked the two.

ALTHUSSER, AN INTELLECTUAL ADVENTURE captures the man, and the implications of his work, in interviews with friends and colleagues such as Lucien Seve, who served more than 30 years on the central committee of the Communist Party of France, and with philosophers and former students including Etienne Balibar, Pierre Macherey, and Jacques Ranciere.

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DVD (Color, Black and White) / 2016 / 55 minutes

CATCHING SIGHT OF THELMA & LOUISE

Directed by Jennifer Townsend

Explores the same women's and men's reactions to the groundbreaking film, "Thelma & Louise", 25 years ago and today.

Powerful, authentic, and timely, CATCHING SIGHT OF THELMA & LOUISE dives off the edge into the truth of women's experience in the world. It revisits the journey of Thelma & Louise through the lens of viewers who saw that iconic film in 1991 and shared intimate, personal, stories at that time. The same women and men were tracked down 25 years later. Are their responses different now? Has anything changed in the way women are treated?

Interview commentary mixes with clips from "Thelma & Louise" to reveal why this cinema classic continues to resonate with millions of viewers, the world over. Christopher McDonald, who played Thelma's husband, and Marco St. John, who played the truck driver, offer an insider's viewpoint.

DVD / 2016 / (Grades 10-12, College, Adults) / 86 minutes

DEMOCRACY ROAD

By Turid Rogne

After more than 20 years in exile in Norway, the Burmese journalists of DVB are returning to their homeland to establish their independent news station there. Editor-in-chief Aye Chan Naing and reporter Than Win Htut have dreamt about this for years, but their struggle for freedom and democracy is not over yet.

DEMOCRACY ROAD is a road movie documentary following the journalists of DVB in Myanmar in a critical phase of the establishment of the newborn democracy. With their existence as an independent news channel and Myanmar's future as a democracy at stake, senior reporter Than Win Htut and his colleagues hit the road with their groundbreaking show "Our Nation, Our Land." Their goal is to investigate the living conditions of ordinary people off the beaten path in Myanmar, but the machinery of the old dictatorship is still running. Simultaneously, editor-in-chief, Aye Chan Naing, has to negotiate with DVB's former enemies in the infamous Ministry of Information. The road towards democracy has only just begun...

Director Turid Rogne has followed the journalists of DVB for more than 10 years. With both boldness and sensitivity, she tells the story of life in a former dictatorship through the people who try to influence history.

DVD (Color) / 2016 / 60 minutes

KINGS OF THE PAGES: THE GOLDEN AGE OF COMIC STRIPS

Directed by Robert Lemieux

At the turn of the 20th century, two of the most powerful men in America were newspaper magnates William Randolph Hearst and Joseph Pulitzer. Noted mostly for their contentious rivalry and sensationalist news coverage, they were also responsible for cultivating some of the era's most recognizable celebrities-Nemo, Krazy, Happy Hooligan, George McManus, Ignatz, Mutt, Buster Brown, Hans and Fritz, and Offissa Pup, to name a few.

In their ongoing battle to attract newspaper readers, both Hearst and Pulitzer had discovered that comic strips were a strategic addition. Often raiding each other's staffs to acquire the best talent, both men recognized the potential. It wasn't until Hearst unveiled the first full color, 8-page comic supplement in 1896, that the potential was fully realized, prompting Hearst's now famous quote motto... "Eight Pages of Iridescent Polychromous Effulgence That Makes The Rainbow Look Like A Lead Pipe!"

Over the next fifty years, that polychromatic effulgence would usher in the Golden Age of the American comic strip. During that time span, more than 150 different strips made their way into America's living rooms. Every week the characters and their creators provided humorous entertainment and tickled many a funny bone. Reading the comics became a cultural phenomenon.

Only available in North America.

DVD / 2016 / 24 minutes

WHAT HAPPENED TO HER

By Kristy Guevara-Flanagan

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor's experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body.

The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliche laid bare. Essential viewing for Pop Culture, Women's and Cinema Studies classes.

DVD (Color) / 2016 / 15 minutes

BAPTISM OF FIRE, A

By Jerome Clement-Wilz

"As it gets harder to sell pictures, we take greater and greater risks," explains Corentin Fohlen. A war correspondent still in his twenties, Fohlen is part of a new generation of freelance journalists who fly to war zones from Libya to Afghanistan on their own dime in the hope of selling images to news media outlets.

But the carefree attitude of youth can change when confronted with the harsh reality of life in wartime. When a colleague is killed in Syria, Fohlen's thirst for adventure turns into a deeper reflection on the meaning of work and life. Director Clement-Wilz followed Fohlen through shells and bullets for four years in order to create this riveting portrait of the life of a contemporary war correspondent.

DVD (Color, Closed Captioned) / 2015 / 52 minutes

CAFFEINATED

Director: Hanh Nguyen, Vishal Solanki

Every cup of coffee has a story... one that begins in a lush tropical field and ends at your breakfast table. Caffeinated is a fascinating globe-hopping examination of this journey from bean to cup. A host of coffee specialists from the bean harvesters of such coffee-growing regions as Nicaragua, Guatemala and India to American shop owners to Italian industry insiders weigh in on the history and cultural impact of coffee, from the art of roasting and taste-testing to the unsung skills of your local barista. Caffeinated is a compelling, comprehensive look into the world of coffee that will leave you appreciating your morning cup as more than just a caffeine fix!

DVD (Region 1, Color) / 2015 / 80 minutes

DREAMS REWIRED

Narrated by Tilda Swinton By Manu Luksch, Martin Reinhart & Thomas Tode

Tilda Swinton's hypnotic voiceover and a treasure trove of rare archival footage culled from hundreds of films from the 1880s through the 1930s-much of it previously unseen-combine to trace the anxieties of today's hyper-connected world back a hundred years. Then, too, electric media sparked idealism in the public imagination-hailed as the beginning of an era of total communication, annihilation of distance and the end of war. But then, too, fears over the erosion of privacy, security, morality proved to be well-founded.

DREAMS REWIRED traces contemporary appetites and anxieties back to the birth of the telephone, television and cinema. At the time, early electric media were as revolutionary as social media are now. The technologies were expected to serve everyone, not just the elite classes. Human relationships would become stronger, efficiency would increase and the society would be revolutionized... But these initial promises were very different from what new media eventually brought to daily life.

Using excerpts from early dramatic films, slapstick comedies, political newsreels, advertisements and recordings of scientific experiments culled during years of research in film archives around the world, co-directors Manu Luksch, Martin Reinhart and Thomas Tode unearth material that is by turns hilarious, revelatory, beautiful and prescient. The archival footage, combined with poetic narration and a virtuosic score by Siegfried Friedrich forges a cross-generational connection between contemporary viewers and their idealistic forbearers of a century ago.

DVD (Color, Closed Captioned) / 2015 / 85 minutes

FEAR NO FRUIT

Director: Mark Brian Smith Starring: Frieda Rapoport Caplan

Frieda Caplan, "The Queen of Kiwi," was the first woman to own a business on the L.A. Wholesale Produce Market in the 1960s. Over the past 50 plus years, Frieda's company has introduced more than 200 exotic fruits and vegetables to the U.S., transforming the supermarket produce department. The film chronicles Frieda's rise against the odds, introducing the Kiwifruit to America in 1962, taking the business to the next level with her two daughters at the helm, and establishing her impact on American cuisine. Set in California, from the farm to the supermarket, Fear No Fruit climaxes in San Luis Obispo at California Polytechnic State University, where a tireless 91-year-old Frieda receives an honorary doctorate, inspiring an audience of 30,000.

DVD (Region 1, Color) / 2015 / 96 minutes

FEED THE GREEN: FEMINIST VOICES FOR THE EARTH

By Jane Caputi

FEED THE GREEN: FEMINIST VOICES FOR THE EARTH, by Women, Gender and Sexuality Studies professor and scholar Jane Caputi, challenges the cultural imagination surrounding the destruction of the environment and the link and influence on femicide and genocide.

No nation is immune to the effects of global warming, but the impacts of climate change are felt disproportionately by those who face racial and socioeconomic inequalities. In the US, African Americans, Hispanics and other racial and ethnic minorities are more vulnerable to climate change. Globally the effects from global warming are likely to be unequal, with the world's poorest and developing regions lacking the economic and institutional capacity to cope and adapt.

FEED THE GREEN features a variety of feminist thinkers, including ecological and social justice advocates Vandana Shiva and Andrea Smith, ecosexual activists Annie Sprinkle and Beth Stephens; ecofeminist theorist and disability rights activist Ynestra King, poet Camille Dungy, scholars and bloggers Janell Hobson and Jill Schneiderman and grass roots activist La Loba Loca. Their voices are powerfully juxtaposed with images from popular culture, including advertising, myth, art, and the news, pointing to the ways that an environmentally destructive worldview is embedded in popular discourses, both contemporary and historical. Required viewing for Women's and Environmental Studies as well as Pop Culture.

DVD (Color) / 2015 / 35 minutes

HOT TYPE: 150 YEARS OF THE NATION

Director: Barbara Kopple

Hot Type: 150 Years of The Nation is a vivid, inside look at America's oldest continuously published weekly magazine. Shot over three years in intimate, cinema verite style, the film captures the day-to-day pressures and challenges of publishing the progressive magazine as it follows reporters out into the field, the editors who shape their work, and the editor-in chief who tries to keep all of the plates spinning.

Writers are the heart and soul of the magazine, and the film follows them extensively. Sasha Abramsky travels to West Texas to report on the years-long drought that has gripped the region and the devastating economic impact on farmers and residents. John Nichols unpacks what's going on behind the effort to recall Wisconsin governor Scott Walker. Amy Wilentz visits the "temporary" tent camps of Haiti, three years after the earthquake, to shed light on the dire conditions and lackluster international response. And Dani McClain reports on the Moral Monday movement in North Carolina, and its dynamic leader Rev. William Barber, as they push back against an extreme right-wing takeover of the state legislature.

In all of the current-day reported stories, The Nation's incredible trove of archival articles - and roster of writers - acts as an historical touchstone and illuminates how the past continuously ripples through and shapes current events.

At a fascinating moment in American history - politically, socially and culturally - the media landscape is changing at breathtaking speed. The film charts the journey of The Nation - and the nation - evolving into the future, as it is guided by its remarkable past.

DVD / 2015 / 92 minutes

HOW TO CHANGE THE WORLD

Director: Jerry Rothwell

How to Change the World chronicles the adventures of an eclectic group of young pioneers - Canadian hippie journalists, photographers, musicians, scientists, and American draft dodgers - who set out to stop Richard Nixon's atomic bomb tests in Amchitka, Alaska, and end up creating the worldwide green movement.

Greenpeace was founded on tight knit, passionate friendships forged in Vancouver in the early 1970s. Together they pioneered a template for environmental activism which mixed daring iconic feats and worldwide media: placing small rubber inflatables between harpooners and whales, blocking ice-breaking sealing ships with their bodies, spraying the pelts of baby seals with dye to make them valueless in the fur market. The group had a prescient understanding of the power of media, knowing that the advent of global mass communications meant that the image had become a more effective tool for change than the strike or the demonstration.

DVD (Region 1, Color) / 2015 / 109 minutes

LOVE BETWEEN THE COVERS

By Laurie Kahn

Romance novels comprise over a billion dollars a year in book sales, outselling science fiction, fantasy, and mystery combined. So why is the genre so often dismissed as frivolous "scribble" rather than elevated as a radical literary form that pushes the envelope on gender, race, and diversity? The heroic characters, prolific writers, and voracious readers that dominate romantic fiction are primarily women. Witty and intelligent, these lovers of the written word form a collaborative, supportive, and dynamic community where readers and writers inspire one another. Emmy Award Winning director Laurie Kahn (Tupperware!) takes a comprehensive look at what goes into publishing a romantic novel, from the author's inspiration and writing process to the photo shoots for those distinctive cover designs. Speaking with literary scholars, romance fanatics, aspiring writers, and award-winning authors, including Nora Roberts, Eloisa James, Beverly Jenkins, and Radclyffe, this documentary offers fascinating insights into this female-centric literary world.

DVD (Color) / 2015 / 84 minutes

ON BEAUTY

By Joanna Rudnick

From Emmy-nominated IN THE FAMILY filmmaker Joanna Rudnick and Chicago's Kartemquin Films comes a story about challenging norms and redefining beauty. ON BEAUTY follows fashion photographer Rick Guidotti, who left the fashion world when he grew frustrated with having to work within the restrictive parameters of the industry's standard of beauty. After a chance encounter with a young woman who had the genetic condition albinism, Rick re-focused his lens on those too often relegated to the shadows to change the way we see and experience beauty.

At the center of ON BEAUTY are two of Rick's photo subjects: Sarah and Jayne. In eighth grade Sarah left public school because she was bullied so harshly for the birthmark on her face and brain. Jayne lives with albinism in Eastern Africa where society is blind to her unique health and safety needs and where witch doctors hunt people with her condition to sell their body parts. We follow Rick as he uses his lens to challenge convention and media's narrow scope of with the help of two extraordinary women.

DVD (Color) / 2015 / 31 minutes

PROJECT Z

Directed by Phillip Gara

An investigation into how war games, worst-case scenarios, complex systems, and networked media produce the very crises they seek to model, predict and report.

As the Cold War ends, a professor goes in search of an America without an enemy. Armed with a Hi8 video camera and inspired by the detective work of Walter Benjamin, he heads deep into the inner circles of the defense, entertainment and media industries, where he discovers a worst-case future being built from war games, video games, and language games.

Some thirty years later, a group of student filmmakers find the videotapes in a filing cabinet, along with a stack of old newspaper clippings, audio interviews and photographs. With the help of friends from the Global Media Project, the filmmaker produces an experimental documentary that goes back to the future, where they find the original maps for a new world order. An unexpected warning is found on the outermost edges of the maps: "Beware of Zombies!"

The result is PROJECT Z, a film that updates another warning, issued by President Eisenhower in his 1961 farewell address, about the emergence of a "military-industrial complex" and the consequences should "public policy be captured by a scientific and technological elite".

Combining rare footage from inside the war machine with corrosive commentary by leading critics of global violence, injustice, and inequality, the film challenges the living to write their own future before the walking dead conjure the final global event.

DVD / 2015 / (Grades 10-12, College, Adult) / 74 minutes

SEX, LIES AND TABLOIDS!

By Jean-Baptiste Peretie

They're lurid, obnoxious, disdainful and explicit. And we love them - and love to hate them.

SEX, LIES AND TABLOIDS! charts the rise and fall of tabloid papers in the UK and US, including the New York Post, The Sun, and notorious supermarket tabloids like the National Enquirer and The Star.

In the beginning, they were upstarts. Papers that shamelessly pandered with stories about sex scandals, and celebrities - often skirting ethical lines, and sometimes outright making things up ("Run it through the typewriter again," was one editor's mantra.) But by the 1980s and '90s they had become the media heavyweights. Left behind by the tabloids' coverage of Bill Clinton's sex life, Princess Diana and the OJ Simpson trial, the mainstream media started to adopt their techniques.

SEX, LIES AND TABLOIDS! Features extensive interviews with key tabloid players such as notorious editor Kelvin MacKenzie ("If you have no news... you get a picture of Diana and make it as big as possible"), journalist Paul McMullan ("People need to understand that privacy is an evil, bad concept"), and the late Vincent Musetto (famed for the headline "Headless body in topless bar"). The film provides an insider's account of the no-holds-barred mentality driving tabloid journalism while also using fun and campy footage mimicking the style of the tabloids themselves.

Eventually, the tabs would go too far. Briefly chastened by the death of Diana and shunned after the British phone hacking scandal, the papers would go into a downward spiral, with The News of the World even shutting down. But culture they spawned is stronger than ever. Sites like TMZ and The Smoking Gun and an omni-present gotcha culture have brought the spirit of the tabloids to the Internet. At the same time, the ubiquity of sharing means photos that would once have been prized by paparazzi (hello Kim Kardashian in a bikini) are posted by celebrities and would-be-celebs themselves. The tabloids may be gone, but the tabloid spirit is everywhere.

DVD (Closed Captioned) / 2015 / 52 minutes

WORLD ACCORDING TO RUSSIA TODAY, THE

By Misja Pekel

In 2014, Malaysian Airlines passenger flight 17 was shot down with a rocket intended for the private plane of Russian president Vladimir Putin... If, that is, a viewer is relying on the satellite TV network Russia Today as their source for news.

These claims were not the first time Russia Today drew attention for counter-factual reporting: during the 2008 war in Georgia, the network reported that South Ossetians were the victims of genocide at the hands of Georgians. In 2014, the channel was warned by the British TV agency for its biased and inaccurate reporting on the uprising on Maidan Square in Kiev. The list goes on and on.

Russia Today (now renamed just RT) was launched in 2005 to bring a Russian-centric perspective on current political events to a global audience. After a decade of generous Kremlin funding, 2015 found the 24-hour news channel the biggest media organization on YouTube with 2 billion viewers: more than CNN and the BBC combined.

The network claims only to offer an alternative perspective to the monolithic view presented by mainstream Western media. But what kind of "reporting" is Russia Today actually doing? What is it like to work for the channel? How much influence does the Kremlin really have there? Is it possible to differentiate between fact and opinion on a Russian channel when the Russian interests are at stake?

In Misja Pekel's disturbing documentary THE WORLD ACCORDING TO RUSSIA TODAY, former and current news anchors, editors and correspondents for the network-including William Dunbar, Sara Firth, Marc de Jersey, Afshin Rattansi and Liz Wahl-join journalists and media professionals Alexander Nekrassov, Peter Pomerantsev, Richard Sambrook, Daniel Sandford, Derk Sauer and more in a detailed dissection of the channel's modus operandi and the challenges and dangers of reporting and consuming news in a globalized world.

DVD (Color, Closed Captioned) / 2015 / 40 minutes

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