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pocketsizedquasar · 4 months

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TPOC-Prioritized writings on anti-transmasculinity / transandrophobia

transandrophobia / anti-transmasculinity are both theories that have been spearheaded primarily by trans poc, particularly Black transmascs and transfemmes.

unfortunately, as with Everything created by queer and trans poc, particularly Black queer ppl, white trans ppl (regardless of gender, and regardless of whether they "believe" in this form of oppression or not) have coopted these theories and dominated these conversations, such that both "sides" of the "discourse" are divorced entirely from the racial connotations in which these theories were created, and the ways in which they were created specifically as an intervention against white feminism, and to highlight the ways multiple marginalizations affect the marginalization of masculinity. these are theories that explicitly interact with and can only be understood in conjunction with transmisogyny, as well as other oppressions like racism and misogynoir.

*"anti-transmasculinity" as a term and theory was coined by Black trans folks (some of whom's writings are linked below), and is specifically a theory within the context of Black transfeminism antiBlackness, and transmisogynoir, and cannot be divorced from that context. i try be very intentional about my use of the terms 'anti-transmasculinity' and 'transandrophobia' in different places here, because i do not want to dilute the former’s very particular context.

anyway, here's a list of miscellaneous writings on the subjects, with a priority for collecting writing from trans poc (not all of the authors are tpoc, but this list was intended to prioritize tpoc voices). the intention of this is not to be a be-all end-all on the subject, nor exalt any one of these individuals or pieces as exclusively ~correct~ or whatever, but to combat the whitewashed nature of these discussions online, and raise awareness to the myriad of people speaking on this subject. (nor do i claim to speak for any of them, or claim that any of them speak for me. i tried to make sure i didn't platform blatant racists, zionists, transmisogynists, or other bigots, but i'm not pretending to be 100% accurate about that.)

they aren't in any particular order (except the first one, which i think is an extremely foundational text for anti-transmasculinity theory as delineated by its creators, within the context of antiblackness and transmisogyny, and necessary reading to understand anti-transmasculinity as a theory). I tried to group all the links from the same authors together.

This is a non-exhaustive list! I will likely come back and add more writings as I find them. please feel free to recommend to me any works to include (including your own! especially if you yourself are a Black trans person or a trans POC).

Now with an Archived Read-more Link!

Racial-Class Paternalism and the Trojan Horse of Anti-transmasculinity by Nsámbu Za Suékama. if you read nothing else from this list, read this.

“But even as TME struggles escape the mainstream imagination, they persist, and are often both fueling and being fueled by the war on trans women and transfeminine people. Nothing makes this clearer than in how a Western binary system triangulates that war with Anti-transmasculinity. This is why I say that Anti-transmasculinity is a Trojan horse for Transmisogyny. Like the wooden horse in the Greek myth, it might not seem like what it is, for its actual contents and character are invisible, but at the heart of it, there is a violent campaign going on that is key to how the West aims to lay seige to its civilizational "enemies." And, like the walls of the city of Troy, materialist transfeminism has fortified the opposition to Western domination, in such a way that to overcome the stronghold requires a new strategy for the Man, one that follows up the open and vicious attacks on TMA people with a different, more hidden form of warfare.”

“today’s gender paternalism frames any manhood and masculine embodiment outside of (western) cisheteronormativity as not just biologically illegitimate but also the result of a barbaric threat to civilization. And who typically figures as the face of that barbarism but the Black trans woman? Materialist transfeminism has to theorize Anti-transmasculinity.”

"Non-Men", maGes, and Black Masculinities by genderfugitive / disrupthehuman

One such argument, which is really a collection of arguments but can be consolidated into one, is that trans men are attempting to take a place alongside cis men in the hierarchy of patriarchy. In other words, while they may not have been so before naming themselves as trans men, they are aspiring to be oppressors. This employs a number of rhetorical devices that I have identified before including the idea that trans men are “betraying” cis womanhood and therefore should be seen as threats unless they act as footsoldiers for transmisogyny. The problem with this is that it treats trans manhoods as embodiments that exist as something which merely aspires to be cis manhood.

"For Those Seeking Fight or Flight: Black Trans*feminist Nihilism" / primer on transmisogynoir by genderfugitive / disrupthehuman (not about anti-transmaculinity specifically (though it does come up), but a very good + important read on Black transfeminism & transmisogynoir, so I'm including it)

anti-transmasculinity needs its own theorizing outside of general "transphobia" by genderfugitive / disrupthehuman

anti-transmasculinity & antiblackness inherently linked (& another) both by genderfugitive / disrupthehuman

There is a hidden epidemic of violence against transmasculine people by Orion Rodriguez

a thread master post linking to multiple threads about anti transmasculinity by Salem L. Void / thewarmvoid

a thread on anti-transmasculinity as an epistemic injustice (translated) originally by magicspeedwagon in French; English translation by Salem L. Void / thewarmvoid

Not transmasc invisibility, but erasure by Salem L. Void / thewarmvoid

Girlboy Boygirl Blues - antitransmasculinity as a denial of individual history & more by Salem L. Void / thewarmvoid

"irl we just kiss" - ‘transmasc vs transfem’ discourse & reactionary ‘boys vs girls’ politics in trans spaces by Salem L. Void / thewarmvoid

transmascs & being treated as predatory by Salem L. Void / thewarmvoid

transmasc mental health statistics by Salem L. Void / thewarmvoid

violent anti-transmasculine hate crimes by Salem L. Void / thewarmvoid

thread on examples of systemic anti-transmasculinity by magicspeedwagon

a thread on anti-transmasculinity and its erasure by storyjunkie

anti transmasculinity & transmisogyny and the degendering of Black people by afrodykee

anti transmasculinity & transmisogyny cannot be theorized in opposition to each other by afrodykee

white transfeminism's anti-transmasculinity by afrodykee

Black trans people & erasure of TPOC voices from the trans community by thatspookyagent

transmasculine nonwhite expereince by thatspookyagent

trans men being silenced by thatspookyagent

queer POC being pushed out of conversations by thatspookyagent

cis women's harm to trans men by novascotioducktoller w/ addition about TMOC by thatspookyagent

medical violence in anti transmasculinity by Caleb / sethpuertoluna

example of medical anti transmasculinity by Dominick / transguyenergy

response to inclusion of a trans man in an ad (thread) by Dominick / transguyenergy

anti-transmasculinity around periods by Dominick / transguyenergy

anti-transmasculinity towards pregnant trans men by Dominick / transguyenergy

transitioning as a transmasc of color by gendercriminals

white (cis) women & racist transandrophobia by dead-lavender-society

transandrophobia as an indigenous trans man by petrichorvoices

examples of transandrophobia by transvermin

the “lost lesbian” narrative & antitransmasculinity by vaguefiend

cis women & transandrophobia by vaguefiend

intersectionality & transandrophobia by visible-schizo-spectrum

more transandrophobia from cis women by cock-holliday

tl;dr : there’s LOTS of theory and discussions out there abt anti-transmasculinity, transandrophobia, how these things relate to other forms of transphobia, how it interacts with other marginalizations, most especially race, and the ways in which it affects transmascs. this information is everywhere. it’s out there. y’all (white ppl) are just refusing to engage with it.

#trans #lgbtq #queer #transphobia #transandrophobia #anti transmasculinity #transmisogyny #racism #long post #quasartalks #been compliling this for ages but i think it's finally at a point where i feel comfortable posting it #like i said though it is very much subject to change! i would love to add more things to this #it is extremely shitty that discussions on antitransmasculinity and transandrophobia have been dominated on here by racist yt ppl and their #token trans poc that they so clearly are just using as a shield against when ppl call them out on aforementioned racism.#anyway. dont bother clowning on this post i will just block <3 #so much of this 'discourse' boils down to: transmascs and trans men (esp transmascs of color) saying: 'hey i experience this thing'#and other ppl (esp white ppl!) going 'no you don't.' it's so blatant lmao #it's just the complete denial of our Authority to talk about our own experiences. we are not trusted to be authorities on our own lives.#which. where have i heard that before. smells like racism. smells like misogyny.#also bc ppl can't read: none of this means transmascs have it worse than transfemmes; that transfemmes oppress transmascs; or that these #-experiences ONLY happen to transmascs. those are all extremely bad faith readings of these discussions.#AND ALSO to the (especially white) transmascs who also can't read and take these discussions as excuses to be racist & transmisogynist:#we cannot combat transandrophobia & anti transmasculinity without combating transmisogyny. they are linked.#anyway. good night

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formereldestdaughter · 1 month

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ok wait i need to hear more of your thoughts on peeta owning a bakery....

This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.

I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?

(This got so insanely long I’m adding a read more lmao)

I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.

Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.

And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.

I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.

(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)

I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.

We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.

On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??

So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.

It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.

Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).

But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.

Anyway!! Anyway… are you satisfied anon? Is this what you wanted?

Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?

#peeta mellark #thg #the hunger games #the hunger games meta #anyway wow this got so long and I literally read it through one (1) time so uhhh sorry if this makes no sense!!#as I was doing my one read through and realized that one of my other thoughts on this is that yeah I can much more easily see the #headcanon that peeta like sells baked goods (probably at cost with no profit) out of his kitchen because that’s much more flexible #and I think that would work a lot better with what like I guess I’d call his psychiatric disability post mockingjay #and how he’d certainly want to take care of Katniss too #like that sort of flexibility makes a lot more sense for him and it’s like. if he doesn’t bake for a few days or however long then it’s fin #it’s not a formal brick and mortar business #it’s just something he’s doing because it’s a way to be involved with people and a way to do something he’s passionate about #without there being waste and while covering some of the costs #and he doesn’t have to like keep books or do payroll or any of the things I can’t see him being very passionate about #as far as like bakery management goes Lmao he can just bake!!#but then I started getting into this whole thing about how that quote-unquote ‘running a business’ like that (informally from your house)#is actually a really common practice for people living in poverty so probably something that Katniss and peeta would’ve been familiar wirh #anyway and then this whole rant about how the emphasis on the brick and mortar bakery often goes hand in hand with #this widespread fandom thing of having a fundamental misunderstanding of how rural poverty works and what it looks like #but then I was too deep into it and said you know what? never mind! and deleted it lmao

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bonefall · 1 month

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So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.

#Kronk meme: ''Oh Yeah. It's all coming together''#I'll be making the fragments in another post #Just because this one's getting really long #It works well as an explanation of my intentions #I think I had been making a mistake previously to conceive of BB!Starf as a femme fatale who seduced Sky #Again: I'm not perfect! As I analyze and re-read with a more critical eye. My art changes.#Tho I will admit I do like the idea of a Starf who is totally cognizant of how she can manipulate a villain #Into doing what she wants. I do love myself a powerful and scheming woman #It's that it didn't fit my story or my themes OR even the purpose of BB as a fixit that addresses canon #Better bones au #BB!DOTC #BB!Star Flower #BB!Skystar #BB!Thunder Storm #Also imo this philosophy will let me make BB!One Eye what I think he deserves and works best as #THE WORSE OF TWO EVILS #The Tyrant of Tyrants #And man.... the idea that Skystar becomes the Clan patron of war...#The God of Summer laughs at him.#''Outdone and reeling your wounded pride speaks the words your tender mouth can never say''#''That you were outclassed and now you obsess over the bigger monster you aren't good enough to become''#''You fell into the step of a lion and think you can replicate what my paw does without effort.''#Cw abuse #Tw abuse #Abuse #Child abuse

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valeriianz · 2 years

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You are an obsession, you're my obsession Who do you want me to be to make you sleep with me?

“Hello, Hob,” a low, sultry, and achingly familiar voice speaks behind him, cutting through the heavy bass reverberating off the walls and straight through Hob’s chest, lighting him up.

Turning, Hob finds– who he’d been referring to as– his stranger behind him, close enough to reach out and touch. They’re in the middle of the dance floor, bodies packed and grinding all night, but somehow they’ve given them room now.

Hob was dreaming, he was aware of it almost immediately. He’s been thrown back into the 1980s, one of Hob’s favorite periods of the 20th century, and in a nightclub no less. The music loud enough to penetrate skin, feeling the twangy synth pop in his bones. Everyone around him dressed in every color of the rainbow, over accessorized in neon hoop earrings and bangles, leg warmers, windbreakers, and mesh patterns.

Hob’s dreams often took him back in time, and he wondered what prompted this. Though as Hob often did in his dreams, instead of considering why, he simply indulged. The music wasn’t anything particular, perhaps nothing was actually playing and it was all in his head, but Hob had felt the push and pull of everyone around him and followed along like a buoy at sea.

And now, feeling drunk off the sticky sweet air in the room, Hob grins as he boldly steps into his stranger’s space and slips both arms around his middle, pulling so his skinny, pale, gorgeous friend is flush against him.

He’d been dancing with strangers all night, shadows with indeterminate faces, allowing them to trace patterns on his skin, grip his shoulders or tug on his shirt. Hob hadn’t been dancing or even hanging around loud bars or clubs in decades, maybe somewhere deep in his subconscious, he missed it. Missed the anonymity of it all, getting high off everyone else’s pleasure and succumbing to it. So it made sense, as Hob felt himself getting hot, his skin prickling, that his imagination would wander, drifting to his perfect stranger. The only constant in his life, and someone who frequented Hob’s dreams often, especially as their centennial meetings came around or passed.

Though this iteration of his friend appeared distinctly… solid. He was dressed in that long black coat and skinny jeans from their last meeting (where he’d apologized, apologized! And called Hob a friend), his black hair gently tousled as before.

Hob paid it no mind as his tongue finally became useful and spoke for him.

“Hello, stranger.” he tried his best to mimic his friend’s deep voice and giggled at himself, cataloging the twitch of amusement in his usual stony face.

“You were thinking about me.” He spoke again, choosing to not point out how Hob currently had his arms ensnared around him and swaying them back and forth. “In a place like this.”

His stranger cast his gaze about the room and Hob noticed, in the pulsing lights, his eyes were black, all the way to the sclera, not the crystal blue that Hob had become so acquainted with. It was startling, and as the strobe lights began to flicker, Hob watched his friend’s eyes shimmer as well, like stars dancing in the night sky.

“I’m always thinking about you,” Hob spoke, transfixed. He hadn’t meant to say that, but fuck it, this was a dream and he’d said and done much worse with his oldest friend, to this stranger, in the comfort of his own head. “Even if I don’t know your bloody name yet.”

Those piercing eyes focused back on Hob and he felt himself physically wobble, holding onto his friend now for support.

“Oh, I am aware.” Hob caught his breath at the genuine smile his friend gave him, much like the one in the New Inn just days ago. “But you do know my name, you must, in order to summon me like this.”

Hob huffed, impatient. His friend’s hands were still resolutely at his side, unmoving even as Hob squeezed and swayed with a little more force.

“Sure, Dream Stranger,” Hob’s arms eased up just enough to slot his hands against bony hips and pull, making him stagger forward. Hob smirked, elated at the absolute shock reflected in the man’s expression.

“Now get with the program,” Hob leaned in, touching his nose to his stranger’s, the slight gasp it caused going straight to Hob’s cock. “And put your hands on me.”

He didn’t pull away, which was good. This dream had been derailed long enough. And finally, finally Hob’s dream lifted his arms and surrounded Hob’s face in his hands.

Big hands, Hob realized as his entire body went still. Big fucking hands, with long fingers, cool to the touch, and slipping back into his hair. Hob felt like he’d been electrocuted, his face forced forward, pupils shaking as he met his stranger dead on, getting lost in the inky black atmosphere of his impalpable eyes.

“Ah,” Hob eloquently said, swallowing hard. “This is different.”

“Is it?” His stranger gave a smirk of his own, lips turning up sharp at the corners, like they could cut. “How do these dreams normally proceed?”

Slowly, like pieces fitting into a puzzle, understanding trickles in Hob’s brain and his eyes go wide, his heart stopping before kicking back up in double time.

“Oh, you’re– really here, aren’t you.” It’s not a question. Hob would feel more embarrassed about this if his ancient friend wasn’t holding him at eye level, scrutinizing in an obnoxiously amusing way.

“Yes.”

Hob wets his lips and doesn’t miss how the galaxy flicks down to watch the motion. “And your name is…”

“Dream.” His fingers tangle further into Hob’s hair, gripping it and causing Hob’s jaw to drop with a not-so-quiet groan.

He leans in close, cold lips brushing Hob’s jaw and making every hair stand on end.

“I would appreciate it if you used it now, Hob Gadling.”

Hob’s eyes flutter shut, his fingers pressing on narrow hips hard enough to bruise. “Dream?”

“Mm…” Dream purrs, like a cat content, as he nuzzles his way up Hob’s neck to speak hotly in his ear. “Again.”

Hob gasps like the air has been ripped from him as Dream bites the top of his ear, sending a bolt of electricity down his spine and causing his hips to twitch involuntarily.

“Dream.” Hob tilts his head, exposing his neck as Dream’s lips drag along the stubble there, licking and nibbling as he goes. “Oh my god–”

“Again.” The demand is punctuated with one hand moving from Hob’s hair to his backside, groping roughly and setting Hob on fire as he feels the confined outline of Dream’s arousal press against his own straining erection.

“Fuck–” Hob releases Dream’s hips and holds onto his face instead, pulling it from his abused neck and forcing their mouths together.

The kiss is the most grounding Hob has ever felt, but also fleeting, delicate like a cloud. Hob holds on like Dream could vanish, melt into the floorboards or dissolve into a pile of sand– sand! God, Hob was an idiot.

Dream’s tongue invades Hob’s mouth like a cavalry, drowning Hob. Bites his bottom lip like a brand, a claim, drawing blood and making Hob shake with want. The dance floor suddenly becomes vacant, people vanishing, music filtering out like a volume knob had been turned down. Hob’s hands settle on Dream’s shoulders and push, walking them backwards until Dream’s back connects with a wall and Hob thrusts his entire body onto him. The impact forces a cough of surprise from Dream and Hob likes it, elated to elicit any kind of reaction from his friend.

“You make me crazy,” Hob bites out, pressing his own fingers against Dream’s throat and up into his silky soft hair, grabbing it and watching his friend to see how his eyes glint something hot and dangerous. “You know that?”

“Would you demonstrate it for me?” Dream’s lips curl, enticing and provoking, daring Hob to say yes. To take Dream apart and show him every fantasy he’s ever conjured up. To act on every impure thought Hob’s ever had, every fleeting glance or touch turned purposeful and laden with desire.

Hob would take Dream apart, if that’s what he wished. And here, in his dream, anything was possible, and Hob intended to keep him here as long as he could, letting Dream into his darkest whims and satisfactions. Perhaps he already knew, could feel it in Hob, the way Dream made him ache, the way he made him hunger.

Slipping his fingers through Dream’s belt loops, Hob pulled as he rolled his hips, connecting their fronts and knocking his head back with the bolt of pleasure. Dream’s hands fisted into his shirt and held on as they met again and again.

“Hob–” Dream crooned, his mouth at his collarbone.

“Yes,” Hob finally answered, his head coming down to watch Dream, seduced by the exploding cosmos in his eyes. “I would show you everything.”

#dreamling #hob gadling #dream x hob #inspired by the song Obsession by Animotion #well this got out of hand #this was just gonna be them dancing #i wanted hob to goad dream into it and it be awkward and funny #mostly i just wanted to see dream stiff as a board and hob laughing at him #and then i fucking wrote this lol #not that im complaining #i still want to write them being silly and dancing #also #HAPPY SANDMAN RENEWAL AHHH #my writing #edit: tumblr ate my Read More break and its already been reblogged without it ahh #oh well #as long as youre okay with a 1.5k fic post on your blog #without a page break lol #*self consciousness trickles in*

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equill · 15 hours

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Another Otsutsuki?!

we’re messing up the timeline for this one. (I lost this crack idea but then it came back… the abyss stare back and I jumped in.)

anyways, now some kids meeting the new kid

Panel 1: There’s something wrong here.

Comic 1: Attention.

they’re both in the same boat

Comic 2: Day Off (with confusion.)

he just a little insecure,, (kakashi still told him to get it together)

back to the future now

Comic 3: What. (huh?)

Panel 2: very tiny.

#naruto #naruto fanart #kakashi hatake #obito uchiha #rin nohara #toneri otsutsuki #fanart #art #my art #sketch #drawing #digital art #creating silly posts pumps my brain #kid obito had immediately had distrust of the new kid #and couldn’t even explain why so he stood there glaring #obito looks at kakashi 20 years later after Toneri admits defeat with “I TOLD you he’s was weird“#kakashi after getting back to earth promptly puts obito in jail #ALSO when I saw Toneri for the first time his design is so neat!#I haven’t watched the movie so I read the description of the guy to have an idea of him #what I got is that Toneri is unhinged too ANYWAYS moving on #Toneri ends up noticing Kakashi white chakra and follows him with curiosity #Kakashi’s ends up choosing not to be jerk lets him stick around as long as he isn’t in the way #toneri takes a bit of insult because even if he’s missing eyes he’s definitely not weak #so showing some skills without destroying his disguise he ends up impressing kakashi #while kakashi talks with him and offering advice and asking him if he wants yo try anything else #he doesn’t know but Toneri immediately in his mind claims kakashi has his #this post could’ve absolutely gone from silly to psychological horror #like real quick haha #imagine the joke was just kakashi going through more issues 😭 the punchline is that there isn’t one

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antihibikase-archive · 4 months

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It is incredibly isolating to navigate through fandom as an aromantic person. Aro experiences are so varied, and there is no definite aro experience that encapsulates the alienation that fandom spaces cause for certain people.

Fandom is mostly built and structured on shipping. And if not, the blorbofication of characters, which tends to go down the shipping pipeline; where does that leave the romance repulsed aro person who genuinely does not want to see any form of shipping? Platonic dynamics, right?

Yeah, sure. But by platonic dynamics, it's only "best friends" or "family" right? Where does that leave the aro folks with undefined labels? No, qprs aren't a get-out-of-jail card.

And qprs- they have no rules or standards set upon them by society, not even having a clear definition for what it is, because not all qprs are the same. Yet, for some reason, it ended up becoming the "nonbinary" option to a lot of people- not romantic or "regular" platonic? Qpr it is, right?

But where does that leave the aro folk who don't want a qpr? Who don't wish to see characters depicted in pairs or trios or so forth- who embrace the lack of a partner?

And these concepts presented; when aro folk talk about them, do you care? And if you do, do you understand? Do you try to?

If you aren't aro, but wish to be supportive, are you a genuine ally? Do you raise the concerns of aro folk you share the space with?

Or do you take a look at these concepts- and decide you understand them "well" enough? Do you decide to speak for aro folks instead?

Do you depict relationships outside of romance because you believe in the importance of platonic relationships? Will you accept the fact that not all platonic interactions will be familial or "best friends"?

Can you accept depictions of qprs outside of "more than friends, less than lovers"? Are you willing to accept it is not just "best friends" or "romance lite"? Will you accept that nothing is inherently romantic- and characters in a qpr may fall under your standards of lovers?

Can you resist the urge to put every character in a pair or trio or group? Are you comfortable with the notion of characters finding more joy in being by themselves, outside of all those lenses you see them in?

It's good if you can.

And if you can't, at the very least, do you understand why some aro folk in your space are upset? Embittered by your favorite ships? Starving for representation?

Did you depict these characters with these concepts with the knowledge that aromanticism is fluid?

#antihibikase.txt #Long Post #((I'm sorry. I have been thinking about this for weeks and I am unhappy.))#((Honestly? I have been feeling more and more isolated in fandom recently.))#((It hurts. I know non aro folks are trying.))#((And its hard to describe. It's alienating.))#((And the typical fandom response is more representation- which is well-meaning.))#((But. Specifically to non aro folk. When you depict these aro concepts are you normal about them.))#((Do you do so respectfully.))#((Reminder that qprs are not restricted to aro folks btw.))#((I'm so so tired. It's easy to say you care but then completely miss the mark.))#((And just in case- this is NOT alluding to anyone. Please allow me to let my rage be my own.))#((Or to share this with those who understand.))#((And if you as a non aro person feel attacked by this- sorry.))#((I did my best to word this as firmly as possible without sounding angry because I am aware that-))#((-many will read this in bad faith.))#((Okay to reblog btw.))#((This isn't one of my usual rambles despite it being under my txt tag.))

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bombusbombus · 1 year

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It is vitally, vitally important that Clark Kent is boring.

I don't mean 'boring' in an inherently bad way. A desk job is boring. Data analysis is boring. Due process is boring. All of these things are imperative for a functioning society but almost nobody will ever be praised for them.

When my car got stolen a year ago, the guy who took it stole a bunch of other stuff too. I was sitting with a cop in a backroom of the campus police station for almost an hour while he was doing paperwork (to make sure everyone would get their stuff back), and at one point he looked up at me and he said, "sorry about this. It's not all shootouts and car chases like on TV."

And I almost said, "well, due process is sexy" (I didn't, for obvious reasons). But he looked surprised when I told him I thought due process was pretty cool. Like nobody is supposed to think due process is cool. Things are only cool if they're glamorous or flashy.

The guy who stole my car was horribly addicted to meth. The sheriff told me, "you should press charges so we can put him away for as long as possible."

The sheriff was lost in a world of heroes and villains. He was the "hero." The addict was the "villain." But the person who helped people was the guy at a desk, who went back over the mile long paper trail and returned every stolen item to its owner. The important stuff is when some guy in an office writes an algorithm to save endangered whales, or when the third double blind test finally shows sufficient evidence for the efficacy of a new cancer treatment. The goose that actually lays the golden egg almost never cackles.

This is why the 'Glasses' comic is so important, to me. We live in a world which glorifies exciting acts of heroism but not "boring" ones. We live in a world that thinks people like Clark Kent aren't important, when they're often doing the most important work, solving the systemic issues, saving people who aren't lost yet. Sometimes we need firefighters, but in a perfect world, we'd only need safety inspectors.

And sure, Superman is necessary within the story. There are disasters and villainy he can prevent. There are lives he can save. But being Superman is ultimately a terrible sacrifice, and if the heroism wasn't necessary he'd be Clark Kent all day. That's what makes him not a cop: he's not enjoying the car chases and shootouts. He avoids letting things get 'interesting' at all costs. He avoids glory.

The comic Strong Female Protagonist (by Brennan Lee Mulligan and Molly Ostertag, BRING IT BACK) has several fascinating pieces of philosophy on superheroes and society, but my favourite is this:

Kal-el, living solar battery, isn't just someone who contributes to society from the outside or the top. He plugs away at boring, everyday kindnesses just like other humans. (This can make for great contrasts with Lex Luthor, who is the epitome of a light bulb person and could never understand why Superman would want to be a battery.)

Clark Kent is boring. Clark Kent plays things by the book. Clark Kent is sexy in the same way that due process is sexy, and any character who thinks the Clark Kent side is 'less than' the Superman side, is textually a goddamn idiot. "No glory save honour" and he will always have both.

#I can't find that post about how Americans glorify short acts of heroism but not long term ones #god tier trope is when someone likes Clark better than Superman #It's interesting. I was just reading all star superman #and a parallel I noticed was that Lois doesn't like Clark as much as Superman because he's clumsy and weak #because she has that weird lightbulb-centric american attitude going on #whereas Luthor likes Clark MORE than Superman BECAUSE he's clumsy and weak #because Luthor associates 'battery people' with 'being an exploitable resource for ME'#and BOTH of them are WRONG #gnashing my teeth crying on the floor etc etc #superman #clark kent #dc #posting this WITHOUT EDITING ARE YOU READY BOYS #IT IS PAST MY BEDTIME #anyone else out there read sfp #is it ever coming back #they were so close to finishing it #that comic shaped my whole brain

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radioappleheadcanons · 2 months

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Whumping the deer, then giving him comfort 7+ years later

Been thinking about how Alastor and Vox used to be friends. Thinking about how they were close and how it was possible that Vox was one of the few people Al really cared for. About how Vox could have wanted more, but Alastor didn’t. Didn’t even pick up on the signs. To him, Vox was just being nice and trying to convince him that they should find a way to blend their tech. Him saying he’ll consider it, and Vox taking that as a sign that Alastor wants something more. About Alastor having to fend off a somewhat drunk Vox who’s trying to force himself on him and panicking. He doesn’t understand where this came from. He told Vox he didn’t do sex, he seemed to have respected it. Had the TV thought he was just being shy? That his agreement to consider maybe being business partners mean he wanted to sleep with him?

Vox wakes up without any clear memories and brings up joining the team again and Alastor laughs in disbelief because how did he not understand after he fought him off last night. He says no and leaves. Promises that he’ll never change, never let people think they can influence him because they’ll assume that if he’s moveable on one thing, he’s movable on all the things. That he’ll be careful not to get close to a man again because clearly, they all just wanted one thing. All but him, for some reason.

No, he’s Alastor the Radio Demon. He doesn’t do modern things, people, or affection. That will not change.

And then it does. Slowly, like Wisteria up a wall. His fights with Lucifer go from genuine in their anger, then for their amusement, to playful enough that any outsider can see it’s not real. They play music together, at first to compete but then because they enjoy it. They dance, because no one else knows all the steps they know, and take turns trying to take the lead. It’s such a slow shift that’s it not until they’re so deep in that Alastor notices. And even then, it’s only because Charlie is talking about how the sinners who are coming to the Hotel are lucky, they don’t have to deal with the fights.

He panics.

How could he not?

The last time he had anything like this, he was nearly assaulted. And whatever is going on between him and the king is so much more important and being him so much more joy than anything with Vox had. He confronts Lucifer about it, only for the King to be just as confused as him because he never thought of what they had as romantic or sexual. He starts panicking as well, thinking that’s what Alastor wants.

That startles Alastor out of his panic. Because maybe he was just overthinking it. Maybe, as much as he hates to admit it, the thing with Vox is still making him jumpy. Reluctantly the boys sit down and have a conversation about it. They both agree that there isn’t anything, romantic or sexual, between them. They’re not dating. And well, if other people assumed they were dating, and the jokes Angel Dust made about it weren’t jokes but how he saw it…. That was fine. After all, they knew better, and people were so silly it was pointless to understand. It's comfortable between them, to the point where Alastor forgets to do his hair and has its curls out. He worries about how it’ll affect his image, but Lucifer doesn’t ever comment on it. When others do, the blond looks up and says in a confused voice that he doesn’t understand the fuss. Alastor didn’t feel like doing his hair that day. They all had days like that, but no one ever commented on how they looked.

Alastor feels himself relax. This isn’t some, ‘I’m trying to be more modern’ thing for his partner, it’s just him. And that helps. What helps even more is that he overhears the other telling some sinners that just because someone changes their mind on something on one thing, it doesn’t mean on all the things. Yes, your girlfriend agreed to try X kink, but that doesn’t mean you can just assume Y and Z are included in that. Yes, your brother came to be redeemed. That doesn’t mean he doesn’t love you.

And some tiny part of Alastor, one so small he didn’t even realize it was there, heals.

He asks if they can go shopping. He gets new clothes, ones that stick close to his original look, but are still new and ‘more fashionable’. He dyes his hair. He starts watching movies. He gets some looks from the younger members of the crew but from Lucifer, he doesn’t get more than a raised eyebrow and a ‘how nice of you to give your coat a break.’ A smirk and a ‘oh! You’ve learned that there’s more than just red!’ A deadpan look and a ‘fine. But only if we just do movies. I still think it rots the brain.’

All the boundaries he established before are respected, both by friends and strangers. Some people try to tease or imply things about him, but it’s not hard to shut down. And it feels good. Good to be able to do whatever he wants, and no that he still has his rep. He’s still himself. One day, feeling extra confident and proud, he goes all out. Nature hair texture, but a new color. His new clothes, and a poster for a new segment on his radio show. And he gets Charlie to take a picture. Then a video of him using his powers. A picture, this time blurry and distorted of him in his studio, and a video, also distorted with him making a comment about his radio show.

He asks her to post it, just for kicks and giggles.

#qpr radioapple #💚 aka mine #hazbin vox #long post #should i do a part 2?#no read more for this one #reads better without it

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ludoka · 6 months

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You know, it always puzzled me a little when people talked about the Beauty and the Beast story... And everyone pointed out that the prince is turned into a Beast because he is vain and selfish. Which, I never understood because I didn't remember that. (What's more, I NEVER saw the entire Beauty and the Beast movie. Don't ask "why" because I don't know.) Now, after years, I realized why.

The story I grew up with didn't say that. This version of the fairy tale was different and had the witch as a capricious woman.

The prince in this version let the witch into his castle to take refuge from the cold. When the blizzard ends and the witch retreats. But not before giving the prince a gift for his hospitality. Which was a very beautiful rose. He refuses her gesture of gratitude and she becomes angry. He gets so angry that he curses him, turning him into a beast. Destroyed by this, the prince locks himself in his castle. Becoming a hermit, bitter and resentful. He becomes like this because he is bitter that they turned him into a monster just for doing a selfless action. What Bella does in this version is help him open his heart again and it is this warmth that helps break the spell.

I mean... In this version, which was in the teacher's book that my grandmother had, the only bad one was the witch. And I grew up with this moral of life of "You must be careful who you are kind to because not everyone will return your kindness." So I don't know how to feel 😂

#yes this came out because I read a post by eah where they talked about Rosabella and Daring #I think this version of the fairy tale would fit Daring more #I know he's quite vain and self-centered but he's a pretty good prince.#I don't think he comes into the selfish part.#He has helped on the occasions when he was asked for help.#Yes it is true that he did it without taking his face out of the mirror but it still helped #I'm also aware that part of epic winter is showing us that he was in a bad place #So you have been seeking refuge in something safe like your vanity.#It is understood #But they tried to sell us that he was always like that #Which is not so #Oh well #Enough #I went around the bush and this seemed really long #ever after high #the beauty and the beast #daring charming #rosabella beauty

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briviting · 1 year

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antwerp real

#looney tunes #marvin the martian #art attag #you know sometimes I wonder like #if people who follow this blog but not my main blog have any idea what to expect here anymore #anyway I loveee little titbits and trivia about long-running characters and how they developed over the years #especially when there are noticeable differences between early instalments and their later more well-known versions #e.g. m.oominmamma didn't get her apron until the newspaper comics!#so learning that marvin's original internal name was antwerp is cool!!#which is such a fun name in itself!! bc not only is that said to derive from the myth of roman solider #it can also be read as a portmanteau of ant and twerp! marvin's cute for the alliteration and satisfying similarity to martian #but man that's a good bunch of wordplay #I also love consuming any sort of supplementary/promotional/concept material of things and finding out mel blanc once recorded a song #called ''antwerp is my name'' for like a stage show or something which is Likely lost media by now is #Such a shame #bc that was probably the only time it was officially used outside of chuck jones' personal notes before his current name was chosen #lost media my beloathed :(#not searching for it that's fascinating but just that it like. occurs at all #anyway hi I didn't post any art for over month thank you for reading my infodumping here #oh & also I know he's been shown without the helmet & he really is just a little bowling ball. but I want to believe

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cuntastic-mrs-cunt · 3 months

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i think the most annoying part about riftan is how people in the fandom treat him 😭 like, most of the fandom seems to either hate his guts or wants him to be in their guts. i just don't get it

#riftan calypse #under the oak tree #utot #uot #scrolling older posts on the under the oak tree tag is... not an experience i thought it would be i guess #i kind of understand? like #ill idolize character but #i cannot imagine myself mashing bathing suit areas with them.#and its hard to form deep and insightful opinions about characters without knowing the whole story #and this isnt to say that people can't rant about them and/or their behavior (obviously)#but after reading his behavior in book one AND his pov.. like how can u not sympathize with him at least a little #i have more to say but i've already gone on long enough #if i'm still mad tmr ig i'll js post about it then #ranting in the tags #rambling in the tags

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u5an5 · 6 months

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Am I the only one that every time I get myself into new fandom I just sigh, knowing fully well that I just got next 20+ x reader, y/n, x Oc!whateverthefuck or just any form of self insert tags to blacklist?

#as aegosexual its specific kind of hell #“i dont have problem with smut (for me other forms of fics too but its just preferences) as long as IM not part of it” is #quite literally a definition. im physically incapable of reading those without having imagining that instead of y/n there #is ANY character that appears in lore its based on and feel the urge to put it into google docs and “correct” it just so im actually able t #enjoy it. not that selfinsert is anything fundamentally bad. i just treat it sort of like kink that i don't understand #i dont want to understand and DEFINITELY don't want to see it #tldr: i need to blacklist way more fnaf movie related tags than i ever wanted to #and finding them all is harder than you think #last time i had to add TEN SEPARATE TAGS #for ONE person #aegosexual #ace struggles #banning y/n from appearing in post itself doesn't work that well cause day/night exists #acespec #I JUST WROTE 'aego'... in tags and got THREE SEPARATE PROPOSITIONS of self insert #WHY

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theswordwizard · 3 months

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screenshotting for use instead of forcing them to see hella tags but as someone who has a constant background of narration around special interests going on in their head which eventually will start to run out of "canon compliant" possibilities and start experimenting with crossovers: this is why I struggled for a bit to do a coherent plotty crossover between daredevil and nbc's hannibal. this is another rambling "for me and literally two other people with my interests and way too interested in meta-compliancy" post:

basically: daredevil and nbc's hannibal have conflicting main themes in ways where they don't as easily synthesize into a new coherent theme. nbc hannibal basically amounts to: what does it take for a person to become a 'monster,' or otherwise transform into a version of themselves that would be a terrifying stranger to them previously. and it sort of frames it as... not necessarily a power fantasy, but it frames trauma as something powerfully transformative. you become a version of yourself that can survive/thrive/take control in the hell you've ended up in. you will surprise yourself what you are capable of doing when it's your only option. but at the same time, its a sort of "succumbing" to your situation.

daredevil is almost antithetical to this. matt's whole thing can kinda be summed up as "even after everything, it's still you." you can go through any amount of trauma and still be able to recognize yourself after. you can stick to your principles even when pushed to the limit and come out alive, and being able to do so is important. he IS his principles, and even though he constantly falls short of himself, his struggle is a definitive trait of his. whenever he starts to abandon his principles is always tied to him losing his sense of self.

he cannot win (in the long run) if he abandons who he is, even if it's only an internal struggle. it's especially prevalent in the comics where basically whenever he abandons his principles he has a bit of a flip-out and tries to abandon "matt murdock" entirely, and then struggles to maintain whatever new identity he takes and has a whole identity crisis/mental breakdown. his strength is his stubbornness and refusal to remain fallen from his standard of self.

so obviously, one of these themes need to bend so far it breaks when put together. put matt in range of the BAU/Hannibal's house and its the big book vs thin book meme. in part because matt's biggest struggles in his narratives are against structural violence and systems (not to mention... the smells...). "there's this one evil guy causing 90% of the problems" is again basically antithetical to matt's narratives, or are at the most just his weakest plots.

ALSO, a lot of the murders in hannibal get treated as combinations of three categories (by Hannibal, who I would say has the most Thematic Influence over the show): 1) they basically deserved it and they were better off being dead in whatever form than alive (mason, mischa's killer), 2) what the killer gained from their death was more important than their life (sorta the case of melissa, her death being the photo negative so will could understand the ripper), 3) their death was important to the killed person, they were only able to ascend or transcend something in their death (many of the ripper victims and general murder victims.)

Basically "agreeing" with Hannibal, or adopting his viewpoint, (or basically being 'seduced' by the story) requires viewing deaths in those three ways. It requires a sort of dissociation with the reality of a person dying in any practical matter. any death becomes metaphor and symbolic, and the symbol is more important than the ending of life, it transcends it. this also doesn't rock with matt's themes.

even if you go serial killer AU matt's relationship with violence, and the temptation of committing murder, is based around practicality. it's that killing would technically be the most efficient way of stopping someone from hurting other people ever again. it's how he could cut through the red tape and financial security that protects fisk or fisk's stand-in, the way they've manipulated systems of supposed justice to hurt people (and specifically innocents), and just end it for good. obv in cases where that does happen (by his hand or others) it again leans into the fact that there is no single bogeyman that can be killed to stop evil or whatever. if fisk dies, there is a replacement to that power vacuum, if matt steps into that role to try and control it, he fails miserably.

hannibal approaches the seduction of murder with: and it's actually awesome? while daredevil approaches it with: it won't actually help you, and it won't fix anything. you will only destroy yourself. both of the (shows at least) fixations on catholicism also have parallel approaches with hannibal encouraging you to become your own god and daredevil reminding you that you aren't. will is basically betrayed by his friends and community while matt is consistently supported by his.

ultimately, nbc hannibal is very metaphorical and artsy and pretentious (i say lovingly) while daredevil is like. How Would Superpowers Effect The Local Law Economy.

#i almost made this also about why alternia AU for daredevil would be based #but this is way too long already #and i kinda wrote a bit about it in a prev post #but basically it transforms the theme of 'how can systems of justice that tend to fail still be used to help people'#into 'what if your only system of justice was inherently evil'#WHICH IS AWESOME #daredevil #hannibal #posting this without rereading any of it i already spent too much time on this #no read more Read My Post Boy #varcahs speaks

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