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suiheisen · 2 days
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studio trigger understood the assignment. i would let her wreck me.
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lesbianweed · 2 days
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ydotome · 2 days
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luxmoogle · 2 days
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The closer you get to the light, the greater your shadow becomes.
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sayruq · 2 days
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captain-hen · 2 days
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♡ countdown to the madney wedding ♡ (7 days) ↳ 2.18: this life we choose
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megaderping · 2 days
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I feel like when people compare Akechi to Light Yagami, they fundamentally misunderstand his character. Their similarities really end at their designs, and Light is the kind of person Akechi would despise. Light Yagami lives a pretty privileged life at the start of Death Note. He has a stable home, with two parents and a sister who care about him. He's a successful student. There isn't really inherent tragedy to his life. The whole reason he starts using the Death Note is a mix of curiosity and a jaded worldview, and when it works it empowers him, very quickly goes to his head, as he believes he is one who can be a god of a "new world" once the shock of his initial kills wears off. While his first kill was to help someone, that altruism didn't last. He is in charge of his choices, while Ryuk mostly vibes and maybe eggs him on a little. Fundamentally, Light has something Akechi lacks: agency, and a comfortable life he took for granted. Meanwhile, Akechi is someone who lived on the bottom rung of Japanese society. His very existence is shameful there, between his mother being a sex worker, his status as an illegitimate/"throw away" child, and his mother's suicide. Years languishing in a foster system that is notoriously inhumane, in a country where 90% of the adoptions are grown men for inheritance and patriarchal reasons, while very few children in the system find permanent homes. When Akechi awakens his power, he approaches Shido not because he wants to kill people but for a stupid revenge plan cooked up by a traumatized child who's been nudged along by a malevolent god. He wants to build Shido up so that at the height of his power, he can expose him for the monster he really is, while another part of him genuinely wants to be useful to Shido, as Cogkechi later calls out. His feelings are a mess of contradictions, and so it's no surprise that Shido was able to mold him into his assassin at only 15 years old. It's also worth noting that Akechi only approaches Shido with his ability to cause psychotic breakdowns. Shido is the one who teaches and instructs him to do shutdowns. He's still complicit, very sunk cost with his revenge plan, but as I spoke of here, even if he wanted to quit, he couldn't alone. Shido's cleaner and control of the law and ability to effortlessly turn him in would render the Metaverse his only safe haven. I think people look at 11/20 Akechi and Akechi in the early parts of the engine room and assume that's just his "true self," when in reality it's another mask. Royal makes it very clear because in Rank 7, he outright warns Joker of what's to come via a pool metaphor and offers an out (though he's MUCH happier if you don't take it/stick to your principles), and in Rank 8, he goes on that big "I hate you" speech... while Sunset Bridge is playing. Y'know, the song that plays at the end of most confidants to reaffirm bonds. So when he smiles as he shoots what he assumes to be Joker, that doesn't mean he's genuinely happy. More likely, he's an emotional clusterfuck, given he also is disoriented enough to namedrop "Shido-san" over the phone, and in the subsequent meeting with Shido, tells him not to kill the Phantom Thieves and that Morgana is "just a cat." Yes, he says they'll make them fear for the rest of their lives, but remember, he's talking to Shido. The things he says are likely all incredibly calculated to sound appealing to Shido. And when you consider that he planned to utterly destroy Shido's reputation after the election, the "delay" makes even more sense.
Later, Akechi goes on about how the people he induced shutdowns on were deserving of their fates, but I don't think he believes it so much as it's the only way he could convince himself that it was worth it, and given how much society failed him, and given how many of the people he targeted were likely rivals/competitors or rich fucks, I think he'd be less inclined to assume good faith. Kunikazu Okumura was not an innocent little victim, after all. He was one of the people who requested breakdowns and shutdowns the most. I think Akechi enjoyed killing him not because of how it'd hurt Haru, but because of catharsis. Because Okumura is just as monstrous as Shido, so why should he feel remorse? However, I don't believe he feels the same about Wakaba, as when he discusses her with Shido, he mentions how her fate was because she refused to willingly work for him. It's another justification, but I personally think Wakaba's death was the most painful for him because he was effectively making Futaba just like him. That's why I think his reaction to Sae threatening Sojiro's custody was genuine. Anyway, evil grinning Akechi is just another mask, as I said. Keep in mind, this is someone who laments not meeting Joker years ago, someone who Morgana outright points out is lying about his hatred. And that's the thing. Light Yagami, while a really fascinating character, is not someone who had all this childhood suffering or lack of agency. He does not regret his actions in the slightest and goes down due to his own hubris in both the anime and the manga. While you can argue that Ryuk set him up by dropping the Death Note, Light was the one who picked it up and chose to use it. Any nudging from Ryuk didn't coerce Light into doing it because Light seized the opportunity. No, if Light Yagami is like anyone in Persona 5, it's Masayoshi Shido, not Goro Akechi. Both believe they are god/god's chosen, that they are the ones who will reshape the world to their ideals, and to be frank, both use and abuse women to serve their own purposes. Goro Akechi goes down sacrificing himself for the Thieves and pleading with them to stop his father and again in Maruki's reality when he refuses to let Joker accept a gilded prison of a world for his sake when he knows better than anyone what it's like to have no true freedom. If you max his confidant, you see him in the postcredits, leaving his survival entirely possible, and I think it works because at the end of the day, Akechi was meant to be a victim and a foil. Light is a villain protagonist and a cautionary tale. Though its his POV we follow, he isn't someone we're meant to root for, but I definitely don't think enjoying the character is a bad thing at all. He's really interesting! I just think that a lot of the Akechi and Light comparisons are surface level at best.
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beaulesbian · 3 days
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Even more One Piece + text posts [4/?]
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starqueensthings · 3 days
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We need to talk about Echo (and by talk I mean screm). S3 E13 + 14 Spoilers!
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FRIENDS, I'M GOING TO EXPLODE. I need to talk about Echo for a minute. We need to talk about Echo for a minute,  because he has spent the last two episodes in the absolute thralls of complete and total danger, and I personally don't feel like there's been enough of a celebratory uproar for me to be satisfied with the level of appreciation and love that man deserves. (Remember when Hunter ran face first into a colossal exhaust pipe and we all collectively lost our minds because it was so impressive and so sexy? Remember when Tech drove a speeder really fast through a tunnel and we all fainted? I'M A TECH GIRLY. IT WAS ME! I FAINTED!!) but, Y'ALL, Echo deserves that right now!! And for all eternity!!! Because he is wholly submurged in the harrowing potential of torture and execution, and he didn't even bat an eye to put himself there. My awe of him is all-consuming, so please forgive me if this rant reads as nothing but incoherent screaming. 
Echo haters (first of all, we can't be friends....) come on this journey with me! Let's back pedal to the beginning of the last episode (13). He stole an imperial shuttle. Let me repeat, he stole an imperial shuttle. And not just an attack shuttle. Not just a lil one-pilot transport. Bro somehow stole a Rho-class medical transport, which is very large, obscenely conspicuous, and very easily tracked. And, to use his own words, it was "the best he could do on short notice." The man stole a shuttle on short notice. ON SHORT NOTICE? HELLO, HOW DID HE DO THAT. WHY AIN'T WE LOSING OUR COOL ABOUT IT. 
Next stop on this I-love-Echo journey through my mind: not only did he provide his brothers transportation in the complete void of their own (RIP havoc bb), but he also came equipped with intel and clearance codes, and, as Rampart stated, those things change DAILY. Echo somehow procured top secret imperial clearance codes, and a fkn SHIP, within hours of the Batch requesting his help. Not to mention, the ship had yet to be reported missing (which means it was only-freshly commandeered), and the clearance codes worked. Of course they did. Echo never fails. Never doubt Echo. "Echo's on it."  
Choochoo, next stop! Once they arrived on that station orbiting Coruscant, and made their way to the control room (lookin sexy as heck in his armour-au-noir), he broke imperial encryption, hacked into the Imperial database, almost instantly found them the location of a ship departing for the prison that holds their daughter Tantiss, AND THEN DIDN'T EVEN HESITATE TO CLIMB ABOARD AND STOW AWAY.  
He didn't even remotely have a plan, or have time to make a plan. He didn't know who or what else would be on board that mysterious vessel. He didn't know where it was going other than the name of the fkn mountain (which has proven to be nothing but unhelpful thus far). He just ARC-troopered his way through that crowded hangar, dodging aggressive astromech's and inconsiderate loader droids, shirking from the perspective eyes of highly trained commandos, and snuck his way onto a heavily guarded, extremely unknown science vessel. Then, of course, he wasted no time, hacking into the ships control system (may I gently remind- there were at least three pilots and an officer prepping the ship for jump and closely watching all aspects of its controls), disabling the proximity sensors without being detected, and then seamlessly covered the troopers absence by pretending to be him (which we all know is what should have happened on Serenno but... hindsight is 20/20.)  
So... SO.... now we're at Episode 14. Here we at fkn terrified station because HULLO ECHO IS ALONE ON A SCIENCE DIVISION TRANSPORT; we have literally seen them carry around Zilo beasts in that shit. What the heck else could be on there that they don't know about? Literally anything. Because THEY KNEW NOTHING before attaching themselves to it. Echo knew NOTHING before sneaking onto that thing and creepin' around. Thank heck he didnt come across a fkn fresh wave of slither vines ok?  
NEXT, Echo shoots (not stuns- lol) a sassy fkn droid (they had it coming, not sorry), then another trooper. AND THEN discovered his only option for departing the ship once it enters atmosphere is going completely undercover, because (in true "we improvise everything" CF99 fashion that gives me heart burn just thinking about it), they had zero fkn plan to get off the ship. I will repeat: completely undercover. On Tantiss. COMPLETELY UNDERCOVER ON TANTISS. NO COMMS, NO BACK UP, NO RECON, NO PLAN, BARELY ANY GEAR, and I would just like to stress... no neuro brace. He left his neurobrace on that ship. Left it. LEFT IT AND TOOK A HAND INSTEAD. PLEASE FKN SEDATE ME.  
We can't leave this station yet... This I-love-Echo train needs to linger at this point for a sec because I think it's lost on some people how wild this is. Echo without his neurobrace is huge. It's a bigger deal than Echo without his armour. Armour is, in the grand scheme of things, inconsequential (one can find more- see Howzer). Echo's neurobrace is not armour, it's a computer and it's so so so crucial to how his mind processes information and events. Don't forget, the Technounion HIJACKED HIS BRAIN. They took every memory from him and manipulated it for their gain. Pruned it, tweaked it, blanched it, poached it, turned it into scrambled eggs, and then fkn ate it up and used it to defeat their enemies (Echo's family- I'm sobbing). They implanted him with an unfathomable amount of information; they changed the way the neurons in his brain fire in relation to stimuli. That neurobrace is so so critical for him. Now, we know he can operate well enough without it, we saw it in the last episode of the TBB arc in season 7 of Clone Wars, but... please.... to what extent? We don't know what an extended time without that neurobrace looks like for him... especially when all other aspects compliing his surroundings foreign, unknown, and dangerous, and that scares me.
AND NOW HE'S ABOUT TO RUN AMOK IN TANTISS with Emerie who, (I'm sorry) is wishy-washy as heck (who are you loyal to!!!!! What is your history!!! Are you trustworthy and what are you looking to gain!!!), trying to adopt a collection of Jedi children whove spent maker-knows how long playing space tetris, WHILST ALSO ATTEMPTING TO LOCATE AND ESCAPE WITH HIS BROTHERS UNDER THE EYE OF THE GALAXY'S SECOND MOST DANGEROUS MAN. 
So yes, short of d-d-d-di... can't say it... short of THE WORST CASE, Echo has made the ultimate sacrifice to save not only Omega who is literally the only person we've seen able to make him truly laugh, but all the clone brothers that he's been desperately trying to locate and rescue. His bravery and determination are literally unrivalled, and he did it while feasting on nothing but humble pie because that man wouldn't know arrogance if it danced naked under his perfect nose.  
Okay so welcome, we've finally pulled into I-Love-Echo station. Before departing the ride, please stand and do a hip hip hurray for the miracle that is Echo, including but not limited to, everything he's done, is doing, and is willing to do for other people. 
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walnutmistjamie · 3 days
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Jamie being cute (2/?)
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lizardsfromspace · 3 days
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What's the worst thing about fandom in the last 20 years, and what's the worst thing about fandom that's always been true of it?
The worst thing about fandom in the last 20 years has been the incentivizing of fandom-as-conflict: not merely as a field in broader culture wars but as the field for endless intra-group battles.
This manifests in many ways: as seven hour videos complaining about The Last Jedi, as Twitter backlash campaigns, but also as stans defending their faves from any and all criticism real or imagined, as the endless boom-and-backlash cycle to any fandom meme or joke you see on Reddit, and as the drive for people to look for evidence other people discussing a thing they like are hysterical illiterate dolts, before anything else.
Or, in other words: a lot of fandoms are full of assholes these days, whose main interaction with fandom is using it as a reason to be an asshole, and to defend being an asshole. The actual “fandom” part of fandom no longer really exists for them. The discourse more or less is their fandom; someone whose main fandom activity is sharing videos about how Steven Universe is a fascist (?) isn’t in the Steven Universe fandom, they’re in the videos about how Steven Universe is a fascist (?) fandom. I mean, the chief fandom for many people is their side in the fandom war. What type of fanfic you write is secondary to what your affiliations are vis-a-vis battles over fanfiction
(One trend I've noticed is people who aren't at the stage where they only talk about what they hate and not what they love, but are at the stage where they can only talk about what they love in relation to what they hate. "I love this movie...and it proves this other movie is bullshit made by a hack". No ability to say just "I love this movie", period, end of sentence. This is how like two-thirds of Film Twitter talks about film, the remainder are all the grindhouse people going "man you've GOT to see Wrong Turn 5")
Another one, that I think is related, is that fandom’s become...more transitory, maybe? There’s Big Fandoms that are inescapable and then everything else feels like it’s here for a weekend and then it’s gone. And we’ve always had fandoms that endure and fandoms that vanish quickly, when the show runs short or turns out to be bad/boring, but we did use to have a lot of enduring if small fandoms for Okay shows most people hadn’t heard of and now you don’t really. Or they burn themselves out fast.
So we’ve reached this stage where fandoms are either so big they have seven hour long discourse videos, or they’re a smattering of fanart over the course of two weeks last August. But that isn’t really the fault of fans so much as modern media release schedules.
A lot of fandom activities of old are just...impossible now, with many shows? The slow build of speculation and fan works and in-jokes and theorizing and analysis simply can’t exist in a world where the premiere comes out the same day as the finale, and you can’t talk about the finale because you have no way of knowing if the person you’re talking to binged it all in one weekend or is still on episode four. That was the kind of thing that sustained the fandom of something that wasn’t a big hit, or even something that was. My fave fandom experience ever was watching the online Lost fandom wildly theorizing for all six years of Lost, and we’d never get “and what if the Smoke Monster is a dinosaur but only the head?” under a Netflix release model. Now at a base level, we either have shows nobody can discuss because nobody’s sure who’s seen or what, or shows where everyone just discusses the finale right away, and where you get One Week of Show and then a massive hiatus, which either kills all momentum or...drives fandom in the direction of hyper-analyzing everything and fighting because, well, what else is there to do? And that plus the outrage cycles of social media plus the fact that “man who yells at Star Wars” is now a viable career choice result in, well. *gestures upwards* All that
(Really, shout out to Cartoon Network for engineering the Steven Universe fandom to Be Like That through their inscrutable strategy of dropping episodes during one random week every five months or whatever)
As for something that's always been with it...cliques and a certain fannish elitism, like, that sees engaging with media in a fandom sense as more creative or analytical or intelligent than your average person. You see it now in the form of, like, people holding up fanfic above published fiction as more representative or authentic (I’ve seen more than one post on here strongly implying queer rep doesn’t exist in mainstream non-fic storytelling???), or going “well, we think about shows, unlike those normies watching sports”. But that was probably way more pronounced a thing in the past, in the 40-50s sci-fi fans were calling non-fans "mundanes" and calling themselves "slans" as an in-group signifier (a reference to a book with superintelligent psychic mutants known as slans). Like at the very least we should be happy no one’s calling non-fans “muggles” anymore. In the evolution from “mundane” to “muggle” to “normie” normie’s probably the least bad one
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funny-friends · 11 hours
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more dogsona sketches woohoo yay yippeee
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bonus comic i drew after i ate too much the other night
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sirfrogsworth · 19 hours
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Let's talk about vintage lenses.
Here is your cool samurai show with modern lenses.
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Here is your cool samurai show with vintage lenses.
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Hollywood is no stranger to fads.
We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."
This is Zack Snyder with a Red Monstro 8K camera.
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He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.
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This old lens is put inside a fancy new body that can fit onto modern cameras.
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Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."
But it is a funny juxtaposition.
The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.
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[ Peter Thoeny ]
It has vignetting and distortion and a very strange swirly background blur.
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[ Gabriel Binder ]
Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.
"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"
And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.
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[ Peter Theony ]
Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.
That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.
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Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.
I mean, Zack Snyder overdoing something? I can't even imagine it.
Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.
The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.
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[ Peter Thoeny ]
Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.
There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.
Here is a blueprint that you can't really see.
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Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.
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Looks like Zack nailed the area just above the eyebrow here.
Let's try to find the point of focus in this one.
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Ummmm... she is just... blurry. Missed focus completely.
But Zack isn't the only one going vintage. I've been seeing this a lot recently.
Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.
Vingetting is a darkening of the corners of the frame.
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Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.
Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.
It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.
And then you have distortion.
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In this case, barrel distortion.
This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.
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And sometimes this was a positive contribution to the image.
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I thought the curved lines matched the way they were sitting here.
But most of the time I just felt like I was looking at feudal Japan through a fish's eye.
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It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.
I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.
This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.
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But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.
And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.
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ydotome · 2 days
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mizgnomer · 2 days
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SFX Covers featuring David Tennant click for high res
The regular/non-subscriber versions of some of the ones above:
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...and some special editions:
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ghouljams · 3 days
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Me with regular Konig: baby boy. Baby. Let me pay him on the head and call him a good boy.
Me with fae! Konig: nasty. Nasty horrid man. Mangy alley cat. He has fleas all over. Give him a bath.
Me with Regency! Konig: Whore.
It's funny to me that Konig in the fae AU - as the "ultimate predator" - would have no reason to growl.
In the animal kingdom, an animal that growls wants to scare you away. An animal that doesn't growl wants to kill you.
Why alert your prey of your attack? Animals only really growl to scare away another animal instead of fighting it so they can conserve energy: Snakes hiss and rattle so they don't have to use up all their venom and be left vulnerable for another attack while they use valuable energy to produce more. Animals growl to scare predators away if they think they can't win the fight or don't want to get seriously wounded in the fight.
Konig would have no reason to doubt his ability to win a fight. Konig would have no reason to worry about conserving energy, he can find food easily. Konig would have no reason to fear being wounded because who could touch him?
And it makes sense that Konig wouldn't want to scare away those he wants gone, it's more efficient, easier, and more logical to kill them, that way they can't come back.
You know why he would growl? To impress a mate.
I mean, if he can't kill someone (however temporarily he'll let them live) lest he risk being banned again he can still make a show of it. Mate doesn't let him show how strong he is through his normal methods? Look, even these magical beings are scared of a measly little growl.
He would enjoy showboating I think too. How deep and rumbling his growl can be. Using his vocalisations to express other feelings as well.
You've also mentioned him enjoying the hunt with Libeling and stalking her without much noise but letting her be aware of his presence so she can feel at ease and he gets the thrill of the hunt. Which would tie into how he wants to respect her and wants her to see him and appreciate his strengths but not necessarily fear him too much.
I think it would be cute that during their first couple meetings Konig growls and Liebling of course assumes it's him throwing his weight around or trying to scare her and is upset. Whereas poor Konig is shellshocked because he didn't even mean to growl it just happened. For the first time in... Ever? Maybe?
He growled because he knows Liebling wouldn't like how else he deals with problems - why is he changing his behaviour for a human? He growled because he wanted to impress her - when was the last time he ever had to try to impress? He growled because for the first time in aeons he wants to communicate with another being - he's so used to wanting to maim and kill and hunt that he mistook the intense feelings as the same instincts he always had but were they something more?
Liebling, angry: Did you just growl at me?!
Konig, dumbfounded: did I just growl at you?
Just, Liebling angry at Konig while Konig is having an existential crisis.
Regency König is a WHORE.
Fae!König absolutely has no reason to growl. He has no reason to do a lot of things that he does in the modern age, he only does them because it helps him blend in. König has extremely weak magic, the man can use it but he's not adept wit it, he only taps because it helps him look more fae. He didn't growl until he met Liebling, because she considers it more polite than just ripping people to shreds.
König's natural noise is something more akin to clicking. Sort of like the Predator, but I also think of it like mandible clicks, something reverberating and distinctly inhuman. He's based off of a mammalian predators, but I don't think he made normal mammal sounds for a LONG time. Speech is sort of new to him, same with disguising himself. This is why he tends to lose control of his form when he's not paying attention to it(thank God for Liebling being a monster fucker).
You're dead on the money that König respects Liebling and wants her to see his power without fearing him. He has a huge amount of respect for her, not only because she's the only person that stands up to him, but also because she's incredibly smart and self sufficient. König loves how much she doesn't need him or want him, she has no desire for his power and so he has no issue giving it to her.
I think he growls for Liebling because he truly sees her as his better, as the one person that can match truly him. There are a lot of firsts from König in his relationship with Liebling, and a lot of confusing feelings that he's never really had before. Lust, sure, but love? Nope.
"Did you growl at me?" You try to fix the disbelieving glare on your face, your cup of tea half raised. König stares at you like he doesn't believe it either.
"Did I?" He asks, as if that will get him out of this.
He didn't mean to growl at you. The rumble in his throat had just slipped out. Something deep and aggressive had taken hold of him, something warm in the pit of his stomach. You eye him suspiciously, glaring over the rim of your cup. König can't offer an explanation. He hasn't made that sound before. There's no reason to warn anyone of his teeth, if they can see them it's already too late. But you...
You glance at the people passing by, enjoying the sunshine, the weather nice enough to sit outside your favorite bakery after work. Your lashes dust against your cheeks when you blink, your skin looking warmer for all the sunshine. You're close enough to see his teeth and yet you're not running scared. You've seen them, and you still sit across from him, still turn your attention away from him, your bare neck on display with all the trust in the world. You're so lovely.
The sound bubbles again, a reverberating growl in his throat that pitches down, attempting to escape lower. You glare at him from the corner of your eye and turn to face him.
"What?" You question, spit it like a swear as you set your cup down. König blinks, sits back in his seat, straightens to sit taller. He doesn't know. He has no reason to warn you of anything, no plans on eating you. He doesn't even growl at the fae unlucky enough to get caught in his claws. What threat could you possibly pose to him that he needs to warn you away? What energy does he need to conserve? His teeth don't run out of bite, his claws still rip and tear, he is as much the monster he always has been, and you are still small and soft comparatively.
"Nothing," He tells you, because truly there is nothing. He doesn't know what there might be to make him do this. "You're beautiful," he offers instead. Compliments always make you look away from him, and this time is no different. You press your hand against your cheek, leaning against the edge of the table and turning away from him. He can almost hear the blood rushing to your cheeks, feel the pout of your lips against his hand.
The sound settles lower now, rumbling in his chest pleasantly with the contraction of his lungs. It thrums through his vocal cords, and against his tongue, as soft as the curl of your fingers. You don't look at him this time, seem to try and twist further out of his view. Something sparking like recognition in your eyes. König tips his head to study you, brows drawing together.
Is it concern that flutters in his stomach? Is it aggression that clenches hot in his chest? Does he growl at you because you're so much greater a threat than he is?
"You're purring," You mumble, voice muffled by your hand, "it's embarrassing."
You say that, but all your lovely spider-silk tethers glow a pleasant gold, and König's heart beats a little faster.
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