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theotterpenguin · 5 months

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Katara's Legacy in LOK: "Healer Wife of the Avatar" (part I)

I only recently finished watching all of The Legend of Korra from start to finish. Based on the analyses I’ve read from the time the show was airing, there seemed to be a decent amount of backlash against how the adult gaang was portrayed - particularly Katara. LOK’s fanbase has grown since then, though, especially during the 2020 renaissance, and I was surprised by how many recent positive comments I’ve seen from fans on Katara’s role.

Because if you paid attention at all to Katara’s characterization compared to Aang, Sokka, Toph, and Zuko, it’s clear just how much Legend of Korra has tarnished her “legacy” or lack thereof.

I will be splitting this analysis of lok!Katara into two parts:

First, I will break down her portrayal in the show compared to the other members of the gaang to demonstrate how Katara received the worst treatment from the writers. Though I did have problems with the other characters’ portrayals as well, I don't have time to discuss them in-depth in this post. Then, I will counter common arguments used in defense of lok!Katara’s portrayal on the grounds that they do not provide an adequate in-universe explanation for her character’s drastic change from ATLA.

For part 1, I decided to examine everything we know about the gaang after the original series only based on the information provided via Legend of Korra (excluding poor Suki, who is never mentioned at all). For each character, I will answer the question “What do we know about [character] based solely on their role in Legend of Korra?”

Sokka

Assuming we have never watched ATLA before, what do we know about Sokka based on LOK?

Well-respected for his wisdom and leadership, as he was Chief of the Southern Water Tribe, a councilman in Republic City (Representative of the Southern Water Tribe), and the chairman of the United Republic Council

Played a significant role in Yakone’s bloodbending trial - moderated the Council’s deliberations and announced their decision to find Yakone guilty

Worked together with other political/military leaders - Zuko, Tenzin, and Tonraq - to protect Avatar Korra by designing prisons for Red Lotus members that would be impervious to their bending

Toph mentioned they were friends in their youth, describing a time he was stuck in a hole when she was trying to teach Aang earthbending

Sokka, Toph, and Aang seemed to have remained friends into adulthood as they all worked together to defeat Yakone

Fond of his trusty boomerang, which he claimed to have used to win a fight against a man with combustion abilities

Due to his achievements, has a statue built in his honor in front of the Southern Water Tribe Cultural Center in Republic City

Zuko

Assuming we have never watched ATLA before, what do we know about Zuko based on LOK?

Former Fire Lord and co-founder of the United Republic, who worked with Avatar Aang after the 100 years war to transform the Fire Nation colonies into the United Republic of Nations

Zuko and Avatar Aang had a rocky start, as Zuko described a time when he once hired a man with combustion abilities to kill Aang in his youth, but they eventually became close friends

Acted as Aang’s counsel and was described as being the person who knew Aang better than everyone else, leading Korra to turn to him for advice

Good friends with the Southern Water Tribe - worked with Sokka, Tonraq, and Tenzin to imprison Red Lotus members that wanted to kidnap Korra, specifically working with Unalaq and Tonraq to build a prison to hold P’Li

Years later, continued to work against the Red Lotus when they broke out of prison

Investigated the prison break of Ming-Hua, sent word to Lin Beifong to protect Korra, then flew off on his dragon to stop the Red Lotus from breaking P’Li out of prison

Fought Ghazan using his firebending during the Red Lotus break-in

Discussed the Red Lotus situation with Lin, Korra, and the others, before leaving early on Druk (his dragon) to return to the Fire Nation and protect his family

Despite being in “retirement,” remains an active participant in international relations - makes appearances as Prince Wu’s coronation and Jinora’s airbending master ceremony, along with engaging in discussions with President Raiko, Tenzin, and Tonraq about the future of the Red Lotus after Zaheer was imprisoned again

Highly respected and honored for his achievements - Bolin and Mako were impressed to meet him, statue was built in his honor in Republic City

Had a close relationship with his Uncle and his surviving family include his daughter, Fire Lord Izumi, and his grandson, General Iroh II

Toph

Assuming we have never watched ATLA before, what do we know about Toph based on LOK?

Previous Chief of Police in Republic City, founder of the first metalbending police force, founder of the first metalbending academy

Renowned for inventing metalbending, which is utilized for the development of modern technology and innovation in Republic City and the Earth Kingdom (particularly, Zaofu, is regarded as the safest city in the world due to it being made entirely out of metal)

To honor her metalbending achievements, there are several statues of her in Zaofu

Good friends with Avatar Aang, whom she affectionately named Twinkletoes, and was his earthbending teacher

Worked with Aang to arrest Yakone and was present at Yakone’s trial

Acted as a mentor to Korra, helping Korra face her fears and trained with her

Despite her old age and grumpy personality, Toph remained a strong fighter - easily able to beat Korra during training sessions, take down Kuvira’s sentries, and successfully break into Kuvira’s prison using her earthbending and metalbending abilities

States that her fighting days are over due to her old age, but has no problem fighting to save her family when they are captured by Kuvira (twice)

No interest in involving herself in current political problems in the Earth Kingdom, but will defend her family from political forces that threaten them

Strained relationship with her daughters (Suyin and Lin) because of how busy she was with her job, giving them too much freedom as she didn’t want to be as strict as her own parents

Covered up for Suyin’s crimes to save her reputation, leading her to retire early from guilt

Eventually repairs her relationship with her daughters - admitting she wasn’t a great mother but had great kids

Spent rest of her life living alone in a swamp, mentioning she has previous experiences with the visions it produces

High reputation in Republic City - has a statue of her built in front of police headquarters, Asami is impressed by her, Bolin calls her his hero

Aang

Assuming we have never watched ATLA before, what do we know about Aang based on LOK?

Previous Avatar before Korra, negotiated relations between people of all nations to keep peace and balance and served as the bridge between the Spirit World and natural world

Worked with his closest friend Zuko to transform the Fire Nation Colonies into the United Republic of Nations after the war

Lost his entire culture of Air Nomads to genocide during the hundred year war and was devastated - his greatest dream was frequently described as rebuilding the Air Nation and reviving Air Nomad culture

He began to do this by founding the Air Acolytes, who preserved the culture, practices, and teachings of the Air Nomads passed on from Aang

Placed all of his hopes and dreams for the future on Tenzin's shoulders, his only airbender son

Deeply connected to the Spirit World and was an esteemed spiritual leader, hoping his son would one day experience the same

Traveled the world with Tenzin so he could learn as much as possible, but was so focused on doing his duty to the world that he never had time for his other kids, Kya and Bumi, whom he had with his wife, Katara

Kya and Bumi felt like a disappointment to their father for not being airbenders and Bumi never felt connected to his father’s culture until he became an airbender later in life

Aang’s acolytes did not even know Aang had other children besides Tenzin

All of this seems to indicate Aang valued the ability to airbend the most in his children, leading to his waterbending/nonbending kids being neglected

Greatest flaw mentioned as his tendency to cut and run when things get tough

Despite all this, he was highly respected and admired by most characters in the show for all his achievements as Avatar and his wisdom

Assisted in the arrest of Yakone with Toph, a friend of his, and used energybending to remove Yakone’s bending

Gave Korra advice along with restoring her bending and bestowed upon her the ability to energybend

His grandkids (Meelo, Jinora, and Ikki) enjoyed hearing stories about his youth, such as his visit to Wan Shi Tong’s spirit library and his time with Guru Pathik at the Eastern Air Temple

Described as natural leader by Tenzin, sweet-tempered by Lin, and was good friends with Iroh

He built the air temple on Air Temple Island and in his honor, Aang Memorial Island was named after him and a statue of him was built

He’s so well-known and respected that there are even Aang-themed carnival games at the South Pole

Katara

Assuming we have never watched ATLA before, what do we know about Katara based on LOK?

Described as the best healer in the world, responsible for teaching Korra how to heal, and mentioned to be a waterbending master

Monitored Korra’s avatar training and spoke to the Order of the White Lotus when Korra was ready to begin airbending training

Declared bloodbending illegal, but was not present for Yakone’s capture or trial

Attempted to restore Korra’s bending after Amon took it, but failed

Failed to heal Jinora when she was trapped in the Spirit World

Tries to guide Korra’s healing process after she is poisoned, but is unable to heal her on her own

Worked to heal the injured after Unalaq’s attack

According to Toph, Katara didn’t get involved in the civil war taking place in her homeland because of her old age

Mentions to Korra she knows what it’s like to go through a traumatic experience but doesn’t elaborate, instead describing Aang’s trauma

Married to Avatar Aang and had three kids - Tenzin, Kya, and Bumi - and three grandchildren - Ikki, Jinora, and Meelo

After Aang and her brother died, she was incredibly lonely, prompting Kya to move to the south pole to be with her. Misses her family that has passed away.

Her kids don’t visit her much, Meelo doesn’t even recognize his grandmother. She cries when Tenzin and his family leave.

Never speaks about her own life, but Jinora asks her once about what happened to Zuko’s mom, indicating they may have known each other.

By reading those summaries, it should be obvious just how differently Katara’s character was treated by the writers compared to the others. Katara’s legacy is reduced to simply being the “healer wife of the Avatar.”

And before anyone tries to twist my words: The problem is not that she is a mother, a wife, and a healer. The problem that is all she is ever allowed to be. Her entire identity revolves around:

Trying to heal people

Being the Avatar’s wife and occasionally offering random pieces of advice about what Aang would do (instead of, you know, giving advice based on her own experiences)

Missing her family

Again, none of these characteristics are inherently negative - the problem is how poorly they are written for Katara’s character. We are told things about her that just don't match up with what is shown in LOK canon. We're told that she’s a world renowned healer, but every time we see her use these abilities, she fails. We’re told that she’s the Avatar’s wife, but he was closest to his friend, Zuko. We’re told that she’s a mother who cares about her family, but we don’t know anything about her relationship with her children (and in fact, we know far more about her children's relationship with Aang).

Katara has no characteristics, no personality outside of her relationship to others - whether she’s acting as a healer, a mother, or a wife (this is some textbook misogynistic writing). She never speaks about herself, never mentions having any friends - only ever speaking about her husband, never describes her life before being a mother or a wife, is never shown to be honored or respected in the way the rest of the gaang is, has no political titles, and has only one post-atla accomplishment to her name. This is in contrast to Aang, Zuko, and Toph - all of whom have children but are never reduced solely to being a parent, all of whom are implied to be close friends, and all of whom have made multiple important contributions to the world of LOK. Even Sokka - who is barely in the show - is shown as having more achievements than Katara. I’m not sure how anyone could see this as doing Katara’s character justice.

I want to end with this excerpt from the book Avatar: The Last Airbender: Legacy - while not from Legend of Korra, this letter written by Katara to her and Aang's son, Tenzin, is a perfect demonstration of Katara's poor characterization post-ATLA. Despite being written by Katara, this entire letter is about Aang. I'm honestly not sure why the writers didn't just have this letter written by Aang himself because there are no insights that Katara adds to it.

The letter starts with Katara saying that she hopes this letter will help Tenzin "feel the pride of [his] heritage and gain a deeper understanding of who [he is]." And yet this letter never discusses the fact that Tenzin is the son of a waterbender and an airbender, never discusses any of the lessons Katara has learned in her life or the hardships she's overcome, never mentions any part of water tribe culture, never even mentions her own brother or father or mother (family is important to Katara, but apparently the writers only think that her family with Aang matters). The letter is entirely about Aang's struggles and triumphs because post-ATLA Katara doesn't matter outside of her relationship to her husband and kids.

Part 2

#katara #katara analysis #atla #zutara #anti lok #lok critical #this is not shipping related at all but tagging zutara for visibility #pls show up in the tags tumblr i don't want to repost this a third time #my post #my meta

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firelxdykatara · 2 months

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to this day it's astounding to me that bryke claimed they liked asami too much to have her be an equalist.

like what was the thought process there?

"we like her too much to do anything fun or interesting with her character! she can just be there to drive and look pretty."

it's like they completely forgot that one of the reasons zuko is far and away the fan favorite character from atla is that he had some astounding character growth that began with him as a villain. it's honestly just further proof of their incompetence, because they had the amazing makings of a redemption arc on their hands and just squandered it.

i might have actually shipped korrasami if it had the sauce some decent e2l framing would've given it, rather than asami being the poor put upon girl constantly framed as the victim of the stupid love triangle shit.

#asami sato #every day i think about how juicy equalist!asami would've been #she could've had an actual character arc #there could've been more to her than a great hair routine #sigh sigh siiiiiiiiigh #lok critical #lok salt #bryke salt #atla

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azulas-daddy-kink · 3 months

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Why are people incapable of being normal when they find out you ship Makorra, or even just that you like Mako as a character?

#lok #legend of korra #makorra #korra x mako #korra #mako lok #lok fandom critical

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comradekatara · 5 months

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lok needed more fun little gimmick episodes. can you believe they never pulled off a single heist??

#after 17 years of being repressed by the white lotus korra deserved to HEIST she was DEPRIVED #also im realizing that after nearly a decade i do actually still have thoughts on this show and its myriad flaws #i know that this isn’t the lok complaining blog #and in fact i have made an effort to remain atla-centric #but whatever. my house my rules #ask me more questions about lok i love being a ruthless critic + insufferable pedant !!!!

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itsmoonpeaches · 3 months

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Netflix's Avatar: The Last Airbender: A show with its heart in the right place but questionable execution

[An objective spoiler review from a fan of the original Avatar: The Last Airbender animated series who watched the live-action adaptation pretending to not know a thing about the original show.]

Episode scores

Episode 1: 7/10

Episode 2: 7.5/10

Episode 3: 6/10

Episode 4: 1.5/10

Episode 5: 7/10

Episode 6: 8/10

Episode 7: 5/10

Episode 8: 2.5/10

Overview

Netflix's Avatar: The Last Airbender is a show with some heart. When there are highs, they are very high, but when there are lows they take away from the rest of the story. The visuals are overall stunning with an attention to detail. The set design in particular is done with love including incredible pieces, CGI design, and beautiful cultural references. The fighting is creative and fun to watch, though waterbending fights seem too slow. Surprisingly, the CGI animals work very well. A highlight is Momo who works in the same way Grogu from The Mandalorian works. However, the close-ups of calligraphy pieces should have warranted more research.

The costuming is detailed, but there are some instances when it would have been better to interpret certain characters more realistically rather than try to copy the original animated design.

The cast is not bad, especially considering the focus on younger, less experienced actors. Of the younger cast, Ian Ousley (Sokka), Dallas Liu (Zuko), and Maria Zhang (Suki) are the standouts. Gordon Cormier (Aang) also has good scenes but is not always consistent. The kid is cute and embodies Aang well. The most disappointing was Kiawentiio Tarbell (Katara) who I so desperately wanted to be good, but was either not given the direction needed, or was told to keep the same flat face.

The writing in the show could have been a lot stronger, and many actors suffered from poor writing choices including clunky lines. They acted their hearts out with these but suffered for them at the same time. The show overall felt like a first draft of something that could have been great but fell flat because of either outside sources or a lack of trust in the audience.

For my short and sweet tweets on each episode click here. For a long, detailed review on each episode and my final thoughts keep reading.

Episode 1: Aang - 7/10

This episode started out incredibly strong. Immediately, I was immersed in the world and intrigue. We had an earthbender running through the streets of the Fire Nation Capital City with an intercepted missive that Fire Lord Sozin would attack the Earth Kingdom. The action was very cool to watch and the earthbending stood out. When Sozin captured him and warned that this information was just a diversion and that he had his sights set higher, the tone was exciting and interesting.

Seeing the Air Nomads and what their life was like, then being introduced to the main character, Aang, was fun. I enjoyed seeing the interactions between Monk Gyatso and Aang. They felt like they had an incredible bond.

The violence starts soon after when Aang runs away during the Comet Festival and Sozin's plans are revealed when he uses its power to attack the temples and boy is it brutal to watch. This scene was tough, but in a way that made the audience really hope that the Fire Nation loses because what they did was so incredibly cruel that it can't be put into words.

Where this episode begins to fall off is when we hit the Water Tribe. The writing here becomes a bit clunky and stilted. Gran Gran in particular was a choice. By a choice, I mean that out of all the actors she was unfortunately the worst. Every line that came out of her mouth was grating and poorly delivered, which was sad because her scenes weren't written particularly badly.

Sokka is a stand-out as well as Zuko, though they gave Iroh a scene and lines with Aang that felt so out of place. It felt like a disservice to Paul Sun-Hyung Lee (Iroh) who is an incredible actor to give him these awkward sentences to act around. Katara acts like (maybe?) she cares. It's hard to tell when she has no emotion and keeps telling me things that she supposedly cares about and I'm not seeing it.

Episode 2: Warriors - 7.5/10

It is here where things begin to pick up. I had a good time with this episode because to me it was so much fun, and it wasn't necessarily because of the main story going around. It was because the chemistry between Sokka and Suki was so unexpectedly good that I could not peel my eyes off the screen.

No seriously, it was fun. In just one episode, they made me believe that this was the couple for the show. Suki is portrayed as a silent, yet awkward warrior whom the village admires. She's blindsided by Sokka who is definitely not as good a warrior as she is, but is interesting for her to watch.

What's so refreshing about this take is that it's Suki who makes the first move and Sokka awkwardly flirts back with clearly no experience in talking to girls he's interested in. Suki starts peacocking for him! That's hilarious and endearing. We never see that in most media. It's usually the guy who does it, so him being the bumbling fool while Suki also flirts with absolutely no understanding of how to do it was a joy to watch.

Katara exists I guess? Aang's story with Kyoshi honestly was good enough for me to give it a pass, but they also gave Kyoshi so many long lines with nearly nothing to say. They could've cut her lines into a more condensed, stronger thing but instead left them long-winded. However, watching Kyoshi make a tornado of bodies is an experience I'll never forget. Continue what you're doing, fight choreography department.

Episode 3: Omashu - 6/10

This episode is fine. I enjoyed the beginning with Jet being revealed as the guy on the cart who lets the main characters into Omashu. However, the writing really starts falling off here. It starts to feel like they're cramming storylines into one episode.

The set design in Omashu in particular is incredible. I cannot emphasize how beautiful the markets were from the food stalls to the costuming. South and Southeast Asian foods, dried herbs and chilis, gold!!! Just watching the background was fun.

Katara's acting, however? Not fun. She's given so many good emotional beats here and does nothing with them. They keep showing me her flashbacks and I think seeing less of it would've made it more impactful. This is the episode when I realized that she is the most useless character in the trio. Does she need to be there? Does she do anything for the story? No. Sokka feels like the glue of the group while Katara merely causes problems. It doesn't help that everyone acts in circles around her. I wouldn't feel anything if they wrote her out.

Episode 4: Into the Dark - 1.5/10

I don't want to talk about this episode, but if I must, know this: It was awful. It was some of the worst written TV I've ever seen. They took the feeling of cramming too much in the previous episode and multiplied it by 100.

There were too many plot threads and not enough time to let any of them breathe. It felt like watching a show that didn't know what it was doing with itself and in the end, I still don't know what this episode accomplished other than making me frustrated as a viewer.

Sokka and Katara being in the Cave of Two Lovers was an...interesting choice. It looks very strange and borderline incestual considering the out-of-place story right beforehand about two lovers meeting up in the same cave Sokka and Katara had to venture through. The fact that Oma and Shu are both women was something I didn't even notice because of how terribly presented it was. It did not need to be there and was a disservice to the representation they wanted to include.

Sokka and Katara are siblings, so that was something. In fact, using that storyline at all felt so weird. They used it as an excuse to build their relationship when all I felt was confused about it.

Aang and Bumi could have been interesting if they executed it better. Instead, they TOLD me they were best friends and that Bumi went through a lot during the war and that Aang knew Bumi well. I needed to SEE it. (Show don't tell is a very real thing, and this episode is rife with crimes against the rule.) Instead they showed us a brief flashback that wasn't nearly enough. They had one strong plot point with Bumi making Aang the same bison whistle he had from the first episode to call Appa, but it didn't work because the rest of it was executed so badly.

This episode felt unnecessarily preachy and in a bad way. They kept telling us the war was bad, that Iroh hurt people, that Aang hurt people by leaving, yet they showed us none of it. This would've been a really impactful message otherwise, but all it gave me was a load of nothing dipped in nothing sauce.

I loved the orchestral rendition of Leaves From the Vine, but the lines were so long and awkwardly written during Lu Ten's funeral that if it weren't for the music, I would've felt nothing. From the perspective of a viewer who doesn't know anything about Avatar: The Last Airbender, I would still feel confused because it didn't fit with the convoluted tone of the episode in the first place. Why was this here? Why was any of this here?

From a fan and story perspective, we could've had a strong episode just combining The King of Omashu and Jet. Using Jet to try and assassinate King Bumi was such a good intrigue plot, but again the writing was terrible. We didn't also need The Northern Air Temple plot lines here. Danny Pudi deserves better than that.

Episode 5: Spirited Away - 7/10

I don't know if this episode was elevated because the previous episode was vomit level, but I really, genuinely enjoyed this one. After stepping back for a while, I've deduced that yes I liked this episode. This was also the one that I actually felt something emotionally.

I can tell why this one would be controversial from a fan perspective, but looking at it as a story that works within this universe and this version of Avatar: The Last Airbender, this really works. It finally felt like an adventure with stakes and characters I could feel for.

From a fan perspective, I enjoyed what this did with the Spirit World here, combining lore from different books in Avatar: The Last Airbender and The Legend of Korra. It felt fun and creative and worked for me.

From a new viewer perspective, it was the first episode that ended that I actually said, "Wait no, it can't end there!" The visuals of the spirits were so fun, the flashbacks emotional. Katara acted finally! Plus, her younger child actress was phenomenal. Gran Gran was...hm. Sokka stood out immensely. He melted down and I really felt for him. Aang's meeting with Gyatso was gut-wrenching. I teared up.

It was here I discovered the show really shines when they're not trying to copy the original show, and when they try to do their own thing with lore that exists as long as it fits with what they're trying to tell. It works, and it's enjoyable, and gives characters more depth. The kicker? This episode was so strong in comparison because they did a lot of showing us things, not telling us. But it's not without its flaws. There was some weird dialogue here and there. Really, I enjoyed Sokka's and Aang's scenes the most.

June of course, was such a perfect casting choice, and her scenes with Zuko and Iroh were fun. Though once again, they wrote Iroh's lines in a way I don't understand. Why make him this one-note wise man? Sometimes less is more.

Episode 6: Masks - 8/10

This is hands down the best episode of this show. I hardly have any complaints about it. Even Iroh's wisdom lines were doable. Zhao was such a fun ride. They made him this whiny officer with too much to prove and a cocky attitude, and I enjoyed every minute of it. He's like a grown man who is a child, but it works. Oh goodness it works. Give me more of him nitpicking the heck out of the way his speech is written. It was such a refreshing take on a villain.

The rest of the episode? BRILLIANT. Absolutely. Zuko as the Blue Spirit will never get old, but the live action presentation was so good I have no complaints about it at all. The fighting and choreography really worked, and boy was it a fun thing to watch come to life. I don't normally love when things are copied one-to-one from animated shows to live action because it doesn't always work, but this was one of those instances that I'm glad it did work. It was iconic of them to bring back the bamboo pole fight and what's crazy is that it ended up being some of the coolest fight choreography I've seen. They must've had a blast with it!

Zuko and Aang were so good in this. They have a lot of chemistry as actors, and I could believe they want to be friends but circumstances don't allow them. It makes their extended interaction trapped together and hiding from the Fire Nation in a shack that much more impactful. Adding in the fact that Aang stole Zuko's Avatar journal paid off from episode 1 because now they talked about it, bonded over calligraphy and brushes, and I wanted them to be friends with all my heart. Their inevitable separation hurt me.

But oh no, you thought that was all? They made Zuko's backstory better. They showed us more of the scene where Zuko speaks against his father, and it's actually worse than the original show. Worse, as in better story-wise but worse for Zuko. Ozai asks for Zuko's opinion in the war room, Zuko gives it, Ozai disapproves. Then, when the plan is made to sacrifice the 41st Division, Zuko speaks out and says it's a terrible plan.

I could unpack that scene forever. This makes Ozai seem more manipulative, and I love it. He tests Zuko, disapproves, yet punishes him for saying his opinion later when Ozai had asked him before.

They show us the Agni Kai. I enjoyed the choreography. It helps that Daniel Dae Kim (Ozai) is a sight to behold. His cloak was a good choice, and I'll leave it at that. He is also a perfect Ozai. He has the aura of a man who doesn't play around, and he is menacing. It's also his line delivery and voice.

But the thing that I could also obsess about forever? The fact that Ozai punished Zuko not just by banishing him, but by making his crew the same 41st Division he saved. Zuko and Iroh never told them either, not until Iroh decided he should by the end.

So when Zuko comes back injured from freeing the Avatar, it is a great earned scene when his crew bows to him and calls him their prince.

Episode 7: The North - 5/10

After the previous episode, this was such a let down. Not much stood out here, but the Northern Water Tribe was a great set design. I loved looking it at. Unexpectedly, Kuruk was in this, but it worked so well. So unbelievably well.

From a fan perspective, I've always loved Kuruk and when his backstory was revealed in the Kyoshi novels I felt validated. He has a tragic and interesting back story, and they delivered here. Meegwun Fairbrother (Kuruk) has such a commanding presence. I cannot state this enough. He is the Avatar. He is Kuruk. I genuinely want more of him and I want to know more about him. I wouldn't mind if there was a whole live action show about Kuruk with him as the star.

The rest of this episode though? I mean. It was fine I guess? It wasn't episode 4 level of terrible, and definitely had more that elevated it, but the writing started downgrading immensely from here. Also, Yue, girl, what was that wig? And it's so obviously a wig that it was distracting. Why?

Katara felt like she should've had a presence here but she barely did. She had a fight with Master Pakku that felt unearned. It was also the first fight I've seen in this show that I didn't enjoy watching. The choreography wasn't bad, but it wasn't good either. It was also slow-paced for some reason. It was like I watched two people decide they need to make a move with each move. Everything Katara did felt unearned this episode.

Episode 8: Legends - 2.5/10

Why. What was this finale and why was this the finale? Ignoring the fact the Yue is apparently a spirit trekking lady which could've been cool if they executed it better, this was a whole mess. I'm going to ignore this plot because apparently she was the three-tailed fox in episode 5, and I like episode 5 and don't want to bring that one down so I'll pretend this doesn't exist.

I wouldn't mind if this was the route they went with Yue, but it was so rushed. Her being a waterbender was new, but I also didn't mind it. It was just...shallow. Seeing Yue's romance with Sokka after Suki left a sour taste in my mouth because it was badly done. The actors had no chemistry, and Sokka seemed like a playboy.

The writing was so terrible. Everything was mashed together last minute, Kuruk was there for a cool second, and then my expectations fell past the floor of an outhouse.

Momo, the cute CGI animal, died for some reason saving a person from a falling ice block. Then Yue had to go revive him for some reason. My first reaction was "NO!! MOMO!" Then it was confusion, and then I started laughing because none of it felt right and none of it felt earned, and I was laughing so hard I started crying.

I forgot Aang never started waterbending.

Oh yeah, Katara called herself a master I guess? I don't know how that happened because she's been crap the whole season and never got Pakku to teach her, so I guess she's self-taught now and proved herself by fighting Pakku and convincing him to let the women fight even though they showed no indication of wanting to...so yay feminism? Katara has only been looking at a scroll and failing badly the whole season and learned from no master so I don't know where she got this "master" idea from.

What saved this episode from being episode 4 was that the fight choreography was the coolest I've seen. As a fan, I was scared about how they were going to interpret the black-and-white lunar eclipse scenes but they delivered well! The blasts, the bursts of fire and color, holy heck it worked so incredibly well. I was impressed. Genuinely. I loved watching all those scenes. The Fire Nation blasting through the walls was so cool.

Oh yeah I guess Aang not learning waterbending explains why him being a giant Ocean Spirit fish didn't allow him to waterbend the waves to beat the Fire Nation, but instead he crashed into them.

Katara, Sokka, and Aang were finally together most of the time. I still hardly know anything about them though. Are they friends?

The ending scene with Zuko and Iroh was heartfelt, but could've been stronger. Azula took over Omashu I guess? Sozin's Comet is coming "soon" I guess? None of it felt earned.

Final thoughts

Honestly, if this show ended on episode 6 maybe I'd want a season 2, but after that I don't feel any interest in seeing this iteration of the show. Half of it doesn't work and the writing is questionable. If I were a new fan, I don't think I'd like it just from the weird writing alone. I'd stop after episode 4.

I genuinely wish the cast and crew well, and I love many of them from previous works, but they do not need to be in more of this. They deserve better projects.

It was telling that once I finished the series and saw who wrote what, the original creators were the ones who had a hand in writing episodes 1 and 6, which are episodes on the stronger side. Especially 6, which is the best one. If anyone tells me that I am crazy to be skeptical over an adaptation of any kind without the original creator(s) involved, I'll point to this fact.

My advice? Watch Michael DiMartino and Bryan Konietzko's original Nickelodeon series, Avatar: The Last Airbender which you can also stream on Netflix.

#atla #natla #natla spoilers #avatar the last airbender #natla critical #netflix avatar #lok #legend of korra #netflix

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mah-o-daryaa · 5 months

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For a show that's progressive, one-of-a-kind, ground-breaking for its time, and relies on "Show, don't Tell" a lot throughout the series, it bugs me how ATLA (or, more specifically, Bryke) preferred to tell the audience that Aang is a master airbender without showing us why. I mean, Toph, Zuko, Azula, and Katara are all shown practicing and improving their mastery in bending (although Katara has become rather overpowered), so why can't Aang have the same treatment?

Yes, Aang may be a child prodigy, and he did get airbending tattoos from inventing the air scooter, but I personally think that inventing an airbending technique (which demonstrates impressive ability and skill) is a way to gain the arrows prematurely, but isn't a requirement. Nothing in the show ever suggests just how far he's mastered his native element, let alone the other three. In the beginning of Sozin's Comet, Part 1: The Phoenix King (3:18), Aang says he thinks he still needs to practice his firebending more (which in hindsight makes sense, as he's just started relearning it from the dragons five episodes ago), and Toph notes that his earthbending could use more work too. Right off the bat, Aang is two elements away from complete mastery of all four, but later on he's seen practicing waterbending with Katara, implying he hasn't mastered it either.

We don't even see Aang practicing his airbending by himself post-iceberg, preferring to show off to random girls (like in Kyoshi Island). He just learns the elements, but doesn't really learn the philosophies behind each element. In this regard, he makes Kuruk and Roku look venerated in contrast. (To be fair to Aang, he had a specific deadline to master the four elements before Sozin's Comet that no other Avatar besides Wan had to deal with, but couldn't he try to make an effort to learn from the other nations?) Additionally, compared to Tenzin and Zaheer, Aang doesn't stand a chance against either of them (even though Tenzin is his son, but since Tenzin wasn't the Avatar, he could focus on upholding the Air Nomad culture and legacy). Even Jinora could go toe-to-toe with him at similar ages. He isn't really that impressive in any of the elements, to be honest; we've seen what a master of any specific element can do in both ATLA and LOK, as well as in the novels.

The main thing people often get wrong is that mastery isn't a final goal; it's a specific mindset. As in Pai Sho, what separates true masters from everyone else is that true masters always look for improvement in their strategy or skills. That's why Aang isn't a real master of the four elements: He always takes the easy way out, never trying to better himself or improve what he can already do.

I think this quote from Zaheer perfectly sums up what I've been saying: When you base your expectations on what you see, you blind yourself to the possibilities of a new reality. Even though it stems from his anarchist beliefs, it is genuinely one of the more insightful pieces of wisdom in the franchise because it promotes progress, a constant theme in life. Toph was able to invent metalbending because she wanted to "see" a reality where she could be recognized for her own talent in spite of her blindness; Zuko could learn firebending from the dragons because he could see a reality where he would regain his honor and fight alongside the Avatar, and so on. By contrast, Aang only takes things from surface-level, not putting any effort into understanding the true meaning of being the Avatar.

Speaking of Pai Sho, guess which Avatar constantly improved his/her abilities? Kuruk. Unlike Aang, Kuruk readily asked his companions, Jianzhu, Hei-Ran, and Kelsang, to continue teaching him, ever after he mastered the four elements that he was required to do, saying they would all benefit from the experience (the "true master" quote I mentioned above was actually said by him). Not only that, it was even inverted; sometimes they taught Kuruk, other times he taught them (which technically makes him the first known Avatar to teach bending to others). He was right, as during their lifetimes, they were the most powerful benders of their respective elements in the world!

Kuruk also had an intuitive connection to each of the four bending philosophies, which to this day remains unrivaled by any other Avatar, and was also one of the first people to suggest the idea that the four elements are connected (homeboy's literally a younger Water Tribe Avatar version of proto-Iroh, I'm honestly not going to be surprised if Iroh actually learned his belief from Kuruk during the former's visits to the Spirit World over tea and Pai Sho matches). If you ask me, Mone, learning the cultures and philosophies of the four nations is way more important than mastering the four elements, because the Avatar isn't just the bridge between the four nations; he/she is also the symbol of a unified world, and the franchise is saying that only one Avatar even bothered to do that? In my opinion, if we go by this rule, that easily cements Kuruk as the greatest Avatar in history!

Aang, on the other hand, never does this. Instead, he puts the Air Nomads on a high pedestal (which in turn causes him to place Katara on a high pedestal), and doesn't respect or learn from other nations' philosophies. He openly disrespects SWT culture and actively makes sure Tenzin doesn't have any exposure to the culture that Tenzin still belongs too, and worse, he pushes his own culture on other people's throats (remember the time he forced a homeless couple to "give up on hope because it's a big waste of time"? Or the time he forced Katara to not murder Yon Rha?) and values his own nation and values above the rest of the world (like the time he refused to kill Firelord Ozai because "all life is sacred", even though he has actually killed before, but if he doesn't kill Ozai, the latter's going to burn the entire Earth Kingdom to the ground!). That doesn't sound like something the Avatar is allowed to do, but Aang gets away with it anyway because ... hero?

There's actually another Avatar who focused on his/her own nation above the rest of the world. Avatar Szeto, Yangchen's predecessor, became a government official in his homeland, the Fire Nation. Under his tenure, the Fire Nation transformed from a fragmented, disaster-stricken state to the centralized, technologically-advanced nation we know of today. Unfortunately, this led him to neglect the other nations and, shortly after his death, the four nations were caught in a political event known as the Platinum Affair, which Yangchen had to deal with, eventually kick-starting the cycle of the current Avatar fixing their past lives' mistakes, while leaving problems for their future selves to fix. This problem might have even led to the growing ambition of Firelords Zoryu and Sozin as dictators, with the latter starting the Hundred Years War.

Aang not only valued his own nation's values above the others, he also forced said values on his non-Air Nomad companions; signed anti-miscegenation laws and tried to forcefully deport Fire Nationals from the colonies to return the land to the Earth Kingdom, even though they had already blended in with Earth Kingdom citizens, didn't wan to be separated from their families, and Zuko perceived the citizens of mixed heritage as his own subjects; refused to let his family practice SWT culture, even though his children could benefit from being members of both cultures, not just one or the other, and set an example for mixed-race families around the world; refused to teach Kya and Bumi Air Nomad culture because he thought they weren't airbenders and therefore "not real Air Nomads", even though they were just as Air Nomad as Tenzin was, if not more; and forced Tenzin to uphold the legacy of an entire nation on his shoulders. The fact that this was all written by complete accident is the cherry on top, representing just how badly Bryke screwed up.

... On a completely unrelated note, The Other Side of Paradise by Glass Animals (which is also one of my favorite songs) is definitely a Kuruk song. The last third of the song in particular sums up his tragic journey as the Avatar so well, and I always think of him while listening to it.

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almacambiondaughterofsaleos · 2 months

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More Toxic Ships That Ruined A Show

I just had to add more ships that have become infamous throughout the fandom.

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stardust948 · 5 months

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Sokka literally has the best canon ships. It's a shame the writers didn't let him marry at least one of them.

#atla #sokka #atla critical #lok critical #anti bryke #sukka #yukka #tokka

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flowersadida · 6 months

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The idea of statue of Katara in LoK is great, I think it's missing, but... What about the statue of Princess Yue? I mean, she literally DIED to save not only her people and culture, but also waterbending itself and the balance of the spirit world. If it weren't for her, the world would have died. Shouldn't every resident's yurt have an altar where they could worship Yue as a literal goddess?

Why is it that when it comes to the badge of honor for the Water Tribe girls, the franchise chooses to ignore them?

I also don't see Yue's face as the new Moon Spirit in this image. But whatever? Ok...

#atla #avatar the last airbender #atla critical #tlok #avatar the legend of korra #lok critical #katara #princess yue #yue

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zukosdualdao · 16 hours

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you know what puzzles me about atla twitter.. seeing the “katara hates zuko” take bc where? by the end of s3 and post-canon/comics/LOK/etc, they are long term close friends??????

yeah, it’s just people who hate the ship and therefore choose to act either like the reconciliation between them didn’t happen or was meaningless/disingenuous. which, i don’t know if they realize how insulting that is to katara? forgiving zuko was an act of her own agency, because she wanted to. and i don’t see her as someone who would ever really pretend to be friends with someone. for as kind as she is, if she hates you, you’ll fucking know it lmao.

i will say, though these people would probably say these things anyway, it doesn’t help that bryke quite vocally resent the ship. they barely interact in the comics, they don’t interact at all in lok (even in situations where it’s really weird for them to not. i haven’t watched but i’ve heard that katara wasn’t at her own granddaughter’s airbending ceremony when zuko was???? which really makes it seem like they just Could Not have them in the same room.) like, the gaang is supposed to be lifelong friends canonically, but we don’t SEE it, and with zutara in particular it feels intentional.

like i said, the antis definitely would have said these things anyway, but it doesn’t help that bryke has been so obvious about their resentment of zutara being such a popular ship, because it means that the antis can point to them sayinh zutara is unhealthy or whatever and feel validated and reasonable.

#anti bryke #zutara #asks #anonymous #anti anti zutara #atla comics critical #lok critical #just in case #discourse

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sapphic-agent · 2 months

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Rewriting the Gaang in LOK

Basically how I would have written the adult Gaang. Pretend the comics as they are don't exist.

Katara: Breaks up with Aang sometime post-finale to do some soul-searching. Travels the world on her own and sees how people are struggling after the war. After talking (beating) some sense into a few government officials, she realizes that the best way to help people post-war is through politics. She becomes an (unofficial) ambassador, helping and negotiating aid for small villages that tend to get overlooked and does this for a number of years. She joins up with Zuko and Aang after they found the United Republic of Nations and becomes Councilwoman Katara, representative of the Southern Water Tribe. She eventually gets voted chairwoman due to her passion to improve the lives of the citizens (and because her fellow council members are too scared to vote against her). She heals on the side when she needs to, but only out of obligation since she can't stand to see people suffer; she puts much more effort into getting raising funds for a hospital full of healers. A few years later, Haru moves to Republic City and is just as awestruck by her as he was the day they met (the pornstache has been removed by divine intervention). They meet up a couple of times; for drinks after work, walks around the city, and they even attend a few galas together. They eventually start dating and get married two years later. They have their first daughter Kya (who's an earthbender), a son- Tyro (who's a nonbender), and another daughter Suma (who's a waterbender). They live a happy, peaceful (if you could call Katara stopping the occasional criminal before the police peaceful) life together where their children are well-loved and as part of the Southern Water Tribe as they are the Earth Kingdom. Aang's death hits their family hard, but they all come together and support each other. Katara personally mentors Korra, even convincing her family move to Republic City so that the Avatar knows the people she's meant to protect (the White Lotus protests, they fail❤️). She teaches Korra Waterbending, but also teaches her empathy and appreciation for other cultures (and that sometimes, selfish world leaders need a good punch to the face, a lesson Korra took to heart even though she absolutely wasn't supposed to see it).

Aang: Is torn up after Katara breaks up with him. He's hurt and confused and doesn't know what to do with himself. He retreats to Ba Sing Se where he talks with Iroh and learns that he unfairly pushed his feelings onto Katara. Wracked with guilt at hurting someone he cares about so much, Aang realizes that he has a lot of growing up to do. He focuses on his job as the Avatar, working closely with Zuko, Kuei, and the other leaders to heal the world after the war. The first time he sees Katara again is when she arrives to help with the United Republic of Nations. He apologizes to her and Katara forgives him, promising they'll always be best friends. His role in Republic City is more or less the same, though at some point he develops feelings for Toph. But he fears doing to her what he had done to Katara, so he tries to ignore them. But Toph, never one to beat around the bush, point-blank asks him if he's ever gonna man-up and confess to her. They start dating, and Lin comes a few months later as a surprise. They have their hiccups- Aang especially needing to reconcile with the fact that there's a chance she might not be an Airbender- but they manage to resolve them. Lin is an Earthender, of course, but Aang loves his little girl to pieces (which is good, because Toph would kill him if she suspected otherwise). Tenzin is born three years later, an Airbender, and Su Yin is born two years after that as an Earthbender. Lastly there's Bumi, a nonbender. There's always the urge to favor Tenzin, but Aang knows he can't. They're all his children and they deserve to be treated as such. So he teaches them all about their culture, takes them all on trips. The kids fight, but Aang is always quick to help resolve it (as it turns out, getting Lin and Su to stop fighting is a lot harder than getting the four nations to get along, go figure). Aang loves his wife and kids and wouldn't trade any of them for the world. He dies peacefully at age 66, surrounded by his children and the love of his life.

Sokka: Fucking hates politics. He'll leave the negotiating and speeches to his sister, thank you very much. If the room of government officials isn't a war room, he wants no part in it. After the war, he spends most of his time in the Southern Water Tribe. He works with his father to rebuild and relearn their culture, and writes frequent letters to his sister. Though, something about his life in the south is unfulfilling. Maybe he misses Suki, but there's something about inventing that calls to him. He can't do much of that in the south pole, so he leaves for the Earth Kingdom, helping villages struggling with heat, agriculture, transportation, etc. In the United Republic of Nations, he becomes lead engineer of the city, utilizing bending to make quick technological advances. He and Suki reunite in Republic City where Suki becomes the police chief. They get back together and have a daughter, Lian. The three of them live a simple life together, until Suki gets gravely injured in the line of duty when Lian is twenty. They decide to retire to the Southern Water Tribe where Sokka takes over for Hakoda as chief and prepares Lian to take over for him.

Toph: When Toph hears that Twinkle Toes and Sparky finally started that fancy new city, she thinks it's the perfect opportunity to cause a little chaos. Closing her metalbending school, she decides to relive her days as the Blind Bandit by founding pro-bending (thanks @ecoterrorist-katara for the idea!). Zuko's a hater and tries to shut it down because "safety," but finds no help in Aang who really, really loves the idea. He goes to every one of her matches and Toph feels both smug pride and... Something else. But she tells herself it would never happen, Twinkle Toes likes girls like Sugar Queen and she was the furthest thing from that. But she isn't totally oblivious, she can feel his heartbeat pick up when he's around her and how he's started to stutter when he's talking to her. So she bites the bullet and they start happily dating. But the arrival of Lin uncovers issues she didn't even know were there. Lin cries loudly and for Toph who relies heavily on her sense of hearing, it's hell. She was also unprepared for how much her body would change. She finds herself not wanting to be around her daughter. But Aang realizes this and urges her to talk to someone. After some arguing, she does. Aang is attentive, so Toph can take breaks when she needs to and Katara and Suki are always ready to get her out of the house when she's overwhelmed. Things with Lin get better and when Tenzin comes around she doesn't suffer nearly as much. Su Yin is similar. It's hard with Bumi because she's older, but Aang and her friends are there to support her. Toph can be distant with her children- her closely monitored childhood always present in her mind- but sees how Aang can be doting and allow their kids freedom. She follows by his example, trying to find a balance between hovering and absence. Aang's death is the worst day of her life- she was there, she felt his heart stop- and she retreats into the swamp for a while to grieve. But she returns to Republic City when Katara begins to mentor the new Avatar. Not to be outdone by Sugar Queen, she becomes Korra's second teacher. It's hard to be around Korra sometimes, but she likes the girl's spunk and attitude, even if she is a brat.

Zuko: Zuko struggles after the war. The obligations of the Fire Lord are crushing and daunting and the fear of turning into his father feels like it's constantly looming over his head. Mai doesn't understand why he's struggling so much and he can't figure out how to explain it to her, so they break up. She goes to Kyoshi Island to spend time with Ty Lee and figure out what she wants in life. Stressed, burnt-out, and heartbroken, Zuko asks Aang to kill him if he ever starts to act like Ozai, but Aang steadfastly refuses, berating him for even suggesting it. Aang assures him that he'll never turn into his father and that he has his friends to rely on. He follows after Aang to Ba Sing Se, working in his uncle's tea shop as a much needed break. He opens up to Iroh about his fears and Iroh affirms that even having these worries proves that he'll never be Ozai. He spends time in Ba Sing Se working in the tea shop and negotiating with the Earth King when he meets Jin again. She's as carefree as she was back then and Zuko is both envious and in awe of it. But he knows he can't have a relationship with her, he can't burden her with his problems. But Jin is gently persistent, lending an ear when he needs one and assuring him that he isn't burdening her. When she asks him if he wants to be with her, he confesses that he does- more than anything- but also admits that he has no idea how it'll work. She tells him that if they want to be together no one should stop them. A year later, they're married and she's crowned Fire Lady Jin. There are some protests to their relationship from traditionalists, but Ambassador Katara (Zuko is so sure that she was never actually given that title, but he can't prove it) is quick to shut them down citing that the Fire Lord marrying an Earth Kingdom girl is a sign of unity. They have their daughter, Izumi, and she's Zuko's entire world. Zuko's greatest fear is that his children will end up like him and Azula, so he refrains from having more kids. Jin respects this, but urges him to talk to Azula. So he does; his sister curses him out, but seems to enjoy his company in her own way. They'll never have a good relationship, but Zuko doesn't want her to feel alone so he makes time at least once a week. It's shortly after Aang's death that Zuko relinquishes the title of Fire Lord to Izumi, his grief over his lifetime friend far too painful. Eventually, though, Katara and Toph bully him into training the new Avatar. It's not a role for a retired Fire Lord, but Zuko knows that the world needs Korra to be strong and it's his responsibility to make that happen as much as he can. And so, he becomes Avatar Korra's third teacher (if you told him 60 years ago that he'd become the Avatar's most sane instructor, he'd think you were high on cactus juice. But with Katara punching dictators in the face and Toph breaking every rule ever written, someone has to be a good influence).

Occupations if you missed them:

Katara: (Unofficial/Self-proclaimed) Ambassador of the Southern Water Tribe, United Republic of Nations Councilwoman and later Chairwoman, Healer (on the side), Waterbending Master to the Avatar

Aang: Avatar, United Republic of Nations Councilman

Sokka: Engineer and Inventor, Chief of the Southern Water Tribe

Toph: Pro-Bender, Manager of the Pro-Bending Arena, Earthbending Master to the Avatar

Zuko: Fire Lord, Firebending Master to the Avatar

Suki: Police Chief of Republic City (I'm sorry I didn't make a detailed background for her I got lazy, I promise I don't love her any less😭)

Defending my ship choices:

Harutara: Come on, y'all know what I'm about at this point. They're my everything, how could I not have them together? Plus, there's something really poetic about Haru falling for her as an adult the way he did as a teenager: watching her inspire those around her. I headcanon that he's enamoured with the sound of her voice because it's the voice that liberated him and his people and he attends all her speeches

Taang: I actually wasn't sure about this one. I'm not an active Taang shipper, but I do think they'd really balance each other out. Toph is the hard ass Aang needs to challenge him and Aang would bring out the softer side in her. Toph would never let Aang favor one kid over the other and Aang wouldn't let Toph neglect their kids. So looking at it like that, I felt them being together would be best for the story

Sukka: It's not as perfect in canon as people make it out to be, but I still love them. I wouldn't want any different for them

Jinko: This one actually made more sense than I would have thought. Jin is very different from Mai, so I can really see her being what Zuko needs considering where he would be mentally. I like Mai, but I feel Maiko really made her way more one dimensional so her living with Ty Lee and finding herself feels like a better end for her (and if they start dating, that's no one's business). And we've already seen Zuko go out of his way to make Jin happy so it's not like we're getting another Kataang situation. I'm happy with this for them

The Kids:

Yes, I purposely made Kya an Earthbender. And yes, Katara still gives her her mother's necklace. Because that's her firstborn daughter no matter what element she does (or doesn't) bend. One thing I hate is that Bryke made the Kataang kids primarily part of the culture that they bend. That's such a slap in the face to biracial kids, not to mention poor Bumi who doesn't seem to belong to either for some reason until he ends up an Airbender. So yeah, all of the Harutara kids are part of the EK and SWT. Suma is a name I made up because it sounded pretty

I know it's weird to think of Lin and Tenzin as siblings, I felt so odd writing it. But I love them both so I couldn't just not write them. I made Bumi the youngest so he could be spoiled because he deserved better in canon. Su and Lin have a better relationship, but they still butt heads because they feel the need to one-up each other due to them both being Earthbenders (and later Metalbenders). Lin still becomes a cop, but their big fight never happened because Su was never neglected to the point of becoming a criminal. All four kids are taught Air Nomad culture and traditions and taken on trips because Aang is a decent father

I named Lian partly after Yue, since Yuèliàng means moon in Chinese. One of my gripes with LOK is that Katara and Sokka's family are meant to be the leaders of the SWT. Kya or Bumi should be the chief in canon, but Bryke just... Didn't do that for some reason. So fuck it, Sokka's daughter is chief now

Nothing really changes about Izumi, although I'd say she's a little friendlier. I contemplated giving Zuko more kids, but I actually think his decision not to have more kids was one of Bryke's better choices. It makes sense, so I didn't feel the need to change it

Other notes:

The Gaang teaching/helping raise baby Korra is something I live for

The Red Lotus is swiftly dealt with by Katara, Toph, Zuko, Suki, and Sokka when Korra is a kid. They never stood a chance. I was actually going to have Sokka still die during the attack in the SWT and Suki kill Zaheer in revenge, but eh I decided not to off Sokka

The Civil War still happens, but differently. I don't have the patience to go into that, just know that Katara is HEAVILY involved

Welp, that's everything in my brain

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theotterpenguin · 5 months

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How LOK Fails to Do Katara Justice (part II)

In part one of this meta, I explained how Katara's character received the worst treatment in Legend of Korra compared to the other members of the gaang, and the sexist writing of lok!Katara so that she is only defined by her relationships to her husband and children. In the second part of this analysis, I will explain how the common arguments that are used in defense of LOK's poor writing do not provide an adequate in-universe explanation for Katara's drastic change from ATLA.

Defense of lok!Katara seems to boil down to three main points:

1) The “leave it to the kids” excuse: Katara is from the previous generation so she shouldn’t be expected to be involved in the plot - it’s time for Korra’s team to have a turn.

2) The “old lady” excuse: Katara is too old to be fighting wars or getting involved in international politics.

3) The “people change” excuse: Katara’s character, personality, and goals would change over time because she’s older now.

I would be willing to accept these excuses under the condition that they are also applied to the other members of the gaang. Ignoring the fact that the Order of the White Lotus is literally a bunch of old guys fighting in wars in ATLA, if Toph and Zuko are also portrayed as too old to be fighting and leaving all their problems to the next generation to fix, along with Katara, it wouldn’t be as much of a problem. If Sokka, Aang, Toph, and Zuko are all portrayed as having different goals and motivations and characteristics than when they were younger, along with Katara, then again, it wouldn’t be as much of a problem. (It might be bad writing, but hey, at least it’s bad writing applied equally to every character).

The problem is that it’s only Katara’s character that takes a complete 180 from how it was set up in ATLA, it’s only Katara’s character that is too old to fight to defend her family, it’s only Katara’s character who leaves all her problems to the kids and stays completely uninvolved from the geopolitical conflicts brewing around her.

Returning to our original three excuses, let’s see how well they match with rest of the gaang’s portrayal in LOK:

1) “Leave it to the kids” excuse:

I will be leaving Sokka and Aang out of this since they are dead at the time of the show (though it should be noted that flashbacks show both of them being heavily involved in global leadership roles and managing political conflicts).

This excuse is not even close to applicable to Zuko. As soon as he finds out Zaheer has escaped from prison, he flies off on a dragon to check the other prisons. He warns Lin to look after Korra, but this doesn’t stop him from investigating with Tonraq on his own, without Korra and co's involvement. As soon as he hears his family may be in danger, he flies off on a dragon to protect them.

This excuse doesn’t apply to Toph. She does state that she agrees with Katara that it’s time to leave things to the kids, but her actions say differently. As soon as she finds out Suyin has been captured, she immediately attempts to find her - on her own, without consulting with the younger generation. When she realizes Suyin has been moved somewhere else, she works together with Korra and co to save her family - twice actually. She also involves herself in Korra’s life by helping her train and recover from her PTSD.

Meanwhile, Katara does nothing when her home is dragged into a civil war, does nothing when her family is kidnapped, and does nothing when a bloodbender is using his abilities to oppress others (despite being the one to outlaw bloodbending).

2) “Old lady” excuse:

Again, also not applicable to Aang and Sokka because they’re dead at the start of the show.

This excuse does not apply to Zuko whatsoever. He never mentions that being old prevents him from fighting or getting involved in the political conflicts that arise. He has no problem fighting Ghazan during the Red Lotus prison break-in and has no problem riding his dragon. He stays involved in international relations despite being “retired” from his position as Fire Lord - helping to track down the Red Lotus, attending important international events, and holding meetings with leaders of other nations (Tenzin, Raiko, Tonraq).

Toph tells Korra that her fighting days are over due to having back problems, but has no problem fighting Korra during training and easily takes out Kuvira’s army.

Katara never fights during the entire show. And as far as I can remember, she never waterbends at all beyond healing on a few occasions.

I feel like it’s important to note that both excuses 1 and 2 are never even mentioned in regard to Zuko (or the Order of the White Lotus) - it’s only Toph and Katara that seem to be “too old” to fight and have to leave everything to the kids. Toph’s actions don’t align with her words, unlike Katara, but it doesn’t change the fact that these excuses are unequally applied to old women in Legend of Korra compared to the old men in Legend of Korra (and ATLA). Good old misogyny at work!

3) “People change” excuse:

Sokka: Begins his story in ATLA as son of the Chief of the Southern Water Tribe, desperately trying to fill his father's shoes when Hakoda goes off to war. He becomes the defacto leader of the gaang over time due to his fondness for schedules, his leadership abilities, and analytical thinking skills. Despite being a nonbender, he held his own with his trusty boomerang and strategic thinking. Ends his story in LOK having taken over from his father as Chief of the Southern Water Tribe, putting those leadership skills to use. His intelligence and strategic thinking made him an ideal candidate to be a Representative for the Southern Water Tribe on the Republic City Council, as he could be trusted to make smart decisions that were the best for his tribe. He was even elected chairman of the council due to these skills. A statue was built in his honor, which included his favorite boomerang.

Zuko: Begins his story in ATLA learning to heal from his father’s abuse and, in the process, slowly comes to understand the evils of Fire Nation imperialism. He replaces his father as Fire Lord and vows to start a new era of peace and harmony, ending the war and the Fire Nation’s colonialism and imperialism. He also vowed to work together with the Avatar to maintain balance. Ends his story in LOK having achieved peace and prosperity in the Fire Nation again. Turned previous Fire Nation colonies into the United Republic of Nations - meant to be a safe haven for anyone, regardless of nationality or bender status - by working together with Aang. Fights against the Red Lotus to protect Avatar Korra and his family. His statue, in contrast to Ozai’s former statue, is one representing peace and hope.

Toph: Begins her story in ATLA rebelling against her strict parents, who are overprotective of her due to her blindness. She learns to rely on and trust others over the course of the series, realizing that accepting help from others doesn’t mean she’s weak. She enjoyed pulling scams on naive civilians in the show using her earthbending seismic abilities and participated in the Earth Rumble in her youth. She also invented metalbending and worked as Aang’s earthbending teacher. Ends her story in LOK having created a metalbending academy to teach others the bending speciality, along with establishing the first metalbending police force. Metalbending is shown as having made significant contributions to technological innovation and progress in the avatar world. Helped to train Korra while she’s recovering from the her capture by the Red Lotus. Though she liked breaking the rules when she was younger, she found it more fun to be the person in charge of the rules - leading her to become Captain of the Police Force. Still suffering the consequences of poor parenting as a child, she became an overly-lenient parent, leading to problems with her daughters. She states that her fighting days are over, but still seems to enjoy fighting Korra.

(As a side note: I do not agree with how the writers chose to take Toph’s story. Do I think they should have - and realistically, could have - gone in a different direction that did more justice to Toph’s character? Yes. However, I also see how it could potentially be possible that she became a cop and uninvolved parent based on her background. I don’t like it, but I can at least see some logic behind her storyline - unlike Katara’s. If anyone feels differently, I'd love to know your thoughts.)

Aang: Begins his story in ATLA learning to become the Avatar by mastering all four elements, mastering the Avatar State, and acting as a bridge between the human world and Spirit World. Struggles with being the sole survivor of the Air Nomads and attempting to keep his culture alive. Works to keep balance in the world among the four nations by defeating the imperial Fire Nation. Ends his story in LOK having achieved his goals as Avatar, successfully keeping peace amongst the four nations and establishing the United Republic of Nations as a sanctuary for all, no matter nationality or bender status. Considered a spiritual leader and successfully kept peace between the spirit world and human world. Had an airbender child and airbender grandkids, traveled the world to spread his culture, including building a temple on Air Temple Island in the United Republic, and other characters repeatedly state that for his entire life, his dream was to revive Air Nomad culture.

Katara: Begins her story in ATLA trying to master her waterbending abilities, trying to teach herself on their journey. Views waterbending as a way to connect with her culture. She challenges the Northern Water Tribe’s sexism for the right to learn how to fight. Famously declares, “I don’t want to heal, I want to fight!” Passionate about standing up against injustice - causes a prison riot through an inspiring speech she gives, dresses up as a Fire Nation spirit to heal sick villagers, and goes after her mother’s killer. She is forced to bloodbend, a traumatic experience for her. Teaches Aang how to waterbend and is eventually bestowed the title of “master waterbender” by Pakku. Occasionally heals others when they get injured, but main focus is on development of her waterbending fighting abilities. Ends her story in LOK known as the best healer in the world, but fails to heal Korra and Jinora. Spends her time during the civil war on the sidelines, healing the injured. Marries and has kids with Aang. She’s lonely and her family doesn’t visit much. No known achievements beyond outlawing bloodbending (which she is somehow able to do without holding any political titles beyond that of the Avatar’s wife).

Hopefully it should be clear that Sokka, Aang, Toph, and Zuko's characteristics, goals, and motivations don't change as drastically as Katara's do. The writing of Katara in LOK did a disservice to her character. I've always deeply admired Katara for never failing to stand up against injustice, for her empathy and kindness even for those who are different from her, and for her determination not to let patriarchal norms define what she can and can't do. While LOK's portrayal of other characters provides a glimpse at how their character arcs in atla influenced the way they shaped the world, we never get a glimpse of the original Katara - only a lackluster imitation of someone with the same name.

If the Avatar franchise continues to expand with more post-ATLA content of the gaang as adults, I certainly hope Katara's characterization is improved.

#katara #katara analysis #atla #zutara #anti lok #lok critical #once again not shipping related only tagging zutara for visibility #my post #my meta

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