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sinceileftyoublog · 7 months
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Say Anything Interview: Intentional Is My Default
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Photo by Nicole Mago
BY JORDAN MAINZER
I'm waiting back stage at Riot Fest for Say Anything's Max Bemis to finish a photoshoot, one that sees him lie in the grass in various positions that make it look like he's stretching after a tough workout. Despite the fact that he hasn't yet gotten his real workout in yet--his newly reformed band would go on stage in a few hours--and that this photoshoot is full of capital-p Poses, I'm taken by how at ease Bemis seems with everything. When we speak, he reveals to me that, yes, while he did in fact feel awkward during the photoshoot--most of us do--he's learning to lean into his feelings much more naturally.
Five years ago, the legendary emo band disbanded, with their 2019 album Oliver Appropriate billed as their final LP for the moment. A purported sequel to their beloved sophomore record ...Is A Real Boy, the album was publicized in conjunction with a nine-page letter from Bemis, in which came out as bisexual and admitted to struggles with drug use. (The frontman has long been open about his diagnosed bipolar disorder, previous self-medication through drugs, and manic episodes.) During the pandemic, Bemis stayed busy, performing livestreams of older material, but there was always lingering doubt the band's hiatus would become permanent.
It wasn't until late last year that Bemis dropped that the band would be reuniting for festivals in 2023. In typical nonchalant fashion, he shared that the reunion would include past members drummer Coby Linder and bassist Alex Kent by replying to someone's comment on a Facebook post. In April, the band released their first new material since Oliver Appropriate, the maximally stream-of-consciousness rant "Psyche!". The song sees Bemis laying out those same struggles for everyone to bear witness to, blaming himself for his personal, marital, and familial problems atop a bevy of references to the band's older material, Titanic, and Riot Fest itself. "By Riot Fest '24, I'll be coughing up corks if you supply the Malörk," he sings, a line that's instantly iconic and bound to be infamous for its satiric misspelling of Chicago's shot of choice. In August, the band followed it up with "Are You (In) There?", which also establishes itself within our emo universe, with mentions of Sunny Day Real Estate and mewithoutYou, but a more personal ode to Bemis' wife and the love they have for each other despite his past actions and shortcomings. And just this morning, Say Anything annouced ...Is Committed (Dine Alone), their new record, along with a single entitled "Carrie & Lowell & Cody (Pendent)", Bemis placing his "mommy issues" in conversation with those of indie folk luminary Sufjan Stevens. The song is musically heavier and more complex and full-throated, while also containing gorgeous choral harmonies from Bemis' wife, Sherri Dupree-Bemis.
At one point, the future of the band was a mystery to everyone, Bemis included. But with some newfound perspectives, the musical and personal influence of new band member Brian Warren of Weatherbox, and therapy, it seemed from just the short conversation I had with Bemis and Kent that they're in a good place, ready to embrace their new chapter. Read my interview below, conducted last month before I knew about their new album, edited for length and clarity. Catch the band three nights next week at The Regent Theater in LA and at When We Were Young in Las Vegas next weekend.
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Photo courtesy of Say Anything
Since I Left You: How does it feel to be back?
Max Bemis: It feels great. I don't think I would have decided to write the songs again if I didn't aspire to how this feels now, which is very different than our experience as little kids being in a punk band, which was very intense and an experience I wouldn't trade for anything. But this is comfortable, and it feels like having the best job ever, in the words of Piebald. It could have been a stress fest, anxious, or bad, but the only reason I wanted to write again was to reach for this thing that we never got to settle into, being dads approaching 40. The bands we looked up to were doing it at that age and still making inventive music but still seeming to chill and not base their entire personas and aspirations around being in a band. I think I appreciate it more now that I'm not trying to be "a guy in a band" as hard as I was.
Alex Kent: Something we've been talking about since getting back up and running was the transition from utilizing it as an escape versus a form of healing. Because we've been through so much traumatic shit in our lives, most of the time Max and I talk, we talk about therapy. It's fucking weird going from 18 years old on a tour bus to having that self-awareness and reflection.
MB: I didn't need it like that for many years because our entire life cycle was keyed in to being on tour. I wasn't living a normal person life. I'm not saying I ever have really or ever will--I wrote comic books for five years. That's still weird. We're still weirdo guys. Having a family, coming out of that kind of circus, I feel more like my 14-year-old self who needed this music for that reason.
SILY: The new songs have a self-aware quality.
MB: More than ever.
SILY: How do you include the self-awareness in a set at a festival or concert, where you're literally referring to other songs you're playing in the setlist?
MB: We refer to Riot Fest itself!
SILY: And Malörk [sic]
MB: And Malörk. It's incredibly self-referential and ironic, but because the band started that way, it's come full circle and is no longer ironic at the same time. There's still a lot of exaggeration and bullshit, but it's closer to me saying actual things that are happening. As you age, everyone's life becomes a circus, more surreal. The world has been very surreal, with COVID and Trump. You kind of have to say your inner experience now. It's an emotional, crazy, surreal thing anyway. It's not like before, when I said, "I have to think about my ex-girlfriend, but I'm thinking about my wife, and what the fuck is this about?" Now, this is about being at Riot Fest. And I am at Riot Fest.
SILY: There is a song about your wife, though.
MB: Yes. Also quite literal. So many emotions are certainly exaggerated, but the sincerity isn't. The love for my wife is very real. But even there, if you're in any successful relationship, it goes through the most intense rebirths and reformations, and you're adjusting to each other, especially after having kids. It's more potent to me to say what's happening or what my emotions are than do what we did on In Defense of the Genre, where I was literally forcing drama into my life on a regular basis. Now, I have no room. I'm tired. I have children to look after. The drama just happens from kids, life, everything. It's real and heartfelt, but a seasoned emotion and not so adolescent. I still love those songs, and I relate to them, but they all speak to a certain side of me I can't live out anymore.
SILY: Do the new songs more than ever exemplify the idea that the more personal you are, the more universal the songs can be?
MB: Yeah. But probably by being a little too hyper-specific. That's why I fell in love with this kind of music. Saves The Day got me into wanting to be in a band. What wowed me was when he was talking about the names of the other band members in song, like, "Ted's drooling on his sleeve." He's just saying he's in this New Jersey bar and he misses his girlfriend. He's not cloaking anything. Our thing has been a kind of parody of that, but now I don't have to stretch anything for it to be a parody.
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Photo by Ben Trivett
SILY: What do you think Brian Warren brings to the table on the new songs?
AK: I've known Brian since we were 9 years old. Our very first band, we were in together.
MB: I wouldn't know about Weatherbox if it wasn't for Alex.
AK: He brings this calming energy. Humble is a weird word to describe him.
MB: It's accurate.
AK: Weatherbox is fucking amazing.
MB: He has more impostor syndrome than even me.
AK: He can play everything, and he writes cool shit.
MB: He's a virtuoso. The cool thing about Brian is that there's always been a connection between our bands. It's similar to me playing music with [Chris] Conley [in Two Tongues] back in the day. It's surreal, but it makes so much sense that you don't have to think about where he fits into the sonic picture or personality picture because we're friends.
AK: It's very cool how much sense it makes.
SILY: Has your relationship changed to your old songs?
MB: I like them more. Over the break from the band, I would listen to Say Anything, with my kids or in my car, alone. The way I severed it was so intentional. I wasn't saying, "The band was over." I was saying, "We're probably going to get back together, but I have to sever this incarnation." I was listening to [old Say Anything songs] and thinking, "I like Alex's bass part. I like the production. I even like my voice." It was like listening to another band, because of the space. I've grown to like them. I definitely know people in bands that are not what they listen to, but Say Anything has always been a conglomeration of the type of thing we listen to. If I'm going to listen to The Get Up Kids, I might as well listen to Say Anything.
SILY: Moving forward, are you trying to continue to be more intentional, or do what feels best?
MB: Both. I know that's cliché to say, and it does and doesn't make sense. I find that intentional is my default, and before, I would second-guess myself constantly. Now, I allow myself to make mistakes, and I let other people give me advice that before were such cerebral trips. There was a lot that weighed on me. If the lyrics are super intentional and literal, I'm just going to do it. If I feel awkward in a photo shoot like right now, I'm just going to be awkward in the photo shoot. That is, of course, my safe and happy place in life.
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endusviolence · 2 months
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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fixaidea · 4 months
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Here's a tough one:
You have to remove an animal from a room. Your equipment is a long stick, a bucket and a hoodie.
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deadsetobsessions · 3 months
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Sea Cryptic! Danny AU- Pt.1
[Pt.2] [Pt.3] [Pt.4] [Pt.5][Pt.6][Pt.7]
As someone who lived in the middle of nowhere, Amity, the ocean both terrified and enthralled Danny Fenton.
The first time his parents took him to the beach, it was the middle of the day and he’d been stuck in the prototype GAV for hours upon hours on their “quick, ghost rumor hunting field trip.”
It wasn’t quick, and they caught exactly zero ghosts. When Danny saw the expanse of sand underneath the summer sun, he and Jazz both bounded out of the van like feral little monkeys. Danny and Jazz sprinted down the sand, their parents ambling behind them with their arms loaded up with towels, a first aid kit, and an ungodly amount of mildly ecto contaminated food that they already fought before getting onto the beach.
Danny had splashed into the water, yelped at the freezing temperature, and then promptly found a shell to keep. His mom taught him how to swim with the waves, having come from Surf City herself, and his dad taught Jazz how to dive.
It was a day full of fond memories, especially the memory of the Great War of Sand-Castle Crushing he and Jazz waged against each other.
They stuck around for the sunset, the ripples of colors and peacefulness that swept across the vast waters caught Danny in its hold.
He hadn’t forgotten that moment. Not even when he died.
After a particularly hard day as Phantom, Danny would fly to the coast and loose hours just sitting on the sand and watching the waves lap against the shore. And when those nights were clear? It felt like a slice of his own personal heaven, with the stars shining on his shoulders and the encompassing crash of the waves sheltering his heart.
And on some days, when being Danny left him frustrated, Danny would fly out to the coast and use his intangibility to walk beneath the waves. Near the coast, it’s cloudy with swirls of moving sand and disturbed waters. He walked, and walked, and floated and floated beneath the waters, taking contentment from the way the moonlight of his stars filtered through the water. He admired the way light would glint on the scales of fish and crustaceans alike as he floated beneath the surface. On those days, Danny would pick up trash and polluted things and bring them to shore, to place in the trash cans and all of the recycling cans. He picked up shells and decorated the beaches he frequented, because if it were decorated, perhaps people would refrain from chucking their waste into the sea.
Well, usually, it’d be trash.
Danny watched speechlessly, jaw cracked open just a smidge, as an explosion happened right over his head. The distortion of the water did not hide the fact that there were large chunks of plane pelting down at him, a different figure flying away from the explosion. Danny went invisible and intangible as large metal pieces plunged into his current water space.
“Gosh, people these days,” he huffed. “This is gonna take forever to…”
Danny trailed off, seeing a humanoid shape crash into the water, clearly unconscious. Danny didn’t hesitate before shooting towards the drowning person, glowing green and fully visible again. The stranger’s eyes- holy shit, that’s Batman- turned towards him before closing behind cracked open lenses. Batman slumped falling unconscious. That’s not good.
Danny rocketed out of the water with the vigilante in his arms. If it weren’t for his supernatural strength, there’s no way lanky teenage Danny would have been able to carry Batman’s grown ass built like a tank self to the shore. Likewise, if it weren’t for his strength, Danny wouldn’t have been able to start chest compressions through the layers of armor.
Danny leaned back with a sigh as Batman coughed out only a bit of water, because Danny hadn’t taken all that long to get to him, and held up his hands in a “I don’t have weapons” way as Batman whirled to him.
“Hi. Are you alright?” Danny asked, ectoplasm and instinctive ghost speak fuzzing his words a bit. Damn, Batman must have nearly died a lot. He’ll freak out about meeting Batman later.
“You saved me,” an awkward pause. “Thank you.”
“You’re welcome. The other guy went that way.”
Danny waved vaguely.
“…What are you?”
“Oh my god, Batman, you can’t just ask someone what they are!” He immediately replied, inwardly smacking himself for the joke. He watched Batman’s face, watching for any sign of discrimination against ghosts, or any sign the man had a sense of humor.
“…”
Neither, apparently, was the answer.
“Don’t worry about it. I’m just here to clean up the beaches. You humans really like to pollute the beaches. It’s quite rude, you know. That plane of yours, well, it’s not your fault,” he amended. “But it’s gonna damage sea life. And I don’t know if you’re in the habit, but please don’t litter on the beach or in the water, especially with your unconscious body. It’s tedious to clean.”
“…I see.”
“Stay. I’ll take out your plane. Make sure it doesn’t stay on the sand, alright?”
With that, Danny stood. Unaware of the way the moonlight lit up his hair like white flames and accentuated the sharp points of his ears, Danny turned away and flew back to the plane site, dragging the pieces up with ease.
Batman sat on the sand, likely exhausted from his fight, and watched him carry the pieces of the aircraft up.
“Here. All done. I gotta get going,” because Danny has school and this just lost him two hours. “Will you be alright?”
Batman nodded once, sharply.
“Good.” Danny went invisible, watching Batman sat up straighter, glancing around in a suddenly visible awareness. Oh, well. Tucker’s gonna freak out.
——
Three years later, Danny’s moved to Gotham for university.
And after midterm season, Danny went for a ghostly walk, but this time, in the waters surrounding Gotham.
When he surfaced, Batman was crouching on a lamp post, waiting for him.
“Oh, it’s you,” Danny said. “Hello. Did you know that people are polluting these waters with bodies too?”
“Yes,” Batman said, graveled voice resounding on the shipping containers around them.
“You should do something about that. Do you like places that are polluted?”
Batman sighed. “What are you?”
Danny hears a small, tinny voice by Batman’s ear, coming from a comm.
“Oh my god, B, you can’t just ask someone what they are!”
Mind flashing back to the night Danny drug a waterlogged Batman out of the ocean, Danny cracked a smile.
“Phantom,” he said, decisively. And, because this isn’t Amity anymore, “the Beach Clean Up crew from the flip side.”
——
Bruce, waking up on the sand: wtf
Bruce, seeing a child next to him who probably saved him: wtf (in “adoption”)
Bruce, seeing Danny’s skin glitter like stars, hair aflame, and pointy ears: wtf (in “I can adopt fae folk, right?”)
Bruce, seeing that Danny doesn’t leave any footprints: wtffff (detective mind goes brrrr)
——
Bruce, after Danny leaves: *donates 20 mil towards beach clean up efforts and anti-pollution causes*
——
Bruce’s Goggle Search History, documented by Oracle:
Sea spirits
Sea vampires
How to parent supernatural kids
How to thank your sea child
Are shells a good gift?
Ocean conservation efforts
Sea spirits that glitters under moonlight
Sea spirits that cleans up beaches
Wayne corporation waste disposal
Companies that dump trash into the sea
*outgoing call to Lucius Fox*
What is “mean girls”
——
Bruce, learning “current pop culture” from his kids:
Bruce, remembering the kid who saved him and realizing he’s probably as old as his own kids are: *adoption tendencies intensifies*
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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
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henreyettah · 1 year
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First tlt comic pls be kind to me
Edit: made a very minuscule change. Might take a trained eye to see it (hint)
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Luo Binghe pov fics that have him be amused or confounded by his silly shizun are the best actually. I know his rose tinted glasses of affection are basically opaque, but you cannot tell me the silly goofy wackiness that is shen yuan does not peak through and throw binghe off his rhythm at times. During his disciple days he definitely thought "he's so smart and yet so dumb at the same time. Is anyone gonna take care of him?" And didnt wait for an answer.
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kiwichils · 23 hours
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kiss that dwarf
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coffit0 · 2 months
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This happened in canon btw I was there trust me
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yrsonpurpose · 2 months
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"the handsomest-bodied man in all of England."
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sinceileftyoublog · 2 months
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Laura Jane Grace Live Preview: 2/16, Sleeping Village, Chicago
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Photo by Travis Shinn
BY JORDAN MAINZER
Laura Jane Grace's debut solo album Stay Alive was--and sounded like--a product of the pandemic. Her inability to record with her Against Me! bandmates resulted in an album full of great songs that you couldn't help but think demanded a bigger sound. Her second album Hole In My Head, out today via Polyvinyl, in contrast, exudes sheer purpose. With a mix of solo acoustic tunes and "full-band" songs inspired by 50's and classic rock (Grace sang, played guitar, and played drums alongside Drive-By Truckers bassist Matt Patton), Hole In My Head is at once reflective and worldly. Grace had the opportunity, post-pandemic, to workshop many of the songs live before recording them, and the result is a collection filled with a sense of place, vulnerability, and humor.
Yes, Hole In My Head has a lot of reference points. Grace wrote the songs in and sings about Amsterdam and St. Louis, and namedrops a beloved Chicago hot dog joint and an auditory phenomenon tourist attraction in Tulsa. She interpolates George Harrison and Cheap Trick and uses Elliott Smith and the Red Hot Chili Peppers as emotional and cultural benchmarks. But they're all just part of her increasingly stellar storytelling and confessionals, fighting insular tendencies by embracing feeling. "Dysphoria Hoodie", released before the album was even announced, encapsulates the dichotomy well. Though the namesake clothing item is a trans person's go-to garment to prevent the world from speculating on their gender, Grace opens up her inner monologue: "When it says A.D.I.D.A.S on my chest / All day long I dream of sex / When I’m not thinking about Jesus," she sings. "Cuffing Season" and "Tacos & Toast", meanwhile, occupy two sides of the same coin, the former seeing Grace diving deep into a relationship, the latter featuring her crossing out an ex's tattooed name to celebrate her birthday.
All in all, Grace does a lot of looking back. "Punk Rock In Basements" doesn't quite yearn but remembers her start in the DIY scene, Grace singing over handclap percussion, guitar jangles, and backing shouts. On "Hard Feelings", she sings, "Mother, mother, mother I've ruined my brain / With alcohol, weed, porn, and cocaine / Staring out windows / Staring at screens / I've passed right by everything I've seen." It's not so much a downer as a reminder to live for now. Fittingly, the album ends with Grace standing at The Center of the Universe, screaming at god, unable to be heard by anyone else, existing for herself and nobody else, alone by choice.
Grace celebrates the release of Hole In My Head tonight at Sleeping Village. Deanna Belos opens with a Sincere Engineer solo set, as does local bedroom pop band CalicoLoco. Doors at 8:00 PM, show at 9. At the time of publication, you can still join the waiting list for a ticket.
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lyss-sketchbox · 3 months
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Im having the time of my life here
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andy-clutterbuck · 2 months
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Rick Grimes in The Ones Who Live 1x01 - Years
"…𝘵𝘩𝘦 𝘴𝘤𝘢𝘳𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘱𝘢𝘪𝘯…𝘪𝘵 𝘫𝘶𝘴𝘵 𝘳𝘦𝘮𝘪𝘯𝘥𝘦𝘥 𝘩𝘪𝘮 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘴𝘢𝘷𝘦𝘥 𝘶𝘴."
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linusbenjamin · 5 months
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the machine summing up their relationship in less than a minute ✨
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kingkatsuki · 5 months
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Bakugou overhears you talking to Mina about things guys do that give you the ick and he spends the rest of the day practically moping to Kirishima that you hate him.
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arabellas · 6 months
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goodbye goodbye goodbye you were bigger than the whole sky 😭😭😭
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