Telling people that cannibalism is one of my fav little things in literacy and media to refer to the absolute love and desire in a relationship is so fun. The looks I get r wild but for some reason people never hear me out. I gen don’t know why that is.

"I miss when movies weren't political-"

ALIEN is about a megacorporation coercing some salvagers into transporting a dangerous creature without telling them what it is, all because the creature could be a great bioweapon for them. When a survivor of this failed transport mission wants reparations, they screw her over to avoid a scandal.

ROBOCOP is about another mega-corporation experimenting with a cop's body and declaring him their property, trying to reduce him to an obedient killing machine who can maintain the status quo for them.

JURASSIC PARK is about a rich billionaire going all out to make a dinosaur-themed amusement park, not caring about the real-world implications of resurrecting giant lizards. He also underpays ONE guy to maintain the entire park's security systems so predictably, that one guy betrays him at a crucial moment.

The best movies weave their politics with plot & character, so you can enjoy them as entertainment but can also notice the themes. Movies without themes wind up being all spectacle and no substance, just noise and color like Michael Bay's Transformers franchise. Yeah, they make money, but they'll be forgotten in 2 generations.

I have an agenda.

Long hair teenage sabo.

Can I just say that I love the outfits you give Coraline!

I love how you make it so, it's clear she gets a lot of her style from Mr. Bobinsky. Ms. Spink, and Ms. Forcible.

It's amazing worldbuilding and showing who alongside her Mel and Charlie, influenced Coraline's upbringing!

It's really amazing to me that just through outfit design you guys are reinforcing the belief that you don't need to hold an audiences hand for them to understand the ideas you're trying to convey.

There's been many points where I've wondered whether I was being too vague or something was too small of a detail for you all to pick up on but every time you've proved me wrong hahah

someone please give this poor kid a hug

brb gonna run a victory lap because I really was onto something back when I guessed that Ankarna was a deity of justice and righteous fury 🔥🔥🔥

"But who cares if it is 'punk'?"

Whenever I am talking about the punkness of Cyberpunk and Solarpunk and what not (or the punkness of any of the Punkpunk genre, as I did last week), people will usually come and ask: "But why do you care? So what if it is just an aesthetic? Why not just have people have fun with the aesthetic?"

And I will fully admit to it: Yeah, I can see the point. The world sucks. People should be allowed to have fun with fiction. But I am also too autistic to not care about it. Not necessarily if it is "punk", but at least whether it a) has themes and b) these themes are included in the different stories.

See, one of my big issues in regards to media in general is, that people often do not engage with any themes there are to it. I kinda talked about this too when it comes to people complaining that Gundam - a franchise that inherently is anti-war and often anti-capitalist and anti-colonialist - got political in the moment it featured lesbians as main characters. Which is kinda silly. But the reason for that mindset is of course that people engange with media often on a very superficial level. And while folks on the left are quick at claiming that is a conservative problem... Let's be honest, it is an everyone problem.

Again, I get it. The world sucks. Most of us are overworked and overtired and when we engage with our media we just want to turn off and enjoy. I really, really do get it. I have also some of those just mindless action flicks I will put in and then turn my mind off. Like, who cares whether Tom Cruise is basically Space Jesus propagating a deeply abusive cult. Mission Impossible movies are fun. Who cares about some of their rather... problematic messaging?

But media literacy is important. And I think this is what this boils down to. Because no matter if we engage with it or not: The media we consume subtly influences us and our outlook. No, usually media will not turn a stonch anarchist into a Nazi, or a Nazi into an actual anarchist... But it for sure makes us more susceptible to certain other messaging.

Which is why we need to engage with the themes of any given media and try to understand what it is saying.

As written in that blog about G-Witch and such: There is no apolitical media. Even media that is not really concerned with politics will have a message - usually one along the lines of "The world is just fine as it is right now, do not worry about it!" or "Rugged individualism tots is the way to go!"

Which brings me back to the punk genre. While some were in fact invented as an aesthetic and even in some that primarily got made into genre there is not necessarily a lot of thoughts put into the themes... There are themes that will naturally arise from stuff like the historical context the punk genre is taken from and what not. And especially the "punk" kinda means that it has to challenge something. And be it just genre convention.

And usually, whenever those themes get lost... Well, stories tend to revert back to the exact opposite of that. "Everything is A-Okay - or at least it would be if the power structure was still there but the right people were in power!" And once more: "Rugged individualism WINS THE DAY!" The original themes getting lost, does not mean it gets replaced with emptiness. Just with the standard themes of the media of our times. And... Yeah, to be honest: I am not a fan of that.

The thing I value so much about the concept of the Punkpunk genre is the possibility of playing with counter cultural themes. So, yeah, I care if these themes get lost - or get not even included.

And that is without going into stuff like the non-white origin of Solarpunk kinda getting whitewashed...

the disparity in kudos between a skk fic and a fic for literally any other bsd characters/ship :/

EDIT: Got my answer!

Genuine question here, this is not a rhetorical question for the sake of meta, I am genuinely asking

Where are people getting the idea that Kristoph forged evidence more than once? I've watched the same Let's Dub (thank you, Tyranee) twice while multitasking so it is entirely possible I missed something

But I thought that Kristoph freaking the fuck out and trying to kill both Drew and Vera was meant to indicate that the diary page was his first and only forgery?

If you genuinely believe Jonathan would've used the fact that Steve abandoned Nancy at the party in the middle of her breakdown against steve so he could get with Nancy then you clearly know fuck all about Jonathan's character. Honestly he shouldn't have covered for Steve, but that's Jonathan's problem, he puts the feelings of others before his own. Yeah he could've used this to 'get plus points' (lets not even touch the fact that Nancy isn't a fucking object to be won in the first place, she's not Steve OR Jonathan's bloody prize) Nancy over but he didn't because he cared more for Nancy's feelings of guilt in that moment than his feelings for her.

And no, im not painting steve to be this 'horrible monster when it comes to st*ncy' he literally admits himself that he was a shitty boyfriend.

Old Zelda music really captured that grandiose vibe. It made everything feel so huge and important because the music had so much fanfare. It really captured 'heroic' which I feel is so important to the heroes journey trope that is integral to loz

Hi what books are you guys reading

that squid game reality show genuinely & sincerely makes me so irrationally angry & the stupid ass takes surrounding it make it so much worse.

i actually sincerely cant handle it. it makes me so irate bruh

Hi. Are there any ships you won’t draw for?

There are some ships I wouldn't feel compelled to draw and would ignore if prompted, but I could be further compelled for $$$ :)

I'm expanding on this in tags but I trust in people to understand that I approach character exploration in fanwork very casually (ship hate doesn't exist in my world). At most I'm like "damn that's wild" or "that's awful i'm ignoring that" and that's it because I know how to curate my online spaces for myself.

All this to say, just toss things into my inbox without judgment and know that I see you but would never put you on blast for asking me to draw something I personally think is too crazy for me.

What's p/p?

Ah, I meant to say, pp, Psycho-Pass. I usually add slashes to avoid unprompted rambles to show up in main tags, sorry if that resulted confusing.

I love Psycho-Pass. I already made a post about why bsd fans might find it enjoyable, but honestly, there's so much more to it beyond what it has in common with bsd.

The prompts for reflection this series offers are just wonderful: on the relationship between citizens and government, on pervasive systems, on freedom of choice and free will, on safety vs. freedom, on discrimination of minorities and creation of scapegoats, on propaganda and brainwashing, on the increasing and treacherous presence of technology in everyday life, on how government uses technology to control and manipulate people, on fighting the system from the inside vs. fighting the system from the outside. I should watch it again too. It's crazy good.

Akane Tsunemori - the coprotagonist of the first season, the protagonist of the second season and overall the true core and heart of the franchise - is one of the most complex and beautiful characters I ever met. Her growth and character development is truly amazing: the way she starts off as unknowing and naïve, and grows so so much from there; how her writing finds this perfect balance between becoming more mature / hardening and staying true to her beliefs - even when everyone, the system, the people she relies to, the people she looks up to - tell her that there's no other way, that it can't be. It's breathtaking. She is a breathtaking character. The way alone that no matter how conscious and aware she becomes of how cruel the world is, how unredeemable people are, how beyond saving the system is, she still keeps believing in humans… It may sound cliché by itself, but believe me, it's wonderfully executed, and her character is truly amazing. Not to mention, the way she mirrors the coprotagonist Kougami is fabulous, but this is not really about him; she's an amazing character of her own right, and I will die on this hill.

The female cast in general is all amazing honestly. Don't get me wrong, the male characters are just as complex and multilayered (and I LOVE Gino and Kou, how couldn't I), but that's… Something we're more accustomed to, while finding well written female characters is objectively much harder. Female characters in Psycho-Pass aren't written as female characters, they're written as people, just as much as their male counterparts are. They have their fears and hopes and strengths and weaknesses just like any other character. I love Yayoi for being strong and coolheaded. I love (LOVE) Shion for being her fabulous self, kind and flirty and confident and with an heart so big, and for her subverting the trope of guy in the chair by being a glamorous woman who's also incredibly competent at her job of analyst. I love Akane's friends and I don't like season 3 but Mai is genuinely awesome and a joy every time she's on screen. I love Risa so much I could die, I love how strong and independent she is, I love the dilemmas she had to face, I love her choices and how they might have been the wrong ones and how it still haunts her, I love the tragedy of her character in general, I love the doomed friendship that used to be between her Gino and Kou. I love love love Fredrica, I love her being bossy and confident, diligent and determined. There's just a lot of… Strong and independent women in Psycho-Pass, and it's not just a way of saying, they really are.

I LOVE women loving other women, canonly, on screen. The confirmation may be delegated to a small moment in the last episode of the first season, but the fact that it's still there nonetheless, and how it confirms that all the previous moments and exchanges were indeed moments and didn't leave it to ambiguity… It's nice, to say that the first season of Psycho-Pass came out in 2012. And you might have to wait eight years, three seasons, five movies for it, but the phrase “I just want to go outside, dine somewhere nice, and go for walks with someone I love” may make it worth it.

And I LOVE how all the leader positions are filled by women. It's a little funny, honestly, in the best way– despite what I made it look like so far, the Psycho-Pass cast is still men-dominated (or at least a pretty equally split 50/50?); yet all the leader positions are always filled by women: Akane and Mika and Kasei and Frederica and Karina, it's always women.

Also, Mika is a brilliant character. Of course I love her. I'm so so sorry for how much hate and criticism she gets (over being a purposely annoying character! Insane! When Dazai exists!), when she does really and excellent job at conveying “look! A fucked up brainwashed individual in a fucked up brainwashing environment! I wonder how that could have happened!”. Not to mention that her growth, her long and devious way to admitting that the system is flawed, is truly well made, too. Unpopular opinion, characters with big flaws, characters who are unsufferable and make lives impossible to everyone around them, characters who mess up again and again, are actually great to watch.

Again, don't get me wrong, I absolutely adore Gino and Kou too ahah. They're both great!! But that you can probably see by your own. Gino in particular used to be my favourite, how his character does a total 180° turn. I love to see men admit their mistakes and make the choice to be better tomorrow.

About that, the relationships between the characters are AMAZING. Especially the main trio Akane / Kou / Gino, all the combinations within it are beautiful and deep and brilliant, so so enjoyable to explore and with their fair share of canon content, while still never straying to romantic territory (I mean, Akane/Kou may be going in that direction, but if that's true, that's the slowest slow burn I've ever witnessed in my life).

What's more. The world building / general premise - a dystopian world, where your predisposition to do crime can be measured and the government makes use of such technology to monitor and control the population and guarantee everyone's safety - is genuinely interesting and compelling. The aesthetic is genuinely cool (AH, now that I think about it, I've got my unfair bias for people in suits, and pp has a LOT of people in suits… ). The opening and endings feature great artists like Egoist, Ryo, Who-ya Extended and Cö shu Nie, so you're sure to love them!!

(Also, Psycho-Pass is something I used to spend entire nights talking about with a friend, and I'm always thinking about her and hold her tight to my heart in every moment so. That's worth mentioning for me, pfffttt. I love my friend so much.)

Finally, because the other Psycho-Pass post I made here keeps haunting me for the lack of trigger warnings, please be aware: Psycho-Pass DOES have trigger warnings. Pretty much for eveything you can think of. Sexual assault and gore and body horror on the top of my mind, but it's quite dark and gritty at parts in its entirety, so please please keep that in mind if you decide to pick it up.

Well, this is the end of my Psycho-Pass love letter for now. Please give it a chance if you can! I'll go rewatch it now. General watch order, in order of release, is season 1 → season 2 → movie → Sinners of the System movie trilogy → season 3 → First Inspector movie → Providence movie. I don't really like the third season or First Inspector movie (the characters are still great tho, even the newly introduced ones), and I've yet to watch Providence. The first season later came out with an extended edition of added scenes between episodes, and they're quite nice, so if you can't get ahold of it, you might want to look up for a compilation of the missing scenes still.

Not gonna lie I think "media literacy" based accusations have quickly devolved into name-calling that means nothing and completely fails to address the core points of the disagreeing perspectives