Let me write a few more ableist bullshits https://www.tumblr.com/olderthannetfic/748245873503420416/i-really-hate-how-easily-it-is-to-notice-that?source=share

People are so insanely uncomfortable with something being deemed disabled, or under some type of disabling condition, that they'd rather try and remove the status of disability and make it something different. Who cares if the classification of "disability" is the only reason you can get help for it through insurances, healthcare or whatever other options exist across the world? Disability, the concept, the word, the idea, the entire thing, is somehow viewed as icky.

People are so disgusted by the idea of disability, that the moment it isn't visually obvious, you're not deemed disabled and will have to deal with harassment and other vitriol against you. It's more comfortable to accuse everyone of lying, than accept that some disabilities aren't obvious.

In discourse about privileges and rights, both queer and poc people, and their allies, feel too fucking comfortable trying to call out and belittle disabled people and even downplay the suffering of disabled people. Your suffering is only allowed to exist in tandem with another "oppression", and even then it's only ever second to those other ones.

People writing shit like "I don't see this person's disability I see their beautiful smile/personality/whatever the fuck." As if being visibly disabled is an otherwise ugly blemish you need to look past to see that disabled people are fucking human beings who deserve basic respect and being viewed as normal humans.

In fiction:

Certain disabilities are only allowed to exist as an aesthetic, but the moment it actually has to impact a character, it suddenly doesn't. There are too many people who want the idea of disability for some reason, but don't do anything with it. Here's a character who has problems walking... whoops now they suddenly don't have that problem when it would be too bothersome. It's also often that just specific neurodivergencies are permitted as well.

People, especially those not affected by certain disabilities also don't like it when disabilities have "adapted" in different settings. I still remember the discourse about Toph from ATLA not being a good blind character because she could "see", which obviously negates everything about her being blind... No it fucking doesn't. Disabled characters are allowed to adapt, and have their own way of moving around, disabled, especially blind, doesn't mean "useless worm".

--

The Helaemonds/Helaegons need to calm down.

Don't get me wrong, it's always refreshing to see some people fill in the gaps of a basically untold relationship such as the one between the green kids in general, but this goes beyond basic obsessive shippy discourse. Leave this poor girl alone. Why's there an obsession with having her be romantically paired with her brothers, one worse than the other?

I understand the show has basically shown so little of her to the point where we didn’t even have a coronation for her on screen, so therefore you can self insert through her and have fun with headcanons regarding Aegon and Aemond. Really, I'm not faulting their girlies, you can be head over heels for whatever actor in character you want (unless you put them on pedestals and start acting like they did nothing wrong and pounce on whoever contests them, THEN we have a problem) but I assure you, Helaena would barely want anything to do with either of them.

Aegon is a sex pest turned sex offender, a drunkard and a neglectful father and husband at best. Her infamous toast in ep.8 has us believing that he cannot for the life of him interact with her unless he's horny drunk or that he forces himself on her at worst.* He was ready to leave them all in ep.9 before he was caught. Even the book is subtle about their relationship: all we know of them is that they sleep in shared chambers, that she was someone important and reliable in Aegon's council before B&C, and that he named her and Alicent the true Queens of his reign.

*(⚠️TW: PERSONAL OPINION⚠️ I'm not saying this last one isn't a possibility but it's sill outrageous for the way people speak about Helaena in defence of this "claim". No, she wouldn't joke about her own r*pe in front of the whole table full of people she doesn't know and right beside her abuser, and despite the hour-long metas I've read about how she's basically "too sheltered" to know what r*pe even means, I assure you she's a high-functioning autistic, not 5 years old. She can understand it perfectly.)

Helaemond is a pure show invention, I honestly wasn't expecting this many people to go up this kind of train. They barely interact, and most of the time it's Aemond saying he'd "perform his duty" should Helaena ever be wed to him, or that stare in ep.9 when he enters her chambers toiling after Alicent. It's, as always, the Aemond girlies who think poor Helaena would live her best life with Aemond, or that they are already romantically involved behind the scenes. The amount of "if one possesses a thing, the other will take it away" edits from people that are FULLY CONVINCED "the thing" is Helaena and that "the one" and "the other" are Aemond and Aegon respectively is honestly concerning.

Fics that are all about Aegon doing the worst and unspeakable things to her so "Aemond can come and save her" are y'all okay? Out of all people, HE has to save her?

Babes, I'm sorry to break your bubble, but this isn't Aegon IV/Naerys/Aemon on steroids. Aemond didn't give two shits about Helaena. No, he wasn't jealous when Jace came to ask her to dance, he just wanted to stir some shit. If we talk about the books, he didn't fucking hesitate to leave King's Landing, his sister, his mother and whatever he was doing for the Riverlands the second he heard that Daemon was there. And he brought the only means of defence they had with him. If he knew how important Vhagar was for the city's defence, he's evil, if he didn't realize it, he's dumb as fuck. Which one is it, Aemond girlies?

People beat each other to the curb about Jaehaerys, Jaehaera and Maelor's paternity like it's the Wars of The Roses. They put Helaena and Alys against the other like they have personal beef with one of them.

Stop mentioning this sweetheart only when it's about praising or hating one of her brothers. No, it's not the only option you have because she's underdeveloped as a character. There's actually another one.

LEAVE HER THE FUCK ALONE.

Back on my Peril ramblings again guys

Peril is a character with a lot of polarizing opinions. You've got some people who love her to death, while others who, well, don't. The people who dislike her will go about how she's obsessive. Too clingy and relies far too much on Clay. That or go on about how she's just rude, mean, dangerous, and overall kind of a bad person. I...couldn't disagree more if I'll be blunt.

For starters, Peril is in a difficult situation. She was molded and shaped by her childhood. What she is now is a product of being raised as a living weapon. She was seen as being dangerous and a blight on dragon society. A hazard that, at any moment, could kill somebody. She is danger. She is peril.

Scarlet took hold of that. Scarlet manipulated this tiny dragonet that she stole away from her mother and raised her, feeding her lies in order to keep her docile and dependent. She was never alone. Never to act on her own accord. Anything she did was first of all approved by Scarlet, somebody she trusted and loved in a way. All Peril ever knew was hate and fear, so a dragon showing her any other emotions felt like love.

Peril is...unstable to say the very least. Like I just said, she's got a warped sense of relationships due to her upbringing. She has literally nobody outside the walls of the SkyWing palace. She clings to those she deems as friends and loved ones as she knows nothing else. She craves that feeling of love and especially touch. She has never known the love of a mother's hug. She has never felt the wings of a friend comforting her in a time of crisis. She only wants to be held and loved, but she cannot. She was born wrong. She is unlovable in her eyes. That's what everyone tells her at least.

It's when Clay comes along that things change. For once, she's seeing a dragon who, while still kinda scared of her...is respectful. He holds conversations with her. He's nice, friendly, and when she hears that he tried killing his troop, she immediately relates. It's one of those things that I feel Sick about, where in Clay and Peril both are deemed to be monsters since the moment they hatched when in reality they weren't at fault for anything. Clay and Peril are so good when you actually treat them like characters.

The point is that Peril sees herself in Clay. For the first time ever, she finds a dragon like her. A dragon that at the very least tolerates her. After years of abuse and being shunned and seen as nothing more than a monster, it's basically like Clay is giving her a boquete of roses and confessing his undying love.

She becomes obsessed, even more so when she's eventually free from Scarlet, but that comes later. She holds him to such high regards and views him as a dragon she wants to be around. She's easily jealous when other dragons talk to him. She's protective and constantly wants to be near him. She adores him.

Yada yada, the whole fight scene happens between her and Clay. Scarlet notices that Peril is rather fond of Clay and is using her emotions to manipulate her further. Again, Scarlet is extremely manipulative of Peril. She's the one who molded her into this. She's the one who was responsible for this. She's the one who made Peril feel as though all she could ever be in life was a murder machine, and that Scarlet was doing her a favour by letting that be her existence as opposed to killing her. Scarlet made Peril dependent on her.

So when she's gone...Peril feels lost. She feels like she's the blame for one of the very, very few dragons in her life that at least cared about her being gone. Now she's alone and seen once again as a creep. A weirdo. She doesn't belong here, not in the Sky Kingdom. Osprey is dead (another example of Scarlet toying with Peril's emotions cause the one time she acts out she has to suffer for it) and she's just tossed into the world without warning.

She in turn seeks out Scarlet, eventually finding her. Despite all of the abuse and suffering that Scarlet has put her through, she has nobody else. Scarlet's twisted and distorted love is the only thing she knows. She feels guilty for everything that happened to her.

I think it's easy for people to not really understand Peril if they don't really get her situation. What I lay it out, it sounds pretty easy to understand. Peril is a deeply traumatized and abused character who is shaped by her trauma and struggles to exist in this world as she only knows to kill. She's trying to unlearn all of this. She wants to be better. She's trying to be better.

That's what Escaping Peril is all about: Peril's recovery.

Escaping Peril is the conclusion to Peril's arc, with her coming to grips and terms with her trauma and by the end realizing that she is her own person. Over the course of the book, she struggles a lot. She goes back and forth on her feelings with Scarlet, conflicted on whether she loves her or wants to kill her. Perhaps both at the same time. It's messy and she feels lost and hopeless.

The only real thing that seems to be a beacon of light in her life is Clay, whom is basically not even in this book. Clay is her moral compass here. Anything she does has to be something she believes Clay would approve of. She's doing the exact same thing that she's done for years with Scarlet because, yet again, it's literally the only thing she knows. She is a deeply hurt character who struggles with the whole morality thing because ever since she was a dragonet she's been a child solider. She's trying to unlearn it all.

Which is helped significantly with her friends, namely Turtle. She isn't alone. She has a group of dragons who care for her and like her the way she is. Again, the themes of friendship and togetherness is a very strong one in this arc. The Jade Winglet learn how to be themselves and how they don't need to pretend to be somebody they aren't with a group of dragons who love them for who they are.

Peril...learns. She learns. She grows. I cannot emphasize this enough since some of you guys still don't get that part. Her character shifts and changes and develops over the course of this book. She learns that she doesn't need to depend on somebody for her own actions. Hell, by the end of the book, she burns the scroll of her own volition, knowing fully well that Clay would've hated that. She's acting of her own accord. She learns that she's not a monster and doesn't need to have her flamescales be repressed to be liked.

She's a deeply traumatized character who is trying to get better. She has been getting better, and she will only get better with time. She's happy now. She's happy with her friends and loved ones. Everything will be okay.

AND ANOTHER THING WHILE IM ON THE TOPIC

I feel like Knuckles the series is another one of those times that Tails was right there, and what I mean by this, is Wade should not have been in the focus of the show, sorry don't care lol. He's a fine side character, incompetent white man who doesn't do anything well and never gets consequences for it is fine, but we didn't need another show centered around that topic.

Now, I may be biased bc Tails is my favorite but if we needed to give Knuckles a journey about learning to find home and we needed to give him a powerful sidekick who also learns a lesson, Tails is right there. Tails, who grew up without a family entirely/a family who hated him is learning to accept a new family, and Knuckles, who had an entire family but lost them all is accepting that it's okay to find a new one. That literally could've been the plot and we could've kept all the shenanigans that happened, minus the Wade Whipple bowling tournament plot, and the copaganda.

The elder guardians would've loved for Tails (or even Sonic, or ffs MADDIE) to be the newest successors of their tribe, and he would've been perfect for it. A young, hopeful, bright mind, still malleable to learn the ways of the tribe and no ego to get in the way, and an overall good kid.

Plus I feel like what most of us want is to see the boys interact, not some random white guy.

hi! first i just wanna say how much i love TLE series, it's so well written and deep, it's a masterpiece. Now, one of the many reasons i love it it's because the whole political view that you display on it, because i see myself on many characters but mainly lily. Right now, in my country (Argentina) we have a president who is just like voldemort, a fascist idiot who despises every single person who doesn't think like him, who hates ppl that only wants to exist (like women, students and old people who only wants to live without having to work after a whole life doing it) lily reminds me sooo much of myself, feeling alone in a world that screams at you that you don't belong there because of a simple man's mind and thoughts, her rage is just like mine, having to wake up every day knowing there's something else worse than yesterday's news. But also, her willing to fight, to protest and never shut up about what's right with every single little detail that might be wrong or right and her perseverance to always stick up for ppl like her, for her own rights. so thank you so much for writing a story that i hold tight to my heart, knowing that it will live in myself as another way to fight for what's right <3

Oh, this made me emotional. 🥲 I have been reading about the protests in Buenos Aires. It’s such a scary time in the world, and I’m so so sorry you’re having to deal with this. But you sound like an incredible person, and Lily would be so proud. ❤️❤️❤️❤️

Thank you for your kind words, they mean so much to me. Stay strong and stay safe. Your rage is a resource ❤️

camilla or pyrrha for the character ask meme!

THANK YOU EMMA FOR GIVING ME AN EXCUSE TO TALK ABOUT CAMMMM MY GIRL.... CAMILLA DARLING

favorite thing about them: where do i even fucking start. her skill, and strength. her wit, she's so goddamn funny. her resolve. her bravery. the quiet ferocious intensity with which she loves and cares about people. as tragic and troubling and fucked up as it is in canon, i find her perennial tendency towards pair-bonded dysfunctional codependency to be. ALARMINGLY relatable. i love her flat affect. i love her observational skills- she's clever, and perceptive. i may or may not have an enormous crush on her. i love her loyalty and devotion. i love (read: hate) her tendency to deflect any and all important personal questions. i love that she doesn't let go. i love her love for spreadsheets and sharp knives and sensible shoes and sketching. i love her impeccable bedside manner. i love her and her letters and her cassette tapes and her fuckass bob and her smile that makes the earth want to marry her and i love her slate-clay eyes and her laugh. i love that she fought like her heart had already exploded.

least favorite thing about them: i mean, with camilla this question is really more of a "most concerning things about them," isn't it? her codependency, her lack of individuation and independence, her refusal to develop her own identity and exist as her own person. which, like, from one autistic bitch to another, girl i Get It. if i could get away with making myself a satellite accessory to another person instead of having to figure out how to be a person myself, if my society had groomed me to do exactly that from birth, yeah, i would probably do the same thing. being a person is fucking exhausting. but it's also so, so worth it, and it breaks my fucking heart that cam never had the chance, and that the people in her life by and large never encouraged her to really try. we do see pal pushing her on it a little here and there from time to time, and i appreciate that, but it was clearly never enough to stick, y'know? i hate how self sacrificing and selfless she is, i wish fandom at large would talk more about her depression, i want to give her wellbutrin and a hug and therapy.

favorite line: too many to choose. life is too short and love is too long. i don't let go, it's my one thing. sure, it's a nice handkerchief. i think there's another teaspoon full of blood in here somewhere. camilla hect fought like a grease fire. the cohort has taken the rest of him away and i don't know where they've put him.

brOTP: gideon, though i am a lover of the cam/gideon agenda! also nona, and palamedes.

OTP: dulcie, but i also love campyrrha, in like a mutually sorrowful toxic cathartic cav4cav grief sex sorta way.

nOTP: idk that i have one? i'm not really into cam/corona the way some people are

random headcanon: autistic like i mentioned earlier. i think she'd love cats

unpopular opinion: personally speaking I'm not a shooter for the aro/ace cam agenda, though i don't have anything against it!!! I've definitely seen it done in fascinating and lovely and compelling ways before! it's just not how i personally interpret her, but i think that's literally just a personal grudge on account of being an autistic woman with somewhat flat affect, and having seen fandoms Immediately jump to hit every serious-mannered, autistic-coded woman character that has flat affect with the aroace headcanon stick Immediately and at first blush without interrogating the potential stereotypes and assumptions behind that choice. not saying that that's what people are doing with cam at all, just that it was a general pattern i was observing across fandoms- honestly i see the logic behind it with her, and i don't think it's a "wrong" way to interpret her at all, i think it's perfectly founded! but unfortunately i am just projecting on her and she got caught in the crosshairs of me deciding i had Had Enough and that it was time to draw the "let autistic women fuck" shaped line in the sand and take a political stance 😂 you understand. aroace cam truthers are some of my most beloved comrades in arms. peace and love on planet earth

song i associate with them: EXISTENTIAL CRISIS HOUR! BY KILO KISH. see also: butterfly net by caroline polachek, true blue by boygenius, my friend by hayley williams, ***look at me now by caroline polachek,*** francis forever by mitski, the body is a blade by japanese breakfast, crude drawing of an angel by caroline polachek.

favorite picture of them: im on mobile and also stoned outta my gourd so I'll rb this with some art tomorrow!

ty emma!!!!

Okay... I never called myself a Super Serious Batfamily fan. I read what I want and pick things I like from canon and fanon like strawberries. So maybe I just don't have enough information or dedication.

But.

I really, really don't understand why liking one character necessitates hating another? I'm primarily a Tim Drake stan, but Jason Todd is my babygirl too. Damian is a sweetheart and doesn't deserve a bunch of the crap the Tim Drake fandom gives him. Dick isn't perfect either. Tim has made many mistakes. Steph has. Bruce has. Almost everyone has (I feel like Cass and Alfred might be exempt but I don't know lol) and I really hate that there's this attitude of "Batfam member vs Batfam member".

Like, welcome to having siblings. My brother could absolutely say the meanest thing he's ever said to me, and I'll give him crap but I'll sit next to him at dinner.

I don't know, and I know there are such things as AUs where a sibling is more intense than other universes, and vice versa, and I fully utilize my ability to move on from a fic if I don't like it, but I just hate the character bashing that seems to take some parts of the fandom by storm.

It makes me sad, ok? 😭😂

I think people overestimate how feminist team black is. If someone brings up how Baela should be the heir to Driftmark, it's always "she would've been Queen if not for the Greens!", ignoring that 1, she would be Queen consort, not a Queen in her own right, and 2 she has a legitimate claim in her own right to Driftmark. Team Black's goal is to crown Rhaenyra, but Rhaenyra becoming Queen isn't a win for feminism because it does nothing to dismantle the rest of the patriarchal system that exists in Westeros. From what we've gotten so far, it reads that Rhaenyra wants to be the exception and not the rule. Rhaenyra has made a lot of bad political decisions, which means she can't acknowledge Baela's claim because it would weaken her own claim (blatantly admitting her eldest sons are illegitimate would not end well for her to say the least). So she betrothes Jace and Luke to Baela and Rhaena to kind of atone for that, like as a consolation prize Baela will be Queen and Rhaena will be lady of Driftmark, neither of them would hold either title in their own right. It's good matches because the kids like each other and will treat each other well, but it's not a feminist win or a feministic liberation. It's usurpation, usurpation that takes place because Rhaenyra has to do damage control after having illegitimate children and after a serious of bad political decisions (both hers and her fathers, Viserys is the arbiter of this entire mess). To me, Rhaenyra is very reminiscent of Mary Queen of Scots, I can see a lot of elements drawn from Mary's history in Rhaenyra's story and character, down to their sons eventually taking the crown they failed to claim/keep.

I do have to appreciate (?) how hard the haters work to ensure their definition of bigotry is Izzy-escape proof. I mean, yeah, if you are saying that it's functionally impossible for him to not be some flavor of bigoted because technically the very concept of having socially informed ideas about ways to be a man and men's behavior is intrinsically linked to homophobia and misogyny and racism, and therefore expressing any negative opinion on how a male character is behaving counts as such...? Alright then? Telling a man not to sob over a breakup (even with a hypothetical woman!) is homophobia AND misogyny if you consider the social reason that would draw attention as a behavior to criticize and our society's collective idea of masculinity. You've defeated me with your social studies thesis logic on Every Insult Under The Sun Can Be Traced To Bigotry 🤷‍♀️

But in practice I still just don't think it's worthwhile to say the antagonist with the literal raison d'etre of not being 100% supportive and approving of the protagonists in order to cause conflict is being irredeemable or violently bigoted by *checks notes* insulting men in the story about men. Just like I don't think Stede or Edward or the rest of the crew are being irredeemable bigots by also having socially informed ideas about masculinity???

Like, looking at it that way Stede is a clear misogynist (and more, but we'll stick with just the misogyny bit). I don't think he even realizes he is one, but the whole Mary sequence and just being a man in the 1700s makes it pretty obvious. He might do less misogyny in the future on account of just not interacting with women (suspect behavior tbh), but fundamentally he has not remotely addressed or deconstructed the misogynistic ideas that shape his entire perspective. Honestly, he's probably not going to at this point. They drew attention to his worst behaviors under the framing of just kinda being a self-centered ass, made him realize he fucked up and apologize to the woman he hurt over the course of about 15 minutes, and then sent them both toward happier endings.

Is this story saying that misogyny is actually fine and misogynists are admirable and likable people? Or that misogyny is just a surface level form of bigotry that doesn't really affect your attitude toward women once you stop being an ass? Or, maybe, is the story just not about misogyny???

And if it's not about misogyny despite being literally incapable of avoiding characters expressing misogyny (since in reality that's not so cleanly excised), then why on earth does it have to be about homophobia? Is it just because the leads are gay men?

Like, I'm sorry, but media for 5-year-olds has long been able to tell stories about antagonists learning that it's okay for boys to cry and be emotionally vulnerable and it's mean to make fun of them without insanely complex layers of deconstructing homophobia or intensive requirements to overcome internalized biases. I bet OFMD can teach that lesson without explicit, targeted homophobia. No one is denying in serious meta that Izzy has been an ass? Or that character development to be less of an ass is the logical next step?

I'm not disputing their assertion that Izzy is homophobic because I think the writing team accomplished the impossible and erased homophobia from the background hum of existence for this one TV show. I'm disputing it because the essential second half of said assertation is that this is a meaningfully included and emphasized part of his characterization that will typically justify his future karmic punishment for bigotry and/or require much greater redemptive effort of him to get any sort of neutral-to-happy ending on the table. That's why they care about it. The effect on the story!

If the story isn't about homophobia, then no, the antagonist doesn't usually have "homophobic" as a character trait I need to account for.

And twisting that fairly straightforward narrative interpretation into some kinda gotcha about "So you deny insulting gay men with gendered insults has shades of homophobia?!?" is - to borrow a phrase Lucius used against Stede - "kind of a bitchy question."

you guys just don't know how to write angst anymore. putting people who say they like "toxic yaoi" in my dni cause they have no idea how to actually write toxicity

rewatched the darkest minds movie and rereading the book and i think that

a) movie still sucks but

b) i don't think they ever could have made a faithful and interesting movie bc so much of what makes the book and ruby compelling is her internal dialogue and her mental development and it's just so hard to translate to the screen in any way

(though the movie didn't seem to care abt giving ruby any development at all, even if they had tried it wouldn't have hit as hard as the book imo)

soulmate-ism ❤️

Thinking about that "If K*ylo R*n were a woman everything would be better and this character would have worked" post, but after some consideration...I genuinely would have still hated this character.

Like...Idk maybe there's something to be said for the still-subversive nature of characters like this being allowed to be horrible women, but I don't hate this character because he's horrible, or even because he exemplifies a bunch of things in fiction I'm tired of seeing, I hate him because he doesn't feel fully-formed as a character to me and I don't think the movies know what they're trying to accomplish with him from a narrative standpoint (which are, imo, the biggest Story Sins a writer can commit). All of which would still hold true if this character were a woman.

when i said i don't think mike is getting max's storyline next season i was being very literal just like i was when i said mike isn't getting will's storyline. i meant that regardless of what he's dealing with i don't think mike is gonna be tormented by vecna like max was and i don't think he's gonna be kidnapped by vecna/be revealed to have been possessed by vecna like will was either. which doesn't mean i don't think he can be gay (like will) or have suicidal tendencies (like max)

on one hand i know i don't write popular fic and This Is Fine cos i write things i want to read which is The Important Thing on the other hand some people have more kudos than i have hits and hits-wise if i added up 3-4 most popular i'd just about be at the same number D:

language in one piece is so intriguing to me, and i really wish that oda was committed to language as a theme rather than simply as an aesthetic because it works so well with a lot of the stuff he's got going on already. as it stands, multiple languages clearly exist in the world of one piece, because while everyone speaks japanese, they use a lot of words, phrases and names from other languages. and also the whole thing with the language on the poneglyphs. i understand why narratively it would be difficult to deal with characters not all speaking the same language, but oda already has the perfect set up for why they can. the whole world is ruled by a corrupt totalitarian government that is extremely committed to the suppression of knowledge and communication to the point of literal genocide, and one of the main characters is already being hunted down for her ability to read a forbidden language, so why not just push it a bit further? the potential for the suppression of different languages to be a part of the way that the world government controls and oppresses people, so that people are forced to assimilate into the common language. that way, the usage of native languages becomes an expression of freedom, the literal main theme of one piece. the destruction of knowledge and culture through the simultaneous destruction of language. the celestial dragons are separated from the rest of populace not just because of their inability to empathise with them as equal human beings, but also through a refusal to even try to communicate with them. law and robin carrying the fate and legacy of their countries' languages on their shoulders, while also being the two characters most committed to discovering the hidden secrets of the world which can only be done by understanding a lost language. like it's all just right there, it would have been so easy