#like. they have such an interesting dynamic + relationship
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BLOOD FEUDS, ANCIENT AND MODERN | RYOMEN SUKUNA.
✮ tags ; no curses au, blood incest, use of honorifics (oji-san) abuse (mostly verbal / emotional), classism, grooming / generally predatory behavior, large age gaps (20+ yrs), blood feuds, imbalanced power dynamics, white collar crime, afab + fem!niece!reader, uncle sukuna, the word rape used in text, non/dubcon (not noncon necessarily), fingering, petnames (little one, kid, little lamb), thigh-fucking, and other things, very horrible and gross sukuna behavior 18+
this is very dark and it deals BRIEFLY with sukuna being very predatory to reader when she's UNDERAGE / young. nothing explicit happens WHILE she is underage, but sukuna does leer at reader and it is mentioned. please proceed with caution !!!
PLEASE HEED THE TAGS BEFORE YOU PROCEED!!!
✮ wc ; 10.3k (???????????)
✮ a/n ; thank you vic @saintshigaraki for always indulging my nonsense and also tomfoolery. kissing you.
i'll be honest lads this one got away from me BAD jksdfhjs. i think its interesting at least.I KNOW THE TAGS ARE WICKED but i promise its like. kind of sexy at least.
also yes the title is from the rdr2 soundtrack shhh
✮ synopsis ; blood is thicker than water. resentment, you think, is thicker than both.
Bastard.
An intimately familiar title, lacking tooth and effect. It's meaning eroded with time and usage - and a moniker you've wielded proudly for as long as you can remember. You don't recall much of your life before it became part of you.
The daughter born of wedlock. Bastard daughter. The only remaining stain to your family's reputation aside from your late father.
Your mother often tells you that you were her hardest child to birth. When you were littler it was a story relayed to you with affection, and but now it's with such bitter hatred you can feel it lodged in your throat.
The most important element is the predestination in it. You came into the world kicking and screaming, throat hoarse and violent. From birth, you knew you were half-forged with bad blood and came into the world trying to be absolved of it. It's shaped your life, your relationships, everything about you.
The other half of your DNA, the good half, is from your father. Before you were a bastard, you were your parents' only child. Your father was a good man. The best you know. An average, humble man. From a generation of other working class men with a tough job in construction. Your best memories come from when he was still alive.
A quiet life, untainted by the residual bitterness of your mothers heritage. You lived away from it, outside of it. The mother in your memories from back then seem like a dream now, some mirage from long ago - disinterested in anything but you and your father. Your mama and papa. Your father took good care of you both, and your mother loved him madly.
You lived as a normal family in a small apartment just outside of Gifu for the first seven years of your life. You attended a small local school and had friends with crooked teeth and messy hair.
Your childhood was mostly happy if you break it up into pieces like that. Blissfully uneventful.
There's a concise break of change of what your life was versus what became of it. Your fathers death the splinter in the wood, separating the two halves.
The worst of your childhood, of course, came in your fathers passing. Not just because of the loss, but what it made of your life. His funeral welcomed people of all walks of life with the most notable absence of your elusive mothers side of the family.
Another old memory you have with your mother is looking at her face during your fathers wake. The deep darkness of her eyes, sunken in and hollow. The first time you ever found her terrifying instead of comforting. While the world mourned your father, your mother—you think—mourned her life.
Forced into single motherhood with no prospects and no career, your mother decided it was best for the both of you to return home.
You think the worst of your life started there.
Your mother's side of the family has never welcomed you with open arms. You wouldn't come to know why until much later. You were a child then. There's no way you could've known about feuds that deep.
The only thing you knew was that you were hated vehemently, and nothing could change that.
Your grandmother's estate was always frightening to you in your childhood. You've yet to grow out of that feeling despite living there for the last fifteen years. It's remained unchanged since you moved in and the lights in the hall never seems bright enough. Jade green painted walls and white tile floors. Some rooms have classically Japanese flooring and heirloom paintings from the Heian era. Others modernized with sterile whites and grays and house plants that add no life to it at all. Stretched wide with tens of rooms, and easy for a child to get lost in.
A sinking abyss. A terrible place. A dark labyrinth. Anxiety inducing to even think about now. No place for a child your size or your age.
The best way to describe your childhood after your father died was cold. Removed from your life in the suburbs and placed among other rich kids, you became overtly self-conscious of the differences between you and them. Them being anyone who grew up wealthy and your other extended family. You were constantly reminded of your place as the bastard child. Later learning how your mother left her fiance many years ago for your father, your poor and worthless father.
(You theorize any warmth that your mother had for you was buried in your dead dads casket. Living there, among them, made sure she'd never find it again.)
Your mother is the most complicated part of your life. You don't have a time for when she gave up on raising you. There was a year when she tried, you think. For the most part, you lived in that house utterly alone.
At first that abandonment was miserable (as it would be to any child, certainly) but a time came where you were glad you saw so little of her.
Your mother, who you had once loved and thought highly of, became a pitiful prey animal in the four walls of your grandmother's house. Small and anxious and utterly hateful. A bunny born with some cosmic knowledge and horrific understanding that its destiny is to become food for a wolf. Viciousness between her siblings, no doubt fostered by your grandparents and their establishment, tore apart the aspects of her your father mended and ruined her. You were too little to stop it.
Blood feuds that ran bone-chillingly deep plagued most of the interactions with your extended family for as long as you've been a part of them. Your mother has exactly four siblings. Two sisters between her with her as the middle daughter, and two brothers. One of which is estranged so completely you don't know his name.
And the other being your Uncle Sukuna.
Your hatred for your aunts and their children came to you rather naturally. For every gala and ball and charity fund your worthless bloodline ever raised, came catty arguments and verbal abuse from the shallow mouths of your beloved cousins. You had nothing to prove to anyone in that house. You were detested since your birth and your grandparents made no small effort to show you through as much neglect and verbal lashing as they could get away with.
Rotten girl. Cursed daughter. You're the reason your mother is like this. You're the reason she is miserable. You should've been buried with your father.
Compared to the experience of your grandfather ripping into you at age ten for simply being alive, your cousin's commentary on you was remarkably uninteresting. You resented them for being nuisances, though, with the exception of maybe one who bucked it out of that place as soon as they could. Just like you planned too.
For a long time, Sukuna wasn't around enough to have a real presence in your consciousness. You tried not to think of your extended family more than you had too. You got used to not knowing about your relatives living there, but there was no one so elusive as him.
It was as if, increasingly, you heard whispers of his name at everything you were forced to attend.
The first time you ever meet your Uncle, you're freshly sixteen. It's the birthday party your mother throws for you each year in an effort to show how close the two of you are to the rest of your relatives.
The first time you see Sukuna in person, the only thing on your mind is how much he stands out from the rest of your relatives. He's a head taller than the tallest person there, and he's...bigger. He's not clean or neat, scruff lining his chin. Old, dark eyes. Visible tattoos that reek of disgraced son and hardly of prodigy.
At sixteen, you understood intimately what your family considered to be gold standard. Your uncle was antithetical to it. His very existence a paradox to the ideas you've had been hammered into you for years. Dyed hair, piercings, tattoos - his suit jacket undone to expose his chest. Lacking respect and formality and dignity.
He was a lot like you. You got that impression, somehow.
When your eyes met with your uncles for the first time, you had your second fully formed thought about him.
Dangerous. Like an alarm. Like a ringing bell, throbbing through your skull and pulsing through your teeth. Some part of you just knew that he was a very dangerous man. Not just a wealthy one.
The first conversation you ever had with your uncle proves to be the most significant. Brief, yet - tonal in all ways. The gold standard for how he viewed you. How he would view you.
How he would treat you.
("So you're the new brat,"
Your uncle is an imposing man. You are sixteen and slightly tipsy, which is the least horrible thing you could be since your other cousin is coked out in the bathroom upstairs. You sway, staring at him. You think that's disrespectful.
He's the kind of man who might kill you for that. Might hit you. But you don't find it in yourself to challenge your defiance when you're far from sober and even father form happy. You lean your weight to one side and hum.
"New bastard," You correct him, and take another sip of the flute of champagne in your hand. "My worthless fathers, worthless daughter."
Sukuna pauses, his eyes widening before his lips break out into a grin. You wonder if it's because you're drunk. You think he's staring at you. Your eyes are too blurry to tell but you think he's gazing down the low dip of your top. At the curve of your chest. Leering at the body you've yet to even grow into.
"Tenacious," Your uncle says, and takes a long drink of his sake. You stare at the edge of his glass, carmine eyes gazing so deeply at you - you think you'll throw up. "You're your mothers daughter. Through and through.")
The night of your sixteenth birthday, your uncle announced he'd be opening a business venture in Tokyo. All this time he'd been doing work overseas, but seeing family helped finalized his decision. You remember the look on his face when he announced it. Remembered his eyes searching on you through the crowd as he held the mic up to his lips. How he named you the main reason, one conversation and he grew so fond of his little niece. That you were a clever girl, and that even though he hadn't known you long - he was sure you'd go so far.
Happy Birthday to you, little lamb.
You remember best the feeling afterwards. How the crowd went nearly silent. Hundreds of eyes darting your way in seas of strangers. All the attention people hadn’t paid suddenly mattering, all the congratulations. You remember how they crowded you and how your uncle came to your rescue with a cheeky grin and air of nonchalance.
You remember feeling sick. You remember the chill creeping up your spine, bile in your throat - all wet eyes and nausea.
Your uncle is a dangerous man. And you, the uninteresting bastard daughter, had caught his full attention.
The next four years of your life would pass so slowly, you often wondered during them, if you died that night and you'd live through these days as punishment for the crime of existing.
A little after your birthday, your uncle moved back to Japan permanently - in a residence not far from your grandmother's estate. He became a permanent fixture in your life. Many things came with that reality, none of them being especially pleasant.
You learn three things in the four years you spend with your uncle in your life.
The first is that your uncle is more powerful than you can really understand.
Through conversations at your kitchen table about his escapades abroad, you learn nothing of the work he actually does. Only what it involves, who it involves - foreign governments and people much more powerful than your family. Your uncle has ties to the Gojo family, and the Zenins'. Your time here teaches you that they make up two halves of private militarized arms and they work domestically and internationally. The only thing you need to know about them is they are filthy rich, richer than your own family and twice as corrupt.
And Sukuna works with them. Knows them rather intimately, from the pictures you've seen of Sukuna and Gojo Satoru drinking together - two prodigal sons with silver spoons and unsettling demeanors.
The second thing you learn is that your uncle's power and influence extend past all borders and include your grandparents and relatives. In the years he'd been away from home, he's garnered a formidable reputation. You never cared to notice it before, but it's all you can see now. Every arrogant, vapid relative you have the displeasure of calling family sees your uncle as some sort of king. The golden ticket to grandparents approval. A wishing well for all their hopes and dreams - so long as they appease him.
They fawn over him. Sukuna knows it. But they're all so busy trying to get on his good side they never catch his subtleties. Never seem to notice the cold sarcasm and biting edge to his questions. They pander and peacock to him constantly, but not one of them has sense enough to understand him a little deeper. Except you, incidentally. That's part of your problem
The third thing you learn about your uncle is that he takes pleasure in your cleverness no one in your life has since.... who knows? Since your father died, you think.
And you are clever. A head smarter than the rest of your family and a try-hard in all aspects. You graduated highschool top of your class and got scholarships into better schools. It was never about proving your worth of course, but about survival. You wanted away from this place, and the only way to cut your ties completely is to carve a life for yourself. Academia, education, using your name to make connections - you've been working silently on it since you were in middle school.
The only person who'd ever noticed your accomplishments was Sukuna. In between his work, he'd visit you in your room. You grew close in one sense of the word. It was a secret kept between you - but Sukuna often reminded you of it. That he saw you for who you were when no one else did. That his interest in you exceeds your own understanding, and it'd be in your best interest to remember that.
Some half-way between threats and affection, for four years - your uncle remained at your side. Uneasy as you were, he'd never try to advance on you while you were still in highschool. Some part of you knew he wasn't above it. Rather his interest hinged on getting to know you.
Your uncle is above all things manipulative.
Rather he preferred to keep you on your toes during the duration of your time together. To get close but not too close. To get to know each other openly. Your uncle made sure everyone in your family knew of his fondness for you. He'd keep you close to his side or follow you around, always in public places with a million eyes. He'd whisper to you, laughed and asked questions.
You hated being the center of attention, so Sukuna turned it on you any chance he got. It made it hard for you to refuse him, but mostly it made it hard to go under the radar without his protection. It made it hard for your relatives to insult and berate you.
You hated it. You hated accepting his kindness, because you know your uncle well enough to know that everything in the world came with a cost. And that this protection is little more than luxury, promised to you as long as you played nice.
And you always did play nice. But you were cautious. Never alone too long in the same room. Never somewhere too late. Never drunk, never high. Always within distance of a door. Sukuna was a dangerous man, and you may be a bastard but you're no fool.
It'd work for years. You evaded any real alone time with him for years. Years.
Until earlier this year where your mother had made arrangements for you to spend the summer with your dear old Uncle - in his villa, far from the safety of Japan's main island.
In the years of your uncle's favoritism towards you, no one has been more pleased than your mother. You've come to hate her for it. Your relationship hasn't been good in years and for her to suddenly attempt to be your mother again felt like a mockery.
(It mostly felt like a betrayal. You didn't think she could betray you a second time after she all but abandoned you the minute she stepped foot in that house.
Like something possessing the corpse of the mama in your dreams, your seething hatred towards her started then you think.)
You'd spent years indifferent to her, but it was this change that made you hate her down to your bones. You were furious about the decision. Furious she didn't bother asking, furious about all of it.
About everything.
An entire summer alone with the man you know to be most dangerous to you. You wouldn't put it past Sukuna, to plan this around you - but it didn't make it any less frustrating.
("You'll be going with your uncle," Your mother says, hardly listening to you. There's a baby on her hip, your half-brother and a vacant look in her eyes. You feel your jaw tighten. "We've already made plans. Your stepfather,"
"Your husband." You correct. Your mother gives you a tight-lipped smile.
"We are going on a family vacation. Your grandparents wouldn't tolerate you here alone , so you're going and that's final."
"I don't need to live with you," You seethe, fighting the urge to grab her and punch her. You've never been violent. Your mother makes you homicidal. "I can find my own fucking place, I'm twenty I don't need-"
She slams something. Your half-brother makes watery eyes. She stares at you distantly, righteously angry. Whether she's earned that anger or not, it makes your mood worse. .
"This is the least you could for me. For us." She hisses, turning around. You think of killing her. "For all the shit you put me through."
"What I put you through? Fuck you," You admit, your throat burning like a star falling through the atmosphere. Then, through a shaky breath"There's something off about him, mom. Do you understand what I'm fucking saying? Where you're sending me?
Three expressions pass over her face. The ghost of grief, some kind of solace and then more vacancy. She swallows, turns around to keep folding baby clothes. Her voice trembles. She knows she's sending you to your doom. Knows what waits for you as soon as you go.
"You're going. We need this." She says, and still doesn't turn to look at you. Her voice is so frigid it doesn't sound like hers anymore. "That's final."
You shouldn't be shocked by it anymore, but it doesn't make it easier.
You slam the door on your wait out. You hope their plane crashes on the way there.)
You tried your best to worm your way out of the situation before the semester closed out. But Sukuna, three steps ahead of you at all times, made sure that wasn't possible. Your uncle owned a villa out on an island, private - and the bags had already been packed. You'll like it there, he assured you so many times, it's comfortable. There's a good view and the kids in the place will remind you of the kids you grew up with.
(It's hard not to notice the ways in which Sukuna tempts you into wanting to go. Though there's nothing, truly, that could make the experience a pleasant one - it's posed to appeal to you. A place to remind you of your childhood. You try not to think about it.)
Despite your protests, despite your vehement frustration - there was nothing you could do but go. If you didn't go with Sukuna, it'd be enduring 3 months alone with your grandparents. You could try to crash with friends but the friends you've made so far wouldn't dream of being so polite and you dare not think of burdening your childhood friends with your family problems. They deal with enough as is.
The last option was running away. You're desperate enough to entertain it. You do, several times - considering what the worst outcome could be. All scenarios end with Sukuna coming to find you, because he's crazy and connected like that. Even if he's deliberate in not displaying those parts of himself, you know his apathy to be a facade.
You know him well. He knows you well. It feels like a competition to see who can outsmart the other that you were forced into with no say.
So, come the end of your third year of college - a driver picks you up right as your finals are finished to take you to the airport. A private jet, a nauseating display of wealth just for your uncle to torment you with you're sure.
On the plane ride to a small island on the coast of Japan, you think to yourself that all gods in the world must've abandoned you before you were ever born.
__
The first few weeks of your stay in the island of Nii-jima prove to be uneventful.
For a small island, it's still governed through something related to Tokyo. It's not the city or even the country, some quiet and relaxing in between. There are people here who've lived for generations and others who are only touring. Your uncle's villa though, is far from all life - and a few miles out from a beach.
You can hardly understand what a single man needs such a big house for. There's staff there too, though less than at your grandparents place which you're grateful for. You've met six of eight, two of them people who take care of the yards and garden.
Sato-san is the woman you see most often. The one cook Sukuna has and the woman who's been working longest. She is kindhearted and sturdy, often bringing her grandchildren with her. She's quiet and motherly - and so warm you're unsure of how to behave around her. Your uncle is seemingly fond of her which is saying a lot. She speaks highly of him.
It's been so long since you've experienced something like maternal warmth, you're awkward around her. You try to not be too attached, try not to be fond of anything in this house because you know something horrible and dormant lies within it and you do not want to stay. Don't even want to entertain the idea of staying.
But Sato-san is good to you, with wrinkles and sunspots and a bright laugh. Her grandchildren are so well-behaved you wonder about how they were raised. A girl about seven and a boy about four, always quiet and inattentive. You've grown fond of them too, despite how bad you normally are with children. They're easy to be around.
You're frustrated mainly because you don't hate being here. The people are kind and welcoming and everyone locally is pleasant and good. You've been in the city too long, with insane people too long, and everything feels refreshing. The bus here is free and you can be at the beach whenever you like. You've made friends here - organically, with no strings attached. .
For the first time in your twenty years of living, you even have a guy you think is cute. It seems small, but back home everyone knows who you are. You've never had a relationship work out for one reason or another, but here? Here no one knows you, and the boy you meet at the beach with his friends is just a boy.
You don't want to like being here, but you do - and you don't want Sukuna to come back and he will. Nothing ever works out for you.
The worst of your luck you think builds on the edge of that thought.
You come home tonight doing a lot of things you would not normally.
For one, you've gotten yourself drunk. The reason being the cute boy aforementioned invited you down to the beach with his friend. You justified going thinking if you were going to be miserable all summer - a single good memory wouldn't kill you.
You had fun. Your swimsuit is underneath your short skimpy clothes, and you sat in his lap and made-out with him all evening. Got to pretend you were a normal girl and you got to kiss for the first time. You still reek of alcohol and his cheap cologne. Blissfully uneventful.
When you stumble into the foyer of the house with blurry vision and hear the T.V. playing, you know it instinctively that peace is going to be short-lived. You know that your uncle is home, and that he was waiting for you.
All the hairs on your neck raise. A shift in the atmosphere makes it hard to think clearly. Your lungs barely get enough oxygen in them to keep you upright. You think of leaving. You think of running up marble stairs to your room in hopes he won't catch you.
"Brat," Is yelled from the living room. Right, as if you'd ever get so lucky. You jump in your skin. "You home?"
Your stomach churns. You feel sick.
"Come to the living room."
You go obediently when Sukuna calls you, trying not to stumble over your two feet.You don’t think there’s more options than fearful compliance.
Your uncle is watching Scarface on the big flatscreen on the TV. The subtitles are on in Japanese though you don't think he needs them. He only barely turns his head to look at you, his interest piqued when he sees what you're wearing.
You feel sixteen again, self-conscious of your body and womanhood. He hides it even less than he did the first time - the leering. He notices your skimpy shorts and top, the bottom of your bikini. And he grins, and stares but doesn't say anything.
"Oh?" He says, calm and casual, glancing back at the T.V. "Finally went and had some fun did you? Thought all that studying turned you into a bookish little shut-in permanently."
You don't say anything, arm clutching your other self-consciously.
"Did you need something?"
He snickers, low and predatory. "Come on. You're here to spend time with me so let's spend time together."
You don’t bother asking where he’s been for the last few weeks. Your gut churns, feet heavy as they drag you to the far end of the couch. Sukuna stares as you sit hesitantly. You have no doubt he's going to make you move, but he's kind enough to leave you alone for now.
"Have fun on your..." He gives you another knowing look then laughs. "Outing?"
You aren't sure how to respond. "Just drank with some friends."
"Friends," He mimics, feeling the words out in his mouth. "The kind of friends that smudge the lipstick off your mouth, huh brat?"
You flush suddenly, embarrassed - and Sukuna barks a laugh. You don't know what he's expecting you to say there so you opt for nothing.
"Sorry," Is the only thing you can manage. Placating. He lets out a puff of air through his nose and relaxes further. There's an air to him, of nonchalance, that unsettles you more than if he was angry or unpleasant. Your throat bobs.
"You're a big girl now," He comments - sleazy and indignant. His indecency towards you, about you glints like a star. A sharp canine and piercing red eyes examine you from his peripherals. "Now that you're showing off it's only natural boys flock to you, hm?"
You can't explain the way this comment makes you feel. So much said with so little. The gap between is and has always been miles wide except sometimes it's not. Your uncle is unusual. Cold-blooded, manipulative, ruthless. There's no warmth in him in a comfortable, loving way.
There's even less of a normal relationship between you.
But you both exist in this space with... similar awareness. Of the world. Of yourselves. There's a conscious intelligence to him that's reflected in you - that you are both fractured parts of your grandparents bloodline in two separate bodies. That self-awareness affords him a presence. In your mind. In your fear.
You are undoubtedly related. Sukuna revels in that.
It’s rare to see that kind of awareness in your family. You’ve never felt threatened by people dumber than you, even if they had more power or money. Vapid and shallow and useless - there’d never been anything that could win you on. It might sound cocky, but it’s true. It’s been true.
It’s why Sukuna frightens you. He has everything, but above all - he’s smart. And hard for you to read.
You swallow, shakily - your eyes looking down at your hands. In a profoundly long beat of silence, the movie plays. A fair bit of gunshots echo through the loud speaker and they startle you.
"You scared? Come sit closer, then." He tells you, less than asks you.
You stand and sit next to him, still a distance away. Sukuna remains unmoving. You don't know what to do with yourself.The silence seems to stretch for miles and minutes. Sukuna just watches the T.V. and stares at his phone - occasionally answering messages. You stay like that for a long time.
"Need a smoke," He says, and it's not really directed at you. "Maybe later. Wouldn't wanna make you sick."
"People smoke around me all the time."
"Do you smoke?"
You shake your head, too tipsy to lie. He laughs at that. "Not even weed?"
You don't bother mentioning legality, you both know it doesn't matter between your lineage.
"Don't like the taste."
"How interesting. What a straight-edge kid. Most I've seen you get is drunk and this is the drunkest I've ever seen you. Still sober enough to talk clearly though."
"I just drink socially,"
"Ohh," He says, and then grins a little sharper. "A little shot of courage to fuck that little college boy then?"
This makes you jolt. "We didn't fuck—"
"No?" He looks genuinely surprised at this, though it's mild. "Poor kid must've wanted too if you came around him wearing that. Unless he came in his pants soon as you sat on him. Boys that age do stuff like that,"
The comment about his age reminds you of how old your uncle really is, and something in your chest flares hot.
"It wasn't that either—I've never-"
He cuts you off. "You're a virgin?"
You flush, stopping yourself from answering and he laughs.
"Ohhh, that's good. Very good," He grins, so genuinely pleased it makes you shiver. "I like virgins. Easy to please."
"That's—It wasn't for you."
For the first time in your relationship, Sukuna bridges the gap between you. He sits up and forward, his hand finding the bare skin of your knee. He rests it there, his thumb circling the flesh.
"Don't touch me," You hiss. Sukuna tightens his grip, but not threateningly. He turns to look at you that time, and you can't help but look back.
There's something in his degeneracy that horrifies you. It's fondness, you think. Genuine fondness.
"You sure?" He licks his teeth in a way that reminds you of a wolf. But not one that's starving. There's no desperation in his actions, but a self-assurance. Wolves don't often survive alone, but Sukuna has. And he hungers with the confidence of a predator who has killed all that stand before him. That's never been told no to what he wants to eat.
Your heart stops. Your voice a low whisper. "Stop,"
"You say that but you came in the house looking all desperate for sex and approval. You always look like that. Have for a little longer than what's normal for a girl your age,"
"I don't look like that!"
"You would've fucked that little college twerp if you stayed wouldn't you? Nothing wrong with honesty, brat."
Before you have a chance to understand what goes on around you, Sukuna changes position. You've never gotten a chance to feel and experience how strong he is - not like the way he's manhandling you now. You gasp at the arm around your waist and back. He pins you to the couch in a swift motion, not sure how he's done it, the alcohol making you dizzy.
Sukuna has never crossed the boundary with you like this before. Your heart is thumping loud, beating against your ribs. The source of it eludes you. If it's fear or discomfort or some other thing entirely causing such noice.
There's a certain blase in his attitude that makes you forget momentarily about the taboo and gives way just to the tension between you. You feel it for the first time with his body pressed against you, all hot and heavy. He smells of cologne, but it lacks the acidity cheap ones tend to have. There’s strong hints of cigarettes and aftershave accompanying it. Appearance wise, he has lines in his face like a man in his forties.
You don't know what's wrong with you. With a relationship so fucked up from the start, you thought crossing this line would feel different. You think you want to throw up, but you're completely calm.
You want to be disgusted. You want to thrash and kick and scream and fight. You squirm away from him, the threads of what's left of your moral conscience urging you to do so. Like a last ditch effort to keep you sane.
But there's just. Something. Something so inevitable about it that your heart doesn't beat at all. The panic itself feels hollow in nature. You are a rotted log and Sukuna has ripped the soft wood out of you with relative ease. But you’ve been that way for a long time, and nothing hurts. Not really.
It's relieving in the worst way.
"Get away from me,” You whisper again with noticeably less fight. Sukuna looks at you bright-eyed.
"You're a good kid," He says. The genuine praise knocks the air out of your lungs. That disgusts you more than anything else happening between you so far. "Interesting. A lot brighter than the other kids in our family."
Our family. You wince. .
"Stop, this is—" You don't know what word to use. He's your uncle and you're his niece and he's been gazing at you like this for god knows how fucking long. "Stop."
"You've got something going on behind your eyes at least, even if you're still just a wet-nosed and angry little housecat," He says, staring down at you. He's so imposing. His facial hair and his various tattoos. Everything about him, down to his bones. "But I can't tear my eyes away from you at the same time. You know that?."
You do know that. You cast your gaze away.
"I applaud how cautious you've been. But it didn't make a difference in the end. You know that too, right?"
You don't say anything.
"Clever little lamb you are, indeed. I like that about you." He hums, leaning down closer to you. His face is inches from yours. "You should be smart enough to know how this ends. But you know, you've been so entertaining to me this whole time I feel like I should at least be a little nice. So I'll offer you something. A deal of sorts, we can even write it on paper."
This catches your interest and he knows it does. He knows. You’re cut from the same cloth. And this place has made you lose your character, just like it always does. So if it means your survival and sanity or your morals, one comes before the other.
He grins at you.
"Come stay with me. Here in Nii-jima and back at my estate at home. I'll take care of your expenses and whatever else. I have better connections than the old hag," He says, leaning down even closer to you. You can smell him. He's intoxicating "You can be away from everything. I'll even let you have boyfriends and girlfriends over. You can throw sleepovers. I don't care. You can do whatever you want."
"What's in it for you?"
You can feel his knee press up against your cunt through your shorts and you gasp, hand going up to his shoulder. "This. Been thinking about this tight little cunt for a while now. You'd have to be at my beck and call. We'd be the closest uncle and niece in all of Japan," He snickers.
You wince at the reminder. You hate yourself for considering it. "Why me? There are plenty of women who are dying to fuck you."
He scoffs a little.
"Once we get you a little farther from the trenches kid, you might start to understand me. Wealth, fortune, fame - all of it's fucking boring. I came back to Japan prepared to leave again but you made me stay. Not much more to it than that."
"You're fucking your blood-niece out of curiosity? Your sister's daughter?"
"My sister never did anything good with her life except marrying your father and making you." Sukuna says, and laughs lightly. You hate how validated it makes you feel. Your skin crawls. "I'll have to thank her for it. She'll be pleased.
You make a face at him, uncertainty. Apprehension. Fear. Frustration. Everything you’ve been compartmentalizing comes bubbling to the surface and making your head feel weighted with lead. You want to kill everyone and everything including him. You want to run away from this place. You want to go home, though you don’t know where that would be anymore. They demolished your old apartment years ago.
You think spending a few years getting fucked and used might be less miserable than the suffocation of living with your mother and your baby brother and your grandparents. How much abuse you’ve endured already vs. what awaits you when their true heir starts to walk and talk horrifies you.
You look at him.
“You’re horrible.”
“Tell me something new.”
“I hate you. I don’t…want this. Any of this. I want to go home.”
You’re just venting. Really. You’ve made the choice already.
“Has there ever been a time where it’s been about what you want? I doubt it. But if you stay with me, appease my wishes for a while, well,” He laughs confidently. “You’ll get something, at least. Better than what you have.”
“The contract. Are you serious about that?”
He laughs at you. “Sure. If it makes you feel better, you can draft it and I’ll just have my lawyer sign. Bring your defenses. Whatever. Don’t really care as long as I get what I want.”
“And that’s me?”
“Seems like it,”
You purse your lips. It seems like a rash decision to make in the moment, but truthfully your heads never felt so clear. Even with the alcohol.
“...Fine.”
Sukuna hums when you agree. It feels anti-climatic somehow. Not that he’s not expecting your yes but that you’ve come to accept it so easily. It’s not like this takes away from the coercion, from the awful feeling of being violated. Sukuna was going to rape you whether you liked it or not. This way, at least, you get something out of it. This way it’s something you choose. Something tangible results from your inevitable doom - the fate your mother damned you to.
It affords you some plausible deniability too. In truth, you’re afraid for yourself. You’re afraid of what will happen when he finally does cross the line completely. You’re afraid you’re going to accept it, that it’s going to feel pleasurable, that years of repressing yourself will come back to make sure you never return to normalcy.
What will become of you when Sukuna has his way with you? Will you become a more apathetic version of yourself? Is it possible? Will you sober and feel like scrubbing your skin clean in the shower?
The worst outcome, you think, is nothing so horrible happening. The worst outcome is knowing you’ve fallen far enough for none of it matters at all.
Sukuna grins down at you. “What a well-behaved niece I have. Good girl. You’ll do well living with me.”
You make a displeased face at him, but your breath catches in your lungs soon after. Your uncle leans in to kiss you and you close your eyes trying to get away from it. But it’s true that your body has been burning up from the inside since you came back home - a dull throbbing between your legs turning you all kinds of stupid.
When Sukuna kisses you - your first thought is that he’s unexpectedly gentle.
You didn’t think he’d care about kissing to begin with. In your head you thought he’d tug off your shorts brutishly and fuck you without any prep. You were readying yourself for tears and pain, for screaming and crying - the sharp sobs of your own voice piercing your ears.
A gentle press of lips startles you from your drunk haze. You can feel the scruff of Sukuna’s face on your own, your arms wrapping around his neck instinctively. The taste of cigarettes and something else mildly smokey fill your mouth and make you dizzy. Sukuna tastes like kissing a man - or what you might’ve imagined that to be like. Not a boy, but a man. You feel his strength, your hands splaying at the base of his neck and feeling the faded undercut of his neck, the texture of his dyed hair. His weight shadows you, his strength making you feel fluttery.
He doesn’t tease you all during the kiss like you’re expecting. Nothing goes the way you expect. He kisses you in slow, short pecks and escalates to his tongue dipping against your lips - a little added element to his deep kisses. He kisses like he’s been doing it for longer than you have, with experience and finesse. You’re all but too conscious of everything little thing. About the sounds you make, about knowing when to breathe, about trying not to get wrapped up in the pleasant euphoria.
All you can think about is how good he is at it. Effortlessly good. You think part of you latches onto it to avoid thinking about what’s happening. Denial feels pleasurable at least.
You kiss like that for so long, your lips have swollen - sticky with spit and saliva. Sukuna has a self-satisfied smirk on his face when he pulls away from you, laughing at the flush in your expression.
You hit him lightly, looking away from his face.
“It’s a wonder you’ve kept your virginity,” He says, chuckling. “A kiss and a dirty old man like me could’ve taken it from you.”
“Shut up,” Your reply is weak. He laughs against your mouth, and you can’t get over the intimacy of it. You hope you’re deluding yourself but then he kisses the corner of your mouth. Hot, warm air tickles against your jaw and neck when he presses his lips there too and suddenly it occurs to you how real it is.
You don’t think your uncle is capable of warmth or love or anything that doesn’t come from coercion. But fondness. Maybe fondness.
He spends more time doing that than what’s comfortable. Relishes the feeling of you in his arms, his bulge grinding against your clothed cunt but not forcefully. Just with enough pressure to make you gasp once in a while when you don’t have a mind to fight it.
“I won’t take your virginity tonight,” He says declaratively. It surprises you. “You’ve got three months with me. It’d be boring. I’ll give you something else.” He looks at you then, then grins impishly. “What do you want?”
Your eyes widen, suddenly unsure of yourself. You push away, brought back to reality by the questions.
“How would I know?”
He blinks at you. “I know you said you were a virgin, but did you really mean in everything?”
You pout at him all of a sudden. “So what. I didn’t have that kind of time.”
Sukuna barks a laugh.
“Huh. I thought you were a goody two-shoes out of necessity but you really don’t do a damn thing in that house. Not even a boyfriend to do hand stuff with?”
“Ugh. No, alright? I don’t have time for that kind of thing like I just said.”
He laughs a little breathless, sitting up for a minute. You’re wondering what it means for you. Sukuna pulls you up along with him. He sits down again with his legs spread before looking at you. He pulls you into his lap with relative ease, until you’re half-way pressed into him with your legs over his thighs. You stare at him, feeling more exposed in this position. You get a closer view of his neck tattoo, realizing how far down his back it must go. You go to ask him what he’s doing - but he’s undressing you before you can.
Confident, large hands trapeze down your back as he finds the end of your overwear and pulls it off - leaving you in the microkini you wore to the beach. It barely covers your nipples. You made the choice to wear it, yet seeing Sukuna examine it so closely leaves you wallowing and regretful. Still, he’s silent as he does something similar with your jean-shorts. A hand lifting your legs up enough to roll the cheap, denim shorts and discard them right on the marble floors.
You’re still half-way over his lap - sitting on his thighs but you’re naked now.
You feel yourself growing self-conscious. Never mind that it’s the first time anyone’s seen you this naked, who exactly you’re showing it to makes you want to throw up. He stares for so long you wonder what he’s thinking, a lazy grin splitting his face. A hand nudges your thighs apart, moving your leg to give Sukuna more access to you. With an arm around your waist, his hand cups your cunt, rubbing it softly. You shift nervously. His thumb moves then, rests at the hood of your clit, pulling up to look closer at it. You hold back any noise as he examines you, bent pointer of the opposite hand brushing over the hair on your skin with a laugh.
“Unexpectedly, it’s pretty,” He says and your eyes shoot wide open. “Good job brat.”
“What are you,” You pant, your breath hitching as you close your eyes.”staring so much for it?”
“It’s mine to stare at.”
You don’t think of your uncle as particularly possessive. It’s more like he believes in that so much, so unshakingly nothing else could be true. You wonder if there’s more to it. He didn’t seem angry even after you told him about seeing a boy.
But comparing the two, Sukuna outclasses him in all ways that it should matter. He must be confident about that.
He spreads your thighs a little further. You’re half tucked into his side now - an arm around the back of his neck and shoulders. Sukuna ducks down a little, nudging his nose against your neck and scraping his teeth lightly against your throat. He doesn’t do much other than… touch you. Not directly. His other hand, the one not secured around your waist, rubs at your pussy but not in an attempt to pleasure you. It’s exploratory and intimate. He’s just touching you in a way that’s making you restless. And the angle he’s bent down, the proximity gives you a better view of him. From the side where you sit in his lap, you can see the tattoo again.
You shudder then, pussy suddenly clenching in a way that leaves you ashamed. Your uncle notices, though he doesn’t look up.
“Thought of something, brat?”
“No.” You deny, vehemently. He spanks your pussy but not hard. You jolt in reply, a shock traveling up your spine.
“C’mon now,” He hums, predatory. “Don’t lie. That’s not fun.”
“Y-your tattoo,” You say, suddenly feeling the influence of alcohol in a way you hadn’t all evening. “It’s…big.”
“Into bad boys or something, kid?”
You frown. “You look like a yakuza.”
This makes him laugh, more genuinely than you’ve ever seen him laugh. “Getting warmer, I guess.”
You don’t say anything to that. Instead spurred by the sudden confidence. “Why aren’t you…touching me?”
He looks at you surprised then tilts his head. “Is that what you want?
“I don’t want any of this but it,” You squirm again. “Feels weird.”
“Sounds like you want something, at least. Go on, tell your oji-san what you want.”
You scrunch your nose up at him, a familiar feeling of disgusting flitting through you. It fades as quickly as it comes.
“I’ve never put a-anything inside,” You admit, suddenly feeling self-conscious.
“That so,” He hums. His middle finger slides down the wet seam of your cunt as you tell him this. You nod but you don’t think he’s really listening. His hand is warm, and big - and his fingers are thicker than yours. One of yours may as well make two of his, no end to how imposing he is. You don’t protest as he starts to touch you. You simply take a deep breath, holding onto him a little tighter.
With your head turned towards him, Sukuna leans in again to kiss you. It’s deep from the beginning this time, and a little rougher. He bites lightly on your lower lips as his middle finger dips down towards your sex. Your insides are throbbing, hot and wet as you feel some friction. It’s the first time anyone else has ever held you in your life, every touched you directly like this. Against your will, your body is sensitive to the stimulus. Everywhere he touches you goes alight, and the kiss makes your tummy flutter. A tender feeling of want spreads you open, tears you apart right in front of him.
With parted lips and a heavy head, you kiss him as his middle finger dips down low enough to penetrate you. A soft gasp pulls from your throat.
It doesn’t feel unpleasant.
“I thought it was going to hurt more.” You admit, feeling him inside of you. It’s a new sensation but it’s not bad.
“It shouldn’t hurt if you’re aroused enough. And wet enough. You seem to be both.”
You frown at him, face pinching. It’s washed away quickly by the sensation of him pushing deeper. It’s hard to describe it as anything other than feeling something inside of you. Deep in a place you didn’t think it could go. You shake a little, trying to get adjusted. Sukuna does it carefully, slowly - thrusting in even strokes and keeping you focused on kissing so you’re not too conscious of it.
He’s not thoughtful, not really - but you can tell that he’s going slower for your sake and that makes your heart stammer uncomfortably. The last word you’d ever use for him is kind but he’s not being horrible and it’s unsettling you.
Once one finger goes in and out smoothly, your uncle starts to add another. You feel it that time, the stretch of it - gasping hard at the sudden sensation. Your breath catches in your lungs, hand clutching at his shoulder for purchase. He pulls away from your mouth, his breath near your ear.
“Easy, little one. Give it a minute.”
“It feels different. It’s,” You can’t form the words as two fingers penetrate you in full, slowly being eased inside of you until Sukuna is knuckle deep. Your breath hitches. “Not like it hurts.”
“It’ll feel good in a second.” He says assuredly, voice smooth and raspy against your ear. You feel combative at his confidence, but then a minute passes of him rubbing along your insides and something strikes against you like lightning. You pause, blinking confused as Sukuna laughs. “There it is,”
“There what is?”
“C’mon kid, I know you’re too busy with school but you don’t know something so basic about your own body?”
“What is it, oh.”
His other hand toys with your clit, rubbing it in slow circular motions as he gauges your reaction to the touch. You jolt from the sudden pleasure, getting used to it slowly. You didn’t realize how badly it was throbbing to be touched until he does it in full. Your mouth dries up immediately. Little shocks of electricity spark up through you as his hands go full in on your body. The combined pleasure starts to uptick, something building slowly but surely. It goes from not feeling like much to feeling like something. Feeling physical.
Your mouth drops open in sudden shock, eyes lidded as you moan unabashedly - unable to keep the sound at bay. You own a vibrator, use to cum quick and hard just to curb the feeling. You’ve had orgasms on your own but nothing has ever felt like this before. It’s undeniably satiating, mimics the feeling of eating something and nearly making yourself sick on it. You go slack-jawed, your nerves on fire.
Two fingers curled against your silken walls and another two toying at the sensitive bundle of nerves between your legs leaves little room in your brain to think. The only thing your body seems to remember is how to moan and whine - make these pathetic little noises you’ve never heard in your life. You didn’t even know you could make. Oddly enough, Sukuna is quiet through it. He makes grunts and little affirmatives but he’s mostly silent. You mostly hear the sound of your own voice.
The sound of your own wetness. You can feel the sticky sensation of your arousal but you can hear it even better. It’s lewd to listen too, wet smacks mixing with the pathetic bleats of your voice make you feel hot all over. Skin prickling with heat and sensation.
“I knew you were sensitive but haah. If I would’ve fucked you today, you would have cried.”
The thought drifts idly by about his cock and your whole lower half reacts to it by going weak. It aches just thinking about anything bigger or longer entering you than his fingers.
“Figure an insolent little kid like you isn’t much of a crybaby. I’m sure I can make you one.”
You don’t even think about asking what he means.
“Feels,” You make a gasping noise, body suddenly going tense. “Hngh, fuck. Feels so good, holy fuck.”
He groans a little. “I’m being too nice to you. I really should be balls deep in your cunt already and I’m not. You gonna cum for me, huh brat?”
You nod your head dumbly, unable to retort. To think of anything but the sensation washing over you.”Go on. Do it. Cum for your perverted oji-san.”
Something about the depravity of it sets your mind numb. Your body goes tight, every nerve firing off at once as you grip onto his shoulder and let the feeling of euphoria wash over you. Your whole body is so stimulated it’s numbing. The feeling of pleasure crashes into you, leaves your spine arching - mouth dropped open and nearly screaming. Your sanity melts, fades off completely and your brain feels like it’s gone empty. You close your eyes so hard little splashes of white show up in your vision, like you’re seeing T.V. static.
You think you scream. You don’t know. You just know that you’re cumming, hard, just from his hands and you’re terrified of what else he’s good at. You don’t think it boils down to sensitivity as the waves of your first orgasm ripple through your body.
You lay in his arms, sweaty and limp. Your vision is blurry with tears as you open them to look at him. Sukuna is rubbing your side, taking his fingers into his mouth. You look at him surprised as he does. He grins.
“Tastes good, kid.”
You flush. “Shut up.”
“Don’t think I’m done with you quite yet.”
Sukuna guides your hand to his pants, over his bulge. You gasp a little at it. His size through clothes is astounding to you.
“I’m not so generous to leave with nothing, you know.” He pats your thigh, moving you from his lap. “I’ve got a better idea than trying to teach you anything today, so try to hold still.”
You don’t know what he’s talking about until he guides you on the floor. You’re confused until you feel him position you - facing towards the couch with your knees spread on the floor. In doggy, you realize a little too late, your upper-half supported by the couch cushion. You feel more confused than you felt a moment ago.
Sukuna positions himself behind you. You can’t see him, but you can hear the soft rustle of his clothes moving as he stands on his knees behind you. More than that, you can feel his cock resting on your bare ass. You gasp, feeling the weight and size slide against your curves. Sukuna does a breathy little laugh at your reaction. He’s huge.
“Don’t cry kid. I told you I wasn’t gonna put it in tonight and I meant that,” He hums. His hands come to your hips, all of a sudden pushing them together. “Push your thighs together as tight as you can.”
You listen to him. You can do it with some effort despite how weak your body feels. You lean forward on the couch for support, bringing your knees together and pressing your thighs. You don’t understand what it’s for until something hard pressing along your spine moves down the curve of your ass. You gasp aloud as his thick cock pushes between your thighs, tip catching against your swollen clit. Your whole body is covered in goosebumps. Sukuna moans low in his throat, resting his head on your shoulder.
“Fuck, that’s it.” He hums, sounding pleased. “Keep them tight for me, alright girl? Try to at least.”
Sukuna is wordless as he grips your hips, your flesh dimpling under his bruising grip. You're silent, your voice threatening to spill again as you try your best to listen to him. You keep yourself tight and firm, your hands gripping the couch cushions as Sukuna pushes his cock between the fat of your thighs and starts a pace.
The angle makes you gasp, body feeling weak at the way it touches your clit with each bump. Sukuna doesn’t hold back at all. You’re not being penetrated but the weight behind each of his thrusts makes you feel like you’re being fucked. The bruising sensation of skin against skin - the hard muscles of his own legs smacking against the softness of your thighs.
Most embarrassing is the way the position makes you conscious of your uncle's cock. You knew he was huge before, but the way he’s thrusting. Where it reaches when he does thrust makes your throat feel nearly tight. You can’t stop thinking about the fact it’ll be inside you. You can’t imagine taking it in your hands - the girth and length of it fucking impossible. And he wants to fuck you with it? Take your virginity?
He’ll stretch you so open if he does. You can barely think of it fitting in you. When you do, your whole body shudders in a horrible and pathetic way - a new wave of arousal striking a strange chord. As he bumps and ruts against your clit and your mind fills with such lewd images, a new wave of lust starts to pour through you.
It’s unhelped by the feeling of Sukuna’s cock - getting so close. The throbbing with each thrust and the low, throaty groans he keeps vocalizing against your ear. All of it proves to be too much for you. It shocks you when you feel yourself grow hot all over again. Not even being touched directly and so soon after your first - a mere few minutes.
And you find yourself with all your muscles tight, your hand reaching back for Sukuna as you plant your face against the cushions and let him fuck hard between your thighs. You feel incoherent, stupid and so fucking horny. You’ve never experienced it. You can’t think of what to moan, so you choose his name.
This makes him laugh as he bends over you, his teeth biting your shoulder blades.
“Gonna cum again from this brat? Aren’t you fucking easy? Come on, cum with me. Just like that, take it. Fuck, that’s it. Good. Good girl.”
It’s the last bit of tension that pushes you over the edge, whether you care to admit it. Your voice breaks as a second orgasm washes through you - more intense but much shorter than the first and you nearly fall limp. You only barely manage to hold yourself up as your uncle keeps thrusting relentlessly.
You can feel him twitch hard between your thighs when his orgasm finally hits. You shake as you feel him squish the tip between your thighs - hot ropes of cum spurting against the swollen mound of your cunt and dripping down your thighs as he finishes. He smacks your ass as he finishes, making you yelp. Your whole body is rife with exhaustion, finally coming down from high-highs and low-lows.
“We’re gonna have a lot of fun together for the next few months kid,” He says, almost affection in his words. You’re too exhausted to reply, looking at him over your shoulder. “Let’s get along and do our best.”
“You’re a sick-fuck, oji-san.”
“And you’re a whole lot like me, aren’t you kid?.”
#sukuna x reader#jjk x reader#sukuna smut#jjk smut#writing tag#dark content cw#incest cw#dubcon cw#abuse cw#grooming cw#<- kind of sort of not really hes just gross.#THIS HAS SO MANY TRIGGER TAGS .. SORRY
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Hey is it just me or do certain fans complain about how much they hate the other groups instead of loving theirs.
I don't think calling out the misogyny in this fandom is wrong, not in the slightest (my most popular post is calling out the way people treat ena versus akito because of their gender), but most of the time these call out posts just result in more negativity and arguments rather than any like. Productive discussion.
I don't wanna hear about how minoharu and anhane are more canon than ruikasa and akitoya and are Therefore More Valid And Liking Ruikasa More Is Wrong And Bad (exaggerated but most of the time people do insult a ship in order to promote their own) (also sometimes implies that rarepairs are less valid which is a dick move). I wanna hear about the interesting (and I mean very interesting) relationship that an has with kohane, her feelings of inadequacy and slight envy, I wanna hear about how minori (and the rest of mmj) inspired haruka to get back on the stage, and how minori finally got to "repay" haruka in a way.
I didn't start liking ichika because of people endlessly complaining about how underutilized she is and how You Guys Just Don't Get Her, Read The Stories And you'll Discover That She's Actually Perfect Actually (this one isn't an exaggeration but it was on YouTube not Tumblr so in it goes), I started liking her because I learned about her character, her sheer determination and love for her friends, and her want to resonate with people's hearts from people who really like her.
I'm not gonna pretend the Ruikasa fandom and akitoya fandom can't be annoying, a lot of them are toxic and have a habit of making everything about Ruikasa/akitoya while reducing their relationships with other characters to push their shipping narrative. It pisses me off. A lot. I could write (and probably will write) an entire essay on how entitled and bitchy Ruikasa/akitoya fans can be, and I definitely understand how it can build up resentment towards a ship, and how their mass popularity is most definitely attributed to the fact that they are men (which results in an extreme lack of understanding of their actual characters and overall dynamic, reducing them to "top tall sexy one" and "bottom cute feminine one" which upsets me to hell and back). And calling this out is not wrong in the slightest.
but needlessly attacking a ship that someone likes is not a call out. calling Ruikasa and akitoya "a stupid ship" is not a call out. Actively insulting people for liking it is not a call out. Adding Ruikasa and akitoya tags to your post bashing them is not a callout. It's being a dick. You are not doing anything productive by calling Ruikasa and akitoya shippers idiots or stupid or insulting their taste you are only going to piss people off and you know that you are going to piss people off.
Acknowledge but do not attack. Be civil. And if you cant be civil then save everyone some time and keep it private.
Oh yeah. And be annoying about your blorbos. Make KING kanamafu art. Put shizuairi in Fragile. Talk about how much you love your girl ships and your girl characters and don't event mention the guys, make fanfiction and fanart of the girls, I really really want you to, genuinely, because they do get less rep in the fandom than their male counterparts, so more content of the girls is always great. It feels a lot better than complaining about a ship you don't even like, I promise
(Btw I mention this in the tags but if anyone wants to add input or correct me on something you totally can. My words aren't law and this post is just me stating my thoughts, and I invite you to share yours if you want.)
#also if anyone has anything they want to add or correct me on and add some input that's fine btw#and one more thing. “be civil” applies to everyone. including akitoya and ruikasa fans. dont call other ships irrelevant dont attack them-#DONT ATTACK THE OTHER RUI AND TSUKASA SHIPS BECAUSE YOU DONT LIKE THEM. FUCK#project sekai#prsk#my writing
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I watched 911 kinda regularly - without really being part of the fandom. Which to be honest seems to be healthier. Some fans are super intense and obsessed with the idea of Buck and Eddie. I never saw it really but I have to say I really like the development with Buck and Tommy.
So I never shipped Buck and Eddie romantically. I love their relationship and how close they are but I never thought there is more or there needs to be more. Now that I checked some tags here I see how popular they are and how many think that this recent development means that Buck and Eddie become a thing.
And of course I cannot say this never will be an option also regarding with how much attention they get even now. But there are some things that do not make sense to me if the plan is to pair them up.
Because A) to make them a couple they kinda have to repeat the storyline again. Buck - mostly presented as straight for six seasons - realized he is also interested in men. So at one point Eddie - who has also been only presented as straight so far - has to go through the same process to make them become a thing. So the audience would see a very similar storyline twice. And I can’t imagine that the show runners would just tell the same story again.
B) If the plan is to put these two together - why include the detour with Tommy. Why not just tell the storyline with Eddie from the start. Have them experience a very close moment in which both realize - oh it’s you who I love. Because Eddie needs to have the realisation at one point anyways to make this work. So they could just tell the story with the two of them.
C) If Buck and Eddie are together. The creators would limit themselves in telling future stories. Because Eddie and Buck already share a lot of screen time. Also have them be romantically involved would make it almost impossible to separate them and show them with other characters. It would be like work together, hang out together, go home together etc etc. So far, their individual love interests - apart from family issues - is pretty much the only thing that kinda separates them and allows the creators to tell individual storylines.
D) What would really change when they are together? Kinda goes hand in hand with the previous point. Both are super close. They care about each other. They love each other. What would change if they become a couple. Nothing except they might kiss here and there. The dynamics will remain pretty much the same.
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WARNING: VIVZIEPOP CRITICAL, STOLITZ CRITICAL CONTENT.
I get fairly mean in this one, you've been warned.
I am so sorry, Viv. You can't convince me to see Stolitz as anything beyond a toxic, doomed to fail, train wreck.
I'm SO down for a good toxic ship.
In fact, I found their pilot dynamic far more interesting than the current writing seems to be depicting.
I refuse to feel bad for a man that caught feelings for a childhood """friend""" so hard he ruined his own life. Blitz owes NOTHING to Stolas. He agreed to fuck him so he could run a business that is barely discussed, even though it was the original point of the show.
Does it suck that Stolas had to deal with an arranged marriage that he never wanted with a mean wife? Yeah.
You know what else sucks?
THAT STELLA HAD TO MARRY A MAN SHE NEVER WANTED, AND HAD TO GIVE BIRTH TO HIS CHILD. ALL WHILE HAVING A FUCKING CREEP OF A BROTHER. ALL WHILE BEING TREATED AS A MONSTER BY THE FANDOM THAT CAN'T UNDERSTAND HYPOCRISY IF IT BIT THEM IN THE FACE.
Like yes, she's a cantankerous bitch. But you can't seriously pretend like she isn't also suffering in this relationship. The only difference is she turns her pain into external anger, where as Stolas has been turned into uwu soft bird who can do no wrong.
Even though he destroyed his family in an extremely public way. Octavia is going to have to live with the impact of her father's decisions for the rest of her life. You can't seriously expect me to feel bad for a man that is the agent of his own destruction.
You also can't tell me that Blitz just needs to get over himself just so he can be with a man who's father BOUGHT HIM FOR HIS SON AS A PRESENT.
To reiterate. If this was meant to be read as a terrible toxic arrangement that just keeps happening? I'm down for that. But this is not, and will never be cute or healthy.
Blitz doesn't owe Stolas anything. He keeps up his end of the bargain. It's purely sexual, and just because Stolas can't accept that doesn't make it Blitz's problem.
Stolas needs to learn how to accept rejection and move the fuck on. He knew he would catch feelings and considering he basically has Blitz on a leash, that doesn't make this any less gross.
The fact that he knows Blitz will leave if he's given the power to go to earth on his own proves it.
Blitz has frankly done very little IF ANYTHING to warrant being subjected to this level of obsession on Stolas' part. He's just trying to make a living.
Frankly, if you wanted us to actually think Blitz was interested, you've totally missed the boat with that one. This should have been worked on ages ago and it makes it feel exceptionally rushed and out of character on Blitz's part.
At this point I'm starting to think Fizz and Ozzie are a fluke of good writing in a sea of godsawful shit. Charlie and Vaggie felt like a literal afterthought in their own show. Husk and Angel are so rushed it felt like watching a relationship at double speed. Are we even supposed to think Pen and Cherry are actually a thing? Because if I was Cherry I would have punched Pen for that shit.
Christ. I don't drink but Viv makes me feel like starting.
Thank you for coming to my TedTalk.
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One of the most interesting things about the Atreides characters to me is the constant tension between formal and informal power dynamics going on in that House.
Leto and Jessica seem to have a fairly equitable relationship where they genuinely love and respect each other. This rests entirely on the fact that Leto is generally a Good Dude on an interpersonal level, who like, sees Jessica as a person and recognizes and appreciates her intelligence, skills and political acumen. While concubine to the head of a Great House seems to be a fairly high-status role in their world, we know it is not equal in social standing to the role of a wife, and certainly not equal to the male head of the House. Leto does treat Jessica as his equal informally, but by the social rules of their world he certainly doesn't have to.
Similarly, Leto treats Gurney, Duncan and Thufir like trusted colleagues and confidantes, and while they formally treat him with a certain amount of deference (addressing him as Sire or my Lord and accepting that he will be the final authority on things), it's also clear that informally, none of them are hesitant to speak their minds in front of him, offer suggestions or contradict him on something.
Paul's relationships with Duncan and Gurney are similarly complex. They're both older than him and serve as his mentors/teachers. Neither of them are afraid to tease him, challenge him, or reprimand him when they think he's doing something risky. They love him in an almost-familial way and would protect him with their lives. It seems like Paul would like to be friends with them on equal terms. But formally they are both his servants. Or, more precisely, while Leto is alive they are his father's servants and know they have Leto to answer to if anything should happen to his son.
The moments when the formal power dynamics assert themselves are always fascinating. When Paul and Gurney are first reunited, I would say Gurney is still treating Paul like a Duke's son and not a Duke. He's loyal and he is overjoyed to know Paul is still alive, but he still calls Paul by his first name and talks to him like he's giving advice to someone who's still learning. But then there is that moment when Paul pulls rank and gives Gurney a direct order to go to the south and Gurney's demeanor immediately shifts. He only ever addresses Paul as my Lord after that, and he treats him with a deference that makes it clear they are lord and vassal, not friends or family members.
(And like, technically once Leto is dead, Paul is the Duke and everyone in House Atreides is Paul's vassal--including Jessica. Practically when it comes to Paul giving Jessica an order she does not want to follow...well I would like to see him fucking try.)
Leto's leadership style with those close to him seems very much based on creating a familial, mutually protective vibe that wins him intense loyalty. (It is really interesting to see him try this on Stilgar who doesn't buy it for a second.) We see Paul try to emulate that, possibly with an even more intense longing for relationships of genuine equality that's born out of growing up with no peers of his same age and status around him.
But there is still always a little bit of power imbalance, because the chill vibes rely entirely on the continued benevolence of the Atreides men, and that benevolence can be withdrawn at any time.
#dune#dune part two#paul atreides#leto atreides#lady jessica#duncan idaho#gurney halleck#house atreides#i like to imagine paul trying to explain all these wack power dynamics to chani and shishakli and them being like. what the fuck dude
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...what did misha do this time?
Tldr he's not being normal about gay people but also telling us he's an ally with the biggest, wettest eyes.
No it's part of the con thing where it seems like he's kind of split down the middle with giving thoughtful, earnest responses about destiel and queer baiting, and making jokes about how he and Jensen couldn't actually film any content because Jensen's dick would get hard about it. Which is. Uh. Not a punchline.
But it is also an insane way to fumble the opportunity to show how much of an ally to queer rights and queer rep he can be.
It's hitting people different, but as a bisexual "man" personally I'm like, you know what actually I am more interested in hearing about how Misha, as a straight man and ally to the queer community, would navigate filming an intimate love scene with a close male friend. Particularly after years of push pull between queerbaiting and homophobia from the network, and the way that that has probably affected their experiences on the show and their relationship with eachother. That's an interesting challenge to conceptualize for an actor, and it's an opportunity for him to be totally normal about this question and answer it the way he would if his costar was a woman.
Because the jokes *can* sort of throw a wink to the audience like, I get it I'm in on the joke, I'm cool with gay stuff, and a lot of people do just take them as fun and silly, but it's very much also behaving like real life homosexuality is not within the circle of "normal".
Imagine if Misha Collins was answering a question about filming a kiss with- let's say Daneel- and his response was something like, "oh Daneel couldn't handle that because everytime we hug her p*ssy gets wet (insane thing to type. Insane thing to say). AND he said it on stage at a convention- it would come off as a super not normal response to that question.
So it's like, "othering", right? This idea we have in dynamics of privilege and power where some people are on the inside of the circle and some people are on the outside. And joking about that does acknowledge the outside, and it's better then being like, "fuck those homos", but its not the same thing as representing queer people as like, people. To show like, I can answer this question in a normal was because queer experiences are normal.
But taking it in this other direction, of like, humor and shock value. Sure it makes Misha Collins trend and we have fun on the internet about it, but it also contributes to this very widespread and still growing belief that being queer is different. It's illiciate. It's titillating.
And the joke specifically about like, I can't film a scene with Jenses because his dick would get hard, sure a lot of us hear that and are like, "haha cockles" or "haha cockles (platonic) and we give Misha a lot of leeway because it *feels* like he's giving us representation with that, but what he is actually saying, what people who do not think "haha cockles" are hearing is, "I cannot film an intimate scene with my male co star because his dick would get hard about it (derogatory)" which unfortunately is like a pretty straight shot towards gay panic laws and shit like that.
Do I think Misha personally believes that using someone's sexuality is a justifiable defense for manslaughter? Absolutely the fuck not. But I also believe that he's smart and informed enough to make those connections himself. To he able to see how, on a larger scale, saying that your coworker getting a boner is a reason not to do a scene with him, feeds into homophobic propaganda that results in real life violence towards gay people, interpersonally and legislatively. And I think he's informed enough to see that, on a small scale, it just kind of puts us seperate from him, whether or not we think that's endearing or funny.
For someone who has demonstrated a knowledge of allyship over his career through the queer campaigns he champions and donates to, the way he's spoken out against homophobia and against the blacklisting and queer baiting of destiel particularly, AND in saying he was "sick to his stomach" at the thought of co-opting the struggles of the queer community by accidentally coming out as bisexual, I think he's definitely falling prey to the desire to grab onto the spotlight instead of consciously acting in the best interest of the community consistently.
And does he need to do that? No. Unfortunately, no actor has to. But he's *telling* us that he is, which raises the bar for him in a way he isn't passing. Because he actually *is* sort of co-opting queer spaces, and what he's saying is, "Ew, gross. Penis."
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i think the thing that frustrates me the most about feyre's character post-acotar — hell, even post-acomaf — is that she stops being a character past that point in the series. acomaf, i can still see elements of feyre's original character, but i think acowar and beyond (especially acofas and acosf) is where her character devolves completely into something virtually unrecognizable. and this, in my opinion, is because once she and rhysand become established in their relationship, her entire characterization starts to revolve around him.
prior to acomaf/acowar, feyre has a personality independent of the relationships she has with other people. her characterization has its flaws, as the first book is flawed as a whole, but she's generally a decently-crafted character. feyre is an interesting character because, in the first portion of the book, we learn that she's a jaded, clever huntress who is willing to kill to survive and make painful decisions for the good of herself and her family. she's bitter, resentful, and miserable, and the crux of her life revolves around survival.
but then we learn new things. feyre loves painting, and if she had a choice, she'd marry off her sisters and live peacefully with her father, spending her days painting anything her heart could desire. she's capable and an able killer, but her dreams and wants are for a peaceful life. these desires are expanded upon later in the book when we learn that, if given the option, feyre wouldn't kill. she's jaded and can come off as someone who'd be a stereotypical "girlboss," badass killer. but in reality, feyre doesn't like bloodshed. she doesn't like killing, and if she had it her way, she'd never kill another living thing again.
this is interesting. acotar!feyre is actually a very interesting and dynamic character when compared to who she becomes in later books. she has an internal conflict that affects every aspect of who she is, and it is this conflict that is so deeply tied to what she's forced to do in the climax of the story: either kill innocent faeries or watch as the love of her life dies before her very eyes. this final trial is so painful because it's been established that, in a peaceful environment, a killer is not someone feyre wants to be, and a killer is instead what she's forced to become.
then, of course, acomaf happens and yada, yada, yada. she's still a relatively interesting character on her own, if (arguably) ooc, but has an independent characterization regardless. it's after this book where things take a turn for the worse.
in acowar, feyre is no longer the character who protects the "little guy" and would give up petty jewels to make sure a faerie can eat. she's no longer the character who acts based on her morals and inherent humanity, rather than faerie logic. instead, she's the character who destabilizes an entire court on the brink of war, uncaring of the consequences to the people of spring. in acofas, she's buying another goddamn house while people in velaris and beyond are struggling to make ends' meet following the war that she and rhys dragged them into. in acosf, she's doing the same fucking thing to nesta that destroyed and traumatized her a few books previous, and she's become the glorified housewife to rhysand. she's having his kid when she's not even 25 yet. she's being paraded around like some prized horse. she's sitting around, painting and decorating houses, while rhys does all the actual politicking. she's exactly what she feared she'd become in acomaf, and there's no consequence whatsoever.
this is not the feyre of acotar. this feyre is the faceless, empty love interest to the real main character: rhysand. she's a reflection of him. that's why she went from the woman who feels uncomfortable wearing fancy jewels to the woman who'd spend her newfound millions on frivolous lingerie rather than do anything meaningful with her position as high lady. that's why she went from the character who had respect and a new understanding of nesta in book 1, to the character that'd do such horrendous things to her in acosf. that's why she stands around and lets rhys and amren bully and degrade nesta. she's not a character anymore. she's just rhysand's mate.
#anti sjm#anti rhysand#sjm critical#acotar meta#acotar#feyre archeron#astrababyy#anyway fuck rhysand#the way he treats feyre is disgusting#and she would NEVER let half the shit he does slide if she was still the character she'd once been#anti acowar#anti acosf#anti acofas
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what prompted you to start making the mutual crush subtext in Chara and Frisk's relationship less "one possible interpretation" and more "explicitly the intended interpretation"? don't get me wrong it's a very cute part of the story that's pretty fun to watch unfold and an interesting way to characterize their dynamic, but i'm genuinely curious as to what specifically made you decide to make them be mutually crushing on eachother over the more common interpretation of them as siblings
To be honest, I just never saw them as siblings in IF and found it frustrating how people treated the siblings interpretation as hard canon when it's just one possible reading. Some people treat that interpretation's popularity as a reason to bully others for having other readings of the characters, but I just think it's important to be kind, 'cause I feel like interpreting Frisk's relationship w/ the goatfam as something else is VERY different from, say, misgendering them, since how Frisk views Toriel and the others is up to player choice.
I didn't actually go into IF with any particular ships in mind, but it just kinda developed in that direction, I really liked the dynamic they shared, and it just... materialized the same way IF Papyton did despite me not having strong feelings on the ship one way or the other usually.
That's not to say I have anything against the siblings interpretation, and I know that some people aren't comfortable with Charisk because they prefer them as siblings. I absolutely get that, and tbh it probably doesn't help that early IF had the dubious dad stuff with Asgore. While in later chapters, Frisk realizes they barely got to know Asgore and were too impulsive and Asgore shares a similar realization, it probably doesn't help in terms of setting expectations, and that's why for the updated playable version of the Asgore fight, we made some dialogue updates/additions to help better lead into things.
I need to poke Phi about getting that uploaded and recorded, 'cause while we don't have any new Rift videos ready, I think a video of the canon route for the Asgore fight with the added Flowey and Frisk conversations would at least be something nice to share.
The conversation basically involves Flowey and Frisk talking about what Asgore put Frisk through at the end of part 4C, Flowey pointing out how he warned Frisk not to get too attached/get Asgore's hopes up, and just gives a little more of Frisk having conflicted feelings after they spare Asgore as well (since even if they got a happier outcome, he still tricked them into killing him, which is... a lot to put a traumatized child through who already had a close call with Lilac).
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why'd you get so mad at that sophie/keefe sibling anon?
hope that doesn't seem rude
I didn’t mean to come off as mad or anything, sorry if the tone didn’t translate right! BUT! I did get a little frustrated, because this is something that people who ship non-canon ships rlly need to figure out.
And hello to you anon, and also to whatever anon send the original ask! Because considering the amount of anti-Sokeefe friends I have in this fandom, you totally might be one of my friends! Want to be clear—this isn’t because I have a problem with you not liking Sokeefe, the problem is with saying she saw him as a sibling in canon when she did NOT see him as a sibling in canon, because that has icky implications.
Since I don’t want to misrepresent anyone’s opinions, here’s the exact message:
Sophie never seemed romantically interested in Keefe, sorry
it was more like a little sister comforting her brother
That’s the part that bothered me, because that implies that in canon, the thoughts sophie has about Keefe seem more like a sister about a brother.
It’s one thing to read Percy Jackson and say, “wow, I just don’t really like a Percabeth ship :/” and that’s totally valid, like, ship whatever you want! Ship Annabeth with Piper if you’d like, or Percy with Jason or whatever!
But it’s another thing to say “Percy always saw Annabeth as a sister!!” 1) that’s a weird thing to say because they’re canonically together and so comparing them to siblings is really icky, and 2) if you actually read the books it’s very clear that he develops romantic feelings for her. Even if it’s not super prevalent in the first few books cause they start out as twelve.
So people who say Sophie never seemed to like Keefe until book 9 sound to me like if someone said Percy never liked Annabeth or considered her romantically until the kiss in battle of the labyrinth. Just because it wasn’t a focus of the narrative doesn’t mean it wasn’t there from the beginning—and it CLEARLY was!
It just sort of feels like a really icky reaction to not liking a ship to say they always acted like siblings when clearly that isn’t canon.
If you don’t like Sokeefe, maybe you can say you would have preferred it if Sophie saw Keefe as a brother. Maybe you can write fanfic where they’re just friends and have more of a sibling type relationship. But that isn’t canon and that’s FINE, you don’t have to be on board with everything in canon, but for the love of God not liking a ship doesn’t mean they were never interested in each other 😭
Especially cause the ask didn’t even say she saw him as a friend, it said she saw him as a sibling??? Hello??? That’s SUCH a weird thing to say about two people who are now canonically dating???
Like it wouldn’t really have bothered me if the anon said “I would have enjoyed kotlc more if Keefe was a brother to Sophie instead of a love interest.” Like, I definitely disagree, but I don’t care that much cause everyone can have their own opinions and enjoy whatever they like about the media or write whatever fanfic bc they don’t think canon did it right! You’re MORE than welcome to believe that Sophie and Keefe would have been a better dynamic IF they were siblings.
But don’t say that IN CANON Sophie treated Keefe like she was his sister, because considering the many specifically romantic thoughts she has regarding him, that is a really weird thing to say because it implies that people think that way about their siblings? And comment internally on how attractive they are? Like maybe even if the anon had used the word “friend” I wouldn’t have been as frustrated, though it’s definitely the case that if we’re looking at canon, Sophie has feelings for Keefe. They’ve kissed. They’re together. That’s canon. If canon isn’t your thing, read fanfic, but don’t outright deny what’s in canon in a way that has weird implications.
It’s almost like saying sophie never had a crush on fitz. It’s slightly different because she acknowledged that one more overtly beyond just commenting on how good he looked or how he made her feel, but it would still really frustrate me if someone said Sophie and Fitz had more of a sibling relationship in canon when clearly they had romantic feelings for each other. So like it has nothing to do even with the fact that I ship Sokeefe, I would get frustrated if it was about Sophitz too because you just can’t say that someone who has very clear romantic thoughts about someone always saw them as a sibling in canon
That has really weird implications??
Anyway. I know im not being super tactful but I do hope that anon sees this so they can understand what the problem was with the ask, which wasn’t that it was anti-Sokeefe. I’m super okay with someone not liking Sokeefe. Literally a bunch of my best friends in this fandom are anti-Sokeefe. One of them might even be the one who sent this ask, in which case, hey friend!! my advice to you is, if you want a sibling dynamic, go write some fanfic! But… don’t imply that “and she had to say, the beachy look really worked for him” is a normal thing to say about your brother, because it seriously is not.
Hope we can all continue to be friends! Again it’s not the anti-Sokeefe that bothers me, it’s the deliberate misrepresentation of canon in a way that has icky implications!!
Whoaaa that was long sorry
TLDR: Sophie has romantic thoughts about Keefe in canon, so saying that in canon they seemed like siblings is weird because that implies people normally have romantic thoughts about their siblings.
Have a great day :)
#I hope we can all still be friends ofc#also anon if you’re reading this don’t take this the wrong way#it was just the wording of the ask#perhaps send a clarifying ask if you understand why the wording was definitely not right?#idk if you were really thinking about it but I definitely saw the ask and was like#you have to be kidding me#kotlc#keeper of the lost cities#keefe sencen#sophie foster#Sokeefe
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spoiler heavy
when it comes to shipping mithrun, best candidates are kabru, pattadol, milsiril
w kabru: kabru affected the way mithrun thinks, he's a very impactful figure in mithrun's life. from sharing his past with kabru, and exploring the dungeon with him (kabru was taking care of his basic needs at this time, but honestly, mr-i've-never-had-to-cook-or-clean-in-my-life obviously had a hard time and it probably wasn't perfect, but still better than the canaries, be cause they comment on his glossier hair) they've developed a special comradery that extends outside the task at hand. kabru sympathizes with mithrun very much, and also he distrust elves, he has a soft spot for mithrun. even after kabru 'betrays' them by letting laios go, mithrun doesn't even scold mithrun and ignores him instead. mithrun cares for kabru too, he values kabru's opinions as in the ending, kabru manages to help mithrun realize the beauty of life, and continues to look out for his wellbeing. people usually say kabru is more of a nurse than a lover for mithrun, that's not really that true since mithrun only needs reminding. kabru and mithrun hold each other in respect, heck mithrun risked the entire mission because kabru said 'i want to talk laios out of it for one last time' and if that's not a bond idk what is.
w pattadol: pattadol is 2 years into adulthood, is the typical lower nobility elf, way too immature for mithrun. I can see it, but honestly, I feel like pattadol would sooner consider mithrun a paternal figure than a lover (based on how she treats and views him general, it is cithis who is his main caregiver, and pattadol probably helps out out of respect for mithrun). pattadol needs to focus on her own growth, right now she only values superficial things and while that's an interesting dynamic, mithrun doesn't have anything to like with pattadol. there's no real depth to their relationship.
w milsiril: more possible than pattadol but honestly, it's not a relationship that can spark love. milsiril didn't like former mithrun, but she took care of and checked up on mithrun during all those years from time to time. ultimately I think she and mithrun would probably agree to being a couple, but won't hold any feelings for each other. they are friends to say the least, but they hold no gentleness for each other, for milsiril mithrun is probably someone she can be herself in without masking, and that's beautiful in its own way. they both have a lot of issues to unpack by themselves.
#dungeon meshi#delicious in dungeon#dunmeshi#mithrun#dungeon meshi spoilers#shipping ig#kabru#kabru of utaya#milsiril#pattadol
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irvinis replied to your post “Thinking about the photo from tonight, i almost…”
@ingravinoveritas this may be fanon (canon created by fans), but it fits so well into the daddy/boy dynamic. Michael comes to David's performances with his doors wide open, wearing his best sweater (or baring his arms) and giving a standing ovation: THIS IS MY BOY! And David makes his way to Michael’s performances, wrapped in a scarf up to his eyebrows and sighs quietly in delight from an inconspicuous place in the corner.
@irvinis Ohh...this is tickling a very specific part of my brain. Oh, I love this. In the past I didn't usually go for the daddy/boy dynamic with Michael and David (because I've always seen their relationship as one of equals/switches), but this absolutely fits them like a freaking glove.
We have the picture Georgia posted of David all wrapped up exactly like that, so right away that gives us a visual:
And what you've described goes perfectly with what we saw when Michael went to see Macbeth in December--that white-bright moment of Michael gazing up at David from the audience, and David looking right back at him, captured forever on film and in our hearts. That, in contrast with last night, with David quietly going to the show and doing everything to keep the focus on Michael. David waiting until the lights have dimmed and all eyes are on the stage to let out that little sigh, feeling a shiver of unrestrained happiness work its way through his body as he watches, enraptured, as Michael does the thing he does best.
It's also interesting how this potentially ties into Michael not doing the matinee today. I know we could say it's because he's still recovering from being sick (and that would certainly make sense), but I love the thought that Michael sat out so many performances earlier in the week to make sure he had his strength specifically for last night's performance, because he knew David was coming and wanted to do a good job for him.
I could also see David going to Michael's dressing room after (with thanks to @greeneyed-thestral for planting the seed of that lovely idea) and seeing Michael all enthralled with a post-show high from performing, yet still anxious about how things went--worrying if he was on key for the musical number, if he missed any cues. I can see David slowly backing Michael into the mirror without a word, until the lights frame Michael like a halo. He takes off his ball cap and unravels his scarf in an elegant heap on the dresser, revealing himself, both of them now bare and vulnerable. David grasps either side of Michael's face in his hands, thumb tracing over the crow's feet at the side of Michael's eyes, and smiles softly. He kisses Michael, mouths opening just slightly as the kiss deepens and their tongues meet. Kisses him long enough to quiet Michael's mind, to get the overthinking voice inside to stop.
He is quiet, this David. Always making himself smaller to fit in rooms within rooms, hiding away, keeping the peace. Until Michael. Michael, who somehow had the key to every door. Something in David expands, becomes louder, growing to more than his slender frame could seem to handle, and he pours it into that kiss. A mark of this moment, of Michael bathed in light, of the two of them together and David silently saying, we are here. We are together and I am going to take care of you now.
Oh, yes...I could certainly see that happening. Thank you so much for this delicious prompt on a Saturday morning...
#irvinis#reply post#michael sheen#welsh seduction machine#david tennant#soft scottish hipster gigolo#why does this seem so plausible though#Michael's breath catching in his throat at the kiss#sliding an arm around David's waist to steady himself#both knowing exactly what the other one needs#they are perfect together your honor#fanfic ideas a-brewin'#fanfic#good omens rpf#yes to all of the above#ineffable lovers#discourse
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what draws you to homosexual relationships in fiction as opposed to heterosexual ones? I noticed I prefer them as well but I don’t really know why. Or maybe it’s just in the media I like the homosexual relationships are written to be much more compelling, I don’t know. This isn’t hate against het relationships btw I support all sexualities
Probably a million different reasons honestly. Off the top of my head, some of my personal reasons:
-- I'm bi but more interested in gay relationships in my personal life, so my fictional interests reflect my irl interests.
-- Removes misogyny as a factor both within the romantic dynamic and, if m/m, the depiction.
-- Relatedly, I hate how 99% of hetero relationships in media have a built in lowkey unacknowledged d/s vibe due to that misogyny. Woman passive man active, woman pursued man pursues, woman weak man strong, woman soft man hard, woman fucked man fuck, woman object man subject, woman prize man winner, woman small man big, woman puts in work and money to make herself attractive man gets to live at his default state, woman desirable for looks man desirable for personality/money/skill, woman financially dependent on man, etc etc etc. Turns me off.
-- Like at least when that's the dynamic in m/m or f/f it's deliberately someone's kink and a gender norm is being subverted by one of the characters.
-- Gay relationships being more equal is something I've seen cited a lot, rightly or not, but it isn't one of my reasons lol, I like unequal relationships in fiction. That said, gender not being a factor in that inequality is definitely a draw for me.
-- Subtext is more engaging than most textual romances, and gay relationships are more likely to be subtext while het is more likely to be textual.
-- Gay sex (m/m and f/f) turns me on, straight sex rarely does.
-- Specific to m/m, but men in fiction are more likely to have compelling, complicated, deep relationships with each other than they are with women.
-- I enjoy gender nonconformity which is much more plentiful in gay ships and fiction than straight media.
-- Heterosexuality is oversaturated in media and I'm exhausted and irritated by its ubiquitousness.
-- As someone who grew up in the 90s, the existence of casually gay popular media still blows my mind lol, the shine has not come even close to wearing off. Heterosexual media just can't compete with that.
Anyway yeah, those are a few of my reasons, and maybe they align with some of yours as well.
Ultimately though I don't think it matters and it shouldn't be something you feel the need to justify imo. Enjoy whatever you enjoy for whatever reason, or no reason at all. But if you enjoy soul searching, then maybe this list is a decent starting point.
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I'm a believer that Sam and Celia have a bad influence on each other and that their eagerness to form a relationship in a very short period of time will simultaneously scar them mentally, but Alice's attitude is giving me "orphan who in absence of caregivers have learned that they must meet their own needs rather than allowing themselves to rely on another's ability to act genuinely" energy. She's the worst, everyone's the worst and I'm loving everything I'm seeing so far and I can't wait for them to get even worse.
Man, anon, I respect your opinion but I have an entirely different read on the situation.
I wish Celia and Sam had a bad influence on each other. That would make it so there was a single interesting thing about their relationship dynamic at all. Right now I'm getting nothing from them. Not a contrasting dynamic, not interesting banter, not charged interactions, not tension. NOTHING.
They aren't even forming a relationship in a super short time! They are coworkers who after a few weeks went on one mediocre date where they started with baggage and ended up talking about work most of the time. That's literally such a mundane date that it makes me want to tear my hair out.
Also Alice meeting her own needs? Oh definitely not, at least not emotionally speaking. Naaaaah if she was doing that she wouldn't be pestering and jabbing and poking Sam at LITERALLY EVERY MOMENT for any kind of attention out of him. She is the definition of a womanchild, acting like your 11 year old bully friend who has to try and tear you down every moment in an attempt to be "funny" because she literally knows no other way to get attention. And then she gets hurt when her friend gets sick of it because she has 0 amount of emotional intelligence to realize getting on people's nerves gets old.
Tl;dr - everyone actually isn't the worst. Alice is the worst, and that is why she is the best. Meanwhile Celia and Sam are just fine, and that is why they are boring me to tears.
#alice dyer#samama khalid#celia ripley#the magnus protocol#tmagp#putting this one in the tags because I sense it may be controversial and I'm bored
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Okay I just need to say that I knew I'd like this Tailstube as soon as I saw the thumbnail (after all, I am a Sonadails enjoyer, and Tails is literally in the middle of them in the thumbnail)
But I think probably something that stood out the most to me when I watched it was just
The hints that Shadow and Tails have a relationship outside of Sonic??
The first thing that tipped me off to this was that not only did Tails convince Shadow to join in on his show, he also convinced him to stick around to its natural end?? You know, Shadow. The guy you can't force to do anything and frequently will just dip if he's bored or doesn't want to be there. But even while Sonic was annoying him and he made it clear he wanted the "interview" over with, he still never made a move to chaos control out of there because of any of this.
And the second thing that tipped me off was this:
When Shadow is both confused and annoyed at Sonic, he chooses to complain to Tails about Sonic. And so Tails steps in to try to "explain" what Sonic meant by what he said (i.e he told Shadow something much nicer in the interest of getting them to be on better terms). The fact that he looks to Tails to complain to about Tails' own best friend and possibly even to explain that which he does not understand in a social context tells me just how highly he regards Tails. And since both Shadow and Sonic are being childish here, it's amusing to see Tails regarded as something closer to a trusted figure with more power here.
From an objective analysis standpoint, of course this means they have their own friendship. And this is a prospect I enjoy (The idea that Tails and Shadow are good friends)! It actually means a lot to me that Tails could form a frienship or bond with Shadow outside of the context of Sonic (in terms of who initiates it and for what reason it's initiated).
But, my friends, from a biased standpoint, I'm shipping trash. And to me this Tailstube was a fun show for Sonadails fans. Honestly, Tails staging this episode to get Sonic and Shadow to talk and "bury the hatchet", as well as how he acts during the show, read a lot to me personally like a guy trying to get his two boyfriends (who happen to be rivals) to get on better terms, if not just tolerate each other. I quite like the idea of Tails dating both of these idiots and just trying to get them to play nice when they're all together (although frankly I think the ideal scenario for Tails in my biased reading is that Sonic and Shadow get together as well).
This is also not to mention the dynamics showcased here! Sonic and Tails as best friends, with Sonic assuming that he and Tails were gonna talk shit about Shadow behind his back, and Tails trying to get him to play nicer. Shadow and Tails as friends, with Tails trying to convince him why he and Sonic are in the perfect position to become friends and helping him out socially, and with Shadow choosing to do something he doesn't want to because of Tails, as well as looking to Tails to complain to when Sonic is annoying him or when he doesn't understand something. And then there's Sonic and Shadow. In short, their relationship in this episode reminded me a lot of the dynamic I plotted out for that Sonadow post I wrote up where the two just beat the crap out of each other. In slightly longer terms, I find interesting how Mr. Flynn maintained Sonic and Shadow's dynamic during SA2 (with Sonic bothering Shadow and trying to fight him, while Shadow is just annoyed that Sonic won't leave him alone) while also showing the audience that they are rivals. And in longer terms...Sonic was clearly seeking a fight during this episode. And the facial expression, the mocking, his tone of voice, it doesn’t really matter whether or not he actually dislikes Shadow and believes they could never be friends. He's trying to annoy Shadow and goad him into a fight because he wants to fight Shadow so badly it makes him look stupid. And we can tell by how he expresses his confusion to Tails that Shadow is just not getting this. To him Sonic is just being annoying and confusing. Sonic is targeting him specifically, and Shadow shoots back with his own words. And so it's also pointed that Shadow reciprocates/actually decides to fight Sonic when Sonic specifically challenges him. He doesn't respond to Sonic trying to goad him on, but when Sonic challenges him specifically he's much more interested in opposing him.
Anyways guys I love Shadow and Tails having a soft on the side relationship while Sonic flirts by convincing Shadow to fight him somehow😂💖
#sonic the hedgehog#tailstube#sonadails#sonshadails#sonadow#sontails#shadails#shadow the hedgehog#tails the fox#miles tails prower#i just be ramblin#man there are so many things about this episode#Another personal favorite interaction was when#Tails: Come on could you try to just say one nice thing about each other? One compliment? Please?#Sonic‚ mockingly: Anything you can do I can do better#Shadow: Yeah? Do it then. Prove it.#Sonic: Ah crap he called my bluff#Sonic: I uh...I love the way you...chaos control?#Tails: Okay. You do one now Shadow#Shadow: I uh... I also love the way you chaos control. ...It's impressive that you could do it with a fake emerald#Tails: See? You can compliment each other! Sorta#Sonic is on the aro/ace spectrum to me but to me his most compelling relationships are always little buddy effect related and knuckles#effect related#Which just means that he tends to hold relationships like his and Tails highly (and has taken more than one little buddy)‚ but is also#attracted to people who have tried to kill him. What can I say? He loves the softness and domesticity of having a smaller loyal partner as#he loves the danger and exhilaration of fighting/racing a strong opponent#Sonic and Shadow fighting (and especially Sonic trying to get Shadow to fight him on purpose) is just baseline what the two need#for 'toxic yaoi' so if someone can't even handle how hostile they were during the tailstube then...#Anyways‚ how we feelin Sonshadails fans?
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do you have any hunters of artemis headcanons? like what do you think a day in the life is like for them? any customs or traditions? or any interesting ocs?
My primary headcanons for the Hunters are a.) Artemis' retinue in mythology has bird nymphs so. bird nymphs. bird nymphs are in there somewhere. and b.) I completely revamp the oath stuff and their dynamic in general because canon handles it extremely poorly, retcons it poorly, and I don't like the vibe.
The version I go with is that Hunters can be any age, species, gender identity, whatever, just as long as they're okay and comfortable that they will probably be referred to femininely a lot of the time. The Hunt is not just young women, and not even predominantly young women, it's a very diverse mix. And that the Hunt does not explicitly forbid relationships, it only forbids relationships if they are distracting and pose a danger to any hunters (i.e. don't be kissing in the line of fire of the arrows), and explicitly forbids having children while under the oath.
The reason for this being that Artemis is protector of youth, women, and a goddess of childbirth, and in her mythology usually the thing she gets pissed about is her Hunters hiding a baby from her - which makes sense! That's one of her aspects! It's kind of dangerous for a pregnant person to be running around in the woods with a bunch of hunting equipment, or to have an infant in that environment. So my interpretation is the specific thing she is getting upset about is her Hunters endangering themselves and/or a youth, cause that essentially spits in the face of what Artemis represents. If they wanna have a kid they're welcome to leave and come back once the kid is old enough (which is what I interpret Jo & Emmie's leaving the Hunt to be - they just wanted to raise a kid). Also there's myths that imply the Hunters may have relationships between themselves so I like to give room for that. And there's a good couple of myths about male Hunters of Artemis so I hate that canon just gives a blanket statement "no" on that one and is so weird about it.
I don't have many interesting ocs for them yet (I'm working on that - I have like fffffour? Hunter ocs right now I think? My goal is to make at least 10) besides thinking about bird nymph huntresses. And as for customs/daily routine, I haven't thought about it much. I mostly just presume training, hiking, camping stuff, following trails and etc, taking care of the wolves/dogs and hunting birds, all that jazz. I do think a lot about how they have hunting birds though and want the fandom to do more with that. Where's Thalia with a pet falconry eagle.
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I have been thinking about toxic dynamics with yan!König and I think that apathetic or unbothered reader is fun. It's based on the attachment theory and one of the dynamic include the anxious chaser and the apathetic avoidant who's being chased. KorTac operator!darling for the sake of another toxic cat and mouse game!
Hmmm maybe you're the first one to bond with him before Horangi, and you're doing it to satisfy your curiosity. You entertain the colonel, and you guys have a friendly relationship but to you, he's just another normal face in this life of yours. He's nice, but you feel zero spark nor passion in this friendship of yours. To König? You're his everything.
I think the yandere tendencies start to appear when he realizes that he's not a priority to you. Simply another face in the crowd although you never mistreated him. And since the reader is a problem too, reader doesn't see the value of investing time in the colonel, rather uses her time to invest on herself because poor colonel isn't a priority. Besides, he has Horangi and needs to learn the art of socializing.
Basically König overthinking everywhere and anywhere while reader's in her room doing her hobbies/taking care of herself, uncaring about the colonel.
You get bored easily, and need something to keep you grounded, keep you attached less you stumble into something people wouldn’t want you to with carelessly blunt words and an apathetic mind. Some have called you a psychopath, able to live a normal life, actively seeking gratification and fulfilling your ambitions despite the danger it brings; despite the pain it causes others; despite the lies and deception you use to achieve them.
Military was one of them. Some had normal, boring faces, whose minds were built like an intricately designed maze filled with possibilities and interesting things that made it worth pursuing, and others had beautifully scarred faces and unique traits, but were as boring as a wallflower, mundane and unchanging, normal and sane. All too boring for a curious mind like yours.
Then you met König, a giant with his face hidden - unknown - and fleeting moods that went from commandingly dominating and anxiously jumpy. You found him interesting, a nagging curiosity urging you to dig and unravel whatever curiosities he hid in that mind of his. He was an object of fascination to you, something you decided to invest your time into discovering, with lies and truths, promises and deceits, everything was a possibility as long as it served your goal.
The Colonel was a source of entertainment and power, but to him - as apathetic and cold as you were - you were a friend. Your little manipulation and charming words wormed it’s way into his mind the same way they did in your Ops, wielding a serpent’s silver tongue and the devil’s charm, you were something that he both admired and hated. It didn’t help that you acted the same around him, unbothered and unafraid —it made him feel normal.
So it’s not much of a surprised that he became obsessed with you, unwilling to part ways with you if he could, wanting to know you, your likes, your dislikes, your hobbies and your passions; and as long as he kept your interest going, this wouldn’t be the last of you he’d be seeing.
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