one of the overlooked things about Pharma in the Delphi arc is how cold he is. the more manic and emotionally volatile energy he brings post-Delphi gets grafted backwards as some inherent part of his personality all along but while we see the cracks showing here that led him to do all this in the first place, the vibe is very different. he's not flinching as he cold-bloodedly frames his completely innocent peer by deliberately, knowingly playing on the likely prejudices (or assumed prejudices) of those around him. this is a pre-mediated thing that only works if he's acting very stoic and reasonable about it all, planned in advance. conversely, it's also why the 'Pharma isn't even actually the bad guy, he was just stuck in an impossible situation until that dick Ratchet overreacted and ruined him!' take is wrong. that might have been true to an extent if all Pharma had done was kill patients that he felt would otherwise be murdered en-masse by the DJD anyway to protect some of them, and his coworkers. but now, he's progressed to killing everyone anyway and framing Ambulon not for any hope it will spare more people in the end than he kills, but because he's terrified of being found out as the person who did it; and that's not actually a thing he has to do at all! if everyone else is going to die anyway by this point, he could come clean when help arrives... but he knows he might face consequences for doing so. that's what turns Pharma's actions on Delphi from tragic but largely outside his control into something far less easily absolved.
the animosity ratchet has towards him later is also grafted backwards and not only not present here, but literally the only reason any of this works is that Ratchet thinks highly enough of Pharma he even floats the idea of making him CMO once all this is over, so he's not immediately suspicious. which suggests that this crack in Pharma's principles is brought on by the stress of his situation on Delphi, because I can't imagine Ratchet would trust him at all if this was behaviour anyone would expect of him on the regular.
so Pharma's not always been the enormously volatile, emotionally impulsive bad guy he becomes after this, and he also wasn't some sort of pure victim of circumstance who it's unreasonable Ratchet etc treat as a threat that needs taking out and treat harshly. and the main thing that gets overlooked in both cases in how people remember his character here, i think, is this moment: the calculated, pre-mediated framing of Ambulon, specifically chosen because he is vulnerable to what Pharma's trying to pull. (both because of being a Con, and Pharma's knowledge of his alt-mode hangup.)
or, in his own words:
"too many questions."
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I love every "Death set Dream up with Hob on purpose" headcanon, and I love "actually I was planning to throw Chaucer at you but I can wing it pretty damn well and, once I heard Hob call me stupid, I knew, yeah that's going to be Dream's boyfriend". It takes a village (or an older sister) to get Dream a boyfriend.
Now, I'm picturing the entire Endless family blindsided when Dream comes to a family dinner like "I GOT MARRIED! LIKE TWO MINUTES AFTER THE LAST DINNER--"
"That was a literal century ago?!"
"-- YEAH. WE'RE DOING A VOW RENEWAL."
Not a single sibling clocked this. Not even Destiny.
Destiny, out loud: it was an unlikely path in my book, so I didn't give it much attention
Destiny, in his head: honestly I started speed-reading/skimming through Dream's love life paragraphs because watching him crash and burn and cause massive body counts just seemed so... repetitive and predictable?
Death: knowing our brother, I was carefully managing my expectations and was just glad he was still doing the century meetups last time I'd checked. Good for him, managing to stay with somebody for a century, that outstrips his last relationship by ... like 7 decades. Kind of offended I wasn't invited to this wedding, kind of not planning to say anything?
Desire: At this point, I stick my fingers in my ears and go "lalalalalala" whenever I hear anything about Dream and want, either him wanting or somebody wanting him, because Death said I had to stop making fun of him for how disproportionate his Yearn to Act Ratio was, and any ammunition I can't use is just ... irritating. I figured if anything really changed, my twin would tell me about his descent into misery.
Despair: He was less miserable, but I assumed it was a fluke and he'd return to his normal equilibrium eventually. And it's not like my twin let me know he'd managed to successfully want AND obtain something?
Destruction is Sir Not Appearing In This Picture.
And Delirium had more important things to think about than her brother's sad love life, like would flying fish fired out of confetti cannons be considered birds until they landed?
Meanwhile all denizens of the Dreaming are never not aware that Dream is happily married, because the weather has been perfect for years and the throne room stained glass is some variation of Hob and Dream being lovey-dovey.
Lucienne: If I see them necking in the stacks ever again I will be forced to take action, and Lord Morpheus is aware of that fact, but we haven’t had a library flood in 103 years, so overall we’re pleased.
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Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.
In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.
Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.
I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.
This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.
And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.
See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.
And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?
I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.
I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.
I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).
Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.
Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.
We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.
Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.
Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?
Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??
Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!
So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?
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Lin Kuei vs Shirai Ryu characters and teaching/training outsiders
Kuai Liang as Sub-Zero
Sheeva: What can the Lin Kuei teach the Shokan?
Sub-Zero: The art of stealth and surprise.
Sheeva: Enemies should be met head on.
Jax: So the Lin Kuei train Special Forces. I'll be.
Sub-Zero: It was at General Blade's request.
Jax: General Blade. Still not used to that.
Spawn: Ready to freeze Ten Hells over?
Sub-Zero: First, we must train together.
Spawn: Training's over. Time for assholes to die.
Sub-Zero: Back for another training mission?
Cassie Cage: Gonna kick your ass in a snowball fight.
Sub-Zero: I doubt that.
Jacqui: I've got new gear to test.
Sub-Zero: Want to know if it's cold-proof?
Jacqui: Let's find out.
Bi-Han as Noob Saibot (MK11 intro dialogues)
Noob Saibot: I could make you the perfect killer.
Terminator: By improving my programming?
Noob Saibot: By teaching you to embrace darkness.
Mileena: Out of the shadows, Bi-Han?
Noob Saibot: To teach you the power of darkness.
Mileena: My father has already taught me.
Frost (MK11 intro dialogues)
Frost: I can train you in the assassin's art.
Sindel: Dear, I'm several millennia your senior.
Frost: Which hasn't made you wiser.
Hanzo as Scorpion (MK11 intro dialogues)
Jacqui: Any chance of a Shirai Ryu training mission?
Scorpion: Training outsiders is Sub-Zero's passion.
Jacqui: Huh. Takeda thought you'd be interested.
Erron Black: Don't s'pose you'd teach me that rope spear.
Scorpion: And divulge Shirai Ryu secrets?
Erron Black: I can make you share, Scorpion.
Kuai Liang as Scorpion (MK1 intro dialogues)
Kenshi: Why won't you help train the Taira?
Scorpion: The Shirai Ryu's methods aren't to be shared.
Johnny Cage: Now what's the harm in me riding along?
Scorpion: The Shirai Ryu's secrets must remain so, Cage.
Ashrah: I'd do well to follow your example.
Scorpion: Then start by studying my kombat.
Raiden: You honor me with this lesson.
Scorpion: Pay attention. There is much to learn.
Tomas as Smoke (MK1 intro dialogues)
Smoke: "Let's go, Kung Lao. Liu Kang wants us to do this."
Kung Lao: "What could this fight possibly teach me?"
Smoke: "Sareena wants to train with us."
Ashrah: "She has good taste in instructors."
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