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hairmetal666 · 7 months

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Eddie Munson gets famous at fifteen, after a YouTube video goes viral.

He's the kind of famous where he can't leave his house without being mobbed; where his name is plastered across grocery store tabloids and every fifth Pop Crave post; who has to make special arrangements with stores, whose body guards have body guards, who's forgotten what it's like to be normal. He's the kind of famous with well-chronicled stints in and out of rehab

And he thinks, at thirty, why not do a reality show? Why not let everyone in the world into his life because they're there anyway?

There's this guy on the crew, beautiful as a fucking sunrise. He's all golden-tanned and chestnut-haired, with these big hazel eyes that makes Eddie stomach swoop deliciously whenever they happen to meet his.

His name is Steve.

And Eddie, well. He's learned his lesson about jumping into relationships. So, Steve is nice to look at, and that's all there is to it.

---

They're at the studio, and Eddie, he only smokes when he's recording but he's "not allowed" to do that inside. So, he steps out into the alley behind the building, eyes falling shut as he hands search his pockets for his pack of Camels and his Zippo.

"I didn't realize you smoked," a deep voice says from the darkness.

Eddie startles, eyes flying open. Steve is leaning against the brick of the building, cigarette perched between his pursed lips.

"Sorry, didn't mean to scare you. I'm Steve. With the crew."

"Eddie," he answers by instinct.

"I know," Steve chuckles. His hazel eyes are golden in the yellow streetlight.

"Oh, right." He lights his cigarette and inhales deep.

"I really like what you're doing in there." Steve nods his head towards the studio.

"You a fan?"

"Never listened to you much before. Not really a metal kinda guy, but I like it."

People aren't usually honest with Eddie. It's refreshing.

"Glad you're getting into it! How's your--uh, job going?"

Steve laughs. "First assistant camera, that's my job." Eddie's expression must read a total blank, but Steve only smiles. "I make sure everything's in focus while we film"

"Is that--hard?"

"Sometimes," Steve agrees. "How do you like being the star of a reality show?"

Eddie huffs out a breath. "It's more fun than I expected. Like, sure it's weird to have you guys follow me around, but at least I invited you, you know?"

Steve's dark eyes are fathomless in his perfect face. "You'll let me know? If anything happens that you don't like?"

Eddie nods, taken aback by the serious line of Steve's pretty mouth. Before he can respond more, the back door creaks open, Gareth's backlit shape leaning into the alley. "Eddie? They're ready for you."

"Duty calls." He smiles at Steve as he stomps out his cigarette. "See you around."

---

Eddie goes to a house party in the hills. It's just a handful of people, all of them he's known for years, no cameras in sight.

Someone asks how things are going with the band. Eddie doesn't think anything of it. Why should he, among friends? Why should he when they already know the resentment that Gareth, Jeff, and Freak have for him? Eddie got signed and not his band. The guys--they never really forgave him, think he could have tried harder.

So, he says--he says--"I wish they didn't resent me so goddamn much still. To this day! They're millionaires and they're pissed at me? Fuck that. I got them here. I got us all here."

They're filming the next day at Eddie's house. He's working on a new song, engrossed in his acoustic and his notebook.

He's so in the zone, it takes him a second to register when Gareth bursts into the house.

"Fuck you, Munson," Gareth screams. "What the fuck is this shit?" Eddie's own voice pours from Gareth's phone, and Eddie's stunned speechless for dozens of seconds as he tries to comprehend what's happening.

"I didn't--" he tires. He raises his hands placatingly, but his minds a whirlwind, thoughts a tangle, heart a mess of betrayal and hurt and fear.

"We should be fucking grateful?" Gareth yells. "You spoiled piece of shit, fuck you!" He lunges towards Eddie, but Steve darts from behind the camera, moving to block Gareth's path.

"Stop filming," Eddie shouts. He lifts his arms to block the shit. "Get out," he snaps at the crew. " Now!"

He and Gareth scuffle towards a set of double-doors, heated words low and unintelligible.

"Don't come in." He tells the crew. "Steve, I mean it. Tell them to stop."

Eddie shoves Gareth into the other room, slamming the door behind him. Still, the mics pick up the screaming fight between the two men.

Hours later, Eddie finally makes his way back to the main part of the house, finds Steve standing at the kitchen island.

"Why are you still here?" He's too exhausted from the fight to put any inflection into it.

"I was wo--I wanted to make sure everything was okay," Steve says. He relaxes against the island. "Are yo--is everything okay?"

Eddie's laugh is humorless. "Something like that."

"Do you want to talk about it?"

The tears he kept at bay with Gareth prick at his eyelids until they burn. "Not really, no."

Steve nods. "We could--you wanna watch a movie?"

This startles a laugh out of Eddie, one that has tears flooding his eyes and he has to blink fast, look down, anything so Steve doesn't notice.

"You know what I want?" he says. It's soft enough that maybe Steve, across the kitchen, wouldn't hear.

"What?"

"To have friends who won't sell me out for a couple thousand bucks." The tears start falling, his throat choked with emotion.

He wants to stop, embarrassed to be crying in front of Steve, but now that he's started, sobs shake his shoulders and he can't keep quiet.

Steve reaches for him. "Is this okay?" he whispers, hands rubbing circles against his back.

Eddie nods, cries for a while as Steve makes soothing motions against his back.

"I just wish I was normal," he mumbles when he has words again.

Steve's hold on him tightens. "I'm sorry, Eddie."

Shame hits him then, too hard to ignore, and he steps away. "I'm gonna--I'm gonna go. I--Thanks again."

He ignores the sound of Steve calling him back.

---

Eddie's playing a show. He's playing a show in a small club, something he hasn't been able to do for years, but he's doing it right now. It's electric, vibrating through his body, the crowd screaming along with every word.

So much of this is because of Steve, and Eddie can't think about it, because men like Steve aren't for guys like Eddie.

As he plays, his eyes scan the small crowd, find Steve easily. He's gazing at Eddie, lips slicked pink and parted, eyes shining. Eddie knows this look; the naked desire obvious. A heat he never lets himself feel for Steve blooms low in his abdomen, but--

He wails into his mic, forcing his thoughts away from that path. He has a show to play, one that's pumping his veins full of satisfied adrenaline. Nothing can ruin it.

When the show ends, Eddie is high, endorphins and adrenaline pounding through his bloodstream.

Eddie, the band, and the film crew make their way out the club's backdoor. There's a car idling close by, but they only get a few steps in before there's shouting; the ear-shattering click of dozens of camera shutters; overwhelming burst of flashes.

Eddie is disoriented, dizzy; the rapid shift from the best night he's had in years, to this, mobbed by paparazzi, people screaming his name, crowding their small group. He stumbles, black spots still obstructing his vision.

Arms catch around him, holding him steady. "You okay?" Steve asks.

Before he can answer, one of the paps yells, "Munson's wasted! Can't even walk!"

"C'mon, Ed, I've got you," Steve says.

"Just get into the booze, Munson, or someone had Molly too? Maybe a little coke? That used to be your thing, right? Snort a little blow and do a show?"

Eddie tenses, almost stops, but Steve keeps him going.

The crowd surges around them, more voices yelling, more flashbulbs popping, the guy saying, "He can't even stand without help! You got a real problem you know?"and he just--can't anymore. He whirls out of Steve's grasp, lunges for the guy.

"What's your fucking problem, man?" Eddie hisses. "What did I do to you, huh?"

"Real tough, Munson, huh?" The man sneers. He shoves Eddie hard, knocking him back a few steps.

Eddie's vision fuzzes out, brain buzzing. He snarls, knows he does, knows he's losing it, can't make it stop.

Strong arms wrap around his waist, pull him off his feet. He fights it until he's pressed into a wall, until cold hands cup his face.

"Baby, baby, you have to calm down," Steve murmurs. "You have to breathe, can you do that for me?"

"I want--he can't--I--"

Steve presses harder against him, bodies joined. "You're having a panic attack, yeah? Can you breathe with me, baby? Match me?"

Eddie nods, tries, wants to be good for Steve.

He calms, as much from the breathing exercise as being held by the most beautiful man he's ever seen. Pressing his face against Steve's neck he says, "why are you always around for my worst moments? I'm such a fucking mess."

"I don't think you're a mess," he says. "I think you've gotten hurt, you've gotten cornered. And your reactions are normal."

"Why do you even care?" Eddie asks.

Steve doesn't even pause. "Cause I like you, Eddie." His hold tightens for a second. "I like you a lot."

Eddie scoffs. "Yeah, you like Eddie Munson, the hot rockstar. Not the loser who cries in your arms"

Cold air hits Eddie as Steve steps away to meet Eddie's eyes. You want to know something? I didn't expect to like you at all. I admit, I bought into all the stories on the internet. But you were never anything like that, Ed. Not even once."

Steve takes a deep breath, turning away as his cheeks grow pink. "And you--you're always going out of your way for people. The day I knew I was gone for you? Three weeks into filming. There was this kid interning. You didn't know a thing about him, just some twenty-year-old, and you sat down and talked to him. Were genuinely interested in everything he said."

"Steve," Eddie's voice breaks. He has to cover his mouth, lips a wobbling mess.

"I want to give you normal, Eddie, as much as I can. If you'll let me."

The moisture tumbles free from his eyes, streaking down his cheeks. Eddie laughs. "God, Steve, you're--I like you, too."

Steve brushes the tears away. "So, you'd go on a date with me?"

"I think I would really like to go on a date with you, yeah."

Steve leans in, slow and gentle, placing a soft kiss at the corner of Eddie's mouth. It lights him up like a fresh struck match, nerve endings on fire. He thinks it's so much more than like already.

"Take me home, sweetheart," he says.

"Getting fresh with me, Munson," Steve smirks. "I won't have you using your rockstar wiles to seduce me."

Eddie's laugh echoes off the brick of the surrounding buildings. "Oh, sweetheart, my rockstar ways will destroy you."

"That a promise?"

---

Six months later, the first and only season of Welcome to Hell premieres. Instead, of chronicling a rockstar's debauched and wild lifestyle, it's a soft and charming love story. It shows Steve and Eddie growing closer, Steve working late into the night, to give Eddie the hint of normalcy he's so desperate for, to make him happy. It shows Eddie's eyes track Steve across a room, something like sadness crossing his face. It shows a concert that Steve arranged, the fight with the pap outside the venue, brief glimpses of Steve and Eddie in the aftermath, the gentle kiss.

In the last interview of the season, the producer asks Eddie if there will be a season two of Welcome to Hell.

Eddie smiles, glances off camera, which pans to find Steve in worn jeans and a Metallica hoodie, hair messy and wearing glasses. He gazes at Eddie, smiles this soft, aching thing.

"Nah, I don't think I need it anymore," Eddie answers. Throwing the camera a smile that matches Steve's.

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autisticlancemcclain · 6 months

Text

My Dearest La

Dear La

Lance,

I really hate it when you’re right.

I know you are smiling as you read this. I can see it so clearly in my head. You are rolling your eyes now, probably, in fact you are probably even straining yourself. But I bet you are still smiling.

…

I miss you.

You told me leaving was stupid. Well, we screamed about it. I don’t like that I left angry. I should have waited so we could have been — well, I don’t know. I just don’t like that I left without saying goodbye properly. I don’t like that I didn’t get to kiss the smush between your eyebrows that you get when you’re mad

The bottom line is that I’m sorry. And I can’t do anything about it now because what’s done is done but. I wish I did. I’m sorry this message is so dorky. I can’t help how I feel about you. I promise I’ll be more — suave, or whatever, in my next one. There’s this Blade I hang out with sometimes, Sedrit, she is awkwardly funny like you. She has promised to give me some pointers because she’s as nosy as you are and read over my shoulder all the other times I tried to write this letter. I don’t trust her judgement but I’d walk into a wall on purpose in front of Pidge’s cameras if I could guarantee it’d make you laugh I think we could always use a smile. I’m ending this letter now because I’m embarrassed and if I write one more line I’ll lose my nerve.

Love,

Warm regards,

Sincerely,

Love,

Keith

———

“Sir? Sir! Hold on! Sir!”

The Balmeran turns, looking back at him curiously. He leans heavily on his cane, back hunched but chin set squarely.

“Yes, Blade?”

Keith jogs all the way over to him, stopping a respectful distance away. He reaches up to deactivate his mask, which he is not supposed to do, but the mask is fucking creepy, okay, it makes people uneasy so clearly that even Keith can see it, so fuck Kolivan’s lectures. He’s vindicated by the visible relaxing of the Balmeran’s shoulders.

“I need — a favour,” Keith says haltingly. His own shoulders begin to hunch. “If you don’t mind.”

The Balmeran’s stiff brows lift in surprise. He looks deliberately down at his newly-bandaged leg, then back up at Keith. Keith flushes.

“A… favour.”

All the pockets on Keith’s uniform are square-shaped and small. Deep, but not very long. Anything he puts in there gets squished. Except for the long, thin pocket-thing hidden against the outside of his thigh.

The letter has been stuffed carefully in there for two weeks. It’s a miracle it hasn’t been destroyed. The top left corner of it has gotten frayed, because Keith keeps catching himself rubbing it with the pad of his thumb.

“I know you’ve been through so much,” Keith says quietly. “I’m sorry even to ask.”

The Balmeran’s stance is still carefully guarded, practiced —

“As have you.”

— but his eyes are soft and knowing.

Keith lets out a long, heavy breath. He slides the letter gently out of its spot, turning it over in his hands; inspecting the familiar creases, ink stains. It’s a rough, recycled envelope. Made out of old briefing notes, by the looks of it, thick black lines of censorship streaking across the pale yellow surface. An ugly thing, really.

“I need to get this to the Red Paladin of Voltron,” he says, forcing himself to hand the thing over. “I don’t — I can’t send it through the Empire delivery service, for obvious reasons. And Voltron’s location is always encrypted. I —” He stops, mouth clamping shut, because suddenly the words have become impossible to force out through the lump in his throat. He hasn’t talked to the team in weeks. He has no way of contacting them without putting them — or himself — in danger. There will be absolutely no way for Lance to send him a letter back, even if he wants to. The whole thing seems, abruptly, a painful kind of hopeless.

And yet.

“I will pass it along,” promises the Balmeran, voice flooded with kind understanding. He wraps his hands around Keith’s, squeezing once, before gently prying the letter out of his clenched fingers. “I don’t know how long it will take, but I have a someone who works in Emerg-med. She travels frequently, and should be able to take it farther than I can.”

“Thank you,” Keith chokes out, blinking rapidly.

The Balmeran smiles. “Keep strong, child.”

———

“Granddaughter,” greets the old man warmly. The young woman turns at his voice, laughing in delight when she sees him and enveloping him carefully in an embrace.

“Grandfather! You’re well!”

“I’m alive,” he corrects, teasingly.

She takes the jest in stride. “You are alive, and so you are well. I am so happy to see you.” There is genuine love in her voice. She holds tightly to his arm. “Are you staying in care long?”

He shakes his head. “No, dear. I dropped by only to see you. And,” he digs around in his pocket, carefully extracting a letter, placing it in her waiting hands, “to ask a favour.”

“A letter?”

“For the Red Paladin, from the Black.”

“I see.” She frowns thoughtfully, turning the paper over in her hands. “Last I heard, they were rebuilding on Ilso. I am going only as far as Igrendia, to visit my cousin.”

“Pass it along then,” he suggests.

She promises she will.

———

A young girl, to her cousin: “Imeld! Can you pass something along for me?”

A cousin, to her lover: “If you could drop it off at the supply camp when you stop by.”

A lover, to his father: “A friend of mine works in that fuel stop. Let him know I sent you?”

A father, to a friend of a friend: “Only a couple stops left, I reckon.”

A friend of a friend, to a friend of a friend, to a friend of a friend: “It’s almost there.

———

A friend of a friend of a friend, to a Paladin:

“I think this is yours. It’s travelled a while.”

———

A smile aches at the apples of Lance’s cheeks. Salt drips onto his tongue, and he swallows, breath shuddering.

“You — dorky asshole,” he whispers, and tucks the envelope in the secret pocket on the thigh of his undersuit.

———

Lance,

I have no idea if my last letter got to you. I hope it did, if not, here’s the rundown: you were right, I regret leaving, and I miss you.

Anyways.

Today I was on a mission in a planet that was just a huge wildflower field. Just — hundreds of hundreds of flowers, every colour you can imagine and then some. It smelled like you. I cried.

Do you remember when we snuck out of that negotiation — thing? Whatever it was? And you poked me hard in the arm and loudly complained about how much of a bummer I was being. And you dared me to roll down the hill with you. And when I was laughing at the bottom of the hill because you had just so much grass in your hair you crawled over me and kissed me like you’d been waiting to do it.

I remember how we kissed until my lips bruised after. And then we just lay there, until I got fidgety, and then you pulled us both up and walked around picking flowers and sticking them in my hair and snickering. This was the flower. Doesn’t it look like the one you brought back?

I thought of you a lot today. It hurt a little bit. A lot bit. I missed you until it ached.

I hope I see you in the flowers again soon.

I love you more than the stars

Love, and lots of it,

Keith

———

“Hey, Sedrit.”

His voice is as hushed as he can make it. He doesn’t want to wake the others. But she won’t be asleep — she never sleeps before big missions. She says it’s because the adrenaline keeps her alert, puffing up her chest. But Keith knows that she prays because she is afraid that she will die.

She doesn’t answer, so he kicks the bottom of the mattress above him. He hears a huff, and then seconds later, a curtain of hair flops over the side of the top bunk, and her wide, pupil-less eyes blink into focus.

“What do you want, shithead.”

He smiles at her guiltily. “A favour?”

“Ugh.”

But she looks at him in begrudging acceptance.

“I need you to — drop something off, when you go to El-dan. Ask another Blade there if they could pass on a letter.”

She must read his tone, because the annoyance vanishes from her expression. She reaches over and flicks him in the nose.

“Yeah, lovebird. I can pass on your letter.”

———

“Hey, man, could you send this along the next off-world?”

“What for?”

“For true love. Or because I asked you to.”

———

“I don’t know what it is. It’s classified. But it needs to get to the Red Paladin.”

———

“I heard it’s news of an ambush!”

“Well, it can’t be news now. It’s weeks old at least.”

“Yes, well, drop it off anyways. It’s Voltron business, you know.”

———

Lance’s door slide opens.

“I have — correspondence,” says Allura, eyebrows furrowed in confusion. “I was informed of a possible ambush? Perhaps we should read the letter together.”

Prepared remark about greetings and knocking and why they were invented flee Lance’s tongue, and his controller clatters to the ground in his haste to meet her.

“Lemme see,” he demands, snatching the letter straight from her hands. Her protests fall on deaf ears.

You were right, I regret leaving, I miss you.

He grins.

“What is that?”

“No ambush,” he says breathlessly, floating back over to his bed. He traces the shape of every letter, the blots of smudged ink. The scratch of the words is just as important as the content of the letter, Lance has found. He’s long since memorized the first letter, but he still finds himself drawing it out of his pocket, unfolding it with a shaky sort of reverence, studying every slanted T and looped L, closing his eyes and letting the impression of the ink burn into his eyelids. The cadence of the words have become song, hummed over and over and over again in his head.

This time, there’s a drawing. It does indeed look similar to the one hanging, dried, at the head of his bed. He presses the tip of his thumb into the center of it, breathing hard, rapidly blinking away the tears so they don’t drop and ruin the paper.

“I remember,” he manages, half-choked. “I remember, I remember.”

When he looks up again, hours have passed, and Allura has long since left, closing the door quietly behind her.

———

Lance, my love,

I know we do not talk about the observation deck.

It is your sacred place, I think. When you sit in the middle of the floor and look up at the glowing stars and the planets cast shadows on your face and make your eyes shine gold as sunlight the only way to describe you is holy. The first time I ever saw you like that it made my stomach hurt. When I think about it now I miss you so much the ache spreads all the way to my teeth.

When I was a kid I read about how grief makes you hurt but time makes you forget. I read about how men begin to forget the shape of their late wives’ smile. Or the slope of her nose. I read about how children begin to forget the slant of their fathers’ shoulder. How mothers forget the way their babies curled their fist.

Missing you hurts like unravelling. You’re all I think about. I will never forget the fit of your hand in mine as long as I remember how to speak. And I will know the ridges of your teeth so long as I can taste. I will know the length of your back as long as I can walk. I will remember the curve of your lips as long as I can blink. I will know the way you glowed in floating blue starlight until my brain shuts down and my organs fail me.

Patroclus said I will know him in death and at the end of the world.

I will know you every waking second of my life, and I will make myself remember for every nanosecond in between.

Nothing will compare to holding you in my arms again.

Keith

———

Sedrit has officially been declared missing in action. A new soldier has taken her bunk.

Keith’s stomach hurts all the time, now.

“Just — one time,” Keith begs.

“You have way more training than that job requires,” says Kolivan.

“I know. I just —” He realises, suddenly, that even if he had an argument he does not have the strength to make it. The letter creases in his clenched hands. “Please.”

For a long moment the Blade leader does not speak. Keith meets his searching gaze, but his eyes are blank, unfocused. Exhaustion pulls at his features. His hood droops on his shoulders.

“In an out, Keith,” Kolivan relents finally. “A supply mission should take less than four vargas. I want you back here then and not a tick later, so you understand?”

Keith could cry in relief, but Kolivan looks stiff enough already. Should Keith express an emotion in front of him he might be forced into a total system reset, and his programming might not be prepared for that.

“Thank you,” he says instead, and rushes off before he can change his mind.

Matt is leading the supply run. This letter might land right in Lance’s hands.

———

“I’ll get it to him, Keith.”

“Thank you, Matt. I owe you.”

“Take care of yourself, man. They all miss you.”

“…I miss them too.”

———

Matt hands him the letter without a word. No one else says anything, either, when he clenched it tightly between his thumb and forefinger and walks right out of the bridge. Not even Shiro, whose gaze Lance can feel bore a hole into the back of his head.

You’re all I think about, writes Keith’s neat cursive, and Lance presses the paper to his chest and cries.

———

My Lance,

I hate it here.

I miss you.

———

Alarm bells shriek through the headquarters. Keith has become numb to them, at this point.

He slides the letter in between the pages of an intelli-file and hopes.

———

CLASSIFIED

FOR VOLTRON’S EYES ONLY

BIOMETRICS REQUIRED

WILL SELF DESTRUCT

———

There is a letter waiting on his bed when Lance gets back from his mission on Efid-d. He has not slept in three days. His vision is blurry.

He falls asleep with the paper open in his hands, mirroring the curve of Keith’s body.

———

My love,

Naxzela. Soon. I think Kolivan knows there’s something wrong. I’m gonna I might I think I can stay, for a bit. Hopefully.

Well, I will see you again. Damn it all. I don’t care about the world I don’t care about the Empire I don’t care about anything, anymore, I just want to come home —

Naxzela.

It will be weeks until I see you face to face on this mission but already everything seems less bleak. I will admit some of the anger has crept in. I feel awful. I’m trying to remember what you said, in the very beginning, before you kissed me in the flowers. When you held my hands in the purple light and said we make a good team.

I know you say you don’t remember it, you goober. You do. You get embarrassed when I bring it up, that’s how I know. You always get embarrassed when you’re caught being vulnerable.

I loved you then, you know. I didn’t know it then but I did. I thought about your hand in mine for weeks. You have always been so central to me.

Soon, sweetheart. Soon I can hold you again.

Naxzela.

———

He doesn’t bother sending this one along. He tucks it in the secret pocket on the side of his pants, and with every passing day it grows heavier and the weight on his chest grows lighter.

———

When the shield closes over the planet and Keith says, it’s been an honour serving with you all, the scream starts at the bottom of Lance’s feet. It comes up to his knees when he sees the pod speeding towards it, up to his chest when Shiro barks at him to stay in formation. It catches in his throat as he wrenches Red away.

It echoes through space when the pod hits the shield in a shower of blue sparks and grey smoke, and Prince Lotor defects to their side one nanosecond too late.

———

The beep of the healing pod synchs with Lance’s heartbeat. It can’t quite drown out the screech echoing in Lance’s head; that keeps going, and going, and going.

Soon, sweetheart.

He sobs into the half-burned paper.

———

“You better keep your promise, you dorky asshole.”

———

Healing pods have always smelt, inexplicably, of burnt hair.

He hears the slide of the glass door opening, then the whoosh of air as he pitches forward before his arms are awake enough to stop him. Luckily, he falls right into bony arms, and the smell of flowers and sunshine quickly envelops him.

“You motherfucker,” says a voice, heavy with tears, and Keith smiles.

“Hi, sweetheart,” he croaks.

His Lance sobs. The hands on the sides of his arms slide slowly down to his wrists, gripping tightly. Keith forces his eyes open, blinking away the bleariness. Lance has his own eyes squeezed shut, like he’s too afraid to look, head bowed.

Well, that simply won’t do.

“Lance, baby, look at me.”

“You motherfucker,” Lance repeats, and finally he does look up but he’s glaring angrier than Keith has ever seen him. Keith grins wider. “You motherfucker, you damn near lied to me.”

Slowly, half convinced he’ll move to fast and wake up on his bunk, alone, he reaches up and cups Lance’s cheeks. He swipes his thumbs carefully over wet cheekbones, exhaling shakily, revelling in the feel of Lance’s skin under his, finally, finally, finally.

“I’m home, Lance,” he whispers. Tears spring from his own eyes. “Sweetheart, I’m home.”

“Stay,” Lance begs, like he should have months and months ago, like he meant to, like he wanted to.

“There’s no other option,” Keith promises, and as he leans in and presses their lips together, finally, tasting the salt and licking the ridge of his teeth and swallowing every shuddering breath, he vows to never send a letter again.

He’ll tell Lance all he needs to hear himself.

———

all art by @mothmanavenue

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