crushes are weird
sometimes they make you want to live forever and ever
sometimes they make you want to drop a brick on your head
sometimes they make you dance around your room until you smack your leg on the corner of your bed
sometimes they make you want to pick back up that passion project buried in the back of your closet
sometimes they make you want to grab them by the neck and shake them back and forth in frusteration
sometimes they make you want to scream into the void
sometimes they make you zone out with your friends as you think about them
sometimes they make you feel like you're gonna puke
sometimes they make you want to take the night off and make your favorite overly complicated meal
sometimes they make you glad you exist in the same timeline as them
sometimes they make you wish they never existed
...
crushes are weird
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Yk actually I think we as a fandom need to stop separating things by “canon” vs “fanon” and instead describe it more like … dark . Vs not dark. Or smth of similar nature. Cuz some of the “canon” stuff is cool, made for horror purposes, super interesting and I enjoy it a lot, but it is simply not canon and that’s ok !!!!!! (I don’t actually think anyone needs to stop doing anything it’s not that deep)
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me, thinking that i have at least a base level understanding of botw: :)
blue, about to write a 1,000+ word essay that is going to completely revamp my understanding of the game and interpretation of its events: bada bing bada boom
i dont know how you do it. i am incredibly impressed and using all of this for fic inspiration. keep writing
every time someone asks me how i do this shit i have to regrettably inform them that the real genuine answer is that i am fucking insane. my 2 passions in life are writing and video games and the place where the 2 converge fascinates me to no end and i am that special kind of crazy that is capable of latching onto something and not thinking about anything else for 10 years. so. the only thing i have cared about deeply for the last several years of my life has been the way video games are written and constructed. and zelda is one of the most interestingly constructed franchises i have found to date. these games are just like. the absolute perfect story for my brain to work with and i truly do not know who i would be without them. and i am genuinely incredibly grateful that ive been able to build a platform where people like. CARE about what i have to say and take the time to ask me to think about the games because like. i would be doing it ANYWAY but knowing that there are people who actually read my analysis and appreciate the amount of thought i put into this stuff makes me really happy lol
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all pokemon games are good but they are not all equally as good
send post
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While it’s obviously canon that Chris has an inferiority complex to Wyatt, I think that Melinda also has a complex relationship with being “Wyatt’s sister” and how she’s viewed through that lens. It’s definitely not the same thing at all, but I do think that it’s definitely a factor for her relationship with Wyatt and the magical community as well.
With that said, I don’t necessarily think that Wyatt really gets Chris or Mel’s issues with it, but I do think that he’s at least aware of them. There are a lot of italics in that sentence, but my main thought is that Wyatt has, at the very least, the knowledge that both of his siblings dislike the way that they’re perceived or seen through/as their relationship to him.
Which is why I think that one of the fastest ways to get Wyatt to like you, beyond just the immediate surface level, is to flip the script to prioritize Chris/Mel respectively. Like Bianca meets Wyatt and just goes, so you’re Chris’s brother and Wyatt is immediately like. I like her :)
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Still can't figure out liquid eyeliner as eyeliner
So I drew hearts on my face instead
And learned the hard way, the purple and pink are very faint and come off easily. (U can't even see the pink on me bc I think it's too dried out tbh)
The black does not. It takes no prisoners and gives zero fricks
Now I have to commit and own the face hearts or find makeup remover and lbr I'm gonna own the face hearts
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I should rly get around to designing the Jackies and Olivias from my swap aus now that I have ideas for how to differentiate them for their non swapped counterparts, but at the same time the eternal dread of having to commit to either keeping or changing the gravitas uniform for the swap aus hangs over me with ever increasing pressure, so maybe I can just only draw headshots of them and commit to that til the end of time instead
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how the hell do amateur astronomers map asteroids n shit. i can barely find the moon in my telescope
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maybe I shouldn't have told FB I'm not in immediate financial danger when linking my patreon/kofi bc the only people who have supported me on it are internet friends (many of whom I know don't have a lot of expendable income) and one person said they were "looking forward to seeing more art" while not subbing to anything that would make that happen so maybe they just. Don't get it in general.
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as big as the friend confession scene is i love this part best. laios is ofc still under the impression that kabru likes monster food and went thru this big effort to make something special for him and then kabru goes out of his way to be so warm and sweet, and frankly a bit flirtatious like i know he thinks that exit killed it
and hes kinda right bc laios cannot stop staring after him when he leaves and i cannot attribute all that to him being confused about what kabru meant by "dont forget me next time". like laios means it if he says something like "meeting you was the best part of this" those are not empty words even if hes under a false impression about kabru--i dont think its just that kabru shared his interest that has his attention either. i think its bc kabru really engaged with him. i dont think his opinion wouldve changed much if kabru said "nahhhh im good i wont eat a monster cool for you tho have fun" instead of saying he would try it
(and he really is trying the 'laugh at anything he says so he'll feel special' strat here huh.....)
and kabru despite being a stranger he helped get thru to shuro about falins resurrection
and he does it with a sensitivity and care that laios wishes he was capable of and he know it limits him as a leader
the thought laios keeps having about kabru isnt "wow he loves monsters too!" its "wow he is sooooo nice :3" which he is! at this stage he likes kabru bc he feels heard by him and kabru has qualities he knows he lacks but admires greatly and didnt make fun of him or call him weird for his interest in monsters
the way kabru acts and thinks about laios at this point feels allegorical to how people feel in new relationships. can i trust you? are you who you seem? if i tell you how ive been hurt, will you use this to hurt me or to protect me? i dont know yet, but i like you so far, so im going to show you the self that i think you'll like best. i want to impress you. i want you to trust me so maybe i can trust you
so much of dungeon meshi is about the way that we accidentally hurt our loved ones because we cant always understand them, or we dont know whats best for them when theyve been hurt in such complex ways, or because were too scared of being hurt again to tell them not to press into the bruise (see: chimera falin, falin giving up parts of her life to suit/protect marcille and laios bc she loves them, laios driving marcille deeper into the winged lions grip TWICE with his advice in the nightmares and again with the dungeon rabbits, everything chilchuck has ever done in his whole life, laios' father's everything also, and this is a labru post so ofc kabru lying about wanting to eat monsters to impress laios) i wouldnt be surprised if the allegory was intentional
anyways this part of their relationship budding into a toxic little flower theyll have to prune later is very cute to me and i really like reading it again knowing how they turn their relationship around later into one built on a mutual understanding and trust
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That cool bee book I was talking about a while ago mostly refrains from philosophical digressions (which I think is a strength, I appreciated how the author had total confidence that just clearly presenting the facts about his subject would be enough to make a fascinating book without the need for any "...and here's why that should blow your mind" editorializing, and he's totally right), but there was one towards the end I've found myself thinking about a lot, which is: he wants people to stop using "self-consciousness" (i.e. the concept exemplified by the mirror test but used implicitly or explicitly in tons of other contexts) as a criterion for which animals can be considered sentient/morally relevant/having significant inner lives/however you want to describe it. Not, as you might expect, because he thinks it's an unreasonably high bar to meet, but because it's such a low bar that it produces no distinctions: he argues that basically any animal with any kind of developed central nervous system has to have some kind of self-consciousness almost by definition.
The example I remember best is: imagine you can see an object in your visual field getting closer to you. No matter the specifics, it's obviously always going to make a huge difference to how you evaluate this situation whether the cause of the object getting closer is a] the object is moving towards you, or b] you are moving towards the object. If a, then something might be pursuing you or falling on you or a thousand other things that are just not even worth considering in the case of b. But visually the two cases are indistinguishable; if you're going to be able to track the difference, your brain has to be putting at least some work into keeping tabs on what your own intentions are and what choices you're making as you move through the world, predicting the expected consequences of those choices, and maintaining a fairly tidy mental separation between stuff in the world that you're making happen and stuff in the world that's just happening of its own volition. Otherwise, every time you walk towards a rock you'll freak out and think the rock is rolling into you, or vice versa.
And it's not hard to see how this applies to your entire sensory world right, it applies to sounds and tactile sensations and even feelings internal to your body to some extent, if you're going to both perceive the world and take actions in the world then it's mandatory to mentally separate yourself and the world before that's going to yield even an ounce of helpful information, you just can't function successfully on the most basic level if you're processing stuff that you're doing on the same level as stuff that's happening, if you're in that state then you simply don't have a usable model of the world at all, you just have chaos.
So you can very easily eliminate a certain seductive narrative about the evolution of consciousness, which starts with very primitive animals who are mentally processing nothing but basic sensory inputs, then as you rise up the chain more complex animals are forming concepts of objects and building up a more nuanced understanding of the world, until finally you approach humans and the mind becomes so subtle and sophisticated that it gains access to this special advanced meta-level of thought where it can even understand itself! No, the self is precisely the one idea that has to be in place from the very beginning, before any of it has even the most rudimentary practical value. Self-consciousness isn't the pinnacle of the mind's evolution, it's one of the lowest, most basic foundations that everything else builds off of.
I think this is really cool stuff! I don't know enough about the relevant academic philosophy of mind debates to say how far all this does or doesn't speak to that, maybe someone will tell me the "self-consciousness" concept being attacked here is a strawman somehow, I don't know. But it's definitely impacted the way I (just a dumb guy who likes creatures) think about our small small cousins and what their lives might be like and I think it's super interesting. If you think it's interesting too then maybe you wanna buy The Mind of a Bee by Lars Chittka and read it. It's mostly not about this stuff, as I say it's light on philosophy and heavy on bee-life immersion, but if you actually read this whole post then you're probably in the market for that I feel like.
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The Boy Wonder #1 by Juni Ba rambling about why every time i open this book, i stare in wonder...HAHA and ofc!! how cute Damian is!!
Juni Ba’s style is so absurdly effective in telling a fairy tale for the ages. It’s a stunning blend of simplicity and complexity I'M GRIPPING THE PAGES AGAINST MY EYES…
Before getting into the interiors, THE COVER!! It associates autumn leaves to Damian's Robin title through the iconic cape shape/color; and on top of that, for a Robin going through a big transition in his life...a season of change one might say...Juni Ba your brain...
Damian and the leaves being the only colored parts of this cover is nice in focusing on those elements, but i also like to think by not coloring the background it prepares you to expect impressive inkwork in this book.
On that note, the interiors!! Starting off with Ba's backgrounds of Gotham as it establishes the strange new world that our young hero has been thrust into:
We get a neat tracking shot following a champagne glass that gives us a glimpse of Gotham from the upper echelons to the downtrodden in "Underwell"
This opening sequence quickly lays out the environment Damian will be traveling through in this series! It also sets the tone for some silliness with the cute zoom on the champagne glass before it BOKs the robber lol. Along with Ba's inks, O'Halloran's colors makes every part of Gotham pop - especially love the golds of the higher society shifting into the blues of the underbelly!!
Besides Damian’s personal conflict, Gotham feels like its own entity that he has to contend with. The dialogue speaks for itself, but within the art as well!!
"This city of ours swallows and crushes everything it can" -> a gargoyle's beak over Damian, crowds of people, and walls of advertising
"You've seen it too...the way it coils around one's mind from below." -> bridges and a passing train on a rail viaduct towering over a civilian
"A dark voice calling as if to say..." -> literally, "FEED ME"
LOVELY SHOT OF MOVEMENT... and i love how Damian's venture into Gotham opens with him passing a tree - its branches and leaves are the most organic element on the page before getting into the gritty details of the city! Some yammering because the inks are. so cool: the delicate lines of the leaves in the tree to the thicker/bigger lined ones closer to the camera on the right; the background inks allowing space around Damian's form + the fine line of his grapple!! More O'Halloran praise - PRETTY, and love his coloring over Ba's bg lines, particularly here, keeping the leaves darker on the right.
It's not only a pretty page it's just a really clean layout!! Ba exhibits this throughout the book but i really enjoy it here - from Damian nyooming, we head into these last 3 panels. his cute lil "Robin" shape easily draws the eye to the tops of the panels as we take in Gotham's liveliness alongside the lettering/narration
and the "Robin" shape?? SO CUTE. it's instantly familiar to us as Robin!! bold outline and filled with yellow...it's a Robin in movement!!...AN AUTUMN LEAF IN THE WIND... yeah, still not over that 😭
Damian's inciting incident is introduced in the former panel with a gorgeous backdrop of Gotham in the distance (plus itty bitty Trinity cameo haha). The shot parallels!! beautifully!! in the final page!! Damian is now in the depths of Gotham, his objective out of reach. The colors are of note too, where the familiar yellows of Gotham are suddenly a startling green after the demon makes its appearance. The Gotham land looks even more unfamiliar, which prompts Damian to seek help.
Some speculation, but the green could also be associated with the more mythical side of demons and such (like the ghost?? of the thief), but it could even imply there's a connection to the Al Ghuls themselves as it's the only other time green is so prominently used.
Now that the land of Gotham is established, popping in other fav bgs!
More lovely mix of Ba's inks and O'Halloran's colors!! especially allowing some of the brush/marker strokes to show faintly as part of the twinkling sky...STUNNING!! 😭 i love this whole page but this panel gets me weepy, SMALL DAMIAN IN THE VAST UNIVERSE COMBINED WITH THIS LINE "He knew he could be great. How unfair of the world to make him feel so small." KICKS MY ASS... i need to lie down
YAPPING AT MORE WONDERFUL INKING: the suggestion of windows offscreen from the frames casting these thick lines over the walls and stairwell; the minute shadow details over the railing; the hatching on the suits in the portrait; the framed portrait being its own panel!! cute hooded Damian in the gutter space looking in on the portrait/panel!! CUTE HOODED DAMIANS!!
SPEAKING OF PANELS, along with general effectiveness and efficiency, there's more whimsy in others!! like this kickass page of Nightwing whipping his escrima from first panel -> afterimage lines going POWPOWPOW hitting demons from a distance to ones closer to the camera -> and back into his hand!! IT'S SO GOOD AND SO FUN!!
Ba's action employs more diagonal panels, and characters are less restrained within boxes - there's more energy and freedom across the page!
not necessarily focusing on the action for this one, but THE WHIMSY!! the border itself is goop!! Also gotta point out that looming hammer shape!!
Nightwing's critical hit spans the entire page!! from silhouettes of a flip -> flashy stomping pose/Clayface -> to a distant shot of Dick landing
and a smooth finisher page!! love the motion lines on Dick's arms and waist + his head and arc effects popping outside of the borders; then the smaller panels for quick activity, and the final WOOB WOOB WOOB LOL i can hear this sound effect just as much as i can see it
Along with O'Halloran on colors, Aditya Bidikar on lettering works seamlessly with Ba's vision!! The text boxes for the fairy tale narration are like strips of yellowing pages from an old storybook!! Had to look up the term for this lol, but also reminiscent of those storybooks, there's even a use of "drop caps" - the big fancy capital letter!
Smaller things of note, but the bit of "Weakness" text from Ra's has a kind of. grandiose feel to it. Then the cute B< Damian behind the window!! Love how the bubble and text are faded behind the glass too! The end of the bubble tail is a nice touch as it matches well with Ba's bg inking :0
Otherwise, it seems Ba has done a majority of the lettering - dropping a couple of my favs below!!
also just this whole page: the very loud AAAH! text draws both Damian's and the reader's attention to the panel below!! it's a cool transition to a new shot where you can see Damian's silhouette on the building! The final panel is cartoony violence off-page through the bold POW BOOM SLAM haha + DAMIAN'S LIL FIST!!🥺 and the guy's tooth RIP
Pure speculation - Juni Ba's concept art included Carrie Kelley, so i'm wondering if the hostage in the beginning could be her and we'll be returning to this moment in time by the end. The worn Robin colors are similar to the design + their head is conveniently covered.
In terms of story, I'm obviously heavily biased, but the initial read got me rolling in emotions with how it has you caring for Damian. Damian as a character is so fantastical in essence - it’s part of his individual charm in the batfam cast! an heir of two kingdoms, born and raised with great expectations suddenly thrust into an unfamiliar land. he has a sword. he has a dragon bat for a companion. he is haunted by the sins he has committed. he is two apples tall. he's truly fairytale material!!
LIKE...past the panels of only his silhouettes, this is our introductory appearances of Damian. It's laid out clearly in the narration, but this parallel is SO GOOD: from the powerful and ornate visuals of Damian and the Al Ghuls -> to a simple panel of Batman's shadow behind a boy littered in scars, stripped of his home and status
Damian is out of his element and proves himself in the way he knows how!!
just kick me down a flight of stairs why don't you. i don't know which messes me up more, the top 3 or bottom 3 panels. His facial expressions!! his expectations for approval dashed!! Damian's hand reaching for his father!! only to be left alone with the body. The page after this is the final nail in the coffin in feeling just how lost he is in the world before he acts on it. And you root for him the entire way!!😭
Despite Damian's fanciful background there's so much heart to be shown in his struggles and discoveries - and this classic form of a fairy tale lays it out so brilliantly!! It's shaping up to be an amazing balance of heavier elements and whimsy based on this first issue, and it leaves you wanting more!!
Besides being a thoroughly enjoyable read, it's inspiring work!! i've ordered Juni Ba's other books to consume more of his storytelling, and here's the ones i've found so far if you're interested in checking them out as well!!
Mobilis: My Life with Captain Nemo
Monkey Meat
Djeliya: A West African Fantasy Epic
The Unlikely Story of Felix and Macabber
okay shockingly, i didn't blab about how cute Damian is as much as i thought i would, but i think the collage at the top speaks for itself lol
this is all you need to know how cute Damian is in this!! his cheeks are so pinchable, it was done on page!! 🥺 these panels obliterate me
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Northern Lights - A Joel Miller One Shot
Summary: You and Joel watch the Northern Lights together whilst cold camping.
Pairing: Post Outbreak Joel Miller x F!Reader (No name or physical description of reader. It’s you, bub.)
Word Count: 2.3k
Scoville Smut Rating:🌶️🌶️ “It's the emergence, of.”
Check out my Scoville Smut Ratings here.
Warnings/Triggers: Established relationship/fingering/hand job/kissing/lots of snuggles/Joel being a grump - mostly fluff, but you get the spicy too.
NSFW. MINORS DNI! OVER 18’s ONLY. YOU ARE SOLELY RESPONSIBLE FOR WHAT YOU READ.☝🏻Don’t come at me; you’ve been plenty warned.
I write for me, and I share with you. If this story isn't to your taste, that's fine. Just slip quietly out the back door. No need to make a fuss. It's just a work of fiction.
Author’s Note: I was watching The Last Of Us (again), and this idea came to me. Have you ever seen the Northern Lights? I've been fortunate enough to see them in Iceland, which was incredible. Would have been better if Joel was there, mind... 😍
MAIN MASTERLIST | JOEL MILLER MASTERLIST
Enjoy! 🖤
A cold-tipped nose brushes against your cheek, rousing you from sleep.
The shadows of his face blur into clarity in the dim natural light of the camp. Your back, hard and cold on the ground, aches. The layers help, but it still seeps into your bones when you camp out so exposed like this, in the middle of a trying winter.
The steep, shadowy jags of the snow-capped mountains cut into the horizon; a deep midnight sky spackled with the twinkle of stars. A clear night, which means it’ll only get colder.
You rub your eyes, yawning. “What time is it?”
“Hell do I know.” Joel mutters as he reaches for the tin mug and pushes it into your hands. Your eyes fall on the broken watch he still wears around his wrist.
The scent of burnt, bitter coffee mists into your nostrils as it sloshes around the inside like a muddy puddle.
Your mouth becomes a vortex as you yawn, eyes dry and heavy.
A dense canopy of towering trees stretch skyward as you sit upright in the little clearing; their branches reaching out like gnarled fingers to brush against the star-studded awning above.
Despite the desolation that grips the world beyond, the forest offers a sense of tranquillity - a reminder that life, in all its beauty and complexity, still thrives in the most unlikely of places.
It’s a good place to pause; two survivors, traversing the decaying landscape of a once-thriving world, seeking refuge to rest your tired bones wherever you can.
Striking a balance between coasting in the woodlands out of sight and only daring to penetrate fallen cities or urban landscapes when you’re in dire need of supplies. It’s what's kept you both going for so long.
“Did you sleep?” You ask him as he gulps back his own coffee with fervour.
He shakes his head under a furrowed brow, greying curls billowing. You frown at him and he rolls his eyes.
“You’re going to keel over one day.” You blow on your coffee, fingers heated as you grip round the mug.
“M’not dead yet-”
Suddenly, a distant howl pierces the stillness, sending shivers down your spine. The infected are never far away, a constant reminder of the dangers lurking in the shadows.
Joel stiffens, reaching for the rifle.
“That’s not infected.” You say, listening to the shrill, barking moans emanating from deep in the forest surrounding you, and he nods, eyes darting about.
“Maybe a coyote.” He keeps hold of the rifle anyway.
The air is bitterly cool and heavy with the scent of damp earth and pine resin, creating an atmosphere of eerie stillness, broken only by the occasional rustle of leaves or the distant screech of a hungry mammal.
Sipping your coffee, feeling it warm down the centre of your chest despite its acrid taste, you close your eyes again.
“Ya gon’ miss it.” Joel murmurs.
“How do you know it’s gonna happen tonight?”
“I can feel it.” He says, pottering about and with the gas stove. He pauses to glance up momentarily at the glittery sky.
“Right. The same as you can always feel it’s going to snow.”
“It snowed, didn’t it?”
“Yeah, two weeks after you said it would.” You scoff with a wry smirk.
“Just be grateful it ain’t snowing now.” He bites back.
“If it snows now I’m sleeping in the cab. You missed your calling as a weatherman, clearly.” You chortle.
“Drink ya damn coffee.” Joel grumbles, dumping the stove in the back of the truck.
“It’s really gross.” You say, offering it to him.
You smirk as he comes and sits beside you.
“You’re a coffee snob.” He remarks as he gulps it back.
“Yes I am.” You concur with a grin.
Tucking his body into the sleeping bag with you and rubbing his hands, Joel opens his arm out. You shuffle into it as you wrap your fallen scarf over your shoulder.
“Any minute now.” He gruffs, looking up at the sky with stretched eyebrows when he’s eventually settled.
“Mmhm.” You retort sceptically. “If you woke me up for nothing, expect a black eye.”
Joel snorts. “That’s some mighty big smack talk for a lil’ lady.”
You put your fists up and he kisses your knuckles with deep, big browns peering at you over the ridges.
“C’mere,” he lays right down with you horizontal, and sighs out.
Within moments, small ghostly wisps of green fleck across the sky; a gentle birth of colour that seems shy in its solo performance.
“Told ya.” He mutters, trying not to smirk.
“No-one likes a smartass, Joel.” You quip, nudging him gently.
“Yeah they do. Are ya warm enough?” He wraps the mottled scarf around you further with soft eyes lancing at you as you shiver.
As you gaze back at him, you can't help but notice the delicate web of lines that radiate outward from their corners, framing his stare with a quiet wisdom and warmth. With each smile, the crinkles deepen, forming gentle crow's feet that cradle the corners of his eyes like little parentheses of joy.
Despite the hardships you’ve faced, swinging on the precarious, fraying threads between life and death at times, there’s a lightness in the way Joel's eyes crinkle when he smiles, even if it’s a rare occurrence; a resilience that refuses to be dimmed by the darkness of this world.
And as you trace the contours of his face with your fingertips, you feel a sense of gratitude wash over your skin, warming you.
Despite the ruggedness of his facial hair, there’s a surprising silkiness to the touch, a reflection of the affection and intimacy shared between you. An unspoken tag-team who keep each other alive and well without having to utter the words out loud.
His moustache, once meticulously groomed in another life, now boasts a craggy charm, with patches of grey peeking through the remnants of its original dark colour as his youth stubbornly tries to hold on that bit longer. Each strand curls softly at the edges, adding a touch of character to his weather-beaten features.
As your hand cups his cheek, you can feel the gentle pressure of his fuzzed beard against your palm, thumb stroking at the edge of his lips where the hairs riot in a cluster of different directions as you smooth them down. You’ll probably need to help him trim them again soon and the thought makes you smile.
Despite the weariness etched into his face, there’s a quiet dignity in the way Joel carries himself, a sense of pride born of the challenges you’ve overcome together. He’s more than just a man who’s dragged you through this world with bloodied knuckles and kept you alive - he’s your confidant, your ally. Dare you even admit, a soulmate.
A shared story of love and loss, of hope and despair, woven into the fabric of your mutual beings, Joel’s gentleness in moments like this offer a sanctuary - a place where you can be yourself without reservation, without the tough bravado where your fears and doubts melt away in the pull of his hypnotic eyes.
“Lookit.” He breaks the spell and pushes your chin gently with a thick finger toward the direction of the sky.
Above you, the Northern Lights paint the firmament alive with their mesmerising hues, casting an otherworldly glow upon the world below. Soft tendrils of pink and violet unfurl like delicate petals around the spectacular emerald green.
They pulse and flicker with a rhythmic cadence, casting a soft, iridescent glow that bathes the landscape in a surreal, spooky light.
Joel wraps his arm around you, pulling you in closer as you share the warmth of the sleeping bag and your layered up bodies crushed tight against one another.
"Look at that," you whisper, your voice barely audible above the gentle rustle of the leaves carrying with it the faint scent of pine and earth. “I don’t think I’ll ever get tired of seeing this.”
Joel nods in silent agreement, his gaze fixed on the swirling display of colours overhead.
In that moment, it feels as though you’re the only two people left in the world, cocooned in your own little bubble of warmth and intimacy from the brackens of an oncoming harsh winter that’ll test both your resilience over again.
You both watch in silent wonder, lost in the beauty of the moment, for moments like these are hard to come by. A respite in the doom-filled survival that snaps at you daily, for a moment of shared awe.
Joel pulls the sleeping bag further up as you nestle into his arms. As you huddle inside, you can feel the plush, ragged interior cushioning your bodies, moulding to your contours like a second skin.
The sleeping bag is large enough to accommodate you both, yet intimate enough to foster a sense of closeness as you lay side-by-side.
“So beautiful,” you say.
“Yeah, you are.” Joel remarks and you turn to see his eyes watching you and not the sky. Face illuminated in a green glow, lost in how your curious orbs reflect the ethereal beauty above.
The pull of need floods your body, tingles pitching down your spine as he loses himself inside your eyes.
“Kiss me, Joel,” you murmur to him, nose pressed against his as you pull him by his collar to your face. His lips pursed, they find yours - cold and chapped as they graze.
A warm tongue slips inside, sucking gently as he explores; tiny, soft nips felt peppered across your lip.
You already feel warmer, the prickles of the heat blooming under your armpits and on the back of your neck. His cool fingers stroke you there, engulfing your mouth with a growing need of his own as he crushes you closer to him.
You find his skin under the layers; stroking at the softness of his belly that overhangs his jeans a little more now, as he gasps into your mouth at the intrusion of cold fingers. Traversing gently over the welts of scars where the texture changes underneath your tips.
You can feel his fingers within the depths of the sleeping bag fumbling at your button, tugging at your jeans clumsily with deep pants before he gives up and just slides his hand in when the zipper won’t give.
You whine into his mouth as he finds your clit, rubbing with the thick pad of his middle finger against it.
Your hands do the same, releasing him from his scuffed denim, warm and heavy. Breaking your kiss to spit into your palm, he hisses into your mouth as you stroke him; succulently wet around his thick cock, weeping as you pump.
You fist at his collar, face buried into the plush heat of the crook of his neck. He grunts as your teeth dig into golden, weathered skin, muting your gasps from the pulsing between your legs as he strokes and taps; the heat begins to engulf you inside the sleeping bag.
He growls as you bite harder, nudging your face with his so he can kiss you again, his own teeth gnawing at your lips as he pants harder now.
Hard and pulsing in your palm, his whines upping their tempo as he closes in on that moment when he’ll dissipate.
“Come-” he wheezes, words barely audible as he breathes. “-M’gonna come,” choking breaths get tangled in his throat.
Eyelashes fluttering agasint your skin, breathes seeping into your mouth, his grip on you tightens as his back stiffens and hips thrusts his cock further into your hand.
“Fu-fuck,” he jolts, spilling into your palm, warm and thick.
Joel trembles, body shaking as he empties, face pushing against yours as he breathes out in satisfaction, a small bewildered snicker in confoundment as you nuzzle against him.
“You kill me, darlin’.” He whispers, breath warm on your lips and chin as you wipe him away on your scarf.
He moves his fingers still inside your jeans, stroking over the swell of nerves. Your grip around his wrist keeps him there, feeling him dip his middle just inside your hole as you contract, thumb smoothing over the oil-slick bead of your clit.
“Joel!” You gasp, tonguing the sparse tracks of sweat-salt hairs grazing down the side of his throat.
His finger slides right into the hilt, palm up and stroking deeply; thumb still pushing on your clit. Your nails cut into his wrist, pulling him against you as you subtly grind.
The hooked end of his nose notches against yours as you whimper.
Gentle, broken commands lose their endings as he loses his breath. “Give it,” and “want,” snuffling out of him as he strokes faster on your wet, fleshy spot.
Your body shakes as you come; his finger sopping as you clench and rib around it, knees jerking against his as you float in the lights, bathed in fuschia and jade strobes.
He stops stroking as you kiss him. Tiny, soft pinpricks of his moustache tickle your lip, making the insides of your cheeks tingle. Coarser, wiry greys prominent in the fading roots, mingling with the softer ones that still reside.
You run your fingers through patchy, bare spaces, smooth and free of any growth. You make patterns in them, trace their random shapes with your tips; an oval here, a heart there.
You both turn and look up at the sky together. The display falling into your eyes in that glow of emerald and pink as the Aurora shows off for an entrancing encore.
The heat envelops you both as you snuggle in together, his arm draped around you and your head resting on the muscled pillow of his shoulder.
You press a soft kiss under his jaw, of which he grunts with throaty appreciation. Your eyes continue to roam the falling curtains of colour in sky.
“Is it everything ya ever hoped for?” Joel questions gently, voice rolling around that familiar grizzle as he tucks you in closer to his side.
“Freezing my ass off in the middle of the forest with you?”
He chuckles with a wheeze. “Yeah.”
“It’s everything.” You smile.
I hope you enjoyed watching the Northern Lights with Joel. He gives the best snuggles, right? Would love to know your thoughts and if you enjoyed it, I'd appreciate a re-blog so others can enjoy it too. Thankies 🖤
MAIN MASTERLIST | JOEL MILLER MASTERLIST
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The Internal Corrosiveness of Venus: Venusian Women & Self Harm
TW: self harm, abuse, suicide, violence, trauma
Claire had remarked that "Venus is internally corrosive whilst externally pleasant and Mars is externally corrosive but internally pleasant". This led me down a rabbit hole to try to understand whether this "internally corrosive" nature manifests as self harm & eating disorders and unfortunately, it does. Venusian women struggle with perfectionism and are extremely self-critical. Venusian energy is HARSH. Venus natives struggle to uphold a certain standard that they subject themselves too because if I'm being honest Venus is the OG "not like other girls girl", they believe they're better than others, and tbh in many ways they probably are but this also means they put undue pressure on themselves to keep being that way.
All Venusian naks are Ugra or "fierce" in nature and while I've talked about how Venusian violence and cruelty can be directed at others in my other posts, I think its worth mentioning how Venusians can be just as cruel to themselves. This is especially true of Venusian women as women internalise their problems while men wreak external havoc (like causing wards and killing people) but there are many male Venusians who struggle internally as well.
In ancient religions, Goddesses of love also had other functions or powers that had nothing to do with love
the Egyptian Goddess Isis was the goddess of love, healing, fertility, magic, and the moon. She was the goddess of life and magic, Isis protected women and children and healed the sick.
She was a great magician, whose power transcended that of all other deities.
The Mesopotamian Goddess Ishtar is the goddess of love and sexuality, and thus, fertility; she is responsible for all life, but she is never a Mother goddess. She is also the Goddess of War.
I'm using these examples to show that the ancients had a more complex and nuanced understanding of Venusian energy. One cannot worship love without understanding that "war" is a consequence of it. Love & war are not very different from each other. When someone believes in something and is willing to die for it, we find that to be very honourable. Sometimes this belief leads men to kill others over it and depending on the cause, we describe the war as "good" or "bad" (kill a bunch of fascists and then its a "righteous" war, if you kill innocent people, then its an unholy war etc). Being at a state of war describes Venusian nature very well since Venus is also connected to royalty and if you're born into royalty, you get to live a very "exclusive" very privileged life that few get to enjoy but the stakes are also that much higher since you could be beheaded or executed or exiled and live a life that is far worse than the average person.
In this post I want to explore how this "state of war" can manifest internally in an ordinary Venusian and contribute to self harm, eating disorders and drug abuse.
Bella Hadid- Purvaphalguni Moon & Rising
Bella has admitted to smoking since she was a teenager and getting a rhinoplasty at 14. Her pro ana Tumblr from when she was a teen is infamous at this point. She has never openly spoken about it but it is widely speculated that she struggles with an eating disorder and possible drug abuse as well.
“I was the uglier sister. I was the brunette. I wasn't as cool as Gigi, not as outgoing,” she said. “That's really what people said about me.” I also feel like Venusians grow up feeling really ugly and completely unaware of their magnetism. They only really grow into their looks when they're older (obvs there are exceptions) and I think being bullied for what they have and don't have are also big themes.
Demi Lovato- Bharani Moon
Demi has spoken about struggling with self harm, eating disorders and drug abuse.
Lovato said, “growing up, I had been bullied in school,” saying she “felt like an outsider," and "like an outcast,” but then she became friends with a girl who was popular. “One day, I asked her ‘how do you have all these friends?,’” Lovato noted, and the girl asked Lovato “do you party?" Lovato explained, "She asked me, 'Do you drink?,'" with Lovato saying that this was her first experience with drugs and alcohol, adding, “we experienced a lot of stuff together, drinking and using, and growing up.” Bharani being an outcaste nakshatra resulted in Demi feeling like one growing one :(((
Taylor Swift- Purvashada Rising
Taylor opened up about her eating disorder in her documentary
Lindsay Lohan- Bharani Moon
LiLo has struggled with self harm, drug abuse and battled eating disorders
Oscar Wilde, Purvaphalguni Rising wrote The Picture of Dorian Gray
The plot goes like this : An attractive Englishman's image is captured in a painting that keeps him from ageing, when he exchanges his soul for eternal beauty. But for every sin that he commits, his image in the portrait rots.
This is a very deeply Venusian story, and very specifically Purvaphalguni esque because Purvaphalguni is the height of Venus. It can be said that its also true of Venusians in general. They are outwardly splendorous, they seem to have it all together but inwardly they tend to be inflicting wounds upon themselves in order to keep it all together.
Johnny Depp- Purvashadha Moon
He has also battled eating disorders, self harm and drug abuse.
Iggy Pop- Bharani Moon
"THERE IS EXTREME, there is legendary — and then there is Iggy Pop. Beginning in his earliest days with the Stooges taunting Ann Arbor frat boys and small town Michigan folk, Iggy made an art of excess: self-mutilation, self-exposure and self-destruction. His risky theatricality required an audience to respond, participate or get the heck out of there. And the sex and violence hardly stopped after the show was over."- this is how Rolling Stone described Iggy Pop and tbh this is a very Venusian description
In 1974, at his first solo concert dubbed The Murder of a Virgin. "Do you want to see blood?" Iggy asked the crowd, which howled affirmatively back at him. Then, at Iggy's urging, guitarist Ron Asheton, wearing a Nazi outfit, whipped Iggy repeatedly. Iggy began hurling racial epithets at a black spectator, hoping to goad the man into stabbing him with the steak knife he'd brought onstage. No luck, so he closed the set by carving an X into his chest himself.
Marilyn Manson- Purvashadha Sun
He has struggled with self harm in the past (there are images online if you're interested) and in 2013, he tried to simulate self harm on stage by holding a knife to his wrist in the middle of a performance??
Christina Ricci- Purvashadha Moon
Ricci has said she suffered from anorexia as a teenager and was sexually assaulted as a child. “There was no discussion at that time about trauma, and about recovering from those things, about PTSD,” she said. As a result, she ended up “acting out and coping in ways that weren't good."
Robert Downey Jr- Bharani Moon, Mars in Purvaphalguni
its pretty well known that RDJ was severely addicted to drugs at one point and it started when he was a child and drugs was given to him by his dad:///
Megan Fox- Purvashadha Rising
"I have body dysmorphia — I don't ever see myself the way other people see me," Fox said. "There's never a point in my life where I loved my body, never, ever." "When I was little, that was an obsession I had of, like, but I should look this way,"
‘However, at a certain point, I went through some trauma in childhood and I developed a pretty severe eating disorder and manic depression, which runs in my family, so there was definitely some wrestling with chemical imbalance going on,’ she shared.
its interesting how so many of these natives begin struggling with these issues very early in life
Colin Farrell- Purvashadha Rising, Jupiter conjunct Ketu in Bharani
While he did not say that he had cut himself when he was younger, Colin Farrell had some self-inflicting behavior during his younger days. He spoke on The Tonight Show with Jay Leno and said that he used to actually enjoy pulling out huge tufts of his hair.
Pete Davidson- Purvaashadha Rising
'I used to bang my head against walls,' he admitted. 'If I couldn't deal with something -- if someone told me something sad or something I couldn't deal with I would bang my head against the wall, hoping I'd pass out because I didn't want to be in that situation because I couldn't handle that.
Melanie Lynskey- Bharani Moon
“I stopped throwing up, mostly. It took a while. But that was a big one. I had, for a very long time, been on this diet that was basically 800 calories a day, and if I ate anything over 800 calories, I would throw up,” she said. “I was never bingey. Sometimes I’d be starving, and I’d have another teacup of Special K. Then I’d be like, ‘Well, now I gotta throw it up.’”
Tila Tequila- Purvaphalguni Moon
On March 7, 2012, it was reported that Tequila had agreed to check into rehab after having reportedly "almost died" from an attempted suicide by overdosing on pills. The incident caused her to be hospitalized for a brain aneurysm. Tequila completed her rehab treatment on April 5, 2012.
Jeffree Star- Purvashadha Moon
images of him self harming once went viral
Till Lindemann- Purvashadha Sun
he's known for his SH scars and has even written poems about it in German??? its called "The poems: Knives on silent nights"
Portia de Rossi- Rahu in Purvashadha 2h
she's struggled with an eating disorder
Padma Lakshmi- Purvaphalguni Sun & Moon
"When filming "Top Chef," I consume about 5,000 to 8,000 calories a day,'' she wrote. "I typically gain anywhere from 10 to 17 pounds every season. Once I get home, what's taken me six weeks to gain takes me 12 weeks to take off. It's always a nail-biting extravaganza at fittings, praying that a few pretty dresses that came down the runway on a teenage model who is a size 0 will miraculously fit my 40-something body,'' she wrote. "Getting ready for the Emmys is always fun, and it's truly an honor to be nominated. But at the same time, in spite of my high metabolism, I worry each year that I'm not going to fit into anything nice. So, this year, I've decided my weight will not be my focus,'' she wrote. "If I need a bigger dress, so be it. That one day — or any day — on the red carpet isn't nearly as important as making sure my daughter doesn't measure her worth by her dress size."
i guess this is a more positive manifestation of Venusian self image struggles
Jessica Alba- Bharani Stellium (Sun, Mercury & Venus)
“I was meant to feel ashamed if I tempted men,” she said. “Then I stopped eating a lot when I became an actress. I made myself look more like a boy so I wouldn’t get as much attention.”
Katie Couric- Purvashadha Sun
“I wrestled with bulimia all through college and for two years after that,” she shared with Lovato while interviewing her, per Glamour. “I know this rigidity, this feeling that if you eat one thing that’s wrong, you’re full of self-loathing and then you punish yourself, whether it’s one cookie or a stick of gum that isn’t sugarless, that I would sometimes beat myself up for that. How do you have a healthy relationship with food, and say, ‘You know what, I can have one cookie and it’s OK?’ That is such a huge thing for people who wrestle with this.”
Zayn Mailk- Purvaphalguni Moon
In his 2016 autobiography, Zayn, he shared it would sometimes cause him to go two or three days without eating a single bite of food. “Something I’ve never talked about in public before, but which I have come to terms with since leaving the band, is that I was suffering from an eating disorder. It got quite serious, although at the time I didn’t recognize it for what it was,” he wrote. “When I look back at images of myself—before the final tour—I can see how ill I was. The workload and the pace of life on the road put together with the pressures and strains of everything going on within the band had badly affected my eating habits. Food was something I could control, so I did.”
Zoe Kravitz- Purvaphalguni Moon conjunct Ketu
“I think it was part of being a woman, and being surrounded by [fame],” she said. “I think it was definitely about being around that world, seeing that world. I felt pressured.” After playing an anorexic character in a movie, she hit her lowest of lows and was so malnourished that her immune system shut down. Months later, she decided to make a change. “I just felt it was different,” she said. “I don’t know… if a f—king spirit came over me and said: ‘You have to stop.’”
Mel C, Purvaphalguni Rising
"When I was in the Spice Girls, the stress of suddenly being thrust into the limelight led me into an unhealthy relationship with food and exercise,” she told The Mirror in 2012. “I became obsessed about what I ate and I cut lots of food groups, like carbs and protein, out of my diet. I survived on fruit and vegetables and little else.”
Nicole Scherzinger- Mars conjunct Rising in Purvaphalguni
"I really struggled with feeling like I fit in. I even had a hard time feeling like I fit into my own skin. I was really hard on myself and had a lot of struggles with self-esteem and a lot of insecurities,” she said. “Later on, that resulted in me having eating disorders because of my body dysmorphia.”
if you're reading this and struggling, you're not alone. please get help!! its not too late to turn things around!! youre so strong and you can do this!!
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I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.
I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!
We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.
Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.
People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.
To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.
And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~
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