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Wednesday as Reductress Headlines (part 2):
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part 1 part 3
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whumpypepsigal · 1 year
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Wednesday s01e08: “Tyler. Son, is that really you?”
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hislittleraincloud · 2 months
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Wednesday Series 1 🫴🏽🕸️🖤🐦‍⬛💕💖🔥✨
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mistressvera · 1 year
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badmovieihave · 4 months
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Bad movie I have Wednesday The Complete First Season 2022
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brokehorrorfan · 4 months
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Wednesday: Season 1 will be released on Blu-ray and DVD on March 26 via MGM and Warner Bros. The Netflix original series is executive produced by Tim Burton, who directed the first four of eight episodes.
Created by Alfred Gough & Miles Millar (Smallville), the show stars Jenna Ortega, Gwendoline Christie, Jamie McShane, Hunter Doohan, Percy Hynes White, Emma Myers, Joy Sunday, Catherine Zeta-Jones, Luis Guzmán, Isaac Ordonez, Fred Armisen, and Christina Ricci.
It's nice to see a rare Netflix home video release, but unfortunately no special features are listed.
Wednesday is a sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy. Wednesday’s attempts to master her emerging psychic ability, thwart a monstrous killing spree that has terrorized the local town and solve the supernatural mystery that embroiled her parents 25 years ago — all while navigating her new and very tangled relationships at Nevermore.
Pre-order Wednesday.
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gameofthunder66 · 8 months
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Wednesday (2022- ) tv series
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-(finished) watchin' Season 1- 9/15/2023- 3 [1/2] stars- on Netflix
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abs0luteb4stard · 1 year
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W A T C H I N G
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chaoticstupiddm · 1 year
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I was thinking about Tyler's scenes with his father (some of my favorite scenes honestly), and two things came to mind. And sorry, if it has been talked about way too much before.
First one is they talk similarly. Both have a sarcastic edge, but other than that, their voices are similarly low, flat, there is little intonation to it. I know some people make fun of the delivery, or call it the actor's "straight voice" (like really, just because it is a bit deeper??), but it aligns so well with Jamie McShane's tone. It makes them seem more like a family, so I would like to commend the actors for that.
The other thing was, most of their conversations revolve around Tyler wanting his dad to talk to him about his mom or getting him to therapy, so they could talk about his mom there. From Dr. Kinbott's records, we can hear, that Tyler becomes cold and detached, whenever they try to talk about his mother. He cannot properly open up to his therapist, but deep down, he hopes he would be able to connect with his dad and talk about her. And if that would've happened, maybe that would have been enough to free himself from his slave status.
If the cold and detached persona comes out whenever the therapist asks about the mom, why is that never present when he tries to get his dad talking? He is angry, not cold. That is 100% Tyler begging for help.
So, mini theories:
Tyler is forbidden by Laurel to talk about his mother. When he is pushed, Hyde takes over. This caused Dr. Kinbott's death. Tyler is somehow able to surpass this with his father, or at least would be, if the man would talk to him.
The Hyde inside Tyler's head is trying to protect him, whenever he is experiencing high amount of distress, but even with the neglect and abuse (being "slapped around"), he wouldn't go against his dad, making him possibly the only one Tyler would trust enough.
There is no Hyde persona. Tyler is simply not comfortable talking about this deeply emotional topic to the therapist. He just wants to talk to his dad.
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musicandi · 1 year
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WEDNESDAY CAST APPRECIATION Tag
Hunter Dooran with castmates
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Weems, to Sheriff Galpin: My students are always on their best behavior. We frown on cursing at Nevermore.
Wednesday, in the distance: FUCK!
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hislittleraincloud · 8 months
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French is my second language. (Basic French pet names within.)
When I was ten years old, I was forced to learn French, Italian, and German (mostly French, because we were going to live in France, but just travel to Italy and Germany...at the same time, I picked up some Romanian as well, since I loved vampires/the real Dracula at the time). I retained spoken French and Italian, but my spoken German and Romanian suck, and I'm much better at Spanish (which is my father's first language...I was just never formally taught it, and had to pick it up on my own after we came back from France since it's what my grandmother spoke). I am literate in several other languages, but my strengths are French, Spanish, and Italian (including "Italian" from the Renaissance Era...which is another thing that bugs the crap out of me re: the show, because modern Italian on an espresso machine owner's manual does not equal the Florentine dialect that Machiavelli wrote in, so that was a piece of dialogue hit me weird...probably a Me Problem).
The languages are much different than English, especially French. It's not just about how much Netflix Wednesday hates being compared to her parents. It's about the language itself that's kind of important if you want to insist that your Wednesday use French (or other non-English language) pet names for Enid.
In my other post about this, I made one small error in judgment: AB Sheriff Galpin is a little cultured since he was married to a Frenchwoman, so he would know some French. However, I still don't think Wednesday would pull any French terms of endearment on him, for that very reason...she wouldn't to be compared to Francoise and she wouldn't want to trigger Donovan like that. IF Donovan were to relax his trauma around Francoise, he would definitely be calling Wednesday "ma crevette"...i.e. "my little munchkin" (literally means shrimp 💀...he might just do so in some way yet, I'm thinkin' about it).
But before I get into the French, y'all need to be strongly reminded of just how much Wednesday despises the way her parents relate to each other romantically: She hates it SO MUCH that her hatred for it caused birds to die. Birds that look like they're supposed to be mourning doves.
The backs of their tails look like mourning dove tails:
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Though their undersides don't, but I'm going to chalk it up to lazy CGI and lazy detailing, like the extremely, extremely lazy prop masters/set dressers who made the damnably inaccurate articles on Sheriff Galpin's cork board. All the articles and information in them were terribly inaccurate to what we were told on screen.
Regardless, birds DIED. That's how strong her hatred for how they behave romantically is.
But if you must insist on having Wednesday behave like her parents, at least get the language correct.
French is a heavily gendered language. I'm not even going to get into the current war over gender neutral French for the nbs, because that's not what this is about. Wenclair is a lesbian couple, and we are definitely dealing with females 99.9% of the time here w/the ship.
Thus Netflix Wednesday, being proficient in at least Spanish and Italian, would know how to use the next romance language properly, and would know proper pet names for males vs. females. She's cultured like that, and anything less would make her look stupid...and none of us want to make her look stupid.
Now to get to what's been bugging the Hell out of me:
It wouldn't be "mon loup". It would be "ma louloute" (though a literal translation of "my wolf" feminine would be "ma louve", which is kind of cute and looks like "love", but when the French want to get cute, they get cute). "Mon loup" is to refer to a male, so if Wednesday was dating Xavier or Tyler, it'd be "mon loup".
When I was growing up in France, one big pet name was "mon chou" (literally "my cabbage", even though it refers to a chou à la crème, i.e. a cream puff). My mother used to call me "mon petit chou", even though at the time I was still *living within my young AFAB body (corrected for clarity, I'm AFAB of course, this was long before my transition); she wasn't and isn't ever accurate with her French, because the feminine of "mon petit chou" is "ma chouchoute/choupinette". (I could see a Wenclair Wends getting creative and creating her own word, "lupinette" based on this.)
Other gendered* appropriate terms of endearment Wednesday would use if so compelled:
"ma biche"/"ma bichette" (my doe/my little doe) (Enid: WHAT did you call me??? 🤣)
"ma tigresse" (my tigress 🐯)
"ma poule" (my hen) or "ma poulette" (my little chick 🐣)
"ma princesse"
"ma douce" (my sweet) (Enid: DID YOU JUST CALL ME A DOUCHE? 💀)
"ma puce" (this is another I heard often, it literally means "flea", but in French it's affectionate)
"ma petite femme" (my little wife)
"ma reine" (my queen)
Finally, it's not "mon chéri", it's "ma chérie". That's the most basic one there is.
There are a ton of others out there, but these are the classics that I remember, and classic is what I assume all canon Ortega Wednesday is. Traditional, allergic to technology, sticks to old fashioned behavior like Donovan (I mean, did you bother to read that one page of her novel from Episode 7? Her writing vocabulary is off the charts and typical of someone raised/trained classically... that's the real reason her publishers probably rejected her).
*I say gendered appropriate (not "gender appropriate") because I'm talking about the language and there are French terms of endearment that do not have a feminine form, like "mon cœur" and "mon amour". These terms you can use for women/girlfriends that are 'masculine' gendered (yes, I realize there are a lot of animal ones, but that's French for ya):
"mon petit monstre" (my little monster)
"mon petit oiseau" (my little bird...oh hello, Sandor, where'd you come from 💩)
"mon poussin" (my chick 🐣)
"mon chaton" (my kitten 🐾)
"mon trésor" (my treasure)
"mon doudou" (my cuddlebug, basically)
"mon coco" (literally coconut, but it's like saying "my dear")
"mon ange" (my angel)
"mon lutin" (my elf...which might by apropos for Enid 🫠)
This is not at all meant to be an exhaustive list; there are several other pet names and probably new ones since language is constantly evolving. It might help to poke around online and/or join forums dedicated to those who speak your target language.
I realize it can be confusing. Non-English romance languages can be, if you don't know anything about them. As a writer, I'm very appreciative of my experiences in France and Italy*, and I think the newer writers need to think outside of the Anglocentric box when writing for a character like Netflix Wednesday. (I need to take my own advice, because I programmed one of my deleted scenes in English audio without thinking of the non-English speakers who read my fic. That's a whole other issue tho 🧠💥.)
Huh. That wasn't as bloody as I could've made it. I must be getting soft in my old age.
Anyway. We all want Wednesday to sound like someone who knows what she's doing. We should do better with our conversational dialogue than the actual writers. We don't want our Wednesday to be embarrassed or embarrassing, again...
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*And all the other countries I visited as a kid and adult...I know she's there right now, but I was in Buda in 2014 and while it's one of my favorite cities, Hungarian is the worst language ever 😭 EVER.
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defconprime · 8 months
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Jamie McShane as Zhaban
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tuppencetrinkets · 1 year
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Sorted caps from Season 1 of Wednesday. LMK if you guys want 200x100 icons.
Ajax - #2,300
Bianca - #5,700
Crackstone - #345
Enid - #14,552
Eugene - #2,900
Fester - #2,700
Sheriff Galpin - #4,800
Gomez - #5,600
Goody - #300
Kinbott - #3,400
Lucas - #1,800
Lurch - #600
Morticia - #9,000
Pugsley - #2,000
Richie - #300
Rowan - #1,100
Thornhill - #4,700
Tyler - #8,900
Walker - #1,400
Wednesday - #69,000
Weems - #10,000
Xavier - #9,000
This content is free for anyone to use or edit however you like; if you care to throw a dollar or two my way for time, effort, storage fees etc you are more than welcome to do so via my PAYPAL.  Please like or reblog this post if you have found it useful or are downloading the content within.  If you have any questions or you have any problems with the links or find any inconsistencies in the content, etc. please feel free to drop me a politely worded message via my ASKBOX  (second icon from the top on my theme!)  
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blehimalissa · 1 year
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and LASTLY, something I REALLY wanted to share. A reunion with Donovan. Obviously we know he has a tough and borderline abusive relationship with his father. He’s emotionally unavailable for Ty and barely pays any attention to him. I say abusive because in an Interview, Hunter says that him and Jamie (who plays sheriff Galpin) had many deep conversations on the topic and it actually was SCRIPTED, that Donovan hits him in a scene and they DID film it! But they cut it out of the final cut bc according to Hunter it was “too dark” at the time in the episode, he was told. (My theory was it happened when he says “no of course not. That would require you to actually talk about her” and Donovan walks up to him and gets in his face and Tyler just stares very strong and takes that deep breath like he’s ready for war, or it’s like the hyde trying to get out and he’s gunna lose it) NOW BACK TO THE IDEA OF THEIR REUNION! I see this as an opportunity for Donovan to redeem himself and he can mend their relationship. Sadly I can imagine a dirty, tired, bloody, tearful Tyler collapsing in his fathers arms and crying and just gripping him so hard not wanting to let go and saying “I’m sorry, I’m so sorry dad.” And “it wasn’t my fault” “I didn’t WANT to kill all those people. She made me” Because sure as a hyde by nature they’re blood thirsty but Laurel brought it out in him for her little mission. Making him kill people to use their body parts to resurrect crackstone. In season 1 episode 6, he says “Ty, come on bud” to him so I can see Donovan finally comforting his son, maybe caressing the back of his head and telling him. “Oh Ty, it’s gunna be okay Bud, we’ll figure this out.” And also probably him crying and apologizing too for not telling him about his mother earlier and explaining to him that he could by a Hyde too. Maybe then everything with Laurel wouldn’t have happened.
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danwhobrowses · 1 year
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Netflix's Wednesday - Review
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So the latest attempt at rebooting the Addams Family comes in the form of Netflix's Wednesday. Fresh off of The Sandman's success, the show sported a cast of Jenny Ortega, Gwendoline Christie, Catherine Zeta-Jones and even Christina Ricci (Wednesday from the 90s movies), while also being directed mostly by Tim Burton, music by Danny Elfman, and written by Alfred Gough and Miles Millar, we'll see how Netflix does with this.
Bear in mind, the Addams Family I am perhaps going to compare this to the most is the 90s movies of Ricci, Raul Julia, Anjelica Hutson and Christopher Lloyd - as well as Burton, but I also will be observing Ortega's portrayal of an older Wednesday similar to Youtube's 'Adult Wednesday Addams' shorts by Melissa Hunter (who later went on to do some writing for Santa Clarita Diet and She-Hulk), whose shorts were sadly cease and desisted - which could've been partly due to production of this very show, but I won't hold that against it.
Spoilers for Season 1 of Wednesday
So I'm going to review based on four key points; Production, Plot, Side Characters, and Wednesday herself, hopefully this way I will be able to express the pros and cons of the full scope of the show.
Production Production of the show was very sound actually; music was good, setting and costuming was also very well-done, showing differences from Wednesday's gothic style, Enid's bright and bubbly, Kinbott's clean whites, there are the theme motifs that you'd expect from a Burton-esque story.
In that same vein though, cgi was an oof at times, particularly for the Hyde, which was too uncanny to see past the Burton-esque bug-eyed claymations, Enid's wolf form was a bit iffy too.
But for the most part, Jericho and Nevermore academy did feel like real places that existed outside the vacuum of Wednesday's presence.
Oh also! Some things were just wrong, particularly the off-comment on Ophelia, Ophelia wasn't driven mad by her family she went mad over her lover, Hamlet. Given how Ricci's Wednesday performed Hamlet at school that's a definite gap.
Plot The plot is probably one of the things I am most on the fence about. For its pluses, it did work towards creating character development for Wednesday, layered into a murder mystery story, layered into a spooky high school scenario. It had some lovely easter eggs primarily playing on Addams family leitmotifs specifically the iconic double snap. There is a balance as well of being gothic but also caught up to current affairs, expanding the world more familiar to the Addamses via the presentation of 'outcasts'. The plot does invite a second series as well, but doesn't try to force it either.
However, there are things I struggle to shake off. For one, it doesn't help that this feels far too much like The Chilling Adventures of Sabrina, another stylistic reboot of a gothic female teen character in a gothic academy uncovering prophecies and having frosty relationships with the Queen Bee's kliq, while also engaging in her own love triangle and fighting a vengeful entity of the past. I do find it odd as well why we necessitated Wednesday to be in a high school setting, since her character had often been presented as emotionally mature and aware, in some cases it does feel like Wednesday was plopped into a monster high school concept to buff up its budget. Much of the murder mystery feels like it has holes in it as well, with characters simply acting oblivious or unhelpful to one another, Wednesday's continued distrust in Xavier for instance rides on the annoying side even when DNA didn't match, and Sheriff Galpin had been suspicious of a monster since episode 1 but chose not to suspect his son who he had worried carried on the genetics of his mother? Tis odd to say the least. Weens and Wednesday had their annoyances too, simply caused by a lack of communication.
The love triangle also felt unnecessary, it was perhaps to try and push the idea that Xavier was the threat to smokescreen Tyler but honestly I'm more disappointed in the Tyler reveal than shocked, because it falls so painfully hard down to cliché, as does much of the high school melodrama. For better or for worse; Bianca, Eugene, Ajax, Xavier and Enid are very cookie-cutter level high school clichés and frankly Xavier is still not a great love interest for Wednesday, let's not forget his actions at the Rave'N. For a story where Wednesday is being sent to an academy of people like her, there is an awfully apparent lack of people like Wednesday anyway, which bodes the need to change high school settings?
I will also note my dislike of the whole concept of 'outcasts vs normies', what made the Addams family good was indeed their counternormative lifestyle but they still existed peacefully among society, in Wednesday it wasn't bad that the main villain was a hypocritical reanimated pilgrim with a magic staff but it did harm the show that every 'normie' character was either dead or complicit to the evil side, thematically it failed in a lot of areas. Also was I the only one who caught on quickly that Thornhill was the enemy? Even before the introduction of Laurel? I mean Laurel is the name for a plant for one and it feels obvious to write Christina Ricci as the new Wednesday's antagonist anyway. The 'outcasts' don't seem too different in physiology either, it may've been a movie thing but the Addams often tended to be indestructible, they drink Cyanide, they can survive a point-blank bomb, they do the electric chair as a child's game, so it is kind of a far cry to 'do you mind ghost ex machina, I have been stabbed to death'. Finally it's probably gonna sound controversial to some but it was not lost on me that that nearly every male character ends up being useless in the climax, only Eugene comes in clutch and it's only to distract, Xavier makes things even more dire, Thing is AWOL, Galpin does shoot his own son but it's an extension of his inaction, and Ajax is just a spectator. I know writers want to try to stress strong female characters but that doesn't mean every male character must be either evil, useless or a cheap shot in it, the goal is supposed to be equality is it not?
Side Characters As a result of the plot issues, the side characters did suffer much. Enid was presented as the polar opposite of Wednesday, which did work in her favour a lot, her half-baked romance with Ajax is perhaps an underdeveloped spot however, underdeveloped also being the key word to use for Bianca and Walker - the mayor's son. Eugene is underbaked too, what could've worked as a good 'innocent cinnabon' character did end up being kept away from much of the series for too long. Tracking back to Enid, of course people immediately ship her with Wednesday, she could've been any kind of character and people would pair her because fandom is how fandom does. If you ship it it's okay but honestly I see it as platonic (reminder that two people of any gender are allowed to be just good friends), I feel like Ajax can be more of a character and it's a bit mean to disregard him too, bright colours doesn't always mean queer coding either but I will give you that 'Lycan conversion camp' did feel like a shoehorn of gay conversion therapy in its dialogue, however I don't think she 'wolfed out' because of Wednesday, they hinted it before she was clued on in Wednesday being in danger.
Principal Weems is perhaps the character who suffered the most from the narrative, it felt like she would be the obstacle for Wednesday out of jealousy towards Morticia, but really she just acts pretty fairly, if not a bit politically. Her then dying in the finale felt like a waste.
The Galpins became a mixed bag in the end, because Sheriff Galpin did feel like a good guy who needed to learn to trust the 'outcasts' more and open up, but in the end he just turned out to be a hypocrite indecisive about whether he's being oblivious towards his son's nature or looking for someone to take the fall for his son's crimes. I've already expressed my disappointment in the Tyler turn, mainly the fact that it ended up just being an act - it did a lot feel like the actor was only told when doing the final episode, because he did feel like a nice kid - I still don't know how he wounded himself but it just felt like a letdown that he was the cliché honeytrap minion who is fully aware of his evils. Thornhill at least had more method in her 'too nice' persona.
Xavier was the grumpy artist who felt more like he expected reward for interacting with Wednesday, and while she did wrongly hound him with accusations he wasn't exactly likable either. Rowan as well was a character who kinda was...well, dumb. The dude sees a picture his mother drew of Wednesday and a guy who clearly looks like a Pilgrim and decides Wednesday is the villain, sure maybe Telekinesis did fuck with his brain but it does mean that the foundation of Wednesday's investigations becomes born out of misinterpretation.
Which leads us to the Addams family themselves and, it's a mixed bag. I know people will say 'people don't think Morticia and Gomez are goals anymore because they're not hot' but honestly, chemistry is important. I've seen Catherine Zeta-Jones in the Zorro films, the chemistry she had with Banderas is far and beyond what she has with Luis Guzmán. I don't think I liked that their relationship with Wednesday had waned either, I understand high school is teenage rebellion phase but again, Wednesday had always been to my experiences very emotionally mature, in Addams Family Values one of the first things she says is 'they had sex' when countering a child's story about a stork bringing babies. Pugsley suffered the most in the short time he was there, suddenly unable to take care of himself and despite being Addams-like, still being conscious enough to be bullied by high school jocks. The Gomez murder plot was weak too, the build up of 'she wouldn't believe it' being just that Morticia killed Gareth Gates (not the singer) in self-defense was also weak I was expecting a lot more. On the plus side, Fester and Thing were great, Fester was only in one episode but was entertaining and frantic, while Thing provided a lightness as both accomplice and wingman to Wednesday, but also having a mostly unseen bond with Enid and experiences with Tyler and Xavier.
Wednesday herself Jenny Ortega, writing aside, was fantastic as Wednesday. Having nailed the cold wide glare, the dry tone and the silver tongued clapbacks, Ortega turned Wednesday into a capable, inquisitive loner but also one with flaws of being uncompassionate, untrusting and having been absorbed by tunnel vision. While Wednesday has these flaws that distances her from others, it also works to develop her on wearing down on these flaws. I do have some annoyance with the mother issues she has, the unpredictable nature of her visions are rather convenient also, but some of the best scenes are also moments where Wednesday is in full expression of her true self, particularly the cello scenes and the dance scene at the Rave'N. Ortega certainly filled the shoes of an iconic role that often kept the show afloat.
Conclusion Overall, Wednesday was a good start as a spinoff, setting the foundations of what the show would be like. I would certainly watch more of Wednesday herself but I would dedicate more time to fleshing out the side characters properly, while also remembering the counter-normalcy roots of the Addams Family's appeal. Remember that Wednesday is not simply a gothier Chilling Adventures of Sabrina, and overescalation does not make things more successful, Adult Wednesday Addams thrived on putting Wednesday's character in normal and everyday scenarios such as one night stands, confronting catcalling or having a job interview, people will watch for Wednesday but that doesn't mean effort beyond cliché and the odd wink nudge to the camera should not be put in.
The show is a decent watch, but considering Ortega's performance and the shoes they're filling, there was certainly more we could've gotten out of it.
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